Beam Stock Quotes

His intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect. (About Philip Seymour Hoffman)

There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?

…old houses move in their sleep like the dreaming, remembering limbs of very old people. Boards whisper, steps cry out softly to the whispering remembrance of footfalls long gone to earth. Mantelpieces strain gently in the darkness beneath the ghosts of old Christmas stockings. Joists and beams and rafters hunch lightly like the brittle ribs of old women in their sleep: the heart recalling, the worn carpet slippers whispering down the halls again.

The last refuge of the Self, perhaps, is “physical continuity.” Despite the body’s mercurial nature, it feels like a badge of identity we have carried since the time of our earliest childhood memories. A thought experiment dreamed up in the 1980s by British philosopher Derek Parfit illustrates how important—yet deceiving—this sense of physical continuity is to us.15 He invites us to imagine a future in which the limitations of conventional space travel—of transporting the frail human body to another planet at relatively slow speeds—have been solved by beaming radio waves encoding all the data needed to assemble the passenger to their chosen destination. You step into a machine resembling a photo booth, called a teletransporter, which logs every atom in your body then sends the information at the speed of light to a replicator on Mars, say. This rebuilds your body atom by atom using local stocks of carbon, oxygen, hydrogen, and so on. Unfortunately, the high energies needed to scan your body with the required precision vaporize it—but that’s okay because the replicator on Mars faithfully reproduces the structure of your brain nerve by nerve, synapse by synapse. You step into the teletransporter, press the green button, and an instant later materialize on Mars and can continue your existence where you left off. The person who steps out of the machine at the other end not only looks just like you, but etched into his or her brain are all your personality traits and memories, right down to the memory of eating breakfast that morning and your last thought before you pressed the green button. If you are a fan of Star Trek, you may be perfectly happy to use this new mode of space travel, since this is more or less what the USS Enterprise’s transporter does when it beams its crew down to alien planets and back up again. But now Parfit asks us to imagine that a few years after you first use the teletransporter comes the announcement that it has been upgraded in such a way that your original body can be scanned without destroying it. You decide to give it a go. You pay the fare, step into the booth, and press the button. Nothing seems to happen, apart from a slight tingling sensation, but you wait patiently and sure enough, forty-five minutes later, an image of your new self pops up on the video link and you spend the next few minutes having a surreal conversation with yourself on Mars. Then comes some bad news. A technician cheerfully informs you that there have been some teething problems with the upgraded teletransporter. The scanning process has irreparably damaged your internal organs, so whereas your replica on Mars is absolutely fine and will carry on your life where you left off, this body here on Earth will die within a few hours. Would you care to accompany her to the mortuary? Now how do you feel? There is no difference in outcome between this scenario and what happened in the old scanner—there will still be one surviving “you”—but now it somehow feels as though it’s the real you facing the horror of imminent annihilation. Parfit nevertheless uses this thought experiment to argue that the only criterion that can rationally be used to judge whether a person has survived is not the physical continuity of a body but “psychological continuity”—having the same memories and personality traits as the most recent version of yourself. Buddhists

Wave after wave of an orgasm broke over her, but soon it would be over for him. “Stop,” Livia panted. Blake paused as Livia swallowed to try to compose herself. She was here for a reason. “The mask. Take it off. I want you to kiss me.” Livia watched his eyes. He was scared. “Blake, you’re inside of me. I’ll keep you safe. You’re inside of me.” Livia squeezed him again, reminding him exactly where he was. Blake smiled at the sensation. “Do it for me, Livia. Please.” And even though they were naked and locked in the most intimate embrace, this was the striptease. Livia went slowly, rolling up the knit ski mask like a stocking. First his jaw came into the light. Livia slowed, tracing its strong line with her finger. Next, his lips lost their frame, then his eyes left their prison. He closed them. Finally, his wild, messy hair was free. Livia tossed the mask aside. And waited. Open your eyes. After a moment Blake looked around his sunny meadow. A breeze stirred the trees high up, and they released a shower of fall colors. In the silence of the day, the leaves hitting the ground sounded like applause. Quiet applause for a quiet victory. The o in sorry vanished. Blake looked at Livia beneath him. She smiled. “Five hundred ninety-eight,” he whispered. Still counting. “Yes! Yes. I knew you could do this. I knew you could do this.” Livia beamed with pride. Blake blurred as her eyes became two pools of tears. He kissed her softly, but Livia wanted the rough thrusts back. She pulled away and wiped her eyes. “Giddy up!” Livia spanked Blake playfully. He gave a little chuckle before he put her out of her misery. If she thought he was going fast and hard before, she was wrong. Blake was almost done when he let Livia’s leg slip from his shoulder. He kissed her with his clever tongue and moaned loudly into her mouth.

