Bowman Quotes

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What will you do now?' I think I will become a monk and devote my entire life to prayer and good works.' No,' said Rek. 'I mean, what will you do today?' Ah! Today I'll get drunk and go whoring,' said Bowman.
David Gemmell (Legend (The Drenai Saga, #1))
She let a teasing tone enter her voice. 'Is there any emergency for which you are not prepared, Mr Swift?' 'Miss Bowman, if I had enough pockets I could save the world.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
We all have to dream our own dreams. We only get one life to live—live it for yourself, not anyone else.
Akemi Dawn Bowman (Starfish)
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand. —should warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden. I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact. I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you. I want you under me. On your back. I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough. I want to talk with you forever. I remember every word you've ever said to me. If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you. You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only you— And there it stopped.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
Second chances are not the same as forgiveness.
Erin Bowman (Taken (Taken, #1))
My peer would have to be dark-haired and handsome, a wonderful dancer... and he would never ask permission before he kissed me." -Lillian Bowman
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
We are hidiously rich Annabelle-- and I've got three older brothers, all unmarried. Would you consider one of them? If you like, I'll have one shipped across the Atlantic for your inspection." -Lillian Bowman
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
No matter how obvious something may seem, there are two sides to every story.
Erin Bowman (Taken (Taken, #1))
Beauty isn’t a single thing. Beauty is dreaming一it’s different for everyone, and there are so many versions of it that you mostly have no control over how you see it
Akemi Dawn Bowman (Starfish)
Does he behave in rude or improper ways?" "He's a Bowman. We don't know any better.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
The more we see ourselves as a vibrant, successful, inspiring person who boldly declares and manifests her vision, the more we become just that.
Kristi Bowman
Some things are better when it’s raining. Like reading. Or sleeping. Or this.” “Lying in bed with me?
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The human brain can only be stretched so far before it breaks.
Erin Bowman (Taken (Taken, #1))
Don't live to please the starfish, especially when their happiness is at the expense of yours. That is not love. That is narcissism. There's an entire ocean out there, Kiko--swim in it.
Akemi Dawn Bowman (Starfish)
I want to find self-worth without needing it to come from someone's approval.
Akemi Dawn Bowman (Starfish)
One of the servants had reported that Daisy had been sneaking around the house at night, deliberately tripping all the traps to keep the mice from being killed. “Is this true, daughter?” Thomas Bowman had rumbled, his gaze filled with ire as he stared at Daisy. “It could be,” she had allowed. “But there is another explanation.” “And what is that?” Bowman had asked sourly. Her tone turned congratulatory. “I think we are hosting the most intelligent mice in New York!
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
When we awaken to our truth, we realize we are free.
Kristi Bowman (Journey to One: A Woman's Story of Emotional Healing and Spiritual Awakening)
The key to ultimate happiness and fulfillment lies within our own transformation. The more we learn and grow and evolve as individuals, the more we will find happiness and satisfaction in relationships, work and life.
Kristi Bowman
Hearts aren't meant to be broken an infinite amount of times.
Akemi Dawn Bowman (Starfish)
I'd rather have an ugly face than an ugly heart.
Akemi Dawn Bowman (Starfish)
Thomas Bowman's toupee, alas, was never found. He was somewhat mollified by the gift of a very fine hat from Westcliff on Christmas day.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
Daisy Bowman,” he said unevenly, “I’d spend eternity in hell for one hour with you.” “Is that how long it takes? An hour?” His reply was rueful. “Sweetheart, at this point it would be a miracle if I lasted one minute.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
People have all sorts of pasts, sometimes dark or dreary, but perhaps the actions they choose in the present are the ones that carry the most weight.
Erin Bowman (Taken (Taken, #1))
Gold makes monsters of men.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
I draw a girl without a face, drawing somebody else’s face onto her own reflection.
Akemi Dawn Bowman (Starfish)
I live my life in the small space between "uncomfortable and "awkward.
Akemi Dawn Bowman (Starfish)
For some reason, this is the moment I know I’m gonna be all right; that the hurt might never fade, and my heart might always long for a stubborn cowboy with squinty eyes, but I’ll make do. Sure as the sun will rise.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
Daisy,” Westcliff said gently, “most lives are not distinguished by great achievements. They are measured by an infinite number of small ones. Each time you do a kindness for someone or bring a smile to his face, it gives your life meaning. Never doubt your value, little friend. The world would be a dismal place without Daisy Bowman in it.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Sometimes in life we take a leap of faith. Remember, the leap is not about getting from one side to the other. It's simply about taking the leap....and trusting the air, the universal breath, will support your wings so that you may soar.
