Specimen Quotes

We've searched our database for all the quotes and captions related to Specimen. Here they are! All 100 of them:

We...we could be friends.' We COULD be rare specimens of an exotic breed of dancing African elephants, but we're not. At least, I'M not.
Neil Gaiman (Coraline)
Just out of curiosity,” she says, “after you wake up in the morning, do you admire yourself in the mirror for one hour or two?” “Two,” I reply cheerfully. “Do you high five yourself?” “Of course not.” I smirk. “I kiss each of my biceps and then point to the ceiling and thank the big man upstairs for creating such a perfect male specimen.
Elle Kennedy (The Deal (Off-Campus, #1))
Human beings may be miserable specimens, in the main, but we can learn, and, through learning, become decent people.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
Man is the Reasoning Animal. Such is the claim. I think it is open to dispute. Indeed, my experiments have proven to me that he is the Unreasoning Animal... In truth, man is incurably foolish. Simple things which other animals easily learn, he is incapable of learning. Among my experiments was this. In an hour I taught a cat and a dog to be friends. I put them in a cage. In another hour I taught them to be friends with a rabbit. In the course of two days I was able to add a fox, a goose, a squirrel and some doves. Finally a monkey. They lived together in peace; even affectionately. Next, in another cage I confined an Irish Catholic from Tipperary, and as soon as he seemed tame I added a Scotch Presbyterian from Aberdeen. Next a Turk from Constantinople; a Greek Christian from Crete; an Armenian; a Methodist from the wilds of Arkansas; a Buddhist from China; a Brahman from Benares. Finally, a Salvation Army Colonel from Wapping. Then I stayed away for two whole days. When I came back to note results, the cage of Higher Animals was all right, but in the other there was but a chaos of gory odds and ends of turbans and fezzes and plaids and bones and flesh--not a specimen left alive. These Reasoning Animals had disagreed on a theological detail and carried the matter to a Higher Court.
Mark Twain (Letters from the Earth: Uncensored Writings)
I love to kill fish,' Sayle went on. 'But when I saw this specimen of Physalia physalis, I knew I had to capture it and keep it. You see, it reminds me of myself.' 'It's ninety-nine per cent water. It has no brain, no guts and no anus.' Alex had dredged up the facts from somewhere and spoken them before he knew what he was doing.
Anthony Horowitz (Stormbreaker (Alex Rider #1))
I believe we have an utterly unique specimen on our hands: a child who listens.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I was in close quarters with some representative specimens of the most dangerous creature in the history of the world, the white man in a suit.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
Whatever exists, he said. Whatever in creation exists without my knowledge exists without my consent. He looked about at the dark forest in which they were bivouacked. He nodded toward the specimens he'd collected. These anonymous creatures, he said, may seem little or nothing in the world. Yet the smallest crumb can devour us. Any smallest thing beneath yon rock out of men's knowing. Only nature can enslave man and only when the existence of each last entity is routed out and made to stand naked before him will he be properly suzerain of the earth.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I'm nineteen years old," he clarifies. "I'm a fairly impressive specimen for my age, I know.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
It seems to be the fashion nowadays for a girl to behave as much like a man as possible. Well, I won't! I'll make the best of being a girl and be as nice a specimen as I can: sweet and modest, a dear, dainty thing with clothes smelling all sweet and violety, a soft voice, and pretty, womanly ways. Since I'm a girl, I prefer to be a real one!
Mrs. George de Horne Vaizey
I am one in a row of specimens. It's when I try to flutter out of line that he hates me. I'm meant to be dead, pinned, always the same, always beautiful. He knows that part of my beauty is being alive. but it's the dead me he wants. He wants me living-but-dead.
John Fowles (The Collector)
Just remember, you can only be young and dumb once. And that is a fine specimen to be young and dumb with.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
Words belong in contexts, not pegged out like biological specimens.
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
You have large twin destructor emitters on each wing, along with a light-lance turret underneath. That’s as much firepower as our larger ships. You’re a warship.” “Clearly not,” M-Bot said. “I’m here to categorize fungi. Didn’t you listen to my last orders? I am not supposed to get into fights.” “Then why do you have guns?” “For shooting large and dangerous beasts who might be threatening my fungus specimens,” M-Bot said. “Obviously.
Brandon Sanderson (Skyward (Skyward, #1))
The serial number of a human specimen is the face, that accidental and unrepeatable combination of features. It reflects neither character nor soul, nor what we call the self. The face is only the serial number of a specimen
Milan Kundera (Immortality)
Some 5,000 of Wallace’s 8,050 bird specimens he collected during eight years in the Malay Archipelago were actually collected by Ali. None are named after the young man.
Paul Spencer Sochaczewski ("Look Here, Sir, What a Curious Bird": Searching for Ali, Alfred Russel Wallace's Faithful Companion)
My mother is currently associating with some undesirables who are attempting to transform her into an athlete of sorts, deprave specimens of mankind who regularly bowl their way to oblivion.
