Beige Dress Quotes

Mum said earlier what a lovely dress you’re wearing.” Beryl’s eyebrows wriggled like two tiny tapeworms. “This?” she said. “But I’ve had this for years.” It was a beige dress that would have looked better on an eighty year-old. Any eighty-year-old, man or woman. “I think you’ve really grown into it,” Valkyrie said. “I always thought it was a little shapeless.” Valkyrie resisted the urge to say that was what she meant.

A woman crossed the street below, beautifully dressed in what appeared to be a beige cashmere blazer, gray pants, and six-inch heels. She walked as surely as if she were in sneakers, head up and fully confident that no unanticipated pothole would take her down. I wanted to be that woman. I wanted to move through the world with my head up.

Bay looked down at the wispy dress, her fingers trailing over it. It really was perfect. It was a faded teal green with layers of beige netting forming a sheer cowl neck. Old sequins were sewn down the side, forming the shapes of flowers, and a silk sash sat below the hips.

A small brazier glowed near the monk's left hand. On a lecturn before him lay pots of paints, brushes, a quill, a pen, a knife, a sizeable handbell, the tooth of some animal--and a piece of parchment. It was the parchment that commanded the room. Until he saw it Len didn't realize how starved he had been of colour. Villagers dressed in various shades of brown and beige, like their furniture and fields and now, here, was an irruption of the rainbow, as if a charm of goldfinches had landed on the manuscript and been transfixed.

Ichecked myself over nervously. I had never been the new kid before, and I wanted at least one friend before the day was done. One besides Josh. Girlfriends were a necessity. Plenty had eyed me up at the ball but none had been brave enough to talk to me. Not even when I danced with Josh. I smiled unintentionally, thinking about Josh. Perhaps he would be my only friend. I could live with that, couldn’t I? No. Girlfriends were a necessity. Who would I toil over Josh with? And who would I talk about Briton with? No, I needed fiends. I surveyed my gray skinny jeans, black-and-white striped three-quarter-sleeve shirt, and knee-high beige dress boots, and grinned. I looked like a city kid. Great. No one would want to hang with me. My long hair looked silky and fine, not thick and unruly like it truly was, and I had on too much makeup. Yikes.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

What are your names?" "You know our names," Violet said curtly, a word which here means "tired of Count Olaf's nonsense." "That wig and that lipstick don't fool us any more than your pale-brown dress and sensible beige shoes. You're Count Olaf.

The woman with the cat complex is named Mrs. Alice Plesher, but she doesn't reveal her first name to him and Sai only finds out by accident, later. Mrs. Plesher calls the paper and is put through to Sai. He has no idea why although he could guess the new guy gets all of the reporter-on-the-beat drudgery assignments until proven worthy. Alice speaks haltingly as if hardened by age and her voice reveals a rasp. Sai pictures her in a long house dress from the fifties, wide pink and white stripes fading with age---a smock of beige over the dress, a multitude of cats clinging to the fabric like stick-ons.

What is basic? First and foremost, it is the CUT. Many people think that we are talking about color and picture things in black and white or maybe in beige and blue. However, the basics don’t mean a particular color; they mean the cut and the ability of every thing to work with each other thing. They can be of any color at all!

He saw her as he would always see her, a slender girl in a simple beige dress, curled in a large wing chair by the white fireplace. The chair was a gaudy piece patterned in greens and purples, like tropical flowers, with a scrawl of cerise breaking the pattern. Her hair was the color of palest gold, a silvery gold, and she wore it pulled away from her face into a curl at the back of her neck. She had a fine face, nothing pretty-pretty about it, a strong face with high cheek bones and a straight nose. Her eyes were beautiful, sea blue, slanted like wings; and her mouth was a beautiful curve. Yet she wasn’t beautiful; you wouldn’t look at her in a room of pretty women, in a bar or night spot. You wouldn’t notice her; she’d be too quiet; she was a lady and she wouldn’t want to be noticed.

