Eyes Speak Volumes Quotes

Sin looked over at Boyd through sleepy looking, heavy lidded eyes. "Cállate la boca, blanquito." Hearing Sin speak Spanish didn't help any; he sounded especially sexy when he was drawling those words fluidly in his low, velvety voice. "What does that mean?" he asked, half with an edge and half just curious. Full lips turned up into a small smirk and Sin raised an eyebrow at him before turning back to the window. "It's a secret." "Putain de beau gosse," Boyd muttered under his breath in mild annoyance, flipping forward several pages.

Your eyes are like windows to your soul. They shine and bedazzle as the stars do in the sky! They are like diamonds that mesmerize the person looking at them. When I look into your eyes, I keep on looking at them. I can't ever stop looking at them. Your eyes speak volumes to me in unsaid word...

Seriously, why do you read that crap?" asked the girl. Book Boy snapped his volume shut and removed his glasses from his nose. "I speak the truth! In all of these books the girls are throwing themselves at the romantic heroes- romantic heroes who are dead, ho drink human blood. Be of good cheer, my brothers, for I tell you there is hope!" One of the other guys, a large black chap, rolled his lone eye. "Okay, you're cut off. Someone get him a cookbook or something." "Or, you know, some fair damsel to seduce," the girl said, looking up from her reflection.

Ah, those eyes," he said. "They can speak volumes, but sometimes even I cannot translate the language. And we never did invent enough signs for deeper thoughts and feelings.

Your eyes are like windows to your soul. They shine and bedazzle as the stars do in the sky! They are like diamonds that mesmerize the person looking at them. When I look into your eyes, I keep on looking at them. I can't ever stop looking at them. Your eyes speak volumes to me in unsaid words...

A diminished self-image causes us to slouch, to avoid looking others in the eye, to be unassertive, to be indecisive. On the other hand, a healthy self-image causes us to carry ourselves well, to speak confidently and to portray dignity.

Your eyes are like windows to your soul. They shine and bedazzle as the stars do in the sky! They are like diamonds that mesmerize the person looking at them. When I look into your eyes, I keep on looking at them. I can't ever stop looking at them. Your eyes speak volumes to me. Your eyes speak unsaid words...

I briefly stole a look from Vanni, who's dark eyes seem to speak volumes in a language I was not familiar. I did t speak Cheating Dirt Bag, nor did I with to learn.

He grabs my arm and pulls me into his embrace. I close my eyes and it's perfection. The kiss is needy and desperate even if it's closed mouth. It's the things we don't say. Words like, I needed you more than anything in the entire world and here you are. It's the sentences neither of us can say. Because neither of us likes grand gestures or big words. But the kiss says it all, the desperate tremble of his fearful lips against mine, speak volumes compared to the words we may or may not be able to say.

Your eyes are like windows to your soul. They shine and bedazzle like the stars do in the sky! They are like diamonds that mesmerise the person looking at them. When I look into your eyes, I keep on looking at them. I can't ever stop looking at them. Your eyes speak volumes to me in unsaid words....

To be real on this path you must be humble -- If you look down at others you'll get pushed down the stairs. If your heart goes around on high, you fly far from this path. There's no use hiding it -- What's inside always leaks outside. Even the one with the long white beard, the one who looks so wise -- If he breaks a single heart, why bother going to Mecca? If he has no compassion, what's the point? My heart is the throne of the Beloved, the Beloved the heart's destiny: Whoever breaks another's heart will find no homecoming in this world or any other. The ones who know say very little while the beasts are always speaking volumes; One word is enough for one who knows. If there is any meaning in the holy books, it is this: Whatever is good for you, grant it to others too -- Whoever comes to this earth migrates back; Whoever drinks the wine of love understands what I say -- Yunus, don't look down at the world in scorn -- Keep your eyes fixed on your Beloved's face, then you will not see the bridge on Judgment Day.

We walked out of there, and for the first time I felt the mood of a night without feeling that an author was ramming it down my throat for story purposes. I looked at the clean-swept, star-reaching cubism of the Radio City area and its living snakes of neon, and I suddenly thought of an Evelyn Smith story the general idea of which was “After they found out the atom bomb was magic, the rest of the magicians who enchanted refrigerators and washing machines and the telephone system came out into the open.” I felt a breath of wind and wondered what it was that had breathed. I heard the snoring of the city and for an awesome second felt it would roll over, open its eyes, and … speak.

But in this life we are still too weak to see that sight; we have not strength to open our mental eyes, and to behold the beauty of the Good, that incorruptible beauty which no tongue can tell. Then only will you see it, when you cannot speak of it; for the knowledge of it is deep silence, and supression of all the senses. He who has apprehended beauty of the Good can apprehend nothing else; he who has seen it can see nothing else; he cannot hear speech about aught else; he cannot move his body at all; he forgets bodily sensations and all bodily movements, and is still. But the beauty of the Good bathes his mind in light, and takes all his soul up to itself, and draws it forth from the body, and changes the whole man into eternal substance. For it cannot be, my son, that a soul should become a god while it abides in a human body; it must be changed, and then behold the beauty of the Good, and therewith become a god.

A diminished self-image causes us to slouch, to avoid looking others in the eye, to be unassertive, to be indecisive. On the other hand, a healthy self-image causes us to carry ourselves well, to speak confidently and to portray dignity. If we have not taken the time and thought to create a wonderful self-image for ourselves, we have had less, been less, and done less than was possible for us than if we had. We can improve our self-images at any moment including this one.

Eyes speak volumes. A cat who wants something can often persuade you to do his bidding simply by staring at you boldly, in a way that makes you search your teeth for spinach or look down to make sure your zipper's zipped. Once you rule out these possibilities, you can begin to realize there's something wrong in the cat's world, like an empty food bowl an hour past dinner time. When a cat squeezes its eyes while looking straight at you, its a sign of deep affection that you should try to reciprocate.

She loved me, in some mysterious sense I understood without her speaking it. I was her creation. We were one thing, like the wall and the rock growing out from it. -- Or so I ardently, desperately affirmed. When her strange eyes burned into me, it did not seem quite sure. I was intensely aware of where I sat, the volume of darkness I displaced, the shiny-smooth span of packed dirt between us, and the shocking separateness from me in my mama's eyes. I would feel, all at once, alone and ugly, almost - as if I'd dirtied myself - obscene.

with zero fillings, revealed by the so-so joke—“Have you heard the news about Schrödinger’s Cat? It died today; wait—it didn’t, did, didn’t, did …”; high-volume discourse on who’s the best Bond; on Gilmour and Waters and Syd; on hyperreality; dollar-pound parity; Sartre, Bart Simpson, Barthes’s myths; “Make mine a double”; George Michael’s stubble; “Like, music expired with the Smiths”; urbane and entitled, for the most part, my peers; their eyes, hopes, and futures all starry; fetal think-tankers, judges, and bankers in statu pupillari; they’re sprung from the loins of the global elite (or they damn well soon will be); power and money, like Pooh Bear and honey, stick fast—I don’t knock it, it’s me; and speaking of loins, “Has anyone told

I try to hide you With the silence But, my eyes Say the unsaid words and Speak in the loudest volume. In your hesitation, I found my answers. In your silence, I found my answers. Sometimes, I laugh at myself So much that The tears roll down and Reach to my cracked lips. I try to hide you With the silence But, my eyes Say the unsaid words and Speak in the loudest volume.

Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft.

Most Blacks may not be aware that the “American system” is designed for “us” to “suffer peacefully”.   However, Blacks are starting to get fed up.  We are tired of being mistreated and suppressed.  Blacks are speaking up and are we are standing up.  We are now calling things out for what they truly are.  No more keeping silent, no more turning the blind eye.  We are tired of the lies and broken promises. Just as the Haitian African Slaves revolted from the French, Blacks are starting to revolt.

The flare is undoubtedly one place where aviation science and art frequently speak a different language. Even for the most experienced pilot, the judgement call of when to transition into the landing manoeuvre can be misjudged. It is a skill that only comes with practice and a right of passage that all students must endure along their journey. However, just as precision in parking a car improves with time and familiarity, the visual cues will begin to establish themselves in the pilot’s mind’s eye with greater exposure.

