Bel Canto Quotes

We've searched our database for all the quotes and captions related to Bel Canto. Here they are! All 100 of them:

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It makes you wonder. All the brilliant things we might have done with our lives if only we suspected we knew how.
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Ann Patchett (Bel Canto)
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Some people are born to make great art and others are born to appreciate it. Don't you think? It is a kind of talent in itself, to be an audience, whether you are the spectator in the gallery or you are listening to the voice of the world's greatest soprano. Not everyone can be the artist. There have to be those who witness the art, who love and appreciate what they have been privileged to see.
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Ann Patchett (Bel Canto)
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Love was action. It came to you. It was not a choice.
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Ann Patchett (Bel Canto)
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It was never the right time or it was always the right time, depending on how you looked at it.
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Ann Patchett (Bel Canto)
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There was such an incredible logic to kissing, such a metal-to-magnet pull between two people that it was a wonder that they found the strength to prevent themselves from succumbing every second. Rightfully, the world should be a whirlpool of kissing into which we sank and never found the strength to rise up again.
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Ann Patchett (Bel Canto)
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She sang as if she was saving the life of every person in the room.
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Ann Patchett (Bel Canto)
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There was no time for kissing but she wanted him to know that in the future there would be. A kiss in so much loneliness was like a hand pulling you up out of the water, scooping you up from a place of drowning and into the reckless abundance of air. A kiss, another kiss.
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Ann Patchett (Bel Canto)
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It was too much work to remember things you might not have again, and so one by one they opened up their hands and let them go.
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Ann Patchett (Bel Canto)
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For a man to know what he has when he had it, that is what makes him a fortunate man.
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Ann Patchett (Bel Canto)
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If what a person wants is his life, he tends to be quiet about wanting anything else. Once the life begins to seem secure, one feels the freedom to complain.
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Ann Patchett (Bel Canto)
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He doesn’t know to want for more because nothing in his life has been as much as this...on that night he thinks that no one has ever had so much and only later will he know he should have asked for more.
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Ann Patchett (Bel Canto)
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Maybe the private life wasn't forever. Maybe everyone got it for a little while and then spent the rest of their lives remembering.
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Ann Patchett (Bel Canto)
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The quality of gifts depends on the sincerity of the giver.
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Ann Patchett (Bel Canto)
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The kind of love that offers its life so easily, so stupidly, is always the love that is not returned.
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Ann Patchett (Bel Canto)
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Love is a rebellious bird that no one can tame
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Ann Patchett (Bel Canto)
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Sleep was a country for which he could not obtain a visa.
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Ann Patchett (Bel Canto)
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The timing of the electrical failure seemed dramatic and perfectly correct, as if the lights had said, "You have no need for sight. Listen.
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Ann Patchett (Bel Canto)
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Carmen prayed hard. She prayed while standing near the priest in hopes it would give her request extra credibility. What she prayed for was nothing. She prayed that God would look on them and see the beauty of their existence and leave them alone.
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Ann Patchett (Bel Canto)
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He believed that life, true life, was something that was stored in music. True life was kept safe in the lines of Tchaikovsky's Eugene Onegin while you went out in the world and met the obligations required of you. Certainly he knew (though did not completely understand) that opera wasn't for everyone, but for everyone he hoped there was something. The records he cherished, the rare opportunities to see a live performance, those were the marks by which he gauged his ability to love.
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Ann Patchett (Bel Canto)
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Maybe there would be a bad outcome for some of the others, but no one was going to shoot a soprano.
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Ann Patchett (Bel Canto)
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Most of the time, we're loved for what we can do rather than for who we are. It's not such a bad thing, being loved for what you can do.' 'But the other is better.' 'Better. I hate to say better, but it is. If someone loves you for what you can do then it's flattering, but why do you love them? If someone loves you for who you are then they have to know you, which means you have to know them.
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Ann Patchett (Bel Canto)
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It's easier to love a woman when you can't understand a word she's saying.
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Ann Patchett (Bel Canto)
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But together they moved through the world quite easily, two small halves of courage making a brave whole.
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Ann Patchett (Bel Canto)
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He realized now he was only just beginning to see the full extent to which it was his destiny to follow, to walk blindly into fates he could never understand. In fate there was reward, in turning over one's heart to God there was a magnificence that lay beyond description. At the moment one is sure that all is lost, look at what is gained!
