Weather Is Too Hot Quotes

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HELENA. What a fine day! Not too hot. [A pause.] VOITSKI. A fine day to hang oneself.
Anton Chekhov (Uncle Vanya)
I love this place; I love mountains and big skies and forests. And the weather is still supremely beautiful even though the lower peaks are powdered with fresh snow. But Heavens! What sun. It never has an ending. I am basking at this minute - half past four - too hot without a hat, & the sky is that transparent blue only to be seen in autumn - the forest trees steeped in light.
Katherine Mansfield (The Collected Letters of Katherine Mansfield: Volume 1: 1903-1917)
...So when the weather wasn't too overbearingly hot he tucked her arm in the crook of his elbow, and they walked about town, running errands and asking questions. And falling in love
Julia Quinn (The Girl with the Make-Believe Husband (Rokesbys, #2))
In that latitude the temperature flirted with a hundred degrees for a few of the dog days, but to a child it can hardly ever be too hot. I liked the sun licking the backs of my legs, and the sweat between my shoulder blades, and the violet evenings, with ice cream and fireflies, wherein the long day slowly cooled. I liked the ants piling up dirt like coffee grounds between the bricks of our front walk, and the milkweed spittle in the vacant lot next door. I liked the freedom of shorts, sneakers, and striped T-shirt, with freckles and a short hot-weather haircut. We love easily in summer, perhaps, because we love our summer selves.
John Updike
Throughout winter, she always believed that she was a summery sort of person. Unfortunately, this was not true, and after a week of good weather, she was sick of being too hot.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
They were both lean and blond and weather-beaten, and one evening, as they were portaging gear from their respective Zodiacs, Libby unzipped her survival suit and tied the sleeves around her waist so she could move more freely. Nate said, "You look good in that." No one, absolutely no one, looks good in a survival suit (unless a Day-Glo orange marshmallow man is your idea of a hot date), but Libby didn't even make the effort to roll her eyes. "I have vodka and a shower in my cabin," she said. "I have a shower in my cabin, too," Nate said. Libby just shook her head and trudged up the path to the lodge. Over her shoulder she called, "In five minutes, there's going to be a naked woman in my shower. You got one of those?" "Oh," said Nate.
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
Mr. Landowsky was eighty-two and somehow his chest had shrunk over the years, and now he was forced to hike his pants up under his armpits. "Oi," he said. "This heat! I can't breathe. Somebody should do something." I assumed he was talking about God. "That weatherman on the morning news. He should be shot. How can I go out in weather like this? And then when it gets so hot they keep the supermarkets too cold. Hot, cold. Hot, cold. It gives me the runs." I was glad I owned a gun, because when I got as old as Mr. Landowsky I was going to eat a bullet. The first time I got the runs in the supermarket, that was it. BANG! It would all be over.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
Tell me something about yourself.” “I’d rather save the small talk.” “There’s no need to be rude, child, and believe me, I’m asking for a reason. Tell me something about yourself. Anything.” “I’m twenty-eight . . .” He rejected that one out of hand. “Something personal. Something . . . interior. Tell me something you love.” I thought about it for a long few seconds, then said, “Ralph Lauren’s summer line this year. Not the spring collection, which was way too pastel, and the winter was really crappy, all bland browns and grays. But he’s got some good fabrics this summer, kind of a hot tangerine matched with dull red. Only he skirts, though. Hiscapri pants are for shit. Pockets? Who wants pockets on capri pants? What woman in her right mind puts extra fabric on her hips?” There was a long and ringing silence. Patrick’s eyes were wide and rather frightened. He finally cleared his throat and said, “Anything else apart from fashion?” “What do you want me to say? Puppies? Fluffy kittens? Babies?” “Let’s try something simple. Your favorite food.” I rolled my eyes. “Chocolate.” Duh .
Rachel Caine (Heat Stroke (Weather Warden, #2))
Imagine you’re having the best day of your life. Sunshine, rainbows and everything pretty. There is a halo over your head, and the weather is absolutely perfect—not too hot, nor too cold. And then, out of nowhere, a bird shits on you. That’s how Scarlet Bridge looked at me.
Hasnita Singh (Get You the Moon)
The history of each story, then, should read almost like a weather report: Hot today, cool tomorrow. This afternoon, burn down the house. Tomorrow, pour cold critical water upon the simmering coals. Time enough to think and cut and rewrite tomorrow. But today—explode—fly apart—disintegrate! The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, reading your story, will catch fire, too?
Ray Bradbury (Zen in the Art of Writing)
I’m not a religious person, but what I do like to believe is that there’s a place for bad people to go to once they die. A place where they will burn in inferno for all eternity. It’s a soothing thought. 
It’s where I’m going too, most likely. But I’m fine with that. I’ve always liked the hot weather more anyway…

Dolores Lane
Hippodamus, the son of Euruphon a Milesian, contrived the art of laying out towns, and separated the Pireus. This man was in other respects too eager after notice, and seemed to many to live in a very affected manner, with his flowing locks and his expensive ornaments, and a coarse warm vest which he wore, not only in the winter, but also in the hot weather.
