Insinuate Quotes

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I suppose that one reason I have always detested religion is its sly tendency to insinuate the idea that the universe is designed with 'you' in mind or, even worse, that there is a divine plan into which one fits whether one knows it or not. This kind of modesty is too arrogant for me.
Christopher Hitchens (Hitch 22: A Memoir)
It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army. Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating . . . "Aaaaw," squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!" Scarlet cringed. "He did not--that wasn't--" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?" "Is she blushing? She sounds like she's blushing." "She's blushing," Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered--
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I got a shotgun and a backhoe and no one looks under a septic tank for a dead body. (Bubba)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
To insinuate that I would break an oath that I made to the ALMIGHTY for my own personal gain is an insult. An insult to me and an insult to the Order. An insult, worthy of death.
J.B. Lion (The Seventh Spark: Volume One – Knights of the Trinity)
With emotional abuse, the insults, insinuations, criticism, and accusations slowly eat away at the victim’s self-esteem until he or she is incapable of judging a situation realistically. He or she may begin to believe that there is something wrong with them or even fear they are losing their mind. They have become so beaten down emotionally that they blame themselves for the abuse.
Beverly Engel (The Emotionally Abusive Relationship: How to Stop Being Abused and How to Stop Abusing)
We may need to ready ourselves to repel boarders.” “With what? One stiletto and hurtful insinuations about their mothers?
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Madame Lily Devalier always asked "Where are you?" in a way that insinuated that there were only two places on earth one could be: New Orleans and somewhere ridiculous.
Tom Robbins (Jitterbug Perfume)
If you’re insinuating that my personal hygiene is not up to the same high standard as yours you can go suck my galoshes.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
Conversation has a kind of charm about it, an insinuating and insidious something that elicits secrets just like love or liquor.
Seneca
I would say I’m sorry, but you wouldn’t believe me. I don’t blame you for that, but don’t you dare insinuate that what I’ve done with you was purely an act or that what I’m feeling is fake when I’ve spent my entire godsdam life not being allowed to want or even feel anything for myself! Not when I spent the last three years hating myself for the relief I felt when you didn’t take me because it meant I didn’t have to do what was expected of me.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
The ancient rhythms of the earth have insinuated themselves into the rhythms of the human heart. The earth is not outside us; it is within: the clay from where the tree of the body grows.
John O'Donohue (Beauty: The Invisible Embrace)
Fine words and an insinuating appearance are seldom associated with true virtue.
Confucius (The Analects of Confucius (from the Chinese Classics))
I cannot have a sufficiency of books. Indeed, I have more than I should... Books give utter delight: they talk with us... and are bound to us by lively and witty intimacy, and do not just insinuate themselves alone on their readers but present the names of others, and each one creates a longing for another.
Francesco Petrarca (Selected Letters, Volume 1 (The I Tatti Renaissance Library))
Degredation is the subtlest drug, the most insinuating. But they could do nothing to me I had not already imagined.
Angela Carter (The Passion of New Eve)
Then he strode right over and, in one smooth motion, insinuated himself into the bed next to me, facing me, under the covers, with the bold and unselfconscious vanity of a cat sitting down on an open book.
Margaret Rogerson (An Enchantment of Ravens)
Mirrors work magic. Repeat the last three words (or the critical one to three words) of what someone has just said. We fear what’s different and are drawn to what’s similar. Mirroring is the art of insinuating similarity, which facilitates bonding. Use mirrors to encourage the other side to empathize and bond with you, keep people talking, buy your side time to regroup, and encourage your counterparts to reveal their strategy.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
You insinuated yourself into my heart like a worm into an apple, and I am consumed by you.
Seanan McGuire (A Red-Rose Chain (October Daye, #9))
Clothes can suggest, persuade, connote, insinuate, or indeed lie, and apply subtle pressure while their wearer is speaking frankly and straightforwardly of other matters.
Anne Hollander
Why should you think it so strange that in some countries there are monkeys which insinuates themselves into the good graces of the ladies; they are a fourth part human, as I am a fourth part Spaniard.
Voltaire (Candide)
True love is jealousy in disguise: A man cannot restrict his lover from going to the club because he hates her, he actually hates the men who would come around and touch her.
Michael Bassey Johnson
There’s a label she used to love but which she loathes when it’s pronounced in a Beartown accent: “career woman.” Peter’s friends call her that, some in admiration and some with distaste, but no one calls Peter a “career man.” It strikes a nerve because Kira recognizes that insinuation: you have a “job” so you can provide for your family, whereas a “career” is selfish. You have one of those for your own sake.
Fredrik Backman (Beartown (Beartown, #1))
P.C." is the newspeak that the West uses nowadays to imply, allude to, or insinuate rather than to affirm or maintain.
Pope Benedict XVI
I have been called arrogant myself in my time, and hope to earn the title again, but to claim that I am privy to the secrets of the universe and its creator — that's beyond my conceit. I therefore have no choice but to find something suspect even in the humblest believer. Even the most humane and compassionate of the monotheisms and polytheisms are complicit in this quiet and irrational authoritarianism: they proclaim us, in Fulke Greville's unforgettable line, "Created sick — Commanded to be well." And there are totalitarian insinuations to back this up if its appeal should fail. Christians, for example, declare me redeemed by a human sacrifice that occurred thousands of years before I was born. I didn't ask for it, and would willingly have foregone it, but there it is: I'm claimed and saved whether I wish it or not. And if I refuse the unsolicited gift? Well, there are still some vague mutterings about an eternity of torment for my ingratitude. That is somewhat worse than a Big Brother state, because there could be no hope of its eventually passing away.
Christopher Hitchens (Letters to a Young Contrarian)
Moonlight and high wind. Dark poplars toss, insinuate the sea.
Li-Young Lee (The City in Which I Love You)
Did you just insinuate I’m comparable to Chuck Norris? Because I’ll take that.
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
It’s a phenomenon (and now technique) that follows a very basic but profound biological principle: We fear what’s different and are drawn to what’s similar. As the saying goes, birds of a feather flock together. Mirroring, then, when practiced consciously, is the art of insinuating similarity. “Trust me,” a mirror signals to another’s unconscious, “You and I—we’re alike.” Once
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
A man likes to believe that he is the master of his soul. But as long as he is unable to control his moods and emotions, or to be conscious of the myriad secret ways in which unconscious factors insinuate themselves into his arrangements and decisions, he is certainly not his own master.
C.G. Jung (Man and His Symbols)
The insistence is on merit, insinuating that any current majority white leadership in any industry has got there through hard work and no outside help, as if whiteness isn’t its own leg-up, as if it doesn’t imply a familiarity that warms an interviewer to a candidate. When each of the sectors I mentioned earlier have such dire racial representation, you’d have to be fooling yourself if you really think that the homogeneous glut of middle-aged white men currently clogging the upper echelons of most professions got there purely through talent alone. We don’t live in a meritocracy, and to pretend that simple hard work will elevate all to success is an exercise in wilful ignorance.
Reni Eddo-Lodge (Why I’m No Longer Talking to White People About Race)
Your mind can go ahead and imagine what it wants to imagine, but a true friend will always remain true, in spite of the false messages running through your mind.
Michael Bassey Johnson
Boots, I told you that I'd never walk away again. I’m a man of my word,” he says sternly. Clearly insinuating that I’m the opposite of that.
Jillian Dodd (Get Me (The Keatyn Chronicles, #6))
As-tu déjà été amoureux? C'est horrible non? Ca rend si vulnérable. Ca t'ouvre la poitrine et le coeur en grand et du coup, n'importe qui peut venir te bousiller de l'intérieur. On se forge des défenses, on se fabrique une belle armure pour que rien ne puisse jamais nous atteindre, et voilà qu'un imbécile, pas bien différent des autres s'immisce dans notre imbécile de vie... On lui offre un morceau de soi alors que l'autre n'a rien demandé. Il a juste fait un truc débile un jour, genre t'embrasser ou te sourire, mais, depuis, ta vie ne t'appartient plus. L'amour te prend en otage. Il s'insinue en toi. Il te dévore de l'intérieur et te laisse tout seul à chialer dans le noir, au point qu'un simple phrase comme "je crois qu'on devrait rester amis" te fait l'effet d'un éclat de verre qu'on t'aurait planté dans le coeur. Ca fait mal. Pas juste dans ton imagination. Pas juste dans ta tête. C'est une douleur à fendre l'âme, qui s'incruste en toi et te déchire du dedans. Je hais l'amour.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!
Edmond Rostand (Cyrano de Bergerac)
No, you simply sit there with your arms crossed nodding with that timeless patience that communicates condescension and judgment without exposing you to responsibility for insinuating anything aloud.
David Foster Wallace (Infinite Jest)
She was the beautiful, lethal, insinuating spider he had waited for all his life.
Robert Goolrick
Seduction begins with insinuation, what may happen, not what is, what you may become to the person, not today what you are.
Motiur Rahman
[I]t is something that comes up as a struggle in me. It especially came up when I was about 16 or 17. In high school people think you have to be so macho. People get attacked just because someone insinuates something about their sexuality. I think that’s gruesome.
Billie Joe Armstrong
God taking from us and loving us at the same time by providing comforters was a kind of spiritual equanimity. It seemed a phenomenon of life how a death insinuates us into the debt of those who stand by us in trouble and console us.
Susan Vreeland (Clara and Mr. Tiffany)
The earth is our origin and destination. The ancient rhythms of the earth have insinuated themselves into the rhythms of the human heart. The earth is not outside us; it is within: the clay from where the tree of the body grows. When we emerge from our offices, rooms and houses, we enter our natural element. We are children of the earth: people to whom the outdoors is home. Nothing can separate us from the vigour and vibrancy of this inheritance. In contrast to our frenetic, saturated lives, the earth offers a calming stillness. Movement and growth in nature takes time. The patience of nature enjoys the ease of trust and hope. There is something in our clay nature that needs to continually experience this ancient, outer ease of the world. It helps us remember who we are and why we are here.
John O'Donohue (Beauty: The Invisible Embrace)
The physical sciences, good and innocent in themselves, had already... begun to be warped, had been subtly manoeuvred in a certain direction. Despair of objective truth had been increasingly insinuated into the scientists; indifference to it, and a concentration upon mere power, had been the result… The very experiences of the dissecting room and the pathological laboratory were breeding a conviction that the stifling of all deep-set repugnances was the first essential for progress.
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
Planet Ay The Apes hus insinuated hissel intae the company. The thought ay that cunt shaggin wee Maria Anderson is not aesthetically appealing. The thought ay that cunt shaggin anybody isnae aesthetically appealing. If he tries tae talk tae ma Ma, ah’ll gless the fucker’s primate pus.
Irvine Welsh (Trainspotting)
I hate it that she has so insinuated herself into the interstices of my mind that I can never root her out. And most of all, I hate that at the end of my life I feel compelled to ask, "How'd I do, Mama?".
Irvin D. Yalom (Momma and the Meaning of Life: Tales of Psychotherapy)
You suspect, Stephen retorted with a sort of a half laugh, that I may be important because I belong to the fauborgh Saint Patrice called Ireland for short. —I would go a step farther, Mr Bloom insinuated. —But I suspect, Stephen interrupted, that Ireland must be important because it belongs to me.
James Joyce (Ulysses)
Every man's his own friend, my dear," replied Fagin, with his most insinuating grin. "He hasn't as good a one as himself anywhere." Except sometimes," replied Morris Bolter, assuming the air of a man of the world. "Some people are nobody's enemies but their own, yer know." Don't believe that!" said the Jew. "When a man's his own enemy, it's only because he's too much his own friend; not because he's careful for everybody but himself. Pooh! Pooh! There ain't such a thing in nature.
Charles Dickens (Oliver Twist)
She was the beautiful, lethal,insinuating spider he had waited for all his life. She was the final knife in his heart. He opened his heart with gladness.
Robert Goolrick
...and yet the idea is hard to accept, it's so hard to succeed in making something happen, even what's been decided on and planned out, not even the will of a god seems forceful enough to manage it, if our own will is made in its semblance. It may be, rather, that nothing is ever unmixed and the thirst for totality is never quenched, perhaps because it is a false yearning. Nothing is whole or of a single piece, everything is fractured and evenomed, veins of peace run through the body of war and hatred insinuates itself into love and compassion, there is truce amid the quagmire of bullets and a bullet amid the revelries, nothing can bear to be unique or prevail or be dominant and everything needs fissures and cracks, needs it negation at the same time as its existence. And nothing is known with certainty and everything is told figuratively.
Javier Marías
Even so the more a vicious man denies his vice, the more does it insinuate itself and master him: as those people really poor who pretend to be rich get still more poor from their false display.
Plutarch (Plutarch's Morals)
Should I tell you that my room is walled up?...In what way might I leave it? Here is how: Goodwill knows no obstacle; nothing can stand before deep desire. I have only to imagine a door, a door old and good, like in the kitchen of my childhood, with an iron latch and bolt. There is no room so walled up that it will not open with such a trusty door, if you have but the strength to insinuate it.
Bruno Schulz
Misogyny is simply a symptom of how stupid and self-serving we all are. As is racism. As is any outlook that lumps people into pejorative categories (like ‘neckbeards’), that urges or insinuates hatred of people based on simplistic identifications.
R. Scott Bakker
That was the extent of our relationship, but I knew he used me to keep Were women from insinuating themselves into his life. My gaze landed on the fat little black book beside his phone. Apparently that didn’t slow him down when it came to dating. Dang, he needed a rubber band to keep the thing shut.
Kim Harrison (For a Few Demons More (The Hollows, #5))
I am, myself, three selves at least. To begin with, there is the child I was. Certainly I am not that child anymore! Yet, distantly, or sometimes not so distantly, I can hear that child’s voice—I can feel its hope, or its distress. It has not vanished. Powerful, egotistical, insinuating—its presence rises, in memory, or from the steamy river of dreams. It is not gone, not by a long shot. It is with me in the present hour. It will be with me in the grave.
Mary Oliver (Upstream: Selected Essays)
The willow is full plumage and is no help, with its insinuating whispers. Rendevous, it says. Terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grows underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire... Winter is not so dangerous. I need hardness, cold, rigidity; not this heaviness, as if I'm a melon on a stem, this liquid ripeness.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I’m told that Sherlock Holmes never said, “Elementary, my dear Watson” (at least in the Arthur Conan Doyle books) Jimmy Cagney never said, “You dirty rat”; and Humphrey Bogart never said, “Play it again, Sam.” But they might as well have, because these apocrypha have firmly insinuated themselves into popular culture.
Carl Sagan (Billions & Billions: Thoughts on Life & Death at the Brink of the Millennium)
For one of the first pressures that bear down on American girls is the pressure not only to be liked but to be like everyone else. This initial feat of self-transformation often involves loosening one's grip on that quiet sense of inner self and hitching one's wagon to a single standard of beauty. The stress of leaping through that hoop insinuates itself into the young heart and soul with a vengeance, and insecurities go from being hard little buds of confusion to overripe, snarled and tyrannical fruits that hang on the vine as we age.
Debra Ollivier (What French Women Know About Love, Sex and Other Matters of the Heart and Mind)
Not individuals but institutions are the enemies, and they most afflict the disciples who the most generously serve them. They insinuate their tyranny under a hundred guises and pompous names, such as Polite Society, the Family, the Church, Sound Business, the Party, the Country, the Superior White Race; and the only defense against them, Carol beheld, was unembittered laughter.
Sinclair Lewis (Main Street)
Huh. Fancy meeting you here," I teased. "I recall telling you that I had a meeting with Holly this morning. Coincidence?" "Sheridan, that's rubbish. Are you insinuating that I only came here in the hopes of running into you? I happen to have had an appointment as well," he taunted. "That's crap, you stalker," I deadpanned, moving in closer to him. He raised an eyebrow, watching me.
Alice Clayton
Whereas this…this was wet. His lips sank into a rhythm obviously familiar to him—like a kind of slow rock over her mouth—and there were times when she felt his tongue, hot and slippery. Times when he insinuated himself right against her and that same slipperiness made her go all funny inside.
Charlotte Stein (Sheltered (Deeper Than Desire, #2))
Erica had asked me a million times. 'Madison, are you sure you’re just the child minder? He pays you a lot of money for doing hardly anything.' Pushing aside the blatant insinuation that I was his weekend whore, I’d always told her the absolute truth. He’d never so much as looked at me inappropriately, let alone anything more.
Kyra Lennon (If I Let You Go)
Every human love, at its height, has a tendency to claim for itself a divine authority. Its voice tends to sound as if it were the will of God Himself. It tells us not to count the cost, it demands of us a total commitment, it attempts to over-ride all other claims and insinuates that any action which is sincerely done “for love’s sake” is thereby lawful and even meritorious.
C.S. Lewis (The Four Loves (Harvest Book))
Nearly all ancient peoples worshiped sex in some form and ritual, and not the lowest people but the highest expressed their worship most completely [...]. The sexual character and functions of primitive deities were held in high regard, not through any obscenity of mind, but through a passion for fertility in women and in the earth. Certain animals, like the bull and the snake, were worshiped as apparently possessing or symbolizing in a high degree the divine power of reproduction. The snake in the story of Eden is doubtless a phallic symbol, representing sex as the origin of evil, suggesting sexual awakening as the beginning of the knowledge of good and evil, and perhaps insinuating a certain proverbial connection between mental innocence and bliss.
Will Durant (Our Oriental Heritage (The Story of Civilization, #1))
I am, myself, three selves at least. To begin with, there is the child I was. Certainly I am not that child anymore! Yet, distantly, or sometimes not so distantly, I can hear that child's voice—I can feel its hope, or its distress. It has not vanished. Powerful, egotistical, insinuating—its presence rises, in memory, or from the steamy river of dreams. It is not gone, not by a long shot. It is with me in the present hour. It will be with me in the grave.
Mary Oliver (Upstream: Selected Essays)
If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue.
Terry Eagleton (Literary Theory: An Introduction)
Here again, the difference between the effective and the virtual, between mourning and its possibility, seems fragile and porous. The anguished apprehension of mourning (without which the act of friendship would not spring forth in its very energy) insinuates itself a priori and anticipates itself; it haunts and plunges the friend, before mourning, into mourning. This apprehension weeps before the lamentation, it weeps death before death, and this is the very respiration of friendship, the extreme of its possibility. Hence surviving is at once the essence, the origin and the possibility, the condition of possibility of friendship; it is the grieved act of loving. This time of surviving thus gives the time of friendship.
Jacques Derrida
If you come a little closer you will see that I am depicted as having three penises. Of course I’m not insinuating that I actually have three penises or even two. I have one. This is called symbolism. Is it symbolic in the sense that making love to me feels like I have three penises? Again, I can’t answer that, but probably, yeah.
Colin Nissan
Life insurance ads merely insinuate that he may be guilty of dying without having provided for the smooth continuation of the system following the resultant economic loss, while the promoters of the “American way of death” stress his capacity to preserve most of the appearances of life in his post-mortem state. On all the other fronts of advertising bombardment it is strictly forbidden to grow old. Everybody is urged to economize on their “youth-capital,” though such capital, however carefully managed, has little prospect of attaining the durable and cumulative properties of economic capital. This social absence of death coincides with the social absence of life.
Guy Debord (Society of the Spectacle)
The Puffer Fish: Wherein the author flaunts his vocabulary. His father was IRA and his mother was Quebecois, and they had reliquished their mortal coils in the internecine conflagration that ended their conjoined separatist movement, IRA-Q. The appellation he was given by his progenitors was Ray O'Vaque ("Like the battery," he'd elucidate, with an adamantine stare that proscribed any mirth). In his years of incarceration, however, he had earned the sobriquet "Uncle Milty" for his piscine amatory habits. He had been emancipated from the penitentiary for three weeks, and now his restless peregrinations had conveyed him to this liminal place, seeking compurgation in the permafrost of the hyperborean tundra, which was an apt analogue of the permafrost in his heart. He insinuated himself into the caravansary with nugatory expectations, which were confirmed by the exiguous provisions for comfort. But then the bartender looked up from laving the begrimed bar, his eyes growing luminous as he ejactulated, "Milt!
Howard Mittelmark (How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them—A Misstep-by-Misstep Guide)
Peony…” Cinder shifted closer to the netscreen. “That’s why the android wanted her chip. You’re telling me it would have ended up inside one of them?” “Spoken with true derision for our canine friends,” said Thorne. Cinder massaged her temple. “I’m sorry, Wolf. I don’t mean you.” She hesitated. “Except…I do, though. Anyone. She was my little sister. How many people have died from this disease, only to have their identities violated like this? Again, no offense.” “It’s all right,” said Wolf. “You loved her. I would feel the same if someone wanted to erase Scarlet’s identity and give it to Levana’s army.” Scarlet stiffened, heat rushing into her cheeks. He certainly wasn’t insinuating… “Aaaaw,” squealed Iko. “Did Wolf just say that he loves Scarlet? That’s so cute!” Scarlet cringed. “He did not—that wasn’t—” She balled her fists against her sides. “Can we get back to these soldiers that are being rounded up, please?” “Is she blushing? She sounds like she’s blushing.” “She’s blushing,” Thorne confirmed, shuffling the cards. “Actually, Wolf is also looking a little flustered—” “Focus, please,” said Cinder, and Scarlet could have kissed her.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I am, myself, three selves at least. To begin with, there is the child I was. Certainly I am not that child anymore! Yet, distantly, or sometimes not so distantly, I can hear that child’s voice—I can feel its hope, or its distress. It has not vanished. Powerful, egotistical, insinuating—its presence rises, in memory, or from the steamy river of dreams. It is not gone, not by a long shot. It is with me in the present hour. It will be with me in the grave. And
Mary Oliver (Upstream: Selected Essays)
But nothing will help quite so much as just keeping quiet, talking with other people as little as possible, with yourself as much as possible. For conversation has a kind of charm about it, an insinuating and insidious something that elicits secrets from us just like love or liquor. Nobody will keep the things he hears to himself, and nobody will repeat just what he hears and no more. Neither will anyone who has failed to keep a story to himself keep the name of his informant to himself. Every person without exception has someone to whom he confides everything that is confided to himself. Even supposing he puts some guard in his garrulous tongue and is content with a single pair of ears, he will still be the creator of a host of later listeners – such is the way in which what was but a little while before a secret becomes common rumor.
Seneca (Letters from a Stoic)
Johann Clement watched the blows fall. First there had been wild talk and then printed accusations and insinuations. Then came a boycott of Jewish business and professional people, then the public humiliations: beatings and beard pullings. Then came the night terror of the Brown Shirts. Then came the concentration camps. Gestapo, SS, SD, KRIPO, RSHA. Soon every family in Germany was under Nazi scrutiny, and the grip of tyranny tightened until the last croak of defiance strangled and died.
Leon Uris (Exodus)
The very efficacy of opinion manipulation rests on the fact that we do not know we are being manipulated. The most insidious forms of oppression are those that so insinuate themselves into our communication universe and the recesses of our minds that we do not even realize they are acting upon us. The most powerful ideologies are not those that prevail against all challengers but those that are never challenged because in their ubiquity they appear as nothing more than the unadorned truth.
Michael Parenti (Contrary Notions: The Michael Parenti Reader)
They become liberated spaces that can be occupied. A rich indetermination gives them, by means of a semantic rarefaction, the function of articulating a second, poetic geography on top of the geography of the literal, forbidden or permitted meaning. They insinuate other routes into the functionalist and historical order of movement. Walking follows them: 'I fill this great empty space with a beautiful name.
Michel de Certeau (The Practice of Everyday Life)
We have a predator that came from the depths of the cosmos and took over the rule of our lives. Human beings are its prisoners. The Predator is our lord and master. It has rendered us docile, helpless. If we want to protest, it suppresses our protest. If we want to act independently, it demands that we don't do so... I have been beating around the bush all this time, insinuating to you that something is holding us prisoner. Indeed we are held prisoner! "This was an energetic fact for the sorcerers of ancient Mexico ... They took us over because we are food for them, and they squeeze us mercilessly because we are their sustenance. just as we rear chickens in chicken coops, the predators rear us in human coops, humaneros. Therefore, their food is always available to them." "No, no, no, no," [Carlos replies] "This is absurd don Juan. What you're saying is something monstrous. It simply can't be true, for sorcerers or for average men, or for anyone." "Why not?" don Juan asked calmly. "Why not? Because it infuriates you? ... You haven't heard all the claims yet. I want to appeal to your analytical mind. Think for a moment, and tell me how you would explain the contradictions between the intelligence of man the engineer and the stupidity of his systems of beliefs, or the stupidity of his contradictory behaviour. Sorcerers believe that the predators have given us our systems of belief, our ideas of good and evil, our social mores. They are the ones who set up our hopes and expectations and dreams of success or failure. They have given us covetousness, greed, and cowardice. It is the predators who make us complacent, routinary, and egomaniacal." "'But how can they do this, don Juan? [Carlos] asked, somehow angered further by what [don Juan] was saying. "'Do they whisper all that in our ears while we are asleep?" "'No, they don't do it that way. That's idiotic!" don Juan said, smiling. "They are infinitely more efficient and organized than that. In order to keep us obedient and meek and weak, the predators engaged themselves in a stupendous manoeuvre stupendous, of course, from the point of view of a fighting strategist. A horrendous manoeuvre from the point of view of those who suffer it. They gave us their mind! Do you hear me? The predators give us their mind, which becomes our mind. The predators' mind is baroque, contradictory, morose, filled with the fear of being discovered any minute now." "I know that even though you have never suffered hunger... you have food anxiety, which is none other than the anxiety of the predator who fears that any moment now its manoeuvre is going to be uncovered and food is going to be denied. Through the mind, which, after all, is their mind, the predators inject into the lives of human beings whatever is convenient for them. And they ensure, in this manner, a degree of security to act as a buffer against their fear." "The sorcerers of ancient Mexico were quite ill at ease with the idea of when [the predator] made its appearance on Earth. They reasoned that man must have been a complete being at one point, with stupendous insights, feats of awareness that are mythological legends nowadays. And then, everything seems to disappear, and we have now a sedated man. What I'm saying is that what we have against us is not a simple predator. It is very smart, and organized. It follows a methodical system to render us useless. Man, the magical being that he is destined to be, is no longer magical. He's an average piece of meat." "There are no more dreams for man but the dreams of an animal who is being raised to become a piece of meat: trite, conventional, imbecilic.
Carlos Castaneda (The Active Side of Infinity)
When a disease insinuates itself so potently into the imagination of an era, it is often because it impinges on an anxiety latent within that imagination. AIDS loomed so large on the 1980s in part because this was a generation inherently haunted by its sexuality and freedom; SARS set off a panic about global spread and contagion at a time when globalism and social contagion were issues simmering nervously in the West. Every era casts illness in its own image. Society, like the ultimate psychosomatic patient, matches its medical afflictions to its psychological crises; when a disease touches such a visceral chord, it is often because that chord is already resonating.
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
The perturbations, anxieties, depravations, deaths, exceptions in the physical or moral order, spirit of negation, brutishness, hallucinations fostered by the will, torments, destruction, confusion, tears, insatiabilities, servitudes, delving imaginations, novels, the unexpected, the forbidden, the chemical singularities of the mysterious vulture which lies in wait for the carrion of some dead illusion, precocious & abortive experiences, the darkness of the mailed bug, the terrible monomania of pride, the inoculation of deep stupor, funeral orations, desires, betrayals, tyrannies, impieties, irritations, acrimonies, aggressive insults, madness, temper, reasoned terrors, strange inquietudes which the reader would prefer not to experience , cants, nervous disorders, bleeding ordeals that drive logic at bay, exaggerations, the absence of sincerity, bores, platitudes, the somber, the lugubrious, childbirths worse than murders, passions, romancers at the Courts of Assize, tragedies,-odes, melodramas, extremes forever presented, reason hissed at with impunity, odor of hens steeped in water, nausea, frogs, devilfish, sharks, simoon of the deserts, that which is somnambulistic, squint-eyed, nocturnal, somniferous, noctambulistic, viscous, equivocal, consumptive, spasmodic, aphrodisiac, anemic, one-eyed, hermaphroditic, bastard, albino, pederast, phenomena of the aquarium, & the bearded woman, hours surfeited with gloomy discouragement, fantasies, acrimonies, monsters, demoralizing syllogisms, ordure, that which does not think like a child, desolation, the intellectual manchineel trees, perfumed cankers, stalks of the camellias, the guilt of a writer rolling down the slope of nothingness & scorning himself with joyous cries, that grind one in their imperceptible gearing, the serious spittles on inviolate maxims, vermin & their insinuating titillations, stupid prefaces like those of Cromwell, Mademoiselle de Maupin & Dumas fils, decaying, helplessness, blasphemies, suffocation, stifling, mania,--before these unclean charnel houses, which I blush to name, it is at last time to react against whatever disgusts us & bows us down.
Comte de Lautréamont (Chants de Maldoror (French Edition))
It would be easy, however, to exaggerate the havoc wrought by such artificial conditions. The monotony we observe in mankind must not be charged to the oppressive influence of circumstances crushing the individual soul. It is not society's fault that most men seem to miss their vocation. Most men have no vocation; and society, in imposing on them some chance language, some chance religion, and some chance career, first plants an ideal in their bosoms and insinuates into them a sort of racial or professional soul. Their only character is composed of the habits they have been led to acquire. Some little propensities betrayed in childhood may very probably survive; one man may prove by his dying words that he was congenitally witty, another tender, another brave.But these native qualities will simply have added an ineffectual tint to some typical existence or other; and the vast majority will remain, as Schopenhauer said, Fabrikwaaren der Natur.
George Santayana (The Life of Reason: Five Volumes in One)
I said, 'there was a society of men among us, bred up from their youth in the art of proving, by words multiplied for the purpose, that white is black, and black is white, according as they are paid. To this society all the rest of the people are slaves. For example, if my neighbour has a mind to my cow, he has a lawyer to prove that he ought to have my cow from me. I must then hire another to defend my right, it being against all rules of law that any man should be allowed to speak for himself. Now, in this case, I, who am the right owner, lie under two great disadvantages: first, my lawyer, being practised almost from his cradle in defending falsehood, is quite out of his element when he would be an advocate for justice, which is an unnatural office he always attempts with great awkwardness, if not with ill-will. The second disadvantage is, that my lawyer must proceed with great caution, or else he will be reprimanded by the judges, and abhorred by his brethren, as one that would lessen the practice of the law. And therefore I have but two methods to preserve my cow. The first is, to gain over my adversary’s lawyer with a double fee, who will then betray his client by insinuating that he hath justice on his side. The second way is for my lawyer to make my cause appear as unjust as he can, by allowing the cow to belong to my adversary: and this, if it be skilfully done, will certainly bespeak the favour of the bench.
Jonathan Swift (Gulliver’s Travels)
Travel is transition, and at its best it is a journey from home, a setting forth. I hated parachuting into a place. I needed to be able to link one place to another. One of the problems I had with travel in general was the ease and speed with which a person could be transported from the familiar to the strange, the moon shot whereby the New York office worker, say, is insinuated overnight into the middle of Africa to gape at gorillas. That was just a way of feeling foreign. The other way, going slowly, crossing national frontiers, scuttling past razor wire with my bag and my passport, was the best way of being reminded that there was a relationship between Here and There, and that a travel narrative was the story of There and Back.
Paul Theroux (Dark Star Safari: Overland from Cairo to Cape Town)
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch. “One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.” Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either. The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
No one, not even a ‘friend,’ can make us better. But it is a great happiness in life to meet a person of quite different construction, different bent, completely dissimilar views who, while always remaining himself and in no wise echoing us nor currying favor with us (as sometimes happens) and not trying to insinuate his soul (and an insincere soul at that!) into our psyche, into our muddle, into our tangle, would stand as a firm wall, as a check to our follies and our irrationalities, which every human being has. Friendship lies in contradiction and not in agreement! Verily, God granted me Strakhov as a teacher and my friendship with him, my feelings for him were ever a kind of firm wall on which I felt I could always lean, or rather rest. And it won’t let you fall, and it gives warmth
Vasily Rozanov
Voi siete così giovine, così al di qua d’ogni inizio, e io vi vorrei pregare quanto posso, caro signore, di aver pazienza verso quanto non è ancora risolto nel vostro cuore, e tentare di aver care le domande stesse come stanze serrate e libri scritti in una lingua molto straniera. Non cercate ora risposte che non possono venirvi date perché non le potreste vivere. E di questo si tratta, di vivere tutto. Vivete ora le domande. Forse v’insinuate così a poco a poco, senz’avvertirlo, a vivere un giorno lontano la risposta. Forse portate in voi la possibilità di formare e creare, quale una maniera di vita singolarmente beata e pura; educatevi a questo compito, - ma accogliete in grande fiducia quanto vi accade e se solo vi accade dal vostro volere, da qualche necessità del vostro intimo, prendetelo su voi stesso e non odiate nulla.
Rainer Maria Rilke (Letters to a Young Poet)
In The Highland Book of Platitudes, Marlais, there's an entry that reads, "Not all ghosts earn our memory in equal measure." I think about this sometimes. I think especially about the word "earn," because it implies an ongoing willful effort on the part of the dead, so that if you believe the platitude, you have to believe in the afterlife, don't you? Following that line of thought, there seem to be certain people—call them ghosts—with the ability to insinuate themselves into your life with more belligerence and exactitude than others—it's their employment and expertise.
Howard Norman (What Is Left the Daughter)
Every form of life communicates. Listen. There is something fascinating about Distance, it keeps more mysteries than we could digest in a lifetime, although at some level it represents an abstraction, it is so palpable that it is even experienced in the skin. Possibly a long stretch (gap, interval, or space) that protects us but through which we extend a strong bond, which ends up linking us with that something that seems to be beyond our range, or perhaps, has been all the time within us, waiting to be discovered. Guessing, the mere fact of thinking about Distance carries an insinuating load, which attracts, or perhaps emanates, complex emotions. Thus giving this thought a function, an intention, a direction, life, and purpose.
Efrat Cybulkiewicz
As a people, we have been tolled farther and farther away from the facts of what we have done by the romanticizers, whose bait is nothing more than the wishful insinuation that we have done no harm. Speaking a public language of propaganda, uninfluenced by the real content of our history which we know only in a deep and guarded privacy, we are still in the throes of the paradox of the “gentleman and soldier.” However conscious it may have been, there is no doubt in my mind that all this moral and verbal obfuscation is intentional. Nor do I doubt that its purpose is to shelter us from the moral anguish implicit in our racism—an anguish that began, deep and mute, in the minds of Christian democratic freedom-loving owners of slaves.
Wendell Berry (The Hidden Wound)
Sometimes, I hear people talk about the different men and women of the Old Testament, and there is a hint of jealousy. They may say it, or just insinuate it, but here's what they communicate...'What would it have been like to hear God's voice and see him move in such powerful ways? I wish it was the same for us as it was for those whose stories we read about in scripture. When I get to heaven I can't wait to ask David, Elijah, or Moses what it was like.' But I think it will be just the opposite in heaven. Before we can ask David what it was like to slay a giant, to win the battles, he'll say, Tell me what it was like on earth to have the Holy Spirit inside of you, giving you strength when you are weak. We might say to Elijah, What was it like to call down fire from heaven before the prophets of Baal and to raise that boy from the dead? And I think Elijah might say, yeah, he actually ended up dying again. You tell me what it's like to have God living inside of you. What was it like to live life on earth with the Holy Spirit giving you joy when you're depressed or giving you the power to overcome that sin in your life? We might say to Moses, What was it like to follow the cloud by day and the fire by night? What was it like to meet with God on that Mountain? And Moses might say, I had to climb that mountain to meet with God. You tell me what it was like to have him dwell in you everyday. What was it like to have the Holy Spirit giving you directions when you didn't know what to do or where to go?
Kyle Idleman (Not a Fan: Becoming a Completely Committed Follower of Jesus)
It seems like he’s keeping my foot within his grasp for longer than necessary when I see his eyes wander up my legs again. I tingle in every spot his gaze touches. His voice sends shivers up my spine when he asks, “Have you ever been fucked, Eve?” My eyelids flutter and I let out a small surprised gasp at his question, breath gushing from my lips. I’m not exactly a virgin, not too far off though, and I can safely say that I have never been fucked in the way that Phoenix is insinuating. Most of the sex I’ve had has been the fantasy kind. Our eyes lock and he moves his hand from the heel of my foot up along the back of my leg, massaging my shin. I actually moan when his fingers press in, releasing the tension from a knotted muscle. His mouth opens as he watches me. “I don’t think that’s a very appropriate question to ask of a friend,” I finally manage to croak out. He smiles darkly. “I told you I was bad news.
Raine Anthony (Phoenix)
Venerable are letters, infinitely brave, forlorn, and lost. Life would split asunder without them. "Come to tea, come to dinner, what's the truth of the story? have you heard the news? life in the capital is gay; the Russian dancers...." These are our stays and props. These lace our days together and make of life a perfect globe. And yet, and yet... when we go to dinner, when pressing finger-tips we hope to meet somewhere soon, a doubt insinuates itself; is this the way to spend our days? the rare, limited, so soon dealt out to us - drinking tea? dining out? And the notes accumulate. And the telephones ring. And everywhere we go wires and tubes surround us to carry the voices that try to penetrate before the last card is dealt. "Try to penetrate" for as we lift the cup, shake the hand, express the hope, something whispers, Is this all? Can I never know, share, be certain? Am I doomed all my days to write letters, send voices, which fall upon the tea-table, fade upon the passage, making appointments, while life dwindles, to come and dine? Yet letters are venerable; and the telephone valiant, for the journey is a lonely one, and if bound together by notes and telephones we went in company, perhaps- who know? - we might talk by the way.
Virginia Woolf (Jacob's Room)
There is seldom a physical description of a character or scene in Pride and Prejudice and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone—different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain. The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
You need a job and I need a PA, why don’t you come and work for me?” “No thanks, God knows what being your PA would involve.” He laughs. “Well it would involve the usual, faxing, filing, answering the phones, taking bookings, relieving my sexual needs, etcetera.” “Yeah I thought as much.” I tell him, my tone doing all the rejecting for me. “Seriously though, the offer stands. Think it over.” He tells me in a soft voice. “I don’t have PA experience.” “I’ll teach you,” he says, in a tone that insinuates other things. “Sure.” He lowers his voice. “I think I’d enjoy teaching you things.” “Can’t say I w-would enjoy it.” Yeah, right. “You stuttered,” he says
L.H. Cosway (Tegan's Blood (The Ultimate Power, #1))
All the while, Sayeed Faddoul would be watching from the small kitchen, a smile in his eyes. Another man might grow jealous of his wife’s attentions, but not him. Sayeed was a quiet man—not awkward, as Arbeely could be, but possessed of a calm and steady nature that complemented his wife’s heartfelt vivacity. He knew that it was his presence that let Maryam be so free; an unmarried woman, or one whose husband was less visible, would be forced to rein in her exuberance, or else risk the sorts of insinuations that might damage her name. But everyone could see that Sayeed was proud of his wife and was more than content to remain the unobtrusive partner, allowing her to shine.
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
I get the sense that many in the contemporary biblical womanhood movement feel that the tasks associated with homemaking have been so marginalized in our culture that it’s up to them to restore the sacredness of keeping the home. This is a noble goal indeed, and one around which all people of faith can rally. But in our efforts to celebrate and affirm God’s presence in the home, we should be wary of elevating the vocation of homemaking above all others by insinuating that for women, God’s presence is somehow restricted to that sphere. If God is the God of all pots and pans, then He is also the God of all shovels and computers and paints and assembly lines and executive offices and classrooms. Peace and joy belong not to the woman who finds the right vocation, but to the woman who finds God in any vocation, who looks for the divine around every corner.
Rachel Held Evans (A Year of Biblical Womanhood)
loss of self-esteem Beverly Engel, in The Emotionally Abused Woman (1990), describes the effect of emotional abuse on self-esteem: Emotional abuse cuts to the very core of a person, creating scars that may be longer-lasting than physical ones. With emotional abuse, the insults, insinuations, criticism, and accusations slowly eat away at the victim’s self-esteem until she is incapable of judging the situation realistically. She has become so beaten down emotionally that she blames herself for the abuse. Emotional abuse victims can become so convinced that they are worthless that they believe that no one else could want them. They stay in abusive situations because they believe they have nowhere else to go. Their ultimate fear is being all alone.
Paul Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
As he turned back to her, Cassandra stood on her toes to kiss him. He claimed his reward immediately, fitting his mouth to hers and taking a long, ardent taste. Her head swam, and she welcomed the exploration of his tongue. He savored and consumed her, with a kiss more aggressive than any he'd given her before. It made her knees weak and turned her bones fluid. Her body listed toward his and was instantly gathered into the hard urgency of his embrace. Desire curled through her in hot tendrils that insinuated themselves in deep, private places. Her throat caught on a whimper of protest as his mouth lifted from hers. "We'd better start negotiating," he said raggedly. "The first issue is how much time you'll want to spend with me." "All of it," Cassandra said, and sought his lips again. Tom chuckled. "I would. I... oh, you're so sweet... no, I'm... God. It's time to stop. Really." He crushed his mouth against her hair to avoid her kisses. "You're about to be deflowered in the library." "Didn't that already happen?" she asked, and felt the shape of his smile. "No," he whispered, "you're still a virgin. Albeit slightly more experienced than two days ago." He brought his mouth closer to her ear. "Did you like what I did?" She nodded, her face turning so hot that she could feel her cheeks throb. "I wanted more." "I'd like to give you more. As soon as possible.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
In 1881, being on a visit to Boston, my wife and I found ourselves in the Parker House with the Ingersoll's, and went over to Charleston to hear him lecture. His subject was 'Some Mistakes of Moses,' and it was a memorable experience. Our lost leaders, -- Emerson, Thoreau, Theodore Parker, -- who had really spoken to disciples rather than to the nation, seemed to have contributed something to form this organ by which their voice could reach the people. Every variety of power was in this orator, -- logic and poetry, humor and imagination, simplicity and dramatic art, moral and boundless sympathy. The wonderful power which Washington's Attorney-general, Edmund Randolph, ascribed to Thomas Paine of insinuating his ideas equally into learned and unlearned had passed from Paine's pen to Ingersoll's tongue. The effect on the people was indescribable. The large theatre was crowded from pit to dome. The people were carried from plaudits of his argument to loud laughter at his humorous sentences, and his flexible voice carried the sympathies of the assembly with it, at times moving them to tears by his pathos. {Conway's thoughts on the great Robert Ingersoll}
Moncure Daniel Conway (My Pilgrimage to the Wise Men of the East)
I feel my hand. I am these two beasts struggling at the end of my arms. My hand scratches one of its paws with the nail of the other paw; I feel its weight on the table which is not me. It's long, long, this impression of weight, it doesn't pass. There is no reason for it to pass. It becomes intolerable ... I draw back my hand and put it in my pocket; but immediately I feel the warmth of my thigh through the stuff. I pull my hand out of my pocket and let it hang against the back of the chair. Now I feel a weight at the end of my arm. It pulls a little, softly, insinuatingly it exists. I don't insist: no matter where I put it it will go on existing; I can't suppress it, nor can I suppress the rest of my body, the sweaty warmth, which soils my shirt, nor all this warm obesity which turns lazily, as if someone were stirring it with a spoon, nor all the sensations going on inside, going, coming, mounting from my side to my armpit or quietly vegetating from morning to night, in their usual corner.
Jean-Paul Sartre (Nausea)
Look your fill ” the creature murmured his voice as sweet and rich as syllabub sauce. And his lusty grin when he said it was sinful—and pleasurable. Prue was certain her face flamed red at the barbarian’s insinuation. “I’m sure I don’t know what you mean ” she replied tartly. He smiled and drained his goblet. His head was tilted back exposing the thick cords in his throat and Prue watched him eagerly drink down the entire contents in one swallow. Never had she seen such a vulgar display. Never had she been so engrossed in the workings of a man’s throat and the movement of his Adam’s apple. With a thunk he set the goblet down and shoved his chair back. His legs were spread and the black leather riding britches he wore were pulled snugly over his massive thighs…and other parts as well. Flushing Prudence glanced away. She could not look at him like that with his lace jabot untied and lying on either side of his opened shirt. A shirt that was unbuttoned and opened to his waist exposing a vast amount of dark male skin hairless and bronzed. “Shall you not look my lady ” he beckoned softly. “I like the feel of your eyes on me.” “Cover yourself sir ” she demanded. “It’s most unseemly.” “Ah the lady is Temperance indeed ” the brute murmured huskily.
Charlotte Featherstone (Lust (The Sins and The Virtues, #1))
The too tender mother, the too indulgent father, the too generous and affectionate friend, may sometimes, perhaps, on account of the softness of their natures, be looked upon with a species of pity, in which, however, there is a mixture of love, but can never be regarded with hatred and aversion, nor even with contempt, unless by the most brutal and worthless of mankind. It is always with concern, with sympathy and kindness, that we blame them for the extravagance of their attachment. There is a helplessness in the character of extreme humanity which more than any thing interests our pity. There is nothing in itself which renders it either ungraceful or disagreeable. We only regret that it is unfit for the world, because the world is unworthy of it, and because it must expose the person who is endowed with it as a prey to the perfidy and ingratitude of insinuating falsehood, and to a thousand pains and uneasinesses, which, of all men, he the least deserves to feel, and which generally too he is, of all men, the least capable of supporting.
Adam Smith (The Theory of Moral Sentiments)
I said, “there was a society of men among us, bred up from their youth in the art of proving, by words multiplied for the purpose, that white is black, and black is white, according as they are paid. To this society all the rest of the people are slaves. For example, if my neighbour has a mind to my cow, he has a lawyer to prove that he ought to have my cow from me. I must then hire another to defend my right, it being against all rules of law that any man should be allowed to speak for himself. Now, in this case, I, who am the right owner, lie under two great disadvantages: first, my lawyer, being practised almost from his cradle in defending falsehood, is quite out of his element when he would be an advocate for justice, which is an unnatural office he always attempts with great awkwardness, if not with ill-will. The second disadvantage is, that my lawyer must proceed with great caution, or else he will be reprimanded by the judges, and abhorred by his brethren, as one that would lessen the practice of the law. And therefore I have but two methods to preserve my cow. The first is, to gain over my adversary’s lawyer with a double fee, who will then betray his client by insinuating that he hath justice on his side. The second way is for my lawyer to make my cause appear as unjust as he can, by allowing the cow to belong to my adversary: and this, if it be skilfully done, will certainly bespeak the favour of the bench.
Jonathan Swift
Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate. He’d gone from lazy affection and indulgent amusement to bristling antagonism in the space of weeks. Lately he flew into a rage if Cecily’s name was mentioned, but Colby hadn’t told her that. “You have no right to make that kind of insinuation about me,” she said through her teeth. “I don’t get jobs lying on my back, and you know it!” Tate’s black eyes narrowed. He looked formidable, but Cecily wasn’t intimidated by him. She never had been. He glanced at her hands, which were clenched on her cup, and then back to her rigid features. It had infuriated him to be the object of televised ridicule at the political dinner, and Audrey’s comments had only made things worse. He was carrying a grudge. But as he looked at Cecily, he felt an emptiness in his very soul. This woman had been a thorn in his side for years, ever since an impulsive act of compassion had made her his responsibility. In those days, she’d been demure and sweet and dependent on him, and her shy hero worship had been vaguely flattering. Now, she was a fiery, independent woman who didn’t give a damn about his disapproval or, apparently, his company, and she had done everything expect leave town to keep out of his way.
Diana Palmer (Paper Rose (Hutton & Co. #2))
their footfalls? Finally some combination thereof, or these many things as permutations of each other—as alternative vocabularies? However it was, by January I was winnowed, and soon dispensed with pills and analysis (the pills I was weaned from gradually), and took up my unfinished novel again, Our Lady of the Forest, about a girl who sees the Virgin Mary, a man who wants a miracle, a priest who suffers spiritual anxiety, and a woman in thrall to cynicism. It seems to me now that the sum of those figures mirrors the shape of my psyche before depression, and that the territory of the novel forms a map of my psyche in the throes of gathering disarray. The work as code for the inner life, and as fodder for my own biographical speculations. Depression, in this conceit, might be grand mal writer’s block. Rather than permitting its disintegration at the hands of assorted unburied truths risen into light as narrative, the ego incites a tempest in the brain, leaving the novelist to wander in a whiteout with his half-finished manuscript awry in his arms, where the wind might blow it away. I don’t find this facile. It seems true—or true for me—that writing fiction is partly psychoanalysis, a self-induced and largely unconscious version. This may be why stories threaten readers with the prospect of everything from the merest dart wound to a serious breach in the superstructure. To put it another way, a good story addresses the psyche directly, while the gatekeeper ego, aware of this trespass—of a message sent so daringly past its gate, a compelling dream insinuating inward—can only quaver through a story’s reading and hope its ploys remains unilluminated. Against a story of penetrating virtuosity—The Metamorphosis, or Lear on the heath—this gatekeeper can only futilely despair, and comes away both revealed and provoked, and even, at times, shattered. In lesser fiction—fiction as entertainment, narcissism, product, moral tract, or fad—there is also some element of the unconscious finding utterance, chiefly because it has the opportunity, but in these cases its clarity and force are diluted by an ill-conceived motive, and so it must yield control of the story to the transparently self-serving ego, to that ostensible self with its own small agenda in art as well as in life. * * * Like
David Guterson (Descent: A Memoir of Madness (Kindle Single))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))