Tack Room Quotes

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I mean, if you're asking a fellow to come out of a room so that you can dismember him with a carving knife, it's absurd to tack a 'sir' on to every sentence. The two things don't go together.
P.G. Wodehouse (Thank You, Jeeves (Jeeves, #5))
But this is the kind of thing that fiction is: it's the unlivable life, the strange room tacked onto the house, the extra moon that is circling the earth unbeknownst to science.
Lorrie Moore (Birds of America: Stories)
No born Londoner (it is different with people of Scotch or Irish origin) now says 'bloody,' unless he is a man of some education. The word has, in fact, moved up in the social scale and ceased to be a swear word for the purposes of the working classes. The current London adjective, now tacked on to every noun, is -----. No doubt in time -----, like 'bloody,' will find its way into the drawing room and replaced by some other word.
George Orwell (Down and Out in Paris and London)
Lillian offered him a placating smile. “I never thought you would actually betray me that way. I was just afraid that you found her tempting. And I—” “The only thing I find tempting is the idea of taking you to the tack room and applying a saddle strap to your bottom. Repeatedly. With vigor.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
The bed was lumpy, the fire smoked so badly I was forced to extinguish it or die, then I froze to death the rest f the night because the blanket was so thin." "That's a shame. It was right comfortable in the tack room. I've a cot and a neat little pot-bellied stove." Dougal sent a thoughful look at the barn. "Can you put up another cot?
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Several of my critics have said, 'Bowerman just tacks up a piece of paper in the locker room and turns his runners loose.' They're partially right. I do give the athletes a relatively free rein and for good reason. One of my principles is 'Don't overcoach.
William J. Bowerman
Kath asleep (and snoring with her mouth open!) in the tack room.
Jane Ayres (Gemma and the Pony Club Dance (Gemma Pony Books #1))
This was the court of Bharata, a city like a bone spur—tacked on like an afterthought. Its demons were different: harem wives with jewels in their hair hair and hate in their heart, courtiers with mouths full of lies, a father who knew me only as a colored stone around his neck. Those were the monsters I knew. My world didn’t have room for more.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
the crunch too much too little too fat too thin or nobody. laughter or tears haters lovers strangers with faces like the backs of thumb tacks armies running through streets of blood waving winebottles bayoneting and fucking virgins. or an old guy in a cheap room with a photograph of M. Monroe. there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock. people so tired mutilated either by love or no love. people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasn’t told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant. people are not good to each other. people are not good to each other. people are not good to each other. I suppose they never will be. I don’t ask them to be. but sometimes I think about it. the beads will swing the clouds will cloud and the killer will behead the child like taking a bite out of an ice cream cone. too much too little too fat too thin or nobody more haters than lovers. people are not good to each other. perhaps if they were our deaths would not be so sad. meanwhile I look at young girls stems flowers of chance. there must be a way. surely there must be a way we have not yet thought of. who put this brain inside of me? it cries it demands it says that there is a chance. it will not say “no.
Charles Bukowski (Love is a Dog from Hell)
I'll stir up the fire in the stove in the tack room. If ye're committed to this folly, then ye'll be wanting somethin' to eat before ye return to the house." Where the delectable Sophia was probably in the kitchen at this very moment, ruining his dinner. Despite his throbbing eye, Dougal reluctantly grinned. "You're right, I shall want my dinner first. And a bath." "Which would be cold if ye got it in the houes, I suppose?" "And filled with itcing powder, as well, if they think of it." "I'm glad we'll be leavin' soon," Shelton said grumpily.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
In France her tutor had once taught her that to truly fix an image in the mind to fasten it down completely so that it remained forever captive and vivid she should carefully name each aspect of the thing to herself as though she were describing it to a blind person. "For ma petite such is the fickleness of the human mind that it soon lets go of whatever it sees if you would keep it you must tack it down with words." She had tried it and found that it worked on flowers rooms faces ceremonies.
Margaret George (Mary Queen of Scotland and The Isles)
And there I sat, eating Tack’s fabulous (really, they were amazing, he was a scary biker but it couldn’t be denied the man could cook) fajitas and watching a movie that scared the absolute crap out of me while sipping wine and wondering how in the hell I was sitting in my very own living room with Tack and his kids eating his fajitas, sipping wine and watching a movie that scared the absolute crap out of me.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
The little girl dipped her pipette in the water, then held it up to the lightbulb dangling over the table. In the liquid drop that was slowly stretching, she had captured the entire room: the window and its four panes with the waning daylight, the chest covered with a red rug, the sink with the handle of a saucepan poking out, the big photo tacked to the wall showing an almond tree bowed under a storm, its blossoms torn off, blown away, tiny angel flights or sacrificed lives. 'The world's tiny... it's a pity we can't keep droplets for all the beautiful things we see. And for people. I'd love that. I'd put them in...' Zaide broke off, shaking her head. 'No. You can't put them anywhere. But it's beautiful.' I whispered, 'Yes, the world is beautiful.
Christine Féret-Fleury (The Girl Who Reads on the Métro)
Often he vanished for days down the spiral staircase into the engine-room to overhaul the weary machinery, leaving me with a curt note tacked to his then-favourite aspen, the Aspen Laura-Anne, a white-limbed thing with noisy leaves: 'A due-south drift, please, love, for a day or two, n'est-ce pas?