Kristi Bowman
As Marcus considered various ways to open the subject of Daisy, Swift surprised him with a blunt statement. “My lord, there is something I would like to discuss with you.” Marcus adopted a pleasantly encouraging expression. “Very well.” “It turns out that Miss Bowman and I have reached an…understanding. After considering the logical advantages on both sides, I have made a sensible and pragmatic decision that we should—” “How long have you been in love with her?” Marcus interrupted, inwardly amused. Swift let out a tense sigh. “Years,” he admitted.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Life is going to beat you up, it wouldn't be fair if you didn't throw some punches back at it
Bradley Bowman
I've always felt like I desperately needed to say my feelings out loud - to form the words and get them out of me, because they've always felt like dark clouds in my head that contaminate everything around them.
Akemi Dawn Bowman (Starfish)
But some people are just starfish--they need everyone to fill the roles that they assign. They need the world to sit around them, pointing at them and validating their feelings. But you can't spend your life trying to make a starfish happy, because no matter what you do, it will never be enough. They will always find a way to make themselves the center of attention, because it's the only way they know how to live.
Akemi Dawn Bowman (Starfish)
Maybe I felt something because I'm always looking for feelings. Without them, I don't know how to act.
Erin Bowman (Taken (Taken, #1))
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
Grief is a monster - not everyone gets out alive, and those who do might only survive in pieces. But it's a monster that can be conquered, with time.
Akemi Dawn Bowman (Summer Bird Blue)
If you die, I'll die.' 'But is you live, I'll live.' - Bowman and Kestrel, Firesong
William Nicholson
Marcus…you are a healthy man of thirty-five—and you didn’t take one tiny peep at Miss Bowman standing there in her drawers?” “I don’t peep, Livia. I either take a good look at something, or I don’t. Peeping is for children or deviants.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Human potential is amazing...We have the capacity to create a world that is peaceful...one that spreads kindness and love rather than hatred. If we believe it to be so, it will be our truth, and we will create it.
Kristi Bowman (Journey to One: A Woman's Story of Emotional Healing and Spiritual Awakening)
Some people are meant to be forever, like Lea and me. And other people come into your life for a reason— you help each other figure shit out and come to terms with complicated feelings that you can't process on your own.
Akemi Dawn Bowman (Summer Bird Blue)
I don’t have any mottoes. If I did I would forever be contradicting them.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I'm trying to say that I think doing what you feel can't always be easy, but at least you're being true to yourself.
Erin Bowman (Taken (Taken, #1))
You care too much about what other people think. I mean, so what if you fail? So what if it takes a few tries? You're following your dreams. It shouldn't matter to anyone else how long it takes you or what your journey is like–it should just matter to you.
Akemi Dawn Bowman (Starfish)
Today I could like anybody," said Rek, smiling. "The sky is clear, the wind is fresh, and life tastes very fine. What will you do now?" "I think I will become a monk and devote my entire life to prayer and good works." "No," said Rek. "I mean, what will you do today?" "Ah! Today I'll get drunk and go whoring," said Bowman.
David Gemmell (Legend (The Drenai Saga, #1))
Poole and Bowman had often humorously referred to themselves as caretakers or janitors aboard a ship that could really run itself. They would have been astonished, and more than a little indignant, to discover how much truth that jest contained.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
We can change our own life and ultimately change the world.
Kristi Bowman (Journey to One: A Woman's Story of Emotional Healing and Spiritual Awakening)
tired of wishing I were someone else and tired of feeling like everyone expects me to be someone else
Akemi Dawn Bowman (Starfish)
Bowman turned his back on her and began to search the place methodically and exhaustively. When one searches any place, be it a gypsy caravan or a baronial mansion, methodically and exhaustively, one has to wreck it completely in the process.So, in a orderly and systematic fashion, Bowman set about reducing Czerda's caravan to a total ruin.
Alistair MacLean (Caravan to Vaccares)
Do not hide your light for fear of what others may think of you. Let it shine and be a reflection of what is possible.
Kristi Bowman
You can enjoy a deep sense of satisfaction and happiness in life despite challenging circumstances. It's all in how you think about it.
