Bet On Yourself Quotes

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Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn't feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That's my favorite part. It drives me, feeds me, and makes one hell of a story.
Jennifer Salaiz
If you want some advice—which I'm sure you don't—you guys should lay off on the magic. Christian still thinks you're moving in on Lissa." "What?" he asked in mock astonishment. "Doesn't he know my heart belongs to you?" "It does not. And no, he's still worried about it, despite what I've told him." "You know, I bet if we started making out right now, it would make him feel better." "If you touch me," I said pleasantly, "I'll provide you with the opportunity to see if you can heal yourself. Then we'd see how badass you really are.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
And then there is the most dangerous risk of all -- the risk of spending your life not doing what you want on the bet you can buy yourself the freedom to do it later.
Randy Komisar (The Monk and the Riddle: The Education of a Silicon Valley Entrepreneur)
I bet if you go through the rest of your life telling yourself, "I'm sparkling," you'll have a whole different energy and experience.
Wendy Mass (Heaven Looks a Lot Like the Mall)
I also never would have imagined I'd quote back a church lesson, but when the rest of the crowd stood up to take communion, I found myself saying to Dimitri: "Don't you think that if God can supposedly forgive you, it's kind of egotistical for you not to forgive yourself?" "How long have you been waiting to use that line on me?" he asked. "Actually, it just came to me. Pretty good, huh? I bet you thought I wasn't paying attention." "You weren't. You never do. You were watching me.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Except I think it feels more like an empty stomach than a broken heart. An aching hollowness that food can't cure. You know. You've felt it yourself, I bet. You hurt all the time, you're restless, you can't think straight, you sort of wish you were dead but what you really want is for everything to be the same as it was when you were still with her.. or him
Richard Laymon (Night in the Lonesome October)
If you find yourself talking to the police, my advice is to stay calm but look guilty; it's your safest bet.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
You will never put yourself or any of my men in danger again. You could have slipped, fallen, broken your pretty neck, or fucking died. And I bet you didn’t even think about a sniper taking you out from afar.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
When it comes to change, goals, and dreams, you have to bet on yourself. That
Mel Robbins (The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage)
Because we’ve been lied to and lied to, and it hurts to be lied to. It’s ultimately just about that complicated: it hurts. It denies you respect for yourself, for the liar, for the world. Especially if the lies are chronic, systemic, if hard experience seems to teach that everything you’re supposed to believe in’s really a game based on lies. Young Voters have been taught well and thoroughly. You may not personally remember Vietnam or Watergate, but it’s a good bet you remember ‘No new taxes’ and ‘Out of the loop’ and ‘No direct knowledge of any impropriety at this time’ and Did not inhale’ and ‘Did not have sex with that woman’ and etc. etc. It’s depressing and painful to believe that the would-be ‘public servants’ you’re forced to choose between are all phonies whose only real concern is their own care and feeding and who will lie so outrageously with such a straight face that you just know they have to believe you’re an idiot. So who wouldn’t fall all over themselves for a top politician who actually seemed to talk to you like you were a person, an intelligent adult worthy of respect?
David Foster Wallace (The Best American Essays 2007)
She looks at me out of the side of her uncovered eye. "Chess, Zombie: defending yourself from the move that hasn't happened yet. Does it matter that he doesn't light up through our eyepieces? That he missed us when he could have taken us own? If two possibilities are equally probable but mutually exclusive, which one matters the most? Which one do you bet your life on?
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Love yourself, and what you're doing, even if you're not yet at the place you hope to land. Let joy be the thing that drives you, and I bet you'll get there faster. Give yourself permission to make mistakes. Those mistakes are as valuable as the triumphs.
Lauren Graham (In Conclusion, Don't Worry About It)
Time to cash in your chips put your ideas and beliefs on the table. See who has the bigger hand you or the Mystery that pervades you. Time to scrape the mind's shit off your shoes undo the laces that hold your prison together and dangle your toes into emptiness. Once you've put everything on the table once all of your currency is gone and your pockets are full of air all you've got left to gamble with is yourself. Go ahead, climb up onto the velvet top of the highest stakes table. Place yourself as the bet. Look God in the eyes and finally for once in your life lose.
Adyashanti
I must congratulate myself, in passing, for never having lost the ability to examine my conscience, never having lost the gift of finding myself wanting & defective. Why fear the criticism of others when you, yourself, are first out of the critical gate? If self-denigration is the race I am the winner, even before the starting gun. Collect the bets.
Frank McCourt
And worse, you’re not doing anything interesting anymore. You’re not seeing anything, saying anything. The weird paradox is that you think you’re at the center of things, and that makes your opinions more valuable, but you yourself are becoming less vibrant. I bet you haven’t done anything offscreen in months. Have you?
Dave Eggers (The Circle)
In the struggle between yourself and the world, second the world. (Im Kampf zwischen Dir und der Welt, sekundiere der Welt)
Franz Kafka (The Zürau Aphorisms)
I bet it’s easy for you,” Celeste said, as she examined her fingers and toes. “What? Flirting?” “Yes.” “Depends. There’s flirting,” Julie said, jokingly pushing her chest out, “and then there’s flirting.” She tapped the side of her temple. “It’s the second one that’s hard because you’re putting more of yourself out there.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Cassian shoveled more eggs into his mouth and said around them, “Doesn’t count when you use your hands to do most of the work.” Nesta schooled her face into utter disdain, even as a hiss rose inside her. “I bet that isn’t what you’ve been telling yourself at night.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
I sat at a table in my shadowy kitchen, staring down a bottle of Boone's Farm Hard Lemonade, when a magic fluctuation hit. My wards shivered and died, leaving my home stripped of its defenses. The TV flared into life, unnaturally loud in the empty house. I raised my eyebrow at the bottle and bet it that another urgent bulletin was on. The bottle lost. "Urgent bulletin!" Margaret Chang announced. "The Attorney General advises all citizens that any attempt at summoning or other activities resulting in the appearance of a supernaturally powerful being can be hazardous to yourself and to other citizens." "No shit," I told the bottle.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Look, just stop trying to annihilate yourself, okay? Because if I think you can do it, I'll make Doc pull me out today. Or I'll tell Jared. Just imagine what he would do. I imagined it for her, smiling a little through my tears. Remeber? He said no guarantees about what he would or wouldn't do to keep you here. I though of those buring kisses in the hall...thought of other kisses and other nights in her memory. My face warmed as I blushed. You fight dirty. You bet I do.
Stephenie Meyer (The Host (The Host, #1))
Many complain that the words of the wise are always merely parables and of no use in daily life, which is the only life we have. When the sage says: "Go over," he does not mean that we should cross over to some actual place, which we could do anyhow if the labor were worth it; he means some fabulous yonder, something unknown to us, something too that he cannot designate more precisely, and therefore cannot help us here in the very least. All these parables really set out to say merely that the incomprehensible is incomprehensible, and we know that already. But the cares we have to struggle with every day: that is a different matter. Concerning this a man once said: Why such reluctance? If you only followed the parables you yourselves would become parables and with that rid yourself of all your daily cares. Another said: I bet that is also a parable. The first said: You have won. The second said: But unfortunately only in parable. The first said: No, in reality: in parable you have lost.
Franz Kafka
Griff. I bet he's never met a gal like you before." "I should hope not," she replied glibly, but heat filled her cheeks. "Nature couldn't possibly make two mistakes like me." "You're not a mistake. Don't you ever think of yourself that way. You're exactly as you ought to be.
Kady Cross (The Girl in the Clockwork Collar (Steampunk Chronicles, #2))
Who said anything about marriage? Good Lord, no. Do yourself a favor: don’t move in with him. Then he’ll be expecting you to cook and clean—no. Just take him for a spin and return him if he breaks. That’s the best bet.
