Brandy Love Quotes

We've searched our database for all the quotes and captions related to Brandy Love. Here they are! All 100 of them:

I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world.
Lemony Snicket
All those other girls are cake...I'm Crème brûlée...Tiramisu, if you will. Just a few notches above.
Brandi L. Bates
It was like a Russian party, Arkady thought. People got drunk, recklessly confessed their love, spilled their festering dislike, had hysterics, marched out, were dragged back in and revived with brandy. It wasn't a French salon.
Martin Cruz Smith
Eighteen luscuios scrumpitous flavors, Chocolate,Lime and Cherry Coffee,Pumpkin, Fudge-Banana, Caramel Cream and boysenberry. Rocky Road and Toasted Almond, Butterscotch,Vanilla Dip, Butter Brinkle, Apple Ripple,Coconut,and Mocha Chip, Brandy Peach and Lemon Custard. Each scoop lovely.smooth and round. Tallest cream cone in town lying there on the ground.
Shel Silverstein (Where the Sidewalk Ends)
Miserable people love to make other people miserable. I don't hate them, I just feel sorry for them.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
Falling in love with me didn’t mean she fell out of love with him. It meant she loved us both. I want her to love me more.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
Unapologetically smitten with thunderstorms...the thought of rough sex beneath an acid washed moon and hydrated stars...
Brandi L. Bates (Soledad)
Drama does not just walk into our lives. Either we create it, invite it, or associate with it.
Brandi L. Bates (Remains To Be Seen)
In order to grow, I promise you'll have to let go of some habits. 10 times out of 10, they'll be the habits you're most in love with.
Brandi L. Bates (Remains To Be Seen)
Love in the real world doesn’t usually work out the way stories make us think it should. We don’t always get fairy-tale endings. People split up and move on. Just because you love someone doesn’t mean you can’t love someone else.” - Georgina to Brandy
Richelle Mead (Succubus Shadows (Georgina Kincaid, #5))
You settle for less, you get less.
Brandi L. Bates (Remains To Be Seen)
The books on plastic surgery, the pamphlets and brochures all promised to help me live a more normal, happy life; but less and less, this looked like what I'd want. What I wanted looked more and more like what I'd always been trained to want. What everybody wants. Give me attention. Flash. Give me beauty. Flash. Give me peace and happiness, a loving relationship, and a perfect home. Flash. Brandy says, "The best way is not to fight it, just go. Don't be trying all the time to fix things. What you run from only stays with you longer. When you fight something, you only make it stronger." She says, "Don't do what you want." She says, "Do what you don't want. Do what you're trained not to want." It's the opposite of following your bliss. Brandy tells me, "Do the things that scare you the most.
Chuck Palahniuk (Invisible Monsters)
Give me Pablo Neruda, picnic beneath a full moon & iridescent stars, black olives, cherries, dark things, canoe on a river...that's romance.
Brandi L. Bates (Soledad)
You’ve got it all wrong, baby. Loving you doesn’t make me weak. It makes me unstoppable.
Meagan Brandy (Reign of Brayshaw (Brayshaw, #3))
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
I’m in love with her, and if I’m right, which I hope to hell I am, she’s on her way to loving me right back. If she could, I’d need nothing else. Just her.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
Everyone's life changes when they meet their Obi-Wan & their Yoda, or their Morpheus & their Oracle; those who help remove the veil.
Brandi L. Bates
All I could feel was love leaking in my soul and my heart seeping bits of heaven.