EXPOSTULATION AND REPLY.   "Why, William, on that old grey stone,   Thus for the length of half a day,   Why, William, sit you thus alone,   And dream your time away?"   "Where are your books? that light bequeath'd   To beings else forlorn and blind!   Up! Up! and drink the spirit breath'd   From dead men to their kind."   "You look round on your mother earth,   As if she for no purpose bore you;   As if you were her first-born birth,   And none had lived before you!"   One morning thus, by Esthwaite lake,   When life was sweet, I knew not why,   To me my good friend Matthew spake,   And thus I made reply.   "The eye it cannot chuse but see,   We cannot bid the ear be still;   Our bodies feel, where'er they be,   Against, or with our will."   "Nor less I deem that there are powers   Which of themselves our minds impress,   That we can feed this mind of ours   In a wise passiveness."   "Think you, mid all this mighty sum   Of things for ever speaking,   That nothing of itself will come,   But we must still be seeking?"   "—Then ask not wherefore, here, alone,   Conversing as I may,   I sit upon this old grey stone,   And dream my time away.

The Buried Bishop’s a gridlocked scrum, an all-you-can-eat of youth: ‘Stephen Hawking and the Dalai Lama, right; they posit a unified truth’; short denim skirts, Gap and Next shirts, Kurt Cobain cardigans, black Levi’s; ‘Did you see that oversexed pig by the loos, undressing me with his eyes?’; that song by the Pogues and Kirsty MacColl booms in my diaphragm and knees; ‘Like, my only charity shop bargains were headlice, scabies, and fleas’; a fug of hairspray, sweat and Lynx, Chanel No. 5, and smoke; well-tended teeth with zero fillings, revealed by the so-so joke — ‘Have you heard the news about Schrodinger’s Cat? It died today; wait — it didn’t, did, didn’t, did…’; high-volume discourse on who’s the best Bond … Sartre, Bart Simpson, Barthes’s myths; ‘Make mine a double’; George Michael’s stubble; ‘Like, music expired with the Smiths’; and futures all starry; fetal think-tankers, judges, and bankers…power and money, like Pooh Bear and honey, stick fast — I don’t knock it, it’s me; and speaking of loins, ‘Has anyone told you you look like Demi Moore from Ghost?’; roses are red and violets are blue, I’ve a surplus of butter and Ness is warm toast.

I happened to mention this to a hypnotist I saw many years ago, and he looked at me very nicely. At first I thought he was feeling around on the floor for the silent alarm button, but then he gave me the following exercise, which I still use to this day. Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft.

lived within a mile of the place." My grandmother, who held that, when one went to the seaside, one ought to be on the beach from morning to night, to taste the salt breezes, and that one should not know anyone in the place, because calls and parties and excursions were so much time stolen from what belonged, by rights, to the sea-air, begged him on no account to speak to Legrandin of our plans; for already, in her mind's eye, she could see his sister, Mme. de Cambremer, alighting from her carriage at the door of our hotel just as we were on the point of going out fishing, and obliging us to remain indoors all afternoon to entertain her. But Mamma laughed her fears to scorn, for she herself felt that the danger was not so threatening, and that Legrandin would shew no undue anxiety to make us acquainted with his sister. And, as it happened, there was no need for any of us to introduce the subject of Balbec, for it was Legrandin himself who, without the least suspicion that we had ever had any intention of visiting those parts, walked into the trap uninvited one evening, when we met him strolling on the banks of the Vivonne. "There are tints in the clouds this evening, violets and blues, which are very beautiful, are they not, my friend?" he said to my father. "Especially a blue which is far more floral than atmospheric, a cineraria blue, which it is surprising to see in the sky.

Reagan,” he breathed and my chest swelled from the pure devotion of my name on his lips. I waited for him to say more but for a while he was just silent and serious. Finally, a small smirk played at the corners of his lips and in a lighter tone, he said, “It was close today, though, wasn’t it?” “Yes,” I agreed. He seemed to gather confidence and said impishly, “Makes you realize what you could have lost.” I nodded but didn’t speak- I had been thinking that for hours now. “Makes you realize that you have things to do before you die.” I laughed a little at that. I had given up all those dreams a long time ago, and I was surprised Hendrix hadn’t too. “Like what? Go sky-diving?” Without missing a beat, without taking his eyes off me, or changing his reverent tone he said, “Like kiss you.” And his soft lips were on mine and I stopped breathing. Sensation and desire flooded me as his mouth moved over mine- consuming me, breaking me, making me whole again. His beard scratched and tickled my face but I reveled in the feel of his body moving against mine. His tongue swept across my bottom lip and I opened my mouth on instinct. His lips were so perfect they were otherworldly, they didn’t even belong in the dark world we lived in. Nothing this amazing did. And yet here he was. With me. He deepened the kiss and I felt him everywhere. I felt his hands as they clutched my waist and dragged me against his firm, unyielding body. I felt his body heat as he drew me into him and wrapped his arms around me. I felt his tongue, the hot wetness of his mouth, his beard as it abraded my skin. I felt his happiness call to mine, his soul drink mine in, his essence consume me until I was entirely captivated by him and his kiss.

The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another. 'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.

Lettuce harvests in Salinas, melons in Brawley, grapes in Parlier, oranges in Ontario, cotton in Firebaugh -- and, finally, Santa Clara, the prune country. And because this place was pleasing to the eye, or because they were tired of their endless migration, Juan Rubio and his wife settled here to raise their children. And, remembering his country, Juan thought that his distant cousin, the great General Zapata, had been right when, in speaking of Juan, he once said to Villa, 'He will go far, that relative of mine.' Now this man who had lived by the gun all his adult life would sit on his haunches under the prune trees, rubbing his sore knees, and think, Next year we will have enough money and we will return to our country. But deep within he knew he was one of the lost ones. And as the years passed him by and his children multiplied and grew, the chant increased in volume and rate until it became a staccato NEXT YEAR! NEXT YEAR! And the chains were incrementally heavier on his heart.

Man cannot live without love. He remains a being that is incomprehensible for himself, his life is senseless, if love is not revealed to him, if he does not encounter love, if he does not experience it and make it his own, if he does not participate intimately in it ... The man who wishes to understand himself thoroughly – and not just in accordance with immediate, partial, often superficial, and even illusory standards and measures of his being – he must with his unrest, uncertainty and even his weakness and sinfulness, with his life and death, draw near to Christ. He must, so to speak, enter into him with all his own self, he must ‘appropriate’ and assimilate the whole of the reality of the Incarnation and Redemption in order to find himself. If this profound process takes place within him, he then bears fruit not only of adoration of God but also of deep wonder at himself. How precious must man be in the eyes of the Creator, if he ‘gained so great a Redeemer’ (Hymn ‘Exsultet’ of the Easter Vigil), and if God ‘gave his only Son’ in order that man ‘should not perish but have eternal life’ (cf John 3:16).[646]

Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft. A writer friend of mine suggests opening the jar and shooting them all in the head. But I think he’s a little angry, and I’m sure nothing like this would ever occur to you.

Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —

THES. Ah me! what other evil is this in addition to evil, not to be borne, nor spoken! alas wretched me! CHOR. What is the matter? Tell me if it may be told me. THES. It cries out—the letter cries out things most dreadful: which way can I fly the weight of my ills; for I perish utterly destroyed. What, what a complaint have I seen speaking in her writing! CHOR. Alas! thou utterest words foreboding woes. THES. No longer will I keep within the door of my lips this dreadful, dreadful evil hardly to be uttered. O city, city, Hippolytus has dared by force to approach my bed, having despised the awful eye of Jove. But O father Neptune, by one of these three curses, which thou formerly didst promise me, by one of those destroy my son, and let him not escape beyond this day, if thou hast given me curses that shall be verified. CHOR. O king, by the Gods recall back this prayer, for hereafter you will know that you have erred; be persuaded by me. THES. It can not be: and moreover I will drive him from this land. And by one or other of the two fates shall he be assailed: for either Neptune shall send him dead to the mansions of Pluto, having respect unto my wish; or else banished from this country, wandering over a foreign land, he shall drag out a miserable existence. CHOR. And lo! thy son Hippolytus is present here opportunely, but if thou let go thy evil displeasure, king Theseus, thou wilt advise the best for thine house.

My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.

