Sunlight After Rain Quotes

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The richness of the rain made me feel safe and protected; I have always considered the rain to be healing—a blanket—the comfort of a friend. Without at least some rain in any given day, or at least a cloud or two on the horizon, I feel overwhelmed by the information of sunlight and yearn for the vital, muffling gift of falling water.
Douglas Coupland (Life After God)
There should be laughter after pain, there should be sunlight after rain, these things have always been the same, so why worry now?" [Why Worry?]
Mark Knopfler (Dire Straits - Brothers in Arms)
When joy arrives, it catches me off guard. It sneaks up slowly through my rib cage like poppies pushing through soil after the rain, and then it’s there, everywhere, warmth beating in my chest, spreading down to my fingertips as I sink back in the sunlight.
Ann Liang (Never Thought I'd End Up Here)
He nearly called you again last night. Can you imagine that, after all this time? He can. He imagines calling you or running into you by chance. Depending on the weather, he imagines you in one of those cotton dresses of yours with flowers on it or in faded blue jeans and a thick woollen button-up cardigan over a checkered shirt, drinking coffee from a mug, looking through your tortoiseshell glasses at a book of poetry while it rains. He thinks of you with your hair tied back and the characteristic sweet scent on your neck. He imagines you this way when he is on the train, in the supermarket, at his parents' house, at night, alone, and when he is with a woman. He is wrong, though. You didn't read poetry at all. He had wanted you to read poetry, but you didn't. If pressed, he confesses to an imprecise recollection of what it was you read and, anyway, it wasn't your reading that started this. It was the laughter, the carefree laughter, the three-dimensional Coca-Cola advertisement that you were, the try-anything-once friends, the imperviousness to all that came before you, the chain telephone calls, the in-jokes, the instant music, the sunlight you carried with you, the way he felt when you spoke to his parents, the introductory undergraduate courses, the inevitability of your success, the beach houses, ...
Elliot Perlman (Seven Types of Ambiguity)
I want to paint like Berthe Morisot, I don’t mean with her colours or forms or anything physical, but with her simplicity and light. I don’t want to be clever or great or “significant” or given all that clumsy masculine analysis. I want to paint sunlight on children’s faces, or flowers in a hedge or a street after April rain. The essences. Not the things themselves. Swimmings of light on the smallest things. Or am I being sentimental? Depressed. I’m so far from everything. From normality. From light. From what I want to be.
John Fowles (The Collector)
Like sheep which, having been driven to a pasture, can now spread out at their leisure, the clouds began to drift. Afternoon sunlight sliced through into the still waters. The boomerang hung in the sky, and the boy thought he would have to find a new word for the way the colours glowed. In the meantime, he looked down at the water and tried out the word he'd been taught by his grandfather, who'd been taught it by his grandfather, and which had been kept for thousands of years for when it would been needed. It meant the smell after rain. It had, he thought, been well worth waiting for.
Terry Pratchett (The Last Continent (Discworld, #22; Rincewind, #6))
APPROACH Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills. But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing. Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other.
Jay Woodman (SPAN)
Following Someone is always falling in love with you: men and women, infants and children, octogenarians and adolescents. A tenant of heaven-haven on the pearly doorstep hopes you will wave your hand in passing. Where you stood just now a white bird has flown into a ponderosa pine and a black bee hovers in a bush of yellow flowers. People would like to discuss you, but hold back. Mystery is a fragile substance, too easy to tear. Several persons, however, have noticed that you are followed not by the usual shadow but by a shaft of sunlight. Even on a day of fog or light rain. Even after sunset. When you are not present, you still walk quietly through our minds, and we tell ourselves little stories or small poems about you, like this one. When a bird sings, we listen carefully hoping your name will be mentioned.
Virginia Adair (Living on Fire: A Collection of Poems)
I mined away the dirt blocks overhead. Brilliant white sunlight poured from above, as well as the scent of grass and flowers. The rain had finally stopped. After my eyes adjusted to the light, I gazed up at a square of cloudless blue sky for the longest time, taking breath after breath of fresh morning air. At
Cube Kid (Path of Exile: Book 1)
For long after guilty memories fade, the urge for penance lingers: strong and blind as the will to drink rain and grope for sunlight.
