Blue Gown Quotes

Black for hunting through the night For death and mourning the color's white Gold for a bride in her wedding gown And red to call the enchantment down White silk when our bodies burn Blue banners when the lost return Flame for the birth of a Nephilim And to wash away our sins. Gray for the knowledge best untold Bone for those who don't grow old Saffron lights the victory march Green to mend our broken hearts Silver for the demon towers And bronze to summon wicked powers -Shadowhunter children's rhyme

Karen was radiant in a beautiful blue gown. Even her mother, for once, had said so. “Not just pretty, honey—you reek of class. Like Princess Grace from Morocco,” she’d said, beaming at her daughter.

Four people wheel out a huge wedding cake from a side room. Most of the guests back up, making way for this rarity, this dazzling creation with blue-green, white-tipped icing waves swimming with fish and sailboats, seals and sea flowers. But I push my way through the crowd to confirm what I knew at first sight. As surely as the embroidery stitches in Annie's gown were done by Cinna's hand, the frosted flowers on the cake were done by Peeta's.

There will be other lives. There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands. And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions. And there will be other lives for fathers walking daughters down aisles. And there will be other lives for sweet babies with skin like milk. And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything. Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.

Let me guess, Jessie. You ran across some poor woman in the park who had the misfortune of wearing a gown that clashed with yours, so you slit her throat with that clever little parasol of yours. Do I have it right?” Jessamine bared her teeth at him. “You’re being ridiculous.” “You are, you know,” Charlotte told him. “I mean, I’m wearing blue. Blue goes with everything,” Jessamine went on. “Which, really, you ought to know. You’re vain enough about your own clothes.” “Blue does not go with everything,” Will told her. “It does not go with red, for instance.” “I have a red and blue striped waistcoat,” Henry interjected, reaching for the peas. “And if that isn’t proof that those two colors should never be seen together under Heaven, I don’t know what is.

…This… ’stuff’? I see, you think this has nothing to do with you. You go to your closet and you select out, oh I don’t know, that lumpy blue sweater, for instance, because you’re trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don’t know is that that sweater is not just blue, it’s not turquoise, it’s not lapis, it’s actually cerulean. You’re also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves St Laurent, wasn’t it, who showed cerulean military jackets? …And then cerulean quickly showed up in the collections of 8 different designers. Then it filtered down through the department stores and then trickled on down into some tragic casual corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs and so it’s sort of comical how you think that you’ve made a choice that exempts you from the fashion industry when, in fact, you’re wearing the sweater that was selected for you by the people in this room. From a pile of stuff.

The wardrobe? It was so full of gowns that he didn't think he could cram himself inside. Besides, it would be awkward if the maid came in to lay out a gown for dinner and grabbed Oliver instead of the blue silk with lace sleeves.

Love My soul was a light-blue gown, sky-coloured; I left it on a cliff by the sea and naked I came to you, resembling a woman. And like a woman I sat at your table and drank a toast with wine and breathed in the scent of several roses. You found me beautiful, resembling something you'd seen dreaming, I forgot everything, I forgot my childhood and my homeland, I knew only that your caresses held me captive. And, smiling, you took up a mirror and bade me look. I saw that my shoulders were made of dust and crumbled away, I saw that my beauty was sick and had no desire other than to - disappear. Oh, hold me close in your arms, so tightly that I need nothing.

Neither of the costumes fit properly. Inej’s purple silks were far too loose, and as for Nina … “What the hell is this supposed to be?” she said, looking down at herself. The plunging gown barely covered her substantial cleavage and clung tightly to her buttocks. It had been wrought to look like blue-green scales, giving way to a shimmering chiffon fan. “Maybe a mermaid?” suggested Inej. “Or a wave?” “I thought I was a horse.” “Well they weren’t going to put you in a dress of hooves.

TO HIS HEART, BIIDING IT HAVE NO FEAR Be you still, be you still, trembling heart; Remember the wisdom out of the old days: Him who trembles before the flame and the flood, And the winds that blow through the starry ways, Let the starry winds and the flame and the flood Cover over and hide, for he has no part With the lonely, majestical multitude. THE CAP AND THE BELLS The jester walked in the garden: The garden had fallen still; He bade his soul rise upward And stand on her window-sill. It rose in a straight blue garment, When owls began to call: It had grown wise-tongued by thinking Of a quiet and light footfall; But the young queen would not listen; She rose in her pale night-gown; She drew in the heavy casement And pushed the latches down. He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,' he pondered, 'I will send them to her and die'; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet.

He was just a boy wearing pajamas, one slipper, and an old blue dressing gown under a stranger's jacket, and he did not belong anywhere but in his own bedroom.

The Times carried detailed descriptions of Sara’s ivory gown and the five-carat blue diamond on her finger, the Cravens’ reported opinions of the play, and speculation on whether Derek was truly a “reformed rake.” “There’s not a word of truth in any of it,” Derek said. “Except the part where they said you were resplendent.” “Thank you, kind sir.” Sara set down the paper and reached over to toy with one of the large soapy feet propped on the porcelain rim of the tub. She wriggled his big toe playfully. “What about the part that says you’re reformed?” “I’m not. I still do everything I used to do…except now only with you.” “And quite impressively,” she replied, her tone demure.

You know, when you go to Oxford to get a degree in English literature, as I have, people always want to know who your favorite English author is. The press team compiled a list of acceptable answers. [...] In the end they picked Dickens, which is hilarious. They wanted something less fruity than the truth, but truly, what is gayer than a woman who languishes away in a crumbling mansion wearing her wedding gown every day of her life, for the drama?

That's him!" he said. "That's the one!" "Is it, indeed?" Inspector Hewitt asked, as he lifted the cap from my head and took the gown from my shoulders with the gentle deference of a valet. The little man's pale blue eyes bulged visibly in their sockets. "Why, it's only a girl!" he said. I could have slapped his face.

If he’s a false prince, then I’m his street Cinderella. I don’t need glass slippers or a pretty gown to change our stars. I can do it in my quiet leather boots and my gray uniform.

The jester walked in the garden: The garden had fallen still; He bade his soul rise upward And stand on her window-sill. It rose in a straight blue garment, When owls began to call: It has grown wise-tongued by thinking Of a quiet and light footfall; But the young queen would not listen; She rose in her pale night-gown; She drew in the heavy casement And pushed the latches down...

I had seen the girl somewhere before. She was a slender girl in a glistening blue gown that exhibited a generous spread of front, back and arms that were worth showing. She had a mass of dark brown hair above an oval face of the color that pink ought to be. Her eyes were wide-set and of a gray shade that wasn't altogether unlike the shadows on polished silver that the poet had compared them to. "The Girl With The Silver Eyes

Elizabeth stood where he’d left her, a forlorn figure in a sodden blue gown, still clasping the pistol with both hands. His heart swelled with pride at her courage, but he also wanted to shake her for scaring ten years off his life.

If this is how I’m going to have to dress all the time, I’m definitely passing on the Regent appointment,” Sophie grumbled, trying to lift her dark blue gown as she walked—but there were so many tiers of tulle, she couldn’t find the right layer of fabric to grab.

