“
Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
The earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that in glory and in triumph they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of the dot on scarcely distinguishable inhabitants of some other corner of the dot. How frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity -- in all this vastness -- there is no hint that help will come from elsewhere to save us from ourselves. It is up to us. It's been said that astronomy is a humbling, and I might add, a character-building experience. To my mind, there is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly and compassionately with one another and to preserve and cherish that pale blue dot, the only home we've ever known.
”
”
Carl Sagan
“
I discover that absence has a consistency, like the dark water of a river, like oil, some kind of sticky dirty liquid that you can struggle and perhaps drown in. It has a thickness like night, an indefinite space with no landmarks, nothing to bang against, where you search for a light, some small glimmer, something to hang on to and guide you. But absence is, first and foremost, silence. A vast, enveloping silence that weighs you down and puts you in a state where any unforeseeable, identifiable sound can make you jump.
”
”
Philippe Besson (Lie With Me)
“
From this distant vantage point, the Earth might not seem of particular interest. But for us, it's different. Consider again that dot. That's here, that's home, that's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
I think it was the beginning of Mrs. Bond's unquestioning faith in me when she saw me quickly enveloping the cat till all you could see of him was a small black and white head protruding from an immovable cocoon of cloth. He and i were now facing each other, more or less eyeball to eyeball, and George couldn't do a thing about it. As i say, I rather pride myself on this little expertise, and even today my veterinary colleagues have been known to remark, "Old Herriot may be limited in many respects, but by God he can wrap a cat.
”
”
James Herriot (James Herriot's Cat Stories)
“
Much of life, fatherhood included, is the story of knowledge acquired too late: if only I’d known then what I know now, how much smarter, abler, stronger, I would have been. But nothing really prepares you for kids, for the swells of emotion that roll through your chest like the rumble of boulders tumbling downhill, nor for the all-enveloping labor of it, the sheer mulish endurance you need for the six or seven hundred discrete tasks that have to be done each and every day. Such a small person! Not much bigger than a loaf of bread at first, yet it takes so much to keep the whole enterprise going. Logistics, skills, materiel; the only way we really learn is by figuring it out as we go along, and even then it changes on us every day, so we’re always improvising, which is a fancy way of saying that we’re doing things we technically don’t know how to do.
”
”
Ben Fountain
“
As I turned over the last page, a wave of sorrow enveloped me. Where had they all gone, these people who had seemed so real? To distract myself, I walked out into the night; instinctively, I lit a cigarette. In the dark, the cigarette glowed, like a fire lit by a survivor. But who would see this light, this small dot among infinite stars? I stood awhile in the dark, the cigarette glowing and growing small, each breath patiently destroying me. How small it was, how brief. Brief, brief, but inside me now, which the stars could never be.
”
”
Louise Glück (Faithful and Virtuous Night)
“
I tore open one side and reached in. My hand closed around something cold and metallic. I knew before I even pulled it out what it was. It was a silver stake.
"Oh God," I said.
I rolled the stake around, running my finger over the engraved geometric pattern at its base. There was no question. One-of-a-kind. This was the stake I'd taken from the vault in Galina's house. The one I'd-
"Why would someone send you a stake?"asked Lissa.
I didn't answer and instead pulled out the envelope's next item:a small note card. There, in handwriting I knew all too well, was:
'You forgot another lesson:Never turn your back until you know your enemy is dead. Looks like we'll have to go over the lesson the next time I see you-which will be soon.
Love, D.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
She didn't even notice right away that a small animal had come out from behind a nearby car and was slowly making its way toward the trash can she was standing near. She flipped through some old files in her mind, trying to come up with what this thing might be, and after a few seconds decided that--impossible as it seemed--it was a fox.
”
”
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
“
Recall what used to be the theme of poetry in the romantic era. In neat verses the poet lets us share his private, bourgeois emotions: his sufferings great and small, his nostalgias, his religious or political pre-occupations, and, if he were English, his pipe-smoking reveries. On occasions, individual genius allowed a more subtle emanation to envelope the human nucleus of the poem - as we find in Baudelaire for example. But this splendour was a by-product. All the poet wished was to be a human being.
