Bleed In Training Quotes

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When she came to her senses again she cut off all contact with him. It had not been easy, but she had steeled herself. The last time she saw him she was standing on a platform in the tunnelbana at Gamla Stan and he was sitting in the train on his way downtown. She had stared at him for a whole minute and decided that she did not have a grain of feeling left, because it would have been the same as bleeding to death. Fuck you.
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
The more you sweat in training, the less you bleed in combat.
Richard Marcinko (Rogue Warrior)
He who sweats more in training bleeds less in battle.
George S. Patton Jr.
Never mind that I totally knew more about fighting vampires than my peace-loving parents. Or that Logan's girlfriend, Isabeau, had given us two full-grown, trained Rottweilers to protect us, plus the Drakes sent their human bodyguards by a couple of times a night. I named them Van Helsing and Gandhi. The dogs, not the bodyguards." "Chapter 1 Lucy, page 15
Alyxandra Harvey (Bleeding Hearts (Drake Chronicles, #4))
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You cannot fight time itself, slay the minutes and hours with your blade, wipe the bleeding seconds on your shirt. Time cannot be fought.
Cressida Cowell (How to Steal a Dragon's Sword (How to Train Your Dragon, #9))
The more you sweat in training, the less you bleed in battle.
Gavin Aung Than (Zen Pencils: Cartoon Quotes from Inspirational Folks (Volume 1))
Coltaine rattles slow across the burning land. The wind howls through the bones of his hate-ridden command. Coltaine leads a chain of dogs ever snapping at his hand. Coltaine`s fist bleeds the journey home along rivers of red-soaked sand. His train howls through his bones in spiteful reprimand. Coltaine leads a chain of dogs ever snapping at his hand.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
A warrior who sweats more in training bleeds less in war.
Sariah Wilson (A Tribute of Fire (The Eye of the Goddess, #1))
Two years ago," she says, "I was afraid of spiders, suffocation, walls that inch slowly inward and trap you between them,getting thrown out of Dauntless, uncontrollable bleeding, getting run over by a train, my father's death,public humiliation, and kidnapping by men without faces." Everyone stares blankly at her. "Most of you will have anywhere from ten to fifteen years in your fear landscapes. That is the average number," she says. "What's the lowest number someone has gotten?" asks Lynn. "In recent years," says Lauren, "four." I have not looked at Tobias since we were in the cafeteria,but I can't help but look at him now. He keeps his eyes trained on the floor. I knew that four was a low number, low enough to merit a nickname,but I didn't know it was less than half the average. I glare at my feet.He's exceptional. And now he won't even look at me.
Veronica Roth (Divergent (Divergent, #1))
I hurt her. Though a little scratch means nothing to the girl who’s used to bleeding, it means everything to me. Killing is what I do. Killing and hurting are what I was trained to do, created to do, controlled to do. But not with her.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
With a shock, the trooper who had arrived to render aid to his fallen comrade recognized the one whose life was now bleeding out inside his armor. They had trained together. Shared meals, stories, experiences together. Now they were sharing death together.
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
You cannot fight Time itself, slay the minutes and the hours with your blade, nor wipe the bleeding seconds on your shirt. Time cannot be fought.
Cressida Cowell (How to Steal a Dragon's Sword (How to Train Your Dragon, #9))
Let's not forget Chicago. There have been tons of attacks on Chicago Transit Authority buses and trains. The head of the CTA said riders should be more aware of their surroundings. More blaming the victim. Maybe the riders need some pamphlets on how not to anger the rioters.
Colin Flaherty (White Girl Bleed a Lot: The Return of Race Riots to America)
I had seen that once before, bleeding water. A little baby I worked on as a resident in training. That poor kid had been shot as well—his father had blasted away the top of his head with a shotgun—and we couldn't begin to stop the bloodletting in that case. "Looking pretty thin down here," I hollered when the stuff coming out his wounds was no more than pink salt water. That baby's heart stopped, started, stopped and started a dozen times before it finally gave up the ghost and we pronounced him. I could have read a newspaper through the watery stuff coming out his veins by then.
Edison McDaniels (Juicing Out)
I stand perfectly still. Every inch of my skin is taut with tension, fraught with feeling and the pressure is building in my chest, pounding louder and faster and harder, overcompensating for my stillness. I do not tremble when I’m frozen in time. I train my breaths to come slower, I count things that do not exist, I make up numbers I do not have, I pretend time is a broken hourglass bleeding seconds through sand. I dare to believe. I dare to hope....
Tahereh Mafi (Shatter Me (Shatter Me, #1))
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
Joseph Heller (Catch-22)
Cranial bleeding Leeches train the living Cursed are those who speak its name Ruse of metacarpi Caveat emptor To all that enter here
Cedric Bixler-Zavala
Now this idea, arriving complete. Arriving like a long overdue engine pulling a train of many splendid cars.
Stephen King (If It Bleeds)
one who sweats more in training bleeds less in war.’ And I liked his line ‘high victory is made in those early morning hours when no one’s watching and while everyone else is sleeping.
Robin S. Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
Jule believed that the more you sweat in practice, the less you bleed in battle. She believed that the best way to avoid having your heart broken was to pretend you don't have one. She believed that the way you speak is often more important than anything you have to say. She also believed in action movies, weight training, the power of makeup, memorization, equal rights, and the idea that YouTube videos can teach you a million things you won't learn in college.
E. Lockhart (Genuine Fraud)
It was uphill work for a foreigner, lame or sound, to make his way with the Bleeding Hearts. In the first place, they were vaguely persuaded that every foreigner had a knife about him; in the second, they held it to be a sound constitutional national axiom that he ought to go home to his own country. They never thought of inquiring how many of their own countrymen would be returned upon their hands from divers parts of the world, if the principle were generally recognised; they considered it particularly and peculiarly British. In the third place, they had a notion that it was a sort of Divine visitation upon a foreigner that he was not an Englishman, and that all kinds of calamities happened to his country because it did things that England did not, and did not do things that England did. In this belief, to be sure, they had long been carefully trained by the Barnacles and Stiltstalkings, who were always proclaiming to them, officially, that no country which failed to submit itself to those two large families could possibly hope to be under the protection of Providence; and who, when they believed it, disparaged them in private as the most prejudiced people under the sun.
Charles Dickens (Little Dorrit)
He had this look on his face of shock, of hurt. I wanted to say to her, It’s no good, you won’t be able to help him now, but then I realized she wasn’t trying to stop the bleeding. She was making sure. Twisting the corkscrew in, farther and farther, ripping into his throat, and all the time she was talking to him softly, softly. I couldn’t hear what she was saying.
