Sensual Pictures And Quotes

Sound has a profound effect on the senses. It can be both herd and felt. It can even be seen with the mind’s eye. It can almost be tasted and smelled. Sound can evoke responses of the five senses. Sound can paint a picture, produce a mood, trigger the senses to remember another time and place. From infancy we hear sound with our entire bodies. When I hear my own name, I have as much a sense of it entering my body through my back or my hand or my chest as through my ears. Sound speaks to the sensorium; the entire system of nerves that stimulates sensual responce.

Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul.

Watching Limelight with my mother really brought home to me the brevity of life. I realized in a little while that I would die and leave everything behind. Unlike vain people, I had the ability to think this right through. I had no difficulty in picturing full theatres and cinemas long after myself was gone. Not everybody can do that. Many are so intoxicated with sensual impressions that they're not able to grasp that there is a world out there. And therefore they're not able to comprehend the opposite either - they don't understand that one day the world will end. We, however, are only a few missing heartbeats away from being divorced from humanity forever.

lips, taking in the sensual curves, wondering how they would feel pressed against mine. “Do I have a shot?” I don’t know what makes me say it. He gives me a wolfish, knowing smile. “I would love to fuck you, but we might never see each other again. I don’t make promises.” I picture us naked in a heated embrace, his powerful body sliding inside me, and my lower body clenches at the thought—even as I cringe. I’m supposed to still be in love with Bennett,

The shapes of letters do not derive their beauty from any sensual or sentimental reminiscences' he wrote. 'No one can say that the O's roundness appeals to us only because it is like that of an apple or a girl's breast or of the full moon. Letters are things, not pictures of things

No physical contact means no sex." "Ever?" Liam didn't like ultimatums. "What if you beg for it?" "I have never begged for sex in my life." A slow, sensual smile spread across his face. "You've never been with me." "I'm not sleeping with you, Liam," she said firmly. "And no developing feelings, either. This is solely a business arrangement. I'll include my terms and conditions when I send you the final plan." She took a picture of the whiteboard and then wiped it clean. "I'll go get Tyler." "Daisy?" She looked back over her shoulder as she reached for the door. "Yes?" "What if I beg?" "I'll throw you a bone.

There's a special madness strikes travellers from the North when they reach the lovely land where the lemon trees grow. We come from countries of cold weather; at home, we are at war with nature but here, ah! you think you've come to the blessed plot where the lion lies down with the lamb. Everything flowers; no harsh wind stirs the voluptuous air. The sun spills fruit for you. And the deathly, sensual lethargy of the sweet South infects the starved brain; it gasps: 'Luxury! more luxury!' But then the snow comes, you cannot escape it, it followed us from Russia as if it ran behind our carriage, and in this dark, bitter city has caught up with us at last, flocking against the windowpanes to mock my father's expectations of perpetual pleasure as the veins in his forehead stand out and throb, his hands shake as he deals the Devil's picture books.

What I like about this place is everything runs so true to type,” I said. “The cop on the gate, the shine on the door, the cigarette and check girls, the fat greasy sensual Jew with the tall stately bored showgirl, the well-dressed, drunk and horribly rude director cursing the barman, the silent guy with the gun, the night club owner with the soft gray hair and the B-picture mannerisms, and now you—the tall dark torcher with the negligent sneer, the husky voice, the hard-boiled vocabulary.

He would examine with minute care, and sometimes with a monstrous and terrible delight, the hideous lines that seared the wrinkling forehead or crawled around the heavy sensual mouth, wondering sometimes which were the more horrible, the signs of sin or the signs of age.

Afraid I do not care for modern art,” Mr. Baynes said. “I like the old prewar cubists and abstractionists. I like a picture to mean something, not merely to represent the ideal.” He turned away. “But that’s the task of art,” Lotze said. “To advance the spirituality of man, over the sensual. Your abstract art represented a period of spiritual decadence, of spiritual chaos, due to the disintegration of society, the old plutocracy. The Jewish and capitalist millionaires, the international set that supported the decadent art. Those times are over; art has to go on—it can’t stay still.

Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.

Humiecki and Graef asked Laudamiel to create a perfume that captures the state of ‘how men cry’—eruptive and sensual. Pictures from Slavic culture, as well as how they deal with melancholia and happiness served as inspiration [sic]. The result is a perfume that combines raw eruption, sensual strength, melancholic warmth and deep mysticism.

Men who talked grossly became silent when Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the memory of the innocence that they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensual.

Trump did not enjoy his own inauguration. He had hoped for a big blowout. Tom Barrack, the would-be showman—in addition to Michael Jackson’s Neverland Ranch, he had bought Miramax Pictures from Disney with the actor Rob Lowe—may have declined the chief of staff job, but, as part of his shadow involvement with his friend’s White House, he stepped up to raise the money for the inaugural and to create an event that—seemingly quite at odds with the new president’s character, and with Steve Bannon’s wish for a no-frills populist inauguration—he promised would have a “soft sensuality” and “poetic cadence.” But Trump, imploring friends to use their influence to nail some of the A-level stars who were snubbing the event, started to get angry and hurt that stars were determined to embarrass him.