Aristotle (Complete Works, Historical Background, and Modern Interpretation of Aristotle's Ideas)
Run everything on a generator,” Haskel said. “Got to keep it a certain temperature for the stuff I carry. Not too cold. Not too hot. There’s shit in here, weather got wrong, it’d go off and blow our asses all the way to Mineola. Maybe out in the goddamned Gulf.” “I don’t like to travel that far unless I got plane tickets and a steward in my lap,” Leonard said. Haskel cut an eye toward Leonard. “You mean stewardess, don’t you?” “I don’t think so,” Leonard said, and let Haskel churn that one over.
Joe R. Lansdale
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive. The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky. It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul: “Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!” “Are you afraid that you will change your mind, Christine?” “I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!” “What compels you to go back, Christine?” “If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!” She wrung her hands in anguish, while Raoul pressed her to his heart. “No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!” And he tried to drag her away, then and there. But she stopped him. “No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.” And she gave a sigh to which it seemed to her that another sigh, behind her, replied. “Didn’t you hear?” Her teeth chattered. “No,” said Raoul, “I heard nothing.” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
Where the devil did you get her?" "I beg your pardon?" "I said: the weather is getting better." "Seems so." "Who's the lassie?" "My daughter." "You lie - she's not." "I beg your pardon?" "I said: July was hot. Where's her mother?" "Dead." "I see. Sorry. By the way, why don't you two lunch with me tomorrow. That dreadful crowd will be gone by then." "We'll be gone too. Good night." "Sorry. I'm pretty drunk. Good night. That child of yours needs a lot of sleep. Sleep is a rose, as the Persians say. Smoke?" "Not now.
Vladimir Nabokov
She pottered round now, a tall vague woman in her early fifties, with a long pale face and brown eyes which her daughter Deirdre had inherited. As she pottered she murmured to herself, ‘large knives, small knives, pudding spoons, will they need forks too? Oh, large forks, serving spoons, mats, glasses, well two glasses in case Deirdre and Malcolm want to drink beer, Rhoda probably won’t … and now, wash the lettuce …’ It was nice when the warm weather came and they could have salads for supper, she thought, though why it was nice she didn’t really know. Washing a lettuce and cutting up the things to go with it was really almost as much trouble as cooking a hot meal, and she herself had never got over an old-fashioned dislike of eating raw green leaves. When her husband had been alive they had always had a hot meal in the evenings, winter and summer alike. He needed it after a day in the City. But now he was gone and Rhoda had been living with them for nearly ten years now and everyone said how nice it was for them both, to have each other, though of course she had the children too. Malcolm was a good solid young man, very much like his father, reliable and, although of course she never admitted it, a little dull. He did not seem to mind about the hot meal in the evenings. But Deirdre was different, clever and moody, rather like she herself had been at the same age, before marriage to a good dull man and life in a suburb had steadied her.
Barbara Pym (Less Than Angels)
Usually, Marilyn Norton loved the hot weather, but she was having a tough time with it, nine months pregnant, with her due date in two days. She was expecting her second child, another boy, and he was going to be a big one. She could hardly move in the heat, and her ankles and feet were so swollen that all she had been able to get her feet into were rubber flip-flops. She was wearing huge white shorts that were too tight on her now, and a white T-shirt of her husband’s that outlined her belly. She had nothing left to wear that still fit, but the baby would arrive soon. She was just glad that she had made it to the first day of school with Billy. He had been nervous about his new school, and she wanted to be there with him.
Danielle Steel (Friends Forever)
I realized that it was not Ko-san, now safely ditched for ever, but Ko-san's mother who stood in need of pity and consideration. She must still live on in this hard unpitying world, but he, once he had jumped [in battle], had jumped beyond such things. The case could well have been different, had he never jumped; but he did jump; and that, as they say, is that. Whether this world's weather turns out fine or cloudy no more worries him; but it matters to his mother. It rains, so she sits alone indoors thinking about Ko-san. And now it's fine, so she potters out and meets a friend of Ko-san's. She hangs out the national flag to welcome the returned soliders, but her joy is made querulous with wishing that Ko-san were alive. At the public bath-house, some young girl of marriageable age helps her to carry a bucket of hot water: but her pleasure from that kindness is soured as she thinks if only I had a daughter-in-law like this girl. To live under such conditions is to live in agonies. Had she lost one out of many children, there would be consolation and comfort in the mere fact of the survivors. But when loss halves a family of just one parent and one child, the damage is as irreparable as when a gourd is broken clean across its middle. There's nothing left to hang on to. Like the sergeant's mother, she too had waited for her son's return, counting on shriveled fingers the passing of the days and nights before that special day when she would be able once more to hang on him. But Ko-san with the flag jumped resolutely down into the ditch and still has not climbed back.
Natsume Sōseki (Ten Nights of Dream, Hearing Things, The Heredity of Taste)
But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.
