Brandon Movie Quotes

As a rule, we don't like to feel to sad or lonely or depressed. So why do we like music (or books or movies) that evoke in us those same negative emotions? Why do we choose to experience in art the very feelings we avoid in real life? Aristotle deals with a similar question in his analysis of tragedy. Tragedy, after all, is pretty gruesome. […] There's Sophocles's Oedipus, who blinds himself after learning that he has killed his father and slept with his mother. Why would anyone watch this stuff? Wouldn't it be sick to enjoy watching it? […] Tragedy's pleasure doesn't make us feel "good" in any straightforward sense. On the contrary, Aristotle says, the real goal of tragedy is to evoke pity and fear in the audience. Now, to speak of the pleasure of pity and fear is almost oxymoronic. But the point of bringing about these emotions is to achieve catharsis of them - a cleansing, a purification, a purging, or release. Catharsis is at the core of tragedy's appeal.

.. and yet it all seems limitless...

You’re wicked powerful.” “Wicked?” “Heard it in a movie once.

This place is just a trailer for a film, Brandon. Our lives here. Heaven is like the movie. Except there’s only one trailer before the movie. And the movie won’t ever end.

Mizzy gave me a little wave, but otherwise completely abandoned me as I was pulled through the crowd. To the dancing. I guess that's what you'd call it. It looked like everyone had insects in their shirts and were trying really hard to get them out. I'd seen dancing in movies, and it had looked a lot more ... coordinated than this.

I’ve got an idea I want to run by you,” he murmured, his lids growing heavy. Oh. Back to that. Ever since I’d returned, I’d been avoiding the subject of My Promise, hoping Brandon would take a hint. In texts, he’d actually begun counting down the days left until my birthday—like he had a cherry countdown widget. When I caught him sneaking a glance at my chest, his expression one of longing, I remembered a movie where one of the heroines had likened boobs to smart bombs. I’d laughed. Now I marveled at how right she’d been.

Tick-tock appeared to have forgotten all about both Brandon and the woman who had literally laughed herself to death. His brilliant green eyes had fixed on something which interested him much more than the dead woman. "Come here, cully," he said. "I want a better look at you." Gasher gave him a shove. Jake stumbled forward. He would have fallen if Tick-Tock's strong hands hadn't caught him by the shoulders. Then, when he was sure Jake had his balance again, Tick-Tock grasped the boy's left wrist and raised it. It was Jake's Seiko which had drawn his interest. "If this here's what I think it is, it's an omen for sure and true," Tick-Tock said. "Talk to me, boy--what's this sigul you wear?" Jake, who hadn't the slightest idea what a sigul was, could only hope for the best. "It's a watch. But it doesn't work, Mr. Tick-Tock." Hoots chuckled at that, then clapped both hands over his mouth when the Tick-Tock Man turned to look at him. After a moment, Tick-Tock looked back at Jake, and a sunny smile replaced the frown. Looking at that smile almost made you forget that it was a dead woman and not a movie Mexican taking a siesta against the wall of an adobe over there. Looking at it almost made you forget that these people were crazy, and the Tick-Tock Man was likely the craziest inmate in the whole asylum. "Watch," Tick-Tock said, nodding. "Ar, a likely enough name for such; after all, what does a person want with a timepiece but to watch it once in a while? Ar, Brandon? Ar, Tilly? Ar, Gasher?" They responded with eager affirmatives. The Tick-Tock Man favored them with his winning smile, then turned back to Jake again. Now Jake noticed that the smile, winning or not, stopped well short of the Tick-Tock Man's green eyes. They were as they had been throughout: cool, cruel, and curious.

The quantization factor must be 48 hours, not 24. Otherwise, they would all have had to experience the same day every time, the premise behind the movie, Groundhog Day—a horrifying scenario.

I had a dream last night that I arranged, after dark, in an empty field, four video projectors facing each other in a square. Each projector played a different movie. When I turned them on, the combined throws of their light created a perfect cube composed of all four movies.

Horses were less the thundering creatures Of pounding hoof beats and unparalleled speed found in movies and more like golf carts that ran on a tank of grass and occasionally bit you.

Dr. Campbell handed us off to the orthopedic surgeon, who went over the next steps to deal with Brandon’s broken bones. Another surgeon told us about the repairs to the laceration to his liver. Then a plastic surgeon talked to us about the skin grafts he would need to cover the extensive road rash on his left arm. By the time the doctors were done with us, Sloan was wiped. I put her back in her chair and called Josh. The phone was still ringing when I heard it behind me. I spun and there he was. The second I saw him, my emotional disconnect from the situation clicked off. My coping mechanism snapped away from me like a rubber band shot across a room, and the weight of what happened hit me. Sloan’s grief, Brandon’s condition—Josh’s trauma. I dove into his arms, instantly withered. I’d never trusted anyone else to be the one in control, and my manic mind gave it to him immediately and without reservation and retreated back into itself. He clutched me, and I held him tighter than I’d ever held anyone in my life. I wasn’t sure if I was comforting him, or if I was letting him comfort me. All I knew was something subconscious in me told me I didn’t have to hold the world up anymore now that he was here. “I’m so glad you’re here,” I whispered, breathing him in as my body turned back on from being in suspended animation. The sound to the movie around me turned all the way up. My heart began to pound, I gasped into his neck, and tears instantly flooded my eyes. He put his forehead to mine. He looked like shit. He’d looked bad this morning at the station—I knew he hadn’t slept. But now his eyes were red like he’d been crying. “Any updates?” His voice was raspy. I couldn’t even comprehend how hard it must have been for him to see what he saw and stay at work, going on calls. I wanted to cover him like a blanket. I wanted to cover them both, Josh and Sloan, and shield them from this. I put a hand to his cheek, and he turned into it and closed his eyes. “He just got out of surgery,” I said. Then I told him everything, my hands on his chest like they anchored me. He stood with his arms around my waist, nodding and looking at me like he was worried I was the one who wasn’t okay. It didn’t escape me that we were holding each other and I didn’t care what it meant or what wrong signals it might send to him at the moment. I just knew that I needed to touch him. I needed this momentary surrender. For both of us.

Martin recalled movies in which a solitary, curious astronaut walked through a dark corridor.