Bolt Gun Quotes

Are you armed?" Oliver asked her. She glanced down at her backpack and instantly, instinctively held back. "No." "Lie to me again and I'll put you out on the street and do this myself." Claire swallowed. "Uh, yeah." "With what?" "Silver-coated stakes, wooden stakes, a crossbow, about ten bolts . . . oh, and a squirt gun with some silver-nitrate solution." He smiled grimly at the dark windshield. "What, no grenade launchers?" "Would they work?" "I choose not to comment.

But unlike thunder, this didn’t stop. It went on and on, machine-gun style, as if Zeus had loaded his bolts into an M60 with an inexhaustible ammo crate.

I dreamed kind Jesus fouled the big-gun gears; and caused a permanent stoppage in all bolts; and buckled with a smile Mausers and Colts; and rusted every bayonet with His tears.

I looked at the woman crying over the doll and felt something else. I was sick of people acting against their own interests. Mooing about how to refinance the slaughterhouse. Putting skylights in the killing pen and pretending the bolt in the brain was a pathway to a better field. I paid my bill. Save your fucking pennies for a gun and a history book, I thought.

There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for avast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own. However, nothing dispirits, and nothing seems worth while disputing. He bolts down all events, all creeds, and beliefs, and persuasions, all hard things visible and invisible, never mind how knobby; as an ostrich of potent digestion gobbles down bullets and gun flints. And as for small difficulties and worryings, prospects of sudden disaster, peril of life and limb; all these, and death itself, seem to him only sly, good-natured hits, and jolly punches in the side bestowed by the unseen and unaccountable old joker. That odd sort of wayward mood I am am speaking of, comes over a man only in some time of extreme tribulation; it comes in the very midst of his earnestness, so that what just before might have seemed to him a thing most momentous, now seems but a part of the general joke.

Help!' he shrieked shrilly in a voice strangling in its own emotion, as the policemen carried him to the open doors in the rear of the ambulance and threw him inside. 'Police! Help! Police!' The doors were shut and bolted, and the ambulance raced away. There was a humorless irony in the ludicrous panic of the man screaming for help to the police while policemen were all around him. Yossarian smiled wryly at the futile and ridiculous cry for aid, then saw with a start that the words were ambiguous, realized with alarm that they were not perhaps, intended as a call for police but as a heroic warning from the grave by a doomed friend to everyone who was not a policeman with a club and gun and a mob of other policemen with clubs and guns to back him up. 'Help! Police!' the man had cried, and he could have been shouting of danger.

Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.

I snapped the crossbow into the top of the mount, took a canvas bundle from the cart, and unrolled it. Crossbow bolts, tipped with the Galahad warheads. “This is my baby.” I petted the stock. “You have a strange relationship with your weapons,” Roman said. “You have no idea,” Raphael told him. “This from a man with a living staff and a man who once drove four hours both ways for a sword he then put on his wall,” I murmured. “It was an Angus Trim,” Raphael said. “It’s a sharpened strip of metal.” “You have an Angus Trim sword?” Kate’s eyes lit up. “Bought it at an estate auction,” Raphael said. “If we get out of this alive, you are invited to come to my house and play with it.” It was good that Curran wasn’t here and I was secure in our relationship, because that totally could be taken the wrong way.

A modern slaughterhouse is a disassembly line of conveyors and shackles, bolt guns and electric prods, hooks and hoists. Animals arrive in one piece, breathing and fearing, only to be systematically stunned, hung, slashed, skinned, drawn and dismembered into a sum of tradable parts.

He [Neil] didn’t realize he’d fallen asleep until a gunshot jarred him awake. Neil bolted upright so fast he sent his pile of textbooks crashing to the ground. Too late he realized the crack he’d heard wasn’t a gun but the lock snapping undone on the suite door.

