Vent To Me Quotes

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Cammie's going to be mad she missed this," Macey said to fill the silence. "Excuse me?" Hale asked. "Nothing." She shook her head. "I just... I have a friend who really likes air vents. And dumbwaiter shafts. And laundry chutes. Of course, the last time I was in a laundry chute, Cammie and I fell about a dozen stories..." "Well, that sounds like fun." "It was either that or get kidnapped by terrorists, so I guess we got of easy.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
Chanson d’automne Les sanglots longs Des violons De l’automne Blessent mon coeur D’une langueur Monotone. Tout suffocant Et blême, quand Sonne l’heure, Je me souviens Des jours anciens Et je pleure ; Et je m’en vais Au vent mauvais Qui m’emporte Deçà, delà, Pareil à la Feuille morte.
Paul Verlaine (Poèmes saturniens)
Let me have war, say I: it exceeds peace as far as day does night; it's spritely, waking, audible, and full of vent. Peace is a very apoplexy, lethargy; mulled, deaf, sleepy, insensible; a getter of more bastard children than war's a destroyer of men.
William Shakespeare (Coriolanus)
Be calm! I entreat you to hear me before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine, my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
The most dangerous drink is gin. You have to be really, really careful with that. And you also have to be 45, female and sitting on the stairs. Because gin isn't really a drink, it's more a mascara thinner. "Nobody likes my shoes!" "I made... I made fifty... fucking vol-au-vents, and not one of you... not one of you... said 'Thank you.'" And my favourite: "Everybody, shut up. Shut up! This song is all about me.
Dylan Moran
I stare at him. And stare at him. And stare a little more, open-mouthed. I stare at this man who is six four and two hundred pounds of muscle and just vented to me for five minutes about the fact that space is a scary place. God. Oh, God. I think I like him.
Ali Hazelwood (Love on the Brain)
That said, I, Beck Phillips, take full responsibility for being stuck in m y school's pitch-black venting system with my friend Jason, behind me and a garbage bag full of angry bees in front of me.
Obert Skye (Pillage (Pillage, #1))
I use my markers as I go from place to place. Seeing evidence of my small rebellions, spots where my death was allowed to vent and has impacted the world around me, no longer safely encapsulated inside. My life is made of these tiny maps, my paths always steady as I move inside a constricted area, the only one I should ever be allowed to know. My violence is everywhere here. And I like it.
Mindy McGinnis (The Female of the Species)
Venting your primal self in an emotional moment can be more than your socially constructed self can handle after the fact,” Alex says, her eyes gliding over me. “Look at you. Your hands are shaking. Your voice is weak. And your conscience is reasserting itself.
Mindy McGinnis (The Female of the Species)
Texas was ungodly hot. Like the circles of hell kind of hot. Even in the shaded interior of the rental car with cool air blasting from the vents, the heat seeped in from every tiny crack.
J. Lynn (Trust in Me (Wait for You, #1.5))
Oooh, look at my athlete. You’ll have to show me your somersault someday.” “Oh, so I’m your athlete now?” My face flushes with heat, and I reach for the air-conditioning. As I direct all vents toward me, he leans forward, slowly, and plants a soft kiss on my cheek. “I like the sound of that,” he says. “Being yours.
Phil Stamper (The Gravity of Us)
Do not laugh at me for writing you without having anything sensible to say. But I am so enraged by the base manner in which the public is presently daring to concern itself with you that I absolutely must give vent to this feeling. I am impelled to tell you how much I have come to admire your intellect, your drive, and your honesty, and that I consider myself lucky to have made your personal acquaintance in Brussels. Anyone who does not number among these reptiles is certainly happy, now as before, that we have such personages among us as you, and Langevin too, real people with whom one feels privileged to be in contact. If the rabble continues to occupy itself with you, then simply don't read that hogwash, but rather leave it to the reptile for whom it has been fabricated.
Albert Einstein
There's your problem," Leo announced. Jason scratched his head. "Uh.... what are we looking at?" Leo thought it was pretty obvious, but Piper looked confused too. "Okay," Leo sighed, " you want the full explanation or the short explanation?" "Short," Piper and Jason said in unison. Leo gestured to the empty core. "The syncopator goes here. It's a multi-access gyro-valve to regulate flow. The doxen glass tubes on the outside? Those are filled with powerful,dangerous stuff. That glowing red one is Lemnos fire from my dad's forges. This murky stuff here? That's water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.... That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we'll get a very nasty reaction." Jason and Piper stared at him. Leo wondered if he'd been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he'd used English. "Um..." Piper cleared her throat." Could you make the short explanation shorter?" Leo palm-smacked his forehead. "Fine. One hour. Fluids mix. Bunker goes ka-boom. One square mile of forest tuns into a smoking crater." "Oh," Piper said in a small voice. "Can't you just..... turn it off?" "Gee, I didn't think of that!" Leo said. "Let me just hit this switch and - No, Piper. I can't turn it off.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
Peabody, with me." She waited until they were back in her office. "Don't hover over McNab like that." "Sir?" "You hover over him, you're going to make him think you're worried." "I am worried. The twenty-four-" "Worry all you want, dump on me if you need to. But don't let him see it. He's starting to fray, and he's trying hard not to show it. You try just as hard not to show it. If you need to vent, go out there on the kitchen terrace. Scream your lungs out." "Is that what you do?" "Sometimes. Sometimes I kick inanimate objects. Sometimes I jump Roarke and have jungle sex. The last," she said after a beat, "is not an option for you." "But I think it would really make me feel better, and be a more productive member of the investigative team." "Good, humor is good. Get me coffee.