When we have traversed it, and look back from Albano, its dark, undulating surface lies below us like a stagnant lake, or like a broad, dull Lethe flowing round the walls of Rome, and separating it from all the world!  How often have the Legions, in triumphant march, gone glittering across that purple waste, so silent and unpeopled now!  How often has the train of captives looked, with sinking hearts, upon the distant city, and beheld its population pouring out, to hail the return of their conqueror!  What riot, sensuality and murder, have run mad in the vast palaces now heaps of brick and shattered marble!  What glare of fires, and roar of popular tumult, and wail of pestilence and famine, have come sweeping over the wild plain where nothing is now heard but the wind, and where the solitary lizards gambol unmolested in the sun!

Is it true it takes thirteen months for a female to carry and give birth?” “Minimum.” He said it with such casual dismissal that Bella laughed. “That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face. His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm. “I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat. “Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon. “You.” Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on. “Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station. “Because I cannot seem to help myself, lovely little Bella.

Hegel was paradoxically not idealist enough to imagine the reign of abstraction in art. That is to say, in the same way that, in the domain of economy, he wasn’t able to discern the self-mediating Notion which structures the economic reality of production, distribution, exchange, and consumption, he wasn’t able to discern the Notional content of a painting which mediates and regulates its form (shapes, colours) at a level which is more basic than the content represented (pictured) by a painting—“abstract painting” mediates/reflects sensuality at a non-representational level.

Hegel would be more satisfied with you. The dominant part of your face is the brow, which instantly tells everyone about your intelligence." "Logic like that infuriates me," said Olga sharply. "It tries to show that a human being's physiognomy is imprinted on his soul. It's absolute nonsense. I picture my soul with a strong chin and sensual lips, but my chin is small and so is my mouth. If I'd never seen myself in a mirror and had to describe my outside appearance from what I know of the inside of me, the portrait wouldn't look at all like me! I am not at all the person I look like

An exclamation of horror broke from the painter's lips as he saw in the dim light the hideous face on the canvas grinning at him. There was something in its expression that filled him with disgust and loathing. Good heavens! it was Dorian Gray's own face that he was looking at! The horror, whatever it was, had not yet entirely spoiled that marvellous beauty. There was still some gold in the thinning hair and some scarlet on the sensual mouth. The sodden eyes had kept something of the loveliness of the blue, the noble curves had not yet completely passed away from chiselled nostrils and from plastic throat.

The depth to which Indian Muslims had sunk in British eyes is visible in an 1868 production called The People of India, which contains photographs of the different castes and tribes of South Asia ranging from Tibetans and Aboriginals (illustrated with a picture of a naked tribal) to the Doms of Bihar. The image of ‘the Mahomedan’ is illustrated by a picture of an Aligarh labourer who is given the following caption: ‘His features are peculiarly Mahomedan … [and] exemplify in a strong manner the obstinacy, sensuality, ignorance and bigotry of his class. It is hardly possible, perhaps, to conceive features more essentially repulsive.

Yes, in the very beginning of her life the girl-child is full of herself. Her days are meaningful and unfold according to a deep wisdom that resides within her. It faithfully orchestrates her movements from crawling to walking to running, her sounds from garbles to single words to sentences, and her knowing of the world through her sensual connection to it. Her purpose is clear: to live fully in the abundance of her life. With courage, she explores her world. Her ordinary life is interesting enough. Every experience is filled with wonder and awe. It is enough to listen to the rain dance and count the peas on her plate. Ordinary life is her teacher, challenge, and delight. She says a big YES to Life as it pulsates through her body. With excitement, she explores her body. She is unafraid of channeling strong feelings through her. She feels her joy, sadness, anger, and fear. She is pregnant with her own life. She is content to be alone. She touches the depths of her uniqueness. She loves her mind. She expresses her feelings. She likes herself when she looks in the mirror. She trusts her vision of the world and expresses it. With wonder and delight, she paints a picture, creates a dance, and makes up a song. To give expression to what she sees is as natural as her breathing. And when challenged, she is not lost for words. She has a vocabulary to speak about her experience. She speaks from her heart. She voices her truth. She has no fear, no sense that to do it her way is wrong or dangerous. She is a warrior. It takes no effort for her to summon up her courage, to arouse her spirit. With her courage, she solves problems. She is capable of carrying out any task that confronts her. She has everything she needs within the grasp of her mind and imagination. With her spirit, she changes what doesn’t work for her. She says “I don’t like that person” when she doesn’t, and “I like that person” when she does. She says no when she doesn’t want to be hugged. She takes care of herself.