Bring us our sirloin, our lamb chops, our veal cutlets, and our chicken breasts snugly swaddled in plastic, thoroughly exsanguinated, wholly dismembered, and completely sanitized for our protection. We won’t hear the bleating of the sheep, the lowing of the cows, the hydraulic thwack of the bolt gun. We won’t smell the copper rivers of blood sluiced from below kill floors, the acrid tang of the chemical foam that suffocates “free-range” chickens, the florid stench of mountains of fish guts. We eat our meat, and we act as if all animals were always already dead.

Such was the short bitter life of Brother Tod Clifton. Now he’s in this box with the bolts tightened down. He’s in the box and we’re in there with him, and when I’ve told you this you can go. It’s dark in this box and it’s crowded. It has a cracked ceiling and a clogged-up toilet in the hall. It has rats and roaches, and it’s far, far too expensive a dwelling. The air is bad and it’ll be cold this winter. Tod Clifton is crowded and he needs the room. Tell them to get out of the box,’ that’s what he would say if you could hear him. Tell them to get out of the box and go teach the cops to forget that rhyme. Tell them to teach them that when they call you nigger to make a rhyme with trigger it makes the gun backfire.

Such was the short bitter life of Brother Tod Clifton. Now he's in this box with the bolts tightened down. He's in the box and we're in there with him, and when I've told you this you can go. It's dark in this box and it's crowded. It has a cracked ceiling and a clogged-up toilet in the hall. It has rats and roaches, and it's far, far too expensive a dwelling. The air is bad and it'll be cold this winter. Tod Clifton is crowded and he needs the room. 'Tell them to get out of the box', that's what he would say if you could hear him. 'Tell them to get out of the box and go teach the cops to forget that rhyme. Tell them to teach them that when they call you nigger to make a rhyme with trigger it makes the gun backfire.

The problem was that those old bad times, once they got keyed up, were hard to quiet. It was all around me in the air now, all those miserable fucking memories, the terrified lowing of the cattle and the ka-thunk of the bolt gun. The heat and stench of the workroom, my cramped grip on the saw, the cows' slow turning in the air, bloated and dripping gore. My brother Castle, his big eyes in the darkness. I was trying to go along now and get on with my work, and all these snatches of vision hovered like bits of ash or motes of dust, flickering glimpses of an old world, my old world, floating around me and settling on my skin as I came out onto Central Avenue, breathing hard.

There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own. However, nothing dispirits, and nothing seems worth while disputing. He bolts down all events, all creeds, and beliefs, and persuasions, all hard things visible and invisible, never mind how knobby; as an ostrich of potent digestion gobbles down bullets and gun flints. And as for small difficulties and worryings, prospects of sudden disaster, peril of life and limb; all these, and death itself, seem to him only sly, good-natured hits, and jolly punches in the side bestowed by the unseen and unaccountable old joker. That odd sort of wayward mood I am speaking of, comes over a man only in some time of extreme tribulation; it comes in the very midst of his earnestness, so that what just before might have seemed to him a thing most momentous, now seems but a part of the general joke. There is nothing like the perils of whaling to breed this free and easy sort of genial, desperado philosophy; and with it I now regarded this whole voyage of the Pequod, and the great White Whale its object.

The down side is that more and more of them keep coming. The noise is like a dinner bell. Hungries are crowding into the green space from the streets on every side, at what you’d have to call a dead run. There’s no limit to their numbers, and there is a limit to his ammo. Which he hits, suddenly. The gun stops vibrating in his hands and the noise of his shots dies away through layers of echoes. He ejects the empty magazine, gropes for another in his pocket. He’s done this so often he could go through the moves in his sleep. Slap the new mag in and give it a quick, sharp tug, pivoting it on the forward lip so it locks into place. Pull the bolt all the way back. The bolt sticks halfway. The weapon’s just dead weight until he can clear whatever’s jamming it–the first round, most likely, elbowed in the chamber. And two hungries are on top of him now, triangulating from left and right. One of them used to be a man, the other a woman. They’re about a second away from the world’s nastiest three-way. It’s