Tom Robbins (Wild Ducks Flying Backward)
The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath. "Bonjour, uh...soup? Sopa? S'il vous plait?" "Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris? "Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?" Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well." My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food. "Merci," I say. "De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can- "NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria. I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself." I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now. "You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy." Yeah.Thanks for pointing that out now.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
If at any one time of my life more than another, I was made to drink the bitterest dregs of slavery, that time was during the first six months of my stay with Mr. Covey. We were worked in all weathers. It was never too hot or too cold; it could never rain, blow, hail, or snow, too hard for us to work in the field. Work, work, work, was scarcely more the order of the day than of the night. The longest days were too short for him, and the shortest nights too long for him. I was somewhat unmanageable when I first went there, but a few months of this discipline tamed me. Mr. Covey succeeded in breaking me. I was broken in body, soul, and spirit. My natural elasticity was crushed, my intellect languished, the disposition to read departed, the cheerful spark that lingered about my eye died; the dark night of slavery closed in upon me; and behold a man transformed into a brute!
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
Moses Come. When? Now. This way. I will guide you. Wait! Not so fast. Hurry. You. I said you. Who am I? Certainly I will be with thee. Is nothing, then, what it is? I had rather the rod had stayed a rod and not become a serpent. Come. Quickly. While the blast of my breath opens the sea. Stop. I'm thirsty. Drink water from this rock. But the rock moves on before us. Go with it and drink. I'm tired. Can't you stop for a while? You have already tarried too long. But if I am to follow you I must know your name. I will be that I will be. You have set the mountain on fire. Come. Climb. I will be lost in the terror of your cloud. You are stiff-necked and of a stiff-necked people. YOUR poeple, Lord, Indubitably. Your wrath waxes hot. I burn. Thus to become great. Show me, then, they glory. No man may see my face and live. But I will cover you with my hand while I pass by. My people turn away and cry because the skin of my face shines Did you not expect this? I cannot enter the tent of the congregation while your cloud covers it and your glory fills the tabernacle. Look. It moves before us again. Can you not stay still? Come. Follow. But this river is death. The waters are dark and deep. Swim. Now will I see your face? Where are you taking me now? Up the mountain with me before I die. But death bursts into light. The death is what it will be. These men: they want to keep us here in three tabernacles. But the cloud moves. The water springs from a rock that journeys on. You are contained in me. But how can we contain you in ark or tabernacle or You cannot. Where, then? In your heart. Come. Still? I will be with thee. Who am I? You are that I will be. Come.
Madeleine L'Engle (The Weather of the Heart: Selected Poems)
And then we spoke of the weather, which had been awfully hot. After that, unable to think of anything more to say, we fell into a silence that was troubled and unwelcome. Trying to end it, I said finally, “Well, we’ve had a time,” speaking of the weather. And Mat said, “Yes, we’ve had a time,” speaking of the war. We spoke in very general terms, then, of the war and other trials of life in this world. Mat said, “Everything that will shake has got to be shook.” “That’s Scripture,” I said, and he nodded. Thinking to try to comfort him, I said, “Well, along with all else, there’s goodness and beauty too. I guess that’s the mercy of the world.” Mat said, “The mercy of the world is you don’t know what’s going to happen.” And then after a pause, speaking on in the same dry, level voice as before, he told me why he had been up walking about so late. He had had a dream. In the dream he had seen Virgil as he had been when he was about five years old: a pretty little boy who hadn’t yet thought of anything he would rather do than follow Mat around at work. He looked as real, as much himself, as if the dream were not a dream. But in the dream Mat knew everything that was to come. He told me this in a voice as steady and even as if it were only another day’s news, and then he said, “All I could do was hug him and cry.” And then I could no longer sit in that tall chair. I had to come down. I came down and went over and sat beside Mat. If he had cried, I would have. We both could have, but we didn’t. We sat together for a long time and said not a word. After a while, though the grief did not go away from us, it grew quiet. What had seemed a storm wailing through the entire darkness seemed to come in at last and lie down. Mat got up then and went to the door. “Well. Thanks,” he said, not looking at me even then, and went away.
