“
My most scientific analysis, with all means of science and technology in mind, is that it's magic.
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
Fuck yeah. Bite me, gorgeous. Mark up my whole body. I want everyone to know who I belong to. Who I get hard for. Just you, Story. Just you.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
JUST BECAUSE ANYONE CAN, DOESN'T MEAN EVERYONE SHOULD (Mrs. Peters to Conner Bailey)
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
You gave goldilocks her first sword? That's like giving Shakespeare his first pen.
”
”
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
“
The first cut is always the deepest, but not every cut leaves a scar. If you spend your whole life worrying about getting hurt, then you aren't really living. You dont want to shield yourself so much from the bad stuff that nothing good gets to you, either.
”
”
Chris Colfer
“
Should we call her?Maybe we should give her a RING to see where she is? Get it? Get it?
-Conner Bailey
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
What happened?" Bailey asks.
"That is somewhat difficult to explain," Tsukiko answers. "It is a long and complicated story."
"And you're not going to tell me, are you?"
She tilts her head a bit ... "No, I am not," she says.
"Great," Bailey mutters under his breath... "The bonfire exploded? How?"
"Remember when I said it was difficult to explain? That has not changed.
”
”
Erin Morgenstern (The Night Circus)
“
My most educated analysis, with all means of science and technology in mind, is that it’s magic,” Alex said. “There’s no other possible explanation!” -Alex Bailey, The Land of Stories; The Wishing Spell
”
”
Chris Colfer
“
Widge can see the past." Poppet says suddenly. "That's why his stories are so good."
"The past is easier," Widget says. "It's already there."
"In the stars?" Bailey asks.
"No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.
”
”
Erin Morgenstern (The Night Circus)
“
This won’t be a story we tell the grandkids. This one is just for us.
”
”
Tessa Bailey (My Killer Vacation)
“
This isn't a story of love, sunshine and roses. This is a story of betrayal, murder, lust and deceit.
”
”
Sarah Bailey (Betrayal (Corrupt Empire #1))
“
So I sit there kicked my heels, thinking about New Orleans, and watching a morbid blue-bottle fly attempt to commit suicide by butting his head against the windowpane.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That's how the light gets in.-Leonard Cohen
”
”
Bailey Bristol (Love Will Follow)
“
Belong to me, Story. Even if it’s just for a little while.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
He'd say, 'Right now we're livingin an ugly chapter of our lives, but books always get better,'"
~Charlotte Bailey, Land of Stories: A Wishing Spell
”
”
Chris Colfer
“
Conner raised an eyebrow. 'Who told you that?'
'Well,' she said, not knowing how to describe what she experienced. 'Um . . . a moth did.'
Conner squinted at her and his mouth fell open. He was expecting a much better answer than that. 'A moth told you?'
'Yes -- but it wasn't a regular moth, it was more like an angel.'
'An angel moth?'
'Well, it came from somewhere in the stars. I think Grandma sent it.'
'Grandma sent you an angel moth from outer space?'
'Kind of! Anyway, the moth took me to a forest and then turned into a bunch of orbs that re-created a memory -- stop looking at me like that, Conner!
”
”
Chris Colfer
“
Honest to God, Story. The bullet didn’t kill me, but the way you make me feel might.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
Most skeletons in the closet don't have wings. - Conner Bailey, to Alex Bailey
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
Are you still wearing those flimsy white panties?”
“Yes,” Story breathed.
“Good. I need you to reach inside and pet your clit for me. Gently, like I do it.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
Sometimes we forget about our own advantages because we focus on what we don't have. Just because you have to work a little harder at something that seems easier to others doesn't mean you're without your own talents.
”
”
Chris Colfer, Land of Stories
“
Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. “Do you pity me, Story?” For the second time that night, she surprised him. “No. I pity the sixteen-year-old boy. Of course I do. How could I not?” Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. “But I don’t pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
It is the Lord's Day, and I do believe that cheerful hearts and faces are not unpleasant in His sight.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
..We shall get on famously...and be capital friends forever.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
This world has goblins and fairies but weres an escalator when you need one?
”
”
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
“
When the president opened her eyes, the Bailey twins were gone. She looked around the Oval Office, but they had vanished into thin air. The president let out a deep sigh and glanced down at the magenta book in her hands. It was heavy in weight and in responsibility.
"And I thought health care would be my greatest hurdle," she said.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
I just wish life was more like my books,” Fern complained [...] “Main characters never die in books. If they did, the story would be ruined, or over.”
“Everybody is a main character to someone,” Bailey theorized, winding his way through the busy hall and out the nearest exit into the November afternoon. “There are no minor characters.
