Backwards Never Forward Ever Quotes

What if you were wrong? What if everything you ever believed was a lie? What if you missed your opportunity because you didn't know your worth? What if you settled on familiar, but God was trying to give you something better? What if you decided not to go backwards, but forward? What if doing what you have never done before was the answer to everything that didn't make sense? What if the answer wasn't to be found in words, but in action? What if you found the courage to do what you really wanted to do and doing it changed your whole life?

We can stick anything into the fog and make it look like a ghost but tonight let us not become tragedies. We are not funeral homes with propane tanks in our windows, lookin’ like cemeteries. Cemeteries are just the Earth’s way of not letting go. Let go. Tonight let’s turn our silly wrists so far backwards the razor blades in our pencil tips can’t get a good angle on all that beauty inside. Step into this with your airplane parts. Move forward and repeat after me with your heart: “I no longer need you to fuck me as hard as I hated myself.” Make love to me like you know I am better than the worst thing I ever did. Go slow. I’m new to this. But I have seen nearly every city from a rooftop without jumping. I have realized that the moon did not have to be full for us to love it, that we are not tragedies stranded here beneath it, that if my heart really broke every time I fell from love I’d be able to offer you confetti by now. But hearts don’t break, y’all, they bruise and get better. We were never tragedies. We were emergencies. You call 9 – 1 – 1. Tell them I’m having a fantastic time.

I tried not to lose hope and remembered a popular mantra from my country: “Forward ever, backward never.

Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.

Fear was a poison. Fear was a prison. Fear was the bridesmaid of regret, the butcher of amibition. The bleak forever between forward and backward. Fear was can't. Fear was won't. But fear wasn't ever a choice. To never fear was to never hope, never love, never live. To never fear the dark was to never smile as the dawn kissed your face. To never fear solitude was to never know the joy of a beauty in your arms. Part of having is the fear of losing. Part of creating is the fear of it breaking. Part of beginning is the fear of your ending. Fear is never a choice.

When searching for help, look for the one that will push, not the one that will pull! Your machinery needs a pusher; just avoid every puller and you’ll keep going forward!

Forward ever, backward never.

This might explain why the conspiratorial claims in the Mirror World so often seem to contradict one another. For this new political configuration, convincing people of their unproven theories was never the real point—it was only ever a tool. The point, consciously or not, is to foster denial and avoidance. The point is not to have to do hard and uncomfortable things in the face of hard and uncomfortable realities, whether Covid, or climate change, or the fact that our nations were forged in genocide and have never engaged in a remotely serious process of making repair. Denial is so much easier than looking inward, or backward, or forward; so much easier than change. But denial needs narratives, cover stories, and that is what conspiracy culture is providing.

In this life, you can't ever go backwards. you can choose to stay still, to tread water, but that's not for me. So the only way is forward, whatever it might bring. However strong you think you are, you can never know what's coming at you out of a clear blue sky.

We are ever looking forward or backward, ruminating on what is past, and can return no more, or anticipating the future, which may never arrive; there is nothing solid to which the heart can attach itself, neither have we here below any pleasures that are lasting.