Wendell Berry (Jayber Crow)
Ryder turns off the radio and reaches for my camera, pointing it at me in the dark. It beeps, and a red light indicates that he’s filming. “Are you scared, Jemma?” I prop my head up on one elbow. “Yeah, I’m scared,” I say, carefully weighing my words. “But…we’ll be okay. This house has weathered plenty of storms through the years. It’ll keep us safe.” “I hope you’re right.” “Yeah, me too.” I hear him swallow hard. “I’m glad I’m here with you.” “I’m glad you are too,” I say automatically. But then…I realize with a start that it’s true. I am glad he’s here. I feel safe with him. More relaxed than I would be otherwise. He thinks I’m distracting him, making him forget his fears. But the truth is, he’s helping me just as much. Maybe more. I’m pretty sure I’d be a blubbering mess right about now if I were alone. “Thanks, Ryder,” I say, my voice thick. “For what?” “Everything.” I squeeze my eyes shut. “Turn off the camera, okay?” He does, setting it aside before stretching out on the far side of the bed, facing me. Our gazes meet, and my stomach flutters nervously. There’s something there in his dark eyes, something I’ve never seen before. Vulnerability…mixed with a kind of dark, melty chocolate expression that I don’t recognize. Our hands are lying there on the bed between us, nearly touching. I lift my pinkie, brushing it against his. Chills race down my spine at the contact, my heart pounding against my ribs. I hear his breath catch. Slowly, his hand moves over mine, his fingertips brushing my knuckles until his entire hand covers mine. His skin is hot, the pressure reassuring. A minute passes, maybe two. It’s almost like he’s waiting, watching to see if I pull my hand away. I don’t. In one quick movement, he slides his hand under mine and threads our fingers together. We lie like that for several minutes, arms outstretched, hands joined, eyes wide open. The storm continues to rage around us, but it’s like we’re locked in this safe, calm place where nothing can touch us. My breathing slows; my limbs grow heavy. My lids flutter shut. I try to resist, but it’s futile. I’m exhausted. I drift off to sleep with a smile on my lips, Ryder holding me fast.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Having weathered the storm once, she embraced it and gloried in it, thrilled to be wanted with such unwavering intent, with such concerted focus, with such... adoration. Despite the passion driving him, despite the desire that had hardened his body, that infused every caress with a driven edge, behind all was a care that never wavered. A care that had him holding back, his breathing as ragged as hers, his kiss every bit as desperate, until his clever fingers sent her wits spinning from this world and submerged her senses in indescribable pleasure. Only then did he shift, pin her beneath him, and thrust into her. She gasped, arched beneath him, then moaned as he took advantage of her instinctive invitation and drove even deeper into her very willing body. She clamped around him and he paused, eyes closed, every muscle clenched and tight, on the cusp of quivering, then he drew in a labored breath, withdrew and thrust anew, and she lost touch with the world. And once again all she knew was the heat and the flames and the steady, relentless possession. The giddy pleasure and delight, and beneath and through it all threaded the elusive evidence of his loving. It was there in the catch of his breath when she shifted, rose beneath him and moved against him, letting the fascinatingly crinkly hair on his chest abrade her excruciatingly sensitive nipples. There in the way he slowed, metaphorically gripped her hand and drew her back from the brink so that she didn't rush ahead and end the pleasure all too soon, but instead caught her sensual breath and joined agin with him in that primitive and evocative dance. More all-consuming, all-absorbing. More intimate. Love was there in the guttural whispers of encouragement he fed her when she once more started that inexorable climb, when passion roared and she suddenly found it upon her, near and so intense. There in the way in which he held her, cradled her, all the while moving so relentlessly within her, stoking the flames, sending her senses careening. There in the moment when ecstasy claimed her and he held her close, and held still, muscles quivering with restraint, prolonging the moment until she wept with simple joy. There in the final helpless moment when he lost himself in her.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))
- Yeah, this is it. This is war... it takes you away from your loved ones, takes you to places you had no idea about, takes you through suffering and deprivation, hunger, thirst, sickness and wounds. It forces you to see, do and live through terrible experiences that you wish you had never known, and once you have, to forget them as soon as possible. It takes your friends and comrades and, if it doesn't kill them, then it turns them into something they don't even know what they are. And in the end, if you get to live those moments, when peace is announced and you begin to believe that you will return home, to your life, to the family and community you left behind, to the state of normality you dreamed of when it was harder on the front, you will find that it is not like that at all. - Why, Sarge? College Boy asked... - Because, you see, College Boy, after the end of the war not only you changed, but also those back home. They too had their struggles, their deprivations, sufferings, illnesses, injuries. Whether you got hot food today depends only on the conditions at the front and how much the quartermaster and subsistence services cared. But, back home, they have to search, they have to struggle without being guaranteed that they will succeed in finding something to put on the table for their children, or their elders. And so, they can go for days on end, starving. You, if you are sick or wounded, the military hospital will treat you as best they can. But they, at home, a visit to the family doctor is an expense that most can't afford and so they end up in the hospital, which is overcrowded, when it's too late, often. So they are changed too, not just you. You, however, have something more than them. You, you've known the chaos of frontline combat, the cruelty of taking the lives of others like yourself. And, like the sheepdog who fights the wolf, when it returns to the fold it carries both it's own blood and the wolf's. And the sheep, they don't see the wolf anymore, but they don't see the dog that was guarding them either. They only see the fangs showing through the open, blood-stained snout. They smell the scent of the wolf that has been impregnated into the dog's fur in battle and then, at that very moment, they no longer recognize the one who stood by them, no matter what the weather. It's the same with you. They fear you, and no matter how much they smile at you or say words that make you think you are welcome, you actually see fear and distrust in their eyes.
