Bread Lover Quotes

Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added

I thought English is a strange language. Now I think French is even more strange. In France, their fish is poisson, their bread is pain, and their pancake is crepe. Pain and poison and crap. That's what they have every day.

In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.

I am sitting at my kitchen table waiting for my lover to arrive with lettuce and tomatoes and rum and sherry wine and a big floury loaf of bread in the fading sunlight. Coffee is percolating gently, and my mood is mellow. I have been very happy lately, just wallowing in it selfishly, knowing it will not last very long, which is all the more reason to enjoy it now. I suppose life always ends badly for almost everybody. We must have long fingers and catch at whatever we can while it is passing near us.

I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them.

In a Cafe" I watched a man in a cafe fold a slice of bread as if he were folding a birth certificate or looking at the photograph of a dead lover.

Henry was inclined to drift towards books as keenly as a duck paddles for bread crusts.

They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising.

I wrote too many poems in a language I did not yet know how to speak But I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eat So this is my wheat field you can have every acre, Love this is my garden song this is my fist fight with that bitter frost tonight I begged another stage light to become that back alley street lamp that we danced beneath the night your warm mouth fell on my timid cheek as i sang maybe i need you off key but in tune maybe i need you the way that big moon needs that open sea maybe i didn't even know i was here til i saw you holding me give me one room to come home to give me the palm of your hand every strand of my hair is a kite string and I have been blue in the face with your sky crying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest now my heart is a pressed flower and a tattered bible it is the one verse you can trust so I'm putting all of my words in the collection plate I am setting the table with bread and grace my knees are bent like the corner of a page I am saving your place

I'll keep it," she said. "Then, when you get back, after you and the dark one are done making out and planning a future filled with blond-haired, green-eyed, pigment-challeneged rug rats, I'll bring it over and you can add it to your scrapbook, right before you start cooking me dinner. I like vegetarian lasagna with cottage cheese instead of ricotta." "Gwen?" "And don't forget the mushrooms. Garlic bread, too, please. That is, as long as your vampire lover doesn't object." "I want to say thank you," Isobel said. "For... everything." "No," Gwen said. "Thank you for the delicious dinner. I can almost taste the baklava you and Darth Vader will be making for dessert. Something tells me you're gonna have to look that one up, though.

Both Fen & Helen needed me to choose, to be their one & only when I didn’t want a one & only. I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them.

Life is an ambivalent lover. One moment, you are everything and life wants to consume you entirely. The next moment, you are an insignificant speck of nothing. Meaningless.

When some people talk about money They speak as if it were a mysterious lover Who went out to buy milk and never Came back, and it makes me nostalgic For the years I lived on coffee and bread, Hungry all the time, walking to work on payday Like a woman journeying for water From a village without a well, then living One or two nights like everyone else On roast chicken and red wine.

He toasted his bacon on a fork and caught the drops of fat on his bread; then he put the rasher on his thick slice of bread, and cut off chunks with a clasp-knife, poured his tea into his saucer, and was happy.

better the crime, the suicides of lovers, the incest committed by brother and sister like two mirrors in love with their likeness, better to eat the poisoned bread, adultery on a bed of ashes, ferocious love, the poisonous vines of delirium, the sodomite who wears a gob of spit for a rose in his lapel, better to be stoned in the plaza than to turn the mill that squeezes out the juice of life, that turns eternity into empty hours, minutes into prisons, and time into copper coins and abstract shit

We are the daily bread of forlorn lovers, of all who want to believe in love; they cannot live without a taste.

I do know I can lie awake all night and it feels as if someone is cutting out my stomach the pain of having lost her is so awful. And I am angry that I was made to choose, that both Fen & Helen needed me to choose, to be their one & only when I didn’t want a one & only. I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them. It was unfair, the way I had to decide one way or another in Marseille. Perhaps I made the conventional choice, the easy way for my work, my reputation, and of course for a child. A child that does not come.

Like butter spread on bread, spread love, joy and laughter.

I don't say it and I don't think it. It's their affair and let them eat it with their bread; whether or not they were lovers, they've already made their accounting with God. I tend to my vines, it's their business, not mine; I don't stick my nose in; if you buy and lie, your purse wants to know why. Besides, naked I was born, and naked I'll die: I don't lose or gain a thing; whatever they were, it's all the same to me. And many folks think there's bacon when there's not even a hook to hang it on. But who can put doors on a field? Let them say what they please, I don't care.

Scanty and insufficient suppers those, and innocent of meat, as if most other sauce to wretched bread. Yet, human fellowship infused some nourishment into the flinty viands, and struck some sparks of cheerfulness out of them. Fathers and mothers who had had their full share in the worst of the day, played gently with their meager children; and lovers, with such a word around then and before them, loved and hoped.

THE INTEREST WITHOUT THE CAPITAL The lover's food is the love of the bread; no bread need be at hand: no one who is sincere in his love is a slave to existence. Lovers have nothing to do with with with existence; lovers have the interest without the capital. Without wings they fly around the world; without hands they carry the polo ball off the field. That dervish who caught the scent of Reality used to weave basket even though his hand had been cut off. Lover have pitched their tents in nonexistence: they are of one quality and one essence, as nonexistence is.