Paula Hawkins (The Girl on the Train)
Well, it’s not swollen,” he stated, rewrapping the bandage, “or bleeding or leaking, so I think it’s okay.” “I know. I’m training to be a nurse,” I replied. “Thanks though.” “Explains the curiosity and attitude.” “What?” I snapped. “I’m a trainee paramedic.” “Oh.” I looked away, chewing my lower lip. “Right.” “There’s a sense of rivalry between Emergency Medical Technicians, paramedics, and nurses—I don’t know the reason behind it.” “I know.
Shaye Evans (Rescued (The Salvaged Series Book 1))
They [the dying in hospitals] did not blow up in mid-air like Kraft or the dead man in Yossarian's tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. […] They didn't take it out on the lam weirdly inside a cloud the way Clevinger had done. They didn't explode into blood and clotted matter. They didn't drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn't get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, bludgeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don't business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain't. There were no famines or floods. Children didn't suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn't stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh! accelerating at the rate of thirty-two feet per second to land with hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hair strawberry ice cream, bleeding, pink toes awry
Joseph Heller (Catch-22)
Do our possessions mourn us? Do electric sheep dream of Roy Batter? Will my coat, riddled with holes, remember the rich hours of our companionship? Asleep on buses from Vienna to Prague, nights at the opera, walks by the sea, the grave of Swinburne in the Isle of Wight, the arcades of Paris, the caverns of Luray, the cafés of Buenos Aires. Human experience bound in its threats. How many poems bleeding from its ragged sleeves? I averted my eyes just for a moment, drawn by another coat that was warmer and softer, but that I did not love. Why is it that we lose the things we love, and things cavalier cling to us and will be the measure of our worth after we're gone?
Patti Smith (M Train)
When you feel tempted to judge yourself by the way you look rather than what you do; that is the way of the contemporary Male. A sad state of “looks before performance” is plaguing the world. If you think looks trump performance, ask the last girl you slept with. Skinny jeans, androgynous bodies and limp character populate Our World. I ask you, “What would Conan do?” Conan wouldn’t stand by and let others determine his attitude. He wouldn’t mope around like a sad, pathetic dog when things don’t go his way. And he sure as hell doesn’t tuck tail when defeated. Stand up and show the world who you are and what you can do. Bleed success. Eat. Sleep. Mate. Defend. – Jim Wendler
Jim Wendler (5/3/1: The Simplest and Most Effective Training System for Raw Strength)
My gaze met Dougal’s as he also looked down at the hideous wound. His lips moved, mouthing soundlessly over the man’s head the words, “Can he live?” I shook my head mutely. He paused for a moment, holding Geordie, then reached forward and deliberately untied the emergency tourniquet I had placed around the man’s thigh. He looked at me, challenging me to protest, but I made no move save a small nod. I could staunch the bleeding, and allow the man to be transported by litter back to the castle. Back to the castle, there to linger in increasing agony as the belly wound festered, until the corruption spread far enough finally to kill him, wallowing perhaps for days in long-drawn-out pain. A better death, perhaps, was what Dougal was giving him—to die cleanly under the sky, his heart’s blood staining the same leaves, dyed by the blood of the beast that killed him. I crawled over the damp leaves to Geordie’s head, and took half his weight on my own arm. “It will be better soon,” I said, and my voice was steady, as it always was, as it had been trained to be. “The pain will be better soon.
Diana Gabaldon (Outlander (Outlander, #1))
Your mother told you," he states flatly. "Yeah," I snap. "She told me." "She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you." His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face. He catches my hand, squeezes the wrist tight. "Jacinda-" "I don't believe you. You gave me your word. Five weeks-" "Five weeks was too long. I couldn't leave you for that long without checking on you." "Because you're a liar," I assert. His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you." "Try," I repeat. His jaw clenches. "I can. I can stop them." After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you." He inhales deeply, his broad chest lifting high. "Well. I can't have that." "Then you'll go? Leave me alone?" Hope stirs. He shakes his head. "I didn't say that." "Of course not," I sneer. "What do you mean then?" Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay." His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around." "I won't!" His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms. I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will." In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that. “What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-" "Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first." His words flow through me like a chill wind. "But your father-" "My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
Sophie Jordan (Firelight (Firelight, #1))
Once there was a boy. When the boy was 6 years old, his father gave him a falcon to train. Falcons are raptors - killing birds, his father told him, the Shadowhunters of the sky. The falcon didn't like the boy, and he didn't like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with his beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn't know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to train. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was ment to be easier to tame. He leard the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was ment to keep the bird blind, but he couldn't bring himself to do it - instead he tryed to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that the beak cut his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if it had to consume his blood to make that happen. He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and land on his wrist, he nearly shouted with delight. Sometimes the bird would hop to his sholder and but its beak in his hair. He knew his falcon loved him, and when he was certain that it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. Instead his father took the bird, now tame and trusting, in his hands, and broke its neck. 'I told you to make him obedient,' his father said, and dropped the falcon's lifeless body to the ground. "Instead, you taught it to love you. Falcons are not ment to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.' Later, when his father left him, the boy cried over his pet, until his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he'd learned: That to love is to destroy, and to be loved is to be the one destroyed.
Jace City of Bones
But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm. So much for the natural relation between the sexes. But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life. They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
Marilyn French (The Women's Room)
Now when I say “I,” it seems hollow to me. I can’t manage to feel myself very well, I am so forgotten. The only real thing left in me is existence which feels it exists. I yawn, lengthily. No one. Antoine Roquentin exists for on one. That amuses me. And just what is Antoine Roquentin? An abstraction. A pale reflection of myself wavers in my consciousness. Antoine Roquentin . . . and suddenly the “I” pales, pales, and fades out. Lucid, forlorn, consciousness is walled-up; it perpetuates itself. Nobody lives there any more. A little while ago someone said “me,” said my consciousness. Who? Outside there were streets, alive with known smells and colours. Now nothing is left but anonymous walls, anonymous consciousness. That is what there is: walls, and between the walls, a small transparency, alive and impersonal. Consciousness exists as a tree, as a blade of grass. It slumbers, it grows bored. Small fugitive presences populate it like birds in the branches. Populate it and disappear. Consciousness forgotten, forsaken between these walls, under this grey sky. And here is the sense of its existence: it is conscious of being superfluous. It dilutes, scatters itself, tries to lose itself on the brown wall, along the lamp post or down there in the evening mist. But it never forgets itself. That is its lot. There is a stifled voice which tells it: “The train leaves in two hours,” and there is the consciousness of this voice. There is also consciousness of a face. It passes slowly, full of blood, spattered, and its bulging eyes weep. It is not between the walls, it is nowhere. It vanishes; a bent body with a bleeding face replaces it, walks slowly away, seems to stop at each step, never stops. There is a consciousness of this body walking slowly in a dark street. It walks but it gets no further away. The dark street does not end, it loses itself in nothingness. It is not between the walls, it is nowhere. And there is consciousness of a stifled voice which says: “The Self-Taught Man is wandering through the city.” Not the same city, not between these toneless walls, the Self-Taught Man walks in a city where he is not forgotten.