Stanley Crawford (Log of the S.S. the Mrs. Unguentine)
For the last couple of years, I've always started in the same place. It's a little room, more like a little hallway, off one of the Impressionist galleries. That always bothered me. I mean, even in my most Edward-centric moments, I knew he didn't merit a big room of his own.But to tack his work onto the wrong era, not to mention any conceivable style, always chafed.
Melissa Jensen (The Fine Art of Truth or Dare)
Takes them less than a week to run the Line thro’ somebody’s House. About a mile and a half west of the Twelve-Mile Arc, twenty-four Chains beyond Little Christiana Creek, on Wednesday, April 10th, the Field-Book reports, “At 3 Miles 49 Chains, went through Mr. Price’s House.” “Just took a wild guess,” Mrs. Price quite amiable, “where we’d build it,— not as if my Husband’s a Surveyor or anything. Which side’s to be Pennsylvania, by the way?” A mischievous glint in her eyes that Barnes, Farlow, Moses McClean and others will later all recall. Mr. Price is in Town, in search of Partners for a Land Venture. “Would you Gentlemen mind coming in the House and showing me just where your Line does Run?” Mason and Dixon, already feeling awkward about it, oblige, Dixon up on the Roof with a long Plumb-line, Mason a-squint at the Snout of the Instrument. Mrs. Price meantime fills her Table with plates of sour-cherry fritters, Neat’s-Tongue Pies, a gigantick Indian Pudding, pitchers a-slosh with home-made Cider,— then producing some new-hackl’d Streaks of Hemp, and laying them down in a Right Line according to the Surveyors’ advice,— fixing them here and there with Tacks, across the room, up the stairs, straight down the middle of the Bed, of course, . . . which is about when Mr. Rhys Price happens to return from his Business in town, to find merry Axmen lounging beneath his Sassafras tree, Strange Stock mingling with his own and watering out of his Branch, his house invaded by Surveyors, and his wife giving away the Larder and waving her Tankard about, crying, “Husband, what Province were we married in? Ha! see him gape, for he cannot remember. ’Twas in Pennsylvania, my Tortoise. But never in Maryland. Hey? So from now on, when I am upon this side of the House, I am in Maryland, legally not your wife, and no longer subject to your Authority,— isn’t that right, Gents?” “Ask the Rev,” they reply together,
Thomas Pynchon (Mason & Dixon)
I don't like to make mistakes. Which is why I haven't been with a man before now." He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise." He took one definite step back, like a chessman going from square to square. "It's interesting that makes you nervous," she said, countering his move. "I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side. "Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met." "I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-" "And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked." "I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley." "No." With her eyes locked on his, she stepped in.Checkmate. His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter." "Have you?" "I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest. "You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me" "No." He barely managed a croak this time. "And it's not going to happen again." "Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?" "I'm not going to take advantage of your-of the situation." That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian." The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside. "I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering." "Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area." If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now." She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Now,standing under our beautiful monstrosity, I couldn't help thinking that if Alex were to kiss me, it would look like that: me small and blissful and clinging, him so much taller, completely enfolding me. I averted my red dace as I headed down the hall. My room is a quarter the size of his. It felt even smaller with him in it. "Make yourself at-" He'd plunked the snack on my desk, depositied his coat on my chair, and was already roaming the room, looking at the door knockers made to look like hands. "Cool.You are seriously good." He stared for a long time at the single study I'd put up from the Willing Romance Languages Room door: the leering devil. "I would put that on my wall," he said. I hadn't said anything while he browsed, swallowing all the automatic denials of my abilities. He turned and grinned at me, looking exactly like the little demon. No surprise, since it was essentially his face in miniature. "This is the part where you remove that tack and give me the picture.For keeps." "Are you serious?" I wasn't sure. "Yes,Ella.I am serious." So I removed the tack and handed him the picture. He rolled it up very gently and put it in his coat pocket.
Melissa Jensen (The Fine Art of Truth or Dare)
At length, when the conversation-in my view, at least -was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at on cc, and in the special way he always answered questions from Les - as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle. And aside from its enormous sentimental value to my father personally, this answer, in a great many ways, was true, true, true.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
We ate all of this in front of Tack’s huge, flat-screen TV in the living room where I was treated to a marathon of Storage Wars. Seeing as I didn’t watch TV, I’d never heard of this program. But by the second episode I was hooked. I declared that I thought Brandi and Jarrod were “adorable” together, which for some reason he didn’t explain made Rush laugh so hard I thought he would bust a gut. Rush might find that funny but I decided I was going to start dressing like Brandi. She always looked the shit. I also shared that Dave was my favorite “character” to which Tabby told me with grave seriousness, “But, Tyra, he’s the bad guy.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
He did, however, invite Jobs to visit him at his hotel before the concert. Jobs recalled: We sat on the patio outside his room and talked for two hours. I was really nervous, because he was one of my heroes. And I was also afraid that he wouldn’t be really smart anymore, that he’d be a caricature of himself, like happens to a lot of people. But I was delighted. He was as sharp as a tack. He was everything I’d hoped. He was really open and honest. He was just telling me about his life and about writing his songs. He said, “They just came through me, it wasn’t like I was having to compose them. That doesn’t happen anymore, I just can’t write them that way anymore.” Then he paused and said to me with his raspy voice and little smile, “But I still can sing them.