When he writes, I believe today's poet simply wishes to be a poet.
”
”
José Ortega y Gasset (The Dehumanization of Art and Other Essays on Art, Culture and Literature)
“
it looks like a small envelope with a phenomenal capacity for water absorption.
”
”
Fredrik Backman (Britt-Marie Was Here)
“
We succeeded in taking that picture from [deep space], and, if you look at it, you see a dot. That's here. That's home. That's us. On it, everyone you ever heard of, every human being who ever lived, lived out their lives. The aggregate of all our joys and sufferings, thousands of confident religions, ideaologies and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilizations, every king and peasant, every young couple in love, every hopeful child, every mother and father, every inventor and explorer, every teacher of morals, every corrupt politician, every superstar, every supreme leader, every saint and sinner in the history of our species lived there on a mote of dust, suspended in a sunbeam.
The earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that in glory and in triumph they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of the dot on scarcely distinguishable inhabitands of some other corner of the dot. How frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity--in all this vastness-- there is no hint that help will come from elsewhere to save us from ourselves. It is up to us... To my mind, there is perhaps no better demostration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly and compassionately with one another and to preserve and cherish that pale blue dot, the only home we've ever known.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
“Here’s my number. I almost forgot to give it to you.”
I swallow as I stare at the number. Tell her. Just f*cking tell her. “Rachel...”
“You’ll call, right?” And the small amount of hurt in her voice stabs my heart.
I envelop Rachel in my arms and cup her head to my chest. She smells good. Like the ocean. Like her jacket. I try to memorize the feel of her body against mine: all soft and warm and curves. The paper in her hand crinkles as she links one arm, then another around my waist. Leaning into me, she lets out a contented sigh and I close my eyes with the sound.
Ten seconds. I’ll keep her for ten more seconds.
I want to keep her.
Two.
I shouldn’t.
Four.
Maybe she can see past what I am. We don’t have to be more. We can be friends.
Seven.
I can fix this.
Nine.
I can make anything work.
Ten.
“I’ll call.”
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
Why has pachinko swept Japan? It can hardly be the excitement of gambling, since the risks and rewards are so small. During the hours spent in front of a pachinko machine, there is an almost total lack of stimulation other than the occasional rush of ball bearings. There is no thought, no movement; you have no control over the flow of balls, apart from holding a little lever which shoots them up to the top of the machine; you sit there enveloped in a cloud of heavy cigarette smoke, semi-dazed by the racket of millions of ball bearings falling through machines around you. Pachinko verges on sensory deprivation. It is the ultimate mental numbing, the final victory of the educational system." - Lost Japan, Eng. vers., 1996
”
”
Alex Kerr
“
I hope you're well, Alice.
Here's to courage. And to heart, right?
How about, here's also to the future, and everything it holds.
Moss.
Alice shook the envelope; a packet of desert pea seeds fell into her palm.
'That looks like some kind of magic,' Sally said.
Alice gave her a small smile. 'It is.' She closed her hand around the packet of seeds, feeling their individual shapes and thinking of the color they would grow. To the future.
”
”
Holly Ringland (The Lost Flowers of Alice Hart)
“
Thank God! His truck was there.
Reenergized, she hopped up his front steps and knocked. Nothing. Feeling a little disgruntled, she knocked again. And nothing. Once more, one last time, she knocked. Okay, she pounded. Beat the ever-loving hell out of the door.
"Just a sec," she heard Ronin call faintly.
Yay! The door swung open and... Ooooohhhhh!
Standing a step or two down from Ronin, her eyes first hit the small white towel wrapped around his waist. The faint scent of masculine soap enveloped her senses as her eyes traveled down to his bare feet, and back up. Yep, that's really only just a little white towel.