Jean-Paul Sartre (Nausea)
Upon hearing them, Eloise turns as well. Paul watches as she stares at them, and he wonders what she’s thinking: if she sees love or a letdown; salvation or inconvenience. Reaching down, she gathers up the train of her dress and begins trudging up to them, working her way across the broad swath of grass. He stays behind for a moment, and as his sisters and his mother vanish behind the abbey’s arches and spires he stares upward, past his blinding hangover, to a point in the distance that he can’t quite grasp. A bit of infinity where blue bleeds to white, where absence and hope collide. He thinks of the beautiful, gut-wrenching future awaiting them, and the claw marks they’ve left in everything they’ve given up. He thinks of all the times they’ve faced the world on two steady feet, and all the times he knows it will knock them over to the ground. Mostly, though, he thinks—he forces himself to think—that for today, at least for today, they’ll all be okay.
Grant Ginder (The People We Hate at the Wedding)
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
Thomas Pynchon (Against the Day)
The girls have him wrapped around their pinkies. They bleed him mercilessly, squeeze him dry. And he loves it. Thinks that girls should be able to con the shirt off their daddies. He says that trains them to be proper wives.” —Celia, Atlanta, GA
Merry Bloch Jones (I Love Him, But . . .)
Only in christanity that people that fall remain on the ground. When boxers are knocked down they refuse to remain on the ground or to accept a knock out. Even when they are bleeding with swollen faces, they still get up to fight but in Christianity even a push, not even a blow, Boxers gets up, wrestlers jumps up, Christians lie down. Do you know why? They do not fight a good fight, they expect to lose before they enter the ring. Every good fighter is an enduring person, they do excercise and training, they learn the act of endurance. You can't be a good Christian without an amour which is the word of God.
Patience Johnson (Why Does an Orderly God Allow Disorder)
You fight like you train. Train hard to fight easy. The more you sweat in training, the less you bleed in combat. Any one of these will serve you well, but remember if you fight like you train, you’d better train the right way.
U.S. Concealed Carry Association (The 7 Things You Must Know Before You Draw Your Gun - What You Must Know Before You Carry Concealed)
It's barely 8:00 a.m., but my train mates waste little time in breaking out the picnic material. But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy three more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
By blood-sealed covenant by prophetic utterances and figures, and by prescriptions for sacrificial worship, God tried to prepare His people to expect a Redeemer who would have to bleed and die. But they wanted only a glorious conqueror with a universal and endless reign. Even when Jesus appeared to the Eleven, who had received two and one-half years of special training and instruction, He found them confused and wondering. As a doctrine, Christ crucified is central to Christian life. In practice, is there not much insistence on a comfortable Christ, a Christ without wounds? (Easter Tuesday)
The Maryknoll Fathers (DAILY MISSAL OF THE MYSTICAL BODY)
I bleed salsa,
Iain Rob Wright (Hell Train (The Cursed Manuscripts, #3))
The more you sweat in training, the less you bleed in war.
David Robinson (The Substance of Leadership: A Practical Framework for Effectively Leading a High-Performing Team)
The more you sweat in peace, the less you bleed in battle. Go harder in training.
Julie Fournier (Daily Wisdom: 365 Days of Motivational Thoughts, Quotes, and Stories)
The more you sweat in training, the less you bleed in combat, an army instructor once told me, and I’ve never forgotten the lesson.
Barry Eisler (Redemption Games (John Rain #4))
Good,” Coal said tersely. Space. He needed space and fresh air that wasn’t spiked with Lera’s scent. “You should move downwind from Czar. Your mare—” “Yes, River said as much.” She put one hand on her hip. “Are you four going to go crazy when I bleed too?” Coal’s nostrils flared, smelling the female for hidden injury as his eyes surveyed her face, her body—her full chest and curves that the tight leather pants and belted tunic did nothing to hide. They all seemed all right. Lera certainly had been fully healthy when they trained this morning, her warm body pressing against every inch of Coal’s until he was uncertain which of the two of them was in greater discomfort. If she was bleeding— “Not now, you idiot.” Lera rolled her eyes, her thick braid swinging against her back. “I mean, when I . . . go into heat.” Blood rushed to Coal’s face. “I . . . I don’t . . .” He had little notion of how often such things happened to humans. Glancing around for reinforcements, he found himself alone except for Tye, who’d plainly heard the question and was backing away before Coal could pull the bastard into the conversation. “You are aware that such things happen, right?” Lera said. “No. Yes.” Czar danced beneath him again. Surrendering what little dignity he still had, Coal raised his face and bellowed for Kora, who had the decency to keep her face straight while listening to the problem. Once Coal was done speaking, however . . . The laughter bubbling from Kora’s chest started as a series of small, choked sounds, escalating to a full-chested howl before she could gather control over herself, her hands on her thighs. “Plainly”—she turned to Lera, whose own attempt at holding in her laughter was losing ground by the moment—“the answer is yes, they will go crazed whenever your cycle starts—seeing as how they can’t even speak of it without turning red enough to signal their whereabouts to enemy troops.
Alex Lidell (Mistake of Magic (Power of Five, #2))
(Errour's Den) This is the wandring wood, this Errours den, A monster vile, whom God and man does hate: Therefore I read beware. Fly fly (quoth then The fearefull Dwarfe:) this is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made “A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, eachone Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. [The monster] Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto your force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. ... Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. ... Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse. Her scattred brood, soone as their Parent deare They saw so rudely falling to the ground, Groning full deadly, all with troublous feare, Gathred themselues about her body round, Weening their wonted entrance to haue found At her wide mouth: but being there withstood They flocked all about her bleeding wound, And sucked vp their dying mothers blood, Making her death their life, and eke her hurt their good.
Edmund Spenser (The Faerie Queene)
The Emergency First Aid at Work Course is a specialised training programme offered by various first aid training providers. This course is designed to equip individuals with the essential skills and knowledge needed to perform emergency first aid in a workplace setting. The training typically covers a range of critical topics, such as managing an unresponsive casualty, CPR (Cardiopulmonary Resuscitation), dealing with bleeding and shock, and handling specific workplace hazards.
Emergency First Aid Work Course
As he clicked on report after report, Titus couldn’t help but feel like he was a character in an old Twilight Zone episode. A man cursed to forever miss a departing train by just a few minutes. That was what policing a small town felt like some days. You were always a day late and a dollar short. You stood there over a broken body covered in bruises or a wrecked car that reeked of whiskey, with your broom and your dustpan and a mouthful of regret. Just a janitor tasked with picking up the pieces of someone’s broken life.
