“
Wit is the unexpected copulation of ideas.
”
”
Patrick O'Brian (The Hundred Days (Aubrey & Maturin, #19))
“
But you know as well as I, patriotism is a word; and one that generally comes to mean either my country, right or wrong, which is infamous, or my country is always right, which is imbecile.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
Aubrey, crouching on a nearby counter, watched me with squinty eyes, apparently pondering why anyone would willingly immerse themselves in water ever, let alone for extended periods of time.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
I see IT in the hallway. IT goes to Merryweather. IT is walking with Aubrey cheerleader. IT is my nightmare and I can't wake up.IT sees me. IT smiles and winks. Good thing my lips are stitched together or I'd throw up.
”
”
Laurie Halse Anderson (Speak)
“
Jack, you've debauched my sloth.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
I sew his ears on from time to time, sure.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
“
Aubrey's voice when he answered was soft. "I'm one of the reasons they wouldn't dare.
”
”
Amelia Atwater-Rhodes (Demon in My View (Den of Shadows, #2))
“
Do unto others as you would have them do unto you,'Aubrey. I will avenge this scar and every scar you have put into my heart.
-Risika(In The Forest Of The Night)
”
”
Amelia Atwater-Rhodes
“
I love you, Aubrey. Can’t you see that? I am head over heels in fucking love with you. I love you more than anything in this entire world. When I look into your eyes, I don’t just see you, I see my children. Hell, I see an entire farm of children and deaf, dumb and blind goats. I see my entire future. Without you, I see nothing. Nothing.
”
”
Penelope Ward (Cocky Bastard)
“
Other people's marriages are a perpetual source of amazement.
”
”
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
“
No matter how much we love someone, or think we know them, we can never know what it is like to be inside them.
”
”
Suzanne LaFleur (Love, Aubrey)
“
I am opposed to authority, that egg of misery and oppression; I am opposed to it largely for what it does to those who exercise it.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
“
This short watch that is about to come, or rather these two short watches--why are they called dog watches? Where, heu, heu, is the canine connection?'
Why,' said Stephen, 'it is because they are curtailed of course.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
“
Your future self is watching you right now through your memories.
”
”
Aubrey de Grey
“
...for very strangely his officers looked upon Jack Aubrey as a moral figure, in spite of all proofs of the contrary...
”
”
Patrick O'Brian (The Mauritius Command (Aubrey & Maturin, #4))
“
Why there you are, Stephen,' cried Jack. 'You are come home, I find.'
That is true,' said Stephen with an affectionate look: he prized statements of this kind in Jack.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
Stephen had spared no expense in making himself more unhappy, his own position as a rejected lover clearer.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
Don’t cling to a mistake just because you spent a lot of time making it.
”
”
Aubrey de Grey
“
...looking angrily at the wombat: and a moment later, 'Come now, Stephen, this is coming it pretty high: your brute is eating my hat.'
'So he is, too,' said Dr. Maturin. 'But do not be perturbed, Jack; it will do him no harm, at all. His digestive processes--
”
”
Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
“
Sometimes I wonder if life is all about one moment. Everything before and everything after is about that one moment, and we are all stuck there.
”
”
Suzanne LaFleur (Love, Aubrey)
“
Do you not find it happens very often, that you are as gay as Garrick at dinner and then by supper-time you wonder why God made the world?
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
Wallis,' said Maturin, 'I am happy to see you. How is your penis?
”
”
Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
“
Patriotism is a word; and one that generally comes to mean either my country, right or wrong, which is infamous, or my country is always right, which is imbecile.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
Sir,’ said Stephen, ‘I read novels with the utmost pertinacity. I look upon them--I look upon good novels--as a very valuable part of literature, conveying more exact and finely-distinguished knowledge of the human heart and mind than almost any other, with greater breadth and depth and fewer constraints.
”
”
Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
“
We need a world that insists upon safety and dignity for all of us—not because we are beautiful, healthy, blameless, exceptional, or beyond reproach, but because we are human beings.
”
”
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
“
They will not be pleased. But they know we must catch the monsoon with a well-found ship; and they know they are in the Navy--they have chosen their cake, and must lie on it.'
You mean, they cannot have their bed and eat it.'