K.F. Breene (Born in Fire (Fire and Ice Trilogy, #1; Demon Days, Vampire Nights, #1))
I admit I do get a bit protective of my big brother. he always protects me. "The truth is, I don't have to threaten you with anything worse than you've already done to yourself. "Alec is brave, and he's good, and he's loyal, and like all Lightwoods he has cheekbones you could use to slice salami. You're never going to find anyone as great as my brother or anyone who loves you as much. "He's one of the best things in my life, and I'm prepared to bet he's one of the best things in yours. You're going to be sorry when you wake up and realize what you threw away.
Cassandra Clare (The Bane Chronicles)
We want our children to have a childhood that's magical and enriched, but I'll bet that your best childhood memories involve something you were thrilled to do by yourself. These are childhood's magic words: "I did it myself!
Lenore Skenazy (Free-Range Kids: Giving Our Children the Freedom We Had Without Going Nuts With Worry)
He grins sourly. "I only make big bets that involve lives and the future of humanity." His shoulders slump as though the invisible weight on them is too much. "Speaking of which, you handled yourself well out there. Better than anyone expected. We could really use someone like you. There are situations that a girl like you could handle better than a platoon of men." His grin turns boyish. "Assuming you don't clock an angel for pissing you off." "That's a big assumption.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
if you’re going to make a bet, bet on yourself.
Chip Gaines (Capital Gaines: Smart Things I Learned Doing Stupid Stuff)
You say people's struggles are a game! That's totally wrong! Facing yourself no matter how tough things get... and keeping up the fight... that's what games are really about! You bet your chip of life as if it meant nothing! You lost to yourself! When you realized you were going to lose, you didn't have the courage to keep living! Listen... Real courage is protecting that chip you have in your hands... no matter what!" -Anzu to Kaiba
Kazuki Takahashi (Yu-Gi-Oh!, Vol. 5: The Heart of the Cards (Yu-Gi-Oh!, #5))
Once you make up your mind to get rid of something, there’s very little you can’t discard. No – not very little. Once you put your mind to it, there’s nothing you can’t get rid of. And once you start tossing things out, you find yourself wanting to get rid of everything. It’s as if you’d gambled away almost all your money and decided, What the hell, I’ll bet what’s left. Too much trouble to cling to the rest
Haruki Murakami (Blind Willow, Sleeping Woman)
Close your eyes. Focus on making yourself feel excited, powerful. Imagine yourself destroying goals with ease.
Andrew Tate (Iron Mind)
Picture yourself when you were five. in fact, dig out a photo of little you at that time and tape it to your mirror. How would you treat her, love her, feed her? How would you nurture her if you were the mother of little you? I bet you would protect her fiercely while giving her space to spread her itty-bitty wings. she’d get naps, healthy food, imagination time, and adventures into the wild. If playground bullies hurt her feelings, you’d hug her tears away and give her perspective. When tantrums or meltdowns turned her into a poltergeist, you’d demand a loving time-out in the naughty chair. From this day forward I want you to extend that same compassion to your adult self.
Kris Carr
No. You said so yourself: a bet’s a bet. After the month’s up, you’ll be off with Parker, he’ll become a doctor, you’ll get married and have your two-point-five children and I’ll never see you again.” He grimaced at his own words. “I still have three weeks. I’m not giving that up for lunch room gossip.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
Robin Williams
You must always be prepared to place a bet on yourself, on your future, by heading in a direction that others seem to fear.
Robert Greene
Don't let yourself drown. Don't run or swim away from the safety of the boat. The boat, that's your home, your family, your life. The preserver that keeps you afloat will always be your wife, your partner. Without a preserver you drown, a preserver without something to hold onto has no purpose, so you see, you need each other...you need to rely on one another for everything. Never forget that if it's not worth fighting for, it's not worth having.
Rachel Van Dyken (The Wager (The Bet, #2))
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Joy is the reward, really, of seeking to give joy to others. When you show compassion, when you show caring, when you show love to others, do things for others, in a wonderful way you have a deep joy that you can get in no other way. You can’t buy it with money. You can be the richest person on Earth, but if you care only about yourself, I can bet my bottom dollar you will not be happy and joyful. But when you are caring, compassionate, more concerned about the welfare of others than about your own, wonderfully, wonderfully, you suddenly feel a warm glow in your heart, because you have, in fact, wiped the tears from the eyes of another. “Why
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
Doesn’t count when you use your hands to do most of the work.” Nesta schooled her face into utter disdain, even as a hiss rose inside her. “I bet that isn’t what you’ve been telling yourself at night.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
If you want something done, you sure as hell better do it yourself.
Rachel Van Dyken (The Dare (The Bet, #3))
And then there is the most dangerous risk of all - the risk of spending your life not doing what you want on the bet you can buy yourself the freedom to do it later.
Randy Komisar (The Monk and the Riddle: The Education of a Silicon Valley Entrepreneur)
By taking a shape, by having a visible plan, you open yourself to attack. Instead of taking a form for your enemy to grasp, keep yourself adaptable and on the move. Accept the fact that nothing is certain and no law is fixed. The best way to protect yourself is to be as fluid and formless as water; never bet on stability or lasting order. Everything changes.
Robert Greene (The 48 Laws of Power)
Studying others gives us knowledge, but studying yourself ultimately leads to an incredible amount of freedom.
Patrick Bet-David (Your Next Five Moves: Master the Art of Business Strategy)
Over time I’ve learned, surprisingly, that it’s tremendously hard to get teams to be super ambitious. It turns out most people haven’t been educated in this kind of moonshot thinking. They tend to assume that things are impossible, rather than starting from real-world physics and figuring out what’s actually possible. It’s why we’ve put so much energy into hiring independent thinkers at Google, and setting big goals. Because if you hire the right people and have big enough dreams, you’ll usually get there. And even if you fail, you’ll probably learn something important. It’s also true that many companies get comfortable doing what they have always done, with a few incremental changes. This kind of incrementalism leads to irrelevance over time, especially in technology, because change tends to be revolutionary not evolutionary. So you need to force yourself to place big bets on the future.
Eric Schmidt (How Google Works)
She had the startled-rabbit look that civilians get after five minutes of helping the police with their inquiries. If they stay calm for too long it’s a sign that they’re professional villains or foreign or just plain stupid. All of which can get you locked up if you’re not careful. If you find yourself talking to the police, my advice is to stay calm but look guilty; it’s your safest bet.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
He wondered about the people in houses like those. They would be, for example, small clerks, shop-assistants, commercial travellers, insurance touts, tram conductors. Did they know that they were only puppets dancing when money pulled the strings? You bet they didn’t. And if they did, what would they care? They were too busy being born, being married, begetting, working, dying. It mightn’t be a bad thing, if you could manage it, to feel yourself one of them, one of the ruck of men. Our civilization is founded on greed and fear, but in the lives of common men the greed and fear are mysteriously transmuted into something nobler. The lower-middle-class people in there, behind their lace curtains, with their children and their scraps of furniture and their aspidistras — they lived by the money-code, sure enough, and yet they contrived to keep their decency. The money-code as they interpreted it was not merely cynical and hoggish. They had their standards, their inviolable points of honour. They ‘kept themselves respectable’— kept the aspidistra flying. Besides, they were alive. They were bound up in the bundle of life. They begot children, which is what the saints and the soul-savers never by any chance do. The aspidistra is the tree of life, he thought suddenly.
George Orwell (Keep the Aspidistra Flying)
In the meantime, perform every job as if you're being well paid, as someone who probably wasn't paying me well once told me. Which is to say: why not treat yourself now as the success you dream if becoming? Respect yourself and your work as you would if you were being paid to be the boss, and I bet you'll climb the ladder even faster.
