Yuppy Love Quotes

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A year later we were in a coffee shop, the kind taking a last stand against Starbucks with its thrift-store chairs, vegan cookies, and over-promising teas with names like Serenity and Inner Peace. I was curled up with a stack of causes, trying to get in a few extra hours of work over the weekend, and Andrew sat with one hand gripping his mug, his nose in The New York Times; the two of us a parody of the yuppie couple of the new millennium. We sat silently that way, though there wasn't silence at all. On top of the typical coffee-shop sounds - the whir of an expresso machine, the click of the cash register, the bell above the door - Andrew was making his noises, an occasional snort at something he read in the paper, the jangle of his keys in his pocket, a sniffle since he was getting over a cold, a clearing of his throat. And as we sat there, all I could do was listen to those Andrew-specific noises, the rhythm of his breath, the in-out in-out, its low whistle. Snort. Jangle. Sniffle. Clear. Hypnotized. I wanted to buy his soundtrack. This must be what love is, I thought. Not wanting his noises to ever stop.
Julie Buxbaum (The Opposite of Love)
Watching Paris is Burning, I began to think that the many yuppie-looking, straight -acting, pushy, predominantly white folks in the audience were there because the film in no way interrogates “whiteness.” These folks left the film saying it was “amazing,” “marvellous,” incredibly funny,” worthy of statements like, “Didn’t you just love it?” And no, I didn’t love it. For in many ways the film was a graphic documentary portrait of the way in which colonized black people (in this case black gay brothers, some of whom were drag queens) worship at the throne of whiteness, even when such worship demands that we live in perpetual self-hate, steal, go hungry, and even die in its pursuit. The "we" evoked here is all of us, black people/people of color, who are daily bombarded by a powerful colonizing whiteness that seduces us away from ourselves, that negates that there is beauty to be found in any form of blackness that is not imitation whiteness.
bell hooks (Black Looks: Race and Representation)
Paranoid Android Please could you stop the noise, I’m trying to get some rest From all the unborn chicken voices in my head What’s that…? (I may be paranoid, but not an android) What’s that…? (I may be paranoid, but not an android) When I am king, you will be first against the wall With your opinion which is of no consequence at all What’s that…? (I may be paranoid, but no android) What’s that…? (I may be paranoid, but no android) Ambition makes you look pretty ugly Kicking and squealing gucci little piggy You don’t remember You don’t remember Why don’t you remember my name? Off with his head, man Off with his head, man Why don’t you remember my name? I guess he does…. Rain down, rain down Come on rain down on me From a great height From a great height… height… Rain down, rain down Come on rain down on me From a great height From a great height… height… Rain down, rain down Come on rain down on me That’s it, sir You’re leaving The crackle of pigskin The dust and the screaming The yuppies networking The panic, the vomit The panic, the vomit God loves his children, God loves his children, yeah!
Radiohead
In my generation we did a lot of pleasure chasing—we, the generation responsible for today’s twenty-year-olds and thirty-year-olds and forty-year-olds. Before they came into our lives, we were on a pleasure binge, and the need for immediate gratification passed through us to our children. When I got out of the Army in 1944, the guys who were being discharged with me were mostly between the ages of eighteen and thirty. We came home to a country that was in great shape in terms of industrial capacity. As the victors, we decided to spread the good fortune around, and we did all kinds of wonderful things—but it wasn’t out of selfless idealism, let me assure you. Take the Marshall Plan, which we implemented at that time. It rebuilt Europe, yes, but it also enabled those war ruined countries to buy from us. The incredible, explosive economic prosperity that resulted just went wild. It was during that period that the pleasure principle started feeding on itself. One generation later it was the sixties, and those twenty-eight-year-old guys from World War II were forty-eight. They had kids twenty years old, kids who had been so indulged for two decades that it caused a huge, first-time-in-history distortion in the curve of values. And, boy, did that curve bend and bend and bend. These postwar parents thought they were in nirvana if they had a color TV and two cars and could buy a Winnebago and a house on the lake. But the children they had raised on that pleasure principle of material goods were by then bored to death. They had overdosed on all that stuff. So that was the generation who decided, “Hey, guess where the real action is? Forget the Winnebago. Give me sex, drugs, and rock ‘n’ roll.” Incredible mind-blowing experiences, head-banging, screw-your-brains-out experiences in service to immediate and transitory pleasures. But the one kind of gratification is simply an outgrowth of the other, a more extreme form of the same hedonism, the same need to indulge and consume. Some of those same sixties kids are now themselves forty-eight. Whatever genuine idealism they carried through those love-in days got swept up in the great yuppie gold rush of the eighties and the stock market nirvana of the nineties—and I’m afraid we are still miles away from the higher ground we seek.