S.A. Cosby (All the Sinners Bleed)
While traders might have seen what was coming, it appeared that the general public did not. O’Neill saw a gap in the market in early 2000. A giant gap. The price of gas options was cheap—too cheap to account for what was apparently coming down the road. In other words, the insurance policies against a sudden price spike were not as expensive as they ought to have been. So O’Neill started snapping up the options and holding on to them, knowing that they would become more valuable. As usual, he wasn’t just making a bet that prices were going to go up. He was primarily betting that markets were about to become more volatile. He built up a large position with his natural gas options and underliers that was “long volatility,” meaning that he bet volatility would increase. He assumed that the positions would provide a good return for Koch Industries. He was wrong. He grossly underestimated the riches that the coming volatility was about to deliver. Senior executives in Koch Supply & Trading realized that they could no longer pay their traders like engineers. There was a competition for talent, and too many well-trained people were bleeding off the Koch trading floor. There was one person who seemed to resist big paydays for the traders: Charles Koch. The business failures of the 1990s impressed on Charles Koch the need for humility among his workforce. The thinking went that it was the high-flying ambition and loose planning that led to many of the business losses at Purina Mills.
Christopher Leonard (Kochland: The Secret History of Koch Industries and Corporate Power in America)
What happened to you? Why are you bleeding?” “Training,” he said stiffly. “Don’t change the subject. Why aren’t you working?” Suddenly, I didn’t care so much that he was injured. In fact, I kind of felt like hurting him myself. “Since we're not slaves, we're taking a break to eat. Look, two plates and everything,” I said, showing him that I was, in fact, eating my own food and not sharing Carrion’s.
Callie Hart (Quicksilver (Fae & Alchemy, #1))
IRVING Lat. 69° 37′ 42″ N., Long. 98° 40′ 58″ W. 24 April, 1848 Except for the fact that John Irving was sick and half-starving and his gums were bleeding and he feared that two of his side teeth were loose and he was so tired that he was afraid he would collapse in his tracks at any moment, this was one of the happiest days of his life. All this day and the previous day, he and George Henry Hodgson, old friends from the gunnery training ship Excellent before this expedition, had been in charge of teams of men doing some hunting and honest-to-God exploring. For the first time in this accursed expedition’s three years of sitting around and freezing, Third Lieutenant John Irving was a true explorer.
Dan Simmons (The Terror)
one who sweats more in training bleeds less in war.’ And
Robin S. Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
strengthens you to train with it on. A warrior who sweats more in training bleeds less in war.
Sariah Wilson (A Tribute of Fire (The Eye of the Goddess, #1))
Uh, hello hello! Uhm, for today's lesson we will be continuing our training on proper suit handling technique. When using an animatronic as a suit, please ensure that the animatronic parts are tightly compressed and fastened, by the spring lock located around inside of the suit. It may take a few moments, position your head and torso between these parts, in a manner where you can move and speak. Try not to nudge or press against ANY of the spring locks inside the suit. Do not touch the spring lock at any time. Do not breathe on a spring lock, as moisture may loosen them, and cause them to break loose. In case that the spring lock comes loose while wearing the suit, please try to maneuver away from populated areas, before bleeding out, as to not ruin the customer experience. As always, if there is ever an emergency, please go to the designated safe room. Every location is filled with 1 extra room, that is not included in the digital map layout programmed for the animatronics or security systems. This room is hidden to customers and animatronics, and is always off camera. As always, remember to smile, as you are the face of Freddy Fazbear's Pizza.
Andrew Mills (Five Nights at Freddy's 3 Ultimate Strategy Guide, Walkthrough, Secrets, Tips and Tricks)
neurosurgeon. I graduated from the University of North Carolina at Chapel Hill in 1976 with a major in chemistry and earned my M.D. at Duke University Medical School in 1980. During my eleven years of medical school and residency training at Duke as well as Massachusetts General Hospital and Harvard, I focused on neuroendocrinology, the study of the interactions between the nervous system and the endocrine system—the series of glands that release the hormones that direct most of your body’s activities. I also spent two of those eleven years investigating how blood vessels in one area of the brain react pathologically when there is bleeding into it from an aneurysm—a syndrome known as cerebral vasospasm. After completing a fellowship in cerebrovascular neurosurgery in Newcastle-Upon-Tyne in the United Kingdom, I spent fifteen years on the faculty of Harvard Medical School as an associate professor of surgery, with a specialization in neurosurgery. During those years I operated on countless patients, many of them with severe, life-threatening brain conditions.
Eben Alexander (Proof of Heaven: A Neurosurgeon's Journey into the Afterlife)
Bleed success. Eat. Sleep. Mate. Defend. – Jim Wendler
Jim Wendler (5/3/1: The Simplest and Most Effective Training System for Raw Strength)
What You Pray Toward “The orgasm has replaced the cross as the focus of longing and the image of fulfillment.” —Malcolm Muggeridge, 1966 I. Hubbie 1 used to get wholly pissed when I made myself come. I’m right here!, he’d sputter, blood popping to the surface of his fuzzed cheeks, goddamn it, I’m right here! By that time, I was in no mood to discuss the myriad merits of my pointer, or to jam the brakes on the express train slicing through my blood, It was easier to suffer the practiced professorial huff, the hissed invectives and the cold old shoulder, liver-dotted, quaking with rage. Shall we pause to bless professors and codgers and their bellowed, unquestioned ownership of things? I was sneaking time with my own body. I know I signed something over, but it wasn’t that. II. No matter how I angle this history, it’s weird, so let’s just say Bringing Up Baby was on the telly and suddenly my lips pressing against the couch cushions felt spectacular and I thought wow this is strange, what the hell, I’m 30 years old, am I dying down there is this the feel, does the cunt go to heaven first, ooh, snapped river, ooh shimmy I had never had it never knew, oh i clamored and lurched beneath my little succession of boys I cried writhed hissed, ooh wee, suffered their flat lapping and machine-gun diddling their insistent c’mon girl c’mon until I memorized the blueprint for drawing blood from their shoulders, until there was nothing left but the self-satisfied liquidy snore of he who has rocked she, he who has made she weep with script. But this, oh Cary, gee Katherine, hallelujah Baby, the fur do fly, all gush and kaboom on the wind. III. Don’t hate me because I am multiple, hurtling. As long as there is still skin on the pad of my finger, as long as I’m awake, as long as my (new) husband’s mouth holds out, I am the spinner, the unbridled, the bellowing freak. When I have emptied him, he leans back, coos, edges me along, keeps wondering count. He falls to his knees in front of it, marvels at my yelps and carousing spine, stares unflinching as I bleed spittle unto the pillows. He has married a witness. My body bucks, slave to its selfish engine, and love is the dim miracle of these little deaths, fracturing, speeding for the surface. IV. We know the record. As it taunts us, we have giggled, considered stopwatches, little laboratories. Somewhere beneath the suffering clean, swathed in eyes and silver, she came 134 times in one hour. I imagine wires holding her tight, her throat a rattling window. Searching scrubbed places for her name, I find only reams of numbers. I ask the quietest of them: V. Are we God?