No, no, it is not quite that either. I mean--I wish you would not confuse my mind, Stephen.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
I have never yet known a man admit that he was either rich or asleep: perhaps the poor man and the wakeful man have some great moral advantage.
”
”
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
“
For a moment Jack felt the strongest inclination to snatch up his little gilt chair and beat the white-faced man down with it...
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
I fucking love you, Aubrey… And I’ll do whatever it takes to show you that.
”
”
Whitney G. (Reasonable Doubt: Volume 3 (Reasonable Doubt, #3))
“
No man born of woman has ever understood spoken Portuguese.
”
”
Patrick O'Brian (Blue at the Mizzen (Aubrey/Maturin, #20))
“
Never mind manoeuvres, always go at them.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
My dear creature, I have done with all debate. But you know as well as I, patriotism is a word; and one that generally comes to mean either MY COUNTRY, RIGHT OR WRONG, which is infamous, or MY COUNTRY IS ALWAYS RIGHT, which is imbecile.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
It is a great while since I felt the grind of bone under my saw,' he added, smiling with anticipation.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
He held up two fingers, in case a landman might not fully comprehend so great a number.
”
”
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
“
Some might say that suicide is for cowards. I dare them to hold a razor to their wrists and say it as they slice into their own flesh.
”
”
Aubrey Dark (His (Dark Romance, #1))
“
Go and see whether the Doctor is about,’ said Jack, ‘and if he is, ask him to look in, when he has a moment.’
Which he is in the fish-market, turning over some old-fashioned lobsters. No. I tell a lie. That is him, falling down the companion-way and cursing in foreign.
”
”
Patrick O'Brian (Blue at the Mizzen (Aubrey/Maturin, #20))
“
I am in favour of leaving people alone, however imperfect their polity may seem. It appears to me that you must not tell other nations how to set their house in order; nor must you compel them to be happy.
”
”
Patrick O'Brian (The Truelove (Aubrey & Maturin, #15))
“
I hope that one day you’ll find that source of light and let it heal you, too. Because if you do, it will illuminate your path and eventually lead you home. To me.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
Without heartache, there is no understanding of the true meaning of love. Without anger, passion cannot be comprehended. Without fear, there is nothing gained when overcome. And without sorrow, happiness can never be realized.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
That would be locking the horse after the stable door is gone, a very foolish thing to do.
”
”
Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
“
You’ve always been my sunshine. Ever since we were kids.” He tightens his gaze. “I know you’re still in there, Bree. And I will find you.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
Every being in this world makes an impact on at least one person they encounter during their lifetime. You can change the course of someone’s life by just a kind word, a hateful one, or even by simply choosing not to say anything at all. Every choice you make has the potential to create a ripple effect, trickling into and affecting the lives of others.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
You do not mean there is danger of peace?", cried Jack.
”
”
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
“
Cancer is a bitch that needs to get the crap smacked out of it. I intend to stand on the front lines with a big-ass bat.
”
”
Brenna Aubrey (At Any Price (Gaming the System, #1))
“
The simplicity of living astounds me. But it’s the terror of death that devours me.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
We can build a world that doesn’t assume fat people are failed thin people, or that thin people are categorically healthy and virtuous.
”
”
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
“
There is so much ignorant prejudice against bees in a dining-room.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin #2))
“
Beautiful people tend to be ugly, ugly people tend to be beautiful, storms tend to brew below a person’s cool, calm exterior, and tremendously happy people tend to be overcompensating for their own grief. Nothing is ever really what it seems.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
For my own part,' said Captain Aubrey, 'I have no notion of disliking a man for his beliefs, above all if he was born with them. I find I can get along very well with Jews or even...' The P of Papists was already formed, and the word was obliged to come out as Pindoos.
”
”
Patrick O'Brian (The Wine-Dark Sea (Aubrey/Maturin, #16))
“
Killick was a cross-grained bastard, who supposed that if he sprinkled his discourse with a good many sirs, the words in between did not signify:
”
”
Patrick O'Brian (HMS Surprise (Aubrey & Maturin, #3))
“
The words 'Very finely played, sir, I believe' were formed in his gullet if not in his mouth when he caught the cold and indeed inimical look and heard the whisper, 'If you really must beat the measure, sir, let me entreat you to do so in time, and not half a beat ahead.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
...I have had such a sickening of men in masses, and of causes, that I would not cross this room to reform parliament or prevent the union or to bring about the millennium. I speak only for myself, mind - it is my own truth alone - but man as part of a movement or a crowd is indifferent to me. He is inhuman. And I have nothing to do with nations, or nationalism. The only feelings I have - for what they are - are for men as individuals; my loyalties, such as they may be, are to private persons alone.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
Touch and away, Jack?’ asked Stephen. ‘Touch and away? Do you not recall that I have important business there? Enquiries of the very first interest?’