The difficulties connected with my criterion of demarcation (D) are important, but must not be exaggerated. It is vague, since it is a methodological rule, and since the demarcation between science and nonscience is vague. But it is more than sharp enough to make a distinction between many physical theories on the one hand, and metaphysical theories, such as psychoanalysis, or Marxism (in its present form), on the other. This is, of course, one of my main theses; and nobody who has not understood it can be said to have understood my theory. The situation with Marxism is, incidentally, very different from that with psychoanalysis. Marxism was once a scientific theory: it predicted that capitalism would lead to increasing misery and, through a more or less mild revolution, to socialism; it predicted that this would happen first in the technically highest developed countries; and it predicted that the technical evolution of the 'means of production' would lead to social, political, and ideological developments, rather than the other way round. But the (so-called) socialist revolution came first in one of the technically backward countries. And instead of the means of production producing a new ideology, it was Lenin's and Stalin's ideology that Russia must push forward with its industrialization ('Socialism is dictatorship of the proletariat plus electrification') which promoted the new development of the means of production. Thus one might say that Marxism was once a science, but one which was refuted by some of the facts which happened to clash with its predictions (I have here mentioned just a few of these facts). However, Marxism is no longer a science; for it broke the methodological rule that we must accept falsification, and it immunized itself against the most blatant refutations of its predictions. Ever since then, it can be described only as nonscience—as a metaphysical dream, if you like, married to a cruel reality. Psychoanalysis is a very different case. It is an interesting psychological metaphysics (and no doubt there is some truth in it, as there is so often in metaphysical ideas), but it never was a science. There may be lots of people who are Freudian or Adlerian cases: Freud himself was clearly a Freudian case, and Adler an Adlerian case. But what prevents their theories from being scientific in the sense here described is, very simply, that they do not exclude any physically possible human behaviour. Whatever anybody may do is, in principle, explicable in Freudian or Adlerian terms. (Adler's break with Freud was more Adlerian than Freudian, but Freud never looked on it as a refutation of his theory.) The point is very clear. Neither Freud nor Adler excludes any particular person's acting in any particular way, whatever the outward circumstances. Whether a man sacrificed his life to rescue a drowning, child (a case of sublimation) or whether he murdered the child by drowning him (a case of repression) could not possibly be predicted or excluded by Freud's theory; the theory was compatible with everything that could happen—even without any special immunization treatment. Thus while Marxism became non-scientific by its adoption of an immunizing strategy, psychoanalysis was immune to start with, and remained so. In contrast, most physical theories are pretty free of immunizing tactics and highly falsifiable to start with. As a rule, they exclude an infinity of conceivable possibilities.

Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and—” “Everything is fine, thank you,” said Lupin pointedly. Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.” “Oh, how wonderful!” squealed Hermione. “Excellent!” said Ron enthusiastically. “Congratulations,” said Harry. Lupin gave an artificial smile that was more like a grimace, then said, “So . . . do you accept my offer? Will three become four? I cannot believe that Dumbledore would have disapproved, he appointed me your Defense Against the Dark Arts teacher, after all. And I must tell you that I believe that we are facing magic many of us have never encountered or imagined.” Ron and Hermione both looked at Harry. “Just—just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?” “She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.” “Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.” Lupin’s face drained of color. The temperature in the kitchen might have dropped ten degrees. Ron stared around the room as though he had been bidden to memorize it, while Hermione’s eyes swiveled backward and forward from Harry to Lupin. “You don’t understand,” said Lupin at last. “Explain, then,” said Harry. Lupin swallowed. “I—I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.” “I see,” said Harry, “so you’re just going to dump her and the kid and run off with us?” Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face. “Don’t you understand what I’ve done to my wife and my unborn child? I should never have married her, I’ve made her an outcast!” Lupin kicked aside the chair he had overturned. “You have only ever seen me amongst the Order, or under Dumbledore’s protection at Hogwarts! You don’t know how most of the Wizarding world sees creatures like me! When they know of my affliction, they can barely talk to me! Don’t you see what I’ve done? Even her own family is disgusted by our marriage, what parents want their only daughter to marry a werewolf? And the child—the child—” Lupin actually seized handfuls of his own hair; he looked quite deranged. “My kind don’t usually breed! It will be like me, I am convinced of it—how can I forgive myself, when I knowingly risked passing on my own condition to an innocent child? And if, by some miracle, it is not like me, then it will be better off, a hundred times so, without a father of whom it must always be ashamed!

Everything fluctuates on earth; nothing remains in a constant and lasting form, and those affections which are attached to external things necessarily change with their object. We are ever looking forward or backward, ruminating on what is past, and can return no more, or anticipating the future, which may never arrive; there is nothing solid to which the heart can attach, itself, neither have we here below any pleasures that are lasting. Permanent, happiness is, I fear, unknown, and scarcely is there an instant in our most lively enjoyments when the heart can truly say, May this moment last forever!!! How then can such a fugitive state be called happiness, which leaves an uneasy void in the heart, which ever prompts us to regret something that is past, or desire something for the future?

To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.