Patricia Smith (Teahouse of the Almighty)
This Blue Coat’s woman?” he demanded, gesturing toward Lily. Caleb shook his head. “She’s her own woman. Just ask her.” Lily’s heart was jammed into her throat. She had an urge to go for the rifle again, but this time it was Caleb she wanted to shoot. “He lies,” she said quickly, trying to make sign language. “I am too his woman!” The Indian looked back at his followers, and they all laughed. Lily thought she saw a hint of a grin curve Caleb’s lips as well but decided she must have imagined it. “You trade woman for two horses?” Caleb lifted one hand to his chin, considering. “Maybe. I’ve got to be honest with you. She’s a lot of trouble, this woman.” Lily’s terror was exceeded only by her wrath. “Caleb!” The Indian squinted at Lily and then made an abrupt, peevish gesture with the fingers of one hand. “He wants you to get down from the buggy so he can have a good look at you,” Caleb said quietly. “I don’t care what he wants,” Lily replied, folding her trembling hands in her lap and squaring her shoulders. The Indian shouted something. “He’s losing his patience,” Caleb warned, quite unnecessarily. Lily scrambled down from the buggy and stood a few feet from it while the Indian rode around her several times on his pony, making thoughtful grunting noises. Annoyance was beginning to overrule Lily’s better judgment. “This is my land,” she blurted out all of a sudden, “and I’m inviting you and your friends to get off it! Right now!” The Indian reined in his pony, staring at Lily in amazement. “You heard me!” she said, advancing on him, her hands poised on her hips. At that, Caleb came up behind her, and his arms closed around her like the sides of a giant manacle. His breath rushed past her ear. “Shut up!” Lily subsided, watching rage gather in the Indians’ faces like clouds in a stormy sky. “Caleb,” she said, “you’ve got to save me.” “Save you? If they raise their offer to three horses, you’ll be braiding your hair and wearing buckskin by nightfall.” The Indians were consulting with one another, casting occasional measuring glances in Lily’s direction. She was feeling desperate again. “All right, then, but remember, if I go, your child goes with me.” “You said you were bleeding.” Lily’s face colored. “You needn’t be so explicit. And I lied.” “Two horses,” Caleb bid in a cheerful, ringing voice. The Indians looked interested. “I’ll marry you!” Lily added breathlessly. “Promise?” “I promise.” “When?” “At Christmas.” “Not good enough.” “Next month, then.” “Today.” Lily assessed the Indians again, imagined herself carrying firewood for miles, doing wash in a stream, battling fleas in a tepee, being dragged to a pallet by a brave. “Today,” Lily conceded. The man in the best calico shirt rode forward again. “No trade,” he said angrily. “Blue Coat right—woman much trouble!” Caleb laughed. “Much, much trouble,” he agreed. “This Indian land,” the savage further insisted. With that, he gave a blood-curdling shriek, and he and his friends bolted off toward the hillside again. Lily turned to face Caleb. “I lied,” she said bluntly. “I have no intention of marrying you.” He brought his nose within an inch of hers. “You’re going back on your word?” “Yes,” Lily answered, turning away to climb back into the buggy. “I was trying to save myself. I would have said anything.” Caleb caught her by the arm and wrenched her around to face him. “And there’s no baby?” Lily lowered her eyes. “There’s no baby.” “I should have taken the two horses when they were offered to me,” Caleb grumbled, practically hurling her into the buggy. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Not long ago, I attended a gathering with a congregation other than my own, and I thought my ears were going to bleed. The moment the preservice music began, the congregation collectively shuddered and stood cringing under the instrumental blast for the next thirty minutes, until the sermon began. We hoped that the volume would modulate downward after the sermon, but it didn’t. The preacher left the platform and the onslaught continued. I couldn’t resist the temptation to pull out my iPhone and use an app to check the sound levels. While the app surely isn’t the most accurate measurement, it measured sustained levels well over 110 decibels, which can be damage-inducing. (By contrast, our sound engineers at Sojourn are trained to keep sustained volume at about 90 decibels or below, at which they have varied levels of success.) The irony of this, of course, is that I was in a traditional service, and the instrument in question was a roaring pipe organ.
Mike Cosper (Rhythms of Grace: How the Church's Worship Tells the Story of the Gospel)
This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.
Steve Edwards
Some instinct told Steven who the ladies’ man was even before Chloe spoke. “You’ve been so curious about Mr. Fairfax, Fulton,” she said, in an idle tone. “Here he is.” The banker. Steven got to his feet, not as a gesture of courtesy, but so the man couldn’t look down on him. “Fulton Whitney,” the banker said by way of introduction. His tone was grudging. Steven didn’t put out his hand, or speak. He was wondering what kind of polecat would cozy up to a woman like Emma, then spend a sunny April morning rolling in the sheets with a couple of floozies. Whitney cleared his throat and shifted awkwardly on his feet, while Chloe left the sofa where she’d been sitting, her fan still fluttering. “I’d better see how things are going downstairs,” she said, and then she was gone. “So you’ll be leaving now, I suppose,” the banker said, breaking the strained silence. “I don’t imagine a man like you cares to stay in one place too long.” Steven folded his arms. “Until just a few minutes ago, I figured on riding out,” he answered. “Now I’m not so sure.” Color blossomed in Whitney’s pasty cheeks. “What possible reason could you have to stay?” “Just one. Her name is Emma.” The banker stared at him with undisguised contempt, and Steven figured he must look pretty seedy, all things considered. It had been days since he’d shaved, and two months since he’d had a haircut. “You aren’t good enough to lick her shoes.” Steven indulged in a slow, obnoxious smile. “Let me understand this,” he drawled. “I’m not good enough for Emma, but you, her fiancé, just crawled out of bed with two whores?” Again, Whitney’s face flooded with blustery color. “I don’t have to explain anything to you,” he rasped. And then he started to walk away. Steven was possessed of a rage nobody but Macon had been able to arouse in him before. He grasped the banker by the arm, whirled him around, and threw his fist into the middle of the bastard’s face. Fulton gave a startled yelp as he struck the wall, then slowly slid down it, one hand to his bleeding mouth. “Now,” Steven said calmly, “we know exactly where we stand, you and I.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
It would be so simple, Harry thought, his mind flickering back across the years to another op. In Europe. A train station just like this one. So simple to just raise his hand, the suppressed pistol concealed within his coat. Fire a single shot, walk on without stopping, without even pausing to give the cameras something to work with. Leave your target to bleed out. He’d done it before
Stephen England (Embrace the Fire (Shadow Warriors #3))
liked the part where The Spellbinder talked about the Spartan warrior credo that says, ‘one who sweats more in training bleeds less in war.’ And I liked his line ‘high victory is made in those early morning hours when no one’s watching and while everyone else is sleeping.’ His teachings on the value of a world-class morning routine were great.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
I might have traded my skates for suits and swapped out weight training for film review, but make no mistake—my heart will forever bleed Indy Speed red and black.