It was like this: you were happy, then you were sad, then happy again, then not. It went on. You were innocent or you were guilty. Actions were taken, or not. At times you spoke, at other times you were silent. Mostly, it seems you were silent—what could you say? Now it is almost over. Like a lover, your life bends down and kisses your life. It does this not in forgiveness— between you, there is nothing to forgive— but with the simple nod of a baker at the moment he sees the bread is finished with transformation. Eating, too, is a thing now only for others. It doesn't matter what they will make of you or your days: they will be wrong, they will miss the wrong woman, miss the wrong man, all the stories they tell will be tales of their own invention. Your story was this: you were happy, then you were sad, you slept, you awakened. Sometimes you ate roasted chestnuts, sometimes persimmons.

To show you what you would not otherwise believe,' Locke said. 'Envy. Fear. Anger. Jealousy. They're all spices.' He laughed at my expression. 'What is bread without salt? Desire can grow just as plain.' 'I don't understan-' He put a finger against my mouth. 'Not every lover can appreciate such spices. But I think you can.

They say that February is the shortest month, but you know they could be wrong. Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes it's a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April's nose. However more abbreviated than it's cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behavior that grows quickly old. February is pitiless, and it's boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine's Day. It was no accident that our ancestors pinned Valentine's day on February's shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed. Except to the extent that it "tints the buds and swells the leaves within" February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui holding both progress and contentment at bay. If February is the color of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you're small! Where you twice your tiresome length, few of us would survive to greet the merry month of May.

Mrs Morel was happy, bullying her clergyman over his sermons, sitting at tea with a gentleman, who passed her the bread and butter, who waited for her to begin.

In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.

INTERVIEWER Why don’t you write tragedy? BARTHELME I’m fated to deal in mixtures, slumgullions, which preclude tragedy, which require a pure line. It’s a habit of mind, a perversity. Tom Hess used to tell a story, maybe from Lewis Carroll, I don’t remember, about an enraged mob storming the palace shouting “More taxes! Less bread!” As soon as I hear a proposition I immediately consider its opposite. A double-minded man—makes for mixtures. INTERVIEWER Apparently the Yiddish theater, to which Kafka was very addicted, includes as a typical bit of comedy two clowns, more or less identical, who appear even in sad scenes—the parting of two lovers, for instance—and behave comically as the audience is weeping. This shows up especially in The Castle. BARTHELME The assistants. INTERVIEWER And the audience doesn’t know what to do. BARTHELME The confusing signals, the impurity of the signal, gives you verisimilitude. As when you attend a funeral and notice, against your will, that it’s being poorly done. [...] I think of the line from the German writer Heimito von Doderer: “At first you break windows. Then you become a window yourself.

Beloved, Dearest One: How I long to shout to the world our happiness. I feel that you and I are the only two people alive in the world - the only people that know the secret meaning of existence. I have no diamond rings, no gifts of love that other lovers have for their beloved. My poetry is all I have to offer you. And so I dedicate my collected verses, 'Poems of Poverty,' to you, beloved. Morris.

Envy. Fear. Anger. Jealousy. They’re all spices.” Locke laughed at my expression. “What is bread without salt? Desire can grow just as plain.” “I don’t understan—” He put a finger against my mouth. “Not every lover can appreciate such spices. But I think you can.

There is a way that she can look up at you through heavy-lidded, dark wells for eyes. It will fill you with this unassailable desire to unburden her. She doesn't know it, but it was this very thing that endeared her to her lovers. The magnetic gravity of the planet that is her.

ask, Hath your house been burnt? Hath your property been destroyed before your face? Are your wife and children destitute of a bed to lie on, or bread to live on? Have you lost a parent or a child by their hands, and yourself the ruined and wretched survivor? If you have not, then are you not a judge of those who have. But if you have, and still can shake hands with the murderers, then you are unworthy of the name of husband, father, friend, or lover, and whatever may be your rank or title in life, you have the heart of a coward, and the spirit of a sycophant.

Everyone wants be a gangster until it’s time to do some 'gangster sh**': 
Say it to their face. Say you’re sorry. Forgive someone. Tell someone you love them. Show them why. Let shit go. Admit when you’re wrong. Be a better winner. Be a better loser. Help another human being. Break bread with your enemy. Open up your heart. Understand your feelings. Say what you actually feel. Do what you say. Tell the truth. Do the right thing. Choose forgiveness over revenge. Choose kindness over stones. Accept people as they are. Take the higher road. Be the change you want to see.

you can still pass the violations over, then I ask, Hath your house been burnt? Hath your property been destroyed before your face? Are your wife and children destitute of a bed to lie on, or bread to live on? Have you lost a parent or a child by their hands, and yourself the ruined and wretched survivor? If you have not, then are you not a judge of those who have. But if you have, and still can shake hands with the murderers, then are you unworthy the name of husband, father, friend, or lover, and whatever may be your rank or title in life, you have the heart of a coward, and the spirit of a sycophant.

We are lovers, we say Yes to each other.  Yes to life—to more and more of life—to its brevity, its grief, its disappointments.  To its possibilities, its magnificence, its glory.  We quarrel—because we glimpse further possibilities, the non-sense—and wish to lay claim to it.  We remember death, and that life is brief, and that the time for love is now and more is possible.  One more step toward the holy.  It is to know the peace that passes understanding and that there is no peace.  It is to love others as they are, warts and all, and to believe that more is possible, and to bespeak that wanting.  It is to pray 'Give us this day our daily bread….' and to know that we do not live by bread alone.  It is to remember death, and to love life and to accept them both as holy. More and more, then, the embracing of ministry is work for an artist—one who is alert to 'apprehending the points of intersection of the timeless with time.