John Kennedy Toole (A Confederacy of Dunces)
If you come across any special trait of meanness or stupidity . . . you must be careful not to let it annoy or distress you, but to look upon it merely as an addition to your knowledge—a new fact to be considered in studying the character of humanity. Your attitude towards it will be that of the mineralogist who stumbles upon a very characteristic specimen of a mineral. —Arthur Schopenhauer
Robert Greene (The Laws of Human Nature)
Whatever it is," I said, "the point is moot because as long as I'm on these pills, I can't make contact to ask." Derek ... snapped, "Then you need to stop taking the pills." Love to. If I could. But after what happened last night, they're giving me urine tests now." Ugh. That's harsh." Simon went quiet, then snapped his fingers. Hey, I've got an idea. It's kinda gross, but what if you take the pills, crush them and mix them with your, you know, urine." Derek stared at him. What?" You did pass chem last year, didn't you?" Simon flipped him the finger. "Okay, genius, what's your idea?" I'll think about it. ..." *** Here," Derek whispered, pressing an empty Mason jar into my hand. He'd pulled me aside after class and we were now standing at the base of the boy's staircase. "Take this up to your room and hide it." It's a ... jar." He grunted, exasperated that I was so dense I failed to see the critical importance of hiding an empty Mason jar in my room. It's for your urine." My what?" He rolled his eyes, a growl-like sound sliding through his teeth as he leaned down, closer to my ear. "Urine. Pee. Whatever. For the testing." I lifted the jar to eye level. "I think they'll give me something smaller." ... You took your meds today, right?" he whispered. I nodded. Then use this jar to save it." Save . . . ?" Your urine. If you give them some of today's tomorrow, it'll seem like you're still taking your meds." You want me to . . . dole it out? Into specimen jars?" Got a better idea?" Um, no, but ..." I lifted the jar and stared into it. Oh, for God's sake. Save your piss. Don't save your piss. It's all the same to me." Simon peeked around the corner, brows lifted. "I was going to ask what you guys were doing, but hearing that, I think I'll pass.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
Cultural survival is not about preservation, sequestering indigenous peoples in enclaves like some sort of zoological specimens. Change itself does note destroy a culture. All societies are constantly evolving. Indeed a culture survives when it has enough confidence in its past and enough say in its future to maintain its spirit and essence through all the changes it will inevitably undergo.
Wade Davis (Light at the Edge of the World)
You took your meds today, right?" he whispered. I nodded. Then use this jar to save it." Save . . . ?" Your urine. If you give them some of today's tomorrow, it'll seem like you're still taking your meds." You want me to . . . dole it out? Into specimen jars?" Got a better idea?" Um, no, but ..." I lifted the jar and stared into it. Oh, for God's sake. Save your piss. Don't save your piss. It's all the same to me." Simon peeked around the corner, brows lifted. "I was going to ask what you guys were doing, but hearing that, I think I'll pass.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
I thought that one was going to hit me,” I said, watching the disappointed girl stalk off into the crowd. “Being your girlfriend is dangerous.” “What can I say? I’m a magnificent specimen of manhood. Of course they all want me. But I do appreciate you protecting my honor.
Kylie Scott (Play (Stage Dive, #2))
A book captures a story within its pages. Not like a specimen pinned out lifelessly for display, but vivid and alive. A whole world lies within the cover, a life waiting to e lived by each new reader.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
Just as Wallace learned and evolved, Ali was on his own journey of discovery. Starting out as a 15-year-old cook, Ali learned to collect and mount specimens. He took on responsibility for organizing travel. He nursed Wallace during many bouts of fever and injury.
Paul Spencer Sochaczewski ("Look Here, Sir, What a Curious Bird": Searching for Ali, Alfred Russel Wallace's Faithful Companion)
She is too perfect to be known by fragments. No mean brick shall be a specimen of the building of my palace.
Elizabeth Gaskell (North and South)
THAT AWKWARD moment when you lock eyes with two friends hanging in cages in a giant’s kitchen. And one of them recognizes you and begins to shout your name, but you do not want your name shouted. Blitzen staggered to his feet, gripped the bars of his cage, and yelled, “MAG—” “—NIFICENT!” I bellowed over him. “What beautiful specimens!
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
One of these days," she said, "I'm going to pull myself together for a while and think - try to determine what character of a woman I am, for, candidly, I do not know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it.
Kate Chopin (The Awakening)
You know what a supernova is? It's a dead star. And yet, it is the most beautiful specimen in the universe. Lots of people are supernovas but don't know it, they think that they're dead; they don't know that they're beautiful.
C. JoyBell C.
I feel like there's something terrible and wonderful and amazing that's just beyond my grasp. I have dreams about it. I do dream, by the way. It hovers over me at odd moments. And then it's gone. I feel like I'm always on the brink of something that never arrives. I want to either have it or be free of it.
Michael Cunningham (Specimen Days)
It seems to me more than ever that I am a victim of introspection. If I have not the power to put myself in the place of other people, but must be continually burrowing inward, I shall never be the magnanimous creative person I wish to be. Yet I am hypnotized by the workings of the individual, alone, and am continually using myself as a specimen. I am possessive about time alone...