Kristi Bowman
But if I could fix myself and turn off the anxiety long enough to feel normal, I would have a long time ago.
Akemi Dawn Bowman (Starfish)
Infinity was never built for you; it was built for dreamers.
Akemi Dawn Bowman (The Infinity Courts (The Infinity Courts, #1))
Money’s supposed to fix problems, not give you more, but I guess life ain’t that straightforward.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
Love and accept everyone for who they are, for where they are in life. That is compassion.
Kristi Bowman
Crazy was a river you just floated along on. - KC Klein
Valerie Bowman
The painting isn't about the starfish. It's about the girl who wants to venture out into the ocean, away from the starfish, so she can feel like she matters.
Akemi Dawn Bowman (Starfish)
I don't expect people to know me...I am just someone you need to get along with. I am who I am.
Ann O'M. Bowman
He doesn't wear his heart on his sleeve; he keeps it in a locked box with all of his dreams and expressions because he doesn't want to share them with the rest of the world.
Akemi Dawn Bowman (Starfish)
It's strange–hope can make you forget so much, so quickly. That's why hoping is so dangerous.
Akemi Dawn Bowman (Starfish)
Westcliff thinks that St. Vincent is in love with you.” Evie choked a little and didn’t dare look up from her tea. “Wh-why does he think that?” “He’s known St. Vincent from childhood, and can read him fairly well. And Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent’s heart. He says a girl like you would appeal to…hmm, how did he put it?…I can’t remember the exact words, but it was something like… you would appeal to St. Vincent’s deepest, most secret fantasy.” Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. “I should think his fantasy is to consort with as many women as possible.” A grin crossed Lillian’s lips. “Dear, that is not St. Vincent’s fantasy, it’s his reality. And you’re probably the first sweet, decent girl he’s ever had anything to do with.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I feel like I'm the one made out of paper.
Akemi Dawn Bowman (Starfish)
Life don't care 'bout sorry's," Will says. "Bad things happen, and you can't let 'em harden you. Whatever happened to yer pa, it ain't yer fault, Nate, and you gotta let it go.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
Watch your habits, for they become your posture. Watch your posture, for it creates your boundaries. Watch your boundaries, for they restrict your growth. Watch your restrictions, for they create immobility. Watch your immobility, for it becomes your illness.
Katy Bowman (Alignment Matters: The First Five Years of Katy Says)
Matthew. I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
People don't gotta like the same stuff. If they did, life would be pretty boring.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
There’s so much earth everywhere. It’s like all the people migrated to these pockets of lights and noise, and they left all these miles and miles of nature completely untouched.
Akemi Dawn Bowman (Starfish)
The mother I've always wanted isn't real; she's a dream. And not every dream comes true.
Akemi Dawn Bowman (Starfish)
If you are torn between Staying and going Go I want a lover Who knows
L.E. Bowman
And since Evie's husband, St. Vincent, had decided not to go fishing, Evie said she would rather remain in bed with him. "You would have much more fun fishing with me," Daisy had told her. "No," Evie had said decisively, "I wouldn't.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
There were other thinkers, Bowman also found, who held even more exotic views. They did not believe that really advanced beings would possess organic bodies at all. Sooner or later, as their scientific knowledge progressed, they would get rid of the fragile, disease-and-accident-prone homes that Nature had given them, and which doomed them to inevitable death. They would replace their natural bodies as they wore out—or perhaps even before that—by constructions of metal and plastic, and would thus achieve immortality.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
But I feel like I've spent most of my life wishing for someone else's approval, or relying on their reassurance that I'm living my life the right way. And somewhere along the way, I forgot to care what I thought about myself. I feel trapped beneath all the things that make me think less of myself. If my life were a video game, I would have hit the reset button a long time ago.
Akemi Dawn Bowman (Starfish)
We often forget our human connectedness. Throughout my life, I have felt the greatest beauty lies in this connection. It has been in the deepest connections with others that I have experienced the greatest degree of learning, healing and transformation. This connection is a powerful thing, with the ability to transform lives, and ultimately transform human experience.