”
”
Amy Harmon (Making Faces)
“
Somehow I knew that puppies were meant to leave their mothers.
”
”
W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
“
Then the ship gave sudden lurches that made it a matter of uncertainty whether one was going to put his fork in his mouth or into his eye.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
Everybody here has a story, darlin’. It’s not my place to tell yours. There’s trust between people here, and we’ll go to war for each other without any idea why.
”
”
Bailey Hannah (Alive and Wells (Wells Ranch, #1))
“
The more familiar we are with a biblical story, the more difficult it is to view it outside of the way it has always been understood. And the longer imprecision in the tradition remains unchallenged, the deeper it becomes embedded in Christian consciousness. The birth story of Jesus is such a story.
”
”
Kenneth E. Bailey (Jesus Through Middle Eastern Eyes: Cultural Studies in the Gospels)
“
If I went to Ringling Bros. and Barnum & Bailey, I didn’t go for the horse or the elephant – I went for the freak show in the back: the one-breasted man; the half-bearded woman (in other words, the people who today have become politicians). In my day they were in the back room of Ringling Bros. and Barnum & Bailey,
”
”
Michael Savage (Train Tracks: Family Stories for the Holidays)
“
In the seventh century, Isaac the Syrian wrote about 'stillness,' which in his writings has been summarized as 'a deliberate denial of the gift of words for the sake of achieving inner silence, in the midst of which a person can hear the presence of God. It is standing unceasingly, silent, and prayerfully before God.
”
”
Kenneth Bailey (Jacob and the Prodigal : How Jesus Re-Told Israel's Story)
“
An actual shiver blew through him thinking of Hannah on the deck, fifteen-story waves building in the background. “If you hear me screaming in the middle of the night, you’re to blame for my nightmares.” “I can just be in charge of the music on the boat.” “No.” “You got me feeling all romantic about the ocean. It’s your fault.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
I eagerly awaited visitors, but the anticipation and the extra energy of greetings caused a numbing exhaustion. As the first stories unfolded, my spirit held on to the conversation as best it could—I so wanted these connections to the outside world—but my body sank beneath waves of weakness. Still, my friends were golden threads randomly appearing in the monotonous fabric of my days. Each visit was a window that opened momentarily into the life I had once known, always falling shut before I could make my way back through. The visits were like dreams from which I awoke once more alone.
”
”
Elisabeth Tova Bailey (The Sound of a Wild Snail Eating)
“
Christian faith is fact, but not bare fact; it is poetry, but not imagination. Like the arch which grows stronger precisely by dint of the weight you place upon it, so the
story of the Gospels bears, with reassuring strength, the devotion of the centuries to Jesus as the Christ. What is music, asked Walt Whitman, but what awakens within you when you listen to the instrument? And Jesus is the music of the reality of God, and faith is what awakens when we hearken.ls
”
”
Kenneth E. Bailey (Jesus Through Middle Eastern Eyes: Cultural Studies in the Gospels)
“
Belong to me, Story. Even if it's just for a little while.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee. Bailey
”
”
Flannery O'Connor (A Good Man is Hard to Find and Other Stories)
“
..Fell over the prostrate steersman, and there we all lay in a heep, two or three of us quite picturesque with the nosebleed.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
I hope he and she that was Miss Wang Wang are very happy together, sitting cross-legged over dimenitive cups of tea in a sky-blue tower hung with bells.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
Jesus does not eat with sinners to celebrate their sin. He does so to celebrate his grace.
”
”
Kenneth E. Bailey (Jacob & the Prodigal: How Jesus Retold Israel's Story)
“
The more I learn about life and people, the more I realise that everyone has a story and everyone’s story is the biggest in their own mind.” - Laylla Jonson
”
”
L.B. Malpass (Beneath the Blossom Tree)
“
I could get up on that bed and curl up right next to my boy’s warmth. The boy loved me. I loved him. From the second we woke up until the moment we fell asleep, we were together.
”
”
W. Bruce Cameron (Bailey's Story (A Dog's Purpose Puppy Tales))
“
It was the beginning of her own classic love story. And now the credits were rolling.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
Nature has a funny way of deceiving. The weak always think they’ve got a chance at survival. But the world burns in the end, and all things fade to ash.
”
”
Jesse Nolan Bailey (Defilement and Other Stories)
“
Things that rock: all the different stories people come up with - Kindle text to speech while driving - kind hearted people - oh, and the Manly Sea Eagles (Aussie rugby league)!!
”
”
G.S. Bailey
“
Writing to her from America, her best friend remarked, ‘I’ve stopped reading fiction, I just read about you.