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Ann Patchett (Bel Canto)
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The Swedish he knew was mostly from Bergman films. He had learned it as a college student, matching the subtitles to the sounds. In Swedish, he could only converse on the darkest of subjects.
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Ann Patchett (Bel Canto)
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The light was cut to lace by the trees that had grown so thick with leaves in the last few months.
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Ann Patchett (Bel Canto)
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Wearing shoes in the house was barbaric. There was almost as much indignity in wearing shoes in the house as there was in being kidnapped.
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Ann Patchett (Bel Canto)
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When you think of love you think as an American. You must think like a Russian. It is a more expansive view.' 'Americans havea bad habbit of thinking like Americans,' Roxane said kindly.
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Ann Patchett (Bel Canto)
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If someone loves you for what you can do then it's flattering, but why do you love them? If someone loves you for who you are then they have to know you, which means you have to know them.
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Ann Patchett (Bel Canto)
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...as if the world had become a giant train station in which everything was delayed until further notice.
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Ann Patchett (Bel Canto)
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A kiss in so much loneliness was like a hand pulling you up out of the water, scooping you up from a place of drowning and into the reckless abundance of air.
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Ann Patchett (Bel Canto)
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...it was a miraculous thing to be able to watch the person you love undetected,
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Ann Patchett (Bel Canto)
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Instead, he was astonished by what he had: the chance to sit beside this woman in the late afternoon light while she read.
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Ann Patchett (Bel Canto)
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It makes you wonder. All the brilliant things we mght have done with our lives if only we suspected we knew how.
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Ann Patchett (Bel Canto)
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He was in love, and never had he felt such kindness towards another person.
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Ann Patchett (Bel Canto)
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As if music were a separate thing you could drive yourself into, make love to, fuck.
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Ann Patchett (Bel Canto)
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Well, you can't tell it from looking at him....It makes you wonder. All the brilliant things we might have done with our lives if only we suspected we knew how.
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Ann Patchett (Bel Canto)
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People souldn't be allowed to decide that they wished to remain a hostage
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Ann Patchett (Bel Canto)
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Gen, with his genius for languages, was often at a loss for what to say when left with only his own words.
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Ann Patchett (Bel Canto)
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But it is never about who has given what. That is not the way of gifts. This is not a business we are conducting.
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Ann Patchett (Bel Canto)
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They lived their lives only for the hour that lay ahead of them.
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Ann Patchett (Bel Canto)
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Thank God Roxane Coss had not fallen in love with one of the Russians. She doubted they could make it up the stairs without stopping for a cigarette and telling at least one loud story that no one could understand.
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Ann Patchett (Bel Canto)
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If want a person wants is his life, he tends to be quiet about wanting anything else.
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Ann Patchett (Bel Canto)
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Time could barely pull the second hand forward on the clock...
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Ann Patchett (Bel Canto)
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She was his wife in every way that mattered and that would save her.
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Ann Patchett (Bel Canto)
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The President's unwavering devotion to his television set was so potentially embarrassing his cabinet would gladly have traded it in for an indiscreet mistress.
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Ann Patchett (Bel Canto)
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He was so close to her then that they owned every molecule of air in the tiny room and the air grew heavy with their desire and worked to move them together.
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Ann Patchett (Bel Canto)
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In the future, he will try to say her name enough, but he never can.
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Ann Patchett (Bel Canto)
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You don't see many shy terrorists.
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Ann Patchett (Bel Canto)
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No one could see her objectively anyway. Even those who saw her for the first time, before she had opened her mouth to sing. Found her radiant, as if her talent could not be contained in her voice and so poured like light though her skin. Then all that could be seen was the weight and the gloss of her hair and the pale pink of her cheeks and her beautiful hands.
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Ann Patchett (Bel Canto)
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...that it was so completely their own that it would have been pointless to even try to speak of it to someone else.
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Ann Patchett (Bel Canto)
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...was an elegant woman in a city of so many thousands of elegant women...
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Ann Patchett (Bel Canto)
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It was nothing like Roxanne singing, where it seemed that everyone's heart would have to wait until she finished before it could beat again.
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Ann Patchett (Bel Canto)
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It was not a musical voice, and yet it affected him like music.
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Ann Patchett (Bel Canto)
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A pain exploded up high in her chest and spit her out of this terrible world.
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Ann Patchett (Bel Canto)
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From his endless work had come a great industry, great personal gain, but happiness? It was a word he would have puzzled over, unable to understand it's importance even while it's meaning was evident.