It went exactly according to my plan. That is, until my period was a week late and I realized I ate an entire loaf of bread and seven sticks of string cheese while I sat at the kitchen table looking at the calendar and wishing I'd paid more attention to math in kindergarten because there was no f**king way I counted right.

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

To illustrate toaster righteousness, let’s say God decides to use toasters to spread His messages. He incorporates his love into an LLC called God’s Toasters, LLC. Toasters are now the legal and spiritual messengers of God. Different toaster brands are made all over the world. It doesn’t matter where the toasters are introduced in the world, some people support them and others oppose them. It is God’s will to have different toasters made in different countries. Toaster Righteousness comes into play when people start believing that if we do not eat a specific bread recipe and shaped bread, we cannot receive authentic holy toast. Exceptions are made with pita lovers, but everyone else in the world is doomed to live in eternal burnt-toast hell, not golden-brown toast heaven. Throughout history, bread is a staple of peoples’ diets. The introduction of toasters is supposed to support show us how to eat bread better, being grateful for the bread we are given, sharing toast with one’s neighbor, and not killing in the name of bread.

Oh, this smells fantastic.” She slid up onto one of the stools. “Italian. And you said you could only make one thing.” “Yeah, I really slaved over this.” He turned toward the oven with a flourish and removed a flat pan with… Ehlena burst out laughing. “French-bread pizza.” “Only the best for you.” “DiGiorno?” “Of course. And I splurged on the supreme kind. I figured you could pick off what you don’t like.” He used a pair of sterling-silver tongs to transfer the pizzas onto the plates and then put the baking sheet back on the top of the stove. “I have red wine, too.” As he came over with the bottle, all she could do was stare up at him and smile. “You know,” he said as he poured some into her glass, “I like the way you’re looking at me.” She put her hands over her face. “I can’t help it.” “Don’t try. It makes me feel taller.” “And you’re not small to begin with.” -Ehlena & Rehv

Many Black men feel they have been driven into the grave by heart attacks and strokes while trying to appear as that solid rock for the individuals in their lives—be they children, spouse, lover, gay companion, what have you, who don't ever want to see them break down. These individuals don't want to see the person they labeled "provider" as having times of vulnerability. Which reaffirms why critiques of conventional notions of patriarchy are so important. Because that model of manhood denies the full humanity of men, denies that there are moments in men's lives when they need to say, "I can't go out there and do this stressful thing that is breaking my spirit anymore." Black men have not felt, especially the many Black men who have been strong providers, who have carried the mantle of representing a strong, dignified Black manhood, that they need a space to articulate their emotionaly vulnerability.

Suddenly he flung down the pencil, and was at the oven in a leap, turing the bread. For Miriam he was too quick. She started violently, and it hurt her with real pain. Even the way he crouched before the oven hurt her. There seemed to her something cruel in it, something cruel in the swift way he pitched the bread out of the. tins, caught it up again. If only he had been gentle in his movements, she would have felt so rich and warm. As it was, she was hurt.

Those beautiful girls, so happy when you acted like a gentleman and all of that, just to touch them and carry the memory of it back to my room, where dust gathered upon my typewriter and Pedro the mouse sat in his hole, his black eyes watching me through that time of dream and reverie. Pedro the mouse, a good mouse but never domesticated, refusing to be petted or house-broken. I saw him the first time I walked into my room, and that was during my heyday, when The Little Dog Laughed was in the current August issue. It was five months ago, the day I got to town by bus from Colorado with a hundred and fifty dollars in my pocket and big plans in my head. I had a philosophy in those days. I was a lover of man and beast alike, and Pedro was no exception; but cheese got expensive, Pedro called all his friends, the room swarmed with them, and I had to quit it and feed them bread. They didn't like bread. I had spoiled them and they went elsewhere, all but Pedro the ascetic who was content to eat the pages of an old Gideon Bible.

First morning, I steal white coffee cup from table. Second morning, I steal glass. So now in my room I can having tea or water. After breakfast I steal breads and boiled eggs for lunch, so I don’t spending extra money on food. I even saving bacons for supper. So I saving bit money from my parents and using for cinema or buying books. Ill–legal. I know. Only in this country three days and I already become thief. I never steal piece of paper in own country. Now I studying hard on English, soon I stealing their language too.

there are so many more facts, now that I have not to invent them. How can I disinter the human character from the heavy scene—the daily newspaper, the daily meal, the traffic grinding towards Battersea, the gulls coming up from the Thames looking for bread, and the early summer of 1939 glinting on the park where the children sailed their boats—one of those bright condemned pre-war summers? I wondered whether, if I thought long enough, I could detect, at the party Henry had given, her future lover. We saw each other for the first time, drinking bad South African sherry because of the war in Spain. I noticed Sarah, I think, because she was happy: in those years the sense of happiness had been a long while dying under the coming storm.