Maybe it was because of his ignorance of music that he had been capable of receiving so confused an impression, the kind of impression that is, however, perhaps the only one which is purely musical, immaterial, entirely original, irreducible to any other order of impression. An impression of this kind is, for an instant, so to speak, sine materia. No doubt the notes we hear then tend already, depending on their loudness and their quantity, to spread out before our eyes over surfaces of varying dimensions, to trace arabesques, to give us sensations of breadth, tenuousness, stability, whimsy. But the notes vanish before these sensations are sufficiently formed in us not to be submerged by those already excited by the succeeding or even simultaneous notes. And this impression would continue to envelop with its liquidity and its “mellowness” the motifs that at times emerge from it, barely discernible, immediately to dive under and disappear, known only by the particular pleasure they give, impossible to describe, to recall, to name, ineffable—if memory, like a laborer working to put down lasting foundations in the midst of the waves, by fabricating for us facsimiles of these fleeting phrases, did not allow us to compare them to those that follow them and to differentiate them. And so, scarcely had the delicious sensation which Swann had felt died away than his memory at once furnished him with a transcription that was summary and temporary but at which he could glance while the piece continued, so that already, when the same impression suddenly returned, it was no longer impossible to grasp. He could picture to himself its extent, its symmetrical groupings, its notation, its expressive value; he had before him this thing which is no longer pure music, which is drawing, architecture, thought, and which allows us to recall the music. This time he had clearly distinguished one phrase rising for a few moments above the waves of sound. It had immediately proposed to him particular sensual pleasures which he had never imagined before hearing it, which he felt could be introduced to him by nothing else, and he had experienced for it something like an unfamiliar love.

It will relax her, make her pliable. Women love having their feet rubbed.” “Most women beg me to rub somewhere other than their feet.” “They like their toes nibbled,” Aiden said. “And suckled.” “Rub feet, suckle toes. Got it.” “Do it slowly, the strokes steady. Then move up her legs. Use her muscles as a guide. Not hard strokes— you want to soothe, not press.” “How long before I can massage her pussy?” “Gods, level threes are impatient. The trick is to go slowly. By the time you’ve reached her ass, she’s sighing with pleasure, but you don’t stop there. You do her entire back and arms while she’s longing for you to get to her pussy. Make her wait.” “Now that I can get into. Holding back, making her beg.” He saw Nella again, squirming on the sheets, her red hair tangled on the pillow, her hips lifting toward him.   Please, Rio, she’d say. Not yet, baby, he’d respond. I want you good and wet before I get there. She’d whimper with disappointment, then he’d lift his strap and smack her sweet little backside. Rio sighed and made the image dissolve. “Massage. Slowly. I’m not sure my programming will let me.” “Like this.” Aiden moved his ale glass and pressed his hand to the table, thumb and last two fingers on the surface, the other two fingers held loosely. “Glide across her skin, pressing a little. Long strokes, following the curve of her leg.” He moved his hand across the table, slowly and sensually, his own eyes becoming bluer, as though he pictured a beautiful woman under his hand. Rio copied his movements, trying to shape his hand the same way, trying press a little, but not too much. It felt awkward. He gave up. “I gotta say, massaging this table does nothing for me.

Birth and death belong equally to life, and hold the balance as mutual conditions of each other, or, if the expression be preferred, as poles of the whole phenomenon of life. The wisest of all mythologies, the Indian, expresses this by giving to the very god who symbolizes —destruction and death (just as Brahma, the most sinful and lowest god of the Trimurti, symbolizes generation, origination, and Vishnu preservation), by giving, I say, to Shiva as an attribute not only the necklace of skulls, but also the lingam, that symbol of generation which appears as the counterpart of death. In this way it is intimated that generation and death are essential correlatives which reciprocally neutralize and eliminate each other. It was precisely the same sentiment that prompted the Greeks and Romans to adorn the costly sarcophagi, just as we still see them, with feasts, dances, marriages, hunts, fights between wild beasts, bacchanalia, that is with presentations of life’s most powerful urge. This they present to us not only through such diversions and merriments, but even in sensual groups, to the point of showing us the sexual intercourse between satyrs and goats. The object was obviously to indicate with the greatest emphasis from the death of the mourned individual the immortal life of nature, and thus to intimate, although without abstract knowledge, that the whole of nature is the phenomenon, and also the fulfilment, of the will-to-live. Now man is nature herself, and indeed nature at the highest grade of her self-consciousness, but nature is only the objectified will-to-live; the person who has grasped and retained this point of view may certainly and justly console himself for his own death and for that of his friends by looking back on the immortal life of nature, which he himself is. Consequently, Shiva with the lingam is to be understood in this way, and so are those ancient sarcophagi that with their pictures of glowing life exclaim to the lamenting beholder: Natura non contristatur (Nature is not grieved.).

Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.