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Ann Patchett (Bel Canto)
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I could have had one life but insteads I had another because of this book my grandmother protected. What a miracle is that? I was taught to love beautiful things. I had a language in which to consider beauty. Later that extended to the opera, to the ballet, to architecture I saw, and even later still I came to realize that what I had seen in the paintings I could see in the fields or a river. I could see it in people. All of that I attribute to this book.
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Ann Patchett (Bel Canto)
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If we put a gun to her head she would sing all day. Try it first with a bird, General Benjamin said gently to Alfredo. Like our soprano, they have no capacity to understand authority. The bird doesn't know enough to be afraid and the person holding the gun will only end up looking like a lunatic.
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Ann Patchett (Bel Canto)
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Running, the music flew into him, became the wind that pushed back his hair and the slap of his own feet on the pavement.
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Ann Patchett (Bel Canto)
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If what a person wants is his life, he tends to be quiet about wanting anything else. Once the life begins to seem secure, one feels the freedom to complain. Victor
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Ann Patchett (Bel Canto)
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At least she was not a tall woman. She was a pixie, a pocket Venus.
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Ann Patchett (Bel Canto)
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For a man to know what he has when he has it, that is what makes him a fortunate man. Fyodorov
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Ann Patchett (Bel Canto)
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Art is not sin. It’s not always good. But it is not a sin.
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Ann Patchett (Bel Canto)
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Gen stopped and talked to Simon Thaibault, who was reading One Hundred Years Of Solutide in Spanish. 'This will take me forever,' Thaibault said to Gen in French, 'Maybe a hundred years. At least I know I have the time.' 'Who knew that being kidnapped was so much like attending university?' Gen said.
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Ann Patchett
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Simon Thibault would never die in a foolish gesture for Edith. On the contrary, he would take every cowardly recourse available to him to ensure that their lives were spent together.
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Ann Patchett (Bel Canto)
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When I hear Roxane sing I am still able to think well of the world," Gen said. "This is a world in which she can still sing that music with so much compassion. That's proof of something, isn't it?
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Ann Patchett (Bel Canto)
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For the guests of Mr. Hosokawa’s birthday party, most of the day was spent wandering from window to window, maybe playing a hand of cards or looking at a magazine, as if the world had become a giant train station in which everything was delayed until further notice.
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Ann Patchett (Bel Canto)
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You don't find strangers declaring themselves to you awkward?' But then she wouldn't, would she? People must fall in love with her hourly. She must keep a staff of translators to interpret the proposals of love and marriage. 'It's easier to love a woman when you can't understand a word she's saying,' Roxane said.
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Ann Patchett (Bel Canto)
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Must Thibault imagine the animal (who was long since dead but when and how? He couldn't remember) skinned and braised? Milou as dinner. Once something is named it can never be eaten. Once you have called it brother in your mind it should enjoy the freedoms of a brother.
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Ann Patchett (Bel Canto)
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Gen was sleeping the sleep of the heavily drugged.
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Ann Patchett (Bel Canto)
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I don't have any talent for vacations.
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Ann Patchett (Bel Canto)
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What would it mean to kiss the lips that had held such a sound?
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Ann Patchett (Bel Canto)
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It was soaring, that voice, warm and complicated, utterly fearless.
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Ann Patchett (Bel Canto)
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The early years he had spent building Nansei were like a hurricane in his memory, a huge, overbearing wind into which every loose thing was sucked.
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Ann Patchett (Bel Canto)
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Wearing shoes in the house was barbaric. There was almost as much indignity in wearing shoes in the house as there was in being kidnapped.
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Ann Patchett (Bel Canto)
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She was as silent as light on the leaves of trees.
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Ann Patchett (Bel Canto)
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One day was just the same as the next and so he reasoned there would never be exactly a right time or a wrong time
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Ann Patchett (Bel Canto)
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The great love of his life, after God, lived only in dark vinyl.
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Ann Patchett (Bel Canto)
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One boy took a peppermint from a woman’s satin evening clutch but first held it up discreetly for consent. She moved her head down and back, just a quarter of an inch, and he smiled and slipped off the cellophane.