A woman isn't something to be used for as long as she has flavor, then tossed aside when your taste for her is gone. There's got to be some promise, some agreement that you'll be around." Marjan's embarrassment had reached combustible levels. "Isn't Father Mahoney waiting for you?" She threw her sister an icy glance. "Don't want to be late for your lesson." Julian did not seem at all perturbed by Bahar's interrogation. In fact, he seemed to be rather enjoying it. "I couldn't agree with you more. 'The Beloved is all, the Lover just a veil.'" Bahar shook her head. "It'll take a lot more than poetry to impress. Every schoolkid knows his Rumi." "Ah, but 'whatever is in the heart will come up to the tongue.' Isn't that what the old Persians used to say?

Autumn Cannibalism depicts a plastic couple in intimate embrace in the act of eating each other. Although the features are not uniformly rendered—the hands detailed, the heads leavening into each other like rising bread—the anthropophagy is clearly a function of sexual intimacy. The man pinches a doughy inch from his lover’s waist while spooning cream from the breast region (although there is no breast here, only a white enameled flatness) while the woman’s left arm dangles about his neck, her hand languidly holding a knife. The knife cuts into the torso of the man, which presents itself as a loaf of bread. Although perhaps my description of the anatomy is lacking, the cyclical nature of love—one’s feeding and feeding, the plastic ability of the bodies to nourish as food, the constant flux of the forms, the flow of man into woman, their rendering as a single, spiraling form—should seem more familiar. Or maybe it doesn’t, this elemental desire, the lovers reduced to ingredients and appetite.

HEART ACTION Think about when you are silent about God's activity in your life. Look for a chance this week to speak out about God's goodness. Giving and gratitude go together like humor and laughter, like having one's back rubbed and the sigh that follows, like a blowing wind and the murmur of wind chimes. Gratitude keeps alive the rhythm ofgrace given andgrace grateful, a lively lilt that lightens a heavy world. LEWIS B. SMEDES Our Father who is in heaven, hallowed be Your name. Your kingdom come. Your will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our debts, as we also have forgiven our debtors. And do not lead us into temptation, but deliver us from evil. For Yours is the kingdom and the power and the glory forever. Amen. -MATTHEW 6:9-13 The "Lord's Prayer" is a model for our prayers. It begins with adoration of God (verse 9), acknowledges subjection to His will (verse 10), asks of Him (verses 11-13), and ends with an offering of praise (verse 13). The fatherhood of God toward His children is the basis for Jesus' frequent teaching about prayer. "Your Father knows what you need," Jesus told His disciples, "before you ask Him" (Matthew 6:8). Jesus presents a pattern that the church has followed throughout the

Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —

A Sweet Woman from a War-Torn Country" In her exile, they often describe her as that “sweet woman from a war-torn country” … They don’t know that she loved smelling roses … That she enjoyed picking spring wildflowers and bringing them home after long walks… They don’t know about that first kiss her first lover stole from her during a power outage at church on that Easter evening Before the generators were turned on… They don’t know anything about the long hours she spent contemplating life under the ancient walnut tree in her village, while waiting for her grandfather to call her to eat her favorite freshly baked pita bread with ghee and honey… They don’t know anything about her grandmother’s delicious mixed grains that she prepared every year before Easter fasting began… In exile, they try to be nice to her… They keep repeating that she is now in a “safe haven”… They attribute her silence is either to her poor language skills, or perhaps because she agrees with them… They don’t know that the shocks of life have silenced her forever… All she enjoys doing now is pressing her ears against the cold window glass in her apartment listening to the wailing wind outside … They repeatedly remind her that she is now in a place where all values, beliefs, religions, and ethnicities are honored, but life has taught her that all of that is too late… She no longer needs any of that… All she needs, occasionally, is a sincere hand to be placed on her shoulder or around her neck To remind her that nothing lasts That this too shall pass… [Published on April 7, 2023 on CounterPunch.org]

went to her workshop three times a week to paint with Kirsten. She rarely frequented the Lark House dining room, preferring to eat out at local restaurants where the owners knew her, or in her apartment, when her daughter-in-law sent the chauffeur around with one of her favorite dishes. Irina kept only basic necessities in her kitchen: fresh fruit, oatmeal, whole-grain bread, honey. Alma and Seth often invited Irina to their ritual Sunday lunch at Sea Cliff, where the family paid the matriarch homage. To Seth, who had previously used any pretext not to arrive before dessert—for even he was unable to consider not putting in an appearance at all—Irina’s presence made the occasion infinitely more appealing. He was still stubbornly pursuing her, but since he was meeting with little success he also went out with previous girlfriends willing to put up with his fickleness. He was bored with them and did not succeed in making Irina jealous. As his grandmother often said and the family often repeated, why waste ammunition on vultures? It was yet another enigmatic saying often used by the Belascos. To Alma, these family reunions began with a pleasant sense of anticipation at seeing her loved ones, particularly her granddaughter, Pauline (she saw Seth frequently enough), but often ended up being a bore, since every topic of conversation became a pretext for getting angry, not from any lack of affection, but out of the bad habit of arguing over trivialities. Seth always looked for ways to challenge or scandalize his parents; Pauline brought to the table yet another cause she had embraced, which she explained in great detail, from genital mutilation to animal slaughterhouses; Doris took great pains to offer her most exquisite culinary experiments, which were veritable banquets, yet regularly ended up weeping in her room because nobody appreciated them; good old Larry meanwhile performed a constant balancing act to avoid quarrels. The grandmother took advantage of Irina to dissipate tension, because the Belascos always behaved in a civilized fashion in front of strangers, even if it was only a humble employee from