How can I tell of the rest of creation, with all its beauty and utility, which the divine goodness has given to man to please his eye and serve his purposes, condemned though he is, and hurled into these labors and miseries?  Shall I speak of the manifold and various loveliness of sky, and earth, and sea; of the plentiful supply and wonderful qualities of the light; of sun, moon, and stars; of the shade of trees; of the colors and perfume of flowers; of the multitude of birds, all differing in plumage and in song; of the variety of animals, of which the smallest in size are often the most wonderful,--the works of ants and bees astonishing us more than the huge bodies of whales?  Shall I speak of the sea, which itself is so grand a spectacle, when it arrays itself as it were in vestures of various colors, now running through every shade of green, and again becoming purple or blue?  Is it not delightful to look at it in storm, and experience the soothing complacency which it inspires, by suggesting that we ourselves are not tossed and shipwrecked?  [1664]What shall I say of the numberless kinds of food to alleviate hunger, and the variety of seasonings to stimulate appetite which are scattered everywhere by nature, and for which we are not indebted to the art of cookery?  How many natural appliances are there for preserving and restoring health!  How grateful is the alternation of day and night!  how pleasant the breezes that cool the air!  how abundant the supply of clothing furnished us by trees and animals!  Who can enumerate all the blessings we enjoy?  If I were to attempt to detail and unfold only these few which I have indicated in the mass, such an enumeration would fill a volume.  And all these are but the solace of the wretched and condemned, not the rewards of the blessed.  What then shall these rewards be, if such be the blessings of a condemned state?

THE INSTRUCTION OF PTAHHOTEP Epilogue Part I If you listen to my sayings. All your affairs will go forward; In their truth resides their value, Their memory goes on in the speeds of men, Because of the worth of their precepts; If every word is carried on. They will not perish in this land. If advice ıs given for the good, The great will speak accordingly; It is teaching a man to speak to posterity, He who hears it becomes a master-hearer; It is good to speak to posterity, It will listen to it. If a good example is set by him who leads, He will be beneficent for ever, His wisdom being for all time. The wise feeds his ba with what endures, So that it is happy with, him on earth. The wise is known by his wisdom, The great by his good actions; His heart matches his tongue. His lips are straight when he speaks; He has eyes that see, His ears are made to hear what will profit his son. Acting with truth he is free of falsehood. Useful is hearing to a son who hears; If hearing enters the hearer, The hearer becomes a listener. Hearing well is speaking well. Useful is hearing to one who hears, Hearing is better than all else, It creates good will. How good for a son to grasp his father’s words, He will reach old age through them. He who hears is beloved of god, He whom god hates does not hear. The heart makes of its owner a hearer or non-hearer, Man’s heart is his life-prosperity-health! The hearer is one who hears what is said. He who loves to hear is one who does what is said. How good for a son to listen to his father. How happy is he to whom it is said: “The son, he pleases as a master of hearing.” The hearer of whom this is said, He is well-endowed And honored by his father; His remembrance is in the mouth of the living. Those on earth and those who will be. If a man’s son accepts his father's words. No plan of his will go wrong. Teach your son to be a hearer, One who will be valued by the nobles; One who guides his speech by what he was told, One regarded as a hearer. This son excels, his deeds stand out. While failure follows him who hears not. The wise wakes early to his lasting gain, While the foot is hard pressed.

Now he comes to the explanation of the Pale Criminal; hitherto he speaks simply of the criminal. The paleness comes from the fact that the man was made pale by an idea; he begins to think over what he has done, and he gives it a name. You remember we came across this idea before; it was represented as a particular mistake to give a name to your virtues. Of course, unavoidably you will do so; you don't live your virtues simply as the recognition of an indescribable something about yourself which has value, but say it is this or that, and so you give it a name and make it exclusive and cause trouble-quarrels, conflicts between duties and between virtues. While if you have not given it a name, you will have retained the value. So you cause a conflict by giving names, but one cannot see how to do otherwise. The criminal has to give it a name, then. He adopts an idea about his deed and says he has done so and so, and then cannot stand it because he sees himself with ten thousand pairs of eyes. For a name is a collective thing, a word in everybody's mouth. He has heard that word from ten thousand other mouths already; when he says to himself that he has committed a murder, he sees it in printed letters in the newspaper, and what he has done is just that awful thing which is called murder. While if he did not give it a name, it would have remained his individual deed, his individual experience, which is not expressed by the collective noun murder. Such a criminal usually says: "I just beat him over the head, or "I put a knife into him," or "I wanted to tell him something and I put a bullet into him, and afterwards they said he was dead." You see, it was an individual series of events which were not named. Even the premeditated murder is very often accounted for in such a way: "I simply had to give that fellow something to make him quiet because I wanted to get at such and such a thing; naturally I had to shove him aside. And then it turned out that he was dead." That is the way such people use a revolver-as a means to change something. It is a sort of aftereffect or a concomitant circumstance that a corpse was left. How awkward! That it is murder only dawns upon them a long time afterwards when they are told. Then they realize it and get pale, but as long as somebody simply has been removed, well, it was awkward that he was found afterwards with a fractured skull, but that does not make one pale: it is simply regrettable. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 469-470). Princeton University Press.

The Golem If (as affirms the Greek in the Cratylus) the name is archetype of the thing, in the letters of “rose” is the rose, and all the Nile flows through the word. Made of consonants and vowels, there is a terrible Name, that in its essence encodes God’s all, power, guarded in letters, in hidden syllables. Adam and the stars knew it in the Garden. It was corroded by sin (the Cabalists say), time erased it, and generations have forgotten. The artifice and candor of man go on without end. We know that there was a time in which the people of God searched for the Name through the ghetto’s midnight hours. But not in that manner of those others whose vague shades insinuate into vague history, his memory is still green and lives, Judá the Lion the rabbi of Prague. In his thirst to know the knowledge of God Judá permutated the alphabet through complex variations and in the end pronounced the name that is the Key the Door, the Echo, the Guest, and the Palace, over a mannequin shaped with awkward hands, teaching it the arcane knowledge of symbols, of Time and Space. The simulacrum raised its sleepy eyelids, saw forms and colors that it did not understand, and confused by our babble made fearful movements. Gradually it was seen to be (as we are) imprisoned in a reverberating net of Before, Later, Yesterday, While, Now, Right, Left, I, You, Those, Others. The Cabalists who celebrated this mysterium, this vast creature, named it Golem. (Written about by Scholem, in a learned passage of his volume.) The rabbi explained the universe to him, “This is my foot, this yours, and this the rope,” but all that happened, after years, was that the creature swept the synagogue badly. Perhaps there was an error in the word or in the articulation of the Sacred Name; in spite of the highest esoteric arts this apprentice of man did not learn to speak. Its eyes uncanny, less like man than dog and much less than dog but thing following the rabbi through the doubtful shadows of the stones of its confinement. There was something abnormal and coarse in the Golem, at its step the rabbi’s cat fled in fear. (That cat not from Scholem but of the blind seer) It would ape the rabbi’s devotions, raising its hands to the sky, or bend over, stupidly smiling, into hollow Eastern salaams. The rabbi watched it tenderly but with some horror. How (he said) could I engender this laborious son? Better to have done nothing, this is insanity. Why did I give to the infinite series a symbol more? To the coiled skein on which the eternal thing is wound, I gave another cause, another effect, another grief. In this hour of anguish and vague light, on the Golem our eyes have stopped. Who will say the things to us that God felt, at the sight of his rabbi in Prague?