Brandi L. Bates (Amid the Cacophony of Cries)
If I’m Romeo and she’s Juliet, maybe this is the fate I put on us that very first day. Love forbidden, but in our story, we’re forbidden by fate. Maybe I was the placeholder, as Mason wondered. Maybe I’m not the man of her dreams but the understudy who did the noble work. Who befriended a broken girl. Who showed her what it meant to matter to a man, how it felt to be loved. She knows now that she’s worth the world and deserves even more.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
As that fucking chandelier twinkled overhead, Blay said roughly, "I'm still in love with him." Saxton dropped his eyes and brushed a the top of his thigh, as if there might have been a tiny piece of lint there. "I know. You thought you weren't?" As if that were rather stupid of him. "I'm so fucking tired of it. I really am." "That I believe." "Im so fucking..." God, those sounds, that muted pounding , that audible confirmation of what he had been ignoring for the past year-- On a sudden wave of violence, he pitched the brandy snifter at the marble fireplace, shattering the thing. "Fuck, Fuck!" If he'd been able to, he'd have jumped up and torn that goddamn cocksucking light fixture off the goddamn cocksucking ceiling.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
That's why people loved stories so, I realized in that instant, because they found in them what was missing from their own lives, the things they knew, no matter how much or how hard they might hope and dream and scheme, they would never have.
Brandy Purdy (The Queen's Pleasure)
Completely and totally, permanently and without hope, forever and ever I love Brandy Alexander. And that's enough.
Chuck Palahniuk (Invisible Monsters)
The path to the three-way junction is one I’d take ten times over, no matter where it leads because loving Arianna Johnson is worth the risk. Being loved by her is priceless. The time was worth the torment.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
Lowkey punchdrunk off this Sangria-sweet love and all it’s prodigious trappings…
Brandi L. Bates (Unknown Book 9429921)
I will Basquiat the canvas of your body like a Broadway Junction wall…and Gordon Parks you for those dark midnights when your scent fades.
Brandi L. Bates
Your skin reminds me of everything beautiful I've ever loved... how the moon gets jealous at how you mock her crescent figure with the shape of your mouth... echo of unborn galaxies bounce forth through your vocal chords...
Brandi L. Bates
The gentlemen among my readers will smile to themselves and say that women never did understand business, but the ladies may agree with me that Mrs Brandy understood her business very well, for the chief business of Mrs Brandy's life was to make Stephen Black as much in love with her as she was with him.
Susanna Clarke (Jonathan Strange & Mr Norrell)
For a long moment the butler sat in silence, his jaw hanging open. “I . . . my lord, I simply don't feel qualified to advise you about such matters.” “Don't tell me that,” Saint protested. “Tell me whether you can imagine me as a married man or not.” To his surprise, the butler set aside his brandy snifter and sat forward. “My lord, I do not wish to overstep my bounds, but I have noticed a change in your demeanor of late. The question of whether anyone can imagine you married or not, however, is one I believe must be answered by you. And the lady, of course.” Saint frowned. “Coward.” “There is that, as well.
Suzanne Enoch (London's Perfect Scoundrel (Lessons in Love, #2))
People always say the greatest love story in the world is Romeo and Juliet. I don't know. At fourteen, at seventeen, I remember, it takes over your whole life." Alice was worked up now, her face flushed and alive, her hands cutting through the night-blooming air. "You think about nobody, nothing else, you don't eat or sleep, you just think about this . . . it's overwhelming. I know, I remember. But is it love? Like how you have cheap brandy when you're young and you think it's marvelous, just so elegant, and you don't know, you don't know anything . . . because, you've never tasted anything better. You're fourteen." It was no time for lying. "I think it's love" You do?" I think maybe it's the only true love." She was about to say something, and stopped herself. I'd surprised her, I suppose. "How sad if you're right," she said, closing her eyes for a moment. "Because we never end up with them. How sad and stupid if that's how it works.
Andrew Sean Greer (The Confessions of Max Tivoli)
The truth is, no man is my savior, my Jesus, my Buddha, or my mama. He is just a man.
Brandy Engler (The Men on My Couch: True Stories of Sex, Love and Psychotherapy)
Be selective in your battles...
Brandi L. Bates (Remains To Be Seen)
My hope is that you’ll add to this someday, create more Riley family recipes with the woman who holds your heart in the palm of her hand, just as you hold hers. With every bit of my love, Mom.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
Raw Living: Picking blackberries, beneath late afternoon sun; a sunset reminiscent of watermelon sangria, as the scent of honeysuckle accosts me and the ducks waddle into the lake. Thanking Mama Nature for her abundance. Loving this candied-sweet southern life.