Yossarian went to bed early for safety and soon dreamed that he was fleeing almost headlong down an endless wooden staircase, making a loud, staccato clatter with his heels. Then he woke up a little and realized someone was shooting at him with a machine gun. A tortured, terrified sob rose in his throat. His first thought was that Milo was attacking the squadron again, and he rolled off his cot to the floor and lay underneath in a trembling, praying ball, his heart thumping like a drop forge, his body bathed in a cold sweat. There was no noise of planes. A drunken, happy laugh sounded from afar. 'Happy New Year, Happy New Year!' a triumphant familiar voice shouted hilariously from high above between the short, sharp bursts of machine gun fire, and Yossarian understood that some men had gone as a prank to one of the sandbagged machine-gun emplacements Milo had installed in the hills after his raid on the squadron and staffed with his own men. Yossarian blazed with hatred and wrath when he saw he was the victim of an irresponsible joke that had destroyed his sleep and reduced him to a whimpering hulk. He wanted to kill, he wanted to murder. He was angrier than he had ever been before, angrier even than when he had slid his hands around McWatt's neck to strangle him. The gun opened fire again. Voices cried 'Happy New Year!' and gloating laughter rolled down from the hills through the darkness like a witch's glee. In moccasins and coveralls, Yossarian charged out of his tent for revenge with his .45, ramming a clip of cartridges up into the grip and slamming the bolt of the gun back to load it. He snapped off the safety catch and was ready to shoot. He heard Nately running after him to restrain him, calling his name. The machine gun opened fire once more from a black rise above the motor pool, and orange tracer bullets skimmed like low-gliding dashes over the tops of the shadowy tents, almost clipping the peaks. Roars of rough laughter rang out again between the short bursts. Yossarian felt resentment boil like acid inside him; they were endangering his life, the bastards!

At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.

The M-16 sure is a marvelous gun, and in a god-awful war it provides some keen fun. The bullet it fires appears too small to harm but it makes a big hole and can tear off an arm. Single shot, semi, or full automatic, a real awesome weapon, ’tho in performance sporadic. But listen to Ichord and forget that stuck bolt, for you aren’t as important as a kickback from Colt. So carry your rifle (they don’t give a damn), just pray you won’t need it while you’re in Vietnam. The M-16 is issue, though we all feel trapped. More GIs would protest, but somehow they got zapped.

So far he’s never been bit, but there was once, deer hunt, climbing a bluff and he’d slipped, rolled down a shale slide into some kind of grotto and the whole place started buzzing. Big rattlesnake nest, twenty or so, all small but they’ll kill you just the same and he’d scrambled and cranked round after round through the bolt, felt a hot white pain in his leg, dropped the gun and jumped. Once he was out of it he pulled down his pants, found the bite but it wasn’t a bite, just the one hole and too big, something lodged under the skin. He cut at it for a time. Piece of copper jacket from one of his own bullets, turned out. Stood there, sun in his eyes, blood on his hands, pants full of blood and bunched at his ankles, happy as he’d been in a while. - "Any Deadly Thing

We were advancing at good speed up a wide track towards a village when the VC and NVA laid down a very heavy mortar bombardment, at the same time they opened up with medium machine guns in enfilading fire. We saw the South Viet Marines to our left break for the rear. Then amidst the dust and smoke came quite a number of VC and NVA infantry yelling and brandishing Ak rifles with bayonets fixed and throwing grenades. As the South Viets were running we bolted too, for the mortar rounds were dropping thick and fast on the track behind us and among the trees. Then down came our own fire mission, quickly followed by our guys and the South Viets rushing to counter-attack with lots of rifle fire and the throwing of grenades. The VC and NVA scuttled off to the village, and the situation restored. Sergeant Walker, the author of Southlands Snuffys, after- action report, Forest of Assassins, 1967.

When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.