Elizabeth’s breakfast had cured Ian’s hunger, in fact, the idea of ever eating again made his stomach churn as he started for the barn to check on Mayhem’s injury. He was partway there when he saw her off to the left, sitting on the hillside amid the bluebells, her arms wrapped around her knees, her forehead resting atop them. Even with her hair shining like newly minted gold in the sun, she looked like a picture of heartbreaking dejection. He started to turn away and leave her to moody privacy; then, with a sigh of irritation, he changed his mind and started down the hill toward her. A few yards away he realized her shoulders were shaking with sobs, and he frowned in surprise. Obviously there was no point in pretending the meal had been good, so he injected a note of amusement into his voice and said, “I applaud your ingenuity-shooting me yesterday would have been too quick.” Elizabeth started violently at the sound of his voice. Snapping her head up, she stared off to the left, keeping her tear-streaked face averted from him. “Did you want something?” “Dessert?” Ian suggested wryly, leaning slightly forward, trying to see her face. He thought he saw a morose smile touch her lips, and he added, “I thought we could whip up a batch of cream and put it on the biscuit. Afterward we can take whatever is left, mix it with the leftover eggs, and use it to patch the roof.” A teary chuckle escaped her, and she drew a shaky breath but still refused to look at him as she said, “I’m surprised you’re being so pleasant about it.” “There’s no sense crying over burnt bacon.” “I wasn’t crying over that,” she said, feeling sheepish and bewildered. A snowy handkerchief appeared before her face, and Elizabeth accepted it, dabbing at her wet cheeks. “Then why were you crying?” She gazed straight ahead, her eyes focused on the surrounding hills splashed with bluebells and hawthorn, the handkerchief clenched in her hand. “I was crying for my own ineptitude, and for my inability to control my life,” she admitted. The word “ineptitude” startled Ian, and it occurred to him that for the shallow little flirt he supposed her to be she had an exceptionally fine vocabulary. She glanced up at him then, and Ian found himself gazing into a pair of green eyes the amazing color of wet leaves. With tears still sparkling on her long russet lashes, her long hair tied back in a girlish bow, her full breasts thrusting against the bodice of her gown, she was a picture of alluring innocence and intoxicating sensuality. Ian jerked his gaze from her breasts and said abruptly, “I’m going to cut some wood so we’ll have it for a fire tonight. Afterward I’m going to do some fishing for our supper. I trust you’ll find a way to amuse yourself in the meantime.” Startled by his sudden brusqueness, Elizabeth nodded and stood up, dimly aware that he did not offer his hand to assist her.

Language is not unlike art in that words contain values of lights and darks, hues and tonalities, texture and sensuality. Words can paint complex pictures.

The first step in the mental training is to become the master of external things. He who is addicted to worldly pleasures, however learned or ignorant he may be, however high or low his social position may be, is a servant to mere things. He cannot adapt the external world to his own end, but he adapts himself to it. He is constantly employed, ordered, driven by sensual objects. Instead of taking possession of wealth, he is possessed by wealth. Instead of drinking liquors, he is swallowed up by his liquors. Balls and music bid him to run mad. Games and shows order him not to stay at home. Houses, furniture, pictures, watches, chains, hats, bonnets, rings, bracelets, shoes—in short, everything has a word to command him. How can such a person be the master of things? To Ju (Na-kae) says: "There is a great jail, not a jail for criminals, that contains the world in it. Fame, gain, pride, and bigotry form its four walls. Those who are confined in it fall a prey to sorrow and sigh for ever." To

Those captivated by the cult of celebrity do not examine voting records or compare verbal claims with written and published facts and reports. The reality of their world is whatever the latest cable news show, political leader, advertiser, or loan officer says is reality. The illiterate, the semiliterate, and those who live as though they are illiterate are effectively cut off from the past. They live in an eternal present. They do not understand the predatory loan deals that drive them into foreclosure and bankruptcy. They cannot decipher the fine print on the credit card agreements that plunge them into unmanageable debt. They repeat thought-terminating clichés and slogans. They are hostage to the constant jingle and manipulation of a consumer culture. They seek refuge in familiar brands and labels. They eat at fast-food restaurants not only because it is cheap, but also because they can order from pictures rather than from a menu. And those who serve them, also often semiliterate or illiterate, punch in orders on cash registers whose keys are usually marked with pictures. Life is a state of permanent amnesia, a world in search of new forms of escapism and quick, sensual gratification.

One of the herbals I brought home from the library had a fascinating chapter on herbs and their connection to desire. For Elizabethans, a bundle of rosemary helped arrange an assignation, and an apple suggested libidinous intent. I picture Adlai's reaction to a sprig of rosemary left on his counter, or a juicy Fuji. Better yet, a "Florida butterfly" orchid from the swamp, since the same herbal had an entire page on the sensual properties of the orchid. It called the flower female----"open and inviting"----the root, male----"tuberous and reaching"----and the entire plant "hot and moist in operation.