Are you going to be my papa now?” the child had asked Zachary, sitting with her arms looped around his neck. She had flown to him with shrill cries of delight when Holly had brought her to visit the estate, and he had swung her in the air until her little petticoats and white stockings had been a white blur. Touched by the obvious happiness of the pair, Holly had felt a great settling of comfort and peace inside. If she had had any lingering doubts about the rightness of this new life for her daughter, they dissolved at the sight of Rose's beaming face. The child would be spoiled, undoubtedly, but she would also be loved wholeheartedly. “Is that what you'd like?” Zachary said in answer to Rose's question. She wrinkled her face thoughtfully, and her doubtful gaze flickered to Holly before returning to Zachary. “I should like very much to live in your big house,” she replied with all the candor of a young child, “and I don't mind that Mama will marry you. But I don't want to call you Papa. It would make my papa in heaven sad, I think.” The words stunned Holly, and she fumbled for a reply. Helplessly she watched as Zachary touched the little girl's round chin and turned her face toward him. “Then call me whatever you like,” he said matter-of-factly. “But believe me, princess, I'm not going to replace your papa. I'd be a fool to try, fine man that he was. I just want to take care of you and your mother. I imagine—I hope—that your papa will be somewhat relieved to see that someone will be looking after you down here while he's unable.” “Oh,” Rose said in obvious satisfaction. “I think that's all right, then, as long as we don't forget him. Isn't that right, Mama?” “Yes,” Holly whispered, her throat tight with emotion, her cheeks flushed with happiness. She stared at Zachary with glittering brown eyes. “You're absolutely right, Rose.

SONG VI. True Nobility. All men are of one kindred stock, though scattered far and wide; For one is Father of us all—one doth for all provide. He gave the sun his golden beams, the moon her silver horn; He set mankind upon the earth, as stars the heavens adorn. He shut a soul—a heaven-born soul—within the body's frame; The noble origin he gave each mortal wight may claim. Why boast ye, then, so loud of race and high ancestral line? If ye behold your being's source, and God's supreme design, None is degenerate, none base, unless by taint of sin And cherished vice he foully stain his heavenly origin.

I watched the transformation in my father as he picked one winner after another, and I liked what I saw. As he watched the stock climb, he would break into a big, broad smile, until he was literally beaming. He was having a very good time. He was loosening up. He finally felt that he was getting ahead. This was why he had come to America, to make a life for his family. Often I would help him with his decisions. If he was interested in a particular company, I would research it for him, and we would discuss the possibility of buying a few shares. He treated me like an equal, like his partner. Together we learned about buying on margin, about options trading, about puts and calls. Before long I found myself leaping out of bed at the crack of dawn, pouring myself a bowl of cereal, and parking myself in front of the television. I had the morning newspaper to my left and a pad and pencil to my right. The fact is, anyone can do this. It’s just like homework, except it’s the real world. It takes time and effort to get an A, and the same rules apply here, but the difference is that this is worth taking very, very seriously. After all, we’re not talking about grades—we’re talking about serious money.

beamed from ear to ear, a pint-size image of his dad. “And while we’re there,” Christine continued. “I’ll tell you all about our upcoming trip to Vermont.” Tyler scrunched up his face. “Vermont? What’s that?” “It’s a state, sweetheart. Just a little ways away.” He paused, considering this, then held his teddy up to his ear. “Jasper wants to know if there’ll be snow there.” “At least as much as we’ve got here.” Tyler listened to his teddy again. “Will we be there for Christmas?” “You bet!” Tyler hung his head, drawing Jasper into his chest. Christine reached out a hand and gently raised his chin. “What’s wrong, honey?” Tyler glanced at his Christmas stocking, then swallowed hard.