I took out the round, crusty bread and made a hole in the centre with my thumb. Then I opened the tin of sardines with the little key that came with it, carefully twisting it sideways, smartly avoiding the released oil spurt. I poured the contents into the hole in the bread, gently spreading the sardines in tomato sauce evenly with my Swiss knife. I took out the cotton napkin, folded it over the bread and pressed lightly for a few seconds. I was very fussy about sardines and I had my own set of rules on how to eat them. I removed the napkin and examined the bread from all sides, making sure that it was thoroughly soaked with the juice on the bottom while remaining crusty on top. Satisfied, l bit into it

Mother, I have made a bird of prey my lover, When I give him bits of bread he doesn’t eat, So I feed him with the flesh of my heart. —Shiv Kumar Batalvi

Do not fear the divine when it comes knocking upon your soul. It may appear as the smiling face of a friend, the fleeting embrace of a lover, dear buds in bloom, the child that smiles as you pass by and the hurricane, that piece by fragile piece, rips apart doors and windows of your ego. No, do not fear the divine, my friend. The faces are much too numerous to recognize. Offer a crust of bread, your bed, a moment of your time, a tear. Walk forward into the fire.

It was like this: you were happy, then you were sad, then happy again, then not. It went on. You were innocent or you were guilty. Actions were taken, or not. At times you spoke, at other times you were silent. Mostly, it seems you were silent - what could you say? Now it is almost over. Like a lover, your life bends down and kisses your life. It does this not in forgiveness- between you, there is nothing to forgive- but with the simple nod of a baker at the moment he sees the bread is finished with transformation. Eating, too, is a thing now only for others. It doesn't matter what they will make of you or your days; they will be wrong, they will miss the wrong woman, miss the wrong man, all the stories they tell will be tales of their own invention. Your story was this: you were happy, then you were sad, you slept, you awakened. Sometimes you ate roasted chestnuts, sometimes persimmons.

There was a salad, with dressing in a separate container, some mashed potato, chicken legs, and the garlic bread.

I want words which are scalpel sharp and shiny; poems keen enough to gut a fish and clean it. Poems labelled not for domestic use. The kind you keep on the top shelf away from the thieving hands of children. And I want to feed you warmly scented words; small loaves of wholemeal bread so you will remember the kitchens where you stood in a slant of sunlight and listened to the radio crooning somewhere above. I want to rock you with my mothering songs. I want my poems to fly out of your pockets--- a troupe of magician's doves, somersaulting in the air, a perfect explosion of soft fireworks. I want them to follow you; like Valentine's cards or bad cheques constantly re-addressed. These poems are birthed from some deep place. They wear that bruised look of the newborn. They will find their way into your sleep with their naked hands and greed. They will come to you like a lover, saying: let me bring you inside into the circle made by my tongues of fire.

You might expect such a grand hamper to be filled with smoked salmon, a cocktail of olives---ciabatta bread, perhaps. But no. Marcus knows that my taste in food runs to the far side of the Philistine. Instead, the hamper is packed with pork pies, hot pizza wrapped in foil, Walkers crisps, Pringles, my very favorite muffins from Chocolate Heaven and, in its own little cooler, a tub of Ben & Jerry's Chocolate Chip Cookie Dough Ice Cream.

Any decent person would at least wait until there was some bread on the table before throwing out insults.

Before Kambirinachi, Banji was kind but never on time; he was generous but never on time; he listened attentively but, again, never on time. With his new lover, his internal clock shifted, or expanded. It grew to accommodate other people's rhythms. You could say that he became more considerate. Quite simply, he considered Kambirinachi before himself. Dangerous, yes. But tis also allowed him to consider his mother, sisters, friends, and colleagues with more generosity, too.

THE INTEREST WITHOUT THE CAPITAL The lover's food is the love of the bread; no bread need be at hand: no one who is sincere in his love is a slave to existence. Lovers have nothing to do with existence; lovers have the interest without the capital. Without wings they fly around the world; without hands they carry the polo ball off the field. That dervish who caught the scent of Reality used to weave basket even though his hand had been cut off. Lover have pitched their tents in nonexistence: they are of one quality and one essence, as nonexistence is.

Bread and Music Music I heard with you was more than music, And bread I broke with you was more than bread; Now that I am without you, all is desolate; All that was once so beautiful is dead. Your hands once touched this table and this silver, And I have seen your fingers hold this glass. These things do not remember you, belovèd, And yet your touch upon them will not pass. For it was in my heart you moved among them, And blessed them with your hands and with your eyes; And in my heart they will remember always,— They knew you once, O beautiful and wise. D. H. Lawrence is better known today for his novels, which include the then-infamous Lady Chatterley's Lover, but he was one of the better early modernist poets

For married lovers, the marriage is bread and butter and the affair is icing on the cake. Affairs between married and single people have an imbalance of power because the affair is the one-and-only for the unmarried person, who has to wait in line for time and attention that isn’t already allocated to the spouse and kids. Ralph