Siena Trap (A Bunny for the Bench Boss (Indy Speed Hockey, #1))
Sweat more in training, bleed less in war,
Jonathan Yanez (Forsaken Assassin: A Near Future Thriller (Jack Voss Book 1))
Misfortunes leave wounds which bleed drop by drop even in sleep; thus little by little they train man by force and dispose him to wisdom in spite of himself. Man must learn to think of himself as a limited and dependent being; and only suffering teaches him this. --La Source Grecque, pt. 1, ch. 2 (1953).
Carol A. Dingle (Memorable Quotations: Simone Weil)
The Mexican War did two good things though. We got a lot of western land, damn near doubled our size, and besides that it was a training ground for generals, so that when the sad self-murder settled on us the leaders knew the techniques for making it properly horrible. And then the arguments: Can you keep a slave? Well if you bought him in good faith, why not? Next they’ll be saying a man can’t have a horse. Who is it wants to take my property? And there we were, like a man scratching at his own face and bleeding into his own beard. Well, that was over and we got slowly up off the bloody ground and started westward. There came boom and bust, bankruptcy, depression. Great public thieves came along and picked the pockets of everyone who had a pocket. To hell with that rotten century! Let’s get it over and the door closed shut on it! Let’s close it like a book and go on reading! New chapter, new life. A man will have clean hands once we get the lid slammed shut on that stinking century. It’s a fair thing ahead. There’s no rot on this clean new hundred years. It’s not stacked, and any bastard who deals seconds from this new deck of years—why, we’ll crucify him head down over a privy. Oh, but strawberries will never taste so good again and the thighs of women have lost their clutch!
John Steinbeck (East of Eden)
Marks … I’m afraid I’m not going to be able to find your spectacles in this wreckage.” “I have another pair at home,” she ventured. “Thank God.” Leo sat up with a quiet grunt of discomfort. “Now, if we stand on the highest pile of debris, it’s only a short distance to the surface. I’m going to hoist you up, get you out of here, and then you’re going to ride back to Ramsay House. Cam trained the horse, so you won’t need to guide him. He’ll find his way back home with no trouble.” “What are you going to do?” she asked, bewildered. He sounded rather sheepish. “I’m afraid I’m going to have to wait here until you send someone for me.” “Why?” “I have a—” He paused, searching for a word. “Splinter.” She felt indignant. “You’re going to make me ride back alone and unescorted and virtually blind, to send someone to rescue you? All because you have a splinter?” “A large one,” he volunteered. “Where is it? Your finger? Your hand? Maybe I can help to … Oh, God. ” This last as he took her hand and brought it to his shoulder. His shirt was wet with blood, and a thick shard of timber protruded from his shoulder. “That’s not a splinter,” she said in horror. “You’ve been impaled. What can I do? Shall I pull it out?” “No, it might be lodged against an artery. And I wouldn’t care to bleed out down here.” She crawled closer to him, bringing her face close to his to examine him anxiously... “Don’t worry,” he murmured. “It looks worse than it is.” But Catherine didn’t agree. If anything, it was worse than it looked... Stripping off her riding coat, she tried to lay it over his chest. “What are you doing?” he asked. “Trying to keep you warm.” Leo plucked the garment off his chest and made a scoffing sound. “Don’t be ridiculous. First, the injury isn’t that bad. Second, this tiny thing is not capable of keeping any part of me warm. Now, about my plan—” “It is obviously a significant injury,” she said, “and I do not agree to your plan. I have a better one.” “Of course you do,” he replied sardonically. “Marks, for once would you do as I ask?” “No, I’m not going to leave you here. I’m going to pile up enough debris for both of us to climb out.” “You can’t even see, damn it. And you can’t move these timbers and stones. You’re too small.” “There is no need to make derogatory remarks about my stature,” she said, lurching upward and squinting at her surroundings. Identifying the highest pile of debris, she made her way to it and hunted for nearby rocks. “I’m not being derogatory.” He sounded exasperated. “Your stature is absolutely perfect for my favorite activity. But you’re not built for hauling rocks. Blast it, Marks, you’re going to hurt yourself—” “Stay there,” Catherine said sharply, hearing him push some heavy object aside. “You’ll worsen your injury, and then it will be even more difficult to get you out. Let me do the work.” Finding a heap of ashlar blocks, she picked one up and lugged it up the pile, trying not to trip over her own skirts. “You’re not strong enough,” Leo said, sounding aggravated and out of breath. “What I lack in physical strength,” she replied, going for another block, “I make up for in determination.” “How inspiring. Could we set aside the heroic fortitude for one bloody moment and dredge up some common sense?” “I’m not going to argue with you, my lord. I need to save my breath for”—she paused to heft another block—“stacking rocks.” Somewhere amid the ordeal, Leo decided hazily that he would never underestimate Catherine Marks again. Ounce for ounce, she was the most insanely obstinate person he had ever known, dragging rocks and debris while half blind and hampered by long skirts, diligently crossing back and forth across his vision like an industrious mole. She had decided to build a mound upon which they could climb out, and nothing would stop her.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Mary wasn’t the only one who’d gone around the bend in the last few weeks. Or had Larry always been this way, determinedly unconscious of the deadly results of his “harmless” schemes? Maybe they were all like that, the presidents and chairmen and commanding generals who sat in their fancy offices and gave orders to “engage targets” or “cut the work force.” They never saw the suffering, bleeding bodies those orders affected.
Elizabeth Peters (Night Train to Memphis (Vicky Bliss, #5))
As Iyanla Vanzant said to Oprah, “… until you heal the wounds of your past, you will continue to bleed. You can bandage the bleeding with food, with alcohol, with drugs, with work, with cigarettes, with sex; but eventually, it will all ooze through and stain your life. You must find the strength to open the wounds, stick your hands inside, pull out the core of the pain that is holding you in your past, the memories, and make peace with them.