It was the dress of queens in fairy tales, of a red deeper than blood. She stepped back, and pulled in the looseness of the dress behind her, so it fitted her ribs and her waist, and she looked back at her own dark-hazel eyes in the mirror. Herself meeting herself. This was she, not the girl in the dull plaid skirt and the beige sweater, not the girl who worked in the doll department at Frankenberg's.

I gazed at Nina and Theodore standing now before the window about to say their vows, or as Nina had phrased it, whatever words their hearts gave them at the moment, and I thought it just as well Mother was not here. She would’ve expected Nina to be in ivory lace, perhaps blue linen, carrying roses or lilies, but Nina had dismissed all of that as unoriginal and embarked on a wedding designed to shock the masses. She was wearing a brown dress made from free-labor cotton with a broad white sash and white gloves, and she’d matched up Theodore in a brown coat, a white vest, and beige pantaloons. She clutched a handful of white rhododendrons cut fresh from the backyard, and I noticed she’d tucked a sprig in the button hole of Theodore’s coat. Mother wouldn’t have made it past the brown dress, much less the opening prayer, which had been delivered by a Negro minister.

Jersey was an ignoble material, considered unworthy of being used for any garment seen in public. It came only in beige or gray; it shredded easily, showed any mistake or correction in sewing, and tended to pucker. In the hierarchy of fabrics, jersey occupied the lowest rung. Jersey was working-class. But Chanel knew something about making the most of humble circumstances. She turned those yards of jersey into tubular chemise dresses and skirts—garments that hung loose and straight, requiring a minimum of stitching and draping.

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

February 26: Marilyn begins work on Monkey Business with director Howard Hawks. As usual, she is late to the set, but Ginger Rogers, in a starring role, said Marilyn always knew her lines. Billy Travilla, her dress designer, admitted she hated the beige jersey wool dress with pleated full skirt that is her ensemble in the picture’s opening scenes. She writes a check to the Carlton Hotel for $150.

The female vampire leaped from the plank and landed beside us. She was dressed in a white shirt and beige pants. She had long, dark hair, tied behind her back. She wasn’t especially pretty — she had a hard, weathered face — but after so much time spent staring at ugly, scarred vampires, she looked like a movie star to me.

45. The Pyjama Question “If dressing gowns and pyjamas are so comfy why does everyone get dressed into boring clothes every single morning?... ...we should boycott smart shirts and long skirts and beige trousers. Join the Pyjama Revolution and never by uncomfortable ever again!

admittedly it's kind of a trash move, like at a wedding when the minister basically goes: 'if you think this union is a steaming pile of doo-doo, then totes feel free to stand up and give everyone your amazon 1-star review of the couple's relationship.' first of all minister, why are you being a messy lil bitch? people put on nice underwear, use shick mock 5 razors to get the smoothest shave, dressed in tacky bridesmaid dresses and goofy ass colonel sanders beige suits, paid for flights and hotel rooms, both the bride and groom, bride and bride, or groom and groom went through the painful process of cutting certain folks from the guest list and the wedding band had to learn both journey and earth wind and fire's entire catalogue, and now you want to take the temperature of the room?" 64%

Creative women, especially, have a shattering effect upon me. I envy them so. At the party yesterday, Mike introduced me to a very well-known actress whose work I have always admired. She was wearing a tortured beige dress and a pair of terrible earrings; yet when she spoke I heard a voice that said things I wanted to listen to, a smile that seemed unaware of its charm, but most of all an aliveness that sprang from I don't know where, and made me want to crawl into my Scaasi gown and not come out again until I had decided what I was going to be when I grew up.

Nothing. That’s why she’ll hate it. When you’re in the beige dress, there’s nothing wrong in the entire world.

I don’t want anything to do with boys—I just want a tiny little girl, to dress up in soft, chic beige and pink and gray dresses and bounce in my lap. I wouldn’t get one of those top-heavy strollers but a sturdy one with a big basket on the bottom for when I’d go grocery shopping with her to make her baby food. All-organic porridge with a little bit of meat and mushrooms and beans and carrots. No salt or sugar until she’s at least two. Definitely no cookies or juice or television.

Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.