There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own. However, nothing dispirits, and nothing seems worth while disputing. He bolts down all events, all creeds, and beliefs, and persuasions, all hard things visible and invisible, never mind how knobby; as an ostrich of potent digestion gobbles down bullets and gun flints. And as for small difficulties and worryings, prospects of sudden disaster, peril of life and limb; all these, and death itself, seem to him only sly, good-natured hits, and jolly punches in the side bestowed by the unseen and unaccountable old joker. That odd sort of wayward mood I am speaking of, comes over a man only in some time of extreme tribulation; it might have seemed to him a thing most momentous, now seems but a part of a general joke.

they had to do it anyway. They had to try. They had taken an oath, and they would be faithful to the end. On the bank of surveillance monitors in front of her, she saw a dozen of her best agents—guns drawn—suddenly rush the convention stage, surround the president, grab him by the arms, and literally carry him away, his feet barely touching the ground. Sanchez then bolted out of the command post and met the president’s protective detail backstage and ordered them downstairs, into the makeshift bunker. “Go, go, go,” she yelled as they raced the president down one corridor after another, into a heavily guarded stairwell, and down five flights, eventually bursting into the basement, where all the convention center’s HVAC systems were housed. They turned one corner and then another, ducking pipes and ducts along the way. A moment later, they raced the president into a large storage freezer, slammed the door shut behind them, and worked feverishly to put him in a protective suit, gloves, and mask, pre-positioned there by the army’s nuclear, biological, and chemical fast-reaction team. That done, Sanchez and her agents began to suit up themselves. But just then, Sanchez felt the

The world recoiled in horror in 2012 when 20 Connecticut schoolchildren and six adults were killed at Sandy Hook Elementary School. . . . The weapon was a Bushmaster AR-15 semiautomatic rifle adapted from its original role as a battlefield weapon. The AR-15, which is designed to inflict maximum casualties with rapid bursts, should never have been available for purchase by civilians (emphasis added).1 —New York Times editorial, March 4, 2016 Assault weapons were banned for 10 years until Congress, in bipartisan obeisance to the gun lobby, let the law lapse in 2004. As a result, gun manufacturers have been allowed to sell all manner of war weaponry to civilians, including the super destructive .50-caliber sniper rifle. . . .(emphasis added)2 —New York Times editorial, December 11, 2015 [James Holmes the Aurora, Colorado Batman Movie Theater Shooter] also bought bulletproof vests and other tactical gear” (emphasis added).3 —New York Times, July 22, 2012 It is hard to debate guns if you don’t know much about the subject. But it is probably not too surprising that gun control advocates who live in New York City know very little about guns. Semi-automatic guns don’t fire “rapid bursts” of bullets. The New York Times might be fearful of .50-caliber sniper rifles, but these bolt-action .50-caliber rifles were never covered by the federal assault weapons ban. “Urban assault vests” may sound like they are bulletproof, but they are made of nylon. These are just a few of the many errors that the New York Times made.4 If it really believes that it has a strong case, it wouldn’t feel the need to constantly hype its claims. What distinguishes the New York Times is that it doesn’t bother running corrections for these errors.

We were shoved against the back wall. Thirty or forty people were all that could fit in. And still the soldiers drove women over the side, cursing, jabbing with their guns. Shrieks rose from the center of the car but still the press increased. It was only when eighty women were packed inside that the door thumped shut and we heard iron bolts driven into place.

As Frank gunned the ignition of the car to start it he suddenly felt a moment of panic and uncertainty, understanding that he was way out of his depth in this situation and he froze unsure of what to do. Then like a bolt from the blue Frank recalled advice Mick had once given him about asking girls out on a date, Mick had said ‘life is short, so with everything in life you should drive it like you stole it!

