“
My most scientific analysis, with all means of science and technology in mind, is that it's magic.
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
Fuck yeah. Bite me, gorgeous. Mark up my whole body. I want everyone to know who I belong to. Who I get hard for. Just you, Story. Just you.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
JUST BECAUSE ANYONE CAN, DOESN'T MEAN EVERYONE SHOULD (Mrs. Peters to Conner Bailey)
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
You gave goldilocks her first sword? That's like giving Shakespeare his first pen.
”
”
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
“
Should we call her?Maybe we should give her a RING to see where she is? Get it? Get it?
-Conner Bailey
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
The first cut is always the deepest, but not every cut leaves a scar. If you spend your whole life worrying about getting hurt, then you aren't really living. You dont want to shield yourself so much from the bad stuff that nothing good gets to you, either.
”
”
Chris Colfer
“
What happened?" Bailey asks.
"That is somewhat difficult to explain," Tsukiko answers. "It is a long and complicated story."
"And you're not going to tell me, are you?"
She tilts her head a bit ... "No, I am not," she says.
"Great," Bailey mutters under his breath... "The bonfire exploded? How?"
"Remember when I said it was difficult to explain? That has not changed.
”
”
Erin Morgenstern (The Night Circus)
“
My most educated analysis, with all means of science and technology in mind, is that it’s magic,” Alex said. “There’s no other possible explanation!” -Alex Bailey, The Land of Stories; The Wishing Spell
”
”
Chris Colfer
“
Widge can see the past." Poppet says suddenly. "That's why his stories are so good."
"The past is easier," Widget says. "It's already there."
"In the stars?" Bailey asks.
"No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.
”
”
Erin Morgenstern (The Night Circus)
“
This won’t be a story we tell the grandkids. This one is just for us.
”
”
Tessa Bailey (My Killer Vacation)
“
Belong to me, Story. Even if it’s just for a little while.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That's how the light gets in.-Leonard Cohen
”
”
Bailey Bristol (Love Will Follow)
“
So I sit there kicked my heels, thinking about New Orleans, and watching a morbid blue-bottle fly attempt to commit suicide by butting his head against the windowpane.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
This isn't a story of love, sunshine and roses. This is a story of betrayal, murder, lust and deceit.
”
”
Sarah Bailey (Betrayal (Corrupt Empire #1))
“
Most skeletons in the closet don't have wings. - Conner Bailey, to Alex Bailey
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
He'd say, 'Right now we're livingin an ugly chapter of our lives, but books always get better,'"
~Charlotte Bailey, Land of Stories: A Wishing Spell
”
”
Chris Colfer
“
Honest to God, Story. The bullet didn’t kill me, but the way you make me feel might.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
Conner raised an eyebrow. 'Who told you that?'
'Well,' she said, not knowing how to describe what she experienced. 'Um . . . a moth did.'
Conner squinted at her and his mouth fell open. He was expecting a much better answer than that. 'A moth told you?'
'Yes -- but it wasn't a regular moth, it was more like an angel.'
'An angel moth?'
'Well, it came from somewhere in the stars. I think Grandma sent it.'
'Grandma sent you an angel moth from outer space?'
'Kind of! Anyway, the moth took me to a forest and then turned into a bunch of orbs that re-created a memory -- stop looking at me like that, Conner!
”
”
Chris Colfer
“
Are you still wearing those flimsy white panties?”
“Yes,” Story breathed.
“Good. I need you to reach inside and pet your clit for me. Gently, like I do it.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
Sometimes we forget about our own advantages because we focus on what we don't have. Just because you have to work a little harder at something that seems easier to others doesn't mean you're without your own talents.
”
”
Chris Colfer, Land of Stories
“
Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. “Do you pity me, Story?” For the second time that night, she surprised him. “No. I pity the sixteen-year-old boy. Of course I do. How could I not?” Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. “But I don’t pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
This world has goblins and fairies but weres an escalator when you need one?
”
”
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
“
It is the Lord's Day, and I do believe that cheerful hearts and faces are not unpleasant in His sight.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
..We shall get on famously...and be capital friends forever.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
When the president opened her eyes, the Bailey twins were gone. She looked around the Oval Office, but they had vanished into thin air. The president let out a deep sigh and glanced down at the magenta book in her hands. It was heavy in weight and in responsibility.