”
”
Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)
“
The road looked as if no one had traveled on it in months.
"It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder.
The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar.
As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
”
”
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
“
The Starboardia series is much darker than most of your work, especially the history about American slavery. Were you worried that might be too much for your younger audience?"
"Not once," Mr. Bailey said. "I will never sugarcoat history so that certain people sleep better at night. The more we shed light on the problems of the world, past and present, the easier it will be to fix them.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
Bailey, a former prosecutor, attacked her credibility scattershot, an approach he would use throughout the trial, particularly with female witnesses. ...
He accused her, that is--without coming out and saying it--of being a certain kind of woman: conceited, disingenuous, and dissatisfied. The universal misogynist caricature.
I'd never gone in for academic gender theories, but Bailey's cross-examination strategy--with Farrar and other women to come--convinced me that the culture of criminal justice has a fundamentally masculine tilt. Repeatedly, in a manner that I suspected was typical in modern courtrooms, he portrayed the female mind as intrinsically unreliable, ruled by emotion, immune to logic, prone to pettiness, swayed by lust, and corrupted by vanity. It rarely spoke plainly. It was seldom candid. It was composed of layers of hidden agendas. It put up a front, behind which was another front. It either aimed to please or to conceal, which were often the same thing. The only way to get the truth from it was to push and prod until it snapped. Make it angry. Make it cry.
”
”
Walter Kirn (Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade)
“
Whenever a new scholar came to out school, I used to confront him at recess with the following words: 'My name's Tom Bailey: what's your name?' If the name struck me favorably, I shook hands with the new pupil cordially; but if it didn't I would turn on my heel, for I was particular in this point. Such names as Higgins, Wiggins, and Spriggins were deadly afronts to my ear; while Lapgdon, Wallace, Blake, and the like, were passing words to my confidence and esteem.
”
”
Thomas Bailey Aldrich (The Story of a Bad Boy)
“
The closure of the rooms and the servants’ stories are pieces in the puzzle. Now it is necessary to step back to the true beginning of this story – the moment when I first entered these rooms, before I even knew they concealed a mystery.
”
”
Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)
“
We like to have cozy stories. One of them is that we’re someone on a journey to some wonderful spiritual goal and we slowly develop our spiritual capacity to attain that goal. But the idea that there is a path, a goal, and someone walking the path, is false. Life
”
”
Darryl Bailey (Dismantling the Fantasy: An Invitation to the Fullness of Life)
“
Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments
”
”
Louise Erdrich (The Sentence)
“
It gets weirder than you think,” Fiona said and let this idea sink in before continuing. “Did you hear that crazy story on Sunday? About a black bear dragging some guy from his Mercedes in the backwoods in Oregon — and eating him alive?” She paused to see if this registered, examined
”
”
D.F. Bailey (Bone Maker (Will Finch Mystery, #1))
“
In so far as I listen with interest to a record, it’s usually to figure out how it was arrived at. The musical end product is where interest starts to flag. It’s a bit like jigsaw puzzles. Emptied out of the box, there’s a heap of pieces, all shapes, sizes and colours, in themselves attractive and could add up to anything--intriguing. Figuring out how to put them together can be interesting, but what you finish up with as often as not is a picture of unsurpassed banality. Music’s like that."
From “Derek Bailey and the Story of Free Improvisation” by Ben Watson, Verso, London, 2004, p. 440.
”
”
Derek Bailey
“
I was amazed, shocked, and sickened by what I heard throughout the day, over and over, by many victims' stories. I can think of no one with whom I didn't recognize a common thread. These monsters, these evil priests, used the same words and methods on all of us. With each session, I would find something that sent a cold chill down my spine. It amazed and frightened me that the actual words used on me, to rape me, to rape me, were the same as the words used on so many others from all over the United States. You would think that all these priests either were educated in how to concur and rape us, or they met privately with each other to compare notes and develop their plan of attack on us. The pattern was so much the same, with the same words, that you would swear it was scripted and disbursed to these priests. Do they secretly have closed-door meetings on how to abuse us? A chilling thought.
Neary's routine of saying the “Our Father” during the rape and making me say it with him, repeating the “thy will be done” over and over, the absolution given me after he “finished,” the threats of having God take my parents away, the lectures about offering my suffering up to God, etc., etc., etc. My experience was identical, word-for-word, to that of many others. The exact words during the abuse were not just close, but exactly the same, as if it were some kind of abuse ritual. Ritual abuse is not limited to the religious definition and can include compulsive, abusive behavior performed in an exact series of steps with little variation. How could these similarities occur without the priests taking the same “abuse seminar” together some place, somehow? Was it taught in the seminary? In some dark corner? It goes beyond coincidence—the similarities in deeds and verbiage that these predators use on us. It truly chilled me to the very marrow of my bones.