But it is probably not too surprising that gun control advocates who live in New York City know very little about guns. Semi-automatic guns don’t fire “rapid bursts” of bullets. The New York Times might be fearful of .50-caliber sniper rifles, but these bolt-action .50-caliber rifles were never covered by the federal assault weapons ban. “Urban assault vests” may sound like they are bulletproof, but they are made of nylon. These are just a few of the many errors that the New York Times made.

troubled, Alfred Allsworth (Fred) Thorp, Sheriff of Okanogan County approached the Lute Morris Saloon in Conconully Monday morning, November 9, 1909. Inside, a hard-looking stranger of medium height, with black hair and a mustache, who gave his name as Frank LeRoy, was playing cards at a table. Sheriff Thorp intended to question LeRoy regarding a safe blown in the A.C. Gillespie & Son store in Brewster a few days earlier and two residential burglaries in Brewster. A mild mannered Iowa farmer, Thorp came to the Okanogan in 1900, carried mail between Chesaw and Loomis, ran for sheriff. Armed with a six-shooter, Thorp feared only that some day, he might have to kill someone, which would compel him to resign, and this might be the day. LeRoy sat very still, watching the frontier sheriff approach the card table. “I’ll have to take you in, partner.” said Thorp. There must have been an unearthly silence in the saloon as LeRoy rose. Thorp drew his revolver, “I’m going to search you.” LeRoy turned as if to throw off his coat, and then jerked a pistol from a shoulder holster. The two opened fire simultaneously LeRoy dancing about to present an elusive target. LeRoy got off four shots. Thorp emptied his revolver, striking LeRoy’s right hand, causing him to drop his gun, and hitting the suspect in the shoulder as he bolted out a rear door. LeRoy staggered a few yards up Salmon Creek before hiding in some brush. “Look out, he’s got another gun” someone yelled from across the creek. Having borrowed a second revolver, the sheriff pounced, kicking LeRoy’s gun from his hand. LeRoy was rolled onto a piece of barn board and carried into the Elliot Hotel. There his wounds, including a punctured lung were treated. In LeRoy’s hotel room Thorp found two more guns, wedges and drills, and a supply of nitroglycerine. Two days later, LeRoy broke out of the county jail. Wearing only his nightshirt, a blanket for trousers, shoes and an old mackinaw taken from an elderly trusty who served as jailer, the desperado flew through chilling weather to Okanogan. Three days later, Thorp caught up with him in a fleld of sagebrush below Malott. LeRoy came out with his hands up commenting mildly he wished he had a gun so the two could shoot it out again. In January, 1910, at Conconully LeRoy was convicted of burglarizing the William Plemmon’s home at Brewster. Since this was his third burglary conviction, he was sentenced to life imprisonment in the state penitentiary at Walla Walla as a habitual criminal. After serving nine years, LeRoy, in ill health, was released in 1919. He once met Fred Thorp on a street in Spokane. They chatted for a few minutes. While there were, in pioneer times, numerous other confrontations between armed men, the Thorp-LeRoy gun flght probably was the closest Okanogan County ever came to a HIGH NOON shootout.

Anti–Second Amendment advocates profess to love science while demonizing people of faith, but you’d never know this by their arguments. Bloomberg PR exec/mom Shannon Watts-Troughton once told me via Twitter that “an assault weapon enables humans to shoot 10 rounds in one minute. @blueelephant69: @shannonrwatts @DLoesch.” What in flat-earthing hell is this? I can throw ten bowling balls a minute, I have assault arms, ban them. By her estimation, “assault weapons” are any firearms that can shoot ten rounds per minute, which is every firearm. Even a bolt action rifle can shoot ten rounds per minute. That

On the other side, the linoleum floor creaked slightly. Sharko felt the edge of his sofa and crouched down, his gun aimed blindly in front of him. He could have attacked from the front, by surprise, but he didn’t know how many there were. One thing was for sure: they rarely went out alone. The creaking in the hall stopped. The cop’s palms were moist on the grip of his gun. He suddenly thought of the photos of the film restorer’s body: hanging from the ceiling, disemboweled and stuffed with film. Not an enviable fate. The door handle turned, very slowly, before returning to its initial position. In the following seconds, Sharko expected them to go for the lock, then burst in armed with knives or silencers. Time stretched out forever. Suddenly he heard a rustle under the door. The creaking started up again, then decreased in a regular rhythm. Sharko rushed to the door and gave the dead bolt a precise twist. The next second, he was in the hallway, barrel pointed forward. With his fist, he banged on the light switch and flew into the stairwell. Downstairs, the main door slammed shut. Sharko took the stairs two at a time, almost unable to breathe. The foyer, then the street. A long line of pallid streetlamps ran down the asphalt. Left, right—not a soul. Just the murmur of a slight breeze and the slow breath of night.