Sidney Poitier (The Measure of a Man: A Spiritual Autobiography)
Looking into Christ's eyes outside of church, through the cheery atheist yuppie with the sports car and the veiled Muslim clerk at Walgreens. Listening to Christ's voice in other churches, through the middle aged woman with the annoying nasal whine, and the self-righteous homophobic radio evangelist, and the conservative African bishop. I was not going to get to sit by myself and think loftily about how much Jesus loved me in particular. I was not going to get to have dinner, eternally, with people just like me
Sara Miles
He snapped back to the present, once again utterly distracted by the woman before him. “We should head back. I’ve got things to do.” “Things? Ooh. That sounds utterly decadent. What kind of things are you planning? I’m very partial to nipple play just so you know.” The bag with its leftover treats provided a shield to hide the tenting of his trousers, but nothing could quell the heat in his blood. Why did she do things on purpose to tease him? Why are we not taking her up on her offer? Why wouldn’t his liger go take a fucking nap like other bloody felines? A glower didn’t deter her from linking her arm through his as they left. A tight-lipped countenance didn’t stem her adorable chattering as they walked. A firm leash on his emotions didn’t prevent the spurt of pleasure at her touch. A denial of their involvement didn’t stop his growl of jealousy when some yuppies they passed on the sidewalk swiveled to give her a second look. Were the teeth he bared necessary? Yes. Was the sigh as he entered the lobby and a dozen lionesses went “ooh” avoidable? No. Nor could he avoid the snickers that followed Luna singing, “Bow-chica-wow-wow,” especially since Meena joined in and began the impromptu dance that involved a lot of hip shaking and breast jiggling. Throw her over our shoulder and take her to our room. We must claim her before another does. What happened to his usually staid and laid back inner feline? The right woman happened. But what was right for his wild side wasn’t what the more serious man side wanted. She is chaos. Yes. And wondrous for it. She is physically perfect. And tempting him to take a bite. She’ll never let you have a moment of peace. His life would have purpose. She would love me with the passion and embrace of a hurricane. But could he survive the storm? Or should he try and outrun it? She would catch us. She is strong. A true huntress. Rawr. Possible life-changing inner conversations were best conducted out of sight, especially since it made him less mindful of his surroundings allowing his cousin Luna to sidle alongside and mutter, “I see the look in your eye.” “What look?” “The one that sees something yummy it wants to eat.” Was he truly that obvious? “I’m not hungry. I just had breakfast.” Luna elbowed him as she snickered. “Way to pretend ignorance. I know that you know what I know is happening.” “Say that fast five times.” She did. Luna wasn’t just quick on her feet. “So when are you claiming her?” the nosy woman asked. “Never.” He ignored his feline collapsing in a heap. “Leo. I am shocked at you. Aren’t you the one who advocates honesty?” “Only if it won’t cause irreparable harm. Then even giant white lies are allowed. Anything to hold back the insidious forces of chaos.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
My parents opened this place to celebrate us and our neighbors and the community. To show their pride and love of our culture. They didn’t open this place to cater to a bunch of yuppies who want everything vegan and locally sourced.
Natalie Caña (A Proposal They Can't Refuse)
So, I have always wanted to tell this story, because it is a true story that I have carefully remembered, but frankly, it is a sentimental story, too—as all stories of successful human society must be—and we don’t cherish that flavor of democracy anymore. Today, we do blood, money, and sex—race, class, and gender. We don’t do communities of desire (people united in loving something as we loved jazz). We do statistical demographics, age groups, and target audiences. We do ritual celebrations of white family values, unctuous celebrations of marginal cultural identity, multiethnic kick-boxer movies, and yuppie sit-coms. With the possible exception of Roseanne, we don’t even do ordinary eccentricity anymore. In an increasingly diffuse and customized post-industrial world, we cling to the last vestige of industrial thinking: the presumption of mass-produced identity and ready-made experience—a presumption that makes the expression, appreciation, or even the perception of our everyday distinctions next to impossible.
Dave Hickey (Air Guitar: Essays on Art and Democracy)