J.D. Robb (Purity in Death (In Death, #15))
I wasn't born to parents, I was born to strangers - To people who merely looked at me like a punching bag, But looked at each other with love.
﹁ Aʟʟᴍɪɢʜᴛ ﹂ Oꜰꜰɪᴄɪᴀʟ
When I feel sad, I try to think of someone else in the world who is suffering worse than me. Like someone in Seattle, who is hurting so bad financially that instead of a vente coffee at Starbucks every morning, they have to downsize to grande.
Jarod Kintz (This Book is Not for Sale)
Ma vie est monotone. Je chasse les poules, les hommes me chassent. Toutes les poules se ressemblent, et tous les hommes se ressemblent. Je m'ennuie donc un peu. Mais, si tu m'apprivoises, ma vie sera comme ensoleillée. Je connaîtrai un bruit de pas qui sera différent de tous les autres. Les autres pas me font rentrer sous terre. Le tien m'appellera hors du terrier, comme une musique. Et puis regarde ! Tu vois, là-bas, les champs de blé ? Je ne mange pas de pain. Le blé pour moi est inutile. Les champs de blé ne me rappellent rien. Et ça, c'est triste ! Mais tu as des cheveux couleur d'or. Alors ce sera merveilleux quand tu m'auras apprivoisé ! Le blé, qui est doré, me fera souvenir de toi. Et j'aimerai le bruit du vent dans le blé...
Antoine de Saint-Exupéry (The Little Prince)
Glorious,' said Steerpike, 'is a dictionary word. We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect. In dead and shackled language, my dears, you *are* glorious, but oh, to give vent to a brand new sounds that might convince you of what I really think of you, as you sit there in your purple splendour, side by side! But no, it is impossible. Life is too fleet for onomatopoeia. Dead words defy me. I can make no sound, dear ladies, that is apt.' 'You could try,' said Clarice. 'We aren't busy.' She smoothed the shining fabric of her dress with her long, lifeless fingers. 'Impossible,' replied the youth, rubbing his chin. 'Quite impossible. Only believe in my admiration for your beauty that will one day be recognized by the whole castle. Meanwhile, preserve all dignity and silent power in your twin bosoms.
Mervyn Peake (Titus Groan (Gormenghast, #1))
I began to see my parents with different eyes, and to understand their cares and worries. For my father in particular I felt compassion—less, curiously enough, for my mother. She always seemed to me the stronger of the two. Nevertheless I always felt on her side when my father gave vent to his moody irritability. This necessity for taking sides was not exactly favorable to the formation of my character. In order to liberate myself from these conflicts I fell into the role of the superior arbitrator who willy-nilly had to judge his parents. That caused a certain inflatedness in me; my unstable self-assurance was increased and diminished at the same time.
C.G. Jung (Memories, Dreams, Reflections)
Where Is Your Sanctuary? Where do you go when you’re hurting? Let’s say it’s been a terrible day at the office. You come home and go — where? To the refrigerator for comfort food like ice cream? To the phone to vent with your most trusted friend? Do you seek escape in novels or movies or video games or pornography? Where do you look for emotional rescue? The Bible tells us that God is our refuge and strength, our help in times of trouble — so much so that we will not fear though the mountains fall into the heart of the sea (Ps. 46:1 – 2). That strikes me as a good place to run. But it’s so easy to forget, so easy for us to run in other directions. Where we go says a lot about who we are. The “high ground” we seek reveals the geography of our values.
Kyle Idleman (Gods at War: Defeating the Idols that Battle for Your Heart)
This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
Uh-oh. Scolding time. She’d been scolding me every day for a week. At first, I could lie about my lack of sleep and she’d fall for it, but she started suspecting insomnia when I began seeing purple elephants in the air vents at the office. I knew I shouldn’t have asked her about them. I thought maybe she’d redecorated.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
Having adventures,” I replied. “Episode III of ‘The Perils of Pamela.’ ” I told her the whole story. She gave vent to a deep sigh when I finished. “Why do these things always happen to you?” she demanded plaintively. “Why does no one gag me and bind me hand and foot?” “You wouldn’t like it if they did,” I assured her. “To tell you the truth, I’m not nearly so keen on having adventures myself as I was. A little of that sort of thing goes a long way.
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
There is strange, and yet not strange, is the kiss. It is strange because it mixes silliness with