To do with our enterprise? To do with this voyage?’
Perhaps not quite directly.
”
”
Patrick O'Brian (Blue at the Mizzen (Aubrey/Maturin, #20))
“
But really, anybody could die any day, whether you were ready or not. It could be your pet fish or your sister or you. Nothing is the same forever. Maybe all the people on Earth are God's little pet fish. God lives such a long time that people's lives probably seem really short to him. He watches them swim for a little while, and then they stop swimming.
”
”
Suzanne LaFleur (Love, Aubrey)
“
I think it's reasonable to suppose that one could oscillate between being biologically 20 and biologically 25 indefinitely.
”
”
Aubrey de Grey
“
Trollops are capital things in port, but will not do at sea.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
Rested, shaved, coffee’d, steaked, you will be a different man.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin #2))
“
[Babbington] "What did [the Doctor, Stephen] do to you, sir?"
[Captain Aubrey] "Well, I am ashamed to say he took a pistol-ball out of the small of my back. It must have been when I turned to hail for more hands- thank God I did not. At the time I thought it was one of those vile horses that were capering about abaft the wheel."
"Oh, sir, surely a horse would never have fired off a pistol?
”
”
Patrick O'Brian (The Letter of Marque (Aubrey & Maturin, #12))
“
I think some people are just inexplicably bonded. Drawn by forces beyond their own comprehension, they have no choice but to gravitate toward one another. Destined by fate to keep crossing paths until they finally get it right.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
I’m not like Hannibal Lector, don’t worry. Human flesh doesn’t interest me, not in a culinary way.
”
”
Aubrey Dark (His (Dark Romance #1))
“
I learned a long time ago to never judge a book by its cover. It seems what people try to represent on the outside very rarely mirrors their inside.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
I can’t promise that things will be perfect, Emilia. But I can promise you that I will never give this up. Because I don’t think I knew how to live before you came into my life.
”
”
Brenna Aubrey (At Any Price (Gaming the System, #1))
“
This cultural obsession with weight loss doesn’t just impact our physical and mental health; it also impacts our sense of self and, consequently, our relationships with others of different sizes.
”
”
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
“
Face your fears and overcome them. Become the best person you can be as you grow into your impending adulthood. Find what drives you and hone those skills. Practice them and perfect them, so that you can leave this world in a better state than you found it.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
Of course I do know it is the French who are so wicked; but there are all these people who keep coming and going - the Austrians, the Spaniards, the Russians. Pray, are the Russians good now? It would be very shocking - treason no doubt - to put the wrong people in my prayers.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
There is a systematic flocci-nauci-nihili-pilification of all other aspects of existence that angers me.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
It's not where you begin, it's where you end.
”
”
Aubrey Marcus
“
You know, if the sun and the moon were to actually collide, it would set off a cataclysmic reaction of epic proportions. Are you ready to have your world completely obliterated?
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
Jack and Stephen were neither of them human until the first pot of coffee was down, hot and strong.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin #2))
“
Why, sir," said he, looking about him, "what splendour I see: gold lace, breeches, cocked hats. Allow me to recommend a sandwich. And would you be contemplating an attack, at all?"
"It had crossed my mind, I must admit," said Jack. "Indeed, I may go so far as to say, that I am afraid a conflict is now virtually inevitable. Did you notice we have cleared for action?
”
”
Patrick O'Brian (The Mauritius Command (Aubrey & Maturin, #4))
“
Well, damme, William, I am sorry: I am very sorry, indeed I am. But injustice is a rule of the service, as you know very well; and since you have to have a good deal of undeserved abuse, you might just as well have it from your friends.
”
”
Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
“
He sat on as the sun's rays came slowly down through the trees, lower and lower, and when the lowest reached a branch not far above him it caught a dewdrop poised upon a leaf. The drop instantly blazed crimson, and a slight movement of his head made it show all the colours of the spectrum with extraordinary purity, from a red almost too deep to be seen through all the others to the ultimate violet and back again.