Kristi Bowman (Journey to One: A Woman's Story of Emotional Healing and Spiritual Awakening)
I want to know what your five-dollar wish was for.” “Is that all?” He smiled beneath her exploring fingertips. “I wished you would find someone who wanted you as much as I did. But I knew it wouldn’t come true.” The candlelight slid over Daisy’s delicate features as she raised her head to look at him. “Why not?” “Because I knew no one could ever want you as much as I do.” Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both. “What was your wish?” Matthew asked, combing his fingers through the fall of shimmering hair. “That I could find the right man to marry.” Her tender smile stopped his heart. “And then you appeared.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads. If you think you can't do something, you won't. If you believe you can, it's only a matter of time before you will.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
The lady had a rapier for a tongue. She jabbed with nouns, riposted with verbs.
Valerie Bowman (The Unexpected Duchess (Playful Brides, #1))
Books are expensive. So are nice houses with gardens. Has it occurred to you that someone has to pay for your peaceful life?
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Stars shine their brightest in the dark. So take this opportunity, and supernova the shit out of it.
Akemi Dawn Bowman (Harley in the Sky)
If I can’t figure out how to live on my own一how to do things on my own一how am I supposed to live at all?
Akemi Dawn Bowman (Starfish)
Everything's simpler without constraints.
Erin Bowman (Taken (Taken, #1))
Hell, I'll be safest pretending I'm a boy the rest of my life. The frontier ain't for the faint of heart, and it certainly ain't kind to women. Sometimes I think the whole world's 'gainst us.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
And I decide, right there and then, that I don't care if I'm not someone's idea of pretty. I don't care if my name might disappoint someone, or if my face might disappoint someone's parents. Because that says so much more about them than it does about me.
Akemi Dawn Bowman (Starfish)
Seeing her indecision, Bowman said casually, “The others will be coming in here momentarily. And I should probably mention that I have an excellent view up your skirts.” Drawing in a sharp breath, Hannah tried to gather her dress more closely around her, and her balance wobbled. Bowman cursed, his amusement vanishing. “Hannah, stop. I’m not looking. Be still, damn it. I’m coming up there to get you.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
But I don't need an apology. Not anymore. I have my whole life ahead of me - there isn't room in it for anger about things I don't have the power to change. I've mourned the loss of the mother I imagined could exist. I accept the one I have will never be the one I need. And that's okay - because I will be the person I need. I will be the one I can depend on, the one who has the power to make my life better or worse. I'll still panic when I'm in a crowd. I'll still question whether people mean something different from what they say. And I'll probably always feel my heart thump when I think someone is criticizing me. But I can live with that. I accept myself.
Akemi Dawn Bowman (Starfish)
Sure, sometimes you gotta let things go, but other times you can't till you set things right. And I know darn well it ain't worth arguing with a preacher. The only truths they believe are their own words.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
And maybe that’s like life. You live for a moment—one single moment. And then you don’t matter. Because there are years of the past and years of the future, and we’re all simply one tiny blip in time—a surge of water waiting to leave our mark on the sand, only to have it washed away by the waves that come after us. And Lea, with her brief, tiny wave. She didn’t get to make a mark. If she’d had more time, she would have been a hurricane.
Akemi Dawn Bowman (Summer Bird Blue)
Normal people don’t need to prepare for social interactions. Normal people don’t panic at the sight of strangers. Normal people don’t want to cry because the plan they’ve processed in their head is suddenly not the plan that’s going to happen.
Akemi Dawn Bowman (Starfish)
We all have to dream our own dreams. We only get one life to live--live it for yourself, not anyone else. Because when you're on your deathbed, you're going to be wishing you had. When everyone else is on theirs, I guarantee they aren't going to be thinking about your life.
Akemi Dawn Bowman (Starfish)
I don't try to make sense of suffering. I try to make sense of life...I try each day to see God's will...I console myself with the old Negro spiritual, 'Sooner will be done the troubles of this world. I'm going home to live with God.
Thea Bowman
Sometimes, during the lonely hours on the control deck, Bowman would listen to this radiation. He would turn up the gain until the room filled with a crackling, hissing roar; out of this background, at irregular intervals, emerged brief whistles and peeps like the cries of demented birds. It was an eerie sound, for it had nothing to do with Man; it was as lonely and meaningless as the murmur of waves on a beach, or the distant crash of thunder beyond the horizon.
Arthur C. Clarke
A great many grown-up and intelligent people believe, or pretend to believe, that by behaving in a friendly and accommodating way to our attackers, we will show them that they have nothing to fear from us and so defuse their wrath. The idea that such behavior would be taken by a ruthless and implacable enemy only as a sign of weakness is as foreign to them as the idea of honor itself.