That night, she was neglecting her pen in favor of rereading one of the most-favored books in her library. It was a small volume that had appeared mysteriously when she was only fifteen. Josephine still had no idea who had gifted her the lovely horror of Carmilla, but she owed her nameless benefactor an enormous debt. Her personal guess was a briefly employed footman who had seen her reading her mother’s well-worn copy of The Mysteries of Udolpho and confessed his own forbidden love of Poe. The slim volume of Le Fanu’s Gothic horror stories had been hidden well into adulthood. As it wasn’t her father’s habit to investigate her reading choices, concealment might have been more for dramatic effect than real fear of discovery. Josephine read by lamplight, curled into an old chaise and basking in the sweet isolation of darkness as she mouthed well-loved passages from her favorite vampire tale. “For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me.” She slammed the book shut. How had she turned so morbid? For while Josephine had long known she would not live to old age, she thought she had resigned herself to it. She made a point of fighting the melancholy that threatened her. If she had any regret, it was that she would not live long enough to write all the stories she wanted. Sometimes she felt a longing to shout them into the night, offering them up to any wandering soul that they might be heard so they could live. So many voices beating in her chest. So many tales to write and whisper and shout. Her eyes fell to the book she’d slammed shut. ‘“You are afraid to die?” “Yes, everyone is.” Josephine stood and pushed her way out of the glass house, into the garden where the mist enveloped her. She lifted her face to the moon and felt the tears cold on her cheeks. “‘ Girls are caterpillars,” she whispered, “‘ when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don’t you see?’” But the summer would never come for Josephine. She beat back the despair that threatened to envelop her. You are afraid to die? Yes, everyone is. She lifted her face and opened her eyes to the starry night, speaking her secret longing into the night. “‘ But to die as lovers may— to die together, so that they may live together.’” How she longed for love! For passion. How she ached to be seen. To be cherished. To be known. She could pour her soul onto the page and still find loneliness in the dark. She strangled her heart to keep it alive, knowing it was only a matter of time until the palest lover took her to his bosom. Already, she could feel the tightness in her chest. Tomorrow would not be a good day.

DANCING ANGELS During October 2001, the Lord began to speak to me about traveling to Newfoundland, Canada. I had no desire to go there, especially in the middle of the winter! At this time I was still concerned about my inability to “feel the Lord” and began to press into God all the more. At times I locked myself into the little house and fasted and prayed for up to seven days, or until the presence of God fell. After many confirmations in the spirit, I pooled all of my earthly wealth and made the trip to the great white North. The night before I was to depart, the Lord instructed me to “pray in tongues all the way to Newfoundland.” Somehow through the grace of God I succeeded in praying in the Spirit for about 18 hours until I touched down in Canada. In Springdale, Newfoundland, Canada, the Lord began instructing me to complete a series of prophetic actions. I attended an intercessory prayer meeting on Wednesday, November 21. We were interceding for an upcoming series of healing meetings. During this meeting, I began to “see” into the spirit. As the Lord opened my spiritual eyes, I incrementally saw the heavens open over Living Waters Ministries Church. In addition to this, I also began to hear angelic voices singing along with the worship team. At one point during the meeting, I saw a stream of golden oil pour out from Heaven and land on a certain spot in the sanctuary. At the leading of the Lord, I knelt upon that spot. The glory and anointing began to flow into and over my body. The sensation and anointing was very similar to what I experienced when the angel put his hands upon me the night of August 22, 2001. As I knelt under the spot where the golden oil was beginning to pour onto the altar, I was praying earnestly. I could feel the liquid oil raining down on my body. I could sense and smell this heavenly oil as it rolled off my head. The Holy Spirit began to talk to me in a very clear and direct way that I had never experienced before. I collapsed onto the carpet in a pool of golden oil and laid there in the anointing of the Holy Spirit. Then I sensed angels dancing all around the pool and me. I felt an angel as it brushed its wings across my face. I had a “knowing” that the angel was asking me to raise my hands into the air. When I raised my hands up to about two feet, the angel would push my hands back down with its strong, warm hands. I tried again, and when my hands were almost totally up, the angel tickled my nose with the feathers of its wings. I laughed, and my hands fell. The angel and I continued to interact in this fashion for nearly an hour. I did not actually see this angel, but the force and reality of its touch was very tangible. There was no doubt that I was interacting with a heavenly being. This experience was both refreshing and real. SEEING IS BELIEVING On Thursday, November 22, the healing meetings started; they would last through Sunday, the 25th. In these meetings God began to open my spiritual eyes beyond anything I could have ever imagined. On the first night of these meetings, I began to see an “open heaven” forming in the sanctuary. I could also hear and sense the activity of angels as the heavens continued to open up to a greater degree. On Friday, I began to see “bolts of light” shoot through the church, and again the stream of golden oil was flowing from the open heaven in a greater volume. On Saturday night during the worship service, I began to see feathers falling around the church and

THE INSTRUCTION OF PTAHHOTEP Part III Report your commission without faltering, Give your advice in your master’s council. If he is fluent in his speech, It will not be hard for the envoy to report, Nor will he be answered, "Who is he to know it ?” As to the master, his affairs will fail If he plans to punish him for it. He should be silent upon (hearing): "I have told.” If you are a man who leads. Whose authority reaches wide, You should do outstanding things, Remember the day that comes after. No strife will occur in the midst of honors, But where the crocodile enters hatred arises. If you are a man who leads. Listen calmly to the speech of one who pleads; Don’t stop him from purging his body Of that which he planned to tell. A man in distress wants to pour out his heart More than that his case be won. About him who stops a plea One says: “Why does he reject it ?” Not all one pleads for can be granted, But a good hearing soothes the heart. If you want friendship to endure In the house you enter As master, brother, or friend, In whatever place you enter, Beware of approaching the women! Unhappy is the place where it is done. Unwelcome is he who intrudes on them. A thousand men are turned away from their good: A short moment like a dream, Then death comes for having known them. Poor advice is “shoot the opponent,” When one goes to do it the heart rejects it. He who fails through lust of them, No affair of his can prosper. If you want a perfect conduct, To be free from every evil, Guard against the vice of greed: A grievous sickness without cure, There is no treatment for it. It embroils fathers, mothers, And the brothers of the mother, It parts wife from husband; It is a compound of all evils, A bundle of all hateful things. That man endures whose rule is rightness, Who walks a straight line; He will make a will by it, The greedy has no tomb. Do not be greedy in the division. Do not covet more than your share; Do not be greedy toward your kin. The mild has a greater claim than the harsh. Poor is he who shuns his kin, He is deprived of 'interchange' Even a little of what is craved Turns a quarreler into an amiable man. When you prosper and found your house, And love your wife with ardor, Fill her belly, clothe her back, Ointment soothes her body. Gladden her heart as long as you live, She is a fertile held for her lord. Do not contend with her in court, Keep her from power, restrain her — Her eye is her storm when she gazes — Thus will you make her stay in your house. Sustain your friends with what you have, You have it by the grace of god; Of him who fails to sustain his friends One says, “a selfish ka". One plans the morrow but knows not what will be, The ( right) ka is the ka by which one is sustained. If praiseworthy deeds are done, Friends will say, “welcome!” One does not bring supplies to town, One brings friends when there is need. Do not repeat calumny. Nor should you listen to it, It is the spouting of the hot-bellied. Report a thing observed, not heard, If it is negligible, don’t say anything. He who is before you recognizes worth. lf a seizure is ordered and carried out, Hatred will arise against him who seizes; Calumny is like a dream against which one covers the face. If you are a man of worth, Who sits in his master’s council. Concentrate on excellence, Your silence is better than chatter. Speak when you know you have a solution, It is the skilled who should speak in council; Speaking is harder than all other work. He who understands it makes it serve.