”
”
Sibylla Matilde (Little Conversations (Conversations, #1))
“
Just a few more meters and it will be over. I’ll fall. A small red flame … A shot … Death enveloped me, it suffocated me. It stuck to me like glue. I felt I could touch it. The idea of dying, of ceasing to be, began to fascinate me. To no longer exist. To no longer feel the excruciating pain of my foot. To no longer feel anything, neither fatigue nor cold, nothing. To break rank, to let myself slide to the side of the road … My father’s presence was the only thing that stopped me.
”
”
Elie Wiesel (Night)
“
Madame was in her room upstairs. She wore an open dressing gown that showed between the shawl facings of her bodice a pleated chamisette with three gold buttons. Her belt was a corded girdle with great tassels, and her small garnet coloured slippers had a large knot of ribbon that fell over her instep. She had bought herself a blotting book, writing case, pen-holder, and envelopes, although she had no one to write to; she dusted her what-not, looked at herself in the glass, picked up a book, and then, dreaming between the lines, let it drop on her knees. She longed to travel or to go back to her convent. She wished at the same time to die and to live in Paris.
”
”
Gustave Flaubert (Madame Bovary)
“
Suddenly, as Avis clung to her father’s neck and ear while, with a casual arm, the man enveloped his lumpy and large offspring, I saw Lolita’s smile lose all its light and become a frozen little shadow of itself, and the fruit knife slipped off the table and struck her with its silver handle a freak blow on the ankle which made her gasp, and crouch head forward, and then, jumping on one leg, her face awful with the preparatory grimace which children hold till the tears gush, she was gone — to be followed at once and consoled in the kitchen by Avis who had such a wonderful fat pink dad and a small chubby brother, and a brand-new baby sister, and a home, and two grinning dogs, and Lolita had nothing.
”
”
Vladimir Nabokov (Lolita)
“
The mad scientist is going to chase you around with a hypodermic needle, Gregori," she teased.
Gregori lifted an eyebrow, his face an unreadable mask,the pale eyes glittering with more than menace. White teeth flashed,a baring of fangs.
"Maybe not," Gary conceded. "Not the best idea after all."
Savannah was up and moving with hersensuous grace to fit herself beneath Gregori's shoulder. She looked impossibly small next to the big Carpathian, delicate, fragile even. It wasn't so much Gregori's height but the rippling muscles, the thickness of his arms and chest, and the power emanating from him. Her face was turned up toward his, her soft mouth curved with laughter, in no way intimidated by him.
Gregori's arm swept around her and crushed her to him, nearly enveloping her completely. "She thinks I am going to take her on this ridiculous vampire hunt."
"She's right,too,isn't she?" Gary grinned at him.
"Unfortunately," Gregori admitted.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
When I read Sontag for the first time, just like the first time I read Hannah Arendt, Emily Dickinson, and Pascal, I kept having those sudden, subtle, and possibly microchemical raptures—little lights flickering deep inside the brain tissue—that some people experience when they finally find words for a very simple and yet till then utterly unspeakable feeling. When someone else's words enter your consciosuness like that, they become small conceptual light-marks. They're not necessarily illuminating. A match struck alight in a dark hallway, the lit top of a cigarette smoked in bed at midnight, embers in a dying chimney: none of these things has enough light of its own to reveal anything. Neither do anyone's words. But sometimes a little light can make you aware of the dark, unknown space that surrounds it, of the enormous ignorance that envelops everything we think we know. And hat recognition and coming to terms with darkness is more valuable than all the factual knowledge we may ever accumulate.
”
”
Valeria Luiselli (Lost Children Archive)
“
I put my back against the wall. I slide down to the floor. I imagine Ryan sitting next to me. I imagine him rubbing my back, the way he did when my grandfather died. I imagine him saying, "She's going to a better place. She's OK." I imagine the way my grandfather might have done this for my grandmother when she lost her own mom or her own grandmother. I imagine my grandmother sitting where I am now, my grandfather kneeling beside her, telling her all the things I want to be told. Holding her the way that only someone in particular can hold you. When I'm her age, when I'm lying in a hospital bed, ready to die, whom will I be thinking of?
It's Ryan. It's always been Ryan. Just because I can live without him doesn't mean I want to.