Naomi stretched as she woke with an exaggerated yawn in her own bed. How the hell did I get here? Recollection of the dirty trick the two men played on her the previous night made her sit up abruptly. The sheet fell away and she noticed her clothing of the previous eve gone, replaced with a t-shirt and shorts. “Those dirty, rotten pigs,” she cursed as she swung her legs out of bed and sat on the edge. “You called?” A head topped with tousled hair poked out from around the door frame of the bathroom. Number sixty-nine’s dark eyes twinkled and his lips curled in a sensual smile. Despite her irritation, her body flooded with warmth. “You!” She pointed at him and shot him a dark glare. He grinned wider. “What about me, darling?” “I’m going to kick your balls so hard you’re going to choke on them. How dare you drug me and then do despicable things to my body while I was unconscious?” Stepping forward from the bathroom, he raised his arms in surrender and her eyes couldn’t help drinking in the sight of him. No one should look that delicious, especially in the morning, was her disgruntled thought. Shirtless, Javier’s tight and toned muscles beckoned. Encased in smooth, tanned skin, his muscular torso tapered down to lean hips where his jeans hung, partially unbuttoned and displayed a bulge that grew as she watched. Unbidden heat flooded her cleft and her nipples shriveled so tight she could have drilled holes with them. She forced herself to swallow and look away before she did something stupid— say, like, licking her way down from his flat nipples to the dark vee of hair that disappeared into his pants. “It would take a braver man than me to disobey your mother’s orders. Besides, you needed the sleep,” he added in a placating tone. Scowling, Naomi mentally planned a loud diatribe for her mother. “Let me ask you, how does your head feel now?” His question derailed her for a second, and she paused to realize she actually felt pretty damned good— but now I’m horny and it’s all his friggin’ fault. She dove off the bed and stalked toward him, five foot four feet of annoyed woman craving coffee, a Danish, and him— naked inside her body. The first two she’d handle shortly, the third, she’d make him pay for. He stood his ground as she approached, the idiot. “What did you do to me while I was out?” she growled as she patted her neck looking for a mating mark. “Nothing. Contrary to your belief, snoring women with black and blue faces just don’t do it for me.” His jibe hurt, but not as much as her foot when it connected with his undefended man parts. He ended up bent over, wheezing while Naomi smirked in satisfaction. “That’s for knocking me out. But, if I find out you did anything to me other than dress me, like cop a feel or take nudie pictures, I’m going hurt you a lot worse.” “Has anyone ever told you you’re hot when you’re mad?” said the man with an obvious death wish. Only his speed saved him from her swinging fist as she screeched at him. “Go away. Can’t you tell I’m not interested?” “Liar.” He threw that comment at her from the other side of her bed. “I can smell your arousal, sweetheart. And might I say, I can’t wait to taste it.

All transgressions begin with sinful thinking . . . guard against the pictures of lewdness and sensuality that Satan flashes upon the screen of your imagination, select with care the books you read, choose discerningly the kind of entertainment you attend, the kind of associates with whom you mingle, and the kind of environment in which you place yourself.

In the Sultan Suite   Andy was eagerly awaiting my reappearance. He had nailed as many engaging pictures as he could, and he had done superbly – but I didn’t know that yet.               When I regained position, Lihaar had straddled Aziz’s firmness, and Jabril’s thickness was gyrating within her derriere. The men rocked into her in rhythmic synchronicity while moans of zealous fervencies rose in crescendo from the singer’s throat. Coraline seized the opportunity and plunged her tilting pelvis onto the actress’s face. As if executing a perfect dance the Indian twirled her lecherous tongue into the big sister’s blossoming crevice. Afraid the dark-haired female would evade her pleasure vault, Coraline’s tenacious hands gripped her tightly.               Aziz drove his slithering tongue into Narnia’s wetness, teasing her nether region to groans of rapturous ecstasy. His probing fingers buried deep in her rousing bottom, driving her to bouts of climactic liberations. She shuttered unquenchably to each heaving motion of intimate deliverance. Waves of euphoric ecstasies filled her girlishness. She delivered her youthful exuberance again and again until her heaving breasts laid heavy against the Arab’s muscular chest. After all, I had been taught by great masters of the day – and I was the sorcerer’s apprentice. Therefore, no encouragements were required for me to capture affectionate kisses and private embraces from every bewitching angle. But my task was by no means over. Exotic shots of erotic discharges arrived in the shapely form of Ms. Lihaar riding both phalluses with abandon. Like her little sister Narnia, Coraline had delivered curls of billowing euphoria onto the actress’s face, coating the flawless beauty with dribbling wetness before lapping at her deliverance with sensual jubilations.               The men could no longer withhold their deposits. Sprays of masculinity filled the actress as she milked their pounding manliness to blissful nirvana. Together, my chaperone and I had garnered superlative shots for our patron when we left the Sultan cavern quietly, returning to the Maharajah in pursuit of a saturnalia of unbridled revelry.

grading the tobacco leaves while the piles were on their laps. That reporter ‘spun’ the idea that the cigars were rolled on their thighs. Posters and promotional materials for many cigar companies use this legend to create the sensual picture to sell their cigars. But it is physically impossible to roll a smokeable cigar on your thigh, virgin or not. That said, there is a disagreement

All transgressions begin with sinful thinking... guard against the pictures of lewdness and sensuality that Satan flashes upon the screen of your imagination, select with care the books you read, choose discerningly the kind of entertainment you attend, the kind of associates with whom you mingle, and the kind of environment in which you place yourself.