Brandi L. Bates
I love you, baby. Every part of you. I love the way you link life to lyrics, how you smile at the moon and love like the ocean,
Meagan Brandy (Say You Swear (Boys of Avix, #1))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
I should address the word “forgiveness.” It’s got a bad rap. It’s become patronizing, whitewashed, upper-middle-class, a suburban kind of word in our culture that is used more often to vilify than to redeem. It’s #blessed for the twenty-first century. I hate this because to the divine, it’s radical. This word sticks in my craw the way the phrase “love the sinner, hate the sin” does. When someone says, “I’ll pray for you,” I feel like they’re saying, “From my platform of purity, I’ll pray for your iniquity.” When they say, “I forgive you,” they’re saying, “From my position of righteousness, I will accept you even though you’re wrong and inadequate.
Brandi Carlile (Broken Horses)
We've developed algorithms for orgasms, broken it down to a science, I spell out equations on the small of your back, your kisses, the most beautiful calculus I've ever studied. You do fractions and long handed division up my thighs, balance equations between my legs...even my sharp clefts and C-notes can't match our depths...
Brandi L. Bates (Unknown Book 9429921)
I’ve always felt that love is like Belgian chocolate, you know, the ones with brandy filling. You always say you’re going to take one more bite, one more chocolate, and then, the whole box is gone. Perhaps the morning after, you might even get indigestion or a headache, and still, that evening, you might stop by the supermarket and buy another box because you simply can’t get enough.
Scarlet Hyacinth (Belgian Chocolates and Incubus Kisses (The Taste of Love #1))
Honey, if you’re bored, that means you’re boring.
Brandy Engler (The Men on My Couch: True Stories of Sex, Love and Psychotherapy)
Understand: I don't ever want to be equal to any other being. I always want to be greater...in all things, in all circumstances.
Brandi L. Bates (Remains To Be Seen)
No one is born with equality. We all come here with varying degrees of opportunities, qualities, strengths, weaknesses, IQ, etc.
Brandi L. Bates (Remains To Be Seen)
A writer will divine a metaphor from a pattern on a dress, or a gesture, because sunsets have been done before.
Brandi L. Bates
Quality sells itself. No hype needed.
Brandi L. Bates (Red Flags)
True love was about letting go. A daily choice. Knowing the worst about a person and sacrificing for them anyway. Choosing to love.
Brandy Vallance (The Covered Deep)
Like the Bermuda triangle, she swallowed her victims whole.
Brandi L. Bates (Remains To Be Seen)
You’re like if Brandi Carlile and Adele had a love child,” Phoebe said.
Emma Scott (All In (Full Tilt, #2))
He thinks that there's no reason to eat breakfast unless Eleanor is there to give him that silly wide grin of hers. He wants to have an argument with her just so he can kiss her into a good mood again. He wants to sleep with her every night, see her holding a baby with brandy-colored hair like hers... He wants her forever... He can't bear the idea that she might ever love another man.
Eloisa James (A Duke of Her Own (Desperate Duchesses, #6))
in his open palm. His eyes never leave mine. “I want you, Arianna Johnson, like no man has ever wanted a woman before. I’m sure of it. I want to give you the life you dreamed of, the one you shared with me. I want to give you a home on the ocean, one that will be ours, where the back deck faces the ocean, so we can sit outside at night while the sun sets, but only so we can watch the way the moon bounces off the water the way you love. I want to come home and cook for you while you sit back and watch our little one in your arms.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
The moral of the story couldn’t be clearer: you already know if your partner is fucking around behind your back, you just need to decide if you’re done being a doormat. You need to wake up one morning and decide that those rose-colored glasses are so last fucking season.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
It's just such a big commitment," Brandy says, "being a girl, you know. Forever." Taking the hormones. For the rest of her life. The pills, the patches, the injections, for the rest of her life. And what if there was someone, just one person who would love her, who could make her life happy, just the way she was, without the hormones and make-up and the clothes and shoes and surgery? She has to at least look around the world a little.