THE INSTRUCTION OF PTAHHOTEP Instruction of the Mayor of the city, the Vizier Ptahhotep, under the Majesty of King Isesi, who lives for all eternity. The mayor of the city, the vizier Ptahhotep, said: O king, my lord! Age is here, old age arrived. Feebleness came, weakness grows, Childtike one sleeps all day. Eyes are dim, ears deaf. Strength is waning through weariness, The mouth, silenced, speaks not, The heart, void, recalls not the past, The bones ache throughout. Good has become evil, all taste is gone, What age does to people is evil in everything. The nose, clogged, breathes not, Painful are standing and sitting. May this servant be ordered to make a staff of old age, So as to teil him the words of those who heard, The ways of the ancestors, Who have listened to the gods. May such be done for you. So that strife may be banned from the people, And the Two Shores may serve you! Said the majesty of this god: Instruct him then in the sayings of the past, May he become a model for the children of the great, May obedience enter him, And the devotion of him who speaks to him, No one is born wise. Beginning of the formulations of excellent discourse spoken by the Prince, Count, God's Father, God's beloved, Eldest Son of the King, of his body, Mayor of the city and Vizier, Ptahhotep, in instructing the ignorant in knowledge and in the standard of excellent discourse, as profit for him who will hear, as woe to him who would neglect them. He spoke to his son: Don’t be proud of your knowledge. Consult the ignorant and the wise; The limits of art are not reached, No artist’s skills are perfect; Good speech is more hidden than greenstone, Yet may be found among maids at the grindstones. If you meet a disputant in action, A powerful man, superior to you. Fold your arms, bend your back, To flout him will not make him agree with you. Make little of the evil speech By not opposing him while he's in action; He will be called an ignoramus, Your self-control will match his pile (of words). If you meet a disputant in action Who is your equal, on your level, You will make your worth exceed his by silence, While he is speaking evilly, There will be much talk by the hearers. Your name will be good in the mind of the magistrates. If you meet a disputant in action, A poor man, not your equal. Do not attack him because he is weak, Let him alone, he will confute himself. Do not answer him to relieve your heart, Do not vent yourself against your opponent, Wretched is he who injures a poor man, One will wish to do what you desire. You will beat him through the magistrates’ reproof. If you are a man who leads, Who controls the affairs of the many, Seek out every beneficent deed, That your conduct may be blameless. Great is justice, lasting in effect, Unchallenged since the time of Osiris. One punishes the transgressor of laws, Though the greedy overlooks this; Baseness may seize riches, Yet crime never lands its wares; In the end it is justice that lasts, Man says: “It is my father's ground.” Do not scheme against people, God punishes accordingly: If a man says: “I shall live by it,” He will lack bread for his mouth. If a man says: “I shall be rich' He will have to say: “My cleverness has snared me.” If he says: “I will snare for myself,” He will be unable to say: “I snared for my profit.” If a man says: "I will rob someone,” He will end being given to a stranger. People’s schemes do not prevail, God’s command is what prevails; Live then in the midst of peace, What they give comes by itself.

Thank you so much for coming,” I said to my mother. “It was right that you were there.” “I enjoyed myself very much, and would like to extend an invitation of my own. Would you join me in my quarters for tea?” “Yes, thank you. That would be lovely, and warm.” Her cheeks were rosy from the day’s activity, and mine were no doubt a match. “Shall we say a half hour? And, Alera, please ask Narian to escort you.” My eyebrows rose dramatically. “I don’t know if that would be best,” I hedged, for I had no idea how Narian would react to her invitation. She drew me away from the Cokyrian sentries stationed by the door and dropped her volume. “Alera, if you’re going to marry this man, he’s going to be my son. I want to know him better.” “Yes, but…I don’t know if he’d be comfortable. He’s very reserved, and probably wouldn’t say much.” “Then those are things I’ll learn about him. It can’t hurt to ask him, can it? If he prefers not to come, I’ll accept his decision.” My mother was full of subtlety. She did not say that she would understand his decision, only that she would accept it. And her phrasing wasn’t really chosen with Narian in mind--it was to let me know that this was important, and that I should do all I could to ensure he would be there. “I’ll do my best,” I agreed, thinking that this would be the quietest tea I had ever attended. Leaving my mother behind, I walked through the antechamber and across the Hearing Hall to reach Narian’s headquarters, which was situated in the former strategy room between Cannan’s office and mine. As always, there was much activity in the partitioned room; I also could not simply knock on the door to his private office, for a Cokyrian sentry prevented access to him without an appointment. In the end, I directed one of Narian’s officers to inform him that I wished to speak with him about an “urgent provincial matter.” “Shall we go to your study?” Narian asked when he emerged from his office, knowing full well I had no political matters to address. “Yes, I think that would be best.” I couldn’t repress a smile, for his eyes sparkled with curiosity. As soon as we had closed the door to my study, and before I could speak, Narian kissed me, catching me by surprise. “I’ve wanted to do that all afternoon, Alera. I’m not particularly fond of the gowns Hytanican women wear, but I’m willing to make an exception for this one.” I laughed, my head spinning, and he took hold of my hands. “Now, what’s this about?” “My mother has invited me to tea, and we would be pleased to have you join us.” Despite how casual I was trying to sound, Narian stiffened, and I could feel him pulling away. This wasn’t going to be easy. “You both would like me to join you?” “Yes, she suggested it.” I took a deep breath and made my confession. “She knows that we’re betrothed, that we’re in love.” I couldn’t gauge his reaction from his face, but the fact that he released my hands suggested he was disturbed, piqued--not an encouraging sign. I waited, giving him a chance to straighten out his thoughts, then tried again. “I know we agreed not to tell anyone--” “Yes, we did,” he snapped, walking over to my desk, not meeting my eyes. This was so uncharacteristic of him that I knew I had to proceed very carefully. “Please listen. We agreed not to tell anyone, but she’s my mother. She won’t breathe a word.” “How can you be sure?” I almost laughed, confused as to how he could question that. “Because she’s my mother! She raised me, Narian. I’ve always been able to trust her. Just believe me.

Bring her back, Mikhail. Go after her. Guide her back. This is too dangerous for her. Even with my connection to her, she is trapped,” Gregori said. “We are dealing with more than just any vampire. This one is skilled in the black arts and the use of herbs and power stones. I know what he has done and how he is doing it.” Mikhail pulled Raven tightly against him, his black eyes hard with mental strain. Raven blinked, looked around her, seemed surprised to find herself in the rain. Her hand went to her temple in a gesture of pain. “Stop staring at me. I feel like some kind of freak show.” She sounded hurt, hid her face on Mikhail’s chest. His arms circled her, drew her into the shelter of his body, his head bent lovingly toward hers. It was such an intimate gesture, Shea had to turn away. To her dismay, she found the healer studying her. Shea moved closer to Jacques, unconsciously seeking protection from the scrutiny. “You need nourishment.” The healer spoke gently. “When I’m hungry, I’ll eat,” Shea told him haughtily. “You don’t need to worry about all of us. I know how to care for myself.” The silvery eyes slashed through the lie. “Your hunger radiates from you, and your weakness could place all of us in jeopardy.” He turned his powerful stare on Raven. Raven squirmed visibly. “Oh, shut up, Gregori,” she snapped, her blue eyes flashing fire at him. A faint smile curved his mouth, failing to light his eyes. “I did not speak.” “You spoke volumes, and you know it.” Her chin went up belligerently. “Your male sense of superiority is enough to make a woman want to scream. Honestly, Gregori, all that cold logic makes a person crazy.” She allowed Mikhail to lead her onto the porch. “Logic works, unlike emotional women,” Gregori returned unruffled. “Your first duty is to protect your child. Our first duty must be to protect you.” His silver gaze clearly censured Mikhail.

Plasticity inhibits authenticity, and fosters in its place a kind of fairytale, insubstantial, unstable environment. All under the cover of freedom of choice. but there is no freedom larger than simply being who you must be. There is no more formidable Self than the one that has adjusted to nonnegotiable fixed points or unconditional obstacles to its aspiration. There is no more compelling truth than accepting with genuine grace what one cannot change. And so there is no larger testimony to freedom than someone who has taken such a course of life over a long haul; who ultimately and transparently bears the marks and scars of where they have been in real time. Such person wear line on their faces, lines that resolutely defy the airbrush. Such persons need not continuously broadcast their inner narratives; nor need they present the same visage to every acquaintance. But their faces still speak volumes to anyone with eyes to see. Their faces bear the marks of their irrevocable investments in their inalienable humanity.

...another city, existing alongside the glossy one I knew. This city was composed of dead ends and blind alleys and back streets full of garbage bags, and had its own cast of inhabitants, who lived in a permanent stench of urine and decay and had to be nudged to life with a toe before one could question them as to Droyd’s whereabouts. Sometimes they were too intoxicated to speak; sometimes they tried to make up stories in the hope of getting some change. Sometimes they didn’t respond to the toe, and we would have to roll them over and squint at their grubby faces till we were sure they weren’t him. The sheer volume of these wretched people was incredible. And as we made our way back down Grafton Street, I realized that they were here too, had been here all along, living their heroiny lives: slumped by cash machines, lurking in suspicious-looking groups around dustbins, making lunatic speeches to office workers who scurried by pretending not to hear, or simply ghosting wall-eyed through the crowd, with beakers from McDonald’s and misspelled cardboard signs. It was slow, painful work. As the day dragged on, and yet another pile of garbage bags disclosed yet another human form, it started to seem as if there could hardly be anyone left who hadn’t, in some fashion, fallen through the cracks; and the city began to take on the appearance of a newspaper photo, when you look at it close up and at some unannounced point the image gives way, leaving you with a collection of unsignifying dots in a vast empty space; so much space that you forget there had ever been a picture at all.