Costi Boșneag
The traditional hospital practice of excluding parents ignored the importance of attachment relationships as regulators of the child’s emotions, behaviour and physiology. The child’s biological status would be vastly different under the circumstances of parental presence or absence. Her neurochemical output, the electrical activity in her brain’s emotional centres, her heart rate, blood pressure and the serum levels of the various hormones related to stress would all vary significantly. Life is possible only within certain well-defined limits, internal or external. We can no more survive, say, high sugar levels in our bloodstream than we can withstand high levels of radiation emanating from a nuclear explosion. The role of self-regulation, whether emotional or physical, may be likened to that of a thermostat ensuring that the temperature in a home remains constant despite the extremes of weather conditions outside. When the environment becomes too cold, the heating system is switched on. If the air becomes overheated, the air conditioner begins to work. In the animal kingdom, self-regulation is illustrated by the capacity of the warm-blooded creature to exist in a broad range of environments. It can survive more extreme variations of hot and cold without either chilling or overheating than can a coldblooded species. The latter is restricted to a much narrower range of habitats because it does not have the capacity to self-regulate the internal environment. Children and infant animals have virtually no capacity for biological self-regulation; their internal biological states—heart rates, hormone levels, nervous system activity — depend completely on their relationships with caregiving grown-ups. Emotions such as love, fear or anger serve the needs of protecting the self while maintaining essential relationships with parents and other caregivers. Psychological stress is whatever threatens the young creature’s perception of a safe relationship with the adults, because any disruption in the relationship will cause turbulence in the internal milieu. Emotional and social relationships remain important biological influences beyond childhood. “Independent self-regulation may not exist even in adulthood,” Dr. Myron Hofer, then of the Departments of Psychiatry and Neuroscience at Albert Einstein College of Medicine in New York, wrote in 1984. “Social interactions may continue to play an important role in the everyday regulation of internal biologic systems throughout life.” Our biological response to environmental challenge is profoundly influenced by the context and by the set of relationships that connect us with other human beings. As one prominent researcher has expressed it most aptly, “Adaptation does not occur wholly within the individual.” Human beings as a species did not evolve as solitary creatures but as social animals whose survival was contingent on powerful emotional connections with family and tribe. Social and emotional connections are an integral part of our neurological and chemical makeup. We all know this from the daily experience of dramatic physiological shifts in our bodies as we interact with others. “You’ve burnt the toast again,” evokes markedly different bodily responses from us, depending on whether it is shouted in anger or said with a smile. When one considers our evolutionary history and the scientific evidence at hand, it is absurd even to imagine that health and disease could ever be understood in isolation from our psychoemotional networks. “The basic premise is that, like other social animals, human physiologic homeostasis and ultimate health status are influenced not only by the physical environment but also by the social environment.” From such a biopsychosocial perspective, individual biology, psychological functioning and interpersonal and social relationships work together, each influencing the other.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
IN MICHIGAN IT seemed as if spring would never come; then when it did, all too soon it was summer. One day I realized the cold was loosening its grip, and then overnight, the weather turned hot, with the sun whitening the concrete streets. As if to reward themselves for having endured such a long, harsh winter, everyone walked around wearing as little as they could get away with.
Minae Mizumura (A True Novel)
It happened two days ago. Some dump between Le Havre and Rouen. Notre-Dame-de-Gravenchon—how’s that for a name? Bodies unearthed on the banks of the Seine—you must have heard about it on the tube.” “That thing at the construction site, where they’re laying a pipeline?” “Right. The media was all over it. They were already there because the site itself is such a hot-button issue. They discovered five stiffs with their skulls sawed off. Criminal Investigations in Rouen is on the scene, working with the local cops. Their DA was about to send in the CSI boys, but in the end we caught it. I can’t say I’m too thrilled—in this weather, it’s disgusting.
Franck Thilliez (Syndrome E)
6. Sun and Snow Although weather conditions can sometimes be so terrible it makes me not believe in God, good weather can feel so good that it makes me believe again. Sun feels so fucking good. Like, sex is cool, but have you ever soaked in afternoon sunlight? When you haven’t been in the sun in a little while, and you see a crack of sunlight in the sidewalk and step into it, it feels like God Themself is giving you light, strength, and warmth. It’s a healing station that’s free and open eight hours a day. Also it can make you tan, a.k.a. look hot, which is absurd. Snow, on the other hand, is so beautiful that if you’re just around it, it can trick people into thinking you too have ineffable beauty. Not only is snow the most extraordinary thing to watch fall from the sky, but you can also ski and make stuff out of it? Just another added plus by God. Classic. I left out snowflakes on purpose because if I really think about them, I’ll lose my mind.
