“
I Wandered Lonely as a Cloud
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
”
”
William Wordsworth (I Wander'd Lonely as a Cloud)
“
The lake was silent for some time. Finally, it said:
"I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.
”
”
Paulo Coelho (The Alchemist)
“
I wandered lonely as a cloud
That floats on high o'er vales and hills
When all at once I saw a crowd
A host of golden daffodils
Beside the lake beneath the trees
Fluttering and dancing in the breeze.
”
”
William Wordsworth (I Wander'd Lonely as a Cloud)
“
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus.
The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus.
But this was not how the author of the book ended the story.
He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears.
'Why do you weep?' the goddesses asked.
'I weep for Narcissus," the lake replied.
'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.'
'But... was Narcissus beautiful?' the lake asked.
'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!'
The lake was silent for some time. Finally, it said:
'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.'
'What a lovely story,' the alchemist thought.
”
”
Paulo Coelho (The Alchemist)
“
It’s not that I’m unaware of the suffering and the soon-to-be-more suffering in the world, it’s that I know the suffering exists beside wet grass and a bright blue sky recently scrubbed by rain. The beauty and the suffering are equally true.
”
”
Ann Patchett (Tom Lake)
“
I think about going to the lake, but I'm so weak that I barely make it to my
meeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me.
Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pair
of lips.
”
”
Suzanne Collins
“
This is how it feels to be Anakin Skywalker, forever:
The first dawn of light in your universe brings pain.
The light burns you. It will always burn you. Part of you will always lie upon black glass sand beside a lake of fire while flames chew upon your flesh.
You can hear yourself breathing. It comes hard, and harsh, and it scrapes nerves already raw, but you cannot stop it. You can never stop it. You cannot even slow it down.
You don’t even have lungs anymore. Mechanisms hardwired into your chest breathe for you. They will pump oxygen into your bloodstream forever.
Lord Vader? Lord Vader, can you hear me?
”
”
Matthew Woodring Stover (Star Wars, Episode III - Revenge of the Sith)
“
I stood beside the U-Haul, and I just watched her. I stared at her while she looked on with the saddest look in her eyes. I wanted to know what she was thinking about, what was going on in her head. What had mad her so sad? I wanted to hug her so bad. When she finally got out of the U-Haul and I introduced myself to her, it took all I had to let go of her hand. I wanted to hold on to it forever. I wanted to let her know that she wasn't alone. Whatever burden it was that she was carrying around, I wanted to carry it for her. I wish I could, Lake. I wish I could take it all away. Unfortunately, that's not how it works. It doesn't just go away.
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
This couldn’t be just a lake. No real water was ever blue like that. A light breeze stirred the pin-cherry tree beside the window, ruffled the feathers of a fat sea gull promenading on the pink rocks below. The breeze was full of evergreen spice.
”
”
Dorothy Maywood Bird (Mystery at Laughing Water)
“
Idea for a short story. The shore of a lake, a young girl who's spent her whole life beside it, a girl like you She loves the lake the way a seagull does, and she's happy and free as a seagull. Then a man comes along, sees her, and ruins her life because he has nothing better to do. Destroys her like this seagull here.
”
”
Anton Chekhov
“
Awake
Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and
choose the sign of your day
The day’s divinity
First thing you see.
A vast radiant beach
in a cool jeweled moon
Couples naked race down by it’s quiet side
And we laugh like soft, mad children
Smug in the woolly cotton brains of infancy
The music and voices are all around us.
Choose, they croon, the Ancient Ones
The time has come again
Choose now, they croon,
Beneath the moon
Beside an ancient lake
Enter again the sweet forest
Enter the hot dream
Come with us
Everything is broken up and dances.
”
”
The Doors
“
Besides, what is the whole truth and nothing but the truth? The truth is not a finite commodity that can be contained within identifiable borders. The truth is messy, riotous, overrunning everything. You can never know the whole truth of anything. And if you could, you would wish you didn’t.
”
”
Laura Lippman (Wilde Lake)
“
The ranks included a carpenter and furniture-maker named Elias Disney, who in coming years would tell many stories about the construction of this magical realm beside the lake. His son Walt would take note.
”
”
Erik Larson (The Devil in the White City)
“
I lit a cigarette and dragged a smoking stand beside the chair. The minutes went by on tiptoe, with their fingers to their lips. I looked the place over. You can't tell anything about an outfit like that. They might be making millions, and they might have the sheriff in the back room, with his chair tilted against the safe.
”
”
Raymond Chandler (The Lady in the Lake (Philip Marlowe, #4))
“
You’re so cute when you’re jealous,” I say. She looks at me, her resolve melting with my words. I take her face in my hands and gently press my lips to hers. She sighs a quiet, defeated sigh into my mouth and relents, parting her lips for me. I run my hands down her arms and to her waist, then pull her out of the chair and on top of me as I lean back onto the bed.
I place one hand on the small of her back, pressing her into me, and my other hand I run through her hair, grabbing the back of her head. I kiss her hard as I roll her onto her back, proving to her that she has absolutely nothing to be jealous of. As soon as I’m on top of her, she places her hands on my cheeks and forces my face apart from hers.
“So your lips touched someone else’s lips? After our first kiss?”
I fall back onto the bed beside her. “Lake, stop it. Stop thinking about it,” I say.
“I can’t, Will.” She turns to me and makes that damn pouty face she knows I can’t refuse. “I need to know. In my head all I can picture is you taking some girl out on this perfect date and making her grilled cheese sandwiches and playing “would you rather” with her and sharing seriously intense moments with her, then kissing the hell out of her at the end of the night.”
Her description of our first date causes me to laugh. I lean over and press my lips to her ear and whisper, “Is that what I did to you? I kissed the hell out of you?”
She pulls her neck away and shoots me a glare, letting me know she isn’t backing down until she gets her way. “Fine,” I say, pulling back. “If I tell you all about it will you promise to let me kiss the hell out of you again?”
“Promise,” she says.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish.
Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.”
“Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’”
“I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me.
I wasn’t sure where the words came from: “You didn’t fail me, Mal.”
He wiped his damp hand on his thigh. “We both know better.”
“We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.”
“I’m talking to you right now.”
“See? Is this so terrible?”
“It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.”
My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—”
“I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.”
He plunged ahead into the next cave.
I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern.
“Oncat scratches me all the time,” said Harshaw as he ambled up beside me.
“Oh?” I asked hollowly.
“Funny thing is, she likes to stay close.”
“Are you being profound, Harshaw?”
“Actually, I was wondering, if I ate enough of those fish, would I start to glow?”
I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel.
“Come on, Harshaw,” I called over my shoulder.
Then the first explosion hit.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
This is how it feels to be Anakin Skywalker, forever:
The first dawn of light in your universe brings pain.
The light burns you. It will always burn you. Part of you will always lie upon black glass sand beside a lake of fire while flames chew upon your flesh
”
”
Matthew Woodring Stover (Star Wars, Episode III - Revenge of the Sith)
“
I put on my nightgown and crawl in beside him, covering the hand that covers his heart. Live forever, I say to myself.
”
”
Ann Patchett (Tom Lake)
“
I don't know what I was hoping for. Some small praise, I guess. A bit of encouragement. I didn't get it. Miss Parrish took me aside one day after school let out. She said she'd read my stories and found them morbid and dispiriting. She said literature was meant to uplift the heart and that a young woman such as myself ought to turn her mind to topics more cheerful and inspiring than lonely hermits and dead children.
"Look around yourself, Mathilda," she said. "At the magnificence of nature. It should inspire joy and awe. Reverence. Respect. Beautiful thoughts and fine words."
I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift it's face to the drenching spring rains. And the sliver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest days.
”
”
Jennifer Donnelly (A Northern Light)
“
Water, thou hast no taste, no color, no odor; canst not be defined, art relished while ever mysterious. Not necessary to life, but rather life itself, thou fillest us with a gratification that exceeds the delight of the senses. By thy might, there return into us treasures that we had abandoned. By thy grace, there are released in us all the dried-up runnels of our heart. Of the riches that exist in the world, thou art the rarest and also the most delicate - thou so pure within the bowels of the earth! A man may die of thirst lying beside a magnesian spring. He may die within reach of a salt lake. He may die though he hold in his hand a jug of dew, if it be inhabited by evil salts. For thou, water, art a proud divinity, allowing no alteration, no foreignness in thy being. And the joy that thou spreadest is an infinitely simple joy.
”
”
Antoine de Saint-Exupéry (Wind, Sand and Stars)
“
Where are we?" She sat up.
"My room at the cabin."
"Your room?"