Broome didn’t really want to get into this, but Goldberg wouldn’t just let it go. Goldberg wore a beige button-down dress shirt that’d probably started life off as bright white. He snarled when he spoke, figuring that bluster would hide the dim. So far, it had worked for him. Broome

I get up and stare out at the place where I live. I’m right at the heart of Planet Normal. Its strangest resident maybe, but I don’t care about that. I like a place where dads go to work in the mornings and people grumble when the post is late. If Rattigan’s army of the undead is out there waiting for me, they’re well disguised. There are some clouds dotting the sky. Those high stately ones that look like ships sailing in from the west. There aren’t many of them, though, and the sun is already well into its stride. It’s going to be hot. Drift downstairs. Eat a nectarine straight from the fridge. Make tea. Eat something else, because we citizens of Planet Normal don’t get by on a single nectarine. I unlock my garden shed and open a window in there, because if it’s hot outside, the shed can get boiling. It’ll be too hot even with the window open, but I lock up all the same. I always do. I’d intended to shower and stuff, but I did all that last night and I’ve already let too much time drift by to do it all again now. Sharp means sharp, now, Griffiths. Apart from sniffing my wrists to make sure they don’t smell of the firing range, I do as little as I can. But I have to get dressed. That’s easy, normally. Select a bland, appropriate outfit from the array of bland, appropriate outfits I have in my wardrobe. I used to own almost nothing that wasn’t black, navy, tan, white, charcoal or a pink so muted that you might as well call it beige. I never thought those colours suited me particularly. I didn’t have an opinion on the subject. It was just a question of following the golden rule: observe what others do, then follow suit. A palette of muted classic colours seemed like the safest way to achieve the right effect. Since Kay turned fourteen or fifteen, however, she’s campaigned to get me to liven up my wardrobe. It’s still hardly vibrating with life. It still looks something like an exhibition of Next office wear, 2004‒10. All the same, I have options now that I wouldn’t have had a few years back. And today I’ll be seeing Dave Brydon. He’ll be seeing me. I want his eyes on me, and I want his eyes to be hungry ones, sexed up and passionate. I

Many people have suspected me of being gay. I’m rich. I dress well. I have a fine knowledge of wine. Then, there is also the fact that I like to suck cock.

Blanca came in and out of my life over the next few weeks, but she never came far enough for me to see her. I failed to meet her in so many different ways that I began to know her anyway. I knew the qualities of her particular absence. I dressed up for it. I wore a suit that I had never gotten the hang of in the seventies, but now it felt all right. It’s an unusual suit because it’s light beige, almost off-white. You don’t see that color much in big amounts, suit and jacket both. It became my uniform for not meeting Blanca.

swing it open. Tom’s standing there, smiling with a bunch of red roses in his arms. He looks good with his cropped black hair, soft brown eyes, and crooked smile. He’s dressed to impress in a navy shirt and dark beige trousers. The nurses at his hospital must be drooling over him, so why aren’t I? His eyes travel up and down my body. “You look lovely, Andi.” “Thank you,” I answer. “I brought you these.” He hands me a mixed array of pink tulips, white daises, yellow sunflowers, and red roses. “They’re