Disillusionment of Ten O'Clock" The houses are haunted By white night-gowns. None are green, Or purple with green rings, Or green with yellow rings, Or yellow with blue rings. None of them are strange, With socks of lace And beaded ceintures. People are not going To dream of baboons and periwinkles. Only, here and there, an old sailor, Drunk and asleep in his boots, Catches tigers In red weather.

Violet 232 books | 49 friends see comment history Black for hunting through the night For death and mourning the color’s white Gold for a bride in her wedding gown And red to call enchantment down. White silk when our bodies burn, Blue banners when the lost return. Flame for the birth of a Nephilim, And to wash away our sins. Gray for knowledge best untold, Bone for those who don’t grow old. Saffron lights the victory march, Green will mend our broken hearts. Silver for the demon towers, And bronze to summon wicked powers.

Vespers Little Boy kneels at the foot of the bed, Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. God bless Mummy. I know that's right. Wasn't it fun in the bath tonight? The cold's so cold, and the hot's so hot. Oh! God bless Daddy -- I quite forgot. If I open my fingers a little bit more, I can see Nanny's dressing-gown on the door. It's a beautiful blue, but it hasn't a hood. Oh! God bless Nanny and make her good. Mine has a hood, and I lie in bed, And pull the hood right over my head, And I shut my eyes, and I curl up small, And nobody knows that I'm there at all. Oh! Thank you, God, for a lovely day. And what was the other I had to say? I said "Bless Daddy," so what can it be? Oh! Now I remember. God bless Me. Little Boy kneels at the foot of the bed. Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers.

Apparently, we're all in the frame," I heard Harry murmur somewhere behind me. And I whirled back to him. Innate, irrational anger surged. Then stopped, dead - as I suddenly took in Handsome, Robert and Doc. They were all staring at me. They were concentrating, all resolute, all a tad furrow-browed… upon my face. Self-consciousness burgeoned. I gingerly fingered my and lips and my chin, "Am I drooling?" "Your arse is hanging out," said Harry, not looking up from the forensics he was scanning. And so it was. Handsome, Robert and Doc averted their eyes as I, wishing I'd merely been dribbling, grabbed the back flaps of my breezy hospital gown, fully placed my back against the wall. Then, thinking better of it, dived hurriedly, carefully, back into bed. If Chinese Lady'd been here, she could've, would've, told me. I missed her already.

A long light robe, sulphur-coloured, clung to the sleeper from low throat to ankle; bands of narrow nolana-blue ribbon crossed her breast and were brought together in a loose cincture about her waist; her white, smooth feet were sandalled; one arm was curved beneath her lustrous head; the other lay relaxed and drooping. Chrysoberyls, the sea-virgins of stones, sparkled in her hair and lay in the bosom of her gown like dewdrops in an evening primrose. ("The Accursed Cordonnier")

Black for hunting through the night For death and mourning the color’s white Gold for a bride in her wedding gown And red to call enchantment down. White silk when our bodies burn, Blue banners when the lost return. Flame for the birth of a Nephilim, And to wash away our sins. Gray for knowledge best untold, Bone for those who don’t grow old. Saffron lights the victory march, Green will mend our broken hearts. Silver for the demon towers, And bronze to summon wicked powers. —Old Nephilim children’s rhyme

She was already dressed for the day in a simple blue gown, her hair in a loose braid tied with a white ribbon. How apt it was that she'd been named for the showiest of wildflowers, rich and vivid, a gleaming finish to the bloom. Her blue eyes surveyed him with such attentive warmth that he felt a catch in his chest, a dart of pleasure-pain.

Do you know the only time I felt beautiful?” Hanne asked, her eyes still closed. “When?” “When I tailored myself to look like a soldier. When we cut off all my hair.” Nina exchanged the shimmer for a pot of rose balm. “But you didn’t look like you.” Hanne’s eyes opened. “But I did. For the first time. The only time.” Nina dipped her thumb into the pot of balm and dabbed it onto Hanne’s lower lip, spreading it in a slow sweep across the soft cushion of her mouth. “I can grow my hair, you know,” Hanne said, and moved her hand over one side of her scalp. Sure enough, a reddish-brown curl twined over Hanne’s ear. Nina stared. “That’s powerful tailoring, Hanne.” “I’ve been practicing.” She drew small scissors from a drawer and snipped away the curl. “But I like it the way it is.” “Then leave it.” Nina took the scissors from her hand, brushed her thumb over Hanne’s knuckles. “In trousers. In gowns. With your hair shorn or in braids or down your back. You have never not been beautiful.” “Do you mean that?” “I do.” “I’ve never seen your real face,” Hanne said, eyes scanning Nina’s features. “Do you miss it?” Nina wasn’t sure how to answer. For a long while she’d startled every time she glimpsed herself in the mirror, when she caught sight of the pale blue eyes, the silky fall of straight blond hair. But the longer she played Mila, the easier it became, and sometimes that scared her. Who will I be when I return to Ravka? Who am I now? “I’m beginning to forget what I looked like,” she said. “But trust me, I was gorgeous.” Hanne took her hand. “You still are.

Reera did not keep them in misery more than a few seconds, for she touched each one with her right hand and instantly the fishes were transformed into three tall and slender young women, with fine, intelligent faces and clothed in handsome, clinging gowns. The one who had been a goldfish had beautiful golden hair and blue eyes and was exceedingly fair of skin; the one who had been a bronzefish had dark brown hair and clear gray eyes and her complexion matched these lovely features. The one who had been a silverfish had snow-white hair of the finest texture and deep brown eyes. The hair contrasted exquisitely with her pink cheeks and ruby-red lips, nor did it make her look a day older than her two companions.

pink chiffon dress went down the aisle. Violet in the lilac gown followed. The bouquets she’d crafted for the bridesmaids were a mass of spring flowers: blue hydrangeas, soft purple roses, yellow carnations, pale pink peonies and the soft silvery-green foliage of dusty miller added a bit of shimmer. Each bouquet had a coordinating satin colored ribbon to match the attendant’s

But all of a sudden the scene changed; it was the memory, no longer of old impressions but of an old desire, only recently reawakened by the Fortuny gown in blue and gold, that spread before me another spring, a spring not leafy at all but on the contrary suddenly stripped of its trees and flowers by the name that I had just murmured to myself: “Venice”; a decanted springtime, which is reduced to its own essence and expresses the lengthening, the warming, the gradual unfolding of its days in the progressive fermentation, no longer, now, of an impure soil, but of a blue and virginal water, springlike without bud or blossom, which could answer the call of May only by the gleaming facets fashioned and polished by May, harmonising exactly with it in the radiant, unalterable nakedness of its dusky sapphire. Likewise, too, no more than the seasons to its flowerless creeks, do modern times bring any change to the Gothic city; I knew it, even if I could not imagine it, or rather, imagining it, this was what I longed for with the same desire which long ago, when I was a boy, in the very ardour of departure, had broken and robbed me of the strength to make the journey: to find myself face to face with my Venetian imaginings, to observe how that divided sea enclosed in its meanderings, like the sinuosities of the ocean stream, and urbane and refined civilization, but one that, isolated by their azure girdle, had evolved independently, had had its own schools of painting and architecture, to admire that fabulous garden of fruits and birds in coloured stone, flowering in the midst of the sea which kept it refreshed, lapped the base of the columns with its tide, and, like a somber azure gaze watching in the shadows, kept patches of light perpetually flickering on the bold relief of the capitals.