The facts are uncontroversial. Trump spent far less money on advertising than Clinton or his Republican opponents, yet he received a vastly greater volume of media coverage.20 The news business seemed strangely obsessed with this strange man, and lavished on him what may have been unprecedented levels of attention. The question is why. The answer will be apparent to anyone with eyes to see. Donald Trump is a peacock among the dull buzzards of American politics. The one discernible theme of his life has been the will to stand out: to attract all eyes in the room by being the loudest, most colorful, most aggressively intrusive person there. He has clearly succeeded to an astonishing degree. The data on media attention speaks to a world-class talent for self-promotion.21 Again, there can be no question that this allowed Trump to separate himself from his competitors in the Republican primaries. He appeared to be a very important person. Everyone on TV was talking about him.22 Who could say the same about Ted Cruz? Media people pumped the helium that elevated Donald Trump’s balloon, and they did so from naked self-interest. He represented high ratings and improved subscription numbers. Until the turn of the new millennium, the news media had controlled the information agenda. They could decide, on the basis of some elite standard, how much attention you deserved. In a fractured information environment, swept by massive waves of signal and noise, amid newspaper bankruptcies and many more TV news channels, every news provider approaches a story from the perspective of existential desperation. Trump understood the hunger, and knew how to feed the beast.

When I arrived at the pavilion today to listen to Dunn speak, he was on the phone, talking to someone. I think Dunn has an accomplice - a sort of brains behind the schemes, someone coming up with all these crazy stories that he does and then splitting the cash with him. Someone who knows how to make up stories that grab the public’s eye. Someone whose ideas are truly sensational.” Andy paused, watching Ballard closely. “Say, boss, those are pretty expensive cigars. You pay for those on an editor’s salary?

He is breathing heavy from his mouth. He trips on himself and falls face first onto the ground. The cross collapses. A woman in the crowd runs to him. She is crying. Jesus lifts his head and meets eyes with her and he tacitly speak a thousand volumes of how sorry he is for her to watch this. Simon knows that the woman is the condemned man's mother. The soldiers escorting the condemned men pull Jesus to his feet and the Son of God stands swaying like a drunk. You, a voice shouts. Simon looks about. He sees a Roman soldier pointing at him. He feels the sensations of panic run down his legs like lightning. Help him carry his cross, the Roman soldier commands. That soldier could have just as well chosen you or I.

It hit me hard today, Winnie. I can't believe I'll have to do this chemotherapy thing again. Three more times. I feel like crap." What could I possibly say? It had been a bad day for Nancy. The phlebotomist who normally draws Nancy's blood was off, and her replacement "missed" the first two times. She had to stand to have a chest X-ray even though she felt particularly weak. And she had to give three different urine specimens. By late morning, fever and chills were return visitors to Room 842. Nancy had no energy to walk. She even turned down her daily shower, too tired to make another trip to her bathroom. "You know, Nancy, the day before yesterday, when Chuck and I took our mountain bake ride, we went on a brand new trail in Round Valley. It was really hard for me. But yesterday, we rode the same trail. And it wasn't so bad. Actually it was almost easy. Your treatments will be like that." Nancy grabbed my hand between both of hers. There were fewer wrinkles on her forehead than moments before. Her eyes speak volumes and I couldn't speak. I didn't need to. For once, I chose the correct words. She smiled, closed her eyes and feel asleep.

Last autumn, a certain Kushan student who had studied in Japan, by the name of Chow Shui-p'ing, returned to this village. (Chou had first graduated from Wuhsi provincial Teachers' College). He could not bear the sight (of such oppression), and encouraged the tenant farmers to organize into a body called the 'Tenant Farmers' Cooperative Self-help Society'. Chou moved from village to village speaking with tears in his eyes of the sufferings of the peasants. A large number of Kushan peasants followed him, and those in the neighbouring areas of Chiangyin, Shangshu, and Wuhsi hsien were all inflamed. They rose like clouds and opposed the rich but heartless big landlords, and with one voice demanded the reduction of rent.

In The Success System That Never Fails, W. Clement Stone advises that to sound enthusiastic you must act enthusiastic. If you act enthusiastic your emotions will follow and soon enough you will feel enthusiastic. He offers the following specific advice from his own experience: Talk loudly! This is particularly helpful if you are emotionally upset or if you have “butterflies in your stomach” when you stand before an audience. Talk rapidly! Your mind functions more quickly than you do. Emphasize! Stress words that are important to you or your listeners—a word like you, for example. Hesitate! Talk rapidly, but hesitate where there would be a period, comma, or other punctuation mark in the written words. When you employ the dramatic effect of silence, the mind of the person who is listening catches up with the thoughts you have expressed. Hesitation after a word you wish to emphasize accentuates the emphasis. Keep a smile in your voice! This eliminates gruffness as you talk loudly and rapidly. You can put a smile in your voice by putting a smile on your face, a smile in your eyes. Modulate! This is important if you are speaking for a long period. Remember, you can modulate both pitch and volume. You can speak loudly, but intermittently change to a conversational tone and a lower pitch if you wish. [This is the end of the excerpt from The Success System That Never Fails. The following resumes from How to Sell Your Way Through Life.]

What is the atonement of Christ? It is Himself: it is the inherent and everlasting mercy of God made apparent to human eyes and ears. The everlasting love was disclosed by our Lord's life and death. It showed that God forgives, because He loves to forgive. He works by smiles if possible, if not by frowns; pain is only a means of enforcing love. If we speak of strength, lo! He is strong. The Almighty; the Over Power; the Mind of the Universe. The heart thrills at the idea of His greatness.

By comparison, on a summer night, look at a moth lying under eaves. The fluffy antennae on her back, in a male moth, are simply receptor locations that have spread outside the body. As the sun sets, the moth is looking for a signal from a nearby female moth releasing a special molecule called a pheromone. Moths are small insects, and the amount of pheromones they will carry through the air is infinitesimal compared to the total volume of air and its enormous load of pollen, dust, water and other pheromones that animals of all sorts, including humans, secrete. One would not believe two moths could interact over any distance of any duration. But when a single molecule of pheromones arrive on the male antenna, its action is changed. He immediately homes in on the female, begins an intricate ceremony of courtship in the air, and continues with the mating act. Biologically speaking, one single molecule is the only thing that causes this complex action.

Gwyn ignored the look, instead glancing around before lowering her voice. “Have you seen volume seven of Lavinia’s The Great War?” Nesta scanned her memory. “No. I haven’t come across that one.” Gwyn frowned. “It’s not on its shelf.” “So someone else has it.” “That’s what I was afraid of.” She released a dramatic breath. “Why?” Gwyn’s voice quieted into a conspiratorial whisper. “I work for someone who is very … demanding.” Memory tugged at Nesta. Someone named Merrill, Clotho had told her the other day. Her right hand. “I take it you’re not fond of the person?” Gwyn leaned against one of the shelves, crossing her arms with a casualness that belied her priestess’s robes. Again, she wore no hood and no blue stone atop her head. “Honestly, while I consider many of the females here to be my sisters, there are a few who are not what I would consider nice.” Nesta snorted. Gwyn again peered down the row. “You know why we’re all here.” Shadows swarmed her eyes—the first Nesta had seen there. “We all have endured …” She rubbed her temple. “So I hate, I hate to even speak ill of any one of my sisters here. But Merrill is unpleasant. To everyone. Even Clotho.” “Because of her experiences?” “I don’t know,” Gwyn said. “All I know is that I was assigned to work with Merrill and aid in her research, and I might have made a teensy mistake.” She grimaced. “What manner of mistake?” Gwyn blew out a sigh toward the darkened ceiling. “I was supposed to deliver volume seven of The Great War to Merrill yesterday, along with a stack of other books, and I could have sworn I did, but this morning, while I was in her office, I looked at the stack and saw I’d given her volume eight instead.