Chuck Palahniuk (Invisible Monsters)
Under the twinkling trees was a table covered with Guatemalan fabric, roses in juice jars, wax rose candles from Tijuana and plates of food — Weetzie's Vegetable Love-Rice, My Secret Agent Lover Man's guacamole, Dirk's homemade pizza, Duck's fig and berry salad and Surfer Surprise Protein Punch, Brandy-Lynn's pink macaroni, Coyote's cornmeal cakes, Ping's mushu plum crepes and Valentine's Jamaican plantain pie. Witch Baby's stomach growled but she didn't leave her hiding place. Instead, she listened to the reggae, surf, soul and salsa, tugged at the snarl balls in her hair and snapped pictures of all the couples.
Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
Because I never wanted you to know!' Alastair burst out. 'Because I wanted you to have a childhood, a thing I never had. I wanted you to be able to love and respect your father as I never could. Every time he made a mess, who do you think had to clean it up? Who told you Father was ill or sleeping when he was drunk? Who went out and fetched him when he passed out in a gin palace and smuggled him in through the back door? Who learned at ten years old to refill the brandy bottles with water each morning so no one would notice the levels had sunk—?' He broke off, breathing hard.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
There's a difference between bad and evil, John Bowie once told her, his voice slurred with brandy. Bad is when you ignore the one you love. But evil is when you know exactly what that person wants, what means most to them, and you figure out how to take it away.
Josh Malerman (Unbury Carol)
When my son speaks of playing sports, I've always told him: playing on the team is great, but aspire to be the guy who owns the team. I've always told my son: most of the guys on the team will end up bankrupt with bum knees, but not the guy who owns that franchise.
Brandi L. Bates
I loved you when I shouldn’t have, and I’ve loved you every day since.
Meagan Brandy (The Deal Dilemma)
You and those shot-glass eyes, deep swirling pools of 80-proof firewater, with the depth and profundity of Saturn’s spinning pulsars…
Brandi L. Bates
The house was cozy, with a fire burning in every fireplace. The familiar scents of tea brewing in the samovar and Maman's warmed cherry brandy smelled like love to me.
Robin Bridges (The Gathering Storm (Katerina, #1))
A woman can lend a man the strength to conquer a kingdom, and bring him to his knees with one breath.
Brandy Nacole (Sacrifice: A New Dawn (The Shadow World, #3))
This is your last chance, honey,” Brandy says, and her blood is getting all over the place. She says, “Do you love me?” It’s when folks ask questions like this that you lose the spotlight.
Chuck Palahniuk (Invisible Monsters Remix)
I would tell my 14 year old self to never ever, ever put all of your money in one bank account. And love the ones who love you back. You're going to want to quit...DON'T! Oh, and get everything in writing.
Brandi L. Bates (Soledad)
Sure, occasionally a certain sappy song or romantic movie would come on, and you’d wonder what he or she was up to, but there was no way to know. Of course, you could always pick up the phone (and more recently, text or e-mail), but that would require that person’s knowing you were thinking of him or her. Where’s the fun in that? You never want them to know you’re thinking of them, so you refrain. Before long the memories start to fade. One day, you realize you can’t quite remember how she smelled or the exact color of his eyes. Eventually, without ever knowing it, you just forget that person altogether. You replace old memories with new ones, and life goes on. It was the clean break you needed to move forward.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
The most surprising thing about breaking up is that you already know how to do it. Everything you need to know, you learned in kindergarten. Yours should always be better than his (especially when it comes to lawyers).
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
Sweet, Arianna, my Noah became your Noah, and honey, he was your everything, just as you are his. You fell for him right back, and you never got up. Love, Lori, the mother forever in debt to the woman who loves her son.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
As a society, we’ve become inherently lazy. Everyone’s always taking the easy way out—looking for the quick fix. It’s no wonder love is no longer appreciated the way it used to be. It’s no wonder love has lost its meaning.
Brandi Leigh Hall (Tethered (Birthright #1))
You would have,” I say, with a bit of surprise, although it shouldn’t surprise me. Ben has been in love with Savannah since puberty. “Without hesitation,” he replies coldly, and takes another sip of brandy. When his glass is drained, he slaps it on the desk and walks toward my door. “Ben,” Declan says, stopping our friend when he grips the doorknob. “What exactly is Savannah to you?” Ben glances over his shoulder at Dec, shakes his head, his eyes suddenly sad, and leaves without a word.