The First Water is the Body (excerpt) The Colorado River is the most endangered river in the United States—also, it is a part of my body. I carry a river. It is who I am: ‘Aha Makav. This is not metaphor. When a Mojave says, Inyech ‘Aha Makavch ithuum, we are saying our name. We are telling a story of our existence. The river runs through the middle of my body. --- What threatens white people is often dismissed as myth. I have never been true in America. America is my myth. --- When Mojaves say the word for tears, we return to our word for river, as if our river were flowing from our eyes. A great weeping is how you might translate it. Or a river of grief. --- I mean river as a verb. A happening. It is moving within me right now. --- The body is beyond six senses. Is sensual. An ecstatic state of energy, always on the verge of praying, or entering any river of movement. Energy is a moving river moving my moving body. In Mojave thinking, body and land are the same. The words are separated only by the letters ‘ii and ‘a: ‘iimat for body, ‘amat for land. In conversation, we often use a shortened form for each: mat-. Unless you know the context of a conversation, you might not know if we are speaking about our body or our land. You might not know which has been injured, which is remembering, which is alive, which was dreamed, which needs care. You might not know we mean both. --- What is this third point, this place that breaks a surface, if not the deep-cut and crooked bone bed where the Colorado River runs—a one-thousand-four-hundred-and-fifty-mile thirst—into and through a body? Berger called it the pre-verbal. Pre-verbal as in the body when the body was more than body. Before it could name itself body and be limited, bordered by the space body indicated. Pre-verbal is the place where the body was yet a green-blue energy greening, greened and bluing the stone, red and floodwater, the razorback fish, the beetle, and the cottonwoods’ and willows’ shaded shadows. Pre-verbal was when the body was more than a body and possible. One of its possibilities was to hold a river within it. --- If I was created to hold the Colorado River, to carry its rushing inside me, if the very shape of my throat, of my thighs is for wetness, how can I say who I am if the river is gone? --- Where I come from we cleanse ourselves in the river. I mean: The water makes us strong and able to move forward into what is set before us to do with good energy. We cannot live good, we cannot live at all, without water. If your builder could place a small red bird in your chest to beat as your heart, is it so hard for you to picture the blue river hurtling inside the slow muscled curves of my long body? Is it too difficult to believe it is as sacred as a breath or a star or a sidewinder or your own mother or your beloveds? If I could convince you, would our brown bodies and our blue rivers be more loved and less ruined? The Whanganui River in New Zealand now has the same legal rights of a human being. In India, the Ganges and Yamuna Rivers now have the same legal status of a human being. Slovenia’s constitution now declares access to clean drinking water to be a national human right. While in the United States, we are teargassing and rubber-bulleting and kenneling Natives trying to protect their water from pollution and contamination at Standing Rock in North Dakota. We have yet to discover what the effects of lead-contaminated water will be on the children of Flint, Michigan, who have been drinking it for years. America is a land of bad math and science. The Right believes Rapture will save them from the violence they are delivering upon the earth and water; the Left believes technology, the same technology wrecking the earth and water, will save them from the wreckage or help them build a new world on Mars. ---

Nobel Prize–winning physicist Richard Feynman, who also saw and felt things intuitively, noted, “In certain problems that I have done, it was necessary to continue the development of the picture as the method, before the mathematics could really be done.” So much for the myth that scientists think more logically than others. To think creatively is first to feel. The desire to understand must be whipped together with sensual and emotional feelings and blended with intellect to yield imaginative insight.

Once you start looking at the bigger picture, sensuality serves as a compass.

I remember mention of a wall.” His laugh was a sensual promise. “Next time, Feyre, I’ll fuck you against the wall.” “Hard enough to make the pictures fall off.” Rhys barked a laugh. “Show me again what you can do with that wicked mouth.” I obliged him.

In any case the slave is nobler than his modern masters—the bourgeoisie. It is a sign of the inferiority of nineteenth century culture that the man of money should be the object of so much worship and envy. But these business men too are slaves, puppets of routine, victims of busy-ness; they have no time for new ideas; thinking is taboo among them, and the joys of the intellect are beyond their reach. Hence their restless and perpetual search for “happiness,” their great houses which are never homes, their vulgar luxury without taste, their picture-galleries of “originals,” with cost attached, their sensual amusements that dull rather than refresh or stimulate the mind. “Look at these superfluous! They acquire riches and become poorer thereby”; they accept all the restraints of aristocracy without its compensating access to the kingdom of the mind. “See how they climb, these swift apes! They climb over one another, and thus drag themselves into the mud and depths... The stench of shop-keepers, the wriggling of ambition, the evil breath.” There is no use in such men having wealth, for they cannot give it dignity by noble use, by the discriminating patronage of letters or the arts. “Only a man of intellect should hold property”; others think of property as an end in itself, and pursue it more and more recklessly,—look at “the present madness of nations, which desire above all to produce as much as possible, and to be as rich as possible.” At last man becomes a bird of prey: “they live in ambush for one another; they obtain things from each other by lying in wait. That is called by them good neighborliness... They seek the smallest profits out of every sort of rubbish.” “Today, mercantile morality is really nothing but a refinement on piratical morality—buying in the cheapest market and selling in the dearest.” And these men cry out for laissez-faire, to be let alone,—these very men who most need supervision and control.