Ilohir,” he began. “Your aura shines brilliantly in the vision of the Ethereal Eye. There were two of you on this island. You fight like a mortal. Do you not know the abilities you possess?” His tone was that of genuine curiosity. Rig did not answer right away; he was confused. By Rig’s expression, the man had his answer. “I know nothing of what you speak!” Rig shouted. “Who are you and why do you attack this place?” “You are one of a dwindling lineage and you are not even aware! How can this be? Has it been kept from you your entire life?” The man was quiet for a moment as if figuring it out. “One of your parents was mortal… They hid it from you.

For instance, when talking to the other party, try to mimic their voice speed, volume, and word choice. Is their speech pattern rapid and loud? Speed up your speech and adjust your volume. Do they tend to speak slowly and quietly? Tone it down and match their calm pace. Do they use the same phrases over and over? Try using those same phrases when it makes sense. Here are some other things you can look for and mirror in your next negotiation or the next time you’re in a situation where you are trying to build rapport or influence someone: When they talk, do they tend to look away or make eye contact? How about when they’re listening? Do they tend to blink a lot? Do they gesture with their hands while talking? Are they leaning in? Or out? Or to the side? Do they make physical contact during the interaction? Make a similar level of contact. Keep in mind that any intentional mirroring should be subtle and respectful, with the goal of maximizing similarities and minimizing differences. It should never come across as mocking, and of course, you don’t want to make it obvious what you’re doing.

Mammon is the hump that prevents the camel from passing through the eye of the needle.

Left now in a measure to themselves, the Mohicans, whose time had been so much devoted to the interests of others, seized the moment to devote some attention to themselves. Casting off, at once, the grave and austere demeanor of an Indian chief, Chingachgook commenced speaking to his son in the soft and playful tones of affection. Uncas gladly met the familiar air of his father; and before the hard breathing of the scout announced that he slept, a complete change was effected in the manner of his two associates. It is impossible to describe the music of their language, while thus engaged in laughter and endearments, in such a way as to render it intelligible to those whose ears have never listened to its melody. The compass of their voices, particularly that of the youth, was wonderful — extending from the deepest bass to tones that were even feminine in softness. The eyes of the father followed the plastic and ingenious movements of the son with open delight, and he never failed to smile in reply to the other’s contagious, but low laughter. While under the influence of these gentle and natural feelings, no trace of ferocity was to be seen in the softened features of the Sagamore. His figured panoply of death looked more like a disguise assumed in mockery, than a fierce annunciation of a desire to carry destruction in his footsteps. After an hour passed in the indulgence of their better feelings, Chingachgook abruptly announced his desire to sleep, by wrapping his head in his blanket, and stretching his form on the naked earth. The merriment of Uncas instantly ceased; and carefully raking the coals in such a manner that they should impart their warmth to his father’s feet, the youth sought his own pillow among the ruins of the place.

In the labyrinth of emotions, my tongue falters, yet my eyes speak volumes untold. Mayhaps in your discerning gaze lies the mastery to decipher the unspoken depths of my soul.

The instant the matter in discussion was decided, the debate, and everything connected with it, except the results, appeared to be forgotten. Hawkeye, without looking round to read his triumph in applauding eyes, very composedly stretched his tall frame before the dying embers, and closed his own organs in sleep. Left now in a measure to themselves, the Mohicans, whose time had been so much devoted to the interests of others, seized the moment to devote some attention to themselves. Casting off, at once, the grave and austere demeanor of an Indian chief, Chingachgook commenced speaking to his son in the soft and playful tones of affection. Uncas gladly met the familiar air of his father; and before the hard breathing of the scout announced that he slept, a complete change was effected in the manner of his two associates. It is impossible to describe the music of their language, while thus engaged in laughter and endearments, in such a way as to render it intelligible to those whose ears have never listened to its melody. The compass of their voices, particularly that of the youth, was wonderful — extending from the deepest bass to tones that were even feminine in softness. The eyes of the father followed the plastic and ingenious movements of the son with open delight, and he never failed to smile in reply to the other’s contagious, but low laughter. While under the influence of these gentle and natural feelings, no trace of ferocity was to be seen in the softened features of the Sagamore.

God’s Song I am the amoeba swimming in pond water. I am the elephant stepping gently on huge feet. I am the whale that sings its song seven fathoms deep. I am the chickadee with dark bright eye. I am the hawk rising swift on currents of wind. I am the tiger stalking its prey. I am the platypus, most confused of all animals. I am the wild goose flying on strong winds. I am the rabbit, fleet of foot and timid of heart. I am the minnow, darting in shallow water; the tadpole transforming into something new; the caterpillar never dreaming of wings; the butterfly that speaks to you of resurrection; the cat curled in your lap; the spider spinning her web; the cow, patient servant of humanity; and the cricket, singing its autumn song. I am the breath of each one. I am the Spirit in each. Look. I am everywhere you turn, if you only had eyes to see.

The big, musclebound henchmen threw away their swords and collapsed on their backsides in the blink of an eye. The heavyset man and his flashy followers, on the other hand, were so overwhelmed by Fel’s and Gon’s murderous auras that they couldn’t speak at all, and simply fainted on the spot, though not before a few of them voided their bladders, disgustingly enough.

If preachers would speak only to men's fancies or understandings, and not meddle too smartly with their hearts, and lives, and carnal interests, the world would bear them, and hear them as they do stage-players, or at least as lecturers in philosophy or physic. A sermon that hath nothing but some general toothless notions in a handsome dress of words, doth seldom procure offence or persecution: it is rare that such men's preaching is distasted by carnal hearers, or their persons hated for it. "It is a pleasant thing for the eyes to behold the sun," Eccles. xi. 7; but not to be scorched by its heat.

Close your eyes and get quiet for a minute, until the chatter starts up. Then isolate one of the voices and imagine the person speaking as a mouse. Pick it up by the tail and drop it into a mason jar. Then isolate another voice, pick it up by the tail, drop it in the jar. And so on. Drop in any high-maintenance parental units, drop in any contractors, lawyers, colleagues, children, anyone who is whining in your head. Then put the lid on, and watch all these mouse people clawing at the glass, jabbering away, trying to make you feel like shit because you won’t do what they want—won’t give them more money, won’t be more successful, won’t see them more often. Then imagine that there is a volume-control button on the bottle. Turn it all the way up for a minute, and listen to the stream of angry, neglected, guilt-mongering voices. Then turn it all the way down and watch the frantic mice lunge at the glass, trying to get to you. Leave it down, and get back to your shitty first draft.

And tell me, when have you ever really noticed me, or where I am, or where I sit? You never look at me. You avoid me like I’m the pox!” Her volume reached new levels and she had to force herself not to yell up into his face. She spoke through her teeth to keep her voice low. “You’ve done your best to keep us safe and help me learn what I’ve needed to know about Father—and for that I will be forever grateful, but you can’t honestly pretend that you care!” Thomas captured her shoulders again and pulled her in front of him with a jerk, making her hat fall to the ground. The glowering look in his eyes simmered and Eliza turned her head away. Taking a hand from her shoulder he wrapped his strong, gentle fingers around her chin, compelling her to look at him. The low resonance in his rich voice was both imposing and tender. “I notice everything about you.” Eliza tried to pull away, her heart beating against her lungs. “I don’t believe you. You’re actions say otherwise.” Thomas huffed and glanced away before locking eyes with her again. “I’ve tried to keep away from you, to keep from developing feelings for you, Eliza. I know you have a life in Boston and I’ve only ever brought you trouble . . . but I can’t dictate my heart.” He brushed his calloused fingers against her cheek. Eliza closed her eyes, relishing the feel of his tenderness. It was too wonderful to be real. “I couldn’t bear to see you hurt again, Eliza. That’s what caused my anger. Not the fact that you went to the rally.” His honey voice softened. “If anything had happened to you, I would never have forgiven myself, and not because it’s my duty to care for you, as you think. Because I love you.” Eliza’s breath hitched, and her heart thumped at the sparkle of surprise in his eyes, as if he hadn’t meant to speak the tender words. But from the way his gaze roamed her face, it seemed he didn’t regret saying them. She looked up with parted lips, soaking in the sweet dew of his affections as he stepped closer. As if unwrapping precious china, he unwound the scarf that still circled her hair and let it drop to the ground near the hat. He smoothed his fingers around her ears, cupping her head, and directed her face toward his. All the world disappeared, the surrounding trees and shadows melting together and closing around them like a celestial dream. He stepped closer and her knees turned as weak as the wilted blades of snow-covered grass at her feet. “What are you doing?” she whispered, trembling under his touch. An unmistakable hunger swirled in his gaze, reaching out and expanding the longing of her own. The heat in his low voice stole her breath. “I’m doing what I’ve wanted to do for a very long time.” He leaned toward her, but she put a hand on his chest to stop him, her heart slamming against her ribs. His dark eyebrows crunched down. “What is it?” Eliza swallowed, trying to keep her voice even. “Last time you kissed me, you avoided me as if I were a poison. I don’t want that to happen again.” A quiet, rumbling laugh escaped him. “You are anything but a poison, Eliza.” He cradled her face in his hands, tilting it upward and nuzzled her cold nose with his. She closed her eyes and inhaled in a ragged breath as his warm lips moved across the corners of her eyes, her cheekbones, her ear. Delicious shivers sprayed down her skin and she clung to his chest to keep from falling. His hands brushed down her neck and shoulders—one resting behind her head, the other at her back, as if he wanted to keep her safely next to him forever. Dear