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
It seems more than a little patronizing for Westerners to lament the loss of the good old days when life in the Khumbu was so much simpler and more picturesque. Most of the people who live in this rugged country seem to have no desire to be severed from the modern world or the untidy flow of human progress. The last thing Sherpas want is to be preserved as specimens in an anthropological museum.
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
I worship impersonal Nature, which is neither "good" or "bad", and who knows neither love nor hatred. I worship Life; the Sun, Sustainer of life. I believe in the Law of everlasting struggle, which is the law of life, and in the duty of the best specimens of our race — the natural élite of mankind — to rule the earth, and evolve out of themselves a caste of supermen, a people 'like unto the Gods'.
Savitri Devi (Pilgrimage)
pity this busy monster, manunkind' pity this busy monster, manunkind, not. Progress is a comfortable disease: your victim (death and life safely beyond) plays with the bigness of his littleness --- electrons deify one razorblade into a mountainrange; lenses extend unwish through curving wherewhen till unwish returns on its unself. A world of made is not a world of born --- pity poor flesh and trees, poor stars and stones, but never this fine specimen of hypermagical ultraomnipotence. We doctors know a hopeless case if --- listen: there's a hell of a good universe next door; let's go
E.E. Cummings
He would never abandon her, never leave a gaping hole, and even if he died someday, he was preserved like a lab specimen from all the alcohol he imbibed, so he wouldn't look or act much different.
Shannon Hale (The Actor and the Housewife)
So you got fired?” “I quit.” “When I quit the Order, you told me I was besmirched.” “That’s because you quit in a huff over some silliness like trying to save people’s lives. I quit to maximize my earning potential. Don’t you know being a hero is a losing bet? The pay is shit and people hate you for it.” Luther looked at Curran. “Who is the male specimen?” Curran offered Luther his hand. “Lennart.” Luther grabbed Curran’s hand and smelled it. “Shapeshifter, feline, probably a lion, but not the run-of-the-mill African Simba. You’ve got an odd scent about you.” He glanced at me. “Why do you always hang out with weirdos?
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
I have never seen anyone bothering to play at putting heavy women’s markup on a pit-bull, now, looking at this specimen of womanhood, I could surely understand why.
Gary Edward Gedall
Then why do you have guns?" "For shooting large and dangerous beasts who might be threatening my fungus specimens", M-Bot said. "Obviously.
Brandon Sanderson (Skyward (Skyward, #1))
...and in repose one might have admired so fine a specimen of English manhood, until the foppish ways, the affected movements, the perpetual inane laugh, brought one's admiration of Sir Percy Blakeney to an abrupt close.
Emmuska Orczy (The Scarlet Pimpernel)
The reason some of us are such poor specimens of Christianity is because we have no Almighty Christ. We have Christian attributes and experiences, but there is no abandonment to Jesus Christ.
Oswald Chambers (My Utmost for His Highest)
Wallace travelled independently and was challenged every step. He had no government or military support system. He had little cash — he earned enough to survive by sending natural history specimens to his agent in London for sale to collectors and museums. He had visceral moments of excitement when he discovered a beautiful new butterfly or adopted a baby orangutan he had just orphaned by shooting its mother. He lived simply, often in the rainforest on isolated islands, in a manner completely different to the expected behavior of other Western explorers and colonials.
Paul Spencer Sochaczewski ("Look Here, Sir, What a Curious Bird": Searching for Ali, Alfred Russel Wallace's Faithful Companion)
If Earth was such unworthy soil for God's best specimens, why did he perversely plant them there?
Emma Donoghue (The Wonder)
He studied her, as if she were some exotic specimen of fish he’d pulled up from the lake depths and he was deciding whether to keep her or throw her back.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
If you come across any special trait of meanness or stupidity … you must be careful not to let it annoy or distress you, but to look upon it merely as an addition to your knowledge—a new fact to be considered in studying the character of humanity. Your attitude towards it will be that of the mineralogist who stumbles upon a very characteristic specimen of a mineral. —Arthur Schopenhauer
Robert Greene (The Laws of Human Nature: Robert Greene)
Many women to whom I have preached the doctrine of freedom have weakly replied, 'But who is to support the children?' It seems to me that if the marriage ceremony is needed as a protection to insure the enforced support of children, then you are marrying a man who, you suspect, would under certain conditions, refuse to support his children, and it is a pretty low-down proposition. For you are marrying a man whom you already suspect of being a villain. But I have not so poor an opinion of men that I believe the greater percentage of them to be such low specimens of humanity.
Isadora Duncan (My Life)
I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.
Mary Wollstonecraft Shelley (Frankenstein)
It turns out that the distance from head to hand, from wafting butterfly to entomological specimen, is achieved through regular, disciplined practice. What begins as something like a dream will in fact stay a dream forever unless you have the tools and the discipline to bring it out.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Notre-Dame de Paris is, in particular, a curious specimen of this variety. Each face, each stone of the venerable monument, is a page not only of the history of the country, but of the history of science and art as well.