TINY CRAB CAKES 1 egg 1½ cups fresh breadcrumbs (see Note) ¼ cup finely chopped scallions (2–3 scallions) 1 tablespoon mayonnaise 1 teaspoon lemon juice (juice of about ⅙ medium lemon) ½ teaspoon Worcestershire sauce ¼ teaspoon seafood seasoning mix, such as Old Bay 8 ounces fresh lump-style crabmeat, picked over 2–3 tablespoons vegetable oil Scallion brushes for garnish (optional; see page 19) MAKES ABOUT 24 MINI CAKES (4–6 SERVINGS) 1. To make the Curry-Orange Mayo, whisk together the mayonnaise, curry powder, orange zest, orange juice, and Tabasco in a small bowl. Refrigerate for at least 2 hours or up to 3 days. When ready to serve, transfer to a pretty bowl and sprinkle with the scallions. 2. To make the crab cakes, lightly beat the egg in a large bowl. Add ¾ cup of the breadcrumbs, the scallions, mayonnaise, lemon juice, Worcestershire sauce, and seasoning mix. Stir well to blend. Add the crabmeat and mix gently, being careful not to shred the crabmeat entirely. 3. Spread the remaining ¾ cup of breadcrumbs onto a plate. Form the crab mixture into 24 cakes, using a scant tablespoon for each one, and dredge lightly in the crumbs. Arrange on a wax paper-lined baking sheet. 4. Heat 2 tablespoons of the oil in one or two large skillets over medium heat. Cook the cakes until golden brown and crisp on one side, about 2 to 2½ minutes. Flip and repeat. The cakes should be hot inside. Repeat with any remaining cakes, adding more oil as necessary. Serve immediately, or place on a foil-lined baking sheet, wrap well, and refrigerate for up to 24 hours, or freeze for up to 2 weeks. 5. If you make the cakes ahead, remove from the refrigerator or freezer 30 minutes prior to reheating. Preheat the oven to 375°F. Bake the cakes until hot and crisp, 10 to 15 minutes. 6. Arrange on a platter with the sauce for dipping, and garnish with the scallion brushes, if desired. Note: Tear 3 slices of good-quality bread into pieces and whir in a food processor to make breadcrumbs. Portland Public Market The Portland Public Market, which opened in 1998, continues Maine’s long tradition of downtown public markets, dating back to the 19th century. Housed in an award-winning brick, glass, and wood structure, the market, which was the brainchild of Maine philanthropist Elizabeth Noyce, is a food-lover’s heaven. Vendors include organic produce farms; butchers selling locally raised meat; purveyors of Maine-made cheeses, sausages, and smoked seafood; artisan bakers; and flower sellers. Prepared take-away food includes Mexican delicacies, pizza, soups, smoothies, and sandwiches, and such well-known Portland culinary stars as Sam Hayward (see page 127) and Dana Street (see page 129) have opened casual dining concessions.

Tania,” Alexander said amiably, “I promise, I will just feed you and send you home. Let me feed you, all right?” Holding the bags in one hand, he placed the other hand on her hair. “It’s for your birthday. Come on.” She couldn’t go, and she knew it. Did Alexander know it, too? That was even worse. Did he know what a bind she found herself in, what unspeakable flux of feeling and confusion? They crossed the Field of Mars on their way to the Summer Garden. Down the street the river Neva glowed in the sunlight, though it was nearly nine o’clock in the evening. The Summer Garden was the wrong place for them. Alexander and Tatiana couldn’t find an empty bench amid the long paths, the Greek statues, the towering elms, and the intertwined lovers, like tangled rose branches all. As they walked, her head was lowered. They finally found a spot near the statue of Saturn. It was not the ideal place for them to sit, Tatiana thought, since Saturn’s mouth was wide open and he was stuffing a child into it with derelict zeal. Alexander had brought a little vodka and some bologna ham and some white bread. He had also brought a jar of black caviar and a bar of chocolate. Tatiana was quite hungry. Alexander told her to have all the caviar. She protested at first, but not vigorously. After she had eaten more than half, scooping the caviar out with the small spoon he had brought, she handed him the rest. “Please,” she said, “finish it. I insist.” She had a gulp of vodka straight from the bottle and shuddered involuntarily; she hated vodka but didn’t want him to know what a baby she was. Alexander laughed at her shuddering, taking the bottle from her and having a swig. “Listen, you don’t have to drink it. I brought it to celebrate your birthday. Forgot the glasses, though.” He was spread out all over the bench and sitting conspicuously close. If she breathed, a part of her would touch a part of him. Tatiana was too overwhelmed to speak, as her intense feelings dropped into the brightly lit well inside her. “Tania?” Alexander asked gently. “Tania, is the food all right?” “Yes, fine.” After a small throat clearing, she said, “I mean, it’s very nice, thank you.

Jesus today has many lovers of his heavenly kingdom, but few of them carry His cross. He has many friends who ask for consolation, but few who pray for affliction. He has many companions to share His meals, but few to share His abstinence. We all want to rejoice with Him, but few of us are willing to suffer anything for His sake. Many follow Jesus up to the breaking of the bread, but few go on to the drinking of the chalice of His passion. Many admire His miracles but few follow in the ignominy of His cross.