His eyes look hungry, and I feel the moisture between my thighs. When he’s inside of me, he makes me feel like a goddess. He makes me feel like the most wanted woman in the universe. Most importantly, his touch speaks volumes to my heart. Love emanates from him when he takes me, possessing me in such a positive, beautiful way.

BRANGIAN collects the sheets to wash. BRANGIAN: I shook like a leaf. He whispered, ‘Be calm, sweet one’ – But of course I could not speak. He inhaled the scent of my flesh As if he wanted to remember it. And then… and then I felt the weight of him, Oh Lord! My knees quaked, my hands trembled, My stomach turned somersaults. And – servant though I am – I did not want to leave, To slip out from under him and be replaced: Bugger duty! This morning, with rings under my eyes I took the wedding breakfast in And removed the sheets with my own blood on them. What of my wedding night? Will a queen take my place for me? Not likely. Not bloody likely. But last night it was me who was the beloved.

When Daddy turned back to the slim volume of Benton's poetry, and spoke the following words, I knew he was speaking from his own heart, as he said the words with a new feeling of confidence and authority. I knew those words were his words, too and that somehow Benton had spoken those same words for so many other men who could never personally say them. "...and when the enemy is; the lost, the vacant/the aimless something belched out of a vast and blind explosion/I have no heart for that/Mine is not the skill for overseeing/My hand is not the hand to wield God's flaming sword." His voice quavered brokenly with the last line, as Daddy closed the book gingerly and turned to look at me, embarrassed yet unapologetic. His face tried to smile but couldn't. The tears that had formed in his eyes clung to the dark grey lashes and reflected the light from the setting sun outside. I finally reached over and without saying anything, placed my hand over his.

(b) Thus the giants perished—the magicians and the sorcerers, adds the fancy of popular tradition, but "all holy saved," and alone the "unholy were destroyed." This was due, however, as much to the prevision of the "holy" ones, who had not lost the use of their "third eye," as to Karma and natural law. Speaking of the subsequent race (our Fifth Humanity), the commentary says: -- "Alone the handful of those Elect, whose divine instructors had gone to inhabit that Sacred Island—'from whence the last Saviour will come'—now kept mankind from becoming one-half the exterminator of the other [as mankind does now—H.P.B.]. It (mankind) became divided. Two-thirds of it were ruled by Dynasties of lower, material Spirits of the earth, who took possession of the easily accessible bodies; one-third remained faithful, and joined with the nascent Fifth Race—the divine Incarnates. When the Poles moved (for the fourth time) this did not affect those who were protected, and who had separated from the Fourth Race. Like the Lemurians—alone the ungodly Atlanteans perished, and 'were seen no more . . . . .

Bring her back, Mikhail. Go after her. Guide her back. This is too dangerous for her. Even with my connection to her, she is trapped,” Gregori said. “We are dealing with more than just any vampire. This one is skilled in the black arts and the use of herbs and power stones. I know what he has done and how he is doing it.” Mikhail pulled Raven tightly against him, his black eyes hard with mental strain. Raven blinked, looked around her, seemed surprised to find herself in the rain. Her hand went to her temple in a gesture of pain. “Stop staring at me. I feel like some kind of freak show.” She sounded hurt, hid her face on Mikhail’s chest. His arms circled her, drew her into the shelter of his body, his head bent lovingly toward hers. It was such an intimate gesture, Shea had to turn away. To her dismay, she found the healer studying her. Shea moved closer to Jacques, unconsciously seeking protection from the scrutiny. “You need nourishment.” The healer spoke gently. “When I’m hungry, I’ll eat,” Shea told him haughtily. “You don’t need to worry about all of us. I know how to care for myself.” The silvery eyes slashed through the lie. “Your hunger radiates from you, and your weakness could place all of us in jeopardy.” He turned his powerful stare on Raven. Raven squirmed visibly. “Oh, shut up, Gregori,” she snapped, her blue eyes flashing fire at him. A faint smile curved his mouth, failing to light his eyes. “I did not speak.” “You spoke volumes, and you know it.” Her chin went up belligerently. “Your male sense of superiority is enough to make a woman want to scream. Honestly, Gregori, all that cold logic makes a person crazy.” She allowed Mikhail to lead her onto the porch. “Logic works, unlike emotional women,” Gregori returned unruffled. “Your first duty is to protect your child. Our first duty must be to protect you.” His silver gaze clearly censured Mikhail. “You don’t know for sure if I’m pregnant.” “Do not play games, Raven. Sometimes your rebellious ways grow tedious. I know you are with child. You cannot hide such a thing from me. Mikhail knows it to be true, and he knows he cannot allow your dangerous involvement in this mission to continue with you in such a condition.

He turned his powerful stare on Raven. Raven squirmed visibly. “Oh, shut up, Gregori,” she snapped, her blue eyes flashing fire at him. A faint smile curved his mouth, failing to light his eyes. “I did not speak.” “You spoke volumes, and you know it.” Her chin went up belligerently. “Your male sense of superiority is enough to make a woman want to scream. Honestly, Gregori, all that cold logic makes a person crazy.” She allowed Mikhail to lead her onto the porch. “Logic works, unlike emotional women,” Gregori returned unruffled.

He turned his powerful stare on Raven. Raven squirmed visibly. “Oh, shut up, Gregori,” she snapped, her blue eyes flashing fire at him. A faint smile curved his mouth, failing to light his eyes. “I did not speak.” “You spoke volumes, and you know it.

is a result of environment. Our cognitions—our idea of reality—are shaped by what we can perceive, by the limitations of our senses. We think we’re seeing the world as it really is, but you of all people know…it’s all just shadows on the cave’s wall. We’re just as blinkered as our water-dwelling ancestors, the boundaries of our brains just as much an accident of evolution. And like them, by definition, we can’t see what we’re missing. Or…we couldn’t, until now.” Helena remembers Slade’s mysterious smile that night at dinner, so many months ago. “Piercing the veil of perception,” she says. “Exactly. To a two-dimensional being, traveling along a third dimension wouldn’t just be impossible, it’d be something they couldn’t conceive of. Just as our brains fail us here. Imagine if you could see the world through the eyes of more advanced beings—in four dimensions. You could experience events in your life in any order. Relive any memory you want.” “But that’s…it’s…ridiculous. And it breaks cause and effect.” Slade smiles that superior smile again. Still one step ahead. “Quantum physics is on my side here, I’m afraid. We already know that on the particle level, the arrow of time isn’t as simple as humans think it is.” “You really believe time is an illusion?” “More like our perception of it is so flawed that it may as well be an illusion. Every moment is equally real and happening now, but the nature of our consciousness only gives us access to one slice at a time. Think of our life like a book. Each page a distinct moment. But in the same way we read a book, we can only perceive one moment, one page, at a time. Our flawed perception shuts off access to all the others. Until now.” “But how?” “You once told me that memory is our only true access to reality. I think you were right. Some other moment, an old memory, is just as much now as this sentence I’m speaking, just as accessible as walking into the room next door. We just needed a way to convince our brains of that. To short-circuit our evolutionary limitations and expand our consciousness beyond our sensory volume.” Her head is spinning.