Josie said. “We almost gave up several times,” Dora admitted, shaking her head.  “But maybe the quilt did keep us from going home earlier than we had planned.” “I like the name Rolling Stones,” Josie commented. “Hey, that’s kind of like us. We didn’t use wagons, but we managed to tour part of the country.” “You’re right. I believe we should just keep the quilt.” “Won’t it remind us of all the anxious moments?” “Maybe, but we showed courage and persevered,” Dora said, soundly.  “Hey, where’s the bonus they promised us?” “Well, I don’t know.” Dora searched the box and held up a blue envelope. “Let’s see.” Josie whipped it out of her hand. She broke the seal and took out two airplane tickets. “Airplane tickets?” Dora asked in disbelief. “What do we do with tickets?” “Here’s a note between the tickets.” Josie opened it.  “It says the tickets are for a quilt show in Philadelphia. Milton wants us to attend.  He says he will meet us there and answer more questions for us.” “But we’re afraid to fly,” Dora protested. “Could we send the tickets back?” Josie suggested. “I don’t think so. Milton will be out his money.” “When is it?” Dora took the tickets and examined them. “In September. Only a month away.” Josie tapped her chin in thought. “If we decided to do more touring, we could extend our trip from there to the New England States.” “We could see the autumn leaves,” Dora said, excitement rising in her voice. “Anthony wanted us to visit him in Iowa,” Josie reminded Dora. “How are we going to work all this in?” “I have no idea. Why does traveling have to be so complicated and so full of surprises?”   ______   MDora looped a bright red scarf around her neck while glancing out her bedroom  window. The wind swirled bits of trash down the sidewalk of their Hedge City, Nebraska, home. She sighed, wishing she could stay at home today and read.  Buzzie looked up at her and meowed, expressing the same sentiments. She reached down and patted her softly.  But she didn’t have that luxury today. She had agreed to substitute teach for the current English teacher who would be out for at least a week.  Josie called from the kitchen. “Want more coffee?” “Yes, please.  Fill my mug.  I’ll drink it on my way to school.” She reached into the closet and pulled out a beige sweater. A glance in the mirror confirmed the bright red scarf did wonders for the nondescript sweater’s color. Josie joined her at the door dressed in russet slacks and matching jacket and handed Dora her mug.  “A little blustery today.” “For sure.” Dora eyed Josie, wishing she had the sense of style Josie displayed. The sisters would walk together and then would split to their separate ways, Josie to fill in at the

On the table behind the built-in bar stood opened bottles of gin, bourbon, scotch, soda, and other various mixers. The bar itself was covered with little delicacies of all descriptions: chips, dips, and little crackers and squares of bread laced with the usual dabs of egg salad and sardine paste. There was a platter of delicious fried chicken wings and a pan of potato-and-egg salad dressed with vinegar. Bowls of lives and pickles surrounded the main dishes, along with trays of red crabapples and little sweet onions on toothpicks. But the centerpiece of the whole table was a huge platter of succulent and thinly sliced roast beef set into an underpan of cracked ice. Upon the beige platter each slice of rare meat had been lovingly laid out and individually folded up into a vulval pattern with a tiny dab of mayonnaise at the crucial apex. The pink-brown folded meat around the pale cream-yellow dot formed suggestive sculptures that made a great hit with all the women present. Petey– at whose house the party was being given and the creator of the meat sculptures– smilingly acknowledged the many compliments on her platter with a long-necked graceful nod of her elegant dancer’s head.

you’re dressed like a skank because you are a skank. Deep down, under the beige and pearls and PTA bake sales, is a Clone-a-Willy and fetish-porn lover, screaming to get out. Let the skank out, Cindy. Let her out and let her fuck shit up.

I once met an eighty-nine-year-old woman who had, of her own volition, checked herself into a Boston nursing home. Usually, it’s the children who push for a change, but in this case she was the one who did. She had congestive heart failure, disabling arthritis, and after a series of falls she felt she had little choice but to leave her condominium in Delray Beach, Florida. “I fell twice in one week, and I told my daughter I don’t belong at home anymore,” she said. She picked the facility herself. It had excellent ratings and nice staff, and her daughter lived nearby. She had moved in the month before I met her. She told me she was glad to be in a safe place—if there’s anything a decent nursing home is built for, it is safety. But she was wretchedly unhappy. The trouble was that she expected more from life than safety. “I know I can’t do what I used to,” she said, “but this feels like a hospital, not a home.” It is a near-universal reality. Nursing home priorities are matters like avoiding bedsores and maintaining residents’ weight—important medical goals, to be sure, but they are means, not ends. The woman had left an airy apartment she furnished herself for a small beige hospital-like room with a stranger for a roommate. Her belongings were stripped down to what she could fit into the one cupboard and shelf they gave her. Basic matters, like when she went to bed, woke up, dressed, and ate, were subject to the rigid schedule of institutional life. She couldn’t have her own furniture or a cocktail before dinner, because it wasn’t safe.