Cazzie David (No One Asked for This: Essays)
Rosie, Hello from Portugal! Weather here really hot. Dad got sunstroke and all mum does is lie by the pool which is really boring. Not much people here my age. Hotel quiet (on front of postcard) and it’s right on the beach as you can see. You would love to work here! I’m bringing home a collection of those little shampoos and shower caps and stuff that you love. The bathrobe is too big to fit into my bag. See you when I get back, Alex
Cecelia Ahern (Love, Rosie)
Edgar found himself wondering whether her body hair was the same colour. He quickly pushed the thought away: it was foolish for a working man to think such thoughts about a noblewoman. She smiled at him and said: ‘Have you walked here in this weather? Your nose looks as if it could drop off at any moment! Come with me and have some hot ale.’ They entered the compound. Here, too, most people were staying indoors, though a handful of busy folk scurried from one building
Ken Follett (The Evening and the Morning (Kingsbridge, #0))
It was very hard for him to admit it to himself, but having her around had brought him a strange comfort, and he had no idea why. Looking out for her made him feel better somehow. Making sure she was fed and protected against danger—that seemed to work for him, too. It was a lot of trouble, actually. If she hadn’t been around, he wouldn’t go to as much bother with meals. Three out of four nights he’d just open a can of something, but because she’d been sick and needed a hot meal he’d put his best foot forward. Plus, she needed to put on another few pounds. He had spent a lot of time wondering if searching for him, sleeping in her car and probably skipping meals had made her thin and weak. Knowing she was going to be there when he got home, pestering and bothering him, made him hurry a little bit through his work, his chores. He couldn’t figure out why—he was damn sure not going to go over all that old business about the war, about Bobby. Just thinking about that stuff put a boulder in his gut and made his head ache. And yet, he had a ridiculous fear that this phone call to her sister would result in her saying, “I have to go home now.” But there was no use worrying about it—she’s going to leave soon no matter what the sister says. It’s not as though she’d camp out in his cabin through the holidays—she had people at home. Never mind her grousing about her sister, at least she had a sister who loved her, cared about her. And what had she said when she asked for a ride to town? Just a little while longer… It was the first relationship he’d had in about four years. Old Raleigh didn’t count—that had been pure servitude. If the man hadn’t left him part of a mountain, Ian would never have suspected Raleigh was even slightly grateful for the caretaking in the last months. Ian saw people regularly—he worked for the moving company when the weather was good, had his firewood route, went places like the library, had a meal out now and then. People were nice to him, and he was cordial in return. But he never got close; there had been no relationships. No one poked at him like she did, making him smile in spite of himself. That business with the puma—her opening the outhouse door and yelling at him like that—he knew what that was about. She was afraid he’d get hurt by the cat and risked her own skin to warn him. Been a long damn time since he felt anyone really cared about him at all. Maybe that was it, he thought. Marcie thinks she cares, and it’s because I was important to Bobby. If we’d just met somehow, it wouldn’t be like this. But that didn’t matter to him right now. He liked the feeling, alien though it was. He’d be back for her in two and a half hours and while he was delivering a half a cord to some dentist in Fortuna he’d watch the time so he wouldn’t be late getting back to pick her up. And with every split log he stacked, he’d be hoping her family wouldn’t find a way to get her home right away. *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
tagged along. He felt that Marvin was now his responsibility, and he wanted to keep an eye on him. No telling what the captain might say that could possibly upset Marvin. A brisk, cold wind was blowing as the passengers stepped from the ferry onto the dock at Ostend. Marvin later commented that he had never felt such raw weather, but his memory was short. He had forgotten the freezing winters we had lived through when we were growing up in Washington, D.C. From the waterfront at Ostend, Freddy led Marvin, Bubby, and Eugenie to a small boarding house at 77 Rue Promenade, just a block from the beach. Freddy’s wife, Lilliane, a joyous woman, was waiting for them with open arms. She had already prepared a room on the fifth floor for Freddy’s guests and had a hot meal simmering on the stove. The boarding house was owned by Freddy and managed by his wife. They lived in the basement apartment, along with their two young daughters. Lilliane had told them that a new playmate would be arriving, and they had eagerly anticipated meeting Bubby. Freddy seemed happy too, now that Marvin was safely in tow. As for Marvin, he was simply relieved to be warm again and on dry land. From the moment she first saw Marvin,
Frankie Gaye (Marvin Gaye, My Brother)
She shielded her eyes from the sun, her truck keys dangling down the back of her free hand, as Cooper lowered the passenger window and leaned forward so he could see her. “G’day, Starfish. Need a lift?” She needed a lot of things. Hot coffee, sisters who weren’t nosy, a clear vision about what should be next on her life agenda. Being inside a small, sporty vehicle, trapped mere inches from Cooper Jax, even for the short ride down to Half Moon Harbor? That she definitely did not need. “I’m good, thanks. And can we retire the nickname? Please?” He’d begun calling her that after she’d regaled him with a steady string of childhood stories of life lived by the sea, and he’d commented that she seemed too big a fish for such a small pond. A starfish, as it were. She’d rolled her eyes at the very bad pun, but the nickname had stuck. Aussies were big on nicknames. And the honest truth of it was, she hadn’t minded hearing him call her that, even though it had been a joke, delivered as a ribbing, not an endearment. Now? Now she wasn’t sure how he meant it, or what it made her feel when he said it. Better to just bury it right, Ker? Like you do everything that makes you uncomfortable. She really needed to find a way to strangle her little voice. “I’ve got a meeting,” she went on, not giving him a chance to respond. He nodded to the basket in her arms. “Yes, I can see that. Demanding lot, laundry.” She glanced down, then back at him. “No, with my sisters. About Fiona’s wedding.” “Yes, I heard about it.” She didn’t ask how he could possible know that, or who he’d been talking to this time, because any person in town could have brought him up to speed on the goings-on about pretty much any person he wanted to know about. The downside to being home. One of the great things about being a wanderer was that folks only knew whatever parts of her story she opted to share with them. Cooper, she realized now, had already known more than pretty much anyone she’d met in her travels up to that point. God only knows what he’d learned in the twenty-four hours he’d been in the Cove. She didn’t want to examine how that made her feel either. “Three McCrae weddings in less than a year,” he commented, as if casually discussing the weather. Then he grinned. “Is it catching?