Lauren Graham (In Conclusion, Don't Worry About It)
You’re not seeing anything, saying anything. The weird paradox is that you think you’re at the center of things, and that makes your opinions more valuable, but you yourself are becoming less vibrant. I bet you haven’t done anything offscreen in months.
Dave Eggers (The Circle)
Stars Out of all the stars, you were the one he looked to at night. Not knowing that to him you shone brighter than the rest. Even if there was an over abundance of bigger or brighter stars, you were always the one his eyes fell to. The light he knew would guide him. The one he searched for even on the most overcast nights. I bet if you didn't spend time comparing your qualities to the others, you would have noticed his eyes always locked on you. But remeber he is the one who knew you shone, even before you did yourself.
Jennae Cecelia (Uncaged Wallflower)
Studying yourself helps you reach self-acceptance, which liberates you from self-judgment.
Patrick Bet-David (Your Next Five Moves: Master the Art of Business Strategy)
You’re a comfort to me,” he said simply. “I mean to be. I bet you haven’t been comforted once since all this began. And that’s not good, Bird. At a time like this you must be careful to have someone comfort you almost more than you need at least once. Otherwise you’ll find yourself helpless when the time comes to summon up your courage and break away from chaos.
Kenzaburō Ōe (A Personal Matter)
God will not be tolerated. He instructs us to worship and fear Him. In our world, where hundreds of things distract us from God, we have to intentionally and consistently remind ourselves of Him. Because we don’t often think about the reality of who God is, we quickly forget that He is worthy to be worshiped and loved. We are to fear Him. The answer to each of these questions is simply this: because He’s God. He has more of a right to ask us why so many people are starving. As much as we want God to explain himself to us, His creation, we are in no place to demand that He give an account to us. Can you worship a God who isn’t obligated to explain His actions to you? Could it be your arrogance that makes you think God owes you an explanation? If God is truly the greatest good on this earth, would He be loving us if He didn’t draw us toward what is best for us (even if that happens to be Himself)? Doesn’t His courting, luring, pushing, calling, and even “threatening” demonstrate His love? If He didn’t do all of that, wouldn’t we accuse Him of being unloving in the end, when all things are revealed? Has your relationship with God actually changed the way you live? Do you see evidence of God’s kingdom in your life? Or are you choking it out slowly by spending too much time, energy, money, and thought on the things of this world? Christians who did most for the present world were precisely those who thought most of the next. Jesus’ call to commitment is clear: He wants all or nothing. Our greatest fear as individuals and as a church should not be of failure but of succeeding at things in life that don’t really matter. If life is a river, then pursuing Christ requires swimming upstream. When we stop swimming, or actively following Him, we automatically begin to be swept downstream. How could we think for even a second that something on this puny little earth compares to the Creator and Sustainer and Savior of it all? True faith means holding nothing back; it bets everything on the hope of eternity. When you are truly in love, you go to great lengths to be with the one you love. You’ll drive for hours to be together, even if it’s only for a short while. You don’t mind staying up late to talk. Walking in the rain is romantic, not annoying. You’ll willingly spend a small fortune on the one you’re crazy about. When you are apart from each other, it’s painful, even miserable. He or she is all you think about; you jump at any chance to be together. There is nothing better than giving up everything and stepping into a passionate love relationship with God, the God of the universe who made galaxies, leaves, laughter, and me and you. Do you recognize the foolishness of seeking fulfillment outside of Him? Are you ready and willing to make yourself nothing? To take the very nature of a servant? To be obedient unto death? True love requires sacrifice. What are you doing right now that requires faith? God doesn’t call us to be comfortable. If one person “wastes” away his day by spending hours connecting with God, and the other person believes he is too busy or has better things to do than worship the Creator and Sustainer, who is the crazy one? Am I loving my neighbor and my God by living where I live, by driving what I drive, by talking how I talk?” If I stop pursuing Christ, I am letting our relationship deteriorate. The way we live out our days is the way we will live our lives. What will people say about your life in heaven? Will people speak of God’s work and glory through you? And even more important, how will you answer the King when He says, “What did you do with what I gave you?
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
Well," he said, quite seriously, "it's this way: you work because you're afraid not to. You work becuase you have to drive yourself to such a fury to begin. That part's just plain hell! It's so hard to get started that once you do you're afraid of slipping back. You'd rather do anything than go through all that agony again--so you keep going--you keep going faster all the time--you keep going till you couldn't stop even if you wanted to. You forget to eat, to shave, to put on a clean shirt when you have one. You almost forget to sleep, and when you do try to you can't--because the avalanche has started, and it keeps going night and day. And people say: 'Why don't you stop sometime? Why don't you forget about it now and then? Why don't you take a few days off?' And you don't do it because you can't--you can't stop yourself--and even if you could you'd be afraid to because there'd be all that hell to go through getting started up again. Then people say you're a glutton for work, but it isn't so. It's laziness--just plain, damned, simple laziness, that's all...Napoleon--and--and Balzac--and Thomas Edison--these fellows who never sleep more than an hour or two at a time, and can keep going night and day--why that's not because they love to work! It's because they're really lazy--and afraid not to work because they know they're lazy! Why, hell yes!..I'll bet you anything you like if you could really find out what's going on in old Edison's mind, you'd find that he wished he could stay in bed every day until two o'clock in the afternoon! And then get up and scratch himself! And then lie around in the sun for awhile! And hang around with the boys down at the village store, talking about politics, and who's going to win the World Series next fall!
Thomas Wolfe (You Can't Go Home Again)
That's the thing," Jo says. "You think you know what you're in for. I mean, you tell yourself that, of course, it's not going to be wine and roses and all of that bullshit for the rest of your life, but then, one day, you wake up, and your fucking husband has morphed into someone whom you barely recognize. And you sit there and you stare at him while he scratches his balls through his underwear at the kitchen table, and you think, 'This is totally not what I signed up for. I mean, who knows if I even love this ball-scratching, foul-breathed man?' And then you wonder if you love him more out of habit than out of anything else." She chews the inside of her lip and considers. "And I guess from there, all bets are off.
Allison Winn Scotch (Time of My Life)
Can you take off your shirt?” I couldn’t see Rachel clearly on the other side of my truck’s cab. My eyes hadn’t yet adjusted to the darkness of my secret make-out hideout. But I could hear her laughing her ass off. “Not even for Sean.” “Well, we have to make it look good somehow. Do you mind if I take off mine? My dad says I look like sex on a stick with my shirt off.” “Knock yourself out.” I started to pull my shirt over my head. I was used to wearing T-shirts. When it wouldn’t give, I remembered I was wearing something Sean-like. As I unbuttoned it, I asked, “Want to make a bet how long it takes him to get out here?
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Let us go somewhere and talk,” Kopano said to Kaidan. “We can talk here. She never uses her senses.” Whoops. I was officially eavesdropping, but I didn't feel guilty. I was too desperate for insight into Kaidan's mind. They spoke in low tones, hard to hear with the rush of rainwater. “Do not be upset, Kai. I feel only concern for her.” “I'll bet you do.” Kaidan's clipped, harsh response was in direct contrast to Kopano's tranquil words. “Even you are willing to risk yourself for her, brother.” “That's because I actually know her. What's your reason? I suppose you'd like to get to know her, too?” “You have made it very clear that she is not available in that way. Be reasonable. There is plainly more at stake here. I only wished to help.” “There's nothing you can do, Kope!” They got quiet and I could hear Kaidan's ragged breaths through his nose. “Please trust me, brother,” Kopano said. "There is no stronger weapon for Pharzuph to use than your concern for each other. If he learns that you were here to console her, you will lose all leverage with him. Do not fool yourself into thinking he will not discard you.” “Yes, some of us have to worry about such things. Thank you for the reminder.” The sounds that came next iced my blood: heavy footfalls crashing into puddles, and the metallic zing of a switchblade. I stood up with a hand to my heart. Then there was a deep, gruff chuckle. My father's. “Put it away, boy. Sorry to break up the testosterone party.
