Solitaire Ring Quotes

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The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.
Edward Abbey (Desert Solitaire)
A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us - like rock and sunlight and wind and wildflowers - that out there is a different world, older and greater and deeper by far than ours, a world which sustains the little world of man as sea and sky surround and sustain a ship. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous, then all which shaped it is marvelous, and our journey here on Earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.
Edward Abbey
Harriet came round this morning to show me her ring – big solitaire ruby – old Abrahams had it cut and set specially to instructions. Poor H. laughed at herself, because when Peter gave it to her yesterday she was looking at him and ten minutes afterwards, when challenged, couldn’t even tell him the colour of the stone. Said she was afraid she never would learn to behave like other people, but Peter had only said it was the first time his features had ever been prized above rubies. Peter joined us at lunch – also Helen, who demanded to see the ring, and said sharply, ‘Good Heavens! I hope it’s insured.’ To do her justice, I can’t see that she could have found anything nastier to say if she’d thought it out with both hands for a fortnight.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.
Edward Abbey (Desert Solitaire)
For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.
Edward Abbey (Desert Solitaire)
Mom, I want something.” Lora grinned at her daughter, knowing that at some point she would have to curb the ‘I-wants’, but not just yet. “What’s that, honey?” “I want Chad to stay here with us. All the time.” Chad went still beside her, but when she looked up, he was grinning at Mercy. He glanced at her, brows raised, to check her response. Lora sucked in a breath, knowing that she was on uncharted, sandy ground. In her deepest heart, she wanted the same thing, but did she dare say it? As she looked into the gentle reassurance in his expression, she knew it would just take a tiny leap of courage. “Chad, would you like to stay here with us?” Lora forgot how to breathe as she waited for some kind of response. Chad seemed to be dragging out the anticipation though. After several long seconds, he nodded his head. But he held up a cautioning finger. “I would love to be a kept man, but it kind of goes three ways.” Moving from the couch, he went down on one knee in front of Mercy, sitting on the floor. He reached into his pocket and pulled out a tiny gold ring. “Mercy O’Neil, will you marry me and be my awesome daughter? To have and to hold, in muddy times and clean? And help me keep your mother happy and safe?” Mercy nodded her head as hard as she could, laughing and crying at the same time. She flung her arms around Chad’s neck and sobbed. Lora’s eyes were leaking as well, so overcome with love that he had thought to include Mercy. But then he turned his damp eyes to her and she was rocked with the deep-in-her-heart knowledge of what was coming next. Levering to his feet, still holding Mercy against him, he circled the table to kneel in front of her. Then he reached into that pocket again and pulled out a shining white gold solitaire ring. His eyes incredibly kind, he held it out. “Lora O’Neil, would you do me the honor of wearing my ring? I promise to protect you and love you as long as I’m allowed, in whatever way I’m allowed, and I promise to always have Starlight mints at the ready.” Lora wept with fear and joy and laughter, knowing that she would never find another man like him. Nodding, she held her shaking hand out and allowed him to slip the ring onto her finger. Then she whipped her arms around his neck, and the three of them rocked back and forth. He pulled back enough to capture her lips with his own, sealing the love between them. “No rush,” he murmured in her ear. “We’ll take it a day at a time. Just know that I love you with all my heart.” “And I love you,” she whispered. “More than I ever dared dream I could.” Mercy
J.M. Madden (Embattled Home (Lost and Found, #3))
We were putting everything away when a guitar started coming through the speakers. Figuring one of the guys had turned on the music, we thought nothing of it and I kept talking to Bryce until I heard a husky voice join in. I abruptly stopped talking and stood there with two glasses in my hands just staring at the wall that separated us from the area that held the stage. I bit my lip to contain my smile as I heard the first few lines of “Your Guardian Angel.” It didn’t matter what type of song it was; Kash could sing it. And in his deep voice? Lord, it was a treat. He’d just started the second verse of the song by The Red Jumpsuit Apparatus when I rounded the corner and leaned up against the wall to watch him. His lips curled up when he saw me enter the dim room, and other than the few times he’d look down when he was only playing the guitar, he kept his gray eyes trained on me. I took in the words like I was hearing them for the first time, because Kash had told me last week after dancing with me in my kitchen that he would only sing me songs that meant something for us. My heart beat wildly as I felt every word go straight to my soul, and I subconsciously grabbed at my warming chest. When his words trailed off and his hand stopped strumming the guitar, I was still leaning against the wall, hoping it would keep me standing as he set the guitar down and stepped off the stage. Much like the first night he sang to me in the bar, his stride was purposeful as he made his way toward me. Only this time, I didn’t turn and run. His smile grew when he got closer to me, but he didn’t pull me into his arms like he normally would. Just as I started to push myself off the wall, he spoke, his voice gruff. “I didn’t do this right the first time.” Dropping slowly to one knee, he grabbed my left hand and brought a diamond solitaire up to my ring finger. “Rachel Masters, I promise to love you and take care of you . . . no matter the cost, every day for the rest of my life. Will you marry me?” “Yes,” I whispered, and bounced on my toes when he slid the ring onto my finger. Grabbing his face, I pulled him up and kissed him with every bit of passion in my body.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.
Samuel J Dixey (The Blooming Yard)
Arie looked at the book. There was a little piece of paper that marked a page near the front cover. She opened up the book. Arie – Remember that wherever your heart is, there you will find your treasure. Be always faithful to your destiny. Paulo Coelho Arie gasped. It was a signed copy. Made out to her. How could that be? She looked from the book, at Noah, and noticed that he was down on one knee. “Arabella, I love you because the universe conspired to help me find you. You are more than the love of my life. You are my best friend, my confidant, and a mirror of who I am. Paulo Coelho said, ‘To realize one’s destiny is a person’s only obligation.’ Mine is to be with you. Will you make me the happiest person on earth and be my wife?” “Oh my gosh!” Arie exclaimed. Noah pulled out a navy velvet box. It held a beautiful three-carat, white diamond, princess cut solitaire ring. “Will you marry me?” Noah asked.
N.A. Leigh (Mr. Hinkle's Verum Ink: the navy blue book (Mr. Hinkle's Verium Ink 1))
The solitaire diamond ring on my finger still felt a bit foreign against my knuckle. But someday, after I’d worn it for decades, I hoped that whenever I slipped it off, I’d see its indentation in my skin.
Devney Perry (Crimson River (The Edens, #5))