”
”
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
“
In life one of Midnight’s favourite movies had been It’s a Wonderful Life, a touching story where a man called George Bailey is shown how poor the world would have been if he’d never existed, but now the young ghost of Midnight Merlot was sat imagining himself not as the kind hero of his own narrative, but, - but as the anti-George.
”
”
Tom Conrad
“
Then they heard voices. At least three men, laughing and joking outside the car. Underneath her, Daniel tensed, cursing. Story’s movements slowed, but didn’t stop completely. Oblivion within reach, she couldn’t stop now if she wanted to.
He gripped the hair at her nape, forcing her feverish eyes to meet his eyes. “I know you can’t stop, baby. I don’t want you to, either. You feel so goddamn perfect. But you need to be very quiet for me. If you need to scream, bite my shoulder instead. Just don’t make a sound.”
Excerpt From: Bailey, Tessa. “Officer Off Limits.” Entangled Publishing, LLC (Brazen), 2013-05-23T10:00:00+00:00. iBooks.
This material may be protected by copyright.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
Two-year-old Christine Hanson and four-year-old Juliana McCourt would never visit Disneyland. Neither they nor David Gamboa-Brandhorst would know first days of school, first loves, or any other milestone, from triumph to heartbreak, of a full life. Andrea LeBlanc would never again travel the world with her gregarious, pacifist husband, Bob. Julie Sweeney wouldn’t bear children, grow old, and feel safe with her confident warrior husband, Brian. Delayed passengers wouldn’t hear recitals of Forrest Gump dialogue from Captain Victor Saracini. First Officer Michael Horrocks’s daughter wouldn’t rise from bed with the promise that her daddy loved her to the moon. Ace Bailey and Mark Bavis would never again share their gifts with young hockey players or with their own families. Retired nurse Touri Bolourchi, who’d fled Iran and the Ayatollah Khomeini, wouldn’t see her grandsons grow up as Americans.
”
”
Mitchell Zuckoff (Fall and Rise: The Story of 9/11)
“
It became so quiet the crowd could hear the ticking of a clock. At first the author was afraid he had said something to upset the audience, but once they’d had a few seconds to process his words, the event space erupted into another thunderous round of applause. “I’m afraid to follow that answer with another question, so why don’t we open the questions to our audience members?” Mr. Quinn proposed. Nearly all the hands in the room shot up at once. Mr. Bailey
”
”
Chris Colfer (The Land of Stories Complete Gift Set)
“
Now look here, Bailey,” she said, “see here, read this,” and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. “Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn’t take my children in any direction with a criminal like that aloose in it. I couldn’t answer to my conscience if I did.
”
”
Flannery O'Connor (The Complete Stories)
“
The track led into a sort of tunnel made of forest. They left daylight behind, a thousand leaves hemming them into dusky shade. As she traipsed behind Jack's torn blue jacket, he squinted into the foliage, hearkening to every cracking twig or bird-chirrup. After what seemed an age, they came out into blessed sunshine again. They were in a clearing, their ears filled with a thundering wind, the air itself trembling. A few paces further they came upon the source: above them, a waterfall tumbled from a clifftop as high as a church steeple. The water fell in milky blue strands, shooting spray in the air that danced in rainbows of gold, pink and blue. At their feet was a deep and inviting lagoon. It fair took her breath away.
Jack crouched to look at the pool's edge, where a mud bank was scrabbled with marks.
"We should go back," he said. "Something drinks here."
She didn't care. She was spellbound. "Look, a cave!" Across the lagoon stood a dark entrance hung with pretty mosses, like a fairy grotto.
"Just one peep," she whispered, for there was something powerful and secret about the place. "Then we can go back."
But Jack was still peering at the tracks around the water's edge.
"Whatever drinks here, it's not here now. I dare you, Jack. A quick look around the cave and then we'll be on our way." She had a notion, from some story or other, that caves were places where treasure was hidden; she reckoned pirates might have left jewels and plunder behind long ago.
"It's the end of the rainbow," she laughed. "Let's find our crock of gold.