Victor Hugo (The Hunchback of Notre Dame)
I feel hornier than a dog who almost got his balls snipped off. Shit, man. Your face is gorgeous. Have you always been this fine specimen?
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
…the facts of history all appeared to me like specimens in a herbarium, permanently dried, so that it was easy to forget they had once upon a time been juicy with sap and alive in the sun.
André Gide (The Immoralist)
With its untold depths, couldn't the sea keep alive such huge specimens of life from another age, this sea that never changes while the land masses undergo almost continuous alteration? Couldn't the heart of the ocean hide the last–remaining varieties of these titanic species, for whom years are centuries and centuries millennia?
Jules Verne (Twenty Thousand Leagues Under the Sea (Captain Nemo, #2))
Friend Tim shakes hands with Perfect Specimen of Mankind. Will never wash right hand again.
Meg Cabot (The Boy Next Door (Boy, #1))
He was beautiful— a perfect specimen of a predator able to lure its prey by his appearance alone.
C.L. Parker (A Million Dirty Secrets (Million Dollar Duet, #1))
felt great, free, abandoned, a different, improved, perfected specimen of a different, improved, perfected species. It was wild! It was beautiful! It really was.
Beatrice Sparks (Go Ask Alice (Anonymous Diaries))
I instantly and absolutely mistrusted him. I disliked all men as a matter of principle, but handsome men, especially ones with a strong chin and overbearing manner, were at the top of my ‘things to exterminate to make this world a better place’-list. This particular specimen of manhood in front of me looked like just the kind of fellow who might have come up with the brute force argument.
Robert Thier (Storm and Silence (Storm and Silence, #1))
LADIES AND GENTLEMEN! YOU'VE READ ABOUT IT IN THE NEWSPAPERS! NOW, SHUDDER AS YOU OBSERVE, BEFORE YOUR VERY EYES, THAT MOST RAREAND RAGIC OF NATURE'S MISTAKES! I GIVE YOU... THE AVERAGE MAN! PHYSICALLY UNREMARKABLE , IT HAS INSTEAD A DEFORMED SET OF VALUES. NOTICE THE HIDEOUSLY BLOATED SENSE OF HUMANITY'S IMPORTANCE. THE CLUB-FOOTED SOCIAL CONSCIENCE AND THE WITHERED OPTIMISM. IT'S CERTAINLY NOT FOR THE SQUEAMISH IS IT? MOST REPULSIVE OF ALL , ARE ITS FRAIL AND USELESS NOTIONS OF ORDER AND SANITY. IF TOO MUCH WEIGHT IS PLACED UPON THEM... ... THEY SNAP. HOW DOES IT LIVE , I HEAR YOU ASK? HOW DOES THIS POOR, PATHETIC SPECIMEN SURVIVE IN TODAY'S HARSH AND IRRATIONAL WORLD? THE SAD ANSWER IS 'NOT VERY WELL.
Alan Moore
As much as I admire and value intellectualism and experimentation, I've discovered that unless a book has a throbbing heart as well as a sexy brain, I feel like the story is a specimen in a sealed glass jar and not a living, breathing creature I want to take by the hand and talk to for hours on end.
Myla Goldberg
Or you could be my bodyguard," said Theo. "I've been told I'm not a very intimidating specimen." "You held you own with a sword for a solid ten seconds," said Diana with a smile. "Fifteen, at least!" he said. "I was counting.
Leigh Bardugo (Wonder Woman: Warbringer)
...and specimens like this confirmed there had been some kind of divine rule in the universe because no natural selection process was up to the task of creating something like him. This was some god’s, somewhere’s, handiwork.
Nicole Williams (Crash (Crash, #1))
Both of the boys were unsettling — Adam Parrish, in particular, had a curious face. Not as in, he was a curious person. But rather that there was something peculiar about his facial features. He was an alien, handsome specimen of this western Virginia species; feather-boned, hollow-cheeked, eyebrows fair and barely visible. He was feral and raw-boned by way of those Civil War portraits. Brother fought brother while their farms ran to ruins — And Ronan Lynch looked like Niall Lynch, which was to say, he looked like an asshole. Oh, youth.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
She was indeed beautiful, as if someone had taken the scientific measurements of perfection and used them to mold a single ideal specimen. Her face was slightly heart-shaped, with high cheekbones barely flushed. Auburn hair fell in silken ringlets to her waist and her unblemished ivory skin shimmered like mother-of-pearl in the sunshine. Her lips were red red red, looking like she’d just drunk a pint of blood.
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
I didn't want this man touching me in those places. It wasn't that he was being inappropriate, it was just more that he obviously didn't view me as a person, let alone a scared person with actual feelings. He just saw me as yet another scientific specimen there for his own experimenting. I squeezed my eyes shut, cringing the entire time.