Molly, I need you to answer me, hon.” She swallowed. One more moment of silence and Bailey would bust in . . . and get shot in the process. “I’ll be careful. I’m just . . . I’m sleepy. Don’t worry about me.” “I’ll go, but some good news first. Michael’s saddlebags were as loaded down as a Wells Fargo coach. That must be the money Russell stole. Your pa will be happy.” The pistol was lying on the floor now, although still in his grip. It was an odd-shaped gun. Her head cocked. “And finding the gun will clear Anne of murdering Mr. Nimenko,” she said. “What?” “The strange gun. The missing foreign gun of Mr. Nimenko.” Michael’s head bolted upright. He lifted the gun and pointed it at her again. “If you find it, I mean. If you find Mr. Nimenko’s gun, then everyone will know that Anne is innocent.” Silence. “I’ve got to go,” Bailey said. “I’d better join the others.” His fingers tapped against the door. “I love you.” Molly froze, unable to answer. Michael’s eyes turned into mean slits. “Answer him,” he mouthed, “now.” She looked away and tried to forget the murderous weapon pointed in her direction. One slide of Michael’s slippery gloves and she was dead. She might never have another opportunity. “I love you, too, Bailey.” The tapping stilled. “Good night, Molly.” And he was gone. —

She could feel Cameron move up behind her; the warmth of his body was right there, though he didn’t touch her. Then one hand caressed her upper arm while the other pulled her hair away from her ear. “This is the first time I’ve ever driven two hundred miles to see a woman I’ve barely met, Vanessa,” he whispered. Vanni bit on her lower lip. She’d been sleepless last night, thinking. She knew Cameron was interested in her, but that wasn’t enough. Her mind was on Paul. She turned around. “I’m very vulnerable, Cameron,” she said by way of warning. “I know. I’ll treat you carefully.” “You’re going to have to treat me patiently,” she said. “I’m not prepared to be any more than friends right now.” He laughed and shook his head. “I’d sure like to see where this could go.” “Friends,” she said. “Or nothing at all.” He cocked his head and smiled. “Do friends kiss? Just to see if there’s…chemistry?” She shook her head. “They do not. Not yet.” “Yet is a much more encouraging response than nothing at all. I guess friends kiss when they’ve gotten to know each other and there’s trust. Do I have that right?” She sighed deeply. If not for Paul, she might be attracted to Cameron. He was handsome, sexy, sweet. “It’s too soon. My mother-in-law jumped the gun, introducing us and—” “Nah, it’s not Carol’s fault. I’m jumping the gun because…” He shrugged. “Because you’re beautiful and fun. So shoot me.” She smiled at him. “I don’t think your life is in danger for calling me beautiful and fun. That’s very nice. But I’m not getting involved with you right now.” “You said we’d be friends,” he argued. And he reached out to stroke her hair. “Behave like a friend, Cameron. Like a Boy Scout.” He laughed at her. “You’re asking way too much. I’ll behave, but let’s keep this in perspective. I’m a man. You’re a damn sexy woman.” “Do I have to worry you won’t mind your manners?” she asked, lifting a brow. “Absolutely not,” he promised. “You’re in charge.” “Then no touching until… No touching.” He put his hands in his pockets. “Whatever you want, Vanessa. I’m just going to—” At that very moment, Plenty whinnied, backed away from the stream and bolted. “Shoot!” Vanni said. “That little troublemaker.” She pushed Cameron away, grabbed the reins of the gelding, leaped into the saddle and said, “I’ll be back.” She directed her horse after Plenty. “Don’t go away,” she yelled, laughing, as if he could go anywhere, stranded as he was.