Kristen Proby (Easy Love (Boudreaux, #1))
David’s mouth dripped open slowly. He stood with his heels dug into my carpet, a dashed hope, a broken dream. No amount of money could top the priceless look that gathered on his face like an unmade bed. His eyebrows crumpled and furrowed like disheveled sheets. His lips curled into an acidic smirk. Confusion and shock collided in the cornea of his dilated pupils. He was a B.B. King song, personified. His entire body sang the blues.
Brandi L. Bates (Quirk)
I love rain. I love the sound of it falling on an umbrella, each drop that hits the cloth a soothing sound. Everything is so fresh and clean. It always feels as if each drop is helping to wash away the hurt, the pain, the dirt that life leaves behind. As if the mere act of it falling can give life a rebirth, a second chance.
B.M. Polier (After Image (Viola Chronicles, #1))
Monsieur, beware of love! It is lying in ambush everywhere; it is watching for you at every corner; all its snares are laid, all its weapons are sharpened, all its guiles are prepared! Beware of love! Beware of love! It is more dangerous than brandy, bronchitis or pleurisy! It never forgives and makes everybody commit irreparable follies.
Guy de Maupassant (Complete Original Short Stories of Guy De Maupassant)
You’re a product of our language”, Brandy says, “and how our laws are and how we believe our God wants us. Every bitty molecule about you has already been thought out by some million people before you” she says. “Anything you can do is boring and old and perfectly okay. You're safe because you're so trapped inside your culture. Anything you can conceive of is fine because you can conceive of it. You can’t imagine any way to escape. There’s no way you can get out […] And if you can find any way out of our culture, then that’s a trap, too. Just wanting to get out of the trap reinforces the trap”. The books on plastic surgery, the pamphlets and brochures all promised to help me live a more normal, happy life; but less and less, this looked like what I'd want. What I wanted looked more and more like what I'd always been trained to want. What everybody wants. Give me attention. Flash. Give me beauty. Flash. Give me peace and happiness, a loving relationship, and a perfect home. Flash. Brandy says, "The best way is not to fight it, just go. Don't be trying all the time to fix things. What you run from only stays with you longer. When you fight something, you only make it stronger." She says, "Don't do what you want." She says, "Do what you don't want. Do what you're trained not to want." It's the opposite of following your bliss. Brandy tells me, "Do the things that scare you the most”.
Chuck Palahniuk (Invisible Monsters)
Sometimes I think the Most High believes I can shoulder the weight of 1000 stars.
Brandi L. Bates
Loving is more than just feelings. It’s a skill.
Brandy Engler (The Men on My Couch: True Stories of Sex, Love and Psychotherapy)
No wrinkle would steal my sparkle. I would look at myself in the mirror, not at the lines in my face. I’d
Brandy Engler (The Men on My Couch: True Stories of Sex, Love and Psychotherapy)
Yes, great looks will get a woman’s attention, but in the end she wants to be the pretty one.
Brandy Engler (The Men on My Couch: True Stories of Sex, Love and Psychotherapy)
I won’t guarantee it will be perfect, but I promise to do my best
Brandy L. Rivers (Labor of Love (Others of Edenton #5.5))
Life long ago taught me not to idealize Love; I leave that to the poets and ballad singers.
Brandy Purdy (The Queen's Pleasure)
And finally, always remember that the other person started it.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
I had stopped doing anything for myself. I no longer felt like an individual because for thirteen years, I was one-half of a “we.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
Forgive me when I don’t deserve it, love me even though I haven’t earned it, trust me when you have no reason to.
Meagan Brandy (Wrong For Me)
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
The Death Eaters were waiting for us,” Harry told her. “We were surrounded the moment we took off — they knew it was tonight — I don’t know what happened to anyone else, four of them chased us, it was all we could do to get away, and then Voldemort caught up with us —” He could hear the self-justifying note in his voice, the plea for her to understand why he did not know what had happened to her sons, but — “Thank goodness you’re all right,” she said, pulling him into a hug he did not feel he deserved. “Haven’t go’ any brandy, have yeh, Molly?” asked Hagrid a little shakily. “Fer medicinal purposes?” She could have summoned it by magic, but as she hurried back toward the crooked house, Harry knew that she wanted to hide her face.