Wendy Higgins (Sweet Evil (Sweet, #1))
There’s my Duchess. Before I go, I’m going to tell you something about trust. It goes like this: It’s best if you decide to be true to the relationship rather than being true to the person. Because when the person lets you down (and he/she will!), you’ll say to yourself, “All bets are off!” And you’ll feel free to break a trust or breach privacy or be disloyal in big or small ways. It’s a justification. If you commit to the relationship, you’re being faithful to that. Same with friendship. That’s what I endeavor to do.—PJ
Duchess Goldblatt (Becoming Duchess Goldblatt)
You snuck across my yard like a trained mercenary. Dressed in a black getup without so much as a pebble misplaced under your shoe or a crinkled leaf to make a sound. Had the lay of the land within seconds too I bet. Took down a man who outweighs you by fifty pounds as if you done it before. You hardly flinched when I set my gun on you. Now you’re sittin’ there all hunched around yourself like a rabbit in the grass. Definitely runnin’ I just hope it’s not from the law.
Jocelyn Adams (The Glass Man (Lila Gray, #1))
."Holy crap." Char grabbed Jake's hand. "We have to make a run for it." "It's like hell, only worse." Jake agreed grabbing her arm. "Welcome, welcome!" Came a voice over a loudspeaker. "Holy shit, we're officially in the Hunger Games." Jake grabbed Char and put her behind him. "Just let me die first. Please God, let me die first." "I've been expecting you!" the female voice happily announced. "Somehow that doesn't make me feel better," Char whispered from behind Jake. "Oh, and by the way, it's only romantic to sacrifice yourself for me if death isn't the better option, twinkle toes!".
Rachel Van Dyken (The Wager (The Bet, #2))
I am not so much fun Anymore; Couldn’t carry the role of ingenue In a bucket, you say, laughing. And I want to punch you. I was never innocent, but Thanks to you I know things I wish I did not remember. You don’t like it When I talk to the man myself, Specifying quantities and Give him the money Instead of giving it to you And letting you take care of it. You keep asking me, Where’s the dope? Until I finally say, I hid it. The look you give me is Pure bile. Well, fuck you. This isn’t like Buying somebody a drink. You don’t leave your stash out Where I might find it. Finally I think I’ve made you wait Long enough, So I get out the little paper envelope And hand it to you. You are still in charge of This part, so you relax. Performing your junky ritual with Your favorite razor blade, until I ask you how to calculate my dose So I won’t O.D. when I do this And you’re not around. Then you really flip. You tell me it’s a bad idea For me to do this with other people. ** Was it such a good idea For me to do it with you? Do you wait for me to turn up Once every three months So you can get high? Is this our version of that famous Lesbian fight about Nonmonogamy? Let me tell you what I don’t like. I don’t like it when you Take forever to cut up brown powder And cook it down and Suck it up into the needle And measure it, then take Three times as much for yourself AS you give me. I don’t like it when you Fuck me After you’ve taken the needle Out of my arm. You talk too much And spoil my rush. All I really want to do Is listen to the tides of blood Wash around inside my body Telling me everything is Fine, fine, fine._ And I certainly don’t want to Eat you or fuck you Because it will take forever To make you come, If you can come at all, And by then the smack will have worn off And there isn’t any more. I’m trying to remember What the part is that I do like. I think this shit likes me A lot more than I like it. Now you’re hurt and angry because I don’t want to see you again And the truth is, I would love to see you, As long as I knew you were holding. So you tell me Is this what you want? I bet it was what you wanted All along.
Patrick Califia
You're a watcher, aren't you?" Peter said. "I can tell. You watch and listen. But you know what I'm betting. The thing you can't see so clear is yourself." I was startled. Here I was, trying to come up with something to say about the weather, and he said something real. "What do you mean?" I asked. "You don't walk like a girl who knows how pretty she is, for one thing. That's a crying shame.
Judy Blundell (What I Saw and How I Lied)
I bet you didn’t know,” he said, “whenever you wanted to shower – I liked to come on the soap. ” I gaped at him. “You did what?” He gave a deep laugh then drew a long, slow breath through his mouth. Under my ass, I could feel how much remembering this was arousing him. “I used to come on the soap. I loved thinking about you rubbing my come all over your body, your nipples, your stomach….” He trailed his finger down to my pubic bone. “…Between your legs.” My breath hitched when he traced his finger down to my testicles. Just that simple touch was enough to get me going again, but I knew this arousal wasn’t merely from the physical contact. I pressed my lips tight and moaned.” “I always wondered if you ever experimented with it,” he continued, his voice now soft and husky. “Did you ever lube yourself? I loved thinking you had my come in your ass.” “Ven….” I closed my eyes when he licked my chest. “Ahh, I always knew you were a pervert but this takes perversity to a whole new level.
Passhenette1 (Chronic Carnalli Complex (Carnalli Brothers, #2))
The question isn't whether you're going to believe, but who; it's not merely about what to believe, but who to entrust yourself to. Do we really think humanity is our best bet? Do we really think we are the the answer to our problems, we who've generated all of them? The problem with everything from Enlightenment scientism to mushy Eat-Pray-Love-ism is us. If anything looks irrational, it's the notion that we are our own best hope.
James K.A. Smith (On the Road with Saint Augustine: A Real-World Spirituality for Restless Hearts)
Well, look. You're the kid sister, but you always had a good, clear image of what you wanted for yourself. You were able to say no when you had to, and you did things at your own pace. But Eri Asai couldn't do that. From the time she was a little girl, her job was to play her assigned role and satisfy the people around her. She worked hard to be a perfect little Snow White—if I can borrow your name for her. It's true that everybody made a big fuss over her, but I'll bet that was really tough for her sometimes. At one of the most crucial points in her life, she didn't have a chance to establish a firm self. If 'complex' is too strong a word, let's just say she probably envied you.” Excerpt From: Haruki Murakami. “After Dark.” iBooks.
Haruki Murakami (After Dark)
When we create a Plan B, it’s not as much a safety net as it is a noose. It’s a great way to sabotage yourself. Anyone with a Plan B is not totally committed to the Plan A. They are hedging their bets. People with a Plan B are planning to fail—they just don’t know it yet. Kill Plan B or it will kill you.
Stan Beecham (Elite Minds: Creating the Competitive Advantage)
Already the people murmur that I am your enemy because they say that in verse I give the world your me. They lie, Julia de Burgos. They lie, Julia de Burgos. Who rises in my verses is not your voice. It is my voice because you are the dressing and the essence is me; and the most profound abyss is spread between us. You are the cold doll of social lies, and me, the virile starburst of the human truth. You, honey of courtesan hypocrisies; not me; in all my poems I undress my heart. You are like your world, selfish; not me who gambles everything betting on what I am. You are only the ponderous lady very lady; not me; I am life, strength, woman. You belong to your husband, your master; not me; I belong to nobody, or all, because to all, to all I give myself in my clean feeling and in my thought. You curl your hair and paint yourself; not me; the wind curls my hair, the sun paints me. You are a housewife, resigned, submissive, tied to the prejudices of men; not me; unbridled, I am a runaway Rocinante snorting horizons of God's justice. You in yourself have no say; everyone governs you; your husband, your parents, your family, the priest, the dressmaker, the theatre, the dance hall, the auto, the fine furnishings, the feast, champagne, heaven and hell, and the social, "what will they say." Not in me, in me only my heart governs, only my thought; who governs in me is me. You, flower of aristocracy; and me, flower of the people. You in you have everything and you owe it to everyone, while me, my nothing I owe to nobody. You nailed to the static ancestral dividend, and me, a one in the numerical social divider, we are the duel to death who fatally approaches. When the multitudes run rioting leaving behind ashes of burned injustices, and with the torch of the seven virtues, the multitudes run after the seven sins, against you and against everything unjust and inhuman, I will be in their midst with the torch in my hand.