This is my fault. I know it's my fault. I should never have let you get so comfortable. You started thinking of me as harmless. I'm safe. I'm the monster at the end of the book, the one that you run to when the bigger monsters start threatening to eat you, but that's not right, Toby, that's not right, you forget yourself. You forget me. I am the scariest thing that has ever gone bump in the night. I am what you knew, at the bottom of your un-formed child's heart, was lurking in the back of your closet. And what I'm telling you, right here and right now, is that you need to leave, because I'm afraid of what will happen if you don't." I stared at her, fighting the urge to take a step backwards. Something told me that retreating would mean showing weakness, and showing weakness would be a mistake. "I'm not scared of you. If you were going to kill me, you'd have done it a long time ago, and it wouldn't have been over a yes or no question." "Toby." She said my name gently, and with a deep centuries-long sorrow. "Who the fuck said I needed you to be afraid of me?" She took another step forward dropping her voice to a whisper: "Run.

She Is Remarkable Salute to the woman who knows who she is And why she is who she is A powerful being Once thrown into the deep end of the ocean But swam her way back to shore She never stops moving forward Nothing can ever pull her backwards Such a brave warrior Shout out to the superwoman Determined to change the status quo Because she feels the need to do so Just like an eagle She soars higher and higher As the wind blows stronger She does not let anything deter her From reaching another level in life Thumbs up to an amazing woman A great force to be reckoned with That committed Mother on the street Who trades from sunrise to sunset Trying to make ends meet Oh, she has a heart so big Being mindful that come snow or sunshine She has mouths to feed I revere this gifted woman Who uses her creativity To make an impact in society Despite the uniqueness of her talent She remains a trendsetter It could be the potter in whose hands clay becomes magic The miner who touches gold, before it even gets sold to the markets Or the strategist who sits in high-level meetings, making sure organisations do not collapse A special mention to the special woman Who chooses not to give up She understands that others look up to her The smart lady out there, with a clear vision She makes things happen for her family, community, and the world at large She deserves a badge of honour Because she is remarkable!

Ever since the birth of our nation, white America has had a schizophrenic personality on the question of race. She has been torn between selves—a self in which she proudly professed the great principles of democracy and a self in which she sadly practiced the antithesis of democracy. This tragic duality has produced a strange indecisiveness and ambivalence toward the Negro, causing America to take a step backward simultaneously with every step forward on the question of racial justice, to be at once attracted to the Negro and repelled by him, to love and to hate him. There has never been a solid, unified and determined thrust to make justice a reality for Afro-Americans. The step backward has a new name today. It is called the “white backlash.” But the white backlash is nothing new. It is the surfacing of old prejudices, hostilities and ambivalences that have always been there. It was caused neither by the cry of Black Power nor by the unfortunate recent wave of riots in our cities. The white backlash of today is rooted in the same problem that has characterized America ever since the black man landed in chains on the shores of this nation. The white backlash is an expression of the same vacillations, the same search for rationalizations, the same lack of commitment that have always characterized white America on the question of race. What is the source of this perennial indecision and vacillation? It lies in the “congenital deformity” of racism that has crippled the nation from its inception. The roots of racism are very deep in America. Historically it was so acceptable in the national life that today it still only lightly burdens the conscience.