”
”
Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
“
As long as you continue to travel through life in this darkness, you will never know how beautiful your light truly shines when you let yourself love and be loved. Trust me when I say, it’s a breathtaking sight to see. You burn as bright as the sun.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
Authority is a solvent of humanity: look at any husband, any father of a family, and note the absorption of the person by the persona, the individual by the role. Then multiply the family, and the authority, by some hundreds and see the effect upon a sea-captain, to say nothing of an absolute monarch. Surely man in general is born to be oppressed or solitary, if he is to be fully human; unless it so happens that he is immune to the poison.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
I do not say that all lawyers are bad, but I do maintain that the general tendency is bad: standing up in a court for whichever side has paid you, affecting warmth and conviction, and doing everything you can to win the case, whatever your private opinion may be, will soon dull any fine sense of honour. The mercenary soldier is not a valued creature, but at least he risks his life, whereas these men merely risk their next fee.
”
”
Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
“
I do not possess the ability to draw or paint.
I can’t sing or dance.
I can’t knit or sew.
But I am an artist.
I have the ability to put onto paper, words that tell an intriguing story.
I am a writer.
A writer is someone who, with just words, can paint a beautiful picture.
A writer can open up a world of imagination you didn’t realize was possible.
When you open up a book and become so consumed in the story, you feel like you’re a part of it… you’re standing next to that character and feeling the same way that character feels,
That’s the art of a writer.
I am an artist.
My inspiration is the world around me.
My paintbrush is my words.
My easel is my computer.
My canvas is the mind of my reader.
”
”
Bri Justine (Heinous Crimes, Immoral Minds)
“
Because, sir, teaching young gentlemen has a dismal effect upon the soul.It exemplifies the badness of established, artificial authority. The pedagogue has almost absolute authority over pupils: he often beats them and insensibly he loses the sense of respect due to them as fellow human beings.He does them harm, but the harm they do him is far greater. He may easily become the all-knowing tyrant, always right, always virtuous; in any event he perpetually associates with his inferiors, the king of his company; and in a surprising short time alas this brands him with the mark of Cain. Have you ever known a schoolmaster fit to associate with grown men?
”
”
Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
“
The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake the tube and see what comes out. Chronology irritates me. There is no chronology inside my head. I am composed of myriad Claudias who spin and mix and part like sparks of sunlight on water. The pack of cards I carry around is forever shuffled and re-shuffled; there is no sequence, everything happens at once. The machines of the new technology, I understand, perform in much the same way: all knowledge is stored, to be summoned up at the flick of a key. They sound, in theory, more efficient. Some of my keys don't work; others demand pass-words, codes, random unlocking sequences. The collective past, curiously, provides these. It is public property, but it is also deeply private. We all look differently at it. My Victorians are not your Victorians. My seventeenth century is not yours. The voice of John Aubrey, of Darwin, of whoever you like, speaks in one tone to me, in another to you.
”
”
Penelope Lively (Moon Tiger)
“
I know that your laugh makes my heart race. The way you smile when you think no one is watching stirs something inside me that makes me desperate for more. The way your entire face lights up when you talk about Finn and Aubrey. I know what it feels like to have you in my arms, touch your lips, and fuck, I’d be lying if I said I’m not wishing for it again. I think about you more than I should. I know that you think you’re weak, but I see a strong, beautiful, and smart woman who deserves a man to worship her. More than any of that, Kristin, I should walk out and let both our lives be a hell of a lot less complicated than trying to start something, but here I am. You’re worth complicating things.
”
”
Corinne Michaels (One Last Time (Second Time Around, #2))
“
They were looking after themselves, living with rigid economy; and there was no greater proof of their friendship than the way their harmony withstood their very grave differences in domestic behaviour. In Jack's opinion Stephen was little better than a slut: his papers, odd bits of dry, garlic'd bread, his razors and small-clothes lay on and about his private table in a miserable squalor; and from the appearance of the grizzled wig that was now acting as a tea-cosy for his milk-saucepan, it was clear that he had breakfasted on marmalade.