Jessica Verdi (My Life After Now)
Everyone had taken their places, when I excused myself to visit the bathroom, and there, in the toilet, was the absolute biggest turd I have ever seen in my life - no toilet paper or anything, just this long and coiled specimen, as thick as a burrito.
David Sedaris (Me Talk Pretty One Day)
I have a license,” says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he’s been there for years. Somehow, that black eye only makes him more desirable. “And you are . . . ?” asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer.
David Arnold (Mosquitoland)
They are friends because they are both beautiful specimens of maledom." "Beautiful specimens of maledom?" "That's right. And there are very few of those species in existence presently, so they need to stick together in order to survive.
Krista McGee (Starring Me)
Young ladies take their notions of our sex from the novels written by their own, and compared with the monstrosities that masquerade for men in the pages of that nightmare literature, Phytagoras' plucked bird and Frankenstein's demon were fair average specimens of humanity. In these so-called books, the chief lover, or Greek god, as he is admiringly referred to -by the way, they do not say which "Greek god" it is that the gentleman bears such a striking likeness to; it might be hump-backed Vulcan, or double-faced Janus, or even driveling Silenus. He resembles the whole family of them, however, in being a blackguard, and perhaps this is what is meant.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
I watch them through the glass: specimens. Flies. I watch them. And I know. In ways normal men cannot: I know. I see thing: beyond things. I see the strands of fate that bind us: victims to victor. So let them scream; let them shout my name. My ears hear nothing but the weaving of the web.
J.M. DeMatteis
The Missing Tile syndrome is ubiquitous. If you are overweight, all you see are flat stomachs and perfect physical specimens. If you have pimples, all you see is flawless skin. Women who have difficulty getting pregnant walk around seeing only pregnant women and babies. Nor do you need to be overweight, have pimples, be balding, or want a child to believe that you have a missing tile. You can allow any real—or merely perceived—flaw to diminish your happiness.
Dennis Prager (Happiness Is a Serious Problem: A Human Nature Repair Manual)
Catherine thought Simon was in the locket, and in heaven, and with them still. Lucas hoped she didn't expect him to be happy about having so many Simons to contend with.
Michael Cunningham (Specimen Days)
Then it started to rain, so she went inside and made some coffee and did what she had never done in her life: tried the newspaper crossword. “What a stupid exercise,” said her dæmon after five minutes. “Words belong in contexts, not pegged out like biological specimens.
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
He wanted to tell her that he was inspired and vigilant and recklessly alone, that his body contained his unsteady heart and something else, something he felt but could not describe: porous and spiky, shifting with flecks of thought, with urge and memory; salted with brightness, flickerings of white and green and pale gold; something that loved stars because it was made of the same substance.
Michael Cunningham (Specimen Days)
The pityingly look made Sophie utterly ashamed. He was such a dashing specimen too, with a bony, sophisticated face--really quite oold, well into his twenties--- and elaborate blond hair. His sleeves trailed longer than any in the Square, all scalloped edges and silver insets. "Oh, no thank you, if you please, sir," Sophie stammered. "I--I'm only on my way to see my sister." "Then by all means do so," laughed this advanced young man. "Who am i to keep a pretty lady from her sister? Would you like me to go with you, since you seemed so cared?" He meant it kindly, which made Sophie, more ashamed than ever. "No. No thank you, sir!" she gasped and fled away past him. He wore perfume too.
Diana Wynne Jones
At the age of three and a half the Taung Child was eaten by an eagle. The evidence is that damage marks to the eye sockets of the fossil are identical to marks made by modern eagles on modern monkeys as they rip out their eyes. Poor little Taung Child, shrieking on the wind as you were borne aloft by the aquiline fury, you would have found no comfort in your destined fame, two and a half million years on, as the type specimen of Australopithecus africanus.
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
We all create an outward self with which to face the world, and some people come to believe that is what they truly are. So they people the world with doctors who are nothing outside of the consulting-room, and judges who are nothing when they are not in court, and business men who wither with boredom when they have to retire from business, and teachers who are forever teaching. That is why they are such poor specimens when they are caught without their masks on. They have lived chiefly through the Persona.
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
If man really is fashioned, more than anything else, in the image of God, then clearly it follows that there is nothing on earth so near to God as a human being. The conclusion is inescapable, that to be in the presence of even the meanest, lowest, most repulsive specimen of humanity of the world is still to be closer to God than when looking up into a starry sky or at a beautiful sunset. Certainly that is why there is nothing in the new testament about beautiful sunsets.- Mike Mason -Author of "The Mystery of Marriage
Mike Mason
Strange how a specimen like him, well cared for, healthy, free to roam the world, and blessed with a perfection of form which would surely have allowed him to breed with a greater selection of females than average, could still be so miserable. By contrast, other males, scarred by neglect, riddled with diseases, spurned by their kind, were occasionally known to radiate a contentment that seemed to arise from something more enigmatic than mere stupidity.