”
”
Martine Bailey (A Taste for Nightshade)
“
Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder
”
”
Louise Erdrich (The Sentence)
“
Fairytaletopia 6: The Great New York Adventure,” he read. Unfortunately, the title didn’t trigger a memory like the rest of the books had. Mr. Bailey tried as hard as he could to remember what the book was about and the events that had inspired it, but he drew a blank at every turn. The answer might have escaped him completely, but he knew that the information he craved was somewhere inside the book. Even if he had misled his readers to a false happy ending, he was certain he could read between the lines and discover the truth. So the beloved children’s book author took a deep breath, opened his own book to the very first page, and began reading, hoping with all his heart that the story would remind him where his sister had gone all those years ago…
”
”
Chris Colfer (Worlds Collide (The Land of Stories #6))
“
Daniel placed his hands on her shoulders and pushed her down onto the edge of the bed before dropping to the floor between her thighs. Anticipation rushed through him. Since that very first day at the hospital, he’d been yearning to taste her. He wanted to memorize every shiver, every cry of pleasure. With firm hands, he parted her knees wide. She gasped. With an effort, he dragged his gaze up from the juncture of her thighs, over her perfect, pink-tipped breasts to meet her eyes. “What is it?” Story’s hands clenched and unclenched on his comforter. “Nothing. I’ve just…I’ve never…” “Never?” Daniel’s mind reeled a second before desire, even more potent than before, slammed through him. Knowing he could claim her with his mouth, mark her in a way that no one else ever had, humbled and empowered him at the same time. For the first time in the last week, he actually felt grateful for his ample experience. Daniel dipped his head and kissed the inside of her knee. At the same time, his hands skimmed up her belly to her breasts, where he teased her stiff nipples with his thumbs. He continued his methodical motions until he felt the tension ebb from her body, her thighs relaxing open once more. Savoring the taste of her skin, he licked up the inside of one thigh before giving the other side the same treatment. When her hips began shifting on the bed, he knew she was ready for more. He hooked his hands beneath her knees and draped them over his shoulders. “Baby, you’re going to want to lie back for this.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
Charlie, I want to get married," she said.
"Well, so do I, darling -"
"No, you don't understand," she said. "I want to get married right now."
Froggy knew from the desperate look in her eyes that Red was dead serious.
"Sweetheart, are you sure now is a good time?" he said.
"I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!"
The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do.
"Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains."
A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?"
Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony.
"I suppose I'm available," she said.
"Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!"
Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding.
"Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?"
"I do," Froggy declared.
"And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?"
"I do," Red said.
"Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!"
Red and Froggy shared their first kiss as a married couple, and their friends cheered.
"Beautiful ceremony, my dear," Merlin said.
"Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
Why are you making that face, Fern?” Bailey asked.
“What face?”
“That face that looks like you can't figure something out. Your eyebrows are pushed down and your forehead is wrinkled. And you're frowning.”
Fern smoothed out her face, realizing she was doing exactly what Bailey said she was doing. “I was thinking about a story I've been writing. I can't figure out how to end it. What do you think this face means?” Fern gave herself an underbite and crossed her eyes.
“You look like a brain-dead cartoon character,” Bailey answered, snickering.
“What about this one?” Fern pursed her lips and raised her eyebrows while wincing.
“You're eating something super sour!” Bailey cried. “Let me try one.” Bailey thought for a minute and then he made his mouth go slack and opened his eyes as wide as they could go. His tongue lolled out the side of his mouth like a big dog.
“You're looking at something delicious,” Fern guessed.
“Be more specific,” Bailey said and made the face once more.
“Hmm. You're looking at a huge ice cream sundae,” Fern tried again. Bailey pulled his tongue back into his mouth and grinned cheekily.
“Nope. That's the face you make every time you see Ambrose Young.”
Fern swatted Bailey with the cheap stuffed bear she'd won at the school carnival in fourth grade. The arm flew off and ratty stuffing flew in all directions. Fern tossed it aside.
“Oh yeah? What about you? This is the face you make whenever Rita comes over.” Fern lowered one eyebrow and smirked, trying to replicate Rhett Butler's smolder in Gone with the Wind.
“I look constipated whenever I see Rita?” Bailey asked, dumbfounded.
”
”
Amy Harmon (Making Faces)
“
I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me.
Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.
”
”
Martine Bailey (A Taste for Nightshade)
“
He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by.
Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was."
"You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know.
"He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone.
Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul.
"I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are.
Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth."
She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.
”
”
Martine Bailey (A Taste for Nightshade)
“
For valid reasons, it's been a long time since you've heard an ancient truism cherished by the fight game: "As the heavyweights go, so goes boxing." The current heavyweight division, a quaint collection of overweight senior citizens, is probably the industry's least appealing crop since bare-knuckle brawling gave way to gloved combat in the 1890s.