And I don't. I don't want to.
I want to hear his voice. The way it is rough but sometimes smooth and almost soulful. I want to see his face, with his stubble from never shaving down to the skin. I want to smell him again. I want to hold the roughness of his hands. I want to feel the way they envelop mine, dwarfing them, making me feel small.
I need my husband.
”
”
Taylor Jenkins Reid (After I Do)
“
Adam woke with his arms around Noah, his body tucked snuggly against him. He was small compared to Adam’s six foot two, but he fit perfectly, allowing Adam to all but envelop him when they spooned. He liked the idea of people having to go through him to get to Noah. It was a foreign concept. He didn’t know how to describe it. From the moment he’d seen him standing there, holding that gun on him, Adam had just known he wasn’t going to let him go.
”
”
Onley James (Unhinged (Necessary Evils, #1))
“
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below.
The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello.
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles.
There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down.
Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
Suddenly, with a roar like that of a waterfall, I felt a stream of liquid light entering my brain through the spinal cord.
Entirely unprepared for such a development, I was completely taken by surprise; but regaining my self control instantaneously, I remained sitting in the same posture, keeping my mind on the point of concentration. The illumination grew brighter and brighter, the roaring louder, I experienced a rocking sensation and then felt myself slipping out of my body, entirely enveloped in a halo of light. It is impossible to describe the experience accurately. I felt the point of consciousness that was myself growing wider surrounded by waves of light. It grew wider and wider, spreading outward while the body, normally the immediate object of its perception, appeared to have receded into the distance until I became entirely unconscious of it. I was now all consciousness without any outline, without any idea of corporeal appendage, without any feeling or sensation coming from the senses, immersed in a sea of light simultaneously conscious and aware at every point, spread out, as it were, in all directions without any barrier or material obstruction. I was no longer myself, or to be more accurate, no longer as I knew myself to be, a small point of awareness confined to a body, but instead was a vast circle of consciousness in which the body was but a point, bathed in light and in a state of exultation and happiness impossible to describe.
”
”
Gopi Krishna (Kundalini: The Evolutionary Energy in Man)
“
I discover that absence has a consistency, like the dark water of a river, like oil, some kind of sticky dirty liquid that you can struggle and perhaps drown in. It has a thickness like night, an indefinite space with no landmarks, nothing to bang against, where you search for a light, some small glimmer, something to hang on to and guide you. But absence is, first and foremost, silence. A vast, enveloping silence that weighs you down and puts you in a state where any unforeseeable, unidentifiable sounds can make you jump.
”
”
Philippe Besson (Lie With Me)
“
There are mammalian females of many species that, in pressured circumstances, will devour their own young. These and other violent extremes I can comprehend and can, in some deep crack of my inner self, find some sympathy for. But that class of insensate savages that take the center of their Volcano Bar in one bite, separate from the enveloping chocolate, sets the small hairs of my body stiff and vibrating, causes waves of shock to traverse my entire nervous system, and sends venomous serpentine convolutions into my very dreams.
”
”
Katherine Dunn (Toad)
“
Or, obversely, he might kill a man himself. It would be a question of throwing up his rifle, pressing the trigger, and a particular envelope of lusts and anxieties and perhaps some goodness would be quite dead. All as easy as stepping on an insect, perhaps easier…Everything was completely out of whack, none of the joints fitted. The men had been singing in the motor pool, and there had been something nice about it, something childish and brave. And they were here on this road, a point moving along in a line in the vast neutral spaces of the jungle. And somewhere else a battle might be going on. The artillery, the small-arms fire they had been hearing constantly, might be nothing, something scattered along the front, or it might be all concentrated now in the minuscule inferno of combat. None of it matched. The night had broken them into all the isolated units that actually they were.
”
”
Norman Mailer (The Naked and the Dead)
“
...for the first time I couldn't feel really interested in my mother's letter. The small concerns of home, instead of coming close to me and enveloping me as I read about them, remained small and far away; they were like magic lantern slides without a lantern to bring them back to life. I didn't belong there, I felt; my place was here; here I was a planet, albeit a small one, and carried messages for other planets. And my mother's harping on the heat seemed irrelevant and almost irritating; she ought to know, I felt, that I was enjoying it, that I was invulnerable to it, invulnerable to everything...