AN ANCIENT ANISE BREAD Buccellato

Certainly, you are not much like other women. You are a piece of icy propriety—your love is a kind of milk-and-watery sentiment, which would never lead you very far astray. I can fancy you behaving somewhat in the style of Werther’s Charlotte—who is, to my mind, one of the most detestable women in fiction. Yes! Goethe has created two women who are the opposite poles of feeling—Gretchen and Lottie—and I would stake my faith that Gretchen the fallen has a higher place in heaven than Lottie the impeccable. I hate such dull purity, which is always lined with selfishness. The lover may slay himself in his anguish—but she—yes—Thackeray has said it—she goes on cutting bread and butter!

this earth, as a parent, as a lover, as a migrant, as a bird. And if we are to suspend our secular beliefs, even for half a paragraph, we can imagine the migrated souls of all the human ancestors presently at table, looking over their bloodline progeny gathered together over the familiarity of cabbage and fried rice and the unfamiliarity of a meat disk between two circular pieces of bread, happy as parents in a playground when all of the children assembled play together quietly and at peace, and no one’s young feelings are hurt, and everyone will go home still innocent. Of course, by the logic of fiction, we are at a high point now. This respite, this happy family, these four new lovers, this child slowly losing her shyness, all of this must be slated for destruction, no? Because if we were to simply leave them feasting and ecstatic, even as the less fortunate of the world fell deeper into despair, even as hundreds of thousands perished for lack of luck, lack of sympathy, lack of rupees, would we be just in our distribution of happiness? And so we sigh, cross ourselves, mumble the Kaddish, perform our pujas and wudu, all in preparation for the inevitable, which, in this case, comes with the crunch of gravel down the driveway.

We gather as we always have: Naomi and Ruth, Aphrodite and Helen, Eve and her lioness. We are good girls. Mothers and dancers and counselors. We are wicked too, but we won't tell you this. Instead we arrange plates of bread and fruit, slip into the center of each other. Find our childhoods, our varied pleasures, the aged and blistered scars. We are half drunk, half destroyed. Nothing left but blood and bone. Still we surface— fold into each other like paper cranes. Her, like a long-lost lover. Her, a cool and healing balm.

...perhaps it was more like a bread crumb than a proper piece of a memory, but every lover of fairytales knew that bread crumb trails were always worth following.

The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.

How wonderful it would be to slide into a bistro booth with Paul, the leather seat allowing us to sit hip to hip as so many lovers before us had done. The offerings would be meager, but there would at least be warm bread and wine. We’d talk about everything. Which crème fraîche is best? From southeast or southwest France? Which new play should he do? How much he loved me. But then what? He’d go home to his family and leave me worse than before

The world is rotten,' he said to me one day, as we picked apart a stick of olive bread we had bought from a street-hawker. 'Do not pretend it is not. Lover of books, do you think they do not rape their maids? And philosophers, do they not whip their slaves? They are every bit as ugly and nasty as me, but they laurel themselves with illuminate crowns and pronounce: 'oh, high-minded acolytes, do you not admire me?' and don't people rush forwards, bowing and scraping, and muttering, 'oh, yes, great poet, yes!' They claim to deliver freedom, but freedom strictly of their own design. Freedom conditional to rules - especially rules like politeness and fairness and being equal, all those horrors - is no kind of freedom at all. I will take my own freedom, thank you, where I please, and what philosophers offer me in consolation of my sorrow, they can...'He paused, sighed, smiled'...they can stick it up their puckered arses

Pissenlit (DANDELION SALAD) YIELD: 4 SERVINGS PISSENLIT, as the common dandelion is often called in France, is considered a great early-spring treat in our family. Gloria loves to pick the greens at the end of March and the beginning of April, especially the small white specimens hidden in the fallen leaves behind our guesthouse. This family tradition started for me with my father and my two brothers, and now my wife and daughter, Claudine, are great lovers of pissenlit salad. The leaves should be picked before the flowers start forming, while they are small, white, and tender. There is no comparison between the tender wild dandelion greens you pick yourself and the ones that are found in markets. With a small paring knife, cut about an inch below the ground to get the dandelion plant in one piece. Cut the leaves away from the root, and discard any that are damaged or darkened. Our version always includes pieces of pancetta as well as croutons, boiled eggs with soft yolks, and a dressing made of garlic, anchovies, and olive oil. 4 large eggs 5 ounces pancetta, cut into pieces about 1 inch long, ½ inch wide, and ½ inch thick (about 2 dozen) 2 cups water 6 tablespoons extra-virgin olive oil 2 teaspoons chopped garlic 4 anchovy fillets in oil, finely chopped 1 tablespoon red wine vinegar ½ teaspoon salt ½ teaspoon freshly ground black pepper A piece of baguette (about 3 ounces), cut into sixteen ¼-inch slices About 8 ounces (8 cups packed) dandelion greens, washed two or three times and spun dry Lower the eggs carefully into boiling water, and boil them at a simmer for 7 minutes. Pour out the water, shake the pan to crack the shells, then fill the pan with ice, and let the eggs cool in the pan for at least 15 minutes. Peel the eggs under cold running water, and cut them into quarters. Meanwhile, put the pancetta pieces in a saucepan, and cover them with the water. Bring the water to a boil, and boil gently for 10 minutes. Drain, then put the pancetta in a saucepan with 1 tablespoon of the olive oil. Cook gently for 5 minutes, or until crisp and lightly browned. Transfer the pancetta along with the rendered fat to a salad bowl, and add the garlic, anchovies, vinegar, salt, pepper, and 4 tablespoons of the olive oil. Mix well. Preheat the oven to 400 degrees. Spread the remaining 1 tablespoon oil on a cookie sheet, press the slices of bread into the oil, and then turn them over, so they are oiled on the second side. Bake for 8 to 10 minutes, until nicely browned. At serving time, add the greens to the salad bowl, and toss them with the dressing. Divide among four plates, and top with the bread and quartered eggs. Serve.