Jay Shetty (Think Like a Monk: Train Your Mind for Peace and Purpose Everyday)
Morty: Hey, gang, come on! Look it, just `cause we're losing doesn't mean it's all over. Phil: Cut the crap, Morty. I mean, the Mohawks have beaten us the last twelve years, they're gonna beat us again. Tripper: That's just the attitude we don't need. Sure, Mohawk has beaten us twelve years in a row. Sure, they're terrific athletes. They've got the best equipment that money can buy. Hell, every team they're sending over here has their own personal masseuse, not masseur, masseuse. But it doesn't matter. Do you know that every Mohawk competitor has an electrocardiogram, blood and urine tests every 48 hours to see if there's any change in his physical condition? Do you know that they use the most sophisticated training methods from the Soviet Union, East and West Germany, and the newest Olympic power Trinidad-Tobago? But it doesn't matter. It just doesn't matter. IT JUST DOESN'T MATTER. I tell you, IT JUST DOESN'T MATTER! IT JUST DOESN'T MATTER! IT JUST DOESN'T MATTER! The group: IT JUST DOESN'T MATTER! IT JUST DOESN'T MATTER... Tripper: And even, and even if we win, if we win, HAH! Even if we win! Even if we play so far over our heads that our noses bleed for a week to ten days. Even if God in Heaven above comes down and points his hand at our side of the field. Even if every man, woman and child held hands together and prayed for us to win, it just wouldn't matter, because all the really good looking girls would still go out with the guys from Mohawk cause they've got all the money! It just doesn't matter if we win or we lose. IT JUST DOESN'T MATTER!
Bill Murray
Song" Listen: there was a goat’s head hanging by ropes in a tree. All night it hung there and sang. And those who heard it Felt a hurt in their hearts and thought they were hearing The song of a night bird. They sat up in their beds, and then They lay back down again. In the night wind, the goat’s head Swayed back and forth, and from far off it shone faintly The way the moonlight shone on the train track miles away Beside which the goat’s headless body lay. Some boys Had hacked its head off. It was harder work than they had imagined. The goat cried like a man and struggled hard. But they Finished the job. They hung the bleeding head by the school And then ran off into the darkness that seems to hide everything. The head hung in the tree. The body lay by the tracks. The head called to the body. The body to the head. They missed each other. The missing grew large between them, Until it pulled the heart right out of the body, until The drawn heart flew toward the head, flew as a bird flies Back to its cage and the familiar perch from which it trills. Then the heart sang in the head, softly at first and then louder, Sang long and low until the morning light came up over The school and over the tree, and then the singing stopped…. The goat had belonged to a small girl. She named The goat Broken Thorn Sweet Blackberry, named it after The night’s bush of stars, because the goat’s silky hair Was dark as well water, because it had eyes like wild fruit. The girl lived near a high railroad track. At night She heard the trains passing, the sweet sound of the train’s horn Pouring softly over her bed, and each morning she woke To give the bleating goat his pail of warm milk. She sang Him songs about girls with ropes and cooks in boats. She brushed him with a stiff brush. She dreamed daily That he grew bigger, and he did. She thought her dreaming Made it so. But one night the girl didn’t hear the train’s horn, And the next morning she woke to an empty yard. The goat Was gone. Everything looked strange. It was as if a storm Had passed through while she slept, wind and stones, rain Stripping the branches of fruit. She knew that someone Had stolen the goat and that he had come to harm. She called To him. All morning and into the afternoon, she called And called. She walked and walked. In her chest a bad feeling Like the feeling of the stones gouging the soft undersides Of her bare feet. Then somebody found the goat’s body By the high tracks, the flies already filling their soft bottles At the goat’s torn neck. Then somebody found the head Hanging in a tree by the school. They hurried to take These things away so that the girl would not see them. They hurried to raise money to buy the girl another goat. They hurried to find the boys who had done this, to hear Them say it was a joke, a joke, it was nothing but a joke…. But listen: here is the point. The boys thought to have Their fun and be done with it. It was harder work than they Had imagined, this silly sacrifice, but they finished the job, Whistling as they washed their large hands in the dark. What they didn’t know was that the goat’s head was already Singing behind them in the tree. What they didn’t know Was that the goat’s head would go on singing, just for them, Long after the ropes were down, and that they would learn to listen, Pail after pail, stroke after patient stroke. They would Wake in the night thinking they heard the wind in the trees Or a night bird, but their hearts beating harder. There Would be a whistle, a hum, a high murmur, and, at last, a song, The low song a lost boy sings remembering his mother’s call. Not a cruel song, no, no, not cruel at all. This song Is sweet. It is sweet. The heart dies of this sweetness. Brigit Pegeen Kelly, Song. (• BOA Editions; 1st edition 1995)
Brigit Pegeen Kelly (Song)
As Iyanla Vanzant said to Oprah, “… until you heal the wounds of your past, you will continue to bleed. You can bandage the bleeding with food, with alcohol, with drugs, with work, with cigarettes, with sex; but eventually, it will all ooze through and stain your life. You must find the strength to open the wounds, stick your hands inside, pull out the core of the pain that is holding you in your past, the memories, and make peace with them.” Once you’ve unpacked your own bags and you’ve healed yourself (mostly), then you’ll come to relationships ready to give. You won’t be looking to them to solve your problems or fill a hole. Nobody completes you. You’re not half. You don’t have to be perfect, but you have to come to a place of giving. Instead of draining anyone else, you’re nourishing them.
Jay Shetty (Think Like a Monk: Train Your Mind for Peace and Purpose Everyday)
until you heal the wounds of your past, you will continue to bleed. You can bandage the bleeding with food, with alcohol, with drugs, with work, with cigarettes, with sex; but eventually, it will all ooze through and stain your life. You must find the strength to open the wounds, stick your hands inside, pull out the core of the pain that is holding you in your past, the memories, and make peace with them.
Jay Shetty (Think Like a Monk: Train Your Mind for Peace and Purpose Everyday)
Instead, you should focus your energy on things in your control, such as how well you prepare and train because the more you sweat in practice, the less you bleed in battle.
Robert Chu (The Samurai and the Power of 7: Become the Highest Version of Yourself - Live Your Supreme Destiny)
I think that all that time I’d spent accepting the fact that I was already dead made me sort of a walking zombie among the living back home. Every person I looked at I would see as horribly disfigured, shot, maimed, bleeding, and needing my help. In some ways it was worse than being in Iraq, because the feelings were not appropriate to the situation and because I no longer had my buddies around to support me emotionally. I spent a good deal of time heavily dependent on alcohol and drugs, including drugs such as Clonazepam prescribed by well-meaning psychiatrists at the VA, drugs that were extremely addictive and led to a lot of risky behavior. However, I still had a dream of learning how to meditate and entering the spiritual path, a dream that began in college when I was exposed to teachings of Buddhism and yoga, and I realized these were more stable paths to well-being and elevated mood than the short-term effects of drugs. I decided that I wanted to learn meditation from an authentic Asian master, so I went to Japan to train at a traditional Zen monastery, called Sogen-ji, in the city of Okayama. Many people think that being at a Zen monastery must be a peaceful, blissful experience. Yet though I did have many beautiful experiences, the training was somewhat brutal. We meditated for long hours in freezing-cold rooms open to the snowy air of the Japanese winter and were not allowed to wear hats, scarves, socks, or gloves. A senior monk would constantly patrol the meditation hall with a stick, called the keisaku, or “compassion stick,” which was struck over the shoulders of anyone caught slouching or closing their eyes. Zen training would definitely violate the Geneva Conventions. And these were not guided meditations of the sort one finds in the West; I was simply told to sit and watch my breath, and those were the only meditation instructions I ever received. I remember on the third day at the monastery, I really thought my mind was about to snap due to the pain in my legs and the voice in my head that grew incredibly loud and distracting as I tried to meditate. I went to the senior monk and said, “Please, tell me what to do with my mind so I don’t go insane,” and he simply looked at me, said, “No talking,” and shuffled off. Left to my own devices, I was somehow able to find the will to carry on, and after days, weeks, and months of meditation, I indeed had an experience of such profound happiness and expanded awareness that it gave me the faith that meditation was, as a path to enlightenment, everything I had hoped for, everything I had been promised by the books and scriptures.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.