J.K. Rowling
But what if I do live? What if we win? What then?" He parted the bottle's mouth from his. "What then? Ah." He smiled beatifically. "Then the world goes on, my friend. Children run down muddy streets. Dogs bark at passing carts. Friends sit and drink brandy together." "Doesn't sound much different from what we have," I observed sourly. "To go through all this and make no difference at all." "Yes." He agreed beatifically. His eyes filled with tears. "Not much different from the wondrous and amazing world we have now. Boys falling in love with girls that aren't right for them. Wolves hunting on the snowy plains. And time. Endless time unwinding for all of us. And the dragons, of course. Dragons sliding across the sky like beautiful jewelled ships.
Robin Hobb (Golden Fool (Tawny Man, #2))
One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Talking with men about what kind of man they wanted to be in a relationship helped me to identify the important questions women should ask themselves when looking for a man. How does he deal with emotion? Can he manage anger and sadness, or will he blow up or stuff it down? Will he act out and attack, or withdraw? How does he deal with stress, because life is full of that, and women should know that the man with whom they share their lives can make it through with them. Can he be comfortable with love, with giving and receiving? Can there be mutual support, each being the other’s rock and safe place? Can he maintain his love when she frustrates him and things are difficult between them? Can their love not be the place where they lose themselves and their individual voices, but the place where they find them?
Brandy Engler (The Men on My Couch: True Stories of Sex, Love and Psychotherapy)
Martyrs of a sort they were, these children, along with the town drunk, in his basketball sneakers and buttonless overcoat, draining blackberry brandy from a paper bag as he sat on his bench in Kazmierczak Square, risking nightly death by exposure; martyrs too of a sort were the men and women hastening to adulterous trysts, risking disgrace and divorce for their fix of motel love—all sacrificing the outer world to the inner, proclaiming with this priority that everything solid-seeming and substantial is in fact a dream, of less account than a merciful rush of feeling.
John Updike (The Witches of Eastwick)
Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. “Time enough for that,” she said, “when Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
William Makepeace Thackeray (Vanity Fair)
But after making love to him through tears and anger, I realized he was a perfect stranger to me now. How could I want something back that never existed? I couldn’t unknow everything I had discovered, and I didn’t want to. I liked the woman I was becoming—slowly, but surely—and I was interested in where this new road would take me.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
Women are incredibly powerful to men. In fact, women are so powerful that it’s overwhelming. Men need women to survive emotionally: our approval, our support, and our encouragement, all of which enables them to flourish in the world, to feel confident. Women’s nurturing and comfort help the men in their lives to feel safe and grounded.
Brandy Engler (The Men on My Couch: True Stories of Sex, Love and Psychotherapy)
Smiling, Simon stared into the depths of his brandy. “What a difficult evening you’ve had,” he heard Westcliff remark sardonically. “First you were compelled to carry Miss Peyton’s nubile young body all the way to her bedroom …then you had to examine her injured leg. How terribly inconvenient for you.” Simon’s smile faded. “I didn’t say that I had examined her leg.” The earl regarded him shrewdly. “You didn’t have to. I know you too well to presume that you would overlook such an opportunity.” “I’ll admit that I looked at her ankle. And I also cut her corset strings when it became apparent that she couldn’t breathe.” Simon’s gaze dared the earl to object. “Helpful lad,” Westcliff murmured. Simon scowled. “Difficult as it may be for you to believe, I receive no lascivious pleasure from the sight of a woman in pain.” Leaning back in his chair, Westcliff regarded him with a cool speculation that raised Simon’s hackles. “I hope you’re not fool enough to fall in love with such a creature. You know my opinion of Miss Peyton—” “Yes, you’ve aired it repeatedly.” “And furthermore,” the earl continued, “I would hate to see one of the few men of good sense I know to turn into one of those prattling fools who run about pollenating the atmosphere with maudlin sentiment—” “I’m not in love.” “You’re in something,” Westcliff insisted. “In all the years I’ve known you, I’ve never seen you look so mawkish as you did outside her bedroom door.” “I was displaying simple compassion for a fellow human being.” The earl snorted. “Whose drawers you’re itching to get into.” The blunt accuracy of the observation caused Simon to smile reluctantly. “It was an itch two years ago,” he admitted. “Now it’s a full-scale pandemic.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