Sean Stewart (Resurrection Man (Resurrection Man, #1))
There's a certain feeling that can only be compared to the same feeling one gets when they've been in the cold rain when it's dark at night and suddenly night gives way to dawn and sunlight filters through the clouds as they part. That's how his voice felt as it hit my ears, flowing through me like fresh air hitting my lungs. It felt like I was slowly sinking into a hot bubble bath after having been outside, naked in the cold.
Lola Mac Harlow (Love Me Without Being Told (Queen of Hearts,#1))
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.
Gabrielle Renee
Winter's last rain and a light I don't recognize through the trees and I come back in my mind to the man who made me suck his cock when I was seven, in sunlight, between boxcars. I thought I could leave him standing there in the years, half smile on his lips, small hands curled into small fists, but after he finished, he held my hand in his as if astonished, until the houses were visible just beyond the railyard. He held my hand but before that he slapped me hard on the face when I would not open my mouth for him. I do not want to say his whole hips slammed into me, but they did, and a black wave washed over my brain, changing me so I could not move among my people in the old way. On my way home I stopped in the churchyard to try to find a way to stay alive. In the branches a red-wing flitted, warning me. In the rectory, Father prepared the body and the blood for mass but God could not save me from a mouthful of cum. That afternoon some lives turned away from the light. He taught me how to move my tongue around. In his hands he held my head like a lover. Say it clearly and you make it beautiful, no matter what.
Bruce Weigl
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE STILL DANCES, EVEN IN THE RAIN.
Gabrielle Renee
Do Not Stand at My Grave and Weep By Mary Elizabeth Frye Do not stand at my grave and weep.  I am not there; I do not sleep. I am a thousand winds that blow, I am the diamond glints on snow, I am the sunlight on ripened grain, I am the gentle autumn rain. When you awaken in the morning’s hush I am the swift uplifting rush Of quiet birds in circling flight. I am the soft star-shine at night.  Do not stand at my grave and cry, I am not there; I did not die. Death Is Nothing At All By Henry Scott Howard Death is nothing at all. I have only slipped away to the next room. I am I and you are you. Whatever we were to each other, That, we still are. Call me by my old familiar name. Speak to me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes we enjoyed together. Play, smile, think of me. Pray for me. Let my name be ever the household word
Liz Eastwood (Soul Comfort for Cat Lovers: Coping wisdom for heart and soul after the loss of a beloved feline)
One find in Western Australia turned up zircon crystals dated to 4.4 billion years ago, just a couple of hundred million years after the earth and the solar system formed. By analyzing their detailed composition, researchers have suggested that ancient conditions may have been far more agreeable than previously thought. Early earth may have been a relatively calm water world, with small landmasses dotting a surface mostly covered by ocean.15 That’s not to say that earth’s history didn’t have its moments of flaming drama. Roughly fifty to one hundred million years after its birth, earth likely collided with a Mars-sized planet called Theia, which would have vaporized the earth’s crust, obliterated Theia, and blown a cloud of dust and gas thousands of kilometers into space. In time, that cloud would have clumped up gravitationally to form the moon, one of the larger planetary satellites in the solar system and a nightly reminder of that violent encounter. Another reminder is provided by the seasons. We experience hot summers and cold winters because earth’s tilted axis affects the angle of incoming sunlight, with summer being a period of direct rays and winter being a period of oblique ones. The smashup with Theia is the likely cause of earth’s cant. And though less sensational than a planetary collision, both the earth and the moon endured periods of significant pummelings by smaller meteors. The moon’s lack of eroding winds and its static crust have preserved the scars but earth’s thrashing, less visible now, was just as severe. Some early impacts may have partially or even fully vaporized all water on earth’s surface. Despite that, the zircon archives provide evidence that within a few hundred million years of its formation, earth may have cooled sufficiently for atmospheric steam to rain down, fill the oceans, and yield a terrain not all that dissimilar from the earth we now know. At least, that’s one conclusion reached by reading the crystals.