The entire room turns and stares. There’s no doubt what they see—ripped jeans, a black T-shirt, tattoos and earrings. I don’t care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves. A tear flows down her face, and the hand wrapped at her waist tells me she’s paralyzed. In a long gold ball gown that’s more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. “Son, I think you have the wrong room.” “No. I don’t.” I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I’m a dream. I extend my hand, palm out. “I need help.” Her blue eyes lose their glaze, and the hue of violet I love so much returns. “So do I.”

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.” “Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.” “Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.” “You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.” “She’s lovely and spirited, and you will admire her tremendously.” “In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered. Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between. In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth. The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.” In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?” “Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!

The first snow sifted down silently during the night. Ayla exclaimed with delight when she stepped out of her cave in the morning. A pristine whiteness softened the contours of the familiar landscape creating a magical dreamland of fantastic shapes and mythical plants. Bushes had top hats of soft snow, conifers were dressed in new gowns of white finery, and bare exposed limbs were clothed in shining coats that outlined each twig against the deep blue sky.

But, as Margaret half suspected, Edith had fallen asleep. She lay curled up on the sofa in the back drawing-room in Harley Street, looking very lovely in her white muslin and blue ribbons. If Titania had ever been dressed in white muslin and blue ribbons, and had fallen asleep on a crimson damask sofa in a back drawing-room, Edith might have been taken for her. Margaret was struck afresh by her cousin's beauty. They had grown up together from childhood, and all along Edith had been remarked upon by every one, except Margaret, for her prettiness; but Margaret had never thought about it until the last few days, when the prospect of soon losing her companion seemed to give force to every sweet quality and charm which Edith possessed. They had been talking about wedding dresses, and wedding ceremonies; and Captain Lennox, and what he had told Edith about her future life at Corfu, where his regiment was stationed; and the difficulty of keeping a piano in good tune (a difficulty which Edith seemed to consider as one of the most formidable that could befall her in her married life), and what gowns she should want in the visits to Scotland, which would immediately succeed her marriage; but the whispered tone had latterly become more drowsy; and Margaret, after a pause of a few minutes, found, as she fancied, that in spite of the buzz in the next room, Edith had rolled herself up into a soft ball of muslin and ribbon, and silken curls, and gone off into a peaceful little after-dinner nap.

You look so beautiful in that gown... didn't you once tell me that blue was McKenna's favorite color?" "I don't remember." It had indeed been blue. Tonight Aline had not been able to prevent herself from reaching for a silk gown the color of Russian lapis. It was a simple gown with no flounces or overskirt, just a demi-train in the back and a low, square-cut bodice. A string of pearls was wrapped twice around her throat, with the lower loop hanging almost to her waist. Another strand had been artfully entwined in her pinned-up curls. "You're a goddess," her sister proclaimed cheerfully, raising her wineglass in tribute. "Good luck, dear. Because once McKenna sees you in that gown, I predict that you'll have a difficult time keeping him at bay.

The gowns all came in shades of frost white, pearl pink, romantic blue, and fresh cream. Some were simple sheaths. Others had elaborate trains or hems covered in everything from silken flowers to seashells. None of them looked as if they'd ever been worn.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

So, where are we going?" Eriku then turns onto the highway, one hand on the wheel, the other shifting gears. "I actually put a lot of thought into it. It was hard to decide on a place where we'd have maximum exposure but also enjoy ourselves. Somewhere the public can take us in, yet there's a lot of crowd control." We pass a billboard with a castle and a princess dressed in an ice-blue gown. I shift in my seat. No. Way. "Are we going to Tokyo Disney?" He smiles. "Life is a song, princess. Let's go make some fake-dating music.

Lady Penelope Campion- the aging, frazzled, unsightly spinster who... Who wasn't any of those things. Not by a mile. As fortune would have it, Lady Penelope Campion turned out to be a fair-haired, blue-eyed beauty. In his mind's eye, he could still see her sprawled across his bed in her dressing gown. Like an all-grown-up Goldilocks, having crept into his house uninvited to test the mattress. Too soft, too hard...? He didn't know her opinion, but Gabe's reaction was the latter. His cock was in its usual morning prime, standing at full mast.

Perhaps we should spice up our next wager." A wary look entered her blue eyes. "How?" "By wagering your mother's necklace against...your clothing." She froze, her arms over her head, her eyes wide. "My clothing?" "Yes. Your gown-against your mother's neckace." His body was already hard at the thought of her standing before him in nothing but her chemise and stockings. Sophia lowered her arms with a teasing smile. "I doubt it will fit you." A surprised laugh broke from him. "That would be a sight. But to be crystal clear, if I win this hand, you will disrobe for me.

Leslie Ann was now agonizing over a full-length Flame gown that actually appeared to be burning fire covering her lush body: cool blue flames hugging her neck, red-hot flames usually covering her breasts, fluttering orange and yellow fire hips, all down along her white-hot legs to her Bunsen burner tipped high-heel shoes.

Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.

The choice is yours.Either way, I will be faultless. So ask yourself, would you rather take credit for an eyesore or for a work of art?" His speech complete, he sank onto the sofa, stretching his arms out across its back, a grin spreading across his face. I had not thought this through, that much was evident, but now that I had commenced it, I would not give n to him. "You could change. More easily than could I." "True," he ackowledged with a chuckle. "But I look perfect." "Well,I'm sure you could look perfect in something else." "Oh,doubtless, but why duplicate what is perfect when one could improve what is not?" I wanted to kill him. I wanted to close that infuriatingly divine mouth once and for all, and if ending his life were the way to do it, I was willing to take that step.Instead, I took a deep breath and tried again. "If I change, my hair will be ruined." "You know,dear, something really should be done about your hair in any case. I told you to wear it down. And mind you switch tiaras." "We're almost last as it is," blustered, trying to keep my tone civil, thought inside I was burning. "You could change more quickly." "Not necessarily.You already know the gown into which you will change. I would have to search for something less elegant to match the dress you have on, but still formal enough for the occasion. And honestly,have you ever seen me in anything that might go with sky blue?" I fell silent, for as much as I hated to admit it, he had a valid argument. He generally wore dark or rich colors, nothing similar to my gown. I despised myself for what I was about to do. "I'll wait," Steldor said, accurately reading my expression.

Here are three things I know for sure: 1. When I was born, someone- I like to think it was my mother- wrapped me in a blue ball gown. 2. There is a color in this world that was named after a king's daughter, who always wore gowns that were made of exactly the same shade of blue. The stories about her make me wish sometimes I could have been friends with her; she smoked in public (at a time when women didn't), once jumped fully clothed into a swimming pool with the captain of a ship, often wore a boa constrictor around her neck, and another time shot at telegraph poles from a moving train. 3. My favorite story goes like this: once, on an island not far from here, there was a queen who climbed a tree waiting for her husband to return from a battle. She tied herself to a branch and vowed to remain there until he returned. She waited for so long that she slowly transformed into an orchid, which was an exact replica of the pattern on the blue gown she was wearing. Here's one more thing that I know for sure is true. On the day June told us she was going to hospital to bring you home, I was in the workshop pressing blue lady orchids. I've always loved them best because their centres are my favorite color: the color of the gown I was once wrapped in. The color of a king's wayward daughter favored. A color called Alice blue.