Michel Faber (Under the Skin)
One of my constant preoccupations is trying to understand how it is that other people exist, how it is that there are souls other than mine and consciousnesses not my own, which, because it is a consciousness, seems to me unique. I understand perfectly that the man before me uttering words similar to mine and making the same gestures I make, or could make, is in some way my fellow creature. However, I feel just the same about the people in illustrations I dream up, about the characters I see in novels or the dramatis personae on the stage who speak through the actors representing them. I suppose no one truly admits the existence of another person. One might concede that the other person is alive and feels and thinks like oneself, but there will always be an element of difference, a perceptible discrepancy, that one cannot quite put one's finger on. There are figures from times past, fantasy-images in books that seem more real to us than these specimens of indifference-made-flesh who speak to us across the counters of bars, or catch our eye in trams, or brush past us in the empty randomness of the streets. The others are just part of the landscape for us, usually the invisible landscape of the familiar. I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, that with many supposedly real people, with that metaphysical absurdity known as 'flesh and blood'. In fact 'flesh and blood' describes them very well: they resemble cuts of meat laid on the butcher's marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate. I'm not ashamed to feel this way because I know it's how everyone feels. The lack of respect between men, the indifference that allows them to kill others without compunction (as murderers do) or without thinking (as soldiers do), comes from the fact that no one pays due attention to the apparently abstruse idea that other people have souls too.
Fernando Pessoa (The Book of Disquiet)
Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us. They are hybrid creatures, neither gay like butterflies nor sombre like their own species. Nevertheless the present specimen, with his narrow hay-coloured wings, fringed with a tassel of the same colour, seemed to be content with life.
Virginia Woolf (The Death of the Moth and Other Essays)
I have heard what the talkers were talking, the talk of the beginning and the end. But I do not talk of the beginning or the end.
Michael Cunningham (Specimen Days)
Look at me!" I roar. "Do you think you'll be the first I've killed today? I wasn't a murderer, but you changed me. I'm a monster now. And I'm hungry." "Meera!" Anotoine whines. "Prae! Please, I beg you. You're civilised people. Help me!" "We can't," Prae says coldly. "Even if we wanted to - and personally I have no problem with him gutting you - we couldn't. He's not ours to control. He's one of your specimens. You helped create him - now you have to deal with him
Darren Shan (Wolf Island (Demonata, #8))
To approach a city, or even a city neighborhood, as if it were a larger architectural problem, capable of being given order by converting it into a disciplined work of art, is to make the mistake of attempting to substitute art for life. The results of such profound confusion between art and life are neither life nor art. They are taxidermy. In its place, taxidermy can be a useful and decent craft. However, it goes too far when the specimens put on display are exhibitions of dead, stuffed cities.
Jane Jacobs (The Death and Life of Great American Cities)
After all, what is it?- this indescribable something which men will persist in terming "genius"? I agree with Buffon- with Hogarth- it is but diligence after all. Look at me!- how I labored- how I toiled- how I wrote! Ye Gods, did I not write? I knew not the word "ease." By day I adhered to my desk, and at night, a pale student, I consumed the midnight oil. You should have seen me- you should. I leaned to the right. I leaned to the left. I sat forward. I sat backward. I sat tete baissee (as they have it in the Kickapoo), bowing my head close to the alabaster page. And, through all, I- wrote. Through joy and through sorrow, I-wrote. Through hunger and through thirst, I-wrote. Through good report and through ill report- I wrote. Through sunshine and through moonshine, I-wrote. What I wrote it is unnecessary to say. The style!- that was the thing. I caught it from Fatquack- whizz!- fizz!- and I am giving you a specimen of it now.
Edgar Allan Poe
I... I don't, I don't think I can do this." "Do what?" It didn't answer. "Do the tests?" "I can't work with you when you're like this!" it blurted. "To every one of my specimens, I am the last thing they see! Terrror is what I am used to-- terror is what I like! I prefer my subjects to scream and beg, not ask to see results!" "I'll scream my questions, if that helps." "It won't," it said sadly. "I'll know you're only trying to make me feel better.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
His presence makes me feel thin. Not model slender. But worn, like an old cotton housedress. Thin like a specimen pressed between two plates of glass. Like a bug squashed beneath the marching boot of a soldier. Thin and worn and silence like I've never known. This is how I know he is not a Tick. They are as pitiable as they are inhuman. They are fear personified. Their emotions and minds given over to rage and hunger. They are all noise. He is none. If he is not a Tick, does that make him a Tock?
Emily McKay (The Farm (The Farm, #1))
Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead.
Nathaniel Hawthorne (The Marble Faun)
I picked up an old microscope at a flea market in Verona. In the long evenings, in my imitation of life science, I set up in the courtyard and examined local specimens. Pointless pleasure, stripped of ends. The ancient contadino from across the road, long since convinced that we were mad, could not resist coming over for a look. I showed him where to put his eye. I watched him, thinking, this is how we attach to existence. We look through awareness’s tube and see the swarm at the end of the scope, taking what we come upon there for the full field of sight itself. The old man lifted his eye from the microscope lens, crying. Signore, ho ottantotto anni e non ho mai Saputo prima che cosa ci fosse in una goccia d’acqua. I’m eighty-eight years old and I never knew what was in a droplet of water.