”
”
L.P. Hartley (The Go-Between)
“
This is my emergency kit. It contained a roll of duct tape, a spare pair of pants, an envelope with two hundred dollars, two bags of dried fruit, two packages of beef jerky, three bottles of water, a roll of thick shop towels you see mechanics use, a small metal pipe - just right for cracking a skull with - and a fake beard. Look, you never know.
”
”
David Wong (John Dies at the End (John Dies at the End, #1))
“
The reader I want is the one that wants the anguish, who will go up there and get on that big black cross. And that reader will have, with me, the saving grace of knowing that some awful payment is due...as all space must look askance at us, all galaxies send star frowns down, a cosmic leer envelop this small ball that has such Great GREAT pretenders.
”
”
David R. Bunch
“
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
I felt a numb shock as I drove home anxious to get my chocolate flowers and wondering how my mother arranged to get them delivered to me at the exact time of her passing as promised. I arrived home to a note on my door to go to the neighbor on the right. I knocked at the door and the grouchy older man answered. Without saying a word, he went to his refrigerator, opened it and said, "I think these are for you."
He handed me the large bouquet of fruits all cut out like flowers and dipped in chocolate."It looks like chocolate flowers." he said with a grin, adding "I had a few, and they were great!"
I held my delivery. I opened the small envelope and read the card:
Dear Jori,
We appreciate you showing us homes and although it has been months, we thought of you and wanted to do something nice for you today. I hope you remember us.
The Johnsons
This was a previous client who was a pastor. He never knew I had a mother who had cancer nor did I ever mention the conversation about the chocolate flowers. It had been several months since I had heard from this couple who were considering purchasing a home. I called the client, whom I haven't spoken to in such a long time. I was confused and wanted to know what made them decide to send me chocolate flowers, and why that day, of all days? He said it was his wife's idea to do something nice for someone and they agreed it on it being me. Mrs. Johnson thought of the chocolate flowers.
”
”
Jori Nunes (Chocolate Flowers)
“
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.”
“OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.”
Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes.
“But why six stamps?”
“Just wait and see.”
A few seconds later, I understood.
As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout.
One of Nick’s ended up on his nose.
And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur.
Finally, when we both had one stamp left, I stopped giggling. I had to win this.
So I swallowed, wiped my eyes and took a few deep breaths.
Then I reached out my hand.
“Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head.
So I promptly leapt off too.
Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be.
Nick, in the meantime, had ended up flat on his back on the grass next to me.
With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open.
“I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox.
A few seconds later, I wobbled after him.
And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize.
Finally, he picked me up and, without any effort, popped me on top of a high wall.
Like Humpty Dumpty.
Or some kind of really unathletic cat.
“Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!”
“Course it is,” he shouted back. “All’s fair in love and war.”
And Nick kissed the envelope then put it in the postbox with a flourish.
I had to wait three days.
Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there.
Finally, the letter arrived: crumpled and stained with grass.
Ha. Told you I was faster.
LBxx
”
”
Holly Smale (Picture Perfect (Geek Girl, #3))
“
I released a breath I didn’t remember holding. Turned to Ben.
Found him looking at me, face inches from mine on Sewee’s deck.
Panic flared, white hot, paralyzing me as I lay beside him.
Our gazes met. I saw fear in his dark brown eyes. Indecision. Doubt.
Ben went rigid, his chest rising and falling like a bellows. Then something changed. His face relaxed, a small smile playing on his lips.
Before I could blink, his mouth covered mine.
We shared a breath. A tingle ran my spine.
Then I pulled back, breathing hard, unsure what either my mind or body were doing.
Ben’s unsure look returned. Then vanished.
He pulled me near again, his lips melting into mine. Strong, calloused fingers stroked the side of my face. His smell enveloped me. Earthy. Masculine. Ben.
Fire rolled through my body.