You and Beatrix haven’t known each other long enough to consider matrimony. A matter of weeks, to my knowledge. And what about Prudence Mercer? You’re practically betrothed, aren’t you?” “Those are valid points,” Christopher said. “And I will answer them. But you should know right away that I’m against the match.” Leo blinked in bemusement. “You mean you’re against a match with Miss Mercer?” “Well…yes. But I’m also against a match with Beatrix.” Silence fell over the room. “This is a trick of some sort,” Leo said. “Unfortunately, it’s not,” Christopher replied. Another silence. “Captain Phelan,” Cam asked, choosing his words with care. “Have you come to ask for our consent to marry Beatrix?” Christopher shook his head. “If I decide to marry Beatrix, I’ll do it with or without your consent.” Leo looked at Cam. “Good God,” he said in disgust. “This one’s worse than Harry.” Cam wore an expression of beleaguered patience. “Perhaps we should both talk to Captain Phelan in the library. With brandy.” “I want my own bottle,” Leo said feelingly, leading the way.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
How good one feels when one is full—how satisfied with ourselves and with the world!  People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained.  One feels so forgiving and generous after a substantial and well-digested meal—so noble-minded, so kindly-hearted. It is very strange, this domination of our intellect by our digestive organs.  We cannot work, we cannot think, unless our stomach wills so.  It dictates to us our emotions, our passions.  After eggs and bacon, it says, “Work!”  After beefsteak and porter, it says, “Sleep!”  After a cup of tea (two spoonsful for each cup, and don’t let it stand more than three minutes), it says to the brain, “Now, rise, and show your strength.  Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!” After hot muffins, it says, “Be dull and soulless, like a beast of the field—a brainless animal, with listless eye, unlit by any ray of fancy, or of hope, or fear, or love, or life.”  And after brandy, taken in sufficient quantity, it says, “Now, come, fool, grin and tumble, that your fellow-men may laugh—drivel in folly, and splutter in senseless sounds, and show what a helpless ninny is poor man whose wit and will are drowned, like kittens, side by side, in half an inch of alcohol.” We
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life, every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.” Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just. “If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.” “You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?” Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke. “I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.” “What do you know about love and souls?” Lindsay growled as he stalked to the study door. “I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.” “You do indeed.” Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
Charlotte Featherstone (Addicted (Addicted, #1))
Late-Flowering Lust My head is bald, my breath is bad, Unshaven is my chin, I have not now the joys I had When I was young in sin. I run my fingers down your dress With brandy-certain aim And you respond to my caress And maybe feel the same. But I've a picture of my own On this reunion night, Wherein two skeletons are shewn To hold each other tight; Dark sockets look on emptiness Which once was loving-eyed, The mouth that opens for a kiss Has got no tongue inside. I cling to you inflamed with fear As now you cling to me, I feel how frail you are my dear And wonder what will be-- A week? or twenty years remain? And then--what kind of death? A losing fight with frightful pain Or a gasping fight for breath? Too long we let our bodies cling, We cannot hide disgust At all the thoughts that in us spring From this late-flowering lust.
John Betjeman (Collected Poems)
You love Robert, not me. You don’t love Lord Stuffy, so I tried to be like Robert.” The sweet idiot! She felt like weeping again. She began to protest, but he cut her off. “I don’t drink and I don’t gamble and I don’t have a mistress. I’m dull. You told me so, the first time we met. So I tried to change.” He frowned. “Not the mistress. I’ll never do that.” “Good,” she whispered. “I’m trying to be like Robert, but I’m no good at it. I drank wine. And brandy, lots of it. I didn’t like it and it made me sick. I played hazard and I lost.” He looked momentarily cheerful and her heart sank. “But I didn’t like that either. If I was a real man like Mr. Fox, or Robert, I’d have lost thousands.” The sadder he looked, the more her heart ached, a happy ache. “I failed you, Caro. I’m sorry, but I’m afraid I’ll always be Lord Stuffy,” he said, and closed his tortured, bloodshot eyes.