Jack took off his coat, covered his waistcoat and breeches with an apron, and carried the dishes into the scullery. 'My plate and saucer will serve again,' said Stephen. 'I have blown upon them. I do wish, Jack,' he cried, 'that you would leave that milk-saucepan alone. It is perfectly clean. What more sanitary, what more wholesome, than scalded milk?
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
“
It seems what people try to represent on the outside very rarely mirrors their inside. Beautiful people tend to be ugly, ugly people tend to be beautiful, storms tend to brew below a person’s cool, calm exterior, and tremendously happy people tend to be overcompensating for their own grief. Nothing is ever really what it seems.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
Sometimes in life there are these random moments when everything just clicks. When all the fragments of your fractured past fall together, merging in your mind to form a lucid image of your future. Each mistake made becomes a vital piece as it serves whatever purpose necessary to complete the picture as a whole and suddenly everything becomes so clear.
”
”
L.B. Simmons (The Resurrection of Aubrey Miller)
“
The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.
Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.
'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
I cannot understand the principle at all,' said Stephen. 'I should very much like to show it to Captain Aubrey, who is so very well versed in the mathematics and dynamics of sailing. Landlord, pray ask him whether he is willing to part with the instrument.'
Not on your fucking life,' said the Aboriginal, snatching the boomerang and clasping it to his bosom.
He says he does not choose to dispose of it, your honour,' said the landlord. 'But never fret. I have a dozen behind the bar that I sell to ingenious travelers for half a guinea. Choose any one that takes your fancy, sit, and Bennelong will throw it to prove it comes back, a true homing pigeon, as we say. Won't you?' This much louder, in the black man's ear.
Won't I what?'
Throw it for the gentleman.'
Give um dram.'
Sir, he says he will be happy to throw it for you; and hopes you will encourage him with a tot of rum. (pp. 353-354)
”
”
Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
“
Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years.
Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away.
Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate.
'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.
”
”
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
“
For you must know, gentlemen, that when the mariner is dosed, he likes to know that he has been dosed: with fifteen grains or even less of this valuable substance scenting him and the very air about him there can be no doubt of the matter; and such is the nature of the human mind that he experiences a far greater real benefit than the drug itself would provide, were it deprived of its stench.
”
”
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
“
Mr Babbington,' he said, suddenly stopping in his up and down. 'Take your hands out of your pockets. When did you last write home?' Mr Babbington was at an age when almost any question evokes a guilty response, and this was, in fact, a valid accusation. He reddened, and said, 'I don't know, sir.' 'Think, sir, think,' said Jack, his good-tempered face clouding unexpectedly...'Never, mind. Write a handsome letter. Two pages at least. And send it in to me with your daily workings tomorrow. Give your father my compliments and tell him my bankers are Hoares.' For Jack, like most other captains, managed the youngsters' parental allowance for them. 'Hoares,' he repeated absently once or twice, 'my bankers are Hoares,' and a strangled ugly crowing noise made him turn. Young Ricketts was clinging to the fall of the main burton-tackle in an attempt to control himself, but without much success.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
When Jack came in he found him sitting before a tray of bird's skins and labels. Stephen looked up, and after a moment said, 'To a tormented mind there is nothing, I believe, more irritating than comfort. Apart from anything else it often implies superior wisdom in the comforter. But I am very sorry for your trouble, my dear.'
'Thank you, Stephen. Had you told me that there was always a tomorrow, I think I should have thrust your calendar down your throat.
”
”
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
“
To tell the truth, sir, I believe I had rather sit in the shelter for a while. The cabbage seems to have turned my inward parts to water.’
Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
”
”
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
“
You are to consider that a certain melancholy and often a certain irascibility accompany advancing age: indeed it might be said that advancing age equals ill-temper. On reaching the middle years a man perceives that he is no longer able to do certain things, that what looks he may have had are deserting him, that he has a ponderous great belly, and that however much he may yet burn he is no longer attractive to women; and he rebels. Fortitude, resignation and philosophy are of more value than any pills, red, white or blue.
”
”
Patrick O'Brian (The Truelove (Aubrey & Maturin, #15))
“
Jack was already mother-naked when he heard the cry and saw the splash. He slipped from the gunwale into the clear water, made out the vague form at a surprising depth, dived, fished it up, swam to the ship, now a hundred yards away, roared for a line, passed the inanimate Herapath up the side, and followed himself. 'Mr Pullings,'he cried, very angry. 'Put an end to this infernal hallooing instantly. Always the same God-damned foolery, every time a man goes overboard. Damn you all for a mob of mad lunatics. Get along forward. Silence fore and aft.