Walter Isaacson (Steve Jobs)
He swore, raked his hands through his hair and tried to pinpoint the moment she'd so neatly turned the tables on him, when the pursued had become the pursuer. "I don't like forward women." The sound she made was something between a snort and a giggle, and was girlish and full of fun. It made him want to grin. "Now that's a lie, and you don't do it well. I've noticed you're an honest sort of man, Brian. When you don't want to speak your mind, you say nothing-and that's not often. I like that about you,even if it did irritate me initially.I even like your slightly overwide streak of confidence. I admire your patience and dedication to the horses, your undertstanding and affection for them. I've never been involved with a man who's shared that interest with me." "You've never been involved with a man at all." "Exactly.That's just one reason why. And to continue, I appreciate the kindness you showed my mother when she was sad,and I appreciate the part of you that's struggling to back away right now instead of taking what I've never offered anyone before." She laid a hand on his arm as he stared at her with baffled frustration. "If I didn't have that respect and that liking for you,Brian,we wouldn't be having this conversation no matter how attracted I might be to you." "Sex complicates things, Keeley." "I know." "How would you know? You've never had any." She gave his arm a quick squeeze. "Good point.So,you want to try the tack room?" When his mouth fell open, she laughed and threw her arms around him for a noisy kiss on his cheek. "Just kidding.Let's go up to the main house and have some dinnre instead." "i've work yet." She drew back. She couldn't read his eyes now. "Brian, neither of us have eaten. We can have a simple meal in the kitchen-and if you're worried, we won't be alone in the house so I'll have to keep my hands off you. Temporarily.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
He's right,you know," Edward was saying almost before I'd made it into my room. I had crept through the house unnecessarily. No one was home. "Your assertions have lost a bit of their value these days, Mr. Willing." "You know," he repeated. I tossed my coat onto the bed. The stark black and white of my quilt was broken by a purple stain now, the result of a peaceful interlude with grape juice turning into a gentle wrestling match.The stain was the size of my palm and shaked like, I thought, an alligator. Alex insisted it was a map of Italy. Later, we'd dripped the rest of the juice onto the thick pages of my drawing pad, finding pictures in the splotches like the Rorschach inkblots used in psychology. "Well," he'd said in response to my pagoda, antheater, and Viking, "verdict's in.You're nuts." The pictures were tacked to my wall, unaccustomed spots of color. I'd penciled in our choices. Viking (E), pineapple (A). Lantern (E), cheese (A). Crown (E), birthday cake (A) were over my desk, over Edward. I turned on my computer. It binged cheerfully at me. I had mail. From: abainbr@thewillingschool.org To: fmarino@thewillingschool.org Date: December 15, 3:50 p.m. Subect: Should you choose to accept... Tuesday. I'll pick you up at 10:00 a.m. Ask no questions. Tell no one. -Alex "Ah, subterfuge" came from over the desk. "Shut up, Edward," I said.
Melissa Jensen (The Fine Art of Truth or Dare)
Wow,” he says, looking around. “You’ve redecorated.” “When was the last time you were in here?” I search my memory, browsing through images of a much smaller, shaggy-haired Ryder in my room. Eight, maybe nine? “It’s been a while, I guess.” He moves over to my mirror, framed with photos that I’ve tacked up haphazardly on the white wicker frame. Mostly me, Morgan, and Lucy in various posed and candid shots. One of Morgan, just after being crowned Miss Teen Lafayette Country. A couple of the entire cheerleading squad at cheer camp. I see his gaze linger on one picture in the top right corner. Curious, I move closer, till I can see the photo in question. It was taken on vacation--Fort Walton Beach, at the Goofy Golf--several years ago. Nan and I are standing under the green T-Rex with our arms thrown around each other. Ryder is beside us, leaning on a golf club. He’s clearly in the middle of a growth spurt, because he looks all skinny and stretched out. I’d guess we’re about twelve. If you look through our family photo albums, you’ll probably find a million pictures that include Ryder. But this is the only one of him in my room. I’d kind of forgotten about it. But now…I’m glad it’s here. “Look how skinny I was,” he says. “Look how chubby I was,” I shoot back, noting my round face. “You were not chubby. You were cute. In that, you know, awkward years kind of way.” “Thanks. I think.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Bob Dylan The only time Jobs can ever recall being tongue-tied was in the presence of Bob Dylan. He was playing near Palo Alto in October 2004, and Jobs was recovering from his first cancer surgery. Dylan was not a gregarious man, not a Bono or a Bowie. He was never Jobs’s friend, nor did he care to be. He did, however, invite Jobs to visit him at his hotel before the concert. Jobs recalled: We sat on the patio outside his room and talked for two hours. I was really nervous, because he was one of my heroes. And I was also afraid that he wouldn’t be really smart anymore, that he’d be a caricature of himself, like happens to a lot of people. But I was delighted. He was as sharp as a tack. He was everything I’d hoped. He was really open and honest. He was just telling me about his life and about writing his songs. He said, “They just came through me, it wasn’t like I was having to compose them. That doesn’t happen anymore, I just can’t write them that way anymore.” Then he paused and said to me with his raspy voice and little smile, “But I still can sing them.” The next time Dylan played nearby, he invited Jobs to drop by his tricked-up tour bus just before the concert. When Dylan asked what his favorite song was, Jobs said “One Too Many Mornings.” So Dylan sang it that night. After the concert, as Jobs was walking out the back, the tour bus came by and screeched to a stop. The door flipped open. “So, did you hear my song