So this is what it’s like.
I broke away again, gasping slightly for breath. Reality crashed home.
I sat up and scooted a few feet away, rubbing my face with both hands. What was I doing?
“Ben, I—”
His hand rose to cut me off. He leaned against the bench, face suddenly serious. “I’m not going to pretend anymore. One way or another, I’m going to say how I feel.” Ben snorted softly. “Make my case.”
We sat still in the darkness, Sewee rocking gently, the scene dream-like and surreal.
“You don’t have to make a case.” I stared at my shoes, had no idea where I wanted this conversation to go. “It’s just, things are—”
“YO!”
Our heads whipped in the voice’s direction. Ben scrambled to a crouch, scanning the silent bulk of Tern Point, as if just now recalling we were adrift at sea.
The voice called down again, suddenly familiar. “What, are you guys paddling around the island? I don’t have a boat license, but that seems dumb.”
“Shut up, Hi!” Ben shouted, with more heat than was necessary. Scowling, he slid behind the controls and fired the engine.
I scurried to the bow, as far from the captain’s chair as I could manage and stay dry.
You’ve done it now, Tory Brennan. Better hope there’s a life preserver somewhere.
A glance back. Ben was watching me, looking for all the world like he had more to say.
I quickly turned away.
Nope. Nope nope nope.
I needed some time to think about this one. Perhaps a decade?
“Where are we?” I asked, changing the subject.
Ben must’ve sensed that my “personal” shop was closed for business.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Here I am now. And it is hell. Paradise? Yes, I still am here, but who? only myself, with my small waist, my small soul, my small arms, my small intelligence pushed to its greatest heights and thus ruthlessly able to see itself shut up inside its supple transparent but oh ruthlessly inflexible membrane, if I push it any farther it will burst its envelope, I am going to lose part of my mind, we will not longer steer clear of madness.
”
”
Hélène Cixous (The Book of Promethea)
“
Mari—
Interglactic beings have watched Earth envelop itself in darkness for millennia. But in every shroud of darkness, there are small beings such as yourself who, when dealt a cruel hand by fate, still carry the strength to smile.
Your smile breaks through the dark. Your pain is where the light enters you. And your kindness is a guiding light for others.
And that holds a power that even we fear.
Small being, no matter what happens, never let that power go.
”
”
Farah Naz Rishi (I Hope You Get This Message)
“
I soon forgot him. I began to think of myself again. My foot was aching, I shivered with every step. Just a few more meters and it will be over. I’ll fall. A small red flame … A shot … Death enveloped me, it suffocated me. It stuck to me like glue. I felt I could touch it. The idea of dying, of ceasing to be, began to fascinate me. To no longer exist. To no longer feel the excruciating pain of my foot. To no longer feel anything, neither fatigue nor cold, nothing. To break rank, to let myself slide to the side of the road …
”
”
Elie Wiesel (Night)
“
During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling.
I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan.
I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster.
‘Delicious,’ he’d say, commenting on the food before even trying it.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
The innumerable trees she's seen over the course of all her life, the undulating forests that blanket the continents like a heartless sea, envelop her exhausted body and lift her up. Only fragments of cities, small towns and roads are visible, floating on the roof of the forest like islands or bridges, slowly being swept away somewhere, borne on those warm waves. There's no way for In-hye to know what on earth those waves are saying. Or what those trees she'd seen at the end of the narrow mountain path, clustered together like green flames in the early-morning half-light, had been saying. Whatever it was, there had been no warmth in it. Whatever the words were, they hadn't been words of comfort, words that would help her pick herself up. Instead they were merciless, and the trees that had spoken them were a frighteningly chill form of life. Even when she turned about on the spot and searched in all directions, In-hye hadn't been able to find a tree that would take her life from her. Some of the trees had refused to accept her. They'd just stood there, stubborn and solemn yet alive as animals, bearing up the weight of their own massive bodies.