He propped himself up on one elbow and shrugged his other shoulder. "Needed someplace soft to land. Besides...Now when you teleport without a destination you've got a fifty-fifty chance of either ending up in the lake, or in my bed. I have to say, I like those odds."
"Ha-ha.
”
”
Jena Leigh (Revival (The Variant Series, #1))
“
If we don’t have dreams, Lilly, what do we have? Besides, aren’t you the one who always says to delight myself in the Lord and He will give me the desires of my heart?
”
”
Lorna Seilstad (Making Waves (Lake Manawa Summers, #1))
“
I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift its face to the drenching spring rains. And the silver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest of days.
”
”
Jennifer Donnelly (A Northern Light)
“
He'd never slept with Molly before. Before, the bed had been a place of brief coming together and of leaving. It felt god to lie beside her with the early sun beyond the window and the cabin full of qiet. It was peaceful and healing to be with her and not be cut apart by guilt.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
“
It’s not that I’m unaware of the suffering and the soon-to-be-more suffering in the world, it’s that I know the suffering exists beside wet grass and a bright blue sky recently scrubbed by rain.
”
”
Ann Patchett (Tom Lake)
“
I thought about evolutionary historians who argued that walking was a central part of what it meant to be human. Our two-legged motion was what first differentiated us from the apes. It freed our hands for tools and carried us onthe long marches out of Africa. As a species, we colonized the world on foot. Most of human history was created through contacts conducted at walking pace, even when some rode horses. I thought of the pilgrimages to Compostela in Spain; to Mecca; to the source of the Ganges; and of wandering dervishes, sadhus; and friars who approached God on foot. The Buddha meditated by walking and Wordsworth composed sonnets while striding beside the lakes.
Bruce Chatwin concluded from all this that we would think and live better and be closer to our purpose as humans if we moved continually on foot across the surface of the earth. I was not sure I was living or thinking any better.
”
”
Rory Stewart (The Places in Between)
“
A tangle of star jasmine spilled across the path and Alice knelt to pluck a sprig, holding it beneath her nose and breathing in the scent of captured sunshine. On a whim, she unlaced her shoes. A delicate iron chair stood in a nook beside the camellia, and she sat, slipping her feet free and peeling off her socks, wiggling her toes in the surprise of the balmy air. A late butterfly hovered at a nearby rosebush, and Alice thought, as always, of her father.
”
”
Kate Morton (The Lake House)
“
For imagine having somebody beside you day and night loving you and forgiving you and petting you forever and ever, that must be a better description of hell than being put into a boiling lake or cauldron of ice that burnt your black.
”
”
James Purdy (Narrow Rooms)
“
TRAVEL Loving you, flesh to flesh, I often thought Of travelling penniless to some mud throne Where a master might instruct me how to plot My life away from pain, to love alone In the bruiseless embrace of stone and lake. Lost in the fields of your hair I was never lost Enough to lose a way I had to take; Breathless beside your body I could not exhaust The will that forbid me contract, vow, Or promise, and often while you slept I looked in awe beyond your beauty. Now I know why many men have stopped and wept Halfway between the loves they leave and seek, And wondered if travel leads them anywhere — Horizons keep the soft line of your cheek, The windy sky’s a locket for your hair.
”
”
Leonard Cohen (Stranger Music: Selected Poems and Songs)
“
I hope this email finds you well I hope this email finds you calm. I hope this email finds you unflustered about your inbox. I hope this email finds you in a state of acceptance that this email isn’t exactly important in the cosmic scheme of things. I hope this email finds your work happily unfinished. I hope this email finds you beneath a beautiful sky with the wind tenderly caressing your hair like an invisible mother. I hope this email finds you lying on a beach, or maybe beside a lake. I hope this email finds you with the sunlight on your face. I hope this email finds you eating some blissfully sweet grapes. I hope this email finds you well but, you know what, it is okay if it doesn’t because we all have bad days. I hope this email finds you reading a really good poem or something else that requires no direct response from you. I hope this email finds you far away from this email.
”
”
Matt Haig (The Comfort Book)
“
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. “You hold me back,” Willem tells him. “Pretend we're falling and we're clinging together from fear.” He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. “Harder,” Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes…through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
”
”
Hanya Yanagihara (A Little Life)
“
We had chosen not to make a hard thing harder, which made it slightly easier when I counted up the days six weeks later and realized that my luck had run out. I still had enough money in my savings account left over from when I made actual money. I didn’t have to call anyone. I didn’t have to ask anyone for permission or help. A nurse stood beside me and held my hand and I’m here to tell you, I felt nothing but grateful. There was always going to be a part of the story I didn’t tell Joe or the girls. What I did was mine alone to do.
”
”
Ann Patchett (Tom Lake)
“
The Carmel is a lovely little river. It isn't very long but in its course it has everything a river should have. It rises in the mountains, and tumbles down a while, runs through shallows, is damned to make a lake, spills over the dam, crackles among round boulders, wanders lazily under sycamores, spills into pools where trout live, drops in against banks where crayfish live. In the winter it becomes a torrent, a mean little fierce river, and in the summer it is a place for children to wade in and for fishermen to wander in. Frogs blink from its banks and the deep ferns grow beside it. Deer and foxes come to drink from it, secretly in the morning and evening, and now and then a mountain lion crouched flat laps its water. The farms of the rich little valley back up to the river and take its water for the orchards and the vegetables. The quail call beside it and the wild doves come whistling in at dusk. Raccoons pace its edges looking for frogs. It's everything a river should be.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
I drank some of that lake! I might have choked on a fish or a frog or a...a...a turtle!"
"It is wisest to keep one's mouth shut while sifting."
She skewered him with a frosty stare. "Now you tell me." Damn the fairy, anyway. There she stood, feeling ragtag and bedraggled, and he only looked more beautiful wet, all drippy and shimmery gold-velvet, his hair a wet tangle to his waist.
"Come Gabrielle," he said, extending his hand, "we must keep moving. They can track me by what little magic I'm using to sift, but only to a general vicinity. We need to keep sifting, to spread out their search."
"Is there anything else it's wisest to do that I should know about before we just pop off again?" She tucked her hands behind her back so he couldn't grab her and just sift rather than answering her. Besides, she needed a minute to brace herself for the next bout of traveling in a manner that defied all the known laws of physics.
"You might try kissing me. Better my tongue than a frog, no?" Dark eyes sparking gold, he reached for her.
"Close contest.
”
”
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
“
When I want somebody to read to,
To match a dream with tuneful phrase,
It is my nurse that I pay heed to,
Companion of my youthful days,
Or, following a boring dinner,
A neihbour comes in, who I corner,
Catch at his coat tails suddenly
And choke him with a tragedy,
Or, (here I am no longer jesting),
Haunted by rhymes and yearning's ache,
I roam beside my country lake
And scare a flock of wild ducks resting:
Hearing my strophes' sweet-toned chants,
They fly off from the banks at once.
”
”
Alexander Pushkin (Eugene Onegin)
“
It remains one of the great inequalities of the world that some children are born light years ahead of others. They may come from more stable homes, from wealthy homes, from homes with cleaners and domestic staff, cooks and tutors. Everything is easier, more streamlined, more conducive to educational and career success. Others will come from one-bedroom huts with no running water and no electricity, little chance of a good education, and little time to do anything besides work. The child born into a rich family will, no doubt, progress at a faster rate and develop the sort of self-assurance that comes from stability. This is the case wherever you’re from; it is as true of communist societies as it is of capitalist ones. I have travelled the world and seen these inequalities. I have witnessed the problems such different starting blocks can bring. But if I’ve learned anything, it is that success is possible, whatever your situation and however your life begins.
I hope that this story, my story, will prove inspirational and that it will encourage others to dream big, take a plunge, use whatever resources are available. If a small poor boy fishing for prawns on a lake in Ningbo can do it, then so can you.
”
”
JOURNEY TO THE WEST By Biao Wang
“
But soon a tear-drop started up,
For aimless joy had made me stop
Beside the little lake
To watch a white gull take
A bit of bread thrown up into the air;
Now gyring down and perning there
He splashed where an absurd
Portly green-pated bird
Shook off the water from his back;
Being no more demoniac
A stupid happy creature
Could rouse my whole nature.
”
”
W.B. Yeats
“
Amelia crouched and set the cereal on the ground beside the box of rice. She thought of James’s sperm, fanning out, a slow-mo explosion, how cool it looked,
”
”
Josh Malerman (A House at the Bottom of a Lake)
“
One Mother’s Day, he gave Mom a music box that played the theme from Swan Lake. She cried for days over it.