He tugged on my wet hair. 'We'll have to find a way to put a damper on that light.' 'I can keep the shadows hidden easily enough.' 'Ah, but you only lose control of those when you're pissed. And since I have every intention of making you as happy as a person can be... I have a feeling we'll need to learn to control that wondrous glow.' 'Always thinking; always calculating.' Rhys kissed the corner of my mouth. 'You have no idea how many things I've thought up when it comes to you.' 'I remember mention of a wall.' His laugh was a sensual promise. 'Next time, Feyre, I'll fuck you against the wall.' 'Hard enough to make the pictures fall off.

I always pictured the reality of shower sex being less like it is in the movies - glamorous, sensual - and more like two baby elephants rolling around awkwardly in a tiny kiddie pool as they're sprayed with garden hoses

When most individuals think of witchcraft they usually picture a very old unpleasant, lump-ridden women clad in black robes, soaring over a cauldron that contains a mysterious, bubbly potion while chanting an incantation in a bizarre form of speech. Or possibly you may also easily think of the contemporary Hollywood imageries of young witches as sensual teenagers in gothic apparel and black lipstick, wearing huge silver pentacles, having unbearable attitudes.

The thing I never pictured about sex was how much laughing there would be. Mara is a different person when she’s onstage, but she’s not a different person when she has sex. And I don’t suddenly turn into some grown up version of myself who’s serious and sensual and confident with her body. It’s just us, making fun of each other when we realize we’re naked except for socks, sticking to each other with sweat and making weird noises, scratching each other up, stopping in the middle to get some water, or tell a story, or just put our foreheads together and look at each other.

Jacques!” Gregori gripped his arm. “It is part of the trap set for you specifically. The vampire knew you would come, and you are caught in the web. He is amplifying your own fears and the pain you suffered. He is not here; it is merely a warp you are trapped in. Know it is not real, and fight your way out.” “I do not understand.” Pinpricks of scarlet dotted Jacques’ body, stained his shirt. His eyes were alive with pain and madness. I do. Shea snatched at the information in his mind. She wrapped him in the warmth of her love. Feel me, Jacques. Concentrate only on me and what you feel when we touch, when we kiss. She pictured it in her head, him holding her so possessively, so tenderly, his mouth finding hers hungrily. The way she felt, hot and silken with heat, needing and wanting him. Her mouth as hungry as his. Her hands tangled in his thick hair. Feel me, Jacques. Her whisper moved over his skin like the touch of her fingers. Jacques narrowed his focus until he blocked out everything but the smell and taste of her, the touch of her fingers, her soft, sexy voice. She became his world, was his world, would always be. Nothing else was real. She was his heart and his very breath. Her breathing regulated his back to a steady in and out. Her heart brought the rhythm of his slowly back to a normal pattern. His skin was on fire, but with sensual hunger rather than the pain of torture. Her breath seemed to warm his ear, his mind. I love you, Jacques. Do what you must, then hurry home to me. She released him with great reluctance, the warmth of her love lingering behind. Jacques shook his head to bring himself back to the present situation. Almost at once the earth moved beneath his feet, and the pain tried to hammer at him. But the vampire would not snag him twice in the same trap. He wrenched himself forward, concentrating on the way Shea’s mouth tasted, the curve of her hip beneath his hand, the way her eyes lit up just before she laughed. He held her close to his heart, kept the vision of her wild mane of hair in front of him as he pushed his way through the warp and out into the open land.

Open your mind to me. Want me there, as you want me in your body. Want me coming to you wild with a need only you can satisfy. Take me into your soul and let me live there.” His mouth was roaming every inch of her face, the column of her neck, the hollow of her shoulder. His body burned and ached and needed. His heart tuned itself to the rhythm of hers. His mind was a haze of desire, erotic pictures, and sensual needs. It was filled with tenderness and love, an intensity that scorched her as much as the hunger in him. The heat of his mouth found her breast through the thin cotton of her shirt, claimed her. His body reacted savagely, painfully, his jeans tight and uncomfortable. Jacques dragged her closer, the storm in him, around him, a part of him. “Make me whole, Shea. Do not leave me like this. Want me back. Need my body in yours. Have to touch me as I have to touch you.