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

He'd seen how uncomfortable she'd looked being the center of attention. His aunt had told him how, when she'd asked Cinderella what she wished to wear for the ball, she'd replied, "Something blue. It was my mother's favorite color, and I wish with all my heart she could have met Charles and seen us together." Other young women in the kingdom would have asked for a gown fit for a princess, for satin gloves rimmed with crystals, a tiara studded with rubies. Cinderella had asked for none of these things. That was why he loved her. For the earnest way she thought of her words before she spoke, or how her eyebrows danced when she smiled, or how her voice became singsong when she teased him. That was why he missed her.

All I could see were Will’s intense blue eyes, and the joy that flashed across them as they flickered down to the low neckline of my gown. All I could hear was the deep, reverent rumble of his voice as he repeated his vow to honor, and cherish, and love me for the rest of our lives. And all I could feel was the juxtaposition of cool metal and warm skin as he slid the ring on my finger. It was all I could process . . . until he kissed me, that is. Because that kiss erased everything that came before it. You may now kiss your bride. The world fell away. It really did. It was just us in that tiny spot of land, standing in silence and staring at each other, on the verge of sealing this commitment we’d made. I couldn’t stop smiling.

I took a step inside to get a better look and realized the man was actually Christ, the way he appeared in Sunday-school classrooms: milky complexion, starched blue dressing gown, a beard trimmed as painstakingly as a bonsai tree. He was doing what he was always doing: cupping blinding light in his hands like he was trying to warm up after a long day of downhill skiing.

Pulling at her uncomfortable hairstyle, she let several loose tendrils frame her face. Next, she took out the tight bun, and her braided hair hung down her back. Elsa didn't stop there. This gown had weighed her down for too long. It was time for it to go as well. With a wave of her hands, she imagined a new dress that suited her personality and style. Something light and freeing. Ice crystallized over the bottom of her teal dress, forming a new one that was a shimmering pale blue. Gone were the itchy high collar and the annoying long sleeves that restricted her movements. Her new gown was strapless, her neck was open, and her arms were loosely wrapped in silk. A light sheer cape was made up of a pattern of snowflakes as unique as she was.

He accordingly laughed his most horrible laugh, till the old vaulted roof rang and rang again, but hardly had the fearful echo died away when a door opened, and Mrs. Otis came out in a light blue dressing-gown. “I am afraid you are far from well,” she said, “and have brought you a bottle of Dr. Dobell’s tincture. If it is indigestion, you will find it a most excellent remedy.

Each hand held a shoe and a handful of skirt, the hem of her pale blue polonaise gown raised above the knee, exposing satin ribbons which held up her white stockings. The ribbons were a bold cerise, like her lips, which were pulled wide in a girlish grin—inviting and ripe with unspent kisses—a hot-sweet ring of nubile, innocent fire. High cheeks, pink with natural rouge, gave

Mila held out a dress so lovely that Snow gasped. She lovingly touched the blue bodice with the cap sleeves that had red accents woven throughout and the shining yellow satin. She hadn't had anything new to wear in a very long time. She almost hesitated to put the dress on- what if she ruined it in the woods? But when else would she have a chance to wear such a fine gown? She slipped into it with glee.

Buttoning up my new damson wool redingote, I put on my other new purchases, a hat trimmed with sable and matching muff and tippet. I had at last found costumes that suited my character: gowns in rich sapphire blues, purples, and emeralds, tight-sleeved and high-waisted. Our neighbor the milliner had taught me a voguish way with broad-brimmed hats, worn at the tilt Van Dyke fashion, with feathers and rosettes.

It had been a long time since a woman had aroused his interest as Amelia Hathaway had. The moment he had seen her standing in the alley, wholesome and pink-cheeked, her voluptuous figure contained in a modest gown, he had wanted her. He had no idea why, when she was the embodiment of everything that annoyed him about Englishwomen. It was obvious Miss Hathaway had a relentless certainty in her own ability to organize and manage everything around her. Cam’s usual reaction to that sort of female was to flee in the opposite direction. But as he had stared into her pretty blue eyes, and seen the tiny determined frown hitched between them, he had felt an unholy urge to snatch her up and carry her away somewhere and do something uncivilized. Barbaric, even. Of course, uncivilized urges had always lurked a bit too close to his surface.

You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.

Anita Kleinman was a slight woman in her seventies. Her hair was thinning and white with a touch of pink, and was swept back from her face in unbroken waves. She wore a full-length Chinese silk gown covered with bright gold dragons on a blue background. Her fingers were tipped with long red nails and heavy with gold rings. She held out her arms in an expression of welcome and perhaps to show me the full extent of her dragons.

Her eyes were deep blue. Long eye lashes guarded them as if they were guarding a treasure of immense value. One could feel the freshness of her milky skin. Her faint odor hung around her and her silken hairs danced in the wind. She moved in slow, measured steps, her shapely figure floating in the air. A long, white, silver brocaded gown followed her as a lone sentry. Now and then she would brush her black hairs back with a careless flourish and silently admonish the wind with a nonchalance of a child.

Poppy was dressed in her best gown, a violet silk that shimmered with tones of blue and pink as the light moved over it. The unique color had been achieved with a new synthetic dye, and it was so striking that little ornamentation was needed. The bodice was intricately wrapped, leaving the tops of her shoulders bare, and the full, layered skirts rustled softly as she moved. Just as she set down the powder brush, Harry came to the doorway and surveyed her leisurely. "No woman will compare to you tonight," he murmured.

Hauling a deep, make-me-feel-sexy breath, she pinned on what she hoped was a coquettish smile, turned as smoothly as her bulky gown allowed, and found her previously pleasure-filled sightline newly blocked by sixfoot- and-change of home-grown Texas assholery. This particular example happened to have thick, wavy hair as dark as his heart, deep, soulful eyes as blue as the garter still circling her thigh, and a face that made angels weep. Probably after he’d screwed them senseless, knocked them up, and abandoned them with a wink and a smile.

Per? You can come out now." A figure slowly emerged from the shadows. "Are they gone?" "No one is here," he reassured her, his voice dropping to a new calm at the sight of her. She was exquisite. He loved everything about her, from the crown of silver flowers she wore in her black hair to the dark eyes that offset her tan skin. For the first time ever, he even noticed clothing. He couldn't help admiring how she favored cobalt blue for her gown over drab browns. Today's dress was clipped at her waist with a floral silver belt. "What did the Fates say?" she asked, sounding timid for the first time since he'd met her. She was anything but a wallflower. She was fiery. He loved that about her most of all. He glided over and put his arms around her. "I'm on my way to see them right now. I don't want you to worry. I thought you were going to go do that thing to take your mind off all that." "I am," she said with a smile. "You're going to love it." He doubted that, but he wanted her to be happy. "In any case, we'll make sure the future is in our favor. Even if we have to burn the whole world to the ground.

A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night. 'Awake, Watson?' he asked. 'Yes.' 'Game for a morning drive?' 'Certainly.' 'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.