”
”
Karen Joy Fowler (We Are All Completely Beside Ourselves)
“
It was time for Cork to return to the bed in the guest room. But he lingered beside this son who trusted him lay awake knowing there were monsters in the wind outside, that his son's fear was not unjustified, and that Stevie would have to face them alone someday. There were people out there so cruel they would wound him for the pleasure of it, dreadful circumstances no man in his worst imaginings could conjure, disappointments so overwhelming they could crush his dreams like eggshells. For a child like Stevie, a child of special graces, there would be such pain that Cork nearly wept in anticipation of it. Against those monsters, a father was powerless. But again the simple terrors of the night, he would do his best.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
“
Just when I despaired -- she was there, filling me as a melody fills a cottage. I was with her, running beside the Acis when we were a child. I knew the ancient villa moated by a dark lake, the view through the dusty windows of the belvedere, and the secret space in the odd angle between two rooms where we sat at noon to read by candlelight. I knew the life of the Autarch's court, where poison waited in a diamond cup. I learned what it was for one who had never seen a cell or felt a whip to be a prisoner of the torturers, what dying meant, and death.
I learned that I had been more to her than I had ever guessed, and at last fell into a sleep in which my dreams were all of her. Not memories merely -- memories I had possessed in plenty before. I held her poor, cold hands in mine, and I no longer wore the rags of an apprentice, nor the fuligin of a journeyman. We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters.
”
”
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
“
She had got it into her head that we, her little family, would go on camping trips. Cook freshly caught trout beside a lake where the sun never set. I hope she got there with her drinking.
”
”
Jo Nesbø (Blood on Snow)
“
When one is happy, when one is doing what one likes to do – and also when other people like one – one has no right to sit about on tree trunks, alone, in the cold, beside a lake no one has ever heard of.
”
”
Françoise Sagan (The Gigolo)
“
The snow here hadn't thawed. Its large, rough crystals were filled with the blue of the lake-water. But on the sunny side of the hill the snow was just beginning to melt. The ditch beside the path was full of gurgling water. The glitter of the snow, the water and the ice on the puddles was quite blinding. There was so much light, it was so intense, that they seemed almost to have to force their way through it. It disturbed them and got in their way; when they stepped on the thin film of ice over the puddles, it seemed to be light that was crunching under their feet, breaking up into thin, splinter-like rays. And it was light that was flowing down the ditch beside the path; where the path was blocked by stones, the light swelled up, foaming and gurgling. The spring sun seemed to be closer to the earth than ever. The air was cool and warm at the same time.
”
”
Vasily Grossman (Life and Fate)
“
Besides, this was the gentle-going hour in which he hated Annawadi least. The pale sun lent the sewage lake a sparkling silver cast, and the parrots nesting at the far side of the lake could still be heard over the jets.
”
”
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
“
It's not that I'm unaware of the suffering and the soon-to-be-more suffering in the world, it's that I know the suffering exists beside wet grass and a bright blue sky recently scrubbed by rain. The beauty and the suffering are equally true.
”
”
Ann Patchett (Tom Lake)
“
TED” HAD SURFACED, allowed himself to be seen in broad daylight, and approached at least a half dozen young women, beyond the missing pair. He’d given his name. His true name? Probably not, but for the media who pounced on the incredible disappearances it was something to headline. Ted. Ted. Ted. Indeed, the dogged pursuit of reporters seeking something new to write was going to interfere mightily with the police investigation. The frantic families of the missing girls from Lake Sammamish were besieged by some of the most coercive tactics any reporter can use. When families declined to be interviewed, there were some reporters who hinted that they might have to print unsavory rumors about Janice and Denise unless they could have interviews, or that, even worse, families’ failure to tell of their exquisite pain in detail might mean a lessening of publicity needed to find their daughters. It was ugly and cruel, but it worked. The grieving parents allowed themselves to be photographed and gave painful interviews.
”
”
Ann Rule (The Stranger Beside Me)
“
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
”
”
Hanya Yanagihara (A Little Life)
“
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
”
”
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
“
As some need the scent of a forest or the sound of the lapping waters of a lake, I needed to feel her sleeping beside me at night and, during the day, to have her always beside me in the car. For even if we forget a love affair, it may determine the form of the love affair that follows.
”
”
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
“
Sometimes a cloudless swatch of sky would blow past the moon, and Pella could see the outline of Mike's face in a slightly sharper relief. It was strange the way he loved her: a sidelong and almost casual love, as if loving her were simply a matter of course, too natural to mention. Like their first meeting on the steps of the gym, when he'd hardly so much as glanced at her. With David and every guy before David, what passed for love had always been eye to eye, nose to nose; she felt watched, observed, like the prize at the zoo, and she wound up pacing, preening, watching back, to fit the part. Whereas Mike was always beside her. She would stand at the kitchen window and look out at the quad, at the Melville statue and beyond that the beach and the rolling lake, and realize that Make, for however long, had been standing beside her, staring at the same thing.
”
”
Chad Harbach (The Art of Fielding)
“
It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
This scroll, five hundred years old and more, had been inspired by her favorite, the great Wang Wei, master of landscape art, who had painted the scenes from his own home, where he lived for thirty years before he died. Now behind the palace walls on this winter’s day, where she could see only sky and falling snow, Tzu His gazed upon the green landscapes of continuing spring. One landscape melted into another as slowly she unrolled the scroll, so that she might dwell upon every detail of tree and brook and distant hillside. So did she, in imagination, pass beyond the high walls which enclosed her, and she traveled through a delectable country, beside flowing brooks and spreading lakes, and following the ever-flowing river she crossed over wooden bridges and climbed the stony pathways upon a high mountainside and thence looked down a gorge to see a torrent fed by still higher springs, and breaking into waterfalls as it traveled toward the plains. Down from the mountain again she came, past small villages nestling in pine forests and into the warmer valleys among bamboo groves, and she paused in a poet’s pavilion, and so reached at last the shore where the river lost itself in a bay. There among the reeds a fisherman’s boat rose and fell upon the rising tide. Here the river ended, its horizon the open sea and the misted mountains of infinity. This scroll, Lady Miao had once told her, was the artist’s picture of the human soul, passing through the pleasantest scenes of earth to the last view of the unknown future, far beyond.
”
”
Pearl S. Buck (Imperial Woman)
“
We went through the Happy Valley to the little cove. The azaleas were finished now, the petals lay brown and crinkled on the moss. The bluebells had not faded yet, they made a solid carpet in the woods above the valley, and the young bracken was shooting up, curling and green. The moss smelt rich and deep, and the bluebells were earthy, bitter. I lay down in the long grass beside the bluebells with my hands behind my head, and Jasper at my side. He looked down at me panting, his face foolish, saliva dripping from his tongue and his heavy jowl. There were pigeons somewhere in the trees above. It was very peaceful and quiet. I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say “By the way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again. No, I did not mean that. It was disloyal, wicked. It was not what I meant. Maxim was my life and my world. I got up from the bluebells and called sharply to Jasper. We set off together down the valley to the beach. The tide was out, the sea very calm and remote. It looked like a great placid lake out there in the bay. I could not imagine it rough now, any more than I could imagine winter in summer. There was no wind, and the sun shone on the lapping water where it ran into the little pools in the rocks.
”
”
Daphne du Maurier (Rebecca)
“
[Galba] was killed beside the Lake of Curtius and was left lying just as he was, until a common soldier, returning from a distribution of grain, threw down his load and cut off the head. Then, since there was no hair by which to grasp it, he put it under his robe, but later thrust his thumb into the mouth and so carried it to Otho. He handed it over to his servants and camp followers, who set it on a lance and paraded it about the camp with jeers, crying out from time to time, "Galba, thou Cupid, exult in thy vigour!"
From these it was bought by a freedman of Patrobius Neronianus for a hundred pieces of gold and thrown aside in the place where his patron had been executed by Galba's order.
...
[Galba's] hands and feet were so distorted by gout that he could not endure a shoe for long, unroll a book, or even hold one. The flesh on his right side too had grown out and hung down to such an extent, that it could with difficulty be held in place by a bandage.
He was more inclined to unnatural desire,a and in gratifying it preferred full-grown, strong men. They say that when Icelus, one of his old-time favourites, brought him news in Spain of Nero's death, he not only received him openly with the fondest kisses, but begged him to prepare himself without delay and took him aside.