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Three McCrae weddings in less than a year,” he commented, as if casually discussing the weather. Then he grinned. “Is it catching?” He could be so damn cute. And sexy as hell. His charisma and charm had been hard enough to resist before. Now that he’d unleashed it in full force, with every bit of his desire for her out there in the open for the world to see--and for her to feel--it was like being caught up in a kind of constant foreplay. It was one thing when she could just observe him in all his alpha-male glory, her thoughts about his sexy self and her desire to get all naked and personal with him safely hidden away inside her head for her own private enjoyment. But now he’d kissed her. And she’d kissed him back. And it had been so incredibly intimate, so ridiculously hot, so every other thing that usually requires full frontal nudity to experience, that she couldn’t even look at him without getting squirmy and tingly and far too turned on for her own--“I hate to disappoint you,” she blurted out, needing to get out of there, away from him. “But I really need to--” She lowered her hand and motioned to her truck and its trajectory as she backed out, right into where he was parked. “Lunch, then? Fergus said you’re off this shift.” “Oh, he did, did he?” No wonder she hadn’t heard him rummaging about in the apartment. He must have woken early and gone downstairs to his office. To hide. Old meddler. She’d have a little chat with him after the bridezilla brunch. “He also said he’s taken care of the orders, so no need to hurry back.” Kerry dipped her chin for a brief moment, then busied herself with wrangling the driver door open and all but shoving her basket in and across the bench seat of the ancient rig. She closed the door halfway, her sandaled foot still propped on the running board, and looked back at Cooper. “You’ve made yourself quite at home, I see.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Is the weather nice?” “Yeah, we’re in Austin. Got here about an hour ago. It’s probably 80 degrees.” “Wish I could say the same for here.” I sigh. “Get this: it snowed last night. Like real, motherfucking snowflakes.” I’m trying to act pissed, but I can’t bring myself to it because I’m so happy to be talking to Gus right now. I know I don’t have long, so I need to make the most of it. He laughs. “No way?” “Yeah, it’s October. Isn’t snow against the rules or something until at least December?” “You’re asking the wrong dude that question. Is it cold?” “Yeah, I had to buy a winter coat today. Though for the locals this is probably still T-shirt weather. I swear Minnesotans have some sort of mutant gene that makes them immune to hot and cold. It’s freaky.” He laughs again but then turns serious. “What about boots? Did you buy some boots? You’ll need boots.” It’s funny when he acts parental. I over-exaggerate a full body shiver. “Stop. Buying the coat was bad enough. I don’t want to give in to the snow boots yet. I need time to work up to that. Maybe next month, or the one after that.” The truth is, I’ll need to buy the boots new, because used shoes skeeve me out, and I need to save up for them. That will take a while. “You’re right, you’d better pace yourself.” He’s teasing me. I tease him right back. “Need I remind you that you’re touring the United States this winter? That includes the northern frigid states. You’re going to need to buy a winter coat too, you know.” He exhales through gritted teeth. “I know. I’m still in cold-weather denial.” “It’s a nice place to visit, denial, but you can’t live there forever, dude.” Maybe I should take my own advice. “Bright Side, are you quoting Confucius or JFK? That sounds so familiar.” I know without seeing him that he’s wearing this dumb, mocking expression that makes me laughevery time. “Dude, I think it was Yoda, in The Empire Strikes Back. It was part of Luke’s Jedi training or something.
Kim Holden (Bright Side (Bright Side, #1))
Too hot is not good, too cold is still not good. Everything should be well balanced in life.
Mwanandeke Kindembo
The modern comforts and conveniences that now most influence our daily experience—cars, computers, television, climate control, smartphones, ultraprocessed food, and more—have been used by our species for about 100 years or less. That’s around 0.03 percent of the time we’ve walked the earth. Include all the Homos—habilis, erectus, heidelbergensis, neanderthalensis, and us—and open the time scale to 2.5 million years and the figure drops to 0.004 percent. Constant comfort is a radically new thing for us humans. Over these 2.5 million years, our ancestors’ lives were intimately intertwined with discomfort. These people were constantly exposed to the elements. It was either too hot, too cold, too wet, too dry, too windy, or too snowy out. The only escape from the weather was a rudimentary
Michael Easter (The Comfort Crisis: Embrace Discomfort To Reclaim Your Wild, Happy, Healthy Self)
Start where you are. Begin. Commence. Get going. Crank up. Initiate. Mobilize. Start where you are.” “Never be intimidated by external indicators. The mortgage rate’s too high. Weather too hot. Your body too sick. You think you’re too young, too old, too black, too white. Some of us are so discouraged by where [we] want to be. It appears so distant and so far away and so unlikely. The dreams seem so expansive and the horizons seem so far. It feels like you won’t ever get it done.” “But Jael told me to tell you start where you are.”6 “You’ve gotten stuck in your reality at the expense of your possibility.” “Subversive shifts begin with one small beginning.” “Don’t stay hamstrung by your yesterdays, harnessed and muzzled by who hurt you, who failed you and who dropped you and who quit on you and who cheated on you and who left you.” “Bust the move and start where you are.