It's a lovely mask," Sara said, toying with the narrow black silk ribbons before tying it in place. Monique had artfully fashioned it out of black silk and lace, and glinting blue sapphires that matched her gown. "I'm not nervous at all." It was true. She felt as if some reckless stranger had replaced her usual cautious self. The midnight-blue gown molded to her figure, cut so low that her breasts seemed ready to spill from the meager bodice. A broad satin sash fastened with a gold buckle emphasized her small waist. The mask covered the upper half of her face but revealed her lips, which Monique and Lily had insisted on darkening with the faintest hint of rouge. Laboriously they had arranged her hair in a cluster of curls on top of her head, allowing a few ringlets to dangle teasingly against her cheeks and neck. A perfume that reminded Sara of roses blended with some deeper foresty scent had been applied sparingly to her bosom and throat. "A triumph," Monique had declared, gloating over the transformation. "Beautiful, worldly, but still fresh and young... ah, chérie, you will make many conquests tonight!" "Stunning," Lily had said, beaming with delight. "What a stir she'll cause.

On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.

Would we get on well together, do you think?” she asked dubiously, daring to play with the knot of his necktie, loosening the gray watered-silk fabric with her fingertips. “We’re opposites in nearly every regard.” Inclining his head, Marcus nuzzled the tender inside of her wrist, his lips brushing the blue-tinted veins that lay like fine lacework beneath the skin. “I am coming to believe that taking a wife who is exactly like myself would be the worst conceivable decision I could make.” “Perhaps you’re right,” Lillian mused, letting her fingertips curl into the gleaming close-cut hair at the side of his head. “You need a wife who won’t let you have your way all the time. One who…” She paused with a little shiver as his tongue touched a delicate spot near her inner elbow. “Who,” she continued, struggling to gather her thoughts, “would be willing to take you down a notch when you become too pompous…” “I am never pompous,” Marcus said, drawing the edge of her gown away from the vulnerable curve of her throat. Her breath hitched as he began to kiss the wing of her collarbone. “What would you call it when you carry on as if you always know best, and anyone who disagrees with you is an idiot?” “Most of the time, the people who disagree with me do happen to be idiots. I can’t help that.

A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders. She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring.

Realizing that the footman was still glowering at him, Ian looked down at the short man and said, “Your mistress is expecting me. Tell her I’ve arrived.” “I’m here, Aaron,” Elizabeth’s voice said softly, and Ian turned. One look at her and Ian forgot the footman, the state of the house, and any knowledge of architecture he’d ever possessed. Garbed in a simple gown of sky-blue gauze, with her hair twisted into thick curls bound with narrow blue ribbons, Elizabeth was standing in the hall with the poise of a Grecian goddess and the smile of an angel. “What do you think?” she asked expectantly. “About what?” he asked huskily, walking forward, forcing his hands not to reach out for her. “About Havenhurst?” she asked with quiet pride. Ian thought it was rather small and in desperate need of repair, not to mention furnishings. In fact, he had an impulse to drag her into his arms and beg her forgiveness for all he’d cost her. Knowing such a thing would shame and hurt her, he smiled and said truthfully, “What I’ve seen is very picturesque.” “Would you like to see the rest?” “Very much,” he exaggerated, and it was worth it to see her face light up. “Where are the Townsendes?” he asked as they started up the staircase. “I didn’t see a carriage in the drive.” “They haven’t arrived yet.” Ian correctly supposed that was Jordan’s doing and made a mental note to thank his friend.

What is the most beautiful place you’ve ever seen?” Dragging his gaze from the beauty of the gardens, Ian looked down at the beauty beside him. “Any place,” he said huskily, “were you are.” He saw the becoming flush of embarrassed pleasure that pinkened her cheeks, but when she spoke her voice was rueful. “You don’t have to say such things to me, you know-I’ll keep our bargain.” “I know you will,” he said, trying not to overwhelm her with avowals of love she wouldn’t yet believe. With a grin he added, “Besides, as it turned out after our bargaining session, I’m the one who’s governed by all the conditions, not you.” Her sideways glance was filled with laughter. “You were much too lenient at times, you know. Toward the end I was asking for concessions just to see how far you’d go.” Ian, who had been multiplying his fortune for the last four years by buying shipping and import-export companies, as well as sundry others, was regarded as an extremely tough negotiator. He heard her announcement with a smile of genuine surprise. “You gave me the impression that every single concession was of paramount importance to you, and that if I didn’t agree, you might call the whole thing off.” She nodded with satisfaction. “I rather thought that was how I ought to do it. Why are you laughing?” “Because,” he admitted, chuckling, “obviously I was not in my best form yesterday. In addition to completely misreading your feelings, I managed to buy a house on Promenade Street for which I will undoubtedly pay five times its worth.” “Oh, I don’t think so,” she said, and, as if she was embarrassed and needed a way to avoid meeting his gaze, she reached up and pulled a leaf off an overhanging branch. In a voice of careful nonchalance, she explained, “In matters of bargaining, I believe in being reasonable, but my uncle would assuredly have tried to cheat you. He’s perfectly dreadful about money.” Ian nodded, remembering the fortune Julius Cameron had gouged out of him in order to sign the betrothal agreement. “And so,” she admitted, uneasily studying the azure-blue sky with feigned absorption, “I sent him a note after you left itemizing all the repairs that were needed at the house. I told him it was in poor condition and absolutely in need of complete redecoration.” “And?” “And I told him you would consider paying a fair price for the house, but not one shilling more, because it needed all that.” “And?” Ian prodded. “He has agreed to sell it for that figure.” Ian’s mirth exploded in shouts of laughter. Snatching her into his arms, he waited until he could finally catch his breath, then he tipped her face up to his. “Elizabeth,” he said tenderly, “if you change your mind about marrying me, promise me you’ll never represent the opposition at the bargaining table. I swear to God, I’d be lost.” The temptation to kiss her was almost overwhelming, but the Townsende coach with its ducal crest was in the drive, and he had no idea where their chaperones might be. Elizabeth noticed the coach, too, and started toward the house. "About the gowns," she said, stopping suddenly and looking up at him with an intensely earnest expression on her beautiful face. "I meant to thank you for your generosity as soon as you arrived, but I was so happy to-that is-" She realized she'd been about to blurt out that she was happy to see him, and she was so flustered by having admitted aloud what she hadn't admitted to herself that she completely lost her thought. "Go on," Ian invited in a husky voice. "You were so happy to see me that you-" "I forgot," she admitted lamely.

The Sea-Child Into the world you sent her, mother, Fashioned her body of coral and foam, Combed a wave in her hair's warm smother, And drove her away from home In the dark of the night she crept to the town And under a doorway she laid her down, The little blue child in the foam-fringed gown. And never a sister and never a brother To hear her call, to answer her cry. Her face shone out from her hair's warm smother Like a moonkin up in the sky. She sold her corals; she sold her foam; Her rainbow heart like a singing shell Broke in her body: she crept back home. Peace, go back to the world, my daughter, Daughter, go back to the darkling land; There is nothing here but sad sea water, And a handful of sifting sand.

At the end of its eight-minute journey from the sun, light passes through the stained glass of St Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into ‘Virgin Mary blue’, ‘blood of Christ red’, ‘Gethsemane green’, and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements and a guru.

At the end of its eight-minute journey from the sun, light passes through the stained glass of St. Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into “Virgin Mary blue,” “blood of Christ red,” “Gethsemane green,” and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements, and a guru.