”
”
Suetonius (The Twelve Caesars)
“
The silence had for me the force of eternal life; for on the plane of eternity without beginning and without end there is no such thing as speech. (p. 19)
It was always my opinion that the best course a man could take in life was to remain silent; that one could not do better than withdraw into solitude like the bittern which spreads its wings beside some lonely lake. (p. 40)
Life as it proceeds reveals, coolly and dispassionately, what lies behind the mask that each man wears. It would seem that every one possesses several faces. Some people use only one all the time, and it then, naturally, becomes soiled and wrinkled. These are the thrifty sort. Others look after their masks in the hope of passing them on to their descendants. Others again are constantly changing their faces. But all of them, when they reach old age, realise one day that the mask they are wearing is their last and that it will soon be worn out, and then, from behind the last mask, the real face appears. (p. 80)
”
”
Sadegh Hedayat (The Blind Owl)
“
Where do the periwinkles go in rain like that? It’s not that I’m unaware of the suffering and the soon-to-be-more suffering in the world, it’s that I know the suffering exists beside wet grass and a bright blue sky recently scrubbed by rain. The beauty and the suffering are equally true. Our Town taught me that. I had memorized the lessons
”
”
Ann Patchett (Tom Lake)
“
When Anthony graduated from his preclinical training with first-class honors and a university medal, it was Mr. Llewellyn he invited to sit beside Eleanor and his parents to watch him receive his degree. As the vice chancellor delivered his rousing speech about manhood and duty—“If a man cannot be useful to his country, he is better dead”—Mr.
”
”
Kate Morton (The Lake House)
“
Not very long ago I was driving with my husband on the back roads of Grey County, which is to the north and east of Huron County. We passed a country store standing empty at a crossroads. It had old-fashioned store windows, with long narrow panes. Out in front there was a stand for gas pumps which weren't there anymore. Close beside it was a mound of sumac trees and strangling vines, into which all kinds of junk had been thrown. The sumacs jogged my memory and I looked back at the store. It seemed to me that I had been here once, and the the scene was connected with some disappointment or dismay. I knew that I had never driven this way before in my adult life and I did not think I could have come here as a child. It was too far from home. Most of our drives out of town where to my grandparents'house in Blyth--they had retired there after they sold the farm. And once a summer we drove to the lake at Goderich. But even as I was saying this to my husband I remembered the disappointment. Ice cream. Then I remembered everything--the trip my father and I had made to Muskoka in 1941, when my mother was already there, selling furs at the Pine Tree Hotel north of Gravehurst.
”
”
Alice Munro (The View from Castle Rock)
“
She had a reputation throughout the Clans for a sharp tongue and a short temper, as well as fearlessness in battle and deep pride in ShadowClan. She played a vital role in helping establish the new territory beside the lake when she took on the troublesome kittypets who lived in a Twoleg den amid the pine trees. Even as she got older and more frail, Russetfur remained the ShadowClan deputy, keeping younger warriors in line with her brisk words and high expectations. She was killed by Lionblaze in a battle over the clearing between ShadowClan and ThunderClan; her death was a shock to everyone, and there were suggestions that such an old cat should not have been allowed to fight. But it was the death Russetfur would have chosen for herself, bravely and in the midst of battle on behalf of her beloved ShadowClan.
”
”
Erin Hunter (Warriors: The Ultimate Guide)
“
In all my fantasies about our first kiss—and there’d been about six hundred thousand of them—I never once imagined it would be like that one. Our dream kiss usually involved moonlight, or fog, or moonlight and fog, a very mysterious and romantic combination, at least in the right locale. Moonlit fog beside a lake or a lazy river: romantic. Moonlit fog in almost any other place, like a narrow alleyway: Jack the Ripper.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
... he'd awoken alone, and the simple fact of the silent room and the empty bed beside him filled him with such despair he wondered for a breathless, bottomless moment if this is what hell might be like. Not flames and screams and lakes of fire, but anguish and hopelessness and misery wound together like a wretched braid cinched tight around his neck in an invisible noose from which he would hang for all eternity, alone.
”
”
J.T. Geissinger
“
I’d been used for so long, I’d forgotten how pleasurable sex could be.
“I will obliterate any motherfucker who lays a hand on you again … I’d kill for you.”
In his bed, amid the darkness, the destruction, the ruin, he fixed me. His gentle hands delicately fastened together the pieces of me that’d become so broken and scattered with no hope for convergence. As I lay beside him, the soothing tap of rain against the window, I felt whole.
”
”
Keri Lake (Ricochet (Vigilantes, #1))
“
Coriolanus felt his anxieties melt away. Full of fresh food, shaded by the trees, Lucy Gray singing softly beside him, he began to appreciate nature. It really was beautiful out here. The crystal clean air. The lush colors. He felt so relaxed and free. What if this was his life: rising whenever, catching his food for the day, and hanging out with Lucy Gray
by the lake? Who needed wealth and success and power when they had love? Didn't it conquer all?
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
I counted up the days six weeks later and realized that my luck had run out. I still had enough money in my savings account left over from when I made actual money. I didn’t have to call anyone. I didn’t have to ask anyone for permission or help. A nurse stood beside me and held my hand and I’m here to tell you, I felt nothing but grateful. There was always going to be a part of the story I didn’t tell Joe or the girls. What I did was mine alone to do. I tore the page from the calendar and threw it away.
”
”
Ann Patchett (Tom Lake)
“
He holds Willem so close that he can feel muscles from h9is back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
”
”
Hanya Yanagihara (A Little Life)
“
She had plenty of leisure now, day in, day out, to survey her life as a tract of country traversed, and at last become a landscape instead of separate fields or separate years and days, so that it became a unity and she could see the whole view, and could even pick out a particular field and wander round it again in spirit, though seeing it all the while as it were from a height, fallen in its proper place, with the exact pattern drawn round it by the hedge, and the next field into which the gap in the hedge would lead. So, she thought, could she at last put circles on her life. Slowly she crossed that day, as one crosses a field by a little path through the grasses, with the sorrel and the buttercups waving on either side; she crossed it again slowly, from breakfast to bed-time, and each hour, as one hand of the clock passed over the other, regained for her its separate character: this was the hour, she thought, when I first came downstairs that day, swinging my hat by its ribbons; this was the hour when he persuaded me into the garden, and sat with me on the seat beside the lake, and told me it was not true that with one blow of its wing a swan could break the leg of a man.
”
”
Vita Sackville-West (All Passion Spent)
“
Time is like a jigsaw puzzle," she said. "Imagine a giant box full of billions of pieces of millions of puzzles — that is the future. Beside it lies a huge board, partially filled with bits of the overall puzzle — that is the past. Those in the present reach blindly into the box of the future every time they have a decision to make, draw a piece of the puzzle out and slot it into place on the board. Once a piece has been added, it influences the final shape and design of the puzzle, and it's useless trying to fathom what the puzzle would have looked like if a different piece had been picked.
”
”
Darren Shan (The Lake of Souls (Cirque du Freak, #10))
“
So, are you going to the lake today?” Jay asked, finally falling into step beside Violet as their pace slowed. They headed nowhere in particular when they hiked like this, exploring places they’d been more times than they could add up, both on, and off, the well-known paths.
Violet shrugged. “Are you?”
She already knew the answer; they both did. Today was the big end-of-summer party at Lake Tapps. Kind of a last blast before the sun disappeared for the year. Pretty much everyone they knew would be there.
Jay shrugged too. “I was thinking about it.”
Inwardly she smiled at the prospect of spending one of the few remaining lazy summer days with him at the lake. “Yeah?” she questioned, not needing him to actually ask her along. “Maybe I’ll go too.”
He grinned, practically beaming at her, and an unfamiliar warmth that had nothing to do with the weather crept through her. “Cool. You can drive,” he suggested.
She shook her head. If it had been anyone else, she’d probably feel like she was being used, but instead she loved the exhilarating feeling of having something he didn’t have, especially in light of the fact that he suddenly seemed to have everything that she wanted. “Fine, then you can buy me gas,” she added, raising her eyebrows and daring him to say no.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I look at all the little children’s faces going by. And I sometimes think, What a shame, what a shame, that all these flowers have to be cut, all these bright fires have to be put out. What a shame these, all of these you see in schools or running by, have to get tall and unsightly and wrinkle and turn gray or get bald, and finally, all bone and wheeze, be dead and buried off away. When I hear them laugh I can’t believe they’ll ever go the road I’m going. Yet here they Come! I still remember Wordsworth’s poem: ‘When all at once I saw a crowd, A host of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.’ That’s how I think of children, cruel as they sometimes are, mean as I know they can be, but not yet showing the meanness around their eyes or in their eyes, not yet full of tiredness. They’re so eager for everything! I guess that’s what I miss most in older folks, the eagerness gone nine times out of ten, the freshness gone, so much of the drive and life down the drain. I like to watch school let out each day. It’s like someone threw a bunch of flowers out the school front doors. How does it feel, Willie? How does it feel to be young forever? To look like a silver dime new from the mint? Are you happy? Are you as fine as you seem?” ***
”
”
Ray Bradbury (The Stories of Ray Bradbury)
“
Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing.