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Ann Patchett (Bel Canto)
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His own daughters constantly presented him with a mathematical impossibility, one minute running around the house wearing pajamas covered in images of the blankly staring Hello, Kitty, the next minute announcing they had dates who would be picking them up at seven. He believed his daughters were not old enough to date and yet clearly by the standards of this country they were old enough to be members of a terrorist organization
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Ann Patchett (Bel Canto)
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He had lived his life as a good father but now Oscar Mendoza saw again his life as a boy. A daughter was a battle between fathers and boys in which the fathers fought valiantly and always lost. He knew that one by one each of his daughter would be lost, either honorably in the ceremony of marriage or, realistically, in a car pointed out towards the ocean well after dark. In his day, Oscar himself had made too many girls forget their better instincts and fine training by biting them with tender persistence at the base of their skull, just where the hairline grew in downy wisps. Girls were like kittens in this way, if you got them right at the nape of their neck, they went easily limp. Then he would whisper his suggestions, all the things they might do together, the wonderful dark explorations for which he was to be their guide. His voice traveled like a drug dripped down the spiraling canals of their ears until they had forgotten everything, until they had forgotten their own names, until they turned and offered themselves up to him, their bodies sweet and soft as marzipan.
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Ann Patchett (Bel Canto)
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Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven. It was a miracle and he wept for the gift of bearing witness.
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Ann Patchett (Bel Canto)
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He was a very small man, both in stature and girth, who had been chosen as a running mate as much for his size as for his political beliefs. The pervasive thinking in government was that a taller vice president would make the President appear weak, replaceable.
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Ann Patchett (Bel Canto)
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Shy Carmen, always hanging back from the others, who knew she could smile? But at the sight of that smile he would have promised her anything. He was just barely awake. Or maybe he was not awake at all. Had he wanted her and not known it? Had he wanted her so much that he dreamed she was lying beside him now? The things our minds keep from us, Gen thought. The secrets we keep even from ourselves.
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Ann Patchett (Bel Canto)
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These people who detain us so pleasantly may decide to shoot us after all. It is a possibility. And if that is the case, then why should I carry this love with me to the other world? Why not give to you what is yours?” "And what if there is nothing for me to give you?" She seemed to be interested in Fyodorov's argument. He shook his head. "What a thing to say, after all that you have given to me. But it is not about who has given what. That is not the way to think of gifts.
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Ann Patchett (Bel Canto)
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Perhaps you are right. In another setting it would be ridiculous, too grand. In another setting it would not happen because you are a famous woman and at best I would shake your famous hand for one second while you stepped into your car after a performance. But in this place I hear you sing every day. In this place I watch you eat your dinner, and what I feel in my heart is love. There is no point in not telling you that. These people who detain us so pleasantly may decide to shoot us after all. It is a possibility. And if that is the case, then why should I carry this love with me to the other world? Why not give to you what is yours?
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Ann Patchett (Bel Canto)
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She would not attend the dinner (she did not eat before she sang) but would arrive at the end of the meal and perform six arias with her accompanist.
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Ann Patchett (Bel Canto)
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but no one was going to shoot a soprano.
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Ann Patchett (Bel Canto)
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the quality of onset determines the quality of the ensuing phonation.
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James Stark (Bel Canto: A History of Vocal Pedagogy)
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Todo empezarΓ‘ a cambiar cuando te des cuenta de que el amor puede ser de otra manera, Ariel: el que recibes de los demΓ‘s y por supuesto, el que te das a ti misma.
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Rachel Bels (Cantos de una sirena (Ariel #2))
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He could see in his face a love so obviously displayed that she must already know everything there was to know about it. He was so close to her then that they owned every molecule of air in the tiny room and the air grew heavy with their desire and worked to move them together. It was with the smallest step forward that his face was in her hair and then her arms were around his back and they were holding each other. It seemed so simple to get to this place, such a magnificent relief, that he couldn't imagine why he had not been holding her every minute since they first met.
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Ann Patchett (Bel Canto)
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the woman you love is not in Tokyo or Paris or New York or Athens. The woman you love is a girl who dresses as a boy and she lives in a village in a jungle, the name of which you are not allowed to know, not
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Ann Patchett (Bel Canto)
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You keep someone always for what he or she is worth to you, for what you can trade her for, money or freedom or somebody else you want more. Any person can be a kind of trading chip when you find a way to hold her.
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Ann Patchett (Bel Canto)
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He was in love, and never had he felt such kindness towards another person. Never had he received such kindness. Maybe the private life wasn't forever. Maybe everyone got it for a little while and then spend the rest of their lives remembering.