Walter Isaacson (Steve Jobs)
Harvard’s Theodore Levitt states the case as well as anyone else: The trouble with much of the advice business gets today about the need to be more vigorously creative is that its advocates often fail to distinguish between creativity and innovation. Creativity is thinking up new things. Innovation is doing new things…. A powerful new idea can kick around unused in a company for years, not because its merits are not recognized, but because nobody has assumed the responsibility for converting it from words into action. Ideas are useless unless used. The proof of their value is only in their implementation. Until then, they are in limbo. If you talk to the people who work for you, you’ll discover that there is no shortage of creativity or creative people in American business. The shortage is of innovators. All too often, people believe that creativity automatically leads to innovation. It doesn’t. Creative people tend to pass the responsibility for getting down to brass tacks to others. They are the bottleneck. They make none of the right kind of effort to help their ideas get a hearing and a try…. The fact that you can put a dozen inexperienced people in a room and conduct a brainstorming session that produces exciting new ideas shows how little relative importance ideas themselves have…. Idea men constantly pepper everybody with proposals and memorandums that are just brief enough to get attention, to intrigue and sustain interest — but too short to include any responsible suggestions for implementation. The scarce people are the ones who have the know-how, energy, daring, and staying power to implement ideas…. Since business is a “get-things-done” institution, creativity without action-oriented follow-through is a barren form of behavior. In a sense, it is irresponsible.
Tom Peters (In Search of Excellence: Lessons from America's Best-Run Companies)
After midnight, I’ve set the cookies on the cooling rack and put on my cat pajamas, and I’m climbing into bed to read when there’s a knock at my window. I think it’s Chris, and I go to the window to check and see if I’ve locked it, but it’s not--it’s Peter! I push the window up. “Oh my God, Peter! What are you doing here?” I whisper, my heart pounding. “My dad’s home!” Peter climbs in. He’s wearing a navy beanie on his head and a thermal with a puffy vest. Taking off the hat, he grins and says, “Shh. You’re gonna wake him up.” I run to my door and lock it. “Peter! You can’t be in here!” I am equal parts panicky and excited. I don’t know if a boy has ever been in my room before, not since Josh, and that was ages ago. He’s already taking off his shoes. “Just let me stay for a few minutes.” I cross my arms because I’m not wearing a bra and say, “If it’s only a few minutes, why are you taking off your shoes?” He dodges this question. Plopping down on my bed, he says, “Hey, why aren’t you wearing your Amish bikini? It’s so hot.” I move to slap him upside the head, and he grabs my waist and hugs me to him. He buries his head in my stomach like a little boy. His voice muffled, he says, “I’m sorry all this is happening because of me.” I touch the top of his head; his hair feels soft and silky against my fingers. “It’s okay, Peter. I know it’s not your fault.” I glance at my moonbeam alarm clock. “You can stay for fifteen minutes, but then you have to go.” Peter nods and releases me. I sink down on the bed next to him and put my head on his shoulder. I hope the minutes go slow. “How was the party?” “Boring without you.” “Liar.” He laughs an easy kind of laugh. “What did you bake tonight?” “How do you know I baked?” Peter breathes me in. “You smell like sugar and butter.” “Chai sugar cookies with eggnog icing.” “Can I take some with me?” I nod, and we lean our backs against the wall. He slides his arm around me, safe and secure. “Twelve minutes left,” I say into his shoulder, and I feel rather than see him smile. “Then let’s make it good.” We start to kiss, and I’ve definitely never kissed a boy in my bed before. This is brand-new. I doubt I’ll ever be able to think of my bed the same way again. Between kisses he says, “How much time do I have left?” I glance over at my clock. “Seven minutes.” Maybe I should tack on an extra five… “Can we lie down, then?” he suggests. I shove him in the shoulder. “Peter!” “I just want to hold you for a little bit! If I was going to try to do more, I’d need more than seven minutes, trust me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.
Karen Marie Moning (Shadowfever (Fever, #5))
Maggie wished she could feel the same level of confidence. Violet arrived with a tray of tea and toast and a pair of jodhpurs before Maggie was out of bed. Jill had said there were several pairs of rubber riding boots to choose from in the tack room in the barn. It had been all Maggie could do yesterday not to go there first. If she hadn’t been so keen on seeing exactly where Roger died, she would have. Now, as she finished her tea and tucked her shirt into the skintight jodhpurs, she allowed herself the freedom to think of nothing else except a day of riding—the delightful aromas of the barn, meeting the horses and anticipating a morning unrivaled by few other experiences in life than that of enjoying the world from horseback. She hurried down the broad stairs and heard voices from the breakfast room.