The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed.
Then it pounced.
The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time.
“Holy shit,” Jack muttered.
“Have we got a visual?”
“Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.”
“Alright, so what’s the plan?”
“They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.”
“Copy that. Be careful, cowboy.”
“Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything.
But the dragon’s head creaked around and those beady red eyes locked onto him.
Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’”
The dragon roared, its grey wings extending out from its body, and then flew straight at him.
”
”
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))
“
It was time for Cork to return to the bed in the guest room. But he lingered beside this son who trusted him, lay awake knowing there were monsters in the wind outside, that his son’s fear was not unjustified, and that Stevie would have to face them alone someday. There were people out there so cruel they would wound him for the pleasure of it, dreadful circumstances no man in his worst imaginings could conjure, disappointments so overwhelming they would crush his dreams like eggshells. For a child like Stevie, a child of special graces, there would be such pain that Cork nearly wept in anticipation of it. Against those monsters, a father was powerless. But against the simple terrors of the night, he would do his best.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor #1))
“
Violet felt so free. She could hear Jay laughing from behind her as he held on tight. She spun the craft first sharply to the right and then quickly to the left. He knew she was trying to buck him free, testing him to see how long he could hold on to her before being tossed into the frigid water of the lake as she maneuvered the miniature speedboat back and forth. But he was stronger now than ever before, and his reflexes were sharper. He seemed to know which way she was going to go even before she did.
After a while, Violet slowed down near a floating dock in the lake and parked the Wave Runner.
“Do you want to jump in?” she asked as she pulled the key from the ignition without waiting for an answer, making it more of a statement than a question.
Jay stood up and hopped from the Wave Runner onto the dock. Violet joined him and instead of diving into the water, she sat down and dangled her feet in.
“It’s quiet here,” he commented absently. He sat down beside her.
“Mm-hmm,” she sighed, kicking her feet and splashing up water.
“How are your knees?” He reached out and brushed his fingers across the damp bandages.
Violet shrugged. “They’re fine . . .” and then she added with mock adoration, “. . . thanks to you, of course.” And to show her gratitude, she kicked water in his direction.
He nudged her with his shoulder but didn’t say anything. They stayed like that for a while, enjoying the silence of being alone and enjoying each other’s presence. It was easy . . . and comfortable.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Athletes, by and large, are people who are happy to let their actions speak for them, happy to be what they do. As a result, when you talk to an athlete, as I do all the time in locker rooms, in hotel coffee shops and hallways, standing beside expensive automobiles—even if he’s paying no attention to you at all, which is very often the case—he’s never likely to feel the least bit divided, or alienated, or one ounce of existential dread. He may be thinking about a case of beer, or a barbecue, or some man-made lake in Oklahoma he wishes he was waterskiing on, or some girl or a new Chevy shortbed, or a discothèque he owns as a tax shelter, or just simply himself. But you can bet he isn’t worried one bit about you and what you’re thinking. His is a rare selfishness that means he isn’t looking around the sides of his emotions to wonder about alternatives for what he’s saying or thinking about. In fact, athletes at the height of their powers make literalness into a mystery all its own simply by becoming absorbed in what they’re doing. Years of athletic training teach this; the necessity of relinquishing doubt and ambiguity and self-inquiry in favor of a pleasant, self-championing one-dimensionality which has instant rewards in sports. You can even ruin everything with athletes simply by speaking to them in your own everyday voice, a voice possibly full of contingency and speculation. It will scare them to death by demonstrating that the world—where they often don’t do too well and sometimes fall into depressions and financial imbroglios and worse once their careers are over—is complexer than what their training has prepared them for. As a result, they much prefer their own voices and questions or the jabber of their teammates (even if it’s in Spanish). And if you are a sportswriter you have to tailor yourself to their voices and answers: “How are you going to beat this team, Stu?” Truth, of course, can still be the result—“We’re just going out and play our kind of game, Frank, since that’s what’s got us this far”—but it will be their simpler truth, not your complex one—unless, of course, you agree with them, which I often do. (Athletes, of course, are not always the dummies they’re sometimes portrayed as being, and will often talk intelligently about whatever interests them until your ears turn to cement.)
”
”
Richard Ford (The Sportswriter)
“
Her body swelled and stilled. There would be a moment when she would breathe for the last time. An exhalation. There would be that moment, her prize of air, her still lake, her sweet boat floating away away, her body warping wood, swale and heavy, a sinking thing. He sat beside her, a helpless observer, his only power in witness, some bleak ability to watch and record the event in his own brain, which sent the order to his lungs to breathe with her while she still breathed, channels rising, sparks of interior electrical connection fading with the mind's fool hope that it could create some kind of measurable response, to provide some worth of warmth. Her body beside his, swell and still. He thought of her still. He thought of holding her absolutely still. He loved, he loved her. He loved her, still.
”
”
Amelia Gray (Threats)
“
Music began playing and a woman walked into the room and stood beside a small band. She was dressed in a red Irish costume that hung to her ankles and it was laced at the bodice with a black cord. After giving a nod to the band, she sang a few Irish songs. But one song seemed to stand out to Rick and he stopped eating and listened.
Sure a little bit of Heaven fell from out the sky one day and it nestled on the ocean in a spot so far away. When the angels found it, sure it looked so sweet and fair, they said, "Suppose we leave it for it looks so peaceful there."
So they sprinkled it with stardust just to make the shamrocks grow. 'Tis the only place you'll find them no matter where you go. Then they dotted it with silver to make its lakes so grand and when they had it finished, sure they called it Ireland.
”
”
Linda Weaver Clarke (The Shamrock Case (Amelia Moore Detective Series #2))
“
Water, thou hast no taste, no color, no odor; canst not be defined, art relished while ever mysterious. Not necessary to life, but rather life itself, thou fullest us with a gratification that exceeds the delight of the senses. By thy might, there return into us treasures that we had abandoned. By thy grace, there are released in us all the dried-up tunnels of our heart. Of the riches that exist in the world, tho art the rarest and also the most delicate — thou so pure within the bowels of the earth! A man may die of thirst lying beside a magnesia spring. He may die within reach of a salt lake. He may die though he hold in his hand a jug of dew, if it be inhabited by evil salts. For thou, water, art a proud divinity, allowing no alteration, no foreignness in thy being. And the joy that thou spreaders is an infinitely simple joy.
”
”
Antoine de Saint-Exupéry (Wind, Sand and Stars)
“
When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?”
“Yes, but tell me what happened when you were on the white horse of the Profeta?”
“I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
The merman does not want to seduce Agnes, although previously he had seduced many. He is no longer a merman, or, if one so will, he is a miserable merman who already has long been sitting on the floor of the sea and sorrowing. However, he knows (as the legend in fact teaches), that he can be delivered by the love of an innocent girl. But he has a bad conscience with respect to girls and does not dare to approach them. Then he sees Agnes. Already many a time when he was hidden in the reeds he had seen her walking on the shore. Her beauty, her quiet occupation with herself, fixes his attention upon her ; but only sadness prevails in his soul, no wild desire stirs in it. And so when the merman mingles his sighs with the soughing of the reeds she turns her ear thither, and then stands still and falls to dreaming, more charming than any woman and yet beautiful as a liberating angel which inspires the merman with confidence. The merman plucks up courage, he approaches Agnes, he wins her love, he hopes for his deliverance. But Agnes was no quiet maiden, she was fond of the roar of the sea, and the sad sighing beside the inland lake pleased her only because then she seethed more strongly within. She would be off and away, she would rush wildly out into the infinite with the merman whom she loved – so she incites the memman. She disdained his humility, now pride awakens. And the sea roars and the waves foam and the merman embraces Agnes and plunges with her into the deep. Never had he been so wild, never so full of desire, for he had hoped by this girl to find deliverance. He soon became tired of Agnes, yet no one ever found her corpse, for she became a mermaid who tempted men by her songs.