Julia de Burgos Jack Agüero Translator
You want a guy to fight. You want him to be willing to go to battle for you. Don’t for one second envy a situation you know nothing about. Instead, be at peace with where you’re at in life and know that when the right time comes, it will happen. And when it happens, it’s going to be hard, and you’re going to have to ask yourself if it’s worth it.
Rachel Van Dyken (The Dare (The Bet, #3))
Having said that, if you want a community like the one you’ve just read about, I bet you are not the only one in your town who feels this way. So do what we did: Gather a small number of people once a month to simply share a meal and pray together. Talk about your lives and what is happening in the world. Be yourselves. Extend grace. Read the gospel…and repeat. (Since ancient times, saints and sinners have called this mysteriously transformative experience “church.”) See for yourself what happens. You might be surprised. I sure was.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
Don’t look to others to give you happiness. Grow it within yourself and share it with the world around you. Bets are, if you give a bit of your happiness to the world, it will begin a ripple effect, and who knows how many other people you can help. It’s never too late to decide that your happiness (or whatever it is that you want) is yours to create and not the other way around.
Leigh Hershkovich
HAVE YOU EVER REALLY EMBARRASSED YOURSELF? Don’t answer that, stupid. It’s a rhetorical question. Of course you’ve embarrassed yourself. Everybody has. I bet the pope has. If you were to say to the pope: “Your Holy Worshipfulness, I bet you’ve pulled some blockheaded boners in your day, huh?” he’d smile that warm, knowing, fatherly smile he has, and then he’d wave. He can’t hear a word you’re saying, up on that balcony.
Dave Barry (Dave Barry's Greatest Hits)
What, then, should you do? With an excellent hand, you should bet: You lose nothing if your opponent folds, while giving yourself a good chance of winning a big pot if he calls. But with a middling hand, you shouldn't bet: If he has a bad hand, he'll fold, and you'll win the ante, which is what you'd have won anyway by checking; but if he has a good hand, he'll call and win. It's heads he wins, tails you don't. You should check instead, and hope your middling hand wins the ante. What about with a terrible hand? Should you check or bet? The answer is surprising. Checking would be unwise, because the hands will be compared and you will lose. It actually makes more sense to bet with these bad hands, because the only way he might drop out is if you make a bet. Perversely, you are better off betting with awful cards than with mediocre ones, the quintessential (and rational) bluff. There's a second reason for you to bet with terrible cards rather than middling ones: Your opponent will have to call a little more often. Because he knows that your bets are sometimes very weak, he can't afford to fold too easily. That means that when you bet with a good hand, you are more likely to be called, and to win when you are. Because you are bluffing with bad cards, your good hands make more money.
Tim Harford (The Logic of Life: The Rational Economics of an Irrational World)
I’ve never been able to figure out what you’re so scared of, but there’s something in you that’s got you backed into a corner so tight your eyes are closed against it,” she says. “You don’t have to tell me what it is. I bet you don’t even know yourself. But here’s the thing: I probably won’t be around for you when you face it down. I wish I could be, but I won’t. You’re going to need someone. You won’t make it if you’re alone. I don’t know of anyone who could.
Andrew Pyper (The Demonologist)
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. An intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment. The bets you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.
Janet Fitch (White Oleander)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
This place where she worked certainly didn't make it look as if she continued to believe her calling was to change the course of American history. The building's rusted fire escape would just come down, just come loose from its moorings and crash onto the street, if anyone stepped on it - a fire escape whose function was not to save lives in the event of a fire but to uselessly hang there testifying to the immense loneliness inherent to living. For him it was stripped of any other meaning - no meaning could make better use of that building. Yes, alone we are, deeply alone, and always, in store for us, a layer of loneliness even deeper. There is nothing we can do to dispose of that. No, loneliness shouldn't surprise us, as astonishing to experience it as it may be. You can try turning yourself inside out, but all you are then is inside out and lonely instead of inside in and lonely. My stupid, stupid Merry dear, stupider even than your stupid father, not even blowing up buildings helps. It's lonely if there are buildings and it's lonely if there are no buildings. There is no protest to be lodged against loneliness - not all the bombing campaigns in history have made a dent in it. The most lethat of manmade explosives can't touch it. Stand in awe not of Communism, my idiot child, but of ordinary, everyday loneliness. On May Day go out and march with your friends to its greater glory, the superpower of superpowers, the force that overwhelms all. Put your money on it, bet on it, worship it - bow down in submission not to Karl Marx, my stuttering, angry, idiot child, not to Ho Chi-Minh and Mao Tse-tung - bow down to the great god of Loneliness!
Philip Roth (American Pastoral)
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
Christine Feehan (Dark Magic (Dark, #4))
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I bet you think about touching titties when you stroke yourself. When you’re worked up enough, you fantasize about banging a pussy with your finger. Then you replace it with your cock. Probably missionary position. Hard, fast humping. You take her without guilt, because it’s only a dream, a fleeting thought that vanishes when you come.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
You simply must have the stronger heart. You must have no doubts, no fear. You must want to survive more than the storm does. When ou drive your hand into the heart of a storm, it in turn drives into you. It will search out every weakness, every insecurity. If you are afraid to die, it will know. I've seen hunters with tremendous skill-- fast and strong and calm under pressure-- crumble under the intensity of facing a storm heart to heart. The battle is different for every person, for every storm, but one thing always holds true-- only one heart gets to live on. So tell me, Roar, do you think you are ready? Look into yourself and decide-- are you willing to bet your life on it?
Cora Carmack (Roar (Stormheart, #1))
You're just a boy. You don't have the faintest idea what you're talking about. You've never been out of Boston. So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term "visiting hours" didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy.
Matt Damon (Good Will Hunting)
If desire were really one to one, self to self, there would never be a problem of infidelity, but desire will always, without confusion, demand a particular class, Caring for a unique object is an illusion, but the feeling must be unique, and though that feeling may not be natural, it is duty. You must love your neighbour like yourself, uniquely. From the personal point of view, sexual desire, because of its impersonal and unchanging character, is a comic contradiction. The relation between every pair of lovers is unique, but in bet they can only do what all mammals do. All the relation in friendship a relationship of spirit, can be unique. In sexual relationship love the only uniqueness can be fidelity.
W.H. Auden (Lectures on Shakespeare (W.H. Auden: Critical Editions))
Anyhow, he say, you know how it is. You ast yourself one question, it lead to fifteen. I start to wonder why us need love. Why us suffer. Why us black. Why us men and women. Where do children really come from. It didn't take long to realize I didn't hardly know nothing. And that if you ast yourself why you black or a man or a woman or a bush it don't mean nothing if you don't ast why you here, period. So what you think? I ast. I think us here to wonder, myself. To wonder. To ast. And that in wondering bout the big things and asting bout the big things, you learn about the little ones, almost by accident. But you never know nothing more about the big things than you start out with. The more I wonder, he say, the more I love. And people start to love you back, I bet, I say.
Alice Walker (The Color Purple)
Exercise: Willing to Change So we have decided we are willing to change, and we will use any and all methods that work for us. Let me describe one of the methods I use with myself and with others. First: go look in a mirror and say to yourself, “I am willing to change.” Notice how you feel. If you are hesitant or resistant or just don’t want to change, ask yourself why. What old belief are you holding on to? Please don’t scold yourself, just notice what it is. I’ll bet that belief has been causing you a lot of trouble. I wonder where it came from. Do you know? Whether we know where it came from or not, let’s do something to dissolve it, now. Again, go to the mirror, and look deep into your own eyes, touch your throat, and say out loud ten times, “I am willing to release all resistance.