Susan Kiernan-Lewis (Murder in the Abbey (Maggie Newberry Mysteries, #8))
I should be here with you,' Kieran stepped closer to Casteel. 'My duty is to defend your life with mine. That is what I'm bonded to do, the oath I took. How can I do that running away from the battle?' His voice lowered. 'Don't do this, Cas.' ... 'You took an oath to protect me, and you will,' Casteel said. 'You're not running away from the battle. You will be keeping safe what is most important to me, and that is Poppy.' I jolted. 'Wait. What?' 'You will leave with them. It will be hard,' he said, still holding Kieran's gaze. 'There will be no breaks, and you will need to listen to everything Kieran tells you, especially when it's night in the mountains, but-' 'I'm not leaving,' I cut him off. 'You can't be here,' Casteel replied. 'Not when they come. This is not up for discussion.' I shot to my feet. 'Let me make one thing clear. I don't know if you realise this or not, Casteel, but I'm not duty-bound to obey a single thing you say.' Casteel stiffened. 'And maybe you should actually look at me when you try to order me to do things,' I tacked on. He turned to me, his head cocked. 'I'm looking at you now.' 'But are you listening?' 'Oh, man,' Delano murmured under his breath as the rest of the room went dead silent. 'Someone is getting stabbed again.' Someone, I think it was Jasper, snorted. 'Oh, I'm listening,' Casteel replied. 'Maybe you should try that. Along with this thing called common sense.' 'Definitely getting stabbed,' Kieran confirmed.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
to her lips, pressing in and his face got close. “I’m guessin’ you get what this is. We played with fire, we got burned, now we gotta contain the blaze, but sayin’ that, I got no intention of puttin’ it out and, babe, I’m gettin’, since you left me a trail of breadcrumbs to this room, you don’t either.” She tried to turn her head to get away from his thumb to say something but Hop kept going. “We get it, we don’t gotta talk about it. We know what we got revolves around bein’ naked in a bed, so you shouldn’t get what I’m gonna give you right now. But I’m gonna give it to you. Never had class. Never had beauty. I’ll repeat, never… had… class. I’m not gonna fuck over Cherry, who I care about, or Tack, who’s my brother, and I know you don’t wanna do that either, so this is what we got for as long as it’s good. But it’s a clean, pure beauty the like I’ve never had, I’m gonna respect it like I feel like I gotta and you’re gonna let me.” He paused, bent his face
Kristen Ashley (Fire Inside (Chaos, #2))
A couple of weeks after Mia’s bone graft surgery in January 2014, she received a letter from Congressman Trent Franks of Arizona on official United States congressional letterhead. Mia was so excited about the letter that she stood on the fireplace hearth (the living room stage) and proceeded to read it to the entire family. In the letter, Congressman Franks told Mia that he, too, was born with a cleft lip and palate and underwent many surgeries as a child. He told her he understood how she felt and told her not to get discouraged because he recognized how she is helping so many people. He invited her to Washington, DC, to receive an award from Congress for service to her community. As soon as she had finished reading it to us, she exclaimed, “Can we go?” Knowing how Jase puts little value on earthly awards and how he likes to travel even less, I responded with a phrase that most parents can understand and appreciate: “We’ll see.” Mia immediately ran upstairs and tacked the letter to her bulletin board, full of hope and optimism. How could Jase say no to this? Oh, she knew her daddy well. He couldn’t, and he didn’t. That summer, Mia, Jase, Reed, Cole, and I spent a few days together visiting monuments and historical sites in Washington before meeting Congressman Franks on July 8 in his office on Capitol Hill. Mia’s favorite monument was the Lincoln Memorial because she had learned about it in school, so it was cool to see it “for real.” It was really crowded there, and people were taking pictures of us while we were trying to read about the monument and take photographs ourselves. Getting Jase out of there took a while because of so many fans wanting pictures--he’s very accommodating. That’s why it surprised me that this was Mia’s favorite site. I’m glad she remembers the impact of the monument and didn’t allow the circus of activity from the fans to put a damper on her experience. Congressman Franks presented Mia with a Certificate of Special Congressional Recognition for “outstanding and invaluable service to the community” at a press conference held at the foot of the Capitol steps. Both he and Mia made speeches that day to numerous cameras and reporters. Hearing my ten-year-old daughter speak about her condition and how she hopes people will look to God to help them get through their own problems was an unbelievably proud moment for me, Jase, and her brothers. After the press conference, Congressman Franks took us into the House chamber where Congress was voting on a new bill. He took Mia down to the floor, introduced her to some of his colleagues, and let her push his voting button for him. When some of the other members of Congress saw this, they also asked her to push their voting buttons for them. Of course, Mia wasn’t going to push any buttons without quizzing these representatives about what exactly she was voting for. She needed to know what was in the bill before she pushed the buttons. Once she realized she agreed with the bill and saw that some members were voting “no,” she commented, “That’s just rude.” Mia was thrilled with the experience and told us all how she helped make history. Little does she know just how much history she has made and continues to make.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
Time froze, every detail searing itself into memory. Loren’s tie tack was a little crooked, and the gel that kept his blonde hair immaculate was losing its hold. He didn’t look as though he’d just held a long, suspicious meeting so much as just awakened from a nap. In any other context, Buster might have found it funny, but here, in an empty conference room, with the sudden fluorescent lights stabbing at his eyes, the effect was terrifying. Any words he could have knitted together fled for the dark corners of the room, hiding under his spilled papers, in the spaces between the furniture and the floorboards, behind the heavy maroon drapes at the windows. He opened his mouth anyway, and even the start of a stammer died in his throat as his breath stalled out.