Miranda Neville (The Importance of Being Wicked (The Wild Quartet, #1))
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.” My heart jerked in my chest, then began to pound. My mouth went dry. “I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.” The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..? “I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.” “Stop.” The word broke from my throat like slivers of glass. “And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.” “Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!” He trembled visibly, but didn’t back down. “I had to tell you –“ His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!” Tears lipped down his face. “I love you like my own. Always have.” I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it. “I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.” I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?” Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.” Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.” Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists. He stopped before he left the room, facing me. “I’m glad you told Eva.” “Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it. He left. The weight of the day crashed onto my shoulders, dropping me to my knees. I broke.
Sylvia Day (Captivated by You (Crossfire, #4))
Everyone in the room—all Franco-French white kids, it occurred to me—knew their Louis Armstrong inside and out, knew the names of the songs, had their favorites. That is phenomenal, I thought. “How do you guys know so much about black music?” I asked. “Are you kidding?” Stéphane, replied, assuming, I think, that I was implying only an American could be so well versed. “This is something the whole world knows. Practically everything except classical is black music!” I refilled my glass with the brandy, which, I noticed, tasted an awful lot like Hennessy—better, though.
Thomas Chatterton Williams (Losing My Cool: How a Father's Love and 15,000 Books Beat Hip-hop Culture: Love, Literature, and a Black Man's Escape from the Crowd)
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
Mystery is the sugar in the cup,' said the Doctor. She picked up the container of white crystals the delicatessen had included in the picnic basket and poured a large dollop into her cognac. 'I don’t think I’d do that, Gunilla,' said Darcourt. 'Nobody wants you to do it, Simon. I am doing it, and that’s enough. That is the curse of life—when people want everybody to do the same wise, stupid thing. Listen: Do you want to know what life is? I’ll tell you. Life is a drama.' 'Shakespeare was ahead of you, Gunilla,' said Darcourt. '"All the world’s a stage,"' he declaimed. 'Shakespeare had the mind of a grocer,' said Gunilla. 'A poet, yes, but the soul of a grocer. He wanted to please people.' 'That was his trade,' said Darcourt. 'And it’s yours, too. Don’t you want this opera to please people?' 'Yes, I do. But that is not philosophy. Hoffmann was no philosopher. Now be quiet, everybody, and listen, because this is very important. Life is a drama. I know. I am a student of the divine Goethe, not that grocer Shakespeare. Life is a drama. But it is a drama we have never understood and most of us are very poor actors. That is why our lives seem to lack meaning and we look for meaning in toys—money, love, fame. Our lives seem to lack meaning but'—the Doctor raised a finger to emphasize her great revelation—'they don’t, you know.' She seemed to be having some difficulty in sitting upright, and her natural pallor had become ashen. 'You’re off the track, Nilla,' said Darcourt. 'I think we all have a personal myth. Maybe not much of a myth, but anyhow a myth that has its shape and its pattern somewhere outside our daily world.' 'This is all too deep for me,' said Yerko. 'I am glad I am a Gypsy and do not have to have a philosophy and an explanation for everything. Madame, are you not well?' Too plainly the Doctor was not well. Yerko, an old hand at this kind of illness, lifted her to her feet and gently, but quickly, took her to the door—the door to the outside parking lot. There were terrible sounds of whooping, retching, gagging, and pitiful cries in a language which must have been Swedish. When at last he brought a greatly diminished Gunilla back to the feast, he thought it best to prop her, in a seated position, against the wall. At once she sank sideways to the floor. 'That sugar was really salt,' said Darcourt. 'I knew it, but she wouldn’t listen. Her part in the great drama now seems to call for a long silence.' 'When she comes back to life I shall give her a shot of my personal plum brandy,' said Yerko. 'Will you have one now, Priest Simon?
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))