”
”
Søren Kierkegaard (Fear and Trembling)
“
The snow here hadn’t thawed. Its large, rough crystals were filled with the blue of the lake-water. But on the sunny side of the hill the snow was just beginning to melt. The ditch beside the path was full of gurgling water. The glitter of the snow, the water and the ice on the puddles was quite blinding. There was so much light, it was so intense, that they seemed almost to have to force their way through it. It disturbed them and got in their way; when they stepped on the thin film of ice over the puddles, it seemed to be light that was crunching under their feet, breaking up into thin, splinter-like rays. And it was light that was flowing down the ditch beside the path; where the path was blocked by stones, the light swelled up, foaming and gurgling. The spring sun seemed to be closer to the earth than ever. The air was cool and warm at the same time.
”
”
Vasily Grossman (Life and Fate (Stalingrad, #2))
“
in the mountains, and tumbles down a while, runs through shallows, is dammed to make a lake, spills over the dam, crackles among round boulders, wanders lazily under sycamores, spills into pools where trout live, drops in against banks where crayfish live. In the winter it becomes a torrent, a mean little fierce river, and in the summer it is a place for children to wade in and for fishermen to wander in. Frogs blink from its banks and the deep ferns grow beside it. Deer and foxes come to drink from it, secretly in the morning and evening, and now and then a mountain lion crouched flat laps its water. The farms of the rich little valley back up to the river and take its water for the orchards and the vegetables. The quail call beside it and the wild doves come whistling in at dusk. Raccoons pace its edges looking for frogs. It’s everything a river should be.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
Lass.' Saga turned away to hide her smile. How like a fairy tale, that word. Rapunzel. A tall tower by a deep emerald lake. A dark green word, 'lass.'
As she turned, she saw the bookcase beside the armchair- right out there in the garden! It was filled with with paperback books that looked as if they'd been read about a hundred times each. She saw Pride and Prejudice, she saw Middlemarch and The Quiet American. Titles she had seen forever on the shelves in Uncle Marsden's house.
"What if it rains when you're not looking?"
"These are the books everyone likes to read again and again, books you can lose because they'll reappear the minute you turn your back. They replace themselves," he said. Saga pictured this man with the dashing accent as the rescuer of Rapunzel. It was't outrageous in the least. He was handsome enough, though neither tall nor dark. His skin and hair were faintly golden, or they had been once upon a time, and his hands were long and slim like the hands of a prince. Piano hands, Aunt Liz would have said.
”
”
Julia Glass (The Whole World Over)
“
sky instead of the lake. But when he talked about being in heaven, the princess laughed at him dreadfully. When the moon came, she brought them fresh pleasure. Everything looked strange and new in her light, with an old, withered, yet unfading newness. When the moon was nearly full, one of their great delights was, to dive deep in the water, and then, turning round, look up through it at the great blot of light close above them, shimmering and trembling and wavering, spreading and contracting, seeming to melt away, and again grow solid. Then they would shoot up through the blot; and lo! there was the moon, far off, clear and steady and cold, and very lovely, at the bottom of a deeper and bluer lake than theirs, as the princess said. The prince soon found out that while in the water the princess was very like other people. And besides this, she was not so forward in her questions or pert in her replies at sea as on shore. Neither did she laugh so much; and when she did laugh, it was more gently. She seemed altogether more modest and maidenly in the water than out of it. But when the prince, who had really fallen in love when he fell in the lake, began to talk to her about love, she
”
”
George MacDonald (The Light Princess)
“
Darkness:
I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish'd with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress—he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shriek'd, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them—She was the Universe.
”
”
Lord Byron
“
It was the first time that I entered the house on the lake. I had often begged the “trap-door lover,” as we used to call Erik in my country, to open its mysterious doors to me. He always refused. I made very many attempts, but in vain, to obtain admittance. Watch him as I might, after I first learned that he had taken up his permanent abode at the Opera, the darkness was always too thick to enable me to see how he worked the door in the wall on the lake. One day, when I thought myself alone, I stepped into the boat and rowed toward that part of the wall through which I had seen Erik disappear. It was then that I came into contact with the siren who guarded the approach and whose charm was very nearly fatal to me.
I had no sooner put off from the bank than the silence amid which I floated on the water was disturbed by a sort of whispered singing that hovered all around me. It was half breath, half music; it rose softly from the waters of the lake; and I was surrounded by it through I knew not what artifice. It followed me, moved with me and was so soft that it did not alarm me. On the contrary, in my longing to approach the source of that sweet and enticing harmony, I leaned out of my little boat over the water, for there was no doubt in my mind that the singing came from the water itself. By this time, I was alone in the boat in the middle of the lake; the voice—for it was now distinctly a voice—was beside me, on the water. I leaned over, leaned still farther. The lake was perfectly calm, and a moonbeam that passed through the air hole in the Rue Scribe showed me absolutely nothing on its surface, which was smooth and black as ink. I shook my ears to get rid of a possible humming; but I soon had to accept the fact that there was no humming in the ears so harmonious as the singing whisper that followed and now attracted me.
Had I been inclined to superstition, I should have certainly thought that I had to do with some siren whose business it was to confound the traveler who should venture on the waters of the house on the lake. Fortunately, I come from a country where we are too fond of fantastic things not to know them through and through; and I had no doubt but that I was face to face with some new invention of Erik’s. But this invention was so perfect that, as I leaned out of the boat, I was impelled less by a desire to discover its trick than to enjoy its charm; and I leaned out, leaned out until I almost overturned the boat.
Suddenly, two monstrous arms issued from the bosom of the waters and seized me by the neck, dragging me down to the depths with irresistible force. I should certainly have been lost, if I had not had time to give a cry by which Erik knew me. For it was he; and, instead of drowning me, as was certainly his first intention, he swam with me and laid me gently on the bank:
“How imprudent you are!” he said, as he stood before me, dripping with water. “Why try to enter my house? I never invited you! I don’t want you there, nor anybody! Did you save my life only to make it unbearable to me? However great the service you rendered him, Erik may end by forgetting it; and you know that nothing can restrain Erik, not even Erik himself.”
He spoke, but I had now no other wish than to know what I already called the trick of the siren. He satisfied my curiosity, for Erik, who is a real monster—I have seen him at work in Persia, alas—is also, in certain respects, a regular child, vain and self-conceited, and there is nothing he loves so much, after astonishing people, as to prove all the really miraculous ingenuity of his mind.
He laughed and showed me a long reed.
“It’s the silliest trick you ever saw,” he said, “but it’s very useful for breathing and singing in the water. I learned it from the Tonkin pirates, who are able to remain hidden for hours in the beds of the rivers.
”
”
Gaston Leroux (The Phantom of the Opera)
“
Morning in the Burned House"
In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.
The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.
Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,
their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,
every detail clear,
tin cup and rippled mirror.
The day is bright and songless,
the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.
I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.
I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything
in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,
including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,
bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts
and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.
”
”
Margaret Atwood
“
Eena focused on the younger version of herself. Her hair was tied back with a pink ribbon. The ruffled dress she wore was soiled up to the waist in wet grains of sand. A short, square shovel was gripped tightly as the child concentrated on her digging efforts.
Curious, Eena stepped closer to the girls. Ian followed along silently. Eena could feel his eyes on her, searching her profile before turning to the sand scene. She approached her younger self and stopped to watch. At first, she smiled at the darling ponytailed child. Then the spoiled girl’s mouth opened.
“Angee,” the five-year-old called the younger version of Angelle. “Go get water.”
The older child jumped up at the command. “Yes, Eena.”
“A whole bucket full.”
“Yes, Eena.”
“Angee, don’t step on my holes!”
The older girl quickly picked up her foot, checking to be sure there were no child-made burrows nearby. She nodded at the little five-year-old. “Okay, Eena, I’ll be careful.”
Instead of being grateful, the ponytailed child tilted her head and bugged out her eyes. “Hurry up, Angee!”
“Okay, okay.” The young Angelle lifted her skirt to watch for surrounding holes while carting a bucket in her other hand towards the lake.
Eena frowned at the sight. She heard Ian snicker beside her.
“I was a brat,” she admitted ruefully.
“You still are.
”
”
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
“
To the Highland Girl of Inversneyde
SWEET Highland Girl, a very shower
Of beauty is thy earthly dower!
Twice seven consenting years have shed
Their utmost bounty on thy head:
And these gray rocks, this household lawn,
These trees—a veil just half withdrawn,
This fall of water that doth make
A murmur near the silent lake,
This little bay, a quiet road
That holds in shelter thy abode;
In truth together ye do seem
Like something fashion’d in a dream;
Such forms as from their covert peep
When earthly cares are laid asleep!
But O fair Creature! in the light
Of common day, so heavenly bright
I bless Thee, Vision as thou art,
I bless thee with a human heart:
God shield thee to thy latest years!
I neither know thee nor thy peers:
And yet my eyes are fill’d with tears.