”
”
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
“
There exists a great uncertainty that comes with life. It is like a tree, its roots formed below the surface, its body penetrating a layer of top soil, its roots spreading outward, and affecting the domain it inhabits. With this natural uncertainty one feels lost, almost incapable of discovering his or her own true purpose. With all of this, one begins to search for that true purpose, always unsure if it is the right path. These feelings come from within, fueled by a catalyst that instills these doubts. However, with its great power, the catalyst is undefinable and unyielding. It is then within question if one can truly move away from the catalyst or really understand how one should feel when affected by it.
”
”
Aubrey Williams
“
What do you say to taking up our game where we left off? I was winning, you will recall.'
Winning, for all love: how your ageing memory does betray you, my poor friend,' said Stephen, fetching his 'cello. They tuned, and at no great distance Killick said to his mate, 'There they are, at it again. Squeak, squeak; boom, boom. And when they do start a-playing, it's no better. You can't tell t'other from one. Never nothing a man could sing to, even as drunk as Davy's sow.'
I remember them in the Lively: but it is not as chronic as a wardroom full of gents with German flutes, bellyaching night and day, like we had in Thunderer. No. Live and let live, I say.'
Fuck you, William Grimshaw.
”
”
Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
“
Yet,'said Maturin, pursuing his own thought, 'there is a quality in dogs, I must confess, rarely to be seen elsewhere and that is affection: I do not mean the violent possessive protective love for their owner but rather that mild, steady attachment to their friends that we see quite often in the best sort of dog. And when you consider the rarity of plain disinterested affection among our own kind, once we are adult, alas - when you consider how immensely it enhances daily life and how it enriches a man's past and future, so that he can look backward and forward with complacency - why, it is a pleasure to find it in brute creation.
”
”
Patrick O'Brian (Treason's Harbour (Aubrey/Maturin, #9))
“
Valuable and ingenious he might be, thought Jack, fixing him with his glass, but false he was too, and perjured. He had voluntarily sworn to have no truck with vampires, and here, attached to his bosom, spread over it and enfolded by one arm, was a greenish hairy thing, like a mat - a loathsome great vampire of the most poisonous kind, no doubt. ‘I should never have believed it of him: his sacred oath in the morning watch and now he stuffs the ship with vampires; and God knows what is in that bag. No doubt he was tempted, but surely he might blush for his fall?’
No blush; nothing but a look of idiot delight as he came slowly up the side, hampered by his burden and comforting it in Portuguese as he came.
‘I am happy to see that you were so successful, Dr Maturin,’ he said, looking down into the launch and the canoes, loaded with glowing heaps of oranges and shaddocks, red meat, iguanas, bananas, greenstuff. ‘But I am afraid no vampires can be allowed on board.’
‘This is a sloth,’ said Stephen, smiling at him. ‘A three-toed sloth, the most affectionate, discriminating sloth you can imagine!’ The sloth turned its round head, fixed its eyes on Jack, uttered a despairing wail, and buried its face again in Stephen’s shoulder, tightening its grip to the strangling-point.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
How did you find out?” he asked.
I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.”
He sighed and sat on the arm of my couch and stared into space.
“That’s it? You have nothing else to say?” I asked.
“I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.”
“Were you ever going to tell me?”
“Yeah...of course.”
His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome.
Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.”
I sank down into the arm chair opposite him. “Then…then…what happened?”
It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…”
“Aroused? Horny? Lust-filled?”
He grimaced. “Something like that. But, I don’t know. There was more to it than just that.”
The tape in my mind rewound. “Did you say you were going to call Niphon?”
“Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.”
“Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath.
“Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.”
He tilted his head curiously. “What do you mean?”
“This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.”
A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response.
“Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.”
My hand froze on Aubrey’s back. “What are you saying?”
“I…don’t have flings.”
“Are you saying you want to start something with her?”
He looked miserable. “I don’t know.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
Stephen nodded. 'Tell me,' he said, in a low voice, some moments later. 'Were I under naval discipline, could that fellow have me whipped?'He nodded towards Mr Marshall.