A.K. D'Onofrio (From the Desk of Buster Heywood)
firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she
Peter May (Coffin Road)
Take the tacks out of the box, tack the box to the wall, and light the candle. Soften the bottom of the candle with a match, so that the wax begins to drip into the box, and place the candle inside the box, on top of the soft pillow of wax. Secure. Run out of the room before the candle burns low enough to set the box on fire. Voilà
Anonymous
For a long time I didn’t have a defined Dana doctrine to describe this approach; it was more a ball of string. Then one morning at a hotel I came back to my room for bed after a speaking event, and the hotel staff had placed a Zen card with a Buddhist saying on my pillow (this will make Gutfeld roll his eyes). It read, “Say little. But when you speak, utter gentle words that touch the heart. Be truthful. Express kindness. Abstain from vanity. This is the way.” I had an “Aha!” moment when I read those words, because it captured how I was trying to live my life most productively and happily. I carried the card with me for months until I tacked it in my medicine cabinet, and I still see it every morning and night when I brush my teeth. The card is a little worn, but its message never gets old. In the morning it helps set my intention for the day, and at night it reminds me to forgive myself if I haven’t lived up to it (usually because I’ve let Bob Beckel push my buttons).
Dana Perino (And the Good News Is...: Lessons and Advice from the Bright Side)
Don’t follow competition We are constantly amazed by how much business leaders obsess about their competition. When you get in a room with a bunch of senior execs from large companies, their attention can often wander as they check smartphones and think about the rest of their day, but bring up the topic of their competition and suddenly you’ll have everyone’s full attention. It’s as if, once you get to a particular level in an organization, you worry as much about what your competition is doing as how your own organization is performing. At the highest echelons of business, the default mentality is, too often, siege. This fixation leads to a never-ending spiral into mediocrity. Business leaders spend much of their time watching and copying the competition, and when they do finally break away and try something new, they are careful risk-takers, developing only incremental, low-impact changes. Being close to your competition offers comfort; it’s like covering tactics in match race sailing, when the lead boat tacks whenever the follower does, to ensure that the follower doesn’t go off in a different direction and find stronger wind. Incumbents clump together so that no one finds a fresher breeze elsewhere. But as Larry Page says, how exciting is it to come to work if the best you can do is trounce some other company that does roughly the same thing?85 If you focus on your competition, you will never deliver anything truly innovative. While you and your competitors
Eric Schmidt (How Google Works)
Kallie entered through from the livery yard, to the right of the group. She carried the bantha prod from the Jabe incident, the latest in a series of items she was returning to the tack room in her ongoing effort to see Ben. She saw her dashing hero, all right—standing uneasily, with Veeka perched lasciviously on the counter with a leg on either side of him.
John Jackson Miller (Kenobi (Star Wars))
Will hypothetical human beings with an unlimited memory, who use words only as invariant signs for definite elements and for definite relations between elements of pure mathematical systems which they have constructed, have room in their verbal reasonings for the logical principles for tacking together mathematical affirmations? Or what comes to the same: Will human beings with an unlimited memory, while surveying the strings of their affirmations in a language which they use for an abbreviated registration of their constructions, come across the linguistic images of the logical principles in all their mathematical transformations. A conscientious rational reflection leads to the result that this may be expected for the principles of identity, of contradiction and of syllogism, but for the principium tertii exclusi only in so far as it is restricted to affirmations about part of a definite, finite mathematical system, given once and for all whilst a more extensive use of the principle would not occur, because in general its application to purely mathematical affirmations would produce word complexes devoid of mathematical sense . . . . It follows that the language of daily intercourse between people with a limited memory, being necessarily imperfect, limited and of insecure effect, even if it is organized with the utmost practically attainable refinement and precision, will only be suitable for its task of mnemotechnic, economy of thought and understanding in mathematical research and mathematical intercommunication, if any application of the principium tertii exclusi which is not restricted to a well defined system is avoided.