He held the dipper out to Jake. When Jake reached for it, Tick-Tock pulled it back. "First, cully, tell me what you know about dipolar computers and transitive circuits," he said coldly. "What..." Jake looked toward the ventilator grille, but the golden eyes were still gone. He was beginning to think he had imagined them after all. He shifted his gaze back to the Tick-Tock Man, understanding one thing clearly: he wasn't going to get any water. He had been stupid to even dream he might. "What are dipolar computers?" The Tick-Tock Man's face contorted with rage; he threw the remainder of the watter into Jake's bruised, puffy face. "DON'T YOU PLAY IT LIGHT WITH ME!" he shrieked. He stripped off the Seiko watch and shook it in front of Jake. "WHEN I ASKED YOU IF THIS RAN ON A DIPOLAR CIRCUIT, YOU SAID IT DIDN'T! SO DON'T TELL ME YOU DON'T KNOW WHAT I'M TLAKING ABOUT WHEN YOU ALREADY MADE IT CLEAR THAT YOU DO!" "But...but..." Jake couldn't go on. His head was whirling with fear and confusion. He was aware, in some far-off fashion, that he was licking as much water as he could off his lips. "THERE'S A THOUSAND OF THOSE EVER-FUCKING DIPOLAR COMPUTERS RIGHT UNDER THE EVER-FUCKING CITY, MAYBE A HUNDRED THOUSAND, AND THE ONLY ONE THAT STILL WORKS DON'T DO A THING EXCEPT PLAY WATCH ME AND RUN THOSE DRUMS! I WANT THOSE COMPUTERS! I WANT THEM WORKING FOR ME!" The Tick-Tock Man bolted forward on his throne, seized Jake, shook him back and forth, and then threw him to the floor. Jake struck one of the lamps, knocking it over, and the bulb blew with a hollow coughing sound. Tilly gave a little shriek and stepped backward, her eyes wide and frightened. Copperhead and Brandon looked at each other uneasily. Tick-Tock leaned forward, elbows on his thighs, and screamed into Jake's face: "I WANT THEM AND I MEAN TO HAVE THEM!" Silence fell in the room, broken only by the soft whoosh of warm air pouring from the ventilators. Then the twisted rage on the Tick-Tock Man's face disappeared so suddenly it might never have existed at all. It was replaced by another charming smile. He leaned further forward and helped Jake to his feet. "Sorry. I get thinking about the potential of this place and sometimes I get carried away. Please accept my apology, cully." He picked up the overturned dipper and threw it at Tilly. "Fill this up, you useless bitch! What's the matter with you?" He turned his attention back to Jake, still smiling his TV game-show host smile. "All right; you've had your little joke and I've had mine. Now tell me everything you know about dipolar computers and transitive circuits. Then you can have a drink.

Fear was a poison. Fear was a prison. Fear was the bridesmaid of regret, the butcher of ambition, the bleak forever between forward and backward. Fear was Can’t. Fear was Won’t. But fear wasn’t ever a choice. To never fear was to never hope. Never love. Never live. To never fear the dark was to never smile as the dawn kissed your face. To never fear solitude was to never know the joy of a beauty in your arms. Part of having is the fear of losing. Part of creating is the fear of it breaking. Part of beginning is the fear of your ending. Fear is never a choice. Never a choice. But letting it rule you is.

Fear was a poison. Fear was a prison. Fear was the bridesmaid of regret, the butcher of ambition, the bleak forever between forwards and backwards. Fear was Can’t. Fear was Won’t. But fear wasn’t ever a choice. To never fear was to never hope. Never love. Never live. To never fear the dark was to never smile as the dawn kissed your face. To never fear solitude was to never know the joy of a beauty in your arms. Part of having is the fear of losing. Part of creating is the fear of it breaking. Part of beginning is the fear of your ending. Fear is never a choice. Never a choice. But letting it rule you is.

For this new political configuration, convincing people of their unproven theories was never the real point—it was only ever a tool. The point, consciously or not, is to foster denial and avoidance. The point is not to have to do hard and uncomfortable things in the face of hard and uncomfortable realities, whether Covid, or climate change, or the fact that our nations were forged in genocide and have never engaged in a remotely serious process of making repair. Denial is so much easier than looking inward, or backward, or forward; so much easier than change. But denial needs narratives, cover stories, and that is what conspiracy culture is providing.

I drove my Border Collies crazy for a few weeks trying to teach them to wait at the door as a group and then go outside one at a time. Each dog could go out the door after I said his or her name, followed by the word OK. As soon as I said “OK,” not surprisingly, all the dogs would get up and move forward, no matter whose name preceded it. I knew it would be hard for them, since they had all learned as individuals that “OK” meant “Go ahead and do what you want.” But I thought that if I were clear and patient, they would learn to move only if they heard “OK” after their own name. After a couple of weeks, I was frustrated and my dogs were confused. Pip was so distressed that she started to stress-whine. Pip gets the connection between a sound and an action faster than any dog I’ve ever had, but she never could figure out that “OK” only related to her if her name preceded it. She’d sit waiting at the door, I’d say “Luke, OK,” and she’d start to move forward and backward, clearly unsure of how to proceed, searching my face for clues until she began to look stressed when I moved toward the door. She practically wrapped her paws over her ears.