Louise L. Hay (You Can Heal Your Life)
Can I wear it for a bit?” Dot asked, mouth full of pizza turned to chocolate. “I bet it’ll look nice on me.” “If it can fit around that head,” Hester mumbled. Dot hurled her pizza at her, smacking Hester in the cheek. “Do you know how unfair that is, you contemptuous git! You made me gain weight in order to stay in the coven and now you’re making fun of me for it? Are you that insecure that you needed me to be fat to feel okay about yourself? Well, you picked the wrong piggy tail to pull, honey. I love myself no matter what I look like, so nothing you say to me will ever make me feel ugly again. Because unlike you, Hester, I’ll never be ugly inside.” Hester gaped at Dot like she was a rabid bear. “Agatha. Give the girl the damned crown before she stays this way forever.” Dot snatched the diadem out of Agatha’s hands and admired herself in a brass urn as she jammed it on (upside down and backwards, but no one said a thing).
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
I hate to beg. I hate to look at someone and think to myself, “If only they say ‘yes’ my entire life will be better.” I hate to be nice to someone just so they like me and say yes to me and whatever I’m offering. I bet there are some prostitutes out there who like their job. I don’t know. But I’m not one of them. I hate having sex with people I don’t love. And that’s what happens when one decision maker has control over your financial future at any moment in time.
James Altucher (Choose Yourself)
Andrew Carnegie, the poverty-stricken Scotch lad who started to work at two cents an hour and finally gave away $365 million, learned early in life that the only way to influence people is to talk in terms of what the other person wants. He attended school only four years; yet he learned how to handle people. To illustrate: His sister-in-law was worried sick over her two boys. They were at Yale, and they were so busy with their own affairs that they neglected to write home and paid no attention whatever to their mother’s frantic letters. Then Carnegie offered to wager a hundred dollars that he could get an answer by return mail, without even asking for it. Someone called his bet; so he wrote his nephews a chatty letter, mentioning casually in a postscript that he was sending each one a five-dollar bill. He neglected, however, to enclose the money. Back came replies by return mail thanking “Dear Uncle Andrew” for his kind note and—you can finish the sentence yourself.
Dale Carnegie (How To Win Friends and Influence People)
Stop it. Right now. Why torture yourself Layla? It’s not as many as you think. If I had to give you a number, which by the way I find a little unsettling, it would be…sixty, approximately. I started having sex when I was sixteen Layla. So when you think about it, that’s ten women per year. Not that many is it? And that’s including you. But none of them even matter because I’m with you. You’re the only woman I want in my bed, shower, tub, dining table, counter top, sofa and anywhere else I can throw you over. You, Layla Jennings are the only woman I will sleep with from now till the day I die. And I bet I know the next question and the answer is no. I didn’t love them. I never knew what love was. I cared about them sure and I wanted to make them happy but I didn’t love them. I love you. I’ve never met anyone that affects me the way you do. I feel like I could conquer the world, bench press a bus and run a marathon when I’m with you. You make me feel alive and so happy I can’t even think straight.
Marie Coulson (Bound Together (Bound Together, #1))
Shaking, I pushed at him and managed to turn my head long enough to gasp, “I can’t. No. That’s enough, Jack.” He stopped at once. But he kept me against him, his chest moving hard and fast. I couldn’t look at him. My voice was hoarse as I said, “That shouldn’t have happened.” “I’ve wanted this since the first second I saw you.” His arms tightened, and he bent over me until his mouth was close to my ear. Gently he whispered, “You did, too.” “I didn’t. I don’t.” “You need some fun, Ella.” I let out an incredulous laugh. “Believe me, I don’t need fun, I need—” I broke off with a gasp as he pressed my hips closer to his. The feel of him was more than my dazzled senses could handle. To my mortification, I hitched up against him before I could stop myself, heat and instinct winning out over sanity. Feeling the reflexive response, Jack smiled against my scarlet cheek. “You should take me on. I’d be good for you.” “You are so full of yourself . . . and you would not be good for me, with your steaks and power tools and your attention-deficit libido, and . . . I’ll bet you’re a card-carrying member of the NRA. Admit it, you are.” I couldn’t seem to shut up. I was talking too much, breathing too fast, jittering like a wind-up toy that had been wound to the limits of its mechanism. Jack nuzzled into a sensitive place behind my ear. “Why does that matter?” “Is that a yes? It must be. God. It matters because— stop that. It matters because I would only go to bed with a man who respected me and my views. My—” I broke off with an inarticulate sound as he nibbled lightly at my skin. “I respect you,” he murmured. “And your views. I think of you as an equal. I respect your brains, and all those big words you like to use. But I also want to rip your clothes off and have sex with you until you scream and cry and see God.” His mouth dragged gently along my throat. I jerked helplessly, muscles jolting with pleasure, and his hands gripped my hips, keeping me in place. “I’m gonna show you a good time, Ella. Starting with some take-no-prisoners sex. The kind when you can’t remember your own name after.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Hey! Can you hear me? I’m talking to the American asshole who just told my daughter she was going to die. She says you put something inside her head, some sort of explosive. If that’s true, you better hope that thing doesn’t go off because if it does, you might as well kill yourself. I know what you’re thinking. There’s a good chance Moscow will do the same thing and kill me. There’s always a possibility the Chinese or Koreans will kill me, but I wouldn’t bet on that. You see, I’m not the easiest person to be with. I can be a bit of a dick sometimes, just ask my daughter. My point is if people keep me around, it’s not because of my charming personality, it’s because I have legs that bend the wrong way, and that’s kind of useful if you also happen to have Themis. So on the off chance that I make it through this, I want you to listen to me very carefully. I don’t give a shit who this robot belongs to an hour from now. I will fucking kill you. I will mow down whatever place you work at and the house you live in. I will kill everyone you’ve ever known, your high-school teacher, people you play softball with. I will march down Washington Avenue and turn DC into a fucking sandbox. I will end you and everything you hold dear. There. Will. Be. No United States when I’m done with you, and there is nothing, not a goddamn thing, you can do to stop me. Do you hear me? DO YOU HEAR ME, MOTHERFUCKER? ANSWER ME!
Sylvain Neuvel (Only Human (Themis Files, #3))
Athletes, by and large, are people who are happy to let their actions speak for them, happy to be what they do. As a result, when you talk to an athlete, as I do all the time in locker rooms, in hotel coffee shops and hallways, standing beside expensive automobiles—even if he’s paying no attention to you at all, which is very often the case—he’s never likely to feel the least bit divided, or alienated, or one ounce of existential dread. He may be thinking about a case of beer, or a barbecue, or some man-made lake in Oklahoma he wishes he was waterskiing on, or some girl or a new Chevy shortbed, or a discothèque he owns as a tax shelter, or just simply himself. But you can bet he isn’t worried one bit about you and what you’re thinking. His is a rare selfishness that means he isn’t looking around the sides of his emotions to wonder about alternatives for what he’s saying or thinking about. In fact, athletes at the height of their powers make literalness into a mystery all its own simply by becoming absorbed in what they’re doing. Years of athletic training teach this; the necessity of relinquishing doubt and ambiguity and self-inquiry in favor of a pleasant, self-championing one-dimensionality which has instant rewards in sports. You can even ruin everything with athletes simply by speaking to them in your own everyday voice, a voice possibly full of contingency and speculation. It will scare them to death by demonstrating that the world—where they often don’t do too well and sometimes fall into depressions and financial imbroglios and worse once their careers are over—is complexer than what their training has prepared them for. As a result, they much prefer their own voices and questions or the jabber of their teammates (even if it’s in Spanish). And if you are a sportswriter you have to tailor yourself to their voices and answers: “How are you going to beat this team, Stu?” Truth, of course, can still be the result—“We’re just going out and play our kind of game, Frank, since that’s what’s got us this far”—but it will be their simpler truth, not your complex one—unless, of course, you agree with them, which I often do. (Athletes, of course, are not always the dummies they’re sometimes portrayed as being, and will often talk intelligently about whatever interests them until your ears turn to cement.)