"And I thought health care would be my greatest hurdle," she said.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
I just wish life was more like my books,” Fern complained [...] “Main characters never die in books. If they did, the story would be ruined, or over.”
“Everybody is a main character to someone,” Bailey theorized, winding his way through the busy hall and out the nearest exit into the November afternoon. “There are no minor characters.
”
”
Amy Harmon (Making Faces)
“
Everybody here has a story, darlin’. It’s not my place to tell yours. There’s trust between people here, and we’ll go to war for each other without any idea why.
”
”
Bailey Hannah (Alive and Wells (Wells Ranch, #1))
“
Somehow I knew that puppies were meant to leave their mothers.
”
”
W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
“
Then the ship gave sudden lurches that made it a matter of uncertainty whether one was going to put his fork in his mouth or into his eye.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
The more familiar we are with a biblical story, the more difficult it is to view it outside of the way it has always been understood. And the longer imprecision in the tradition remains unchallenged, the deeper it becomes embedded in Christian consciousness. The birth story of Jesus is such a story.
”
”
Kenneth E. Bailey (Jesus Through Middle Eastern Eyes: Cultural Studies in the Gospels)
“
If I went to Ringling Bros. and Barnum & Bailey, I didn’t go for the horse or the elephant – I went for the freak show in the back: the one-breasted man; the half-bearded woman (in other words, the people who today have become politicians). In my day they were in the back room of Ringling Bros. and Barnum & Bailey,
”
”
Michael Savage (Train Tracks: Family Stories for the Holidays)
“
In the seventh century, Isaac the Syrian wrote about 'stillness,' which in his writings has been summarized as 'a deliberate denial of the gift of words for the sake of achieving inner silence, in the midst of which a person can hear the presence of God. It is standing unceasingly, silent, and prayerfully before God.
”
”
Kenneth Bailey (Jacob and the Prodigal : How Jesus Re-Told Israel's Story)
“
An actual shiver blew through him thinking of Hannah on the deck, fifteen-story waves building in the background. “If you hear me screaming in the middle of the night, you’re to blame for my nightmares.” “I can just be in charge of the music on the boat.” “No.” “You got me feeling all romantic about the ocean. It’s your fault.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
Christian faith is fact, but not bare fact; it is poetry, but not imagination. Like the arch which grows stronger precisely by dint of the weight you place upon it, so the
story of the Gospels bears, with reassuring strength, the devotion of the centuries to Jesus as the Christ. What is music, asked Walt Whitman, but what awakens within you when you listen to the instrument? And Jesus is the music of the reality of God, and faith is what awakens when we hearken.ls
”
”
Kenneth E. Bailey (Jesus Through Middle Eastern Eyes: Cultural Studies in the Gospels)
“
The Starboardia series is much darker than most of your work, especially the history about American slavery. Were you worried that might be too much for your younger audience?"
"Not once," Mr. Bailey said. "I will never sugarcoat history so that certain people sleep better at night. The more we shed light on the problems of the world, past and present, the easier it will be to fix them.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
I eagerly awaited visitors, but the anticipation and the extra energy of greetings caused a numbing exhaustion. As the first stories unfolded, my spirit held on to the conversation as best it could—I so wanted these connections to the outside world—but my body sank beneath waves of weakness. Still, my friends were golden threads randomly appearing in the monotonous fabric of my days. Each visit was a window that opened momentarily into the life I had once known, always falling shut before I could make my way back through. The visits were like dreams from which I awoke once more alone.
”
”
Elisabeth Tova Bailey (The Sound of a Wild Snail Eating)
“
I could get up on that bed and curl up right next to my boy’s warmth. The boy loved me. I loved him. From the second we woke up until the moment we fell asleep, we were together.
”
”
W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
“
The lives we live are constantly changing, but we like to think that our stories will remain constant. They never do.
”
”
Chris Bailey (How to Train Your Mind: Exploring the Productivity Benefits of Meditation)
“
Writing to her from America, her best friend remarked, ‘I’ve stopped reading fiction, I just read about you.
”
”
Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)
“
Things that rock: all the different stories people come up with - Kindle text to speech while driving - kind hearted people - oh, and the Manly Sea Eagles (Aussie rugby league)!!
”
”
G.S. Bailey
“
Jesus does not eat with sinners to celebrate their sin. He does so to celebrate his grace.