Richard Powers (Galatea 2.2)
For it was the one that I would have chosen above all others, convinced as I was, with a botanist’s satisfaction, that it was not possible to find gathered together rarer specimens than these young flowers that at this moment before my eyes were breaking the line of the sea with their slender heads, like a bower of Pennsylvania roses adorned a Cliffside garden, between whose blooms is contained the whole tract of ocean crossed by some steamer, so slow in gliding along the blue, horizontal line that stretches from one stem to the next that an idle butterfly, dawdling in the cup of a flower which the ship’s hull has long since passed, can wait, before flying off in time to arrive before it, until nothing by the tiniest chink of blue still separates the prow from the first petal of the flower towards which it is steering.
Marcel Proust (In the Shadow of Young Girls in Flower)
I am familiar with the name Bassington-Bassington, sir. There are three branches of the Bassington-Bassington family - the Shropshire Bassington-Bassingtons, the Hampshire Bassington-Bassingtons, and the Kent Bassington-Bassingtons." "England seems pretty well stocked up with Bassington-Bassingtons." "Tolerably so, sir." "No chance of a sudden shortage, I mean, what?" "Presumably not, sir." "And what sort of a specimen is this one?" "I could not say, sir, on such short acquaintance." "Will you give me a sporting two to one, Jeeves, judging from what you have seen of him, that this chappie is not a blighter or an excrescence?" "No, sir. I should not care to venture such liberal odds.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
We’ll need a new navigator. Someone who can track and knows the lands and waters well.” Niridia nods. A crazy thought comes to me. “I know just the man.” “Man?” Niridia asks. “Didn’t you swear after Ralin that you’d never take on another man for the crew so long as we already had one?” “Oh, don’t remind me about Ralin. Couldn’t keep his hands off the crew, that one. Despicable creature.” “He was a bit more bearable once you cut them off.” “Yes, shame he decided to leave our employ after that. Can’t imagine what that was about.” Niridia smiles. “Some men don’t have the stomach for being pirates.” “This one, if he’s willing, should be well cut out for the job. He’s more interested in his drink than in the girls. And he’s so slow, he wouldn’t be able to catch any of the women.” “Sounds like a fine specimen. How could we turn down such an able-bodied man?” I laugh. “I missed you, Niridia.” “Missed you, too, Captain.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
She's had a long life. Now she's going to the Lord." "Frankly it creeps me out a little when you say things like that," Simon said. "It shouldn't. If you don't like 'Lord,' pick another word. She's going home. She's going back to the party. Whatever you like." "I suppose you have some definite ideas about an afterlife." "Sure. We get reabsorbed into the earthly and celestial mechanism." "No heaven?" "That's heaven." "What about realms of glory? What about walking around in golden slippers?" "We abandon consciousness as if we were waking from a bad dream. We throw it off like clothes that never fit us right. It's an ecstatic release we're physically unable to apprehend while we're in our bodies. Orgasm is our best hint, but it's crude and minor by comparison.
Michael Cunningham (Specimen Days)
My lord?” Nick turned at the tentative, feminine voice, to find two young women standing nearby, watching him eagerly. Nick spoke, wary. “Yes? ” “We—” one of them began to speak, then stopped, uncertain. The other nudged her toward him. “Yes?” “We are fans.” Nick blinked. “Of?” “Of yours.” “Of mine.” “Indeed!” The second girl smiled broadly and stepped closer, holding out what looked suspiciously like— Nick swore under his breath. “Would you be willing to autograph our magazine? ” Nick held up a hand. “I would, girls, but you’ve got the wrong brother.” He pointed to Gabriel. “That is Lord Nicholas.” Rock snorted as the two shifted their attention to the Marquess of Ralston, a dazzlingly handsome copy of their prey, and tittered their excitement. Gabriel instantly eased into his role, turning a brilliant smile on the girls. “I would be happy to autograph your magazine.” He took the journal and the pen they proffered and said, “You know, I must confess, this is the first time I’ve ever drawn the attention of ladies when in the company of my brother. Ralston has always been considered the more handsome of us.” “No!” the girls protested. Nick rolled his eyes. “Indeed. Ask anyone. They’ll tell you it’s the marquess who is the best specimen. Surely you’ve heard that.” He looked up at them with a winning smile. "You can admit it, girls. My feelings shan’t be hurt." Gabriel held up the magazine, displaying the cover, which boasted: Inside! London’s Lords to Land! “Yes … there’s no question that this is going to do wonders for my reputation. I’m so happy to see that it’s getting around that I’m on the hunt for a wife!” The girls nearly expired from delight.