”
”
Han Kang, The Vegetarian
“
...like being swept into the reality of a brilliantly written novel or charismatic movie: it's not that you believe in its literalness, but that there is a compelling truth in its organic life that envelops you and is absorbed by you almost on a physiological level. I remember experiencing a small earthquake in Los Angeles - only a four-point-six, I think - when I was there as a guest of the Academy the year they decided to develop a special Oscar for Philosophy in Cinema. A small earthquake, and yet the forced awareness that the earth beneath your feet was volatile, not stable, was terrifying, and for days afterward I was sure I could feel the earth trembling and threatening. I live with it still; it is ready to strike me at any moment, a special vertigo which is now part of my very physiology.
Celestine was like that earthquake. Celestine was also like that first LSD trip, the one you perhaps took in a deli in Brooklyn, where suddenly the colors all shifted toward the green end of the spectrum and your eyes became fish-eye lenses, distorting your total visual field, and the sounds became plastic, and time became infinitely variable, and you realized that reality is neurology, and is not absolute.
”
”
David Cronenberg (Consumed)
“
When he was very young, Auberon had begun a collection of postmarks. On a trip with Doc to the post office in Meadowbrook, he had begun idly examining the wastebaskets, having nothing else to do, and had immediately come up with two treasures: envelopes from places that seemed fantastically distant to him, and looking remarkably crisp for having come so far.
It soon developed into a small passion, like Lily's for bird's nests. He insisted on accompanying whoever was traveling near a post office; he conned his friends' mail; he gloated over distant cities, far states whose names began with I, and, rarest of all, names from across the sea.
Then one day Joy Flowers, whose granddaughter had lived abroad for a year, gave him a fat brown bag full of envelopes sent her from every part of the world. He could hardly find on the map a place which had not stamped its name on one of these pieces of blue flimsy. Some of them came from places so distant they weren't even in the alphabet he knew. And at a stroke his collection was complete, and his pleasure in it over. No discovery he could make in Meadowbrook's post office could add to it. He never looked at it again.
”
”
John Crowley (Little, Big)
“
Joanne Sanders, a broad woman in her forties, posed with friends, family, and Snowball in photographs displayed on the mantel of the fake fireplace. She had shoulder-length brown hair and bangs teased high above her brow. I could picture her behind ten inches of bulletproof glass sneering at me with gloss-encased lips for filling out my deposit slip incorrectly. I fed Snowball half a cup of kibble and a spoonful of wet food as my envelope of information directed. She ate it quickly while making funny little squeaking noises. Once she had licked her bowl to a bright sheen, we headed out for my first walk as a dog-walker. I steered us off of East End Avenue and onto the esplanade that runs along the river. The water reflected the sun in bright silver glints. I smelled oil and brine. We reached Carl Schurz Park and turned into the dog run for small dogs. The gate leading into the run reached only to my knees, as did the rest of the fence designed to keep small dogs in and big ones out. A sign on the gate read, "Dogs over 25 pounds not permitted." Ten dogs under 25 pounds, and one who was probably a little over, played together in the pen. Their owners, in groups of three or four, sat on worn wooden benches and talked about dogs. Snowball ran to join a poodle growling at a puppy. They intimidated it behind its owner's calves. Then the poodle, a miniature gray curly thing with long ears, mounted Snowball. I turned to the river and watched a giant barge inch by.
”
”
Emily Kimelman (Unleashed (Sydney Rye, #1))
“
Traveling on, the shaft of his light reached now a great, dully shining oblong, and he stopped, surprised. Then, through the glass sides, he saw bright shapes of fish wheel in schools down the opaque water, startled by the illumination. Coming at last, and so suddenly, on life like his own, Mr. Lecky moved closer. The fixed flood of his light enveloped these small fish dimly, glowed back on him. They came sliding, drifting, mouths in motion, gills rippling, up the light, against the glass. Their senseless round eyes stared at Mr. Lecky. Idling with great grace, the extravagant products of selective breeding - fringetails, Korean, calico - passed, swayed about, came languidly back. Moving faster, stub-finned, crop-tailed danios from the Malabar coast appeared, hovered, taking the light on their fat flanks, now spotted, now iridescent pearl or opal.