Richard Ford (The Sportswriter)
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness. So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare. We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop. Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive. So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
Stefan Molyneux
Do you really not think sad things can be beautiful?” I say as Jamie drives me home. He isn’t shallow; surely he has felt what I’m talking about. His favorite song was on the radio when we got in and I wasn’t allowed to speak until now. I’ve been thinking of examples to make him understand. Jamie doesn’t take his eyes off the road, doesn’t look at me. “Nope,” he says. “You’re just weird.” “Why does that make me weird?” I say. I momentarily forget my arguments and examples. “Just because I think something different from you doesn’t make me weird.” “I bet if we took a survey, everybody would agree with me.” “That doesn’t make you right,” I say. “And you’re supposed to be against being just like everybody else.” “It’s not about being like everybody else. When someone dies, it’s bad,” Jamie says. “That’s just something everybody knows.” “You don’t understand,” I say. “I do understand,” he says. He pulls the car into my driveway. “You just see things differently and that’s okay, because I like you weird. You’re my weird, morbid pretty girl.” I let him kiss me good night. I sigh. “Hey,” he says. “What’s wrong?” “Nothing,” I say. “What?” he asks. “What about Romeo and Juliet?” I say. “That’s beautiful and sad.” “But that’s not real life.” “So?” “There’s real life and then there are books, Autumn,” Jamie says. “In real life, it would just be sad and stu pid.” “How could two people dying for love be stupid?” I say. We are sitting in the dark facing each other in the seats, our seatbelts off. “It’s stupid to kill yourself,” Jamie says. “That’s what cowards do.” “I think it’s brave,” I say. “And I think it’s beautiful that they loved each other so much that they couldn’t live without the other one.
Laura Nowlin (If He Had Been With Me (If He Had Been with Me #1))
Part of the reason relationships and friendships can be so difficult for me is because there is a part of me that thinks I have to get things just right. I have to say the right things and do the right things or I won’t be liked or loved anymore. It’s stressful, so then I engage in an elaborate attempt at being the best friend or girlfriend and get further and further away from who I really am, someone with a good heart, but also someone who may not always get things right. I find myself apologizing for things I shouldn’t be apologizing for, things I am not at all sorry for. I find myself apologizing for who I am. And even when I am with good, kind, loving people, I don’t trust that goodness, kindness, or love. I worry that sooner or later, they will make my losing weight a condition of their continued affection. That fear makes me try harder to get things right, as if I am hedging my bets. All of this makes me very hard on myself, very driven. I just keep working and working and working and trying to be right, and I lose sight of who I am or what I want, which leaves me in a less than ideal place. It leaves me . . . nowhere. With age comes self-awareness, or something that looks like self-awareness, and so I try to be on the lookout for patterns of behavior, choices I’m making where I’m trying too hard, giving too much, reaching too intently for being right where right is what someone else wants me to be. It’s scary, though, trying to be yourself and hoping yourself is enough. It’s scary believing that you, as you are, could ever be enough. There is an anxiety in being yourself, though. There is the haunting question of “What if?” always lingering. What if who I am will never be enough? What if I will never be right enough for someone?
Roxane Gay (Hunger: A Memoir of (My) Body)
You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
‌* When the coughing stopped, there was nothing but the nothingness of life moving on with a shuffle, or a near-silent twitch. ‌* Mistakes, mistakes, it’s all I seem capable of at times ‌*No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment. ‌*It’s much easier, she realized, to be on the verge of something than to actually be it ‌*When death captures me,” the boy vowed, “he will feel my fist on his face.”. ‌*he’d turned for one last look at his family as he left the apartment. Perhaps then the guilt would not have been so heavy. No final goodbye. No final grip of the eyes. Nothing but goneness. ‌ *Wrecked, but somehow not torn into pieces. ‌*Life had altered in the wildest possible way, but it was imperative that they act as if nothing at all had happened. ‌*“If we gamble on a Jew,” said Papa soon after, “I would prefer to gamble on a live one,” and from that moment, a new routine was born. *‌you should know it yourself—a young man is still a boy, and a boy sometimes has the right to be stubborn.” ‌*The fire was nothing now but a funeral of smoke, dead and dying, simultaneously. ‌*Even death has a heart.. ‌* In truth, I think he was afraid. Rudy Steiner was scared of the book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them. ‌*There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone. *‌That damn snowman,” she whispered. “I bet it started with the snowman—fooling around with ice and snow in the cold down there.” Papa was more philosophical. “Rosa, it started with Adolf.” *‌There were broken bodies and dead, sweet hearts. Still, it was better than the gas ‌*They were French, they were Jews, and they were you. ‌*Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. *‌Himmel Street was a trail of people, and again, Papa left his accordion. Rosa reminded him to take it, but he refused. “I didn’t take it last time,” he explained, “and we lived.” War clearly blurred the distinction between logic and superstition. ‌*Silence was not quiet or calm, and it was not peace. ‌*“I should have known not to give the man some bread. I just didn’t think.” “Papa, you did nothing wrong.” “I don’t believe you. ‌ * I’m an idiot.” No, Papa. You’re just a man.. ‌*What someone says and what happened are usually two different things ‌* despised by his homeland, even though he was born in it ‌ *“Of course I told him about you,” Liesel said. She was saying goodbye and she didn’t even know it. ‌*Say something enough times and you never forget it ‌*robbery of his life? ‌*Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places ‌*One could not exist without the other, because for Liesel, both were home. Yes, that’s what Hans Hubermann was for Liesel Meminger ‌*DEATH AND LIESEL It has been many years since all of that, but there is still plenty of work to do. I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.
Markus Zusak (THE BOOK THIEF)
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
I kept my head down and my mouth full. I didn't want Frankie's sharp eyes or tongue focused on me any more than necessary. It was a lot easier with Daniel taking up half of the food and most of the air. "What about it, Ella?" he asked when everything was gone except the parsley garnish. "When do we get the pleasure of your vocal stylings?" "I don't sing." "You mean you won't sng," Sadie corrected. I tried to be charitable about her treason; she goes pretty brainless around Daniel. "Ella sings really well." "I'm sure she does." Daniel tipped his beer glass in my direction. "In fact, I bet she could totally murder 'Don't Stop Believin'." A song that is actually one of my guilty pleasures. I think he probably knew that. I think he probably had himself a lovely chuckle over it.Then he whispered, "Coward." In another story, the plucky little heroine would have slapped both hands onto the table, making it wobble a little on its predicatbly uneven fourth leg. She would then have taken both hands, ripped the long scarf from around her neck and, chin high and scar spotlit, stalked to the dais, leaped up, and slayed the audience with her kick-ass version of "Respect." Or maybe "Single Ladies," for the sheer Yay factor. In this version,I gave Daniel what I hoped was a slayer look and busied myself refolding my napkin. He was,not surprisingly, unfazed. "Can I ask you a question?" I sighed. "Will my answer to that one make any difference?" "None whatsoever." "Fine," I grumbled. "Ask." I didn't have to answer.He wasn't my Hobbes. "Why are there interstate highways in Hawaii?" I gaped at him. "That's your question?" "Nope." He leaned back in his chair, propping one foot on the other knee. "That's a question. My question is this: What's the one thing you should ask yourself before getting involved with someone?" "Seriously?" "Do I look serious?" Maybe not serious, but vaguely deadly. Still,it was an interesting question, especially coming from Daniel Hobbes. I thought for a second. "'Will he make me happy?'" "You think?" Daniel asked, the unfolded himself and got to his feet. "I'm outta here. Who's coming?