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
It isn’t really possible for men to understand how much the world doesn’t want women to be complete people. The most important thing a woman can be, in our society—more important, even, than honest or decent—is identifiable. Even when Libby’s evil—perhaps most of all when she’s evil—she’s easy to categorize, to stick to a board with a pin like some scientific specimen. Those men in Stillwater are terrified of her because being terrified lets them know who she is—it keeps them safe. Imagine how much harder it would be to say, yes, she’s a woman capable of terrible anger and violence, but she’s also someone who’s tried desperately to be a nurturer, to be a good and constructive human being. If you accept all that, if you allow that inside she’s not just one or the other, but both, what does that say about all the other women in town? How will you ever be able to tell what’s actually going on in their hearts—and heads? Life in the simple village would suddenly become immensely complicated. And so, to keep that from happening, they separate things. The normal, ordinary woman is defined as nurturing and loving, docile and compliant. Any female who defies that categorization must be so completely evil that she’s got to be feared, feared even more than the average criminal—she’s got to be invested with the powers of the Devil himself. A witch, they probably would have called her in the old days. Because she’s not just breaking the law, she’s defying the order of things.
Caleb Carr (The Angel of Darkness (Dr. Laszlo Kreizler, #2))
I have said that there is no "average" American. That is due to the circumstance that the people of the United States differ from each as widely as the parts they live in. The New Yorker is a different specimen of man from the Westerner; the latter is entirely different again from the people of Texas. The Middle West, such States for instance as Kansas, Colorado, Nebraska or Iowa, have an entirely different psychology from that of Florida or Lower California. Their habits of life, their modes of thought, even their language is different. Still further, it must also be considered that millions of foreigners and descendants of foreign born people live in the United States and are part of the entire population that is known as "American". Add to this more than 10 million negroes, not to mention the score of different Indian (red-skin) tribes, who are the real, indigenous Americans. In this conglomeration of races it is impossible to speak of the "average" American, nor can any adequate estimate of American psychology be made on such a basis.
Alexander Berkman
The process which, if not checked, will abolish Man goes on apace among Communists and Democrats no less than among Fascists. The methods may (at first) differ in brutality. But many a mild-eyed scientist in pince-nez, many a popular dramatist, many an amateur philosopher in our midst, means in the long run just the same as the Nazi rulers of Germany. Traditional values are to be ‘debunked’ and mankind to be cut out into some fresh shape at the will (which must, by hypothesis, be an arbitrary will) of some few lucky people in one lucky generation which has learned how to do it. The belief that we can invent ‘ideologies’ at pleasure, and the consequent treatment of mankind as mere ulh, specimens, preparations, begins to affect our very language. Once we killed bad men: now we liquidate unsocial elements. Virtue has become integration and diligence dynamism, and boys likely to be worthy of a commission are ‘potential officer material’. Most wonderful of all, the virtues of thrift and temperance, and even of ordinary intelligence, are sales-resistance.
C.S. Lewis (The Abolition of Man)
When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
I glance over my shoulder, at the car following close behind us. It’s impossible to see the driver. To tell if it’s Cassian. After a moment, it pulls around and passes us. I sigh. “Why do I get the feeling that I’m abducting you? Should I be on alert for sirens in the rearview mirror?” “I left willingly.” I force a grin and tease, “I don’t think you’ll get arrested.” “Great. You don’t ‘think.’ That’s encouraging.” He gives me a wincing smile. “But maybe not. I am eighteen, after all—” “You’re eighteen? But you’re a sophomore.” An uneasy look passes over his face. “I missed a lot of school a few years back. Half of seventh grade and all of eighth, in fact. I was sick.” “Sick?” I echo. That reminder of his mortality crashes down on me. It’ll always be there, smoke rising between us. Xander had mentioned Will being ill, but I never imagined it as anything serious. “How? I mean, what . . .” He shrugs like it’s nothing, but he won’t glance at me. He stares at the road. “Leukemia. But I’m better now. Completely cured.” “Were you very . . . bad off?” “For about a year. The prognosis wasn’t—” He stops suddenly, like he’s said too much, and I get that sense again. The feeling that he’s not telling me something. That he’s holding back. A muscle in his jaw ripples with tension. “Look, don’t worry about it. Aren’t I a perfect male specimen now?” He sends me a wink. “Don’t I look healthy?” I really didn’t like when I found out that Will was actually 18 years old, instead of the 16 that Jacinda was.
Sophie Jordan (Firelight (Firelight, #1))
Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?
Nicole Krauss (The History of Love)
A sensation rose in him, a high tingling of his blood. There came a wave, a wind that recognized him, that did not love him or hate him. He felt what he knew as the rising of his self, the shifting innerness that yearned and feared, that was more familiar to him than anything could ever be. He knew that an answering substance gathered around him, emanating from the trees and the stars. He stood staring at the constellations. Walt had sent him here, to find this, and he understood. He thought he understood. This was his heaven. It was not Broadway or the horse on wheels. It was grass and silence; it was a field of stars. It was what the book told him, night after night. When he died he would leave his defective body and turn into grass. He would be here like this, forever. There was no reason to fear it, because it was part of him. What he'd thought of as his emptiness, his absence of soul, was only a yearning for this.
Michael Cunningham (Specimen Days)
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
Robert Louis Stevenson (Treasure Island)
Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.
Danilo Kiš (Hourglass)