Seeing so many of them, so eager and attentive, Mr. Lecky felt an unexpected compunction. He was their only proprietor; and soon, trapped unnaturally here in the big tank, they would starve to death. His light went back to a counter he had just passed, showing him again the half-noticed packages - food for birds and pet animals, food, too, for fish. Returning to the tank, his light found many of the fish still waiting, the rest rushing back. He went and took a package, tore the top off, and poured the contents onto the rectangle of open water. It would perhaps postpone the time when, having eaten each other, the sick remainder must die anyway.
”
”
James Gould Cozzens (Castaway)
“
Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every “superstar,” every “supreme leader,” every saint and sinner in the history of our species lived there—on a mote of dust suspended in a sunbeam. The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there--on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
”
”
Carl Sagan
“
A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed?
“You have a present.”
“What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.”
Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.”
After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud.
“‘To Mom and Zach. Have fun tonight. Bre.’”
Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.”
“My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.”
“Would you like me to? It’s addressed to both of us.”
“I’m even more afraid for you to open it.”
“Go ahead. It can’t be that bad.”
“You don’t know my daughter.”
Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped.
“Oh, my God. I can’t believe she did this!”
She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.”
“I am going to kill her, after I beat her.”
Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.”
Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.”
She huffed out a breath. “Can we close the box now?”
“Not yet. I like it when you blush.”
Zach grinned when Jade scowled at him. “This is completely spoiling the mood.”
“I won’t have any problem getting hard again.”
“Zach!”
Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.”
Jade covered her eyes with one hand. “I don’t believe this,” she muttered.
“Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.”
“Okay, that’s enough.”
Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.”
“I don’t care what they are.”
“You might care about one of them.” Zach held up a large box of condoms.
“Oh.”
He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.”
“One hundred?”
“All different types, sizes, and colors.”
Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?”
“Cherry-flavored lubricant. It looks like she thought of everything.”
“You must think my daughter is crazy.”
“I think your daughter loves you very much and wants you to be happy.”
“That’s true. But we won’t use all this…stuff.”
“Who says we won’t?
”
”
Lynn LaFleur (Rent-A-Stud (Coopers' Companions, #1))
“
He poured a splash of liquid into a second cup. “Come in and warm yerself by the fire.”
Ariana walked deeper into the room, toward the glow of the hearth. It’s heat enveloped her skin and eased away the chill with such expediency, she almost sighed.
Connor appeared beside her with a metal cup extended. “I canna sleep often myself.”
She closed her fingers around the cool surface and glanced at the dark liquid within. A sharp scent hit her nostrils.
“Whisky,” Connor said.
He was perfection in the firelight. Shadows etched his jaw while the light softened his face, his lips. The powerful lines of his chest were visible at the neck of his leine, as well as a dark peppering of small curling black hairs.
“Whisky,” Ariana said with a forced stare at the cup instead of him. “Of course. I drink this all the time.”
“Aye, I knew that about ye. When I first saw ye, I thought, ‘Now there’s a lass who can handle her whisky.’” Connor winked at her with disarming playfulness. “It’ll do ye some good. Take off the chill and settle yer thoughts.”
“Why do you assume my thoughts are unsettled?” she asked.
He took a swallow from his cup. “Because sleep comes easily to those without weight on their minds.”
Ariana took a careful sip from her own cup, the way she’d seen men at the card tables drink. The liquid burned like sin down her throat and caught in her chest.
She gritted her teeth and swallowed hard several times to keep from sputtering.
Though she’d hoped to keep her reaction discreet, the grin on Connor’s face told her he saw through her guise.
“It’s good.” Her voice came out in a croak and Connor laughed. It was a warm, rich sound and she found it terribly pleasing.
His eyes crinkled. “Now that we’ve discovered yer love of whisky, why dinna ye tell me what’s got yer thoughts heavy?
”
”
Madeline Martin (Highland Spy (The Mercenary Maidens, #1))
“
It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the
”
”
Carolyn L. Dean (Bed, Breakfast, & Bones (Ravenwood Cove Mystery, #1))