'The master?' cried Jack, with inexpressible amazement.
'Yes,' said Stephen looking attentively at him, with his head slightly inclined to the left.
'But he is the master...' said Jack. If Stephen had called the sophies stem her stern, or her truck her keel, he would have understood the situation directly; but that Stephen should confuse the chain of command, the relative status of a captain and a master, of a commissioned officer and a warrant officer, so subverted the natural order, so undermined the sempiternal universe, that for a moment his mind could hardly encompass it. Yet Jack, though no great scholar, no judge of a hexameter, was tolerably quick, and after gasping no more than twice he said, 'My dear sir, I beleive you have been lead astray by the words master and master and commander- illogical terms, I must confess. The first is subordinate to the second. You must allow me to explain our naval ranks some time. But in any case you will never be flogged- no, no; you shall not be flogged,' he added, gazing with pure affection, and with something like awe, at so magnificent a prodigy, at an ignorance so very far beyond anything that even his wide-ranging mind had yet conceived.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
This was something new. Or something old. I didn’t think of what it might be until after I had let Aubrey go back to the clinic to bed down next to her child. Bankole had given him something to help him sleep. He did the same for her, so I won’t be able to ask her anything more until she wakes up later this morning. I couldn’t help wondering, though, whether these people, with their crosses, had some connection with my current least favorite presidential candidate, Texas Senator Andrew Steele Jarret. It sounds like the sort of thing his people might do—a revival of something nasty out of the past. Did the Ku Klux Klan wear crosses—as well as burn them? The Nazis wore the swastika, which is a kind of cross, but I don’t think they wore it on their chests. There were crosses all over the place during the Inquisition and before that, during the Crusades. So now we have another group that uses crosses and slaughters people. Jarret’s people could be behind it. Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.
”
”
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
“
Jack was led out of the dark room into the strong light, and as they guided him up the steps he could see nothing for the glare. 'Your head here sir, if you please,' said the sheriff's man in a low, nervous, conciliating voice, 'and your hands just here.'
The man was slowly fumbling with the bolt, hinge and staple, and as Jack stood there with his hands in the lower half-rounds, his sight cleared: he saw that the broad street was filled with silent, attentive men, some in long togs, some in shore-going rig, some in plain frocks, but all perfectly recognizable as seamen. And officers, by the dozen, by the score: midshipmen and officers. Babbington was there, immediately in front of the pillory, facing him with his hat off, and Pullings, Stephen of course, Mowett, Dundas . . . He nodded to them, with almost no change in his iron expression, and his eye moved on: Parker, Rowan, Williamson, Hervey . . . and men from long, long ago, men he could scarcely name, lieutenants and commanders putting their promotion at risk, midshipmen and master's mates their commissions, warrant-officers their advancement.
'The head a trifle forward, if you please, sir,' murmured the sheriff's man, and the upper half of the wooden frame came down, imprisoning his defenceless face. He heard the click of the bolt and then in the dead silence a strong voice cry 'Off hats'. With one movement hundreds of broad-brimmed tarpaulin-covered hats flew off and the cheering began, the fierce full-throated cheering he had so often heard in battle.
”
”
Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
“
They were furious. Did he not know he might catch cold? Why did he not answer their hail? It was no good his telling them he had not heard; they knew better; he had not got flannel ears--Why had he not waited for them? --What was a boat for? Was this a proper time to go a-swimmin? -- Did he think this was midsummer? Or Lammas? -- He was to see how cold he was, blue an trembling like a fucking jelly -- Would a new-joined ships boy have done such a wicked thing? No, sir, he would not. -- What would the skipper, what would Mr Pullings and Mr Babbington say, when they heard of his capers? -- As God loved them, they had never seen anything so foolish: he might strike them blind, else. -- Where had he left his intellectuals? Aboard the sloop? They dried him with handkerchiefs., dressed him by force, and rowed him quickly back to the Polychrest. He was to go below directly, turn in between blankets--no sheets, mind--with a pint of grog and have a good sweat. he was to go up the side now, like a Christian and nobody would notice. Plaice and Lakey were perhaps the strongest men in the ship, with arms like gorillas; they thrust him aboard and hurried him to his cabin without so much as by your leave, and left him there in the charge of his servant, with recommenations for his present care.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))