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
Merry Autumn" It’s all a farce,—these tales they tell About the breezes sighing, And moans astir o’er field and dell, Because the year is dying. Such principles are most absurd,— I care not who first taught ’em; There’s nothing known to beast or bird To make a solemn autumn. In solemn times, when grief holds sway With countenance distressing, You’ll note the more of black and gray Will then be used in dressing. Now purple tints are all around; The sky is blue and mellow; And e’en the grasses turn the ground From modest green to yellow. The seed burrs all with laughter crack On featherweed and jimson; And leaves that should be dressed in black Are all decked out in crimson. A butterfly goes winging by; A singing bird comes after; And Nature, all from earth to sky, Is bubbling o’er with laughter. The ripples wimple on the rills, Like sparkling little lasses; The sunlight runs along the hills, And laughs among the grasses. The earth is just so full of fun It really can’t contain it; And streams of mirth so freely run The heavens seem to rain it. Don’t talk to me of solemn days In autumn’s time of splendor, Because the sun shows fewer rays, And these grow slant and slender. Why, it’s the climax of the year,— The highest time of living!— Till naturally its bursting cheer Just melts into thanksgiving.
Paul Laurence Dunbar
Mortals, I’ve observed, sometimes marry for very silly reasons. The Folk do not, because one cannot marry someone who does not match them. The word has a connotation of accepting one’s fate.” “You are trying to calm me with a linguistics lesson,” I said. He smiled. “Is it working?” I let out a breath of laughter. “Then—you purpose we marry by the old traditions? A simple declaration?” “Why not?” he said. It was a strange thing, I had been viewing the marriage question with such trepidation—the ceremony, the spectacle, all that came after it, in the form of this and beautiful kingdom that would thence be half mine. And yet, as I sat there upon the lake amidst the tree-shadow and reflected light and the dragonflies tussling with the wind, I no longer knew why I had been so afraid. Likely it was also the threat of Queen Arna hanging over is like a guillotine—well, the prospect of imminent death tends to put things into perspective. It was not that my worries vanished— no magic could manage that. I only realized how much smaller they were than the world that lay before me. A world that I wanted, even after all I had seen, and amidst such a thicket of danger. I wanted it very much. And I especially wanted to share it with Wendell. “All right,” I said. “How does this work? Must I stand? I warn you, my balance is unsteady in all forms of watercraft.” Wendell blinked for a moment. And then his expression flooded with such delight and relief that I was taken aback. “You thought I would say no!” I exclaimed, batting his hand in indignation. “Good grief. And you are always boasting about how well you know me.” He laughed again, a sound that echoed across the lake, and it seemed the trees were stirred by it, raining their leaves down upon the lakeshore. He rubbed a hand over his face. “I didn’t think that,” he said. “I didn’t know what you would say. It appears you still have the ability to surprise me, Em.” I rolled my eyes. There was an echo of nervousness in his gaze, and I decided I’d had enough of that. Additionally, he was looking very handsome just then, with the sunlight picking out at least a dozen shades of gold in his hair, so I took hold of his cloak, thumb looping through one of the buttonholes, and drew him towards me. “Well, come on, what must we do?” I said when we at least broke apart, breathless. I hoped this tradition would not involve lengthy speeches. I had not improved much when it comes to putting feelings into words. “Nothing,” he said. “It’s done. Look.” “I followed his gaze to the lakeshore. A hundred tiny lights dotted the forest—more than a hundred. A thousand? They kept appearing among the shadows, different in size and luminance depending on the lantern. I hadn't realized the forest was so full of Folk. And among the trees, the silver faerie stones began to glow. "All this for a mortal queen?" I muttered, flushed and overwhelmed.
Heather Fawcett (Emily Wilde's Compendium of Lost Tales (Emily Wilde, #3))
Human, human, human. Make ourselves see what we pretend to know. Remind ourselves that we are an animal united as a species existing on this tender blue speck in space, the only planet that we know of containing life. Bathe in the corny sentimental miracle of that. Define ourselves by the freakish luck of not only being alive, but being aware of that. That we are here, right now, on the most beautiful planet we’ll ever know. A planet where we can breathe and live and fall in love and eat peanut butter on toast and say hello to dogs and dance to music and read Bonjour Tristesse and binge-watch TV dramas and notice the sunlight accentuated by hard shadow on a building and feel the wind and the rain on our tender skin and look after each other and lose ourselves in daydreams and night dreams and dissolve into the sweet mystery of ourselves. A day where we are, essentially, precisely as human as one another.