L.E.J. Brouwer
So, here they were, face to face with the Son of God! When they had first seen him in the throne room, he had been nearly indistinguishable from the Father. In a manner that defied explanation and description, both he and the entity who had leaned upon the back of the Father’s throne had been one with God himself. Now, outside the throne room, the Son was clearly his own person, yet his majesty and the wonder he evoked were not diminished. He was unsurpassably beautiful. Tall and graceful, he sat upon his fabulous steed with a dignity that emanated pure power. His snow white hair hung to his saddle-back in thick waves, two intricate braids caught back at the temples to form a tiara entwined with gold. Despite his snowy hair, his face, while containing all the eons of heaven, seemed ageless, eternally youthful. His clothing, while utterly elegant, was simple and straightforward. A gown of blazing white was topped by a sleeveless coat of sky blue, and draping all was a cloak of deep, dark scarlet, its ample hood spread out across his shoulders. Everything was trimmed with gold and silver braid, gleaming gems of many colors peeking here and there from the folds. His horse’s tack was fabulous, all of embossed gold and cushioned wood, carved with dazzling intricacy. But, they had only a moment to take all of this in, before the prince saluted them with an outstretched arm. “Good day, friends,” he hailed them. “We meet again.” Gabriel’s heart lurched. He would have returned the salutation, but his voice failed him. Supporting one another, the four archangels were determined not to fall down. But, it was no use. They simply had no strength to stay upright. Besides, they were overcome with the desire to worship this mighty prince. Slumping to the ground, even the most self-assured of them, Lucifer, was brought to his knees. Again, the seraph flew over them, this time raising them to their feet without laying a hand on them. A swift flick of his fingers, and they were upright, once again. By the time they had regained their composure, the prince had dismounted and was walking toward one root of the mammoth tree. “Follow me,” he said, waving them forward. “It is time for us to have a talk.” Michael was the first to comply. Gabriel followed, with Raphael and Uriel close behind, all of them tingling from head to toe.
Ellen Gunderson Traylor (Gabriel - The War in Heaven, Book I (Gabriel - God's Hero 1))
She left her mother in the living room and headed for her childhood bedroom, with its canopy bed and pink ruffles. Most kids had posters in their rooms, but Mom hadn’t allowed tacks to be stuck into her expensive wallpaper, so Frankie had framed art on her walls. A row of old stuffed animals sat along the top of her bookshelf. A pink ballerina jewelry box on the bedside table held junior and high school trinkets, probably a stack of senior pictures and prom memorabilia. You knew what was expected of a girl who slept in a room like this.
Kristin Hannah (The Women)
Tack on infection, puss, and a car air freshener that was struggling to stay relevant by the doorway we stood in, and the entire room begged for my lunch to come back up and add to the bouquet.
M.D. Massey (Breach of Magic (The Cerberus Paranormal Detective, #2))
Would you like to return to your room, Penellaphe?' Pulled from my thoughts, it took me a moment to respond. 'You mean my cell?' 'It's far more comfortable and not nearly as drafty as the dungeon,' he replied. 'A cell is a cell, no matter how comfortable it is,' I told him. 'I'm fairly certain this is the same conversation we had earlier,' Casteel commented. My gaze swivelled to Casteel. 'I'm fairly certain I don't care.' 'I'm also sure that we came to the conclusion that you have never been free, Princess,' Casteel tacked on. The truth of those words was still as brutal as it was when they had first been spoken. 'I don't believe you would even recognise freedom if it were ever offered to you.' 'I know enough to know that's not what you're offering,' I shot back, fury returning in a hot, welcoming wave, warming my too-cold skin.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I just wanted to say how sorry I am,” I told him as he sat in his chair in the tack room, smoking his ever-present cigarette and cutting some thin strips of leather he would ultimately use for repair work of one kind or another. “I shouldn’t have done what I did, and I won’t make that mistake again. I’m sorry.” He sat for a few seconds, and without even looking up at me he said, “Did you learn anything today?” “Yes sir,” I said after several seconds of thought. In fact, I was going to expound by telling him I should have only worked with the colt in the halter and not moved ahead with the bit, and I should have only worked the ten minutes that he told me to in the first place. I was going to tell him I shouldn’t have pushed the colt the way I had and several other thoughts that were flooding my young mind. But as it turned out, I didn’t have to say any of it. Because before I could open my mouth to speak, he briefly looked up at me. “Good,” he said quietly as he slowly nodded his head. “Because if you learned something, then it wasn’t a mistake.