With earnest feeling I shall pray
For thee when I am far away;
For never saw I mien or face
In which more plainly I could trace
Benignity and home-bred sense
Ripening in perfect innocence.
Here scatter’d, like a random seed,
Remote from men, Thou dost not need
The embarrass’d look of shy distress,
And maidenly shamefacédness:
Thou wear’st upon thy forehead clear
The freedom of a mountaineer:
A face with gladness overspread,
Soft smiles, by human kindness bred;
And seemliness complete, that sways
Thy courtesies, about thee plays;
With no restraint, but such as springs
From quick and eager visitings
Of thoughts that lie beyond the reach
Of thy few words of English speech:
A bondage sweetly brook’d, a strife
That gives thy gestures grace and life!
So have I, not unmoved in mind,
Seen birds of tempest-loving kind,
Thus beating up against the wind.
What hand but would a garland cull
For thee who art so beautiful?
O happy pleasure! here to dwell
Beside thee in some heathy dell;
Adopt your homely ways, and dress,
A shepherd, thou a shepherdess!
But I could frame a wish for thee
More like a grave reality:
Thou art to me but as a wave
Of the wild sea: and I would have
Some claim upon thee, if I could,
Though but of common neighbourhood.
What joy to hear thee, and to see!
Thy elder brother I would be,
Thy father, anything to thee.
Now thanks to Heaven! that of its grace
Hath led me to this lonely place:
Joy have I had; and going hence
I bear away my recompense.
In spots like these it is we prize
Our memory, feel that she hath eyes:
Then why should I be loth to stir?
I feel this place was made for her;
To give new pleasure like the past,
Continued long as life shall last.
Nor am I loth, though pleased at heart,
Sweet Highland Girl! from thee to part;
For I, methinks, till I grow old
As fair before me shall behold
As I do now, the cabin small,
The lake, the bay, the waterfall;
And Thee, the spirit of them all
”
”
William Wordsworth
“
It may not have been very big, she said, but everyone will notice that it’s missing. How could they not? One might as well overlook a bare patch of earth on the crest of a snow-covered mountain. And her eyes rolled forward as she tried to peer down her long snout at the small, dark hole above her nostril.
Eragon laughed and splashed a handful of water at her. Then, to soothe her injured pride, he said, “No one will notice, Saphira. Trust me. Besides, even if they do, they’ll take it for a battle wound and consider you all the more fearsome because of it.”
You think so? She returned to examining herself in the lake. The water and her scales reflected off each other in a dazzling array of rainbow-hued flecks. What if a soldier stabs me there? The blade would go right through me. Perhaps I should ask the dwarves to make a metal plate to cover the area until the scale regrows.
“That would look exceedingly ridiculous.”
It would?
“Mm-hmm.” He nodded, on the verge of laughing again.
She sniffed. There’s no need to make fun of me. How would you like it if the fur on your head started falling out, or you lost one of those silly little nubs you call teeth? I would end up having to comfort you, no doubt.
“No doubt,” he agreed easily. “But then, teeth don’t grow back.” He pushed himself off the rock and made his way up the shore to where he had left his boots, stepping carefully to avoid hurting his feet on the stones and branches that littered the water’s edge. Saphira followed him, the soft earth squishing between her talons.
You could cast a spell to protect just that spot, she said as he pulled on his boots.
“I could. Do you want me to?”
I do.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
He couldn’t believe his ears. She was rambling on about nonsense, and he needed to put a stop to it. “I don’t want to change you—” She cut him off. “From the day you came to the workshop, you told me I should sell the company and go to the south of France to celebrate. That I should wear my hair down and quit being a howling mass of anxiety. Zack, I don’t want to go to the south of France. I want to turn the clock back and reconstruct my life exactly as it was before the fire. I want my workshop back. I want to make watches and know what is on the schedule for the next day, next month, next year. I need order and stability.” His fist clenched around the leather sack. She was trying to cut him out of her life, and he wouldn’t let her. “And what about Colonel Lowe?” he demanded. “Is Colonel Lowe among the things you want?” She stiffened and couldn’t meet his eyes. “Richard means a lot to me,” she said softly. Richard. So he wasn’t even Colonel Lowe to her. A wave of heat crashed through his body, and he wanted to break something. He stood and stalked a few feet closer to the lake. He couldn’t bear to sit beside Mollie while she talked about another man, but she hadn’t stopped speaking. “Richard and I are very much alike,” she said. “I feel . . . safe with him. I don’t need to change to suit him.” “I don’t want to change you,” he said through clenched teeth. Where did she get these insane ideas? He could feel her slipping away from him, like water dribbling out of his cupped hands, and there was nothing he could do to stop it from draining away. “Please let me go,” she said. “I need to move on with the rest of my life, and I can’t do that with you in it. The notes need to stop. And the visits. I will be forever grateful for what you did for me on the night of the fire, but, Zack . . . that’s all there is. It was gratitude and the temporary rush of insanity because I was glad to be alive. You and I will never work.
”
”
Elizabeth Camden (Into the Whirlwind)
“
Why did you come back to Salt Lake?" I knew the answer before I asked the question and he knew I knew, and it was like you could see the shadow of it hanging there between us.
"I needed to see you," he finally said. "It's hard to explain."
"You don't have to."
"I tried telling my mom once what happed that day. Showed her the hole in the window screen and Moe and even after that she said it was complicated, that my dad's a complicated man and we all needed to try harder to understand him." His voice was shaking now. "And I thought, hey, maybe she's right. Maybe he was just playing around, you know. Maybe we didn't need to run."
"We did," I whispered.
"That's why I had to come, see?" He didn't move and I didn't move, but in a few seconds I heard him sniffling and he couldn't stop and I knew he was crying. "Cameron." I propped myself up, reached out my arm. "Come here." He got up and came to me, dragging his blanket behind him like a child. I scooted over in my bed to make room. "Come on."
He positioned himself beside me-I stayed under the covers, he was on top of them, his head next to mine on the pillow. I stroked his hair and thought of the week he'd lived at our house, the way we slept shoulder to shoulder in our sleeping bags in the living room and I got another good memory.
Jennifer, Cameron had said. You awake?
His voice was coming from across the room. I sat up. Yeah.
Look. He was standing by the living room window. The blinds were closed, but he had his hands on the cord, a big smile on his face. Ready?
I nodded, starting to smile myself.
One, two, three, Cameron said, then pulled the blind up, hand over hand on the cord like someone on TV. His smile got even bigger as he watched my face.
Snow. Giant flakes of it falling in front of the window even though it was only September.
Now, I fell asleep with my arm over Cameron's chest, thinking of how the flakes had been slow and white in the glow of the streetlights that lined the apartment walkways, and the smile on his face and on mine, like the snow was personal, a gift he'd given me himself.
”
”
Sara Zarr (Sweethearts)
“
So who else?”
“Who else what?”
With his mouth full, he says, “Who else got letters?”
“Um, that’s really private.” I shake my head at him, like Wow, how rude.
“What? I’m just curious.” Peter dips another fry into my little ramekin of ketchup. Smirking, he says, “Come on, don’t be shy. You can tell me. I know I’m number one, obviously. But I want to hear who else made the cut.”
He’s practically flexing, he’s so sure of himself. Fine, if he wants to know so bad, I’ll tell him. “Josh, you--”
“Obviously.”
“Kenny.”
Peter snorts. “Kenny? Who’s he?”
I prop my elbows up on the table and rest my chin on my hands. “A boy I met at church camp. He was the best swimmer of the whole boys’ side. He saved a drowning kid once. He swam out to the middle of the lake before the lifeguards even noticed anything was wrong.”
“So what’d he say when he got the letter?”
“Nothing. It was sent back return to sender.”
“Okay, who’s next?”
I take a bite of sandwich. “Lucas Krapf.”
“He’s gay,” Peter says.
“He’s not gay!”
“Dude, quit dreaming. The kid is gay. He wore an ascot to school yesterday.”
“I’m sure he was wearing it ironically. Besides, wearing an ascot doesn’t make someone gay.” I give him a look like Wow, so homophobic.
“Hey, don’t give me that look,” he objects. “My favorite uncle’s gay as hell. I bet you fifty bucks that if I showed my uncle Eddie a picture of Lucas, he’d confirm it in half a second.”
“Just because Lucas appreciates fashion, that doesn’t make him gay.” Peter opens his mouth to argue but I lift up a hand to quiet him. “All it means is he’s more of a city guy in the midst of all this…this boring suburbia. I bet you he ends up going to NYU or some other place in New York. He could be a TV actor. He’s got that look, you know. Svelte with fine-boned features. Very sensitive features. He looks like…like an angel.”