The day before Christmas came. Mama made her clove apple and began baking pies. Papa brought in a fresh pine tree and they decorated it with the beautiful apples. But to Katrina it just didn’t feel like Christmas. Even when she went to bed on Christmas Eve, Papa was still sawing away at the apple tree. On Christmas morning their stocking were filled with oranges, wild hickory nuts, black walnuts, and peppermint sticks. Josie gave Papa and Mama their scarves, and Katrina gave Mama the pincushion. But it still didn’t feel like Christmas to Katrina. Then Papa said, “Now my little ones, turn around and close your eyes. No peeking.” First Katrina heard Papa ask Mama to help him. Then she heard him hammering something to the beam, then he dragged something across the floor. “All right, you can look now,” said Mama. They whirled around. There, hanging from the beam, was Josie’s swing, the very same vine swing from the apple tree. Sitting on the swing was a little rag doll that Mama had made. Near the swing was a drawing board made from the very same limb that had been Katrina’s studio. On the drawing board were real charcoal paper and three sticks of willow charcoal. Katrina softly touched the drawing board. She wanted to say, How wise and wonderful you are, Papa and Thank you, Papa and I’ll always love you, Papa. But all she could say was, “Oh, Papa.” Papa didn’t say anything either. He just handed her the three sticks of charcoal. Josie began to swing with her doll and Katrina started to draw. Now she could see how beautiful Mama’s clove apple looked on the white tablecloth and how shiny red the apples were on the Christmas tree. Now she could smell the fresh winter pine tree and the warm apple pies. Now it felt like Christmas. Katrina gave her first drawing to Papa. It was a picture of the day when Papa picked the apples and Mama made apple butter and Katrina and Josie sorted the apples. In the corner Papa wrote: This picture was drawn by Katrina Ansterburg on Christmas Day 1881. Then he hung it in his woodshop and there it stayed for many long years.

Come in my panties,” she whispered, sticking her ass out even more. After grunting in her ear, I pulled out and came inside her underwear until I ruined them. Instead of stripping them off of her, I pulled them up and pressed my fingers onto them to rub my cum into her pussy. “You’re going to walk around for the rest of the day with your underwear drenched in my cum, and if it starts leaking out and running down these fucking sexy thighs of yours—where everyone can see it—you’re going to let it happen. When we get home tonight, I want your stockings to be fucking stained with me.” She beamed up at me, her eyes wide with excitement. I grasped her jaw. “Do you understand me?” “Yes,” she whispered.

It was not a large office, but it was quite spy-proof and quite undetectably so. Spy-beams trained upon it received neither a suspicious silence nor an even more suspicious static. They received, rather, a conversation constructed at random out of a vast stock of innocuous phrases in various tones and voices.

Tax-Evasion of Rs.200 crores by fraudulently claiming that signals beamed by NDTV in Delhi to Hong Kong (STAR TV) by NDTV was export and claim tax benefits on that when no goods was taken away from India to a place outside India and nothing crossed Custom barrier of India; by bribing corrupt IRS officer Shumana Sen, in a quid pro quo, and who was given an “all-expenses paid free yearly vacation abroad with her entire family” which cost about Rs.1 crore for each of such several trips abroad.

didn’t have your love of the land, your work ethic, your sense of adventure, your devotion to your family. They didn’t understand me the way you did. They didn’t push my buttons, they couldn’t give me a stupid nickname like Squeegee and make it sound like the most tender endearment.” “You couldn’t talk them into jumping from the top barn beam?” She snorted. “That too.” “They didn’t quit talking to you when you broke their leg?” “I did not break your leg. You—” His phone buzzed again, and she remembered that she’d never looked at it to begin with. She held it up. “It’s from your sister.” Half of the message was cut off, so she pressed the button and entered his password. It was the same as hers: Tella’s birthdate. They’d gotten their first phones about the same time she was born. Ames still remembered sitting in the hospital waiting to go in to see Louise and Tella, Palmer and her trying to figure out the newfangled technology together, wondering what a good password would be. She’d had three or four phones since. Palmer hadn’t been around when she’d gotten any of them, and now she used her thumbprint to open it most of the time, but her numerical passcode had stayed the same on all of them. Palmer’s phone opened. Apparently his had too. She pulled Louise’s text up and read it out loud. “‘Pap fell. He’s coherent but wobbly. I think he might have had another stroke. I’m taking him to the hospital in Rockerton. Gram and Tella are with me. The stock is fed for tonight, but the waterer in the far corner pasture is leaking.’” Palmer’s jaw set. His finger tapped the steering wheel. Ames set his phone down and put her hand on his leg. He jumped a little, and his mouth turned up, despite the worried look on his face. That slow grin that made her heart do cartwheels spread across his face. “I can get used to this,” Palmer said, looking at her hand before

The reason why she had chosen journalism was because of those who had done so before her. Stalwart women and men who reported stories in the days before the Internet. Before it was fashionable to learn Mass Communication. A long time before being a TV reporter and calling up your family to see your face beamed to their homes was an in thing. They were those who had left their families behind as they pursued the truth, opting to go to jail when the government hounded them to reveal their sources. Men and women that would rather quit than write editorials the management wanted them to write. Journalists who never wrote a word they would have to disown. Journalists who took their last breath as they wrote an article was true to what they believed in. They would never sit down and take stock of the stories they had covered and written saying, “So what if twenty of these are non-stories, I at least had five I believed in.