Sooner or later you must start having a big picture of what your ultimate desire is and how much of that desire is sex truly fulfilling. Having a big picture will unlock mysteries you don’t even know exist yet. In a world that loves breadth, I challenge you to go for depth.

When we constantly hear those chronic arguments – should we eat fat, should we eat sugar or perhaps, we should eat more protein – we’re actually missing the big picture all together. In fact, we’re holding ourselves back, getting lost in almost irrelevant facts about nutrition. But those that tend to dominate 99% of nutritional debate. Our biophotonic relationship with Mother Nature is where the debate should manifest. It turns out that when you pick fruit and vegetables as your chosen food choice, you are given the opportunity to think about the magnificent bounty of Mother Nature and how she wants to engage with us in her full sensual capacity; the joyous colours of her fruit and vegetables blow the mind and can make us healthy.” Excerpt From: Daria Sanetra. “Your Emotional Belly Cure”. Apple Books.

Where is everyone?” Cat asked, looking around the deserted ship. “Shore leave,” he said laconically. “What about us?” “If it’s urgent, we’ll just have to swim.” Cat yawned and stretched languidly, feeling boneless from Travis’s loving and a long, wonderful nap. “Swim? Ha. I’d go down like a brick. Looks like you’re stuck with me.” Travis tilted her face up and kissed her swiftly. “Remember that, witch. You’re mine.” Her eyes widened into misty silver pools. She looked up at him through dense lashes that glinted red and gold. He smiled. “You really are a pirate, aren’t you?” Cat muttered. “Where you’re concerned, yes.” The sensual rasp in Travis’s voice sent echoes of ecstasy shimmering through her. His smile was rakish and utterly male, reminding her of what it was like to have him deep inside her. It was all Cat could do not to simply stand and stare at her lover. In the slanting afternoon light his eyes had a jewel-like purity of color. His skin was taught, deeply bronzed, and his beard was spun from dark gold. Beneath his faded black T-shirt and casual shorts, his body radiated ease and power. “Don’t move,” Cat ordered, heading back to the cabin. “Where are you going?” “Don’t move!” She raced below deck, grabbed the two camera cases she used most often, and ran back on deck. While Travis watched her with a lazy, sexy gleam in his eyes, she pulled out a camera and a small telephoto lens. When she retreated a few feet back along the deck, he moved as though to follow. “No,” she said. “Stay right where you are. You’re perfect.” “Cat,” he said, amusement curling in his voice, “what are you doing?” “Taking pictures of an off-duty buccaneer.” The motor drive surged quickly, pulling frame after frame of film through the camera. “You’re supposed to be taking pictures of the Wind Warrior,” Travis pointed out. “I am. You’re part of the ship. The most important part. Creator, owner, soul.” She caught the sudden intensity of his expression, an elemental recognition of her words. The motor drive whirred in response to her command. After a few more frames she lowered the camera and walked back to him. “Get used to looking into a camera lens.” Cat warned Travis. “I’ve been itching to photograph you since the first time I looked into those gorgeous, sea-colored eyes of yours.” Laughing softly, he snaked one arm around her and pulled her snugly against his side.

The picture of the Pythia breathing in vapors from a chasm below her tripod has always been the dominant model for understanding how the oracle at Delphi functioned. To such an extent that finding the mechanism of the vapors was originally regarded as the litmus test for successful archaeological investigation at Delphi. The original excavators of the site were extremely disappointed not to find a chasm below the temple—they felt almost cheated by the “deception” of the literary sources. The stakes were understandably high: at the time of Delphi’s excavation in the 1890s, interest in the oracle, and in psychic research more generally, could not have been stronger. In 1891 the burlesque opera Apollo, or The Oracle at Delphi played to great acclaim on Broadway. In the same year, John Collier painted his famous Priestess of Delphi in which a sensual priestess breathes in vapors from her tripod over a chasm (see plate 4), and the Society of Psychical Research was started by Cambridge academics and published its first volume examining the oracle at Delphi. In the wake of the disappointing excavations, thus, there was a feeling that the ancient sources had lied. The scholar A. P. Oppé in 1904 in the Journal of Hellenic Studies argued that the entire practice at Delphi was a farce, a sham, put on by the priests of Apollo, tricking the ancient world. Others sought different explanations for the Pythia’s madness: they focused on the laurel leaves, and suggested the Pythia had been high from eating laurel. One German scholar, Professor Oesterreich, even ate laurel leaves to test the theory, remarking disappointedly that he felt no different. Others opined that the answer relied not in some form of drug, but in psychology. Herbert Parke and Donald Wormell argued in the 1950s that the Pythia, in the heat of the moment after so much preparation on the particular day of consultation, and after so many years perhaps involved with the temple as one of the women guarding the sacred flame, would have found herself in an emotionally intense relationship with the god, and could easily have fallen victim to self-induced hypnosis. More recently, scholars have employed a series of anthropological approaches to understand belief in spirit possession, and applied these to how the Pythia may have functioned.