This is the M74 assault weapon. Developed during the war, in about 2025, near as we could tell, it is by far the most advanced infantry weapon ever made. The weapon itself is incredibly impressive, but it is the platform that really makes it incredible. It fires a .202 caliber round that has a small bundle of titanium flechettes imbedded in soft lead and jacketed in a copper alloy. While the caliber sounds small, the Muzzle velocity is fifty eight hundred feet per second, which gives it more kinetic energy than the rounds you fired with your M1.” He handed Jack one of the rounds. It looked like just a bullet, not an entire round. “When the round hits a target, the lead mushrooms like the ammo you are used to, but the flechettes spread out and continue on, tearing through just about any kind of armor you can imagine. Soft targets just cause the flechettes to sprawl through the body and cause maximum damage. The ammunition magazine holds two hundred rounds and weighs less than the twenty round magazine of the M14. The casing is only three quarters of an inch long and the entire round is a little over an inch. It uses a chemical that burns eight times faster than gunpowder and expands over fifteen times more. The reason the round is so small is because the chemical propellant is solid and doesn’t need a shell. It is completely consumed when firing, so nothing to eject. The gun uses a hybrid closed bolt system that completely contains the explosion, routing the excess energy to power the action, and even to help counter the recoil.” “Fifty eight hundred feet per second? Even a bullet that small needs a heck of a lot of energy to get moving that fast. This thing must kick like a mule.” “Actually, the action on the weapon uses a shock absorber filled with a magnetic fluid that changes viscosity depending on what the fire rate is set to. If you fire a single round, it softens up to make recoil almost nonexistent. If you go automatic, it stiffens up to increase the cyclic rate. The weapon itself is made of composite carbon fiber and titanium alloys, with a frictionless surface in the barrel and on all moving components. It’s a bitch to clean because each piece is like wet ice, but it almost never needs cleaning because nothing will stick to any part that matters.” He

If my family had crossed the river two months later, they would have been massacred. Thailand was no longer taking Hmong refugees from Laos; there were too many coming in because of the continued influx of North Vietnamese soldiers to help the Pathet Lao kill the remaining Hmong. Jane Hamilton-Merritt, a journalist from America, recorded the deaths of two hundred Hmong people, families with small children, on the Mekong on July 27, 1979. The group was on a sandbar gathering vines to weave a bridge to Thailand. They built fires and boiled water in old U.S. Army canteens. The women took off their shirts to put over sticks to shelter their babies and the old women. They fed their hungry children. Many of them were little more than skeletons. The adults didn’t eat. They saved their rice for the children. Thai soldiers appeared on the Thai bank in jeeps with a machine gun bolted to the front hood. In two Thai patrol boats, the soldiers traveled to the island. The Thai soldiers slashed the vines that tried to connect the people to Thailand. Thailand had had enough Hmong refugees. On August 2, 1979, Hamilton-Merritt learned that a group of thirty to forty Pathet Lao soldiers had landed on the river island and the Hmong were massacred.*

Bolts of Melody, with more than six hundred unknown poems by Emily Dickinson, took the public by surprise in 1945.

Cowboy to Spykid." And Harry Bolt said, "I wish you wouldn't call me that. I need a better call sign. And I don't want Junior G-Man, Wonder Boy, Bambi, Scrappy-Do, Happy Meal, Fresh Meat, Zombie Bait, Boy Wonder, Shirley Temple, Red Shirt, Bear Cub, Son of a Gun, or any of the other stupid names you suggested." "Really?" I said. "Now's the time for this?" "I want to be called Jester." "Jester? You think this shit's funny?" "No," he said. "Because I don't think it's funny. The name's ironic." "You're an idiot." "I still want to be called Jester. It sounds cool.

Back in my room, I put Izzy down, pulled my dress over my head, and tossed it on the floor, lost in thought. "Marygene Brown," Mama scolded the second I closed the door. I screamed. Izzy was growling and running around Mama, barking. Alex bolted through the door, gun in hand, scanning the room for an intruder. "What is it?" I held my hand over my heart, a familiar response for me now, and scooped Izzy up. Mama was giving me a chastising glare, her arms folded across her chest. She didn't seem to like the idea of Alex sleeping in the house. She was such a hypocrite. That was when I recalled I was standing in nothing but my bra and panties. Alex devoured me with the intensity of his gape. I snatched the dress off the floor, using it to cover myself. "Um... I thought I saw a mouse. Sorry I alarmed you," I stammered. "Mouse, my derriere," Mama said. "That boy doesn't need to be in this house. You have a blind spot when it comes to him." She had never been fond of Alex. He was subpar in her eyes. He didn't own his own business, like Zach did, nor did he come from an aristocratic family. He was a common boy who grew into a common man, who earned a deputy's salary. Like Eddie. Alex had a lopsided grin. "If I didn't know better, I'd think you were using that as an excuse to get me up here. A little jealous tonight, were we?" "You watch yourself, young man!" Mama scolded, her finger in his face. Not that he saw her. "Shh," I said to Mama. "What are you shushing me for? Any man would think the same," Alex said. "I thought I heard it," I held my hand to my ear, "the mouse, listen." He put his gun back into his holster. "Right. If you want me to stay," he waggled his eyebrows at me, "all you have to do is ask." "I mean it. You're about to get it, young man," Mama was waving her arms around like a lunatic, and I wasn't certain she could do no harm. She had slammed me to the floor the other night. "No. I swear it was a mouse." I shoved him out the door. "I'll be fine. Good night, Alex." "Good night, Marygene." He grinned again as I closed the door. "If you need me, just holler." He put extra emphasis on the word need.

A loud knock shook her door. Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her. Who the hell would be knocking on her door this late at night? Who the hell would be knocking on her door at any time of day or night? No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight. As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door. Another knock thundered through the house. Adrenaline spiking, she peered through the door’s peephole. Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door. Cliff stood before her, his big body blocking her view of the yard. Emma gaped up at him. He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber. She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense. Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised. When none materialized, she grabbed his wrist and yanked him inside. Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface. Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds. Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff. Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.” Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile. Emma didn’t move. Cliff was here. In her home. What the hell had happened?

The General bolted his serving, choked, and fell balletically from his chair, which crashed to the floor on top of him. It was the most interesting thing he had done all evening.

profile: fifteen Toyota Tacomas, painted desert tan, each one of them with a Russian-made belt-fed machine gun bolted to the truck bed.

It reminded me of how children always thought too big; how the world tackled and chiseled them to keep them safe. Certainly “safe” is what I am now— or am supposed to be. Safety is in me, holds me straight, like a spine. My blood travels no new routes, simply knows its way, lingers, grows drowsy and fond. Though there are times, even recently, in the small city where we live, when I’ve left my husband for a late walk, the moon out hanging upside down like some garish, show-offy bird, like some fantastical mistake— what life of offices and dull tasks could have a moon in it flooding the sky and streets, without its seeming preposterous— and in my walks, toward the silent corners, the cold mulch smells, the treetops suddenly waving in a wind, I’ve felt an old wildness again. Revenant and drunken. It isn’t sexual, not really. It has more to do with adventure and escape, like a boy’s desire to run away, revving thwartedly like a wish, twisting in me like a bolt, some shadow fastened at the feet and gunning for the rest, though, finally, it has always stayed to one side, as if it were some other impossible life and knew it, like a good dog, good dog, good dog. It has always stayed.

Sovereignty always represents itself as a symbolic break with the moral order; this is why kings so often commit some kind of outrage to establish themselves, massacring their brothers, marrying their sisters, desecrating the bones of their ancestors or, in some documented cases, literally standing outside their palace and gunning down random passers-by.62 Yet that very act establishes the king as potential lawmaker and high tribunal, in much the same way that ‘High Gods’ are so often represented as both throwing random bolts of lightning, and standing in judgment over the moral acts of human beings.