James Bowman (Honor: A History)
Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
Arthur C. Clarke (2001: A Space Odyssey)
Your sexuality -- and how you identify -- is nobody else's business. You can change your mind, or not change your mind. Those labels exist for you, and not so that everyone else can try to force you into a box. Especially if that box is their close-minded idea of fucking normal.
Akemi Dawn Bowman (Summer Bird Blue)
Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room. It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong." "Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all." Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time." There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..." "A ruffian?" Daisy suggested innocently. This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'" "Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face. Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems." Cam's golden eyes narrowed into tigerish slits.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Beginning to feel that her brother was being rather too harsh on Lillian Bowman, Livia frowned. “She’s a very pretty girl, Marcus.” “A pretty facade isn’t enough to make up for the flaws in her character.” “Which are?” Marcus made a faint scoffing sound, as if Miss Bowman’s faults were too obvious to require enumeration. “She’s manipulative.” “So are you, dear,” Livia murmured. He ignored that. “She’s domineering.” “As are you.” “She’s arrogant.” “Also you,” Livia said brightly. Marcus glowered at her. “I thought we were discussing Miss Bowman’s faults, not mine.” “But you seem to have so much in common,” Livia protested, rather too innocently.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
piece of paper falls out and floats to the ground. I pick it up carefully, studying the handwriting I don’t recognize but know is Mr. Watanabe’s. In neat, swooping letters written with black pen are the words: If you get lost in the darkness, remember to follow the music. Thanks for reminding me to do the same. Even though I’m crying, I’m smiling, too.
Akemi Dawn Bowman (Summer Bird Blue)
No,” Lillian said frankly. “But much as I hate to admit it, that puts us in a minority. Swift is liked by everyone in the northern hemisphere, including Westcliff and his friends, my friends, the servants, the neighbors—” “You are exaggerating—” “—children, animals and the higher order of plants,” Lillian finished sardonically. “If root vegetables could talk, I’ve no doubt they would say they like him, too.” Daisy, who was sitting by the window with a book, looked up with a sudden grin. “His charm doesn’t extend to poultry,” she said. “He has a problem with geese.” Her smile turned quizzical. “Thank you for being so accommodating, Lillian. I expected you to make a fuss about the betrothal.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?” “Oh,” Annabelle said with irreverent lightness, “any peer will do.” “Any peer?” Lillian asked skeptically. “What about good looks?” Annabelle shrugged. “Welcome, but not necessary.” “What about passion?” Daisy inquired. “Decidedly unwelcome.” “Intelligence?” Evangeline suggested. Annabelle shrugged. “Negotiable.” “Charm?” Lillian asked. “Also negotiable.” “You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.” “I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.” Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.” Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?” “Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.” The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Jamie steps closer to me, his face falling back into kindness. "That's good Kiko. Say what you want to say. Say everything. I;ll listen to it, and I won't fight with you. Because I love you, and because I know this is what you need. So tell me you're angry. Tell me how terrible I've been. Tell me I made the wrong choice. And the, Kiko, forgive me. Because I'm sorry. I'm sorry, and I love you.
Akemi Dawn Bowman (Starfish)
Three years before the terrible events of September 11, 2001, a former lieutenant colonel in the U.S. Air Force, Robert Bowman, who had flown 101 combat missions in Vietnam, and then had become a Catholic bishop, commented on the terrorist bombings of the U.S. embassies in Kenya and Tanzania. In an article in the National Catholic Reporter he wrote about the roots of terrorism: We are not hated because we practice democracy, value freedom, or uphold human rights. We are hated because our government denies these things to people in Third World countries whose resources are coveted by our multinational corporations. That hatred we have sown has come back to haunt us in the form of terrorism. . . . Instead of sending our sons and daughters around the world to kill Arabs so we can have the oil under their sand, we should send them to rebuild their infrastructure, supply clean water, and feed starving children. . . . In short, we should do good instead of evil. Who would try to stop us? Who would hate us? Who would want to bomb us? That is the truth the American people need to hear.
Howard Zinn (A People's History of the United States: 1492 to Present)
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued. “… have to find St. Vincent…” Marcus was saying. “No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.” “We need privacy.” “I believe there is a small room nearby— more of a vestibule, actually…” But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase. St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust. The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.” Dazedly Lillian murmured, “Marcus, wait—” She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters. White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded. “Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering. “Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))