Amy Klobuchar (The Joy of Politics: Surviving Cancer, a Campaign, a Pandemic, an Insurrection, and Life's Other Unexpected Curveballs)
So, what does science really tell us about climate change? It’s very different from what one might read in, say, the New York Times or even, sadly, in editorials in Nature and other once-prestigious science journals. We know climate change is a permanent feature of planet Earth; any human impact that might be occurring is probably too small to discern against a background of natural variability; and CO2, so often blamed for changing the weather, is almost surely a minor player compared to natural processes. Despite all the hot talk, there is no “climate crisis” resulting from human activities and no such thing on the horizon.
S. Fred Singer (Hot Talk, Cold Science: Global Warming's Unfinished Debate)
Or how his soldiers, even in combat, refused to wear their helmets, claiming that the weather was too hot for them and “if a bullet is going to kill me, it has my name on it anyway.” (To which Amos said, “What about all those bullets addressed ‘To Whom It May Concern’?”)
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
into the third-floor concrete on Tower 2. Henrietta Brakes knew better. She remembered the courtyard between the four towers, kids kicking soccer balls as hard as they could at each other, cookouts before the weather got too hot each summer, the sound of Alma’s brother screaming as someone pumped a shotgun into his chest and left him spluttering in the centre of the grass, a dying star.
Andrew F. Sullivan (The Marigold)
Ron couldn't get worked up, it was too hot.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Tell yourself, “Today is a lousy day.” This signals Mr. Defeat into action, and he manufactures some facts to prove you are right. He suggests to you that it’s too hot or it’s too cold, business will be bad today, sales will drop, other people will be on edge, you may get sick. Mr. Defeat is tremendously efficient. In just a few moments he’s got you sold. It is a bad day. Before you know it, it is a heck of a bad day. But tell yourself, “Today is a fine day,” and Mr. Triumph is signaled forward to act. He tells you, “This is a wonderful day. The weather is refreshing. It’s good to be alive. Today you can catch up on some of your work.” And then it is a good day.
David J. Schwartz (The Magic of Thinking Big)
historical statistics tell us that July and August are the busy times on the Camino, June close but somewhat quieter, and that the shoulder seasons of May and September are ideal – warm without being too hot, and quieter without any danger of albergues and restaurants closing. April and October are seen as pushing it, weather-wise and from an infrastructure standpoint, while November to March are only for those hardy fools who either relish frozen appendages and feel that hiking 800 kilometres isn’t already enough of a challenge, or are just way too busy the rest of the year with their job as assistant manager of paddling pool security.
Dean Johnston (Behind the Albergue Door: Inspiration Agony Adventure on the Camino de Santiago)
IT WAS CHRISTMAS night, the eve of the Boxing Day Meet. You must remember that this was in the old Merry England of Gramarye, when the rosy barons ate with their fingers, and had peacocks served before them with all their tail feathers streaming, or boars’ heads with the tusks stuck in again—when there was no unemployment because there were too few people to be unemployed—when the forests rang with knights walloping each other on the helm, and the unicorns in the wintry moonlight stamped with their silver feet and snorted their noble breaths of blue upon the frozen air. Such marvels were great and comfortable ones. But in the Old England there was a greater marvel still. The weather behaved itself. In the spring, the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang. In the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed. In the autumn the leaves flamed and rattled before the west winds, tempering their sad adieu with glory. And in the winter, which was confined by statute to two months, the snow lay evenly, three feet thick, but never turned into slush.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
mother. Just thinking about it still hurt a little too much. So much so that Lindsey was beginning to believe that Mark Jenkins might be right. Dave plopped into the seat next to her. Lopez claimed the chair on her other side, and she was mostly safe. All she needed now was someone who wasn’t Jenk to sit directly across from her, and she might make it through the meal without massive heartburn. Izzy didn’t save the day, the bastard. He sat next to Lopez. It was then that Lindsey spotted Jenk, still helping himself to the food—spaghetti with meat sauce—kept hot in warmers over on the other side of the kitchen. Tom Paoletti was with him, and the two men were deep in conversation. Clearly the best thing for her to do was to eat fast and get out of here. She put her head down, dug in and, whoa. She’d expected military rations or school cafeteria food at best, but this sauce was delicious. The salad dressing was excellent, too. She hadn’t realized just how hungry she was. “Stella told me her husband Rob cooked dinner,” Izzy announced. “I begin to understand why she hasn’t left him for me. This shit rocks.” Decker sat down across from Lopez. Two of the SEALs Lindsey didn’t know that well—their names were Stan and Mac—sat next to Izzy and immediately began arguing the pros and cons of setting up that bad-weather
Suzanne Brockmann (Into the Storm (Troubleshooters, #10))
even missed Lollapalooza for this,” Natalie says. “Dua Lipa was there. And those old guys who had their metal song on the last season of Stranger Things. Plus, the weather was perfect. No rain, low humidity, not too hot.
Jen Lancaster (Housemoms)
Whether blustery in words or weather, there’s no putting on airs in Chicago. It’s too cold in the winter and too hot in the summer to walk around with any pretenses. You’ve got to be as real and solid as one of those bone-in rib eyes served at Gibsons Steakhouse. It’s a city where you say what you mean, mean what you say, and, most importantly, where you must be able to back up what you say. All in all, this makes it a great place for comedians to sharpen their acts.
Bob Newhart (I Shouldn't Even Be Doing This!: And Other Things That Strike Me as Funny)