Getting dressed was complicated. She did not want to raise her parents’ suspicions, but she wanted to look nice on her wedding day. While Emily waited, Lisbeth spent considerable time sorting through her gowns. In addition to wanting an attractive dress, she needed one that she could remove herself. She did not know if someone would be available to help her undress. She did not allow herself to think about where or with whom she would be undressing that night, but she would have to get used to dressing herself in the future. Her new life was beginning today. Eventually she chose a Swiss dot with a light-blue background and bright-blue dots that buttoned down the front. It was not particularly tight in the bodice, so she could wear a corset that laced on the side

Many of the gifts were for me. There were jewels and gowns and furs and paintings--- done on ice canvases that made everything bleed together far more than watercolors---and a strange, empty box with a base of some sort of pale velvet that the faerie claimed would sprout white roses with diamonds in them if left outside at midday, and blue roses with rubies if left outside at midnight. There were other nonsensical presents along these lines, including a saddle of shapeless grey leather that would allow me to ride the mountain fog, though no explanation was given as to why I should wish to do this. The only presents I truly appreciated came in the form of ice cream, which the Hidden Ones are obsessed with and cover with sea salt and nectar from their winter flowers.

There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?

Nothing could have appealed more strongly to Miss Wantage's youthful taste, so as soon as she had changed the chip-straw hat for an Angouleme bonnet of white thread-net trimmed with lace, she sallied forth once more with Mr. Ringwood, tripping beside him with all the assurance of one who knew herself to be dressed in the pink of fashion. The Angouleme bonnet most becomingly framed her face; she had taken great pains to comb her curls into modish ringlets; and if the figured muslin gown was less dashing than a certain pomona green silk which Mr. Ringwood had assured her, in some agitation, Sherry wouldn't like at all, no fault could be found with her little blue kid shoes, or her expensive gloves and ridicule, or with the sophisticated sun-shade which she carried to the imminent danger of the passers-by.

Letter from Town: The Almond Tree" You promised to send me some violets. Did you forget? White ones and blue ones from under the orchard hedge? Sweet dark purple, and white ones mixed for a pledge Of our early love that hardly has opened yet. Here there’s an almond tree—you have never seen Such a one in the north—it flowers on the street, and I stand Every day by the fence to look up for the flowers that expand At rest in the blue, and wonder at what they mean. Under the almond tree, the happy lands Provence, Japan, and Italy repose, And passing feet are chatter and clapping of those Who play around us, country girls clapping their hands. You, my love, the foremost, in a flowered gown, All your unbearable tenderness, you with the laughter Startled upon your eyes now so wide with hereafter, You with loose hands of abandonment hanging down.

Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.

In ten minutes Peg had returned with a bundle of stuff. She washed her mistress's rat-tails at the stand, and then tucked her back into freshly laundered sheets. Enticing pattern books and journals lay across the coverlet. To Peg's satisfaction, her mistress began to leaf through The Lady's Magazine. "Your hair has a natural wave." Peg snipped at the ends with the scissors from her chatelaine, curling them into charming spirals. "Would you care for this style?" She held up an illustration of the "Grecian Manner", and deftly wound a bandeau of blue ribbon around her mistress's crown and temple. When Mrs. Croxon lifted the mirror, her face softened. She turned her head from left to right, admiring her reflection. "Now see that ribbon. That is the color you must have for your new gowns. Forget-me-not, and that pistachio color, they are all fashion. Forget those paces and daffodils.

A blue preacher flew toward the swamp, in slow motion. On the leafy banks, an old Chinese poet, hunched in the white gown of his wings, was waiting. The water was the kind of dark silk that has silver lines shot through it when it is touched by the wind or is splashed upward, in a small, quick flower, by the life beneath it. The preacher made his difficult landing, his skirts up around his knees. The poet's eyes flared, just as poet's eyes are said to do when a poet is awakened from the forest of meditation. It was summer. It was only a few moments past sun's rising, which meant the whole day lay before them. They greeted each other, rumpling their gowns for an instant, and then smoothing them. They entered the water, and instantly two more herons - equally as beautiful - joined them and stood just beneath them in the black, polished water where they fished all day. "Some Herons" by Mary Oliver

We look amazing," I repeated, as if I could make up for our brother's rudeness. And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed. The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.

The princess found herself being gently prodded and pushed and combed and magicked, and her hair felt weird. When she was spun around to face the mirror again, she was in a yellow dress, waves of sunshine spilling down from her bodice to her toes. Her shoulders were bare, which was a little strange, but they were pale and perfect and delicate. 'Swanlike,' she could hear the minstrel saying. Her hair was loosely braided over one shoulder, a yellow ribbon tying it off. The fairies gasped. "You are 'sooooo' beautiful!" Even 'more' beautiful!" "Can it be possible?" "Look at 'this'," a fairy commanded. With a serious look and a wave of her wand, she transformed the princess again. This time her hair was piled high on her head in an elegant chignon, a simple ribbon holding it back. A light blue dress puffed out around her softly, like a cloud. The finest gloves she had ever worn covered her bare arms up to her shoulders. Funny little tinkling shoes felt chilly on her feet. She put her hands on the skirt and twisted this way and that; what a dress to dance in! She would look like a fairy herself. Or a bride.

I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna. He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind. "When will I see you again, my Lord?" He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye." "Even on earth?" He nods. "Especially there. It is a unique place. Even the gods pray to take birth there." "Why that, my Lord?" He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine. "One quest always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion." "Will I get lost in this illusion, my Lord?" "Of course. It is to be expected. You will be lost for a long time.

I am here because I worked too hard and too long not to be here. But although I told the university that I would walk across the stage to take my diploma, I won’t. At age fifty-seven, I’m too damned old, and I’d look ridiculous in this crowd. From where I’m standing in the back of the hall, I can see that I am at least two decades older than most of the parents of these kids in their black caps and gowns. So I’ll graduate with this class, but I won’t walk across the stage and collect my diploma with them; I’ll have the school send it to my house. I only want to hear my name called. I’ll imagine what the rest would have been like. When you’ve had a life like mine, you learn to do that, to imagine the good things. The ceremony is about to begin. It’s a warm June day and a hallway of glass doors leading to the parking lot are open, the dignitaries march onto the stage, a janitor slams the doors shut, one after the other. That banging sound. It’s Christmas Day 1961 and three Waterbury cops are throwing their bulk against our sorely overmatched front door. They are wearing their long woolen blue coats and white gloves and they swear at the cold. They’ve finally come for us, in the dead of night, to take us away, just as our mother said they would.

There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

Six Significant Landscapes" I An old man sits In the shadow of a pine tree In China. He sees larkspur, Blue and white, At the edge of the shadow, Move in the wind. His beard moves in the wind. The pine tree moves in the wind. Thus water flows Over weeds. II The night is of the colour Of a woman's arm: Night, the female, Obscure, Fragrant and supple, Conceals herself. A pool shines, Like a bracelet Shaken in a dance. III I measure myself Against a tall tree. I find that I am much taller, For I reach right up to the sun, With my eye; And I reach to the shore of the sea With my ear. Nevertheless, I dislike The way ants crawl In and out of my shadow. IV When my dream was near the moon, The white folds of its gown Filled with yellow light. The soles of its feet Grew red. Its hair filled With certain blue crystallizations From stars, Not far off. V Not all the knives of the lamp-posts, Nor the chisels of the long streets, Nor the mallets of the domes And high towers, Can carve What one star can carve, Shining through the grape-leaves. VI Rationalists, wearing square hats, Think, in square rooms, Looking at the floor, Looking at the ceiling. They confine themselves To right-angled triangles. If they tried rhomboids, Cones, waving lines, ellipses -- As, for example, the ellipse of the half-moon -- Rationalists would wear sombreros.