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Ann Patchett (Bel Canto)
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Had the accompanist played so well? It would have been impossible to remember, his talent was to be invisible, to lift the soprano up, but now the people in the living room of the vice-presidential mansion listened to Kato with hunger and nothing in their lives had ever fed them so well.
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Ann Patchett (Bel Canto)
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In 1954, money was precious; train tickets and operas were unimaginable things. In a different time, such a production would have seemed too complicated for a child, but this was only a handful of years after the war and children then were much more likely to understand a whole host of things that might seem impossible for children now. They
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Ann Patchett (Bel Canto)
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Ma Gonzalo? Oh, il bel nome della vita! una continuità che s'adempie. Di nuovo le sembrò, dal terrazzo, di scorgere la curva del mondo: la spera dei lumi, a rivolversi; tra brume color pervinca disparivano incontro al sopore della notte. Sul mondo portatore di frumenti, e d'un canto, le quiete luminarie di mezza estate. Le sembrò di assistervi ancora, dalla terrazza di sua vita, oh!, ancora per un attimo, di far parte della calma sera. Una levità dolce. E, nel cielo alto, lo zaffiro dell'oceano: che avevano rimirato l'Alvise, a tremare, e Antoniotto di Noli, doppiando capi dalla realità senza nome incontro al sogno apparito degli arcipelaghi. Si sentì ripresa nell'evento, nel flusso antico della possibilità, della continuazione: come tutti, vicina a tutti.
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Carlo Emilio Gadda (La cognizione del dolore)
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In Paris, Simon Thibault had loved his wife, though not always faithfully or with a great deal of attention. They had been married for twenty-five years. There had been two children, a summer month spent every year at the sea with friends, various jobs, various family dogs, large family Christmases that included many elderly relatives. Edith Thibault was an elegant woman in a city of so many thousands of elegant women that often over the course of years he forgot about her. Entire days would pass when she never once crossed his mind. He did not stop to think what she might be doing or wonder if she was happy, at least not Edith by herself, Edith as his wife. Then, in a wave of government promises made and retracted, they were sent to this country, which, between the two of them was always referred to as ce pays maudit, β€œthis godforsaken country.” Both of them faced the appointment with dread and stoic practicality, but within a matter of days after their arrival a most remarkable thing happened: he found her again, like something he never knew was missing, like a song he had memorized in his youth and had then forgotten. Suddenly, clearly, he could see her, the way he had been able to see her at twenty, not her physical self at twenty, because in every sense she was more beautiful to him now, but he felt that old sensation, the leaping of his heart, the reckless flush of desire. He would find her in the house, cutting fresh paper to line the shelves or lying across their bed on her stomach writing letters to their daughters who were attending university in Paris, and he was breathless. Had she always been like this, had he never known? Had he known and then somehow, carelessly, forgotten? In this country with its dirt roads and yellow rice he discovered he loved her, he was her. Perhaps this would not have been true if he had been the ambassador to Spain. Without these particular circumstances, this specific and horrible place, he might never have realized that the only true love of his life was his wife.
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Ann Patchett (Bel Canto)
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Messner sighed and handed him the phone. β€œOne minute.” β€œI swear it,” Simon said. He was already dialing the number. The phone rang five times and then the answering machine picked up the line. It was his own voice, saying first in Spanish and then again in French that they were out, saying they would return the call. Why hadn’t Edith recorded the message? What had he been thinking of? He put his hand over his eyes and began to cry. The sound of his own voice was almost unbearable to him. When it stopped there was a long, dull tone. β€œJe t’adore,” he said. β€œJe t’aime, Je t’adore.
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Ann Patchett (Bel Canto)
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demand absolute cooperation and attention.” Roughly two-thirds of the guests looked frightened, but a scattered third looked both frightened and puzzled. These were the ones leaning towards the man with the gun, instead of away from him. These were the ones that did not speak Spanish. They whispered quickly to their neighbors. The word atenciΓ³n was repeated in several languages. That word was clear enough. General Alfredo had anticipated his announcement bringing about a sort of pricked, waiting silence, but no silence came. The whispering caused him to fire into the ceiling again, carelessly this time, hitting a light fixture, which exploded. The room was dimmer, and slivers of glass settled into shirt collars and rested on hair. β€œArresto,” he repeated. β€œDetengase!” It may seem surprising at first, such a large number of people unable to speak the language of the host country, but then you remember it was a gathering to promote foreign interest and the two guests of honor did not know ten words of Spanish between them,
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Ann Patchett (Bel Canto)