A lover’s food is the love of bread, not the bread. No one who really loves, loves existence. Lovers have nothing to do with existence. They collect the interest without the capital. No wings, yet they fly all over the world. No hands, but they carry the polo ball from the field. That dervish got a sniff of reality. Now he weaves baskets of pure vision.

Give up wanting what other people have. That way you’re safe. “Where, where can I be safe?” you ask. This is not a day for asking questions, not a day on any calendar. This day is conscious of itself. This day is a lover, bread, and gentleness, more manifest than saying can say. Thoughts take form with words, but this daylight is beyond and before thinking and imagining. Those two, they are so thirsty, but this gives smoothness to water. Their mouths are dry, and they are tired. The rest of this poem is too blurry for them to read.

loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread.

She felt awkward and stiff at most gatherings, although Ross's mother assured her that she would feel more comfortable as time passed. She found it somewhat easier to mix with "second-tier" sorts, such as Sir Grant and his wife, Victoria, and the crowd of professionals who were not nearly as rarefied as those in the first circles. These people were far less pretentious, and far more aware of ordinary matters like the cost of bread and the concerns of the poor.

You crave for my voice, my touch, my mouth. Desires of your geography that I so well understand. Neither bread nor water will quench that which is rising deep inside you. You await for my presence!

Once my hair is gone, once I can no longer taste my food, once I have passed out while shopping for a bread knife in IKEA, once the ex-lovers have all visited to make one last attempt to get me in bed, once the generous humiliations of crowdsourced charity have assured me months of organic produce, I have become a patient. The old ways are through. Any horizon is made of medicine.

By the way, although nowadays your average waiter will no longer flinch when an American or a German asks for a cappuccino after or even with dinner (he knows what side his bread is buttered on, be advised that he thinks it’s pretty disgusting). No Italian would ever drink cappuccino with, or immediately after, a meal and finds the idea repulsive as, at this juncture, I confess, do I.

the word desirable. Of course, we learn later just how seductive that can be. Early rabbinic literature showed a sexual connotation to chamed as chamdam, using it as a reference to a lustful person. Chimmud is even blunter as a reference to a sexual appetite. As a verb chamed means to be excited or hot. Hebrew Jewish grammarian David Kimhi (Radak) states that it is no coincidence that the word cham (hot), makes up two thirds of the root. He points out that lechem chamudot is taken by some to mean fresh, hot tasty bread. So what I am drawing from this? Is Solomon’s beloved saying she is sitting under the apple tree with one hot number? Well, there is much more to my research on this verse that I cannot put into a short study, so I am leaving open a number of gaps, but let me just share my conclusion on Song of Solomon 2:3. The young lover is making a very distinct play on the word chamed by bringing it into association with the apple tree among the trees of the woods. This is a direct reference to the forbidden fruit of the Garden of Eden. She sits under her beloved’s shadow with covertness or chamed eating this forbidden fruit. You see the word chamed ultimately has the idea of intimacy or totally possessing and consuming something. This fruit is not forbidden so long as she consumes it within the bounds of intimacy born out of love with her beloved. Just as a sexual relationship is forbidden outside

Breakfast at Texas Roadhouse: What You Need to Know When it comes to hearty meals and a rustic dining experience, Texas Roadhouse is a name that stands out. Known for its hand-cut steaks and warm rolls, many people wonder if Texas Roadhouse serves breakfast. Here’s everything you need to know about enjoying breakfast at Texas Roadhouse—or alternatives if it’s not on the menu. Does Texas Roadhouse Serve Breakfast? Traditionally, Texas Roadhouse is not a breakfast-serving restaurant. Its menu primarily focuses on lunch and dinner offerings, including juicy steaks, fall-off-the-bone ribs, and comforting sides like mashed potatoes and baked beans. However, this doesn’t mean breakfast lovers are entirely out of luck. Special Events and Local Variations In some locations, Texas Roadhouse may host special breakfast events or offer early morning meals for fundraisers, holidays, or unique occasions. These events typically feature breakfast staples with a Texas Roadhouse twist—think hearty omelets, pancakes, and even breakfast-themed steak dishes. It’s always a good idea to check with your local Texas Roadhouse for any special breakfast events or promotions they might be running. Breakfast Alternatives at Texas Roadhouse While breakfast isn’t part of the regular menu, you can still enjoy some breakfast-inspired options during lunch or dinner. For instance: Texas-Sized Portions: Pair steak with eggs from the comfort of your kitchen by taking advantage of their take-home options. Sides That Feel Like Breakfast: Sweet potatoes, baked bread, and loaded mashed potatoes can give off that morning comfort food vibe. Exploring Breakfast Favorites in Texas If you’re in Texas and craving breakfast, plenty of nearby diners and breakfast spots offer southern-style breakfast options. From chicken-fried steak with eggs to biscuits and gravy, you’ll find plenty of places to start your day right. The Final Word on Breakfast at Texas Roadhouse While Texas Roadhouse isn’t your go-to breakfast destination, its hearty offerings and occasional special events make it worth keeping on your radar. Whether you're stopping by for a weekend dinner or catching a special morning fundraiser, Roadhouse always delivers a satisfying dining experience.