”
”
Jim Bailey
“
5. The kezazah ceremony. In the Jerusalem Talmud and elsewhere in the writings of the sages, we are told that at the time of Jesus the Jews had a method of punishing any Jewish boy who lost his family inheritance to Gentiles. Such a loss was considered particularly shameful, and the horror of that shame is reflected in the Dead Sea Scrolls.
”
”
Kenneth E. Bailey (Jacob & the Prodigal: How Jesus Retold Israel's Story)
“
the community developed what was called the kezazah ceremony (the cutting-off ceremony).8 Any Jewish boy who lost his inheritance among Gentiles faced the ceremony if he dared return to his home village. The ceremony itself was simple. Fellow villagers would fill a large earthenware pot with burned nuts and burned corn and break it in front of the guilty individual. While doing this, they would shout, "So-and-so is cut off from his people." From that point on, the village would have nothing to do with the hapless lad. As he leaves town, the prodigal knows he must not lose his money among the Gentiles.
”
”
Kenneth E. Bailey (Jacob & the Prodigal: How Jesus Retold Israel's Story)
“
This story is not at all an uncommon one in tech circles, including gaming. The popular notion is that women who get ahead must be engaging in something underhanded to do so, because tech is a white man’s world (even as they will then describe it as a meritocracy of the best kind). Any successful woman can expect to be accused of sleeping her way to the top.
”
”
Bailey Poland (Haters: Harassment, Abuse, and Violence Online)
“
But then there is Bathsheba’s statement in 1 Kings 1:17: “She said to him [David], ‘My lord, you swore to your servant by YHWH your God, saying: Your son Solomon shall succeed me as king, and he shall sit on my throne.’” This adds a less savory perspective to the story. Randall Bailey has argued that this statement, made by Bathsheba before David has made any official gestures indicating his choice of Solomon as his successor, indicates that this dynastic choice was a precondition Bathsheba set before she would marry David.
”
”
Charles River Editors (King Solomon and the Temple of Solomon: The History of the Jewish King and His Temple)
“
Bailey didn't notice the absence of abuse until it was time to go through it again.
”
”
Wayne Lemmons (The Story's Writer)
“
One of the biggest misconceptions I had growing up in the church was that I had to have a certain personality to truly shine and contribute something meaningful. It seemed the boisterous, extroverted, gregarious girls were the ones who were celebrated, and there was somehow something wrong with me since I didn’t want to be the center of attention. My more reserved and artistic personality, talents, and gifts seemed more hidden and less important, so I was easily compliant, merging with others dreams and plans in an effort to avoid conflict and struggle. All the while, desires burned within me: to point others to beauty, to gather people together in a meaningful way, to have a life infused with bravery and adventure, to appreciate the body God has given me imperfect as it is. A song has been deep inside all along waiting to be sung.
”
”
Christine Marie Bailey (The Kindred Life: Stories and Recipes to Cultivate a Life of Organic Connection)
“
what is happening here is an unheard-of event: hurtful, offensive, and in radical contradiction to the most venerated tradition of the time. Kenneth Bailey, in his penetrating explanation of Luke’s story, shows that the son’s manner of leaving is tantamount to wishing his father dead.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
You bet it does. Do you like detective stories? I do. I read them all, and I’ve got autographs from Dorothy Sayers and Agatha Christie and Dickson Carr and H. C. Bailey. Will the murder be in the papers?
”
”
Agatha Christie (The Complete Miss Marple Collection)
“
The promise of a happy life free from discomfort is dangled before us and from every angle voices scream at us to chase it. Psychologists talk about self-realisation and self-esteem. Politics champions materialistic values and realigns our moral system as it calls us to select a side. Movies and television by-pass our rational objections and draw us into making emotional responses to characters and stories that are feeding us this same world view.
”
”
Spyridon Bailey (The Ancient Path)
“
Maybe I am the villain of her story, but I'm the hero of my own. I'm going to keep on being that for myself, if it's all right with the world.
”
”
Tessa Bailey
“
There was only Beat and Melody, trapped in this moment of time that felt fated. Someone had written it into their story a long time ago and they'd finally found their place on the correct page, so they could follow along.
”
”
Tessa Bailey
“
She fled before him until the breath burned in her lungs, until her legs ached, until she could taste her own sweat, salty against her lips—until finally she collapsed, exhausted, in a sunshot glade at the very center of the world, in the heartwood itself.
”
”
Dale Bailey (The Resurrection Man's Legacy: And Other Stories)
“
At least, there are no such things as unicorns anymore. They were hunted to extinction by groups of hard-hearted but virginal poachers about a thousand years ago,” Jake added off Ruby’s questioning look. “It’s actually a really sad story. Makes The Last Unicorn look like a feel-good romp.