Samuel J Dixey (The Blooming Yard)
The problem is not isolated to Southern Baptist churches; it is rampant. Unbalanced power in the church—caused by strict gender roles and a dearth of women leaders—is widespread and firmly rooted in most evangelical churches. The unsettling irony of complementarians favoring a male-dominated structure for church and society is that Jesus worked against such a structure during his ministry. In the story of the woman who crashed the Pharisee’s dinner party to anoint Jesus, Luke highlights how Jesus reverses the positions of the powerful, religious man and the shamed, sinful woman. He lifts up the faith and worth of the woman and demotes the leader from his position of honor and power. This, of course, was not the only time Jesus set men and women on equal footing. When he delayed a healing request from Jairus to speak and restore dignity to the bleeding woman of faith (Mark 5, Matt 9, Luke 8), Jesus gave a religious, male leader and a poor, female outcast equal attention in the kingdom (and equal access to health care). When he commended Mary as a disciple/rabbi in training (Luke 10), Jesus opened religious education and leadership to women. When he revealed his messianic identity first to the Samaritan woman at the well (John 4, a story we will study later), Jesus confirmed that women have equal access to the truth. When he entrusted the message of the resurrection to Mary Magdalene (John 20), Jesus demonstrated that the gospel message of the kingdom should be preached by women and men. In these and many other teaching moments, Jesus dismantles the idea that men should have the sole claim to authority and leadership in society.
Jennifer Garcia Bashaw (Scapegoats: The Gospel through the Eyes of Victims)
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one who sweats more in training bleeds less in war.
Robin S. Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
The more you sweat in training—” “The less you bleed in war,
Ken Fite (Credible Threat (Blake Jordan, #2))
He who sweats more in training bleeds less in battle.
Spartan motto
When the boy was six years old, his father gave him a falcon to train. Falcons are raptors—killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it—instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and come to his wrist, he nearly shouted with delight. Sometimes the bird would hop to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The last time he’d even been through refresher training was five years ago. “Hate these damn things,” he had remarked to the course instructor. “Always tight in the crotch.
J.Z. Foster (Hell on Mars (Reality Bleed, #1))
When that grenade blew me over the cliff, it probably should have killed me, but the only new injury I had sustained was a broken nose, which I got when I hit the deck semiconscious. To be honest, it hurt like hell, along with my back, and I was bleeding all over my gear. However, I had not been seriously shot, as two of my team had. Axe was holding the tribesmen off, leaning calmly on a rock, firing up the hill, the very picture of an elite warrior in combat. No panic, rock steady, firing accurately, conserving his ammunition, missing nothing. I was close to him in a similar stance, and we were both hitting them pretty good. One guy suddenly jumped up from nowhere a little above us, and I shot him dead, about thirty yards range. But we were trapped again. There were still around eighty of these maniacs coming down at us, and that’s a heck of a lot of enemies. I’m not sure what their casualty rate was, because both Mikey and I estimated Sharmak had thrown 140 men minimum into this fight. Whatever, they were still there, and I was not sure how long Danny could keep going. Mikey worked his way alongside me and said with vintage Murphy humor, “Man, this really sucks.” I turned to face him and told him, “We’re gonna fucking die out here — if we’re not careful.” “I know,” he replied. And the battle raged on. The massed, wild gunfire of a very determined enemy against our more accurate, better-trained response, superior concentration, and war-fighting know-how. Once more, hundreds of bullets were ricocheting around our rocky surroundings. And once more, the Taliban went to the grenades, blasting the terrain around us to pieces. Jammed between rocks, we kept firing, but Danny was in all kinds of trouble, and I was afraid he might lose consciousness.
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
Monsieur, if a doctor walks along the street and an accident happens, does he say, 'I have retired from my profession, I will continue my walk', when there is some one bleeding to death at his feet? If I had been already in Nice, and the police had sent to me and asked me to assist them, I should have refused. But this affair, the good God thrust it upon me.
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
The weirdest thing was that even while leaping, the elephantine reptiloid had such good aim that he hit me. With that minicannon of his, the logical result was that the blast tore off my entire right arm, almost from the shoulder. Normally this wouldn’t have been anything serious—we pozzies don’t feel anything you could properly call pain, and of course there was no risk of bleeding out—but wouldn’t you know it, that was the hand I had been using to hold my maser. I watched my weapon sail through the air, still gripped tight by one of my favorite appendages, and found myself disarmed in every sense of the word while my express train of an enemy continued roaring and waving his armored arms and running me down, too close now to need to fire a second shot.
Yoss (Red Dust)
Some days, I’m still sixteen and burning bridges. I’ve seen a lot of war zones in these past few months, between the edges of your razorblade teeth. I’m waking up to nightmares of still being in love with you, then finding out I wasn’t dreaming at all – I stayed up all last night writing about how I’m over you. It’s funny how my way of being over you is thinking about you every goddamn day. Going through our old letters this morning, I realized “over” shares three letters with “love,” and I blamed the dictionary for still missing you. See, you always had my heart in your clenched fist – I’ve never been fond of your crash-and-burn kind of love, six months of sweet-talking wedding bells and words that sound a lot like forever, then sudden ice ages and statue days. I didn’t know goodbye could be so bitter until you weren’t the one to say it, and I was leaving you for the hope of someone who might actually love me back again. Now I’m hopping trains, running away from the thought of you kissing someone else, and I’ve ended up choking on my splintered blood. They couldn’t love you like I did, could they? Not with the warm bodies and soft words, not with my name smeared across your belly in light lilac bruises. There are days when I’m breaking down your door and stealing back all my love-stained clothing, pressing razorblades into the walls to remind you that there are ways to bleed on the inside and that’s exactly what you did to me There are days when I’m still sixteen and burning bridges.
d.a.s.
A guest chef would come in and shoot five shows in two days. Most had no TV training and little on-camera experience. They were thrown onto the air and did their shows live to tape, no stopping allowed for any reason, even small fires or bleeding.
Allen Salkin (From Scratch: The Uncensored History of the Food Network)