As much as childhood was the greatest thing that most of us have ever experienced, with it characterized by our care free attitude and our thirst and hunger to live life on each given day to the fullest. I love where my life is now, after all life was never intended for us to go backwards but simply for us to reminisce and keep moving forward.

Just like a tree is always either growing or dying, as long as you are constantly taking action and moving forward, you are growing and evolving. It's when we are standing still or going backward that we are dying.

Just as big a coward as ever,” I taunted. I circled the sword forward and backward in my grip as I moved towards him, warming up my wrist. “What a shame you never had a mother. You’d have made a perfect mummy’s boy.”   He frowned in confusion, apparently realizing he’d been insulted, but not how.

It’s probably a good idea to warn you about Grandma Melvyn in case you’re expecting her to be a sweet little grandma who brings me cookies and milk and knits me cozy blankies. She’s not. But if you have an extra grandma like that, I’m interested. Grandma Melvyn is not even my real grandma. She’s not anyone’s grandma. She’s my great-great-aunt, but trust me, it doesn’t matter how many “greats” you put in front of her title—there is nothing great about her. Dad started calling her Grandma Melvyn after our real grandma died. I guess he felt sorry for her because she didn’t have anyone to call her Grandma. This might be a good time to point out that feeling sorry for Grandma Melvyn is like kissing a scorpion. You get over the idea real fast. I know that sounds mean, but it’s not. All it takes is one look at Grandma Melvyn to understand. She’s about as tall as a mailbox and she wears glasses that are two inches thick and make her eyes look as big as baseballs. You can see every vein and every floater and sometimes, when she gets mad, her eyeballs wobble. That is not something you want to see. Trust me. I once saw her make a nine-year-old cry at his own birthday party. Okay, it was me. But you’d cry, too, if she gave you the Wicked Wobble Eye. Grandma Melvyn never smiles and she never ever, ever laughs. Did I mention never? One last thing about Grandma Melvyn. She calls everybody “Trixie.” And I mean everybody! Keep reading. You’ll see what I mean. When Ape Boy yelled, I ran out of the kitchen and looked out the dining room window. Uncle Pete was trying to help Grandma Melvyn up the sidewalk. Every couple of steps, she pushed him away and waved her cane at him like a fencer with a foil. Then she tottered forward a bit and tilted to the right, then the left and backward, until she looked like she would fall over. Even through the window glass, I could hear her yell, “Get over here, Trixie! Are you going to let an old lady fall down and die out here in this zoysia wasteland you call a yard? Zoysia? Who plants zoysia?” Uncle Pete grabbed Grandma Melvyn’s arm and helped her for a couple of steps, until she pushed him away and the whole thing started all over again, like some weird modern dance. Aunt

His cavernous laugh fills her head, fills the graveyard, fills her soul with utter despair. Blue hugs her battered knees, rocking backward and forwards on the cold damp earth while the fiendish voice echoes around the dell, that wretched crimson-drenched necropolis that has somehow become her entire world. She bows her head under the weight of that despair, and feels as though she will never ever move again. She will be trapped here for eternity – this is her punishment, her own private corner of Hell, bathed in blood and tormented by the mad merriment of a monster.

She Is Remarkable Salute to the woman who knows who she is And why she is who she is A powerful being Once thrown into a deep end of the ocean But swam her way back to shore She never stops moving forward Nothing can ever pull her backwards Such a hard nut to crack Shout out to the superwoman Determined to change the status quo Because she feels the need to do so Just like an eagle She soars higher and higher As the wind blows stronger She does not let anything deter her From reaching another level in life Thumbs up to an amazing woman A great force to be reckoned with That committed Mother on the street Who trades from sunrise to sunset Trying to make ends meet Oh, she has a heart so big! Being mindful that come snow or sunshine She has mouths to feed I revere this gifted woman Who uses her creativity To make an impact in society Despite the uniqueness of her talent She remains a trendsetter It could be the potter in whose hands clay becomes magic The miner who touches gold, before it even gets sold to the markets Or the strategist who sits in high level meetings, making sure organisations do not collapse A special mention to the special woman Who chooses not to give up She understands that others look up to her The smart lady out there, with a clear vision She makes things happen for her family, community and the world at large She deserves a badge of honour Because she is remarkable!