”
”
Rachel E. Bailey (Dyre: By Moon's Light)
“
What’s the first thing you do now before you visit a new restaurant for the first time or book a hotel room online? You probably ask a friend for a recommendation or you check out the reviews online. Now more than ever, the story your customers tell about you is a big part of your story. Word of mouth is accelerated and amplified. Trust is built digitally beyond the village. Reputations are built and lost in a moment. Opinions are no longer only shared one to one; they are broadcasted one to many, through digital channels. Those opinions live on as clues to your story. The cleanliness of your hotel bathrooms is no longer a secret. Guests’ unedited photos are displayed alongside a hotel brochure’s digital glossies. TripAdvisor ratings are proudly displayed by hotels and often say more about the standards guests can expect than do other, more established star ratings systems, such as the Forbes Travel Guide‘s ratings. Once-invisible brands and family-run hotels have had their businesses turned around by the stories their customers tell about them. “With 50 million reviews and counting, [TripAdvisor] is shaking the travel industry to its core.” —Nathan Labenz It turns out that people are more likely to trust the stories other people tell about you than to trust the well-lit Photoshopped images in your brochure. Reputation is how your idea and brand story are spread. A survey conducted by Chadwick Martin Bailey found that six in ten cruise customers said “they were less likely to book a cruise that received only one star.” There is no marketing more powerful than what one person says to another to recommend your brand. “Don’t waste money on expensive razors.” “Nice hotel; shame about the customer service.” In a world where online reputation can increase a hotel’s occupancy and revenue, trust has become a marketing metric. “[R]eputation has a real-world value.” —Rachel Botsman When we were looking to book a quiet, off-the-beaten-track hotel in Bali, the first place we looked wasn’t with the travel agents or booking.com. I jumped online and found that one of the area’s best-rated hotels on tripadvisor.com wasn’t a five-star resort but a modest family-run, three-star hotel that was punching well above its weight. This little fifteen-room hotel had more than 400 very positive reviews and had won a TripAdvisor Travellers Choice award. The reviews from the previous guests sealed the deal. The little hotel in Ubud was perfect. The reviews didn’t lie, and of course the place was fully booked with a steady stream of guests who knew where to look before taking a chance on a hotel room. Just a few years before, this $50-a-night hotel would have been buried amongst a slew of well-marketed five-star resorts. Today, thanks to a currency of trust, even tiny brands can thrive by doing the right thing and giving their customers a great story to tell.
”
”
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
“
You’ve probably heard of the “butterfly effect.” This is a famous proposition of chaos theory, which says that when a butterfly flaps its wings in South America, it can set off a chain of events that ends up causing a typhoon in Southeast Asia. The truth is, you create your own butterfly effect, whether you know it or not, and you do it all the time. One of my favorite butterfly-effect stories is the film It’s a Wonderful Life. A small-town businessman named George Bailey reaches the edge of despair, and decides his life has no meaning and makes no difference. On the brink of suicide, he’s visited by an angel improbably named Clarence, who walks George through an experience of what the world would look like if he had never been born. (Which is exactly why we quoted a great line of Clarence’s for the epigraph of the last chapter, “The Ripple Effect.”) George gets quite an eyeful. And so would you, if you had a Clarence come along and take you on the same tour of your life. But outside Hollywood, there’s no Clarence to provide that clarity. It’s something we need to learn to see with our own eyes.
”
”
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
“
Story shrugged, attempting casual. “We kissed and I don’t know...I might have orgasmed on his leg or something. It happens, right?
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
Outside the rain began to pour in sheets, and the wind howled . Giant pieces of hail began to pelt the building— banging off the skylights so hard that Simpson worried the glass might shatter. Then, as it had earlier in the day, the wind briefly let up. It was then Simpson heard a sound she had dreaded —a sound she couldn’t believe she was actually hearing. It was 2: 40 P.M. and the tornado sirens in Moore started to wail.
”
”
Holly Bailey (The Mercy of the Sky: The Story of a Tornado)
“
Some days she simply wanted to get in her car and drive and keep on going.
”
”
Donna Hill (Justin & Bailey: Director's Cut --The Untold Story)
“
prompted questions to be asked at the time.
”
”
Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)
“
Fiction is about feeling, which is to say that short stories are about all of us.
”
”
Tom Bailey (On Writing Short Stories)
“
Acknowledgements
I would like to thank my children, Bindi and Robert, for patiently supporting me while I spent many evenings and weekends writing this book (or as Robert used to say, “Mum is doing her schoolwork.”).