Matt Haig (Notes on a Nervous Planet)
With summer nearly upon the Pacific Northwest, I couldn't expect too many more days like this one. There was no better way to spend a late-spring morning than at the arboretum, the beautiful foliage surrounding me bringing peace and good memories. The trees around me rustled, unsettling dew from last night's rain and showering the ground below with rainbow specks of water as sunlight filtered through.
Sabrina Blackburry (Dirty Lying Wolves (The Enchanted Fates #3))
Little Ash truly believed that he was the same sort of creature as boys… The angel, however, merely found it convenient to wear a shape in which one could easily study the holy books. Inside itself, it felt closer in kinship to the books themselves, or to the sorts of things an angel might be tasked to look after, like sunlight and rain.
Sacha Lamb (When the Angels Left the Old Country)
The true test of a warrior is how your 'stance' holds up after any 'circumstance'. Meaning, how you stand up after the rain, a tornado, or blizzard (the unpredictable weather of life) is the ultimate test of the strength of your spirit. Even through the stormiest weather, a warrior will still reflect the brilliant rays of the magnificent sun through both his or her eyes. You may get hit by sudden lightning or take severe beatings from the cruel wind, but you will always get back up to stand strong on your feet again, soak in the sunlight, and be prepared to get hit by even the most merciless hail ― time and time again.
Suzy Kassem
Black Roads Black roads have nothing to tell, they are embarrassing day by day, yet they smell awesome after the chaste heavy rainfall, even in the abject condition. Black roads burn madly in the detrimental sunlight during the whole day, yet welcome the God of sun everyday. Black roads always offer us a cool, bright strange place to introspect ourselves, to walk on it's burned skin everyday, yet it teaches us a new lesson everyday. Don't disparagement the roads for its daily serving to us, as Black roads are hard, still lenient to offer us a leisure walk on it. How are black roads feel much helpless while providing a loneliest path to a strange girl. Who says, there were no evidence. The falter black roads were the only evidence of the sight, when a girl raped or teased. These strange roads feeble each and everyday after watching this disheartened, excruciating act. They want a perfect strange road, on which everyone can walk independently, without thinking about the passing immortal time and the culprit people. "No worries in life, is simply a perfect destination for us" ~Sometimes, non living things teach us the best lessons. The words of black roads~ "I always take the help of those poor human being to prove my sacredness in front on the whole world. I don't want a heavy dauntless rain to remove the blood stains and scars of tears, instead i need the drizzle to wash the dust of love spread by everyone carelessly. I am pity helpless, yet great than this artificial human being who are creating a road full of violence" "The stains of the blood and the scars of the deadliest tears burns on my black skin everyday" © Deepak Gupta
Deepak Gupta (Inspiring Life: Motivational Quotes That Can Change Your Life)
How to read this book: Even after I was told my father was dead, I believed (I still believe) that I could fix everything- that if I logged enough miles in my VW and kept telling stories through the countless dead ends and breakdowns, I could undo the terrible tree events…not that I should have expected to with this particular power, which is incomplete (as I was forced to sell a few stories and procedures for time-of-money), full of holes. Sure, the book turns on, lights up; its fans whirr and the bookengine crunches. But some of the pages are completely blank; others hang by a thread. the book’s transmission is shot, too, so don’t’ be surprised if the book slips from one version to the next as you’re reading .Finally, the thermostat’s misked, so you should expect sudden changes in temperature, the pages might get cold, or it may begin to snow between paragraphs, or you may turn the page and get hit with a faceful of rain or blinding beams of sunlight. So go ahead. Do it-open the book. See? You see me, right? And I see you. See? I am reading your face, your eyes, your lips. I know the sufferdust on your brow. I can see you reading, and I can tell, too, when you are here, when you are absent, what you’ve read and how it affects you. There is no more hiding. I see your chords- your fratures, your cold gifts, where and when you’ve hurt people…your stories are written right there on your face!