You have only hours until you go from palace servant to the future queen of Aurelais. Many will not take the news well, particularly not the blue-blooded young ladies who will resent the prince for rebuffing them for you." Cinderella thought of her stepsisters, who'd reveled for years in tormenting her. "I can handle it." When she did not elaborate, Genevieve appraised her. "When Charles declares that you are to be the princess of Aurelais, all attention will be on you. This is the first impression everyone will have of you. "You have natural grace, which most princesses take decades to learn, but it won't be enough. Nothing would ever be enough, even if you had been born royal." The duchess lifted Cinderella's chin so their eyes were level. "In my time, we stood by the three P's. I thought it was a bunch of hogwash, but I'll impart it to you anyway. It was essential that a princess be poised, pleasant, and-" "Pretty?" Cinderella guessed. "Presentable," corrected the duchess. "That's what all the wigs and powder and rouge were for. Nowadays, women are more after the natural look. Which, I suppose, isn't a problem for you." She hummed approvingly. "Now, what color gown should you like to wear tonight?" "Something blue," replied Cinderella thoughtfully. "It was my mother's favorite color, and I wish with all my heart she could have met Charles and seen us together." "That's a beautiful thought, Cindergirl.

It had been years since he'd seen a woman handle a crowd of admirers so deftly- not since Lily in her gambling days. Fascinated, he wondered where the hell she had come from. He knew about all the new arrivals in London, and he'd never seen her before. She must be some diplomat's wife, or some exclusive courtesan. Her lips were red and pouting, her pale white shoulders enticingly bare above the blue velvet of her gown. She laughed frequently, tossing her head back in a way that caused her chestnut curls to dance. Like the other men present, Derek was captivated by her figure, the luscious round breasts, the tiny waist, all revealed by a well-fitted gown that was unlike the shapeless Grecian styles of the other women. "A toast to the loveliest bosom in London!" Lord Bromley, a rakish ne'er-do-well, exclaimed. Titillated and excited, the crowd raised their glasses with a cheer. Waiters rushed to bring more liquor. "Miss," one of them begged, "I entreat you to cast my dice for me." "Whatever good luck I have is yours," she assured him, and shook the dice in the box so vigorously that her breasts quivered beneath their shallow covering. The temperature in the room escalated rapidly as a host of admiring sighs greeted the display. Derek decided to intervene before the crowd's mood became too highly charged. Either the vixen didn't realize the lust she was inciting, or she was doing it deliberately. Either way, he wanted to meet her.

THERE WERE BANKS of candles flickering in the distance and clouds of incense thickening the air with holiness and stinging his eyes, and high above him, as if it had always been there but was only now seen for what it was (like a face in the leaves of a tree or a bear among the stars), there was the Mystery Itself whose gown was the incense and the candles a dusting of gold at the hem. There were winged creatures shouting back and forth the way excited children shout to each other when dusk calls them home, and the whole vast, reeking place started to shake beneath his feet like a wagon going over cobbles, and he cried out, “O God, I am done for! I am foul of mouth and the member of a foul-mouthed race. With my own two eyes I have seen him. I’m a goner and sunk.” Then one of the winged things touched his mouth with fire and said, “There, it will be all right now,” and the Mystery Itself said, “Who will it be?” and with charred lips he said, “Me,” and Mystery said “GO.” Mystery said, “Go give the deaf Hell till you’re blue in the face and go show the blind Heaven till you drop in your tracks because they’d sooner eat ground glass than swallow the bitter pill that puts roses in the cheeks and a gleam in the eye. Go do it.” Isaiah said, “Do it till when?” Mystery said, “Till Hell freezes over.” Mystery said, “Do it till the cows come home.” And that is what a prophet does for a living, and, starting from the year that King Uzziah died when he saw and heard all these things, Isaiah went and did it.

VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,

As we walked back into the hallway, Patrick held on to Diana’s hand. He was reluctant to let her go and gazed up at her with open adoration. I wish I could have taken another picture of that touching moment. With the royal staff clustering around, that was impossible. Diana seemed equally hesitant to say good-bye and bent down to squeeze Patrick tightly as we left. To Patrick that afternoon, Diana was truly a fairy-tale princess. Is it possible to imagine how her own sons felt about her? I was tremendously proud of Patrick for being so poised and polite, so natural all afternoon. “God bless him,” I thought. “If he ever had to be on his best behavior, it was today, when it mattered so very much.” I was also feeling blissful, really floating on air, after our long and private visit with Diana and Charles. It was hard to believe that they had spent so much time with us that afternoon and later were heading to the White House to spend the evening with President and Mrs. Reagan and lots of celebrities. The often-seen photograph of Diana in a midnight blue evening gown dancing with John Travolta was taken that night. On the taxi ride back to our hotel, we saw Diana and Charles’s limousine and security escort crossing an intersection in the distance. Our taxi driver explained to us that many streets in Washington were blocked off that day due to the important state visit of the Prince and Princess of Wales. Patrick, Adrienne, and I didn’t say a word. We just smiled and kept our visit a secret among ourselves. We all flew home later that afternoon.

I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.

Your turn. A thought for a thought. He pressed a kiss to my stomach, right over my navel. 'Have I told you about the first time you winnowed and tackled me into the snow?' I smacked his shoulder, the muscle beneath hard as stone. 'That's your thought for a thought?' He smiled against my stomach, his fingers still exploring, coaxing. 'You tackled me like an Illyrian. Perfect form, a direct hit. But then you lay on top of me, panting. All I wanted to do was get us both naked.' 'Why am I not surprised?' Yet I threaded my fingers through his hair. The fabric of my dressing gown was barely more than cobwebs between us as he huffed a laugh onto my belly. I hadn't bothered putting on anything beneath. 'You drove me out of my mind. All those months. I still don't quite believe I get to have this. Have you.' My throat tightened. That was the thought he wanted to trade, needed to share. 'I wanted you, even Under the Mountain,' I said softly. 'I chalked it up to those horrible circumstances, but after we killed her, when I couldn't tell anyone how I felt- about how truly bad things were, I still told you. I've always been able to talk to you. I think my heart knew you were mine long before I ever realised it.' His eyes gleamed, and he buried his face between my breasts again, hands caressing my back. 'I love you,' he breathed. 'More than life, more than my territory, more than my crown.' I knew. He'd given up that life to reforge the Cauldron, the fabric of the world itself, so I might survive. I hadn't had it in me to be furious with him about it afterward, or in the months since. He'd lived- it was a gift I would never stop being grateful for. And in the end, though, we'd saved each other. All of us had. I kissed the top of his head. 'I love you,' I whispered onto his blue-black hair.