Thanks also to those who helped entertain, feed, bathe, and wrangle my kids while I wrote (it does take a village!): Barry and Shelley Lyon, Emma Schell, Jeanette Covacevich, John and Bonnie Marineau, Brian and Sherri Marineau, April Harvie, Brian and Kate Coulter, Thelma Engle.
A special thank-you to my dear friend John Edward. If it wasn’t for you, this book would never have been written.
Thanks to my precious friends and family, who were my sounding boards: Wes Mannion, Frank and Joy Muscillo, John Stainton, Judi Bailey, Craig Franklin, Bob Irwin.
A huge thank-you to Kate Schell, who helped me assemble my first draft--there were 250,000 words of stories that made us laugh and cry. You took the journey with me.
I would also like to thank Gil Reavill, for taking nine hundred pages and helping me choose which stories to keep for the final draft. Natasha Stoynoff, you were ready to help as a collaborator. I hope we actually get to work together one day.And to Ursula Cary, thank you for flying all the way to Australia to help me catch crocs for research and make those final edits.
I’d like to extend a big thank-you to all the interesting people who helped to shape our lives and are included in the pages of this book.
And finally, a huge thank-you to my husband, Steve. You are now the angel leaning over my shoulder, whispering in my ear that I can do anything--you always believed in me.
”
”
Terri Irwin (Steve & Me)
“
You want to be a naughty girl?” he whispered. “You came to the right place.”
Rising onto her knees, she turned and sat on his lap, facing the front windshield. Leaning back against his chest, she took his hands and placed them on her breasts before slowly sinking down on him once more, inch by inch. This time, she wasn’t allowed to moan her pleasure, and the restriction only ramped up the powerful ache. She hovered so close to release that it would only take a few upward thrusts of Daniel’s hips to make her come.
His fingertips skimmed over her collarbone and neck. He hesitated for a split second before his big hand covered her mouth, preventing any sound from escaping.
“Is this okay, baby?”
Story caught of glimpse of herself in the rearview mirror, eyes dark and heavy with passion, Daniel’s hand over her lips. The erotic sight made her sex clench tightly around him. Closing her eyes, she nodded vigorously.”
Excerpt From: Bailey, Tessa. “Officer Off Limits.” Entangled Publishing, LLC (Brazen), 2013-05-23T10:00:00+00:00. iBooks.
This material may be protected by copyright.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
First published in 1721, Bailey’s dictionary went through thirty editions over the next eighty-one years. It was more useful and wide-ranging than its predecessors, but its definitions were often poor: ‘cat’ was ‘a creature well known’, ‘to get’ was defined simply as ‘to obtain’, ‘cool’ meant ‘cooling or cold’, ‘black’ was ‘a colour’, ‘strawberry’ ‘a well known fruit’, and ‘to wash’ meant ‘to cleanse by washing’ (although ‘washing’ was not defined).
”
”
Henry Hitchings (Defining the World: The Extraordinary Story of Dr. Johnson's Dictionary)
“
What the world really needs is more love and less paperwork. Pearl Bailey
”
”
Jack Canfield (Chicken Soup for the Romantic Soul: Inspirational Stories About Love and Romance (Chicken Soup for the Soul))
Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)
“
But no matter how many movies we watched, we never learned their deepest lesson: they end. George Bailey finally sees his life as wonderful. Rosebud, we find out, is a sled. Travis shoots Old Yeller. One of the things that distinguishes life from movies is the pause button. We can keep Travis' finger on the trigger, the barrel staring down his Yeller, but there is no pause button for the things that matter.
”
”
Greg Letellier (Paper Heart: Love Stories)
“
The man who worries morning and night about the dandelions in the lawn will find great relief in loving the dandelions. —L. H. BAILEY, Manual of Gardening, 1910
”
”
Amy Stewart (From the Ground Up: The Story of a First Garden)
“
Just like a butterfly, I had sprung from my cocoon for the first time. For my risk, I was rewarded with Jacob Bennett." - Laylla Jonson (Beneath the Blossom Tree)
”
”
L.B. Malpass (Beneath the Blossom Tree)
“
Story blew out a shaky breath toward the ceiling. “Dude.”
Beside her, Daniel’s body shook with silent laughter. “Did you really just say that?”
She rolled over to face him, a catlike yawn stretching her face. “In California, the word dude has over a thousand different meanings. Dude, Duuuuuude, Dude! It all depends on your tone.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
were ninety-four cases in the five rooms; together, they held over a thousand
”
”
Catherine Bailey (The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess, and a Family Secret)