Christopher Boucher (How to Keep Your Volkswagen Alive: A Novel)
February 25 MORNING “The wrath to come.” — Matthew 3:7 IT is pleasant to pass over a country after a storm has spent itself; to smell the freshness of the herbs after the rain has passed away, and to note the drops while they glisten like purest diamonds in the sunlight. That is the position of a Christian. He is going through a land where the storm has spent itself upon His Saviour’s head, and if there be a few drops of sorrow falling, they distil from clouds of mercy, and Jesus cheers him by the assurance that they are not for his destruction. But how terrible it is to witness the approach of a tempest: to note the forewarnings of the storm; to mark the birds of heaven as they droop their wings; to see the cattle as they lay their heads low in terror; to discern the face of the sky as it groweth black, and look to the sun which shineth not, and the heavens which are angry and frowning! How terrible to await the dread advance of a hurricane — such as occurs, sometimes, in the tropics — to wait in terrible apprehension till the wind shall rush forth in fury, tearing up trees from their roots, forcing rocks from their pedestals, and hurling down all the dwelling-places of man! And yet, sinner, this is your present position. No hot drops have as yet fallen, but a shower of fire is coming. No terrible winds howl around you, but God’s tempest is gathering its dread artillery. As yet the water-floods are dammed up by mercy, but the flood-gates shall soon be opened: the thunderbolts of God are yet in His storehouse, but lo! the tempest hastens, and how awful shall that moment be when God, robed in vengeance, shall march forth in fury! Where, where, where, O sinner, wilt thou hide thy head, or whither wilt thou flee? O that the hand of mercy may now lead you to Christ! He is freely set before you in the gospel: His riven side is the rock of shelter. Thou knowest thy need of Him; believe in Him, cast thyself upon Him, and then the fury shall be overpast for ever.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
It went on raining. Day after day. Three days, to be precise. I didn’t mind. At that point I’d have considered sunlight a personal insult.
Elizabeth Peters (Night Train to Memphis (Vicky Bliss, #5))
road that ran through a mixed pine forest. “What are Steeev’s chances for, uh, surviving?” “I told Jill they were high,” I said without pulling my gaze from the monotonous scenery of pines. “But to be honest, I don’t know.” Sighing, I rubbed my eyes. “Theoretically, chances are decent the first time through the void. Not so much for a second death. He’s never died on Earth before, so that helps his odds.” The rain stopped as suddenly as it had begun. Pellini clicked off the wipers, and within a quarter of a mile sunlight blazed down onto a bone dry road. Louisiana weather. Gotta love it. Pellini smacked the steering wheel. “Shit!” I jerked, startled. “What?!” “You! You died over there! In the demon realm!” His mouth widened into a pleased smile. “That’s why you appeared out of nowhere without a stitch on.” I couldn’t answer for several seconds. “You saw me naked?” His smile exploded into a grin. Groaning, I dropped my head back against the seat. “Yeah. It was after I found out the Symbol Man was Chief Morse. I started the whole dying process here on Earth, but Rhyzkahl brought me to the demon realm to finish dying so that I had a chance of surviving it.
Diana Rowland (Vengeance of the Demon (Kara Gillian, #7))
through. The eastern part of the city all the way to The Rigolets was bathed in a soft golden sunlight, almost like a beach at sunset. To the west, however, there was a wicked billowing black mass of clouds, an advancing stampede that blotted out both sky and earth. A seabird’s view of startling weather patterns was one of the major perks of this office: this sky looked not only scenic but particularly menacing. He could imagine the shock waves it was literally sending to all those boat captains out on the Lake trying to get back to the harbor, not to mention the fear in the hearts of all of the Carnival krewe captains who were trying to get their parades lined up and rolling. “Well, better to rain on Lundi Gras than Mardi Gras,” he thought. He heard noises in his outer office and stuck his head out to see if maybe he had a paying client after all. A short round lady with a distressed look was
Tony Dunbar (Shelter From The Storm (Tubby Dubonnet, #4))