Mark Rashid (Whole Heart, Whole Horse: Building Trust Between Horse and Rider)
Why can’t I have an ordinary footman like the other ladies have?” “Because you won’t always be going to the places other ladies go.” Gabriel sat on a chair to remove his shoes and stockings. “You’ll be looking for factory space, and meeting with suppliers, retailers, and wholesale traders, and so forth. If you take Drago with you, it will ease my mind about your safety.” As he saw the mulish set of Pandora’s jaw, Gabriel decided to take another tack. “Of course, we’ll replace him if you wish,” he said with a casual shrug. He began to unfasten the buttons of his braces. “But it would be a pity. Drago grew up in an orphanage and has no family. He’s always lived in a small room at the club. He was looking forward to living in a real household for the first time in his life, and seeing what family life was like.” That last sentence was pure conjecture, but it did the trick. Pandora sent him a long-suffering glance and heaved a sigh. “Oh, all right. I suppose I’ll have to keep him. And train him not to scare people.” Dramatically she fell backward on the bed, arms and legs akimbo. Her small, glum voice floated up to the ceiling. “My very own footmonster.” Gabriel regarded the small, splayed figure on the bed, feeling a rush of mingled amusement and lust that made his breath catch. Before another second had passed, he’d climbed over her, crushing her mouth with his. “What are you doing?” Pandora asked with a spluttering laugh, twisting beneath him. “Accepting your invitation.” “What invitation?” “The one you gave me by reclining on the bed in that seductive pose.” “I flopped backward like a dying trout,” she protested, squirming as he began to hike up her skirts. “You knew I wouldn’t be able to resist.” “Take a bath first,” she implored. “You’re not fit for the house. I should take you out to the stables and scrub you like one of the horses, with carbolic soap and a birch brush.” “Oh, you naughty girl . . . yes, let’s do that.” His hand wandered lecherously under her skirts. Pandora yelped with laughter and wrestled him. “Stop, you’re contaminated! Come to the bathroom and I’ll wash you.” He pinned her down. “You’ll be my bath handmaiden?” he asked provocatively. “You’d like that, wouldn’t you?” “I would,” he whispered, touching his tongue to the center of her lower lip. Her dark blue eyes were bright with mischief. “I’ll bathe you, my lord,” she offered, “but only if you agree to keep your hands to yourself, and remain as still and stiff as a statue.” “I’m already as stiff as a statue.” He nudged her to demonstrate. Pandora rolled out from under him with a grin and headed toward the bathroom, while he followed readily.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I keep this my dirty little secret for years, he was my true first, yet it was not the most romantic yet it was something, now looking back now how is the loser, it did it long before, yet it was with him so it was not cool, I never- ever said this to anyone, that he took me. Yet play around like that with a boy that was me, he wanted to know so I said okay. It was the first time seeing all that- you know, at least mine was real, and not like time two at a party. This thing is so high- I get sick of feeling so short at like four-foot, on top that I can see the world by looking down, and they are looking up at me, my mom and grandmother were all the same size also, if not shorter, or so they say. The car is old and dusty and looks like no one has been in it for years on the outside, it is just blacked and crusty, the only car other than the coal car behind the locomotive, and it too is rusted reddish orange. They used to have tripped over this thing and park it on the bridge, and you spent the night up in the stars, and so that is what we did on a big full moon night. In the big bed looking out the one side of all those old windows. The car and train sit here for there was a fire or something on that line, and this becomes the new home of the serving remanences about half a mile in, the train was going over and was near the end on the one said when the wind took it all down, and all the cars but one fall all the many feet to the ground below, yet it never steamed over again. There sits the old Pullman car. It's red and has black, with yellow writing on it, up till now I am not sure what it says. It was a custom car made just for spending the night on top of the linked- mountains. The train is all the same color for what I can make out, dating around the 1800s or so, that what my dad said anyway we and he were up here, oh so long ago. We both walked up to her and me on the left, tacking him on the right hand-woven tight. The grass tall the track worn, and feet sore, from the journey there. Over smaller yet high crossings that have known side rails. Inside you can see it is in touch, and all dark wood, I light one of the old lanterns, I thought down a towel, and we had juice pouches and P-P and J. Romantic- No! It’s all good, he tried. It wasn’t about that anyway. The bed is off to the back and looks like a five-star hotel room to us, there is a living room spot, where ass naked in the big old sofas… or next to it, we were playing house, and loving it. We were young but we feel- we were on the bed all night long. Looking out over… see the tree sway below. it was cold in the car, yet he keeps me warm, I was fogging up the windows, with my breath Moan it out in a sweet- yet sensual way, I was pressed upon it looking out as I was on top, he was looking up at me, yet I was looking out and at his eyes, at definite times. I even kissed the glass to leave something behind, I wonder if it’s still there, and my name is covered in the old wood, next to his.
Marcel Ray Duriez (Nevaeh They Call Out)
Please take the orchid upstairs to the parlor,” she murmured to the maid, “and then come to my room afterward.” “You won’t need her tonight,” Devon said brusquely. He gave the girl a dismissive nod. Before Kathleen had fully absorbed the words, twitches of indignation chased across her shoulders and the back of her neck. “I beg your pardon?” Devon waited until Clara had begun up the stairs, and then said, “Go wait for me in my room. I’ll join you after I’ve had a drink.” Kathleen’s eyes widened. “Have you gone mad?” she asked faintly. Did he actually believe he could order her to wait in his room as if she were a strumpet being paid to service him? She would retreat to her own bedchamber and lock the door. This was a respectable household. Even Devon wouldn’t dare make a scene when his actions would be witnessed by servants, and Helen and the twins, and-- “No lock would keep me out,” he said, reading her thoughts with stunning accuracy. “But try it if you like.” The way he said it, with a sort of casual politeness, sent burning color to her cheeks. “I want to see how Helen is,” she said. “The twins are taking care of her.” She tried another tack. “I haven’t had dinner.” “Neither have I.” He pointed meaningfully to the stairs. Kathleen would have loved to decimate him with some scathing remark, but her mind had gone blank. She turned stiffly and ascended the stairs without looking back. She could feel him watching her.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
She’d said, “Your Dawn knew” in her usual bright voice, but still I felt like there was an accusation in it, which made me want to defend myself, and this was another thing I learned from my aunt: Never defend yourself. Never say you’re sorry. Never admit you’ve done anything wrong, especially when it’s obvious that you have. “Why would Dawn leave a copy of my mother’s book in my hotel room?” I asked, and then immediately sensed that this was the wrong tack. Because I knew why Dawn would do such a thing: to torment me. “Besides, how would she have known the hotel we were staying in?
Brock Clarke (Who Are You, Calvin Bledsoe?: A Novel)