Melissa Jensen (The Fine Art of Truth or Dare)
In the middle of the night, Alexander—with the moist towel still on his face—was startled out of sleep by the cheerful drunken whisper of Ouspensky, who was shaking him awake, while taking his hand and placing into it something soft and warm. It took Alexander a moment to recognize the softness and warmness as a large human breast, a breast still attached to a human female, albeit a not entirely sober human female, who breathed fire on him, kneeled near his bed and said something in Polish that sounded like, “Wake up, cowboy, paradise is here.” “Lieutenant,” said Alexander in Russian, “you’re going on the rack tomorrow.” “You will pray to me as if I’m your god tomorrow. She is bought and paid for. Have a good one.” Ouspensky lowered the flaps on the tent and disappeared. Sitting up and turning on his kerosene lamp, Alexander was faced with a young, boozy, not unattractive Polish face. For a minute as he sat up, they watched each other, he with weariness, she with drunken friendliness. “I speak Russian,” she said in Russian. “I’m going to get into trouble being here?” “Yes,” said Alexander. “You better go back.” “Oh, but your friend…” “He is not my friend. He is my sworn enemy. He has brought you here to poison you. You need to go back quickly.” He helped her sit up. Her swinging breasts were exposed through her open dress. Alexander was naked except for his BVDs. He watched her appraise him. “Captain,” she said, “you’re not telling me you are poison? You don’t look like poison.” She reached out for him. “You don’t feel like poison.” She paused, whispering, “At ease, soldier.” Moving away from her slightly—only slightly—Alexander started to put on his trousers. She stopped him by rubbing him. He sighed, moving her hand away. “You left a sweetheart behind? I can tell. You’re missing her. I see many men like you.” “I bet you do.” “They always feel better after they’re with me. So relieved. Come on. What’s the worst that can happen? You will enjoy yourself?” “Yes,” said Alexander. “That’s the worst that can happen.” She stuck out her hand holding a French letter. “Come on. Nothing to be afraid of.” “I’m not afraid,” said Alexander. “Oh, come on.” He buckled his belt. “Let’s go. I’ll walk you back.” “You have some chocolate?” she said, smiling. “I’ll suck you off for some chocolate.” Alexander wavered, lingering on her bare breasts. “As it turns out, I do have some chocolate,” he said, throbbing everywhere, including his heart. “You can have it all.” He paused. “And you don’t even have to suck me off.” The Polish girl’s eyes cleared for a moment. “Really?” “Really.” He reached into his bag and handed her some small pieces of chocolate wrapped in foil. Hungrily she shoved the bars into her mouth and swallowed them whole. Alexander raised his eyebrows. “Better the chocolate than me,” he said. The girl laughed. “Will you really walk me back?” she said. “Because the streets are not safe for a girl like me.” Alexander took his machine gun. “Let’s go.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
This is painfully obvious at a poker table. Even weak players know, in principle, that seeing through the eyes of opponents is critical. She raised the bet $20? What does that tell me about her thinking—and the cards she has? Each bet is another clue to what your opponent is holding, or wants you to think she is holding, and the only way to piece it together is to imagine yourself in her seat. Good perspective-takers can make a lot of money. So you might suppose that anyone who takes poker seriously would get good at it, quickly, or take up another hobby. And yet they so often don’t. “Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake. Duke teaches poker and to get her students to see like dragonflies she walks them through a game situation. A hand is dealt. You like your cards. In the first of several rounds of betting, you wager a certain amount. The other player immediately raises your bet substantially. Now, what do you think the other player has? Duke has taught thousands of students “and universally, they say ‘I think they have a really strong hand.’” So then she asks them to imagine the same situation, except they’re playing against her. The cards are dealt. Their hand is more than strong—it’s unbeatable. Duke makes her bet. Now, what will you do? Will you raise her bet? “And they say to me, ‘Well, no.’” If they raise, Duke may conclude their hand is strong and fold. They don’t want to scare her off. They want Duke to stay in for each of the rounds of betting so they can expand the pot as much as possible before they scoop it up. So they won’t raise. They’ll only call. Duke then walks them through the same hypothetical with a hand that is beatable but still very strong. Will you raise? No. How about a little weaker hand that is still a likely winner? No raise. “They would never raise with any of these really great hands because they don’t want to chase me away.” Then Duke asks them: Why did you assume that an opponent who raises the bet has a strong hand if you would not raise with the same strong hand? “And it’s not until I walk them through the exercise,” Duke says, that people realize they failed to truly look at the table from the perspective of their opponent. If Duke’s students were all vacationing retirees trying poker for the first time, this would only tell us that dilettantes tend to be naive. But “these are people who have played enough poker, and are passionate about the game, and consider themselves good enough, that they’re paying a thousand dollars for a seminar with me,” Duke says. “And they don’t understand this basic concept.”22
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
YOU FIRST When entering into relationships, we have a tendency to bend. We bend closer to one another, because regardless of what type of relationship it might be — romantic, business, friendship — there’s a reason you’re bringing that other person into your life, and that means the load is easier to carry if you carry it together, both bending toward the center. I picture people in relationships as two trees, leaning toward one another. Over time, as the relationship solidifies, you both become more comfortable bending, and as such bend farther, eventually resting trunk to trunk. You support each other and are stronger because of the shared strength of your root system and entwined branches. Double-tree power! But there’s a flaw in this mode of operation. Once you’ve spent some time leaning on someone else, if they disappear — because of a breakup, a business upset, a death, a move, an argument — you’re all that’s left, and far weaker than when you started. You’re a tree leaning sideways; the second foundation that once supported you is…gone. This is a big part of why the ending of particularly strong relationships can be so disruptive. When your support system presupposes two trunks — two people bearing the load, and divvying up the responsibilities; coping with the strong winds and hailstorms of life — it can be shocking and uncomfortable and incredibly difficult to function as an individual again; to be just a solitary tree, alone in the world, dealing with it all on your own. A lone tree needn’t be lonely, though. It’s most ideal, in fact, to grow tall and strong, straight up, with many branches. The strength of your trunk — your character, your professional life, your health, your sense of self — will help you cope with anything the world can throw at you, while your branches — your myriad interests, relationships, and experiences — will allow you to reach out to other trees who are likewise growing up toward the sky, rather than leaning and becoming co-dependent. Relationships of this sort, between two equally strong, independent people, tend to outlast even the most intertwined co-dependencies. Why? Because neither person worries that their world will collapse if the other disappears. It’s a relationship based on the connections between two people, not co-dependence. Being a strong individual first alleviates a great deal of jealousy, suspicion, and our innate desire to capture or cage someone else for our own benefit. Rather than worrying that our lives will end if that other person disappears, we know that they’re in our lives because they want to be; their lives won’t end if we’re not there, either. Two trees growing tall and strong, their branches intertwined, is a far sturdier image than two trees bent and twisted, tying themselves into uncomfortable knots to wrap around one another, desperately trying to prevent the other from leaving. You can choose which type of tree to be, and there’s nothing inherently wrong with either model; we all have different wants, needs, and priorities. But if you’re aiming for sturdier, more resilient relationships, it’s a safe bet that you’ll have better options and less drama if you focus on yourself and your own growth, first. Then reach out and connect with others who are doing the same.
Colin Wright (Considerations)