The tailor sidled forward, his long, multi-joined fingers caressing the dress form closest to me. "Ah, yes," he said. "Beautiful, isn't it? The color of storms and oceans, or so we've been told. This dress," he continued, "belonged to Magdalena. She was beautiful- the way you mortals reckon, anyhow- beautiful, but stupid. Oh ho, we had fun with this one, we did, but we used her up too soon. Her fire died, leaving us cold and dark." The dress form beneath the gown was tall and well-formed, the bosom and hips generous, the waist tiny. The dress, a robe à la française, was made from a deep, jewel-toned blue silk, and I could imagine the dramatic coloring of the woman who had worn it: pale skin, dark hair, and blue eyes to match her gown. A breathless beauty, a glittering jewel, and I imagined the Goblin King partaking of her loveliness over and over again, biting the sweet peaches of her cheeks until she was gone. "And this one," Thistle chimed in, pointing to another dress form, "belonged to Maria Emmanuel. Prissy, she was. Refused to do her duty by her lord. She was consecrated to someone else- a carpenter? Something like that. Don't know what the king saw in her, but they were both possessed of a strange devotion to a figure nailed to a wooden cross. She lasted the longest, this prudish nun, not having given herself to king and land, and during her rule, our kingdom suffered. Yet she lasted the longest for that, although she too died in the end, pining for the world above she could see but not touch." This dress form was slim, the gown that hung on it made of an austere gray wool. I could imagine the woman who wore this dress- a pious creature, veiled like a bride of Christ. No beauty, but her eyes would be a clear, luminous gray, shining with the fervor of her passion and faith. Not like Magdalena, whose loveliness would have been carnal and earthly; Maria Emmanuel would have glowed with an inner light, the beauty of a saint or a martyr. The Goblin King was a man of varied tastes, it seemed.

Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And

And what is the popular color for gowns this Season?” he asked with a smile when it became necessary to announce himself. She gave a little start, and when she raised her face to look up at him, her cheeks were pink, her eyes wide. She looked, for lack of a better comparison, like a child caught doing something she oughtn’t. “Oh! Hello, Grey.” She glanced away. “Um, blue seems to be very favorable this year.” Arching a brow, he nodded at the periodical in her hand. “Beg pardon. I thought you were reading a ladies’ magazine.” “I am,” she replied with a coy smile. “But fashion is not one of its main areas of interest.” With an expression like hers-very much like the Cheshire cat in that book by Lewis Carroll-he doubted it was an article on housekeeping that put such becoming color in her cheeks. “May I?” he asked, holding out his hand. Her grip on the magazine tightened, reluctant to give it up. “Only if you promise not to tell Mama you saw me reading it.” Oh, this was trouble. Still, it was none of his business what a grown woman of three and twenty read. He was curious, that was all. “I promise.” She hesitated, then put the pages into his hand. Placing his fingers between the thin sheaves to mark her spot, Grey flipped to the cover. Christ on a pony! The magazine looked fairly harmless-the sketch on the front showed a demure young lady in a stylish gown and hat, sitting on a park bench. Only upon closer inspection could one notice that the object of her attention-and rapturous smile-was the young man bathing in the lake just on the edge of the page. He was bare-chested-quite possibly bare everywhere, but that key part of anatomy was carefully hidden with a line of text that read, “Ten ways to keep a gentleman at home-and in bed.” He didn’t want to see what she was reading. He had heard of this magazine before. Voluptuous was a racy publication for women, filled with erotic stories, advice, and articles about sexual relationships, how to conduct oneself to avoid scandal, etc. He could take her to task for reading it, but what would be the point? No doubt the information in it would serve her wisely someday. He gave the magazine back to her. “I have to confess, I’m a little surprised to find you reading such…material.” She shrugged. “I was curious. My parents were so happy in their marriage, so very much the opposite of most of what I’ve heard. If I’m to make a match as good as theirs, I need to know as much as I can about how to have a satisfying marriage.” Grey almost groaned. The image of Rose “satisfying” herself filled his mind with such clarity it was difficult to remember he’d never actually seen such a delightful sight. His body stiffened at the delectable images his mind conjured, and he had to fold his hands in front of him to hide his growing arousal.

Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.

The Blue One will live to see the Caterpillar rut everything they walk on—seacliff buckwheat cleared, relentless ice plant to replace it, the wild fields bisected by the scenic highway, canyons covered with cul-de-sacs, gas stations, comfortable homes, the whole habitat along this coastal stretch endangered, everything, everyone, everywhere in it danger as well— but now they're logging the one stilling hawk Smith sights, the conspiring grasses' shh shhhh ssh, the coreopsis Mattoni's boot barely spares, and, netted, a solitary blue butterfly. Smith ahead of him chasing the stream, Mattoni wonders if he plans to swim again. Just like that the spell breaks. It's years later, Mattoni lecturing on his struggling butterfly. How fragile. • If his daughter spooled out the fabric she's chosen for her wedding gown, raw taffeta, burled, a bright hued tan, perhaps Mattoni would remember how those dunes looked from a distance, the fabric, balanced between her arms, making valleys in the valley, the fan above her mimicking the breeze. He and his friend loved everything softly undulating under the coyest wind, and the rough truth as they walked through the land's scratch and scrabble and no one was there, then, besides Mattoni and his friend, walking along Dolan's Creek, in that part of California they hated to share. The ocean, a mile or so off, anything but passive so that even there, in the canyon, they sometimes heard it smack and pull well-braced rocks. The breeze, basic: salty, bitter, sour, sweet. Smith trying to identify the scent, tearing leaves of manzanita, yelling: "This is it. Here! This is it!" his hand to his nose, his eyes, having finally seen the source of his pleasure, alive. • In the lab, after the accident, he remembered it, the butterfly. How good a swimmer Smith had been, how rough the currents there at Half Moon Bay, his friend alone with reel and rod—Mattoni back at school early that year, his summer finished too soon— then all of them together in the sneaker wave, and before that the ridge, congregations of pinking blossoms, and one of them bowing, scaring up the living, the frail and flighty beast too beautiful to never be pinned, those nights Mattoni worked without his friend, he remembered too. He called the butterfly Smith's Blue

spectacle of Dorothy Thompson at Madison Square Garden — tall, fair, blue-eyed, and laughing in her evening gown at twenty-two thousand “little men” — was not a thing to be forgotten.

When someone you love dies, your life starts over. Right then, that moment, nothing is ever the same again. A blue sky, a snowstorm, the taste of cake, the feel of your own skin. Nothing.

Quattro" Only for a piece of broken glass I will be there waiting For it Always Taken to another place Where I see it happen Bear witness to a spectacular Spectacle One day we'll be up as gods on high That praise the beats of undeniable bliss And kiss the stars of harmony gone blind But all of this could be averted All of this could be unearthed We could go get gowns, spread loss And force invisible lines and flaws Take our time, and hurry up to die Save it all or try, try, try To be free, to be us To be something real to us Catered affairs, daytime nightmares Standing on chairs three nights straight County fairs, I said "who cares?" And what he wears ain't that great Freight train antics, slick camera tricks Forty licks and I'm alright Late night comics, black and white flicks White trash hicks on TV tonight, alright Living with weak CD compilations Driving downtown again Pop culture confrontations Eye rolling people spend Forgotten dates, old dinner plates Rush the gates and we'll let you in What she hates is how he waits And fifty states are wrong again Limousine got no time for you Limousine got no time for you Dollar bills soaked up red wine for you Dollar bills soaked up red, white and blue Living with weak CD compilations Driving downtown again Pop culture confrontations Eye rolling people spend Forgotten dates, old dinner plates Rush the gates and we'll let you in What she hates is how he waits And fifty states are wrong again