THE WRATH TO COME. — MATTHEW 3:7 I t is pleasant to pass over a country after a storm has spent itself—to smell the freshness of the herbs after the rain has passed away, and to note the drops while they glisten like purest diamonds in the sunlight. That is the position of a Christian. He is going through a land where the storm has spent itself upon His Savior’s head, and if there be a few drops of sorrow falling, they distill from clouds of mercy, and Jesus cheers him by the assurance that they are not for his destruction. But how terrible it is to witness the approach of a tempest—to note the forewarnings of the storm; to mark the birds of heaven as they droop their wings; to see the cattle as they lay their heads low in terror; to discern the face of the sky as it grows black, and to find the sun obscured, and the heavens angry and frowning! How terrible to await the dread advance of a hurricane, to wait in terrible apprehension till the wind rushes forth in fury, tearing up trees from their roots, forcing rocks from their pedestals, and hurling down all the dwelling-places of man! And yet, sinner, this is your present position. No hot drops have fallen as yet, but a shower of fire is coming. No terrible winds howl around you, but God’s tempest is gathering its dread artillery. So far the water-floods are dammed up by mercy, but the floodgates will soon be opened: The thunderbolts of God are still in His storehouse, the tempest is coming, and how awful will that moment be when God, robed in vengeance, shall march forth in fury! Where, where, where, O sinner, will you hide your head, or where will you run to? May the hand of mercy lead you now to Christ! He is freely set before you in the Gospel: His pierced side is the place of shelter. You know your need of Him; believe in Him, cast yourself upon Him, and then the fury shall be past forever.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
THE FIRST MORNING   What a joy it must have been for the first man and woman to awaken that first morning after their creation! Before them lay a beautiful garden without blemish, a harmonious creation without turmoil, an orderly environment without a weed or thorn. Most wonderful of all, they freely walked and talked with the Lord in the cool of the day. Wouldn’t you love to experience that glorious state for one morning! Eleanor Farjeon must have felt the same elation when she penned the words to her now internationally famous hymn: “Morning has broken like the first morning; Blackbird has spoken like the first bird. Praise for the singing! Praise for the Morning! Praise for them, springing fresh from the Word! Sweet the rain’s new fall sunlit from heaven, Like the first dew-fall on the first grass. Praise for the sweetness of the wet garden, Spring in completeness where his feet pass. Mine is the sunlight! Mine is the morning Born of the one light Eden saw play! Praise with elation, praise every morning, God’s recreation of the new day!”1 While we may not awaken to a perfect, pristine world in our natural bodies, we can awaken to a “brand-new day” in our minds and hearts. We can walk and talk with the Lord all day long. Each day the Lord presents to His beloved children wondrous possibilities to explore with Him. Let us always remember that He is the Creator and our loving Father. No matter what state we find ourselves in, He can create something new in us, for us, and through us. What cause for praise! His next act of creation is waiting to unfold as we yield our life to Him this morning and throughout our day!   HIS COMPASSIONS FAIL NOT. THEY ARE NEW EVERY MORNING. LAMENTATIONS 3:22-23 NKJV
David C. Cook (Good Morning, God: Wake-up Devotions to Start Your Day God's Way)
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.
Gabrielle Renee
In 1968, parked cars were cleared out of Gråbrødretorv, or Grey Monk’s Square, a small plaza dominated by a large shade tree near the Strøget. That summer, the owners of a café on the square set up a few tables outside their door. People sat down at those tables and ordered beer and meatballs, and they let the northern sunlight fall on their faces. It seemed a quirky anomaly. But those tables were the drops that led to a torrent. Now the city centre is crammed with outdoor cafés, close to nine thousand seats by Gehl’s last count. Danish winters are as miserable as they come – the winds from the North Sea deliver wave after wave of rain, sleet and snowstorms, and the weak sun disappears well before the end of the workday – but now you can see Copenhageners out on their plazas in the dead of winter, wrapped in woollen blankets, sipping little cups of espresso. Gehl collects pictures of them, proof that by redesigning city space, you can actually transform the culture.
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
Do not stand at my grave and weep I am not there, I do not sleep. I am a thousand winds that blow. I am the diamond glints on snow. I am the sunlight On the ripened grain. I am the gentle Autumn’s rain. When you awaken in the morning hush, I am the swift uplifting rush of quiet birds in circled flight. I am the soft stars that shine at night. Do not stand at my grave and cry. I am not there. I did not die. —Hopi Prayer
Brook Noel (I Wasn't Ready to Say Goodbye: Surviving, Coping and Healing After the Sudden Death of a Loved One (A Compassionate Grief Recovery Book))
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