“So what did Angel Boy say about the letter, then?”
“Nothing…I’m sure because he’s a gentleman and didn’t want to embarrass me by bringing it up.” I give him a meaningful look. Unlike some people is what I’m saying with my eyes.
Peter rolls his eyes. “All right, all right. Whatever, I don’t care.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Although he always talked about technology and Oracle with passion and intensity, he didn’t have the methodical relentlessness that made Bill Gates so formidable and feared. By his own admission, Ellison was not an obsessive grinder like Gates: “I am a sprinter. I rest, I sprint, I rest, I sprint again.” Ellison had a reputation for being easily bored by the process of running a business and often took time off, leaving the shop to senior colleagues. One of the reasons often trotted out for Oracle’s success in the 1990s was Ellison’s decision to hire Ray Lane, a senior executive credited with bringing order and discipline to the business, allowing Ellison just to do the vision thing and bunk off to sail his boats whenever he felt like it. But Lane had left Oracle nearly eighteen months before after falling out with Ellison. Since then, Ellison had taken full control of the company—how likely was it that he would he stay the course? One reason to be skeptical was that Ellison just seemed to have too many things going on in his life besides Oracle. During the afternoon, we took a break from discussing the future of computing to take a tour of what would be his new home—nearly a decade in the making, and at that time, still nearly three years from completion. In the hills of Woodside, California, framing a five-acre artificial lake, six wooden Japanese houses, perfect replicas of the fifteenth- and sixteenth-century originals in Kyoto, were under construction. The site also contained two full-size ornamental bridges, hundreds of boulders trucked in from the high Sierras and arranged according to Zen principles and an equal number of cherry trees jostling for attention next to towering redwoods. Ellison remarked: “If I’m remembered for anything, it’s more likely to be for this than Oracle.”3 In the evening, I noticed in Ellison’s dining room a scale model of what would become his second home: a graceful-looking 450-foot motor-yacht capable of circumnavigating the globe. Already the owner of two mega-yachts, bought secondhand and extensively modified (the 192-foot Ronin based in Sausalito and the 244-foot Katana, which was kept at Antibes in the South of France), Ellison wanted to create the perfect yacht. The key to achieving this had been his successful courtship of a seventy-two-year-old Englishman, Jon Bannenberg, recognized as the greatest designer of very big, privately-owned yachts. With a budget of $200 million—about the same as that for the Japanese imperial village in Woodside—it would be Bannenberg’s masterpiece. Bannenberg had committed himself to “handing over the keys” to Ellison in time for his summer holiday in 2003.
”
”
Matthew Symonds (Softwar: An Intimate Portrait of Larry Ellison and Oracle)
“
If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music.
“Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?”
Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening.
“I cannot escort you there,” he said flatly.
Her smile faded. “Why not?”
“Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.”
Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?”
“That was part of the reason.”
“What was the rest of it?” she asked curiously.
His chuckle was grim. “Call it a well-developed instinct for self-preservation.”
“What?”
“Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.”
Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?”
“Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.”
A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public.
“I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.”
“Then where?”
“In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts.
"Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Matt thought camping in Tony’s yard was okay, but he wished it were a little more wild and dangerous. If Tony’s father had let them make camp along the lake like they had wanted to do, it would have been perfect. As it was, Tony’s parents kept coming to the kitchen door and peeking out to check on them every ten minutes.
“Sometimes they treat me like I was in second grade or something,” Tony groaned, waving his mother away from the door.
“It’s probably because you’re so small,” Q pointed out.
“Yeah, Tony, you know, I’ve seen some second-graders that are a whole lot bigger than you,” Hooter added. Tony shrugged his shoulders. He was used to people pointing out his height or lack of it. He was the shortest boy in the fifth grade.
“It’s just because of his size that Tony is such an important member of the club,” Matt said with authority, sitting back down in front of the fire.
“It is?” Tony squeaked, sitting beside him.
“Sure, since you’re the smallest man, you’ll be our scout. You can do all the tracking, traveling ahead of us to check things out without being seen. And since you’re so small you weigh less than any of us. Do you remember those Indian scouts in the Davy Crockett book we read? Remember how they could walk through the woods without making a sound? Well, you don’t think they weighed three hundred pounds, do you?”
“No, I guess not.” Tony grinned, throwing his shoulders back and sitting up straight like an Indian scout.
”
”
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
“
I travelled alone as a cloud
Which was floating on high over vale and mountains. Sometime off I
see few horde, a guest, beautiful lake under the trees. Fluttering and
dancing in the chill breeze. The golden sunflower garden welcomes me
to the side of vale.
As the stars shine and twinkle on the Milky Way,
They overlooked in never finish line across the margin of glance.
Thousands of stars I see at a glance, tossing their tail in bright frame
dance.
The bronze faced magnetic stars welcomes me to the side of vale.
The birds chirping towards the beach, I hear the shuttling of sand and
water, the waves beside them dance but they do sparkle under stars.
The blue mirage welcomes me to the side of vale.
This poet could not but be passionate, in such a colorful company, I
watched and felt I saw wealth in paper but the show here got me real
wealth. The black words welcome me to the side of vale.
Often, when I’m in my bed I rest I space or in penning mood, this show
flashes upon inward eye, which is the bliss of solitude. Then my heart is
full of pleasure and dances with the green leaves. No color no
substance feelings welcome me to the side of vale.
”
”
Karan M. Pai
“
Portia was affected differently. She felt very quiet with happiness
"Oh, I just hope and pray," she said.
And Mrs. Cheever walking lightly beside her, said: "Well, I have a feeling, Portia, I have a feeling in my bones that your wish is going to come true."
"Do you, Aunt Minnehaha? Honestly? Cross your heart?"
"I cross my heart," said Mrs. Cheever. "Yes, indeed I do.
”
”
Elizabeth Enright (Gone-Away Lake)
“
They came all that distance just to see a baby?” she whispered.
“For heaven’s sake, they’re not a war party. Nothing’s going on. Just because Polly’s folks were Tories and Gideon lived at that school in Canada doesn’t make them dangerous.”
“What if he’s a British agent, Eph?”
“Don’t be ridiculous, Livy. That’s a harebrained, womanish idea.”
“Why?” she said angrily. “It’s your pa said there were plenty of them making trouble out here. He said those British in Upper Canada keep telling the western tribes the king will come to their aid if they war with the Americans.”
“Gideon lives right in the middle of Americans. What would he have to gain by starting a war in his own backyard?”
“I don’t know, Eph. All I know is what Uncle John said. Upper Canada wants Indian territory sitting between it and America. A strip below Lake Ontario and Lake Erie. If Gideon helps them, maybe the British will give him land as a reward. Rising Hawk’s probably in on it, too. He’s always traveling over to Canada to the nations at Grand River. Couldn’t he be carrying messages to the British garrisons there?”
“Rising Hawk’s not a sneak, Livy. Besides, he could never keep big secrets. He’d turn them into stories and blab to everyone.
”
”
Betsy Urban (Waiting for Deliverance)
“
Did I mention that besides being the brains of our little group, Garrett was also the one with the biggest balls? Skeletal hands rising out of a murky lake notwithstanding, I had rarely ever seen him scared of anything. I, on the other hand, was his opposite. Along with clowns and insects larger than my thumb, a dark and foreboding forest rounded out the trio of things that meant nightmares for me.
”
”
Tim McWhorter (Bone White)
“
While Milke gingerly carried the packet of explosive across the lake, Paskell stood by the port watching. Milke surveyed the landscape with fine calculation, setting down the packet, moving it a few yards to the right, another few yards toward the defile. Finally satisfied, he looked back to Paskell for approval. Paskell signaled casually, and his hand fell against the detonation switch. He looked out toward Milke, hastily jumped into his [pressure] suit, let himself through the port, ran across the lake.
Milke asked, "What's the trouble?"
Paskell said, "That remote detonator doesn't work. I'd better take a look at it."
Milke stared at him truculently. "How do you know it doesn't work?"
Paskell made a vague gesture, knelt beside the packet, unfolded the wrapping.
"You couldn't have just sensed it," Milke insisted.
"Well, as a matter of fact, my hand accidentally hit the switch, and it didn't go off—so I though I'd better run out and see what was wrong."
Milke seemed to sink in his suit. For a moment there was silence. "Ah," said Paskell. "Nothing very serious; I neglected to clip down the battery leads . . . .now it's ready to go—"
"I'm going back to the ship," said Milke thickly.
”
”
Jack Vance (The Augmented Agent and Other Stories)