”
”
Kenneth E. Bailey (Jacob & the Prodigal: How Jesus Retold Israel's Story)
“
The more I learn about life and people, the more I realise that everyone has a story and everyone’s story is the biggest in their own mind.” - Laylla Jonson
”
”
L.B. Malpass (Beneath the Blossom Tree)
“
Belong to me, Story. Even if it's just for a little while.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
Nature has a funny way of deceiving. The weak always think they’ve got a chance at survival. But the world burns in the end, and all things fade to ash.
”
”
Jesse Nolan Bailey (Defilement and Other Stories)
“
It was the beginning of her own classic love story. And now the credits were rolling.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee. Bailey
”
”
Flannery O'Connor (A Good Man is Hard to Find and Other Stories)
“
..Fell over the prostrate steersman, and there we all lay in a heep, two or three of us quite picturesque with the nosebleed.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
I hope he and she that was Miss Wang Wang are very happy together, sitting cross-legged over dimenitive cups of tea in a sky-blue tower hung with bells.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
The road looked as if no one had traveled on it in months.
"It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder.
The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar.
As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
”
”
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
“
Bailey, a former prosecutor, attacked her credibility scattershot, an approach he would use throughout the trial, particularly with female witnesses. ...
He accused her, that is--without coming out and saying it--of being a certain kind of woman: conceited, disingenuous, and dissatisfied. The universal misogynist caricature.
I'd never gone in for academic gender theories, but Bailey's cross-examination strategy--with Farrar and other women to come--convinced me that the culture of criminal justice has a fundamentally masculine tilt. Repeatedly, in a manner that I suspected was typical in modern courtrooms, he portrayed the female mind as intrinsically unreliable, ruled by emotion, immune to logic, prone to pettiness, swayed by lust, and corrupted by vanity. It rarely spoke plainly. It was seldom candid. It was composed of layers of hidden agendas. It put up a front, behind which was another front. It either aimed to please or to conceal, which were often the same thing. The only way to get the truth from it was to push and prod until it snapped. Make it angry. Make it cry.
”
”
Walter Kirn (Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade)
“
Whenever a new scholar came to out school, I used to confront him at recess with the following words: 'My name's Tom Bailey: what's your name?' If the name struck me favorably, I shook hands with the new pupil cordially; but if it didn't I would turn on my heel, for I was particular in this point. Such names as Higgins, Wiggins, and Spriggins were deadly afronts to my ear; while Lapgdon, Wallace, Blake, and the like, were passing words to my confidence and esteem.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
The closure of the rooms and the servants’ stories are pieces in the puzzle. Now it is necessary to step back to the true beginning of this story – the moment when I first entered these rooms, before I even knew they concealed a mystery.
”
”
Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)
“
We like to have cozy stories. One of them is that we’re someone on a journey to some wonderful spiritual goal and we slowly develop our spiritual capacity to attain that goal. But the idea that there is a path, a goal, and someone walking the path, is false. Life
”
”
Darryl Bailey (Dismantling the Fantasy: An Invitation to the Fullness of Life)
“
Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments
”
”
Louise Erdrich (The Sentence)
“
It gets weirder than you think,” Fiona said and let this idea sink in before continuing. “Did you hear that crazy story on Sunday? About a black bear dragging some guy from his Mercedes in the backwoods in Oregon — and eating him alive?” She paused to see if this registered, examined
”
”
D.F. Bailey (Bone Maker (Will Finch Mystery, #1))
“
In so far as I listen with interest to a record, it’s usually to figure out how it was arrived at. The musical end product is where interest starts to flag. It’s a bit like jigsaw puzzles. Emptied out of the box, there’s a heap of pieces, all shapes, sizes and colours, in themselves attractive and could add up to anything--intriguing. Figuring out how to put them together can be interesting, but what you finish up with as often as not is a picture of unsurpassed banality. Music’s like that."
From “Derek Bailey and the Story of Free Improvisation” by Ben Watson, Verso, London, 2004, p. 440.
”
”
Derek Bailey
“
Two-year-old Christine Hanson and four-year-old Juliana McCourt would never visit Disneyland. Neither they nor David Gamboa-Brandhorst would know first days of school, first loves, or any other milestone, from triumph to heartbreak, of a full life. Andrea LeBlanc would never again travel the world with her gregarious, pacifist husband, Bob. Julie Sweeney wouldn’t bear children, grow old, and feel safe with her confident warrior husband, Brian. Delayed passengers wouldn’t hear recitals of Forrest Gump dialogue from Captain Victor Saracini. First Officer Michael Horrocks’s daughter wouldn’t rise from bed with the promise that her daddy loved her to the moon. Ace Bailey and Mark Bavis would never again share their gifts with young hockey players or with their own families. Retired nurse Touri Bolourchi, who’d fled Iran and the Ayatollah Khomeini, wouldn’t see her grandsons grow up as Americans.
”
”
Mitchell Zuckoff (Fall and Rise: The Story of 9/11)
“
I was amazed, shocked, and sickened by what I heard throughout the day, over and over, by many victims' stories. I can think of no one with whom I didn't recognize a common thread. These monsters, these evil priests, used the same words and methods on all of us. With each session, I would find something that sent a cold chill down my spine. It amazed and frightened me that the actual words used on me, to rape me, to rape me, were the same as the words used on so many others from all over the United States. You would think that all these priests either were educated in how to concur and rape us, or they met privately with each other to compare notes and develop their plan of attack on us. The pattern was so much the same, with the same words, that you would swear it was scripted and disbursed to these priests. Do they secretly have closed-door meetings on how to abuse us? A chilling thought.
Neary's routine of saying the “Our Father” during the rape and making me say it with him, repeating the “thy will be done” over and over, the absolution given me after he “finished,” the threats of having God take my parents away, the lectures about offering my suffering up to God, etc., etc., etc. My experience was identical, word-for-word, to that of many others. The exact words during the abuse were not just close, but exactly the same, as if it were some kind of abuse ritual. Ritual abuse is not limited to the religious definition and can include compulsive, abusive behavior performed in an exact series of steps with little variation. How could these similarities occur without the priests taking the same “abuse seminar” together some place, somehow? Was it taught in the seminary? In some dark corner? It goes beyond coincidence—the similarities in deeds and verbiage that these predators use on us. It truly chilled me to the very marrow of my bones.
”
”
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
“
In life one of Midnight’s favourite movies had been It’s a Wonderful Life, a touching story where a man called George Bailey is shown how poor the world would have been if he’d never existed, but now the young ghost of Midnight Merlot was sat imagining himself not as the kind hero of his own narrative, but, - but as the anti-George.
”
”
Tom Conrad
“
Then they heard voices. At least three men, laughing and joking outside the car. Underneath her, Daniel tensed, cursing. Story’s movements slowed, but didn’t stop completely. Oblivion within reach, she couldn’t stop now if she wanted to.
He gripped the hair at her nape, forcing her feverish eyes to meet his eyes. “I know you can’t stop, baby. I don’t want you to, either. You feel so goddamn perfect. But you need to be very quiet for me. If you need to scream, bite my shoulder instead. Just don’t make a sound.”
Excerpt From: Bailey, Tessa. “Officer Off Limits.” Entangled Publishing, LLC (Brazen), 2013-05-23T10:00:00+00:00. iBooks.
This material may be protected by copyright.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
“
Fairytaletopia 6: The Great New York Adventure,” he read. Unfortunately, the title didn’t trigger a memory like the rest of the books had. Mr. Bailey tried as hard as he could to remember what the book was about and the events that had inspired it, but he drew a blank at every turn. The answer might have escaped him completely, but he knew that the information he craved was somewhere inside the book. Even if he had misled his readers to a false happy ending, he was certain he could read between the lines and discover the truth. So the beloved children’s book author took a deep breath, opened his own book to the very first page, and began reading, hoping with all his heart that the story would remind him where his sister had gone all those years ago…
”
”
Chris Colfer (Worlds Collide (The Land of Stories #6))
“
It became so quiet the crowd could hear the ticking of a clock. At first the author was afraid he had said something to upset the audience, but once they’d had a few seconds to process his words, the event space erupted into another thunderous round of applause. “I’m afraid to follow that answer with another question, so why don’t we open the questions to our audience members?” Mr. Quinn proposed. Nearly all the hands in the room shot up at once. Mr. Bailey
”
”
Chris Colfer (The Land of Stories Complete Gift Set)
“
Now look here, Bailey,” she said, “see here, read this,” and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. “Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn’t take my children in any direction with a criminal like that aloose in it. I couldn’t answer to my conscience if I did.
”
”
Flannery O'Connor (The Complete Stories)
“
The track led into a sort of tunnel made of forest. They left daylight behind, a thousand leaves hemming them into dusky shade. As she traipsed behind Jack's torn blue jacket, he squinted into the foliage, hearkening to every cracking twig or bird-chirrup. After what seemed an age, they came out into blessed sunshine again. They were in a clearing, their ears filled with a thundering wind, the air itself trembling. A few paces further they came upon the source: above them, a waterfall tumbled from a clifftop as high as a church steeple. The water fell in milky blue strands, shooting spray in the air that danced in rainbows of gold, pink and blue. At their feet was a deep and inviting lagoon. It fair took her breath away.
Jack crouched to look at the pool's edge, where a mud bank was scrabbled with marks.
"We should go back," he said. "Something drinks here."
She didn't care. She was spellbound. "Look, a cave!" Across the lagoon stood a dark entrance hung with pretty mosses, like a fairy grotto.
"Just one peep," she whispered, for there was something powerful and secret about the place. "Then we can go back."
But Jack was still peering at the tracks around the water's edge.
"Whatever drinks here, it's not here now. I dare you, Jack. A quick look around the cave and then we'll be on our way." She had a notion, from some story or other, that caves were places where treasure was hidden; she reckoned pirates might have left jewels and plunder behind long ago.
"It's the end of the rainbow," she laughed. "Let's find our crock of gold.
”
”
Martine Bailey (A Taste for Nightshade)
“
Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder
”
”
Louise Erdrich (The Sentence)
“
Charlie, I want to get married," she said.
"Well, so do I, darling -"
"No, you don't understand," she said. "I want to get married right now."
Froggy knew from the desperate look in her eyes that Red was dead serious.
"Sweetheart, are you sure now is a good time?" he said.
"I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!"
The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do.
"Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains."
A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?"
Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony.
"I suppose I'm available," she said.
"Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!"
Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding.
"Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?"
"I do," Froggy declared.
"And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?"
"I do," Red said.
"Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!"
Red and Froggy shared their first kiss as a married couple, and their friends cheered.
"Beautiful ceremony, my dear," Merlin said.
"Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
Daniel placed his hands on her shoulders and pushed her down onto the edge of the bed before dropping to the floor between her thighs. Anticipation rushed through him. Since that very first day at the hospital, he’d been yearning to taste her. He wanted to memorize every shiver, every cry of pleasure. With firm hands, he parted her knees wide. She gasped. With an effort, he dragged his gaze up from the juncture of her thighs, over her perfect, pink-tipped breasts to meet her eyes. “What is it?” Story’s hands clenched and unclenched on his comforter. “Nothing. I’ve just…I’ve never…” “Never?” Daniel’s mind reeled a second before desire, even more potent than before, slammed through him. Knowing he could claim her with his mouth, mark her in a way that no one else ever had, humbled and empowered him at the same time. For the first time in the last week, he actually felt grateful for his ample experience. Daniel dipped his head and kissed the inside of her knee. At the same time, his hands skimmed up her belly to her breasts, where he teased her stiff nipples with his thumbs. He continued his methodical motions until he felt the tension ebb from her body, her thighs relaxing open once more. Savoring the taste of her skin, he licked up the inside of one thigh before giving the other side the same treatment. When her hips began shifting on the bed, he knew she was ready for more. He hooked his hands beneath her knees and draped them over his shoulders. “Baby, you’re going to want to lie back for this.
”
”
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
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It would be hard to pick out a career more cheerless than that of Dancer, the miser, as he figures in the “Old Bailey Reports,” a prey to the most sordid persecutions, the butt of his neighbourhood, betrayed by his hired man, his house beleaguered by the impish schoolboy, and he himself grinding and fuming and impotently fleeing to the law against these pin-pricks. You marvel at first that any one should willingly prolong a life so destitute of charm and dignity; and then you call to memory that had he chosen, had he ceased to be a miser, he could have been freed at once from these trials, and might have built himself a castle and gone escorted by a squadron. For the love of more recondite joys, which we cannot estimate, which, it may be, we should envy, the man had willingly forgone both comfort and consideration. “His mind to him a kingdom was”; and sure enough, digging into that mind,
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Robert Louis Stevenson (The Complete Works of Robert Louis Stevenson: Novels, Short Stories, Poems, Plays, Memoirs, Travel Sketches, Letters and Essays (Illustrated Edition))
“
Why are you making that face, Fern?” Bailey asked.
“What face?”
“That face that looks like you can't figure something out. Your eyebrows are pushed down and your forehead is wrinkled. And you're frowning.”
Fern smoothed out her face, realizing she was doing exactly what Bailey said she was doing. “I was thinking about a story I've been writing. I can't figure out how to end it. What do you think this face means?” Fern gave herself an underbite and crossed her eyes.
“You look like a brain-dead cartoon character,” Bailey answered, snickering.
“What about this one?” Fern pursed her lips and raised her eyebrows while wincing.
“You're eating something super sour!” Bailey cried. “Let me try one.” Bailey thought for a minute and then he made his mouth go slack and opened his eyes as wide as they could go. His tongue lolled out the side of his mouth like a big dog.
“You're looking at something delicious,” Fern guessed.
“Be more specific,” Bailey said and made the face once more.
“Hmm. You're looking at a huge ice cream sundae,” Fern tried again. Bailey pulled his tongue back into his mouth and grinned cheekily.
“Nope. That's the face you make every time you see Ambrose Young.”
Fern swatted Bailey with the cheap stuffed bear she'd won at the school carnival in fourth grade. The arm flew off and ratty stuffing flew in all directions. Fern tossed it aside.
“Oh yeah? What about you? This is the face you make whenever Rita comes over.” Fern lowered one eyebrow and smirked, trying to replicate Rhett Butler's smolder in Gone with the Wind.
“I look constipated whenever I see Rita?” Bailey asked, dumbfounded.
”
”
Amy Harmon (Making Faces)
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I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me.
Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.
”
”
Martine Bailey (A Taste for Nightshade)
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He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by.
Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was."
"You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know.
"He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone.
Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul.
"I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are.
Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth."
She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.
”
”
Martine Bailey (A Taste for Nightshade)
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Putting Lotion on the Hurts Materials: You will need a bottle of hand lotion, preferably a bottle with a pump spout. Preparation and Instructions: This is a wonderful game to play with children after they have experienced some pain—either physical, as after a fall off a bike, or emotional, as after the death of a pet. Search the child for boo-boos—old scars or new scratches. The size or intensity of the scar or sore is not relevant. The Game: Begin the game by saying, “I am going to put some lotion on all your hurts. I see one right here. I will be very careful.” Continue looking over the child’s body for hurts. If the hurt is old, lotion can be put directly on the scar. If the hurt is new, be careful to encircle the wound with lotion. Put some lotion on one finger and apply it gently. It is important that you repeat the message, “I will take care of you. No more hurts for you,” as you apply the lotion. Sometimes the child will help you find the sores. While you are putting lotion on one sore, the child is locating the next sore. If this happens, say, “There are so many hurts, and you want me to notice them all. I will find them. I will not forget. See this one here. I am putting lotion all around it.” Sometimes a child will tell you stories of how he or she was hurt. It is important to listen to the child. Variations: A variation of this game is played with Band-Aids. You begin the game with at least two. Ask the child, “Where do these go?” The child will direct you to the spot where the Band-Aid should be placed. If it is a sore, speak to it, saying, “I am glad I found you. This Band-Aid is for you.
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Becky A. Bailey (I Love You Rituals)
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After the rain ended, I tried my new trick with the dog door again, and sure enough, I was out in the backyard for a second time. I dug a hole, chewed the hose, and barked at Smokey, who was sitting in a window and pretending not to notice me. When a large yellow bus pulled up in front of the house, Ethan and several more neighborhood kids, including Chelsea, tumbled out. I jumped up to put my paws against the fence, and the boy ran to me, laughing.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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And he’s hardly more than a puppy. He didn’t know what he was doing. Tell him … tell him he’s a doodle. That’s what my mother always called me when I was a little girl and I did something wrong.” The boy faced me sternly. “Bailey, you are a doodle. You are a doodle, doodle dog.” And then he laughed and Grandma laughed, but I was so miserable I could barely move my tail. Just to show that skunk, I was going to ignore her. That would serve her right, after everything she’d put me through.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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Then something incredible happened. The boy picked me up and carried me right into the house! I’d never even imagined that might be possible. Did it mean that I wouldn’t be living in a wire cage with a concrete floor? That I could stay where the people stayed? I was going to like it here just fine.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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Dad didn’t pay me much attention, although he did seem to like it when I got up early in the morning to watch him eat breakfast. Of course I kept a sharp eye out for any scraps of scrambled egg or crumbs of toast that might drift down to the floor. But neither of them loved me like Ethan did. I felt adoration flow out of Ethan whenever he was near me. And that made sense, after all. Ethan was my boy.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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This one is a rocket, Bailey,” Ethan told me, showing me a toy shaped like a stick. But what use was a sticklike thing that smelled too bad to chew? I turned my nose away. “We’re going to land one on the moon one day, and then people will live there, too. Do you want to be a space dog?
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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When were the people coming back? Where was my boy? Now that I’d found the boy and figured out that my job was to be near him, how could he go away and leave me? When I’d gotten myself out of the big yard and gone into the world, looking for what I needed, I’d never imagined this. Would I be alone forever?
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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Bad dog, Bailey,” the boy said crossly. I was astounded. Bad dog? Me? They had accidentally locked me in the garage and forgotten about me and left me there all day, but I was willing to forgive them. Why were they scowling like that and shaking their fingers at me?
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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Please use this picture to colour Bailey
however you like and share with
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Paul David (Life of Bailey A True Life Story FROM PUPPY TO DOG (Life of Bailey SERIES Book 1))
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In October 2005, this startling development also threatened to have implications for the gardaí, Mr Bailey’s pending High Court appeal and even the Irish government. On 13 October, TV3’ s southern correspondent, Paul Byrne, broke the story that Marie Farrell, the so-called ‘star witness’ of the Circuit Court libel hearing, was now retracting all her statements. The Schull shopkeeper, in a truly astonishing TV interview, claimed not only that her evidence was false but that it had only been offered after she had been put under extreme duress by gardaí to incriminate Mr Bailey. The interview dominated the news headlines in Ireland for days.
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Ralph Riegel (A Dream of Death: How Sophie Toscan du Plantier’s Dream Became a Nightmare and a West Cork Village Became the Centre of Ireland’s Most Notorious Unsolved Murder)
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Felix had curled up against me for a nap, and I could feel his purr—such a giant sound for such a tiny thing—humming against my ribs. Ever since we’d come to the apartment, Felix had seemed to think that I’d become his mother. It was embarrassing, but I’d given up shoving him away. You can’t really expect a cat to act like he’s got brains.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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Yes, I decided. My name could be Fella. I could stay with this man. I could be his dog, do what he told me, go where he went. That was what I was supposed to do, wasn’t it? Stay with a person? I was pretty sure that was true. It felt right.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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We got to lie in bed quietly every morning, instead of getting up for breakfast with Dad. Life had finally gotten back to normal. Thank goodness that whole school thing was over and done with.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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The man scooped up two puppies, one in each hand, and carried them out through the gate. He made two more trips for the rest. And then they were gone. The yard was suddenly awfully quiet without all of their tiny, high-pitched barks. Their mother put her paws up on the gate and cried. Then she dropped down to pace back and forth. The man came by her cage and looked at her, but he didn’t call out to her, didn’t speak to her, didn’t reach inside to touch her. Somehow I knew that he could have done those things, and that it would have helped to ease her unhappiness. But he didn’t. He just turned and walked away.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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Hey, there, little fella!” he called. I looked at him uncertainly. What kind of a person was this? What would those hands be like? Would they push me aside, like the first man I had known? Or would they be patient and gentle? “You lost, fella? You lost?” I wasn’t sure about the hands yet, but the voice was kind. And he was talking right to me. The first man had never done that. And he’d never kneeled down so that he was close to my level, either.
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W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
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Maybe I am the villain of her story, but I'm the hero of my own. I'm going to keep on being that for myself, if it's all right with the world.
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Tessa Bailey
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There was only Beat and Melody, trapped in this moment of time that felt fated. Someone had written it into their story a long time ago and they'd finally found their place on the correct page, so they could follow along.
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Tessa Bailey
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and she never found herself willing to put one by unanswered. There was always some question that needed answering, some point on which her young convert to Jesus Christ needed enlightenment. Then, too, she found herself growing nearer to Jesus because of this friendship with one who was just learning to trust Him in so childlike and earnest a way. "Do you know," she said confidingly to Ruth Summers one day, "I cannot make myself see Christie Bailey as homely? It doesn't seem possible to me. I think she is mistaken. I know I shall find something handsome about her when I see her, which I shall some day.
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Grace Livingston Hill (The Story of a Whim)
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(These repetitions were necessary because the story was published in weekly installments and readers may not have remembered the characters without such clues.)
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Debra Bailey (CliffsNotes on Dickens' Great Expectations (Cliffsnotes Literature Guides))
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But before he could go, Jeremy pointed to the third door, the one that the baker had not opened, and said, “What’s in there?” “Oh,” the baker said, his eyes falling on the door. “Nothing, nothing. Please do not open it.” Again the baker made to leave, and again Jeremy stopped his progress. “Mr. Blix?” “Yes?” “You can’t do that.” The baker seemed confused. “Can’t do what?” “You can’t leave and tell us not to open the door, because that happens all the time in fairy tales and movies, and everyone knows that sooner or later whoever isn’t supposed to open the door is going to open the door, and …” “Yes?” the baker said. “And that’s when things start happening.” A laugh rumbled up from the baker’s belly. Then he walked over to the third door and lifted the latch. He pushed the door gently open and stepped aside so that Jeremy and Ginger could peer in. Well! This room was just like the other two, except that the gleaming shelves were already stacked with sacks of flour and sugar, baking soda and salt. “Frank Bailey and I cleaned this one last week and loaded the shelves, which”—he winked—“you will know something about before your workday is over.” He smiled at Jeremy. “I didn’t mean to be mysterious. I just didn’t want anything disturbed or any dust to get in. You understand?” “Sure,” Jeremy said. “Sorry.” The baker seemed unperturbed. “Not at all,” he said, pulling the door closed again. “Perhaps it’s been too long since I read a story or went to a movie.
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Tom McNeal (Far Far Away)
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There comes a time in a man’s life when he has to face up to the fact that he can’t always make things right.
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Jay Alden Bailey (Mudflap: A true story ... every little bit.)
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On the road of life there are no traffic signs; it’s all about the landmarks.
Mudflap, Over and Out !
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Jay Alden Bailey (Mudflap: A true story ... every little bit.)
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British author Anthony Bailey tells the story of an art collector who learned that his prized (and costly) Rembrandt could not be genuine because it was painted on a mahogany panel, which was not used in Rembrandt’s day. The collector burned the painting. It now turns out that seventeenth-century painters did use mahogany.
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Edward Dolnick (The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century (P.S.))
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I’ve said this so many times… It’s not about the gear. It’s about the image. It’s about the story you tell with your gear. It’s about the overall feel of the shot and the visual power that you communicate through your creative techniques and your personal vision. In the end, you can create a great shot with any camera, whether it’s a DSLR, your compact camera or your iPhone.
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Dan Bailey (Creative Photography Techniques - 20 Tips for Stronger Images)
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were ninety-four cases in the five rooms; together, they held over a thousand
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Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)
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First published in 1721, Bailey’s dictionary went through thirty editions over the next eighty-one years. It was more useful and wide-ranging than its predecessors, but its definitions were often poor: ‘cat’ was ‘a creature well known’, ‘to get’ was defined simply as ‘to obtain’, ‘cool’ meant ‘cooling or cold’, ‘black’ was ‘a colour’, ‘strawberry’ ‘a well known fruit’, and ‘to wash’ meant ‘to cleanse by washing’ (although ‘washing’ was not defined).
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Henry Hitchings (Defining the World: The Extraordinary Story of Dr. Johnson's Dictionary)
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But then there is Bathsheba’s statement in 1 Kings 1:17: “She said to him [David], ‘My lord, you swore to your servant by YHWH your God, saying: Your son Solomon shall succeed me as king, and he shall sit on my throne.’” This adds a less savory perspective to the story. Randall Bailey has argued that this statement, made by Bathsheba before David has made any official gestures indicating his choice of Solomon as his successor, indicates that this dynastic choice was a precondition Bathsheba set before she would marry David.
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Charles River Editors (King Solomon and the Temple of Solomon: The History of the Jewish King and His Temple)
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This story is not at all an uncommon one in tech circles, including gaming. The popular notion is that women who get ahead must be engaging in something underhanded to do so, because tech is a white man’s world (even as they will then describe it as a meritocracy of the best kind). Any successful woman can expect to be accused of sleeping her way to the top.
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Bailey Poland (Haters: Harassment, Abuse, and Violence Online)
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In part due to the 270 bridges they built from local materials, lightweight prefabricated sections were available to construct the largest known Bailey bridge, which was built across the Chindwin at Kalewa in December 1944.
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Vicki Constantine Croke (Elephant Company: The Inspiring Story of an Unlikely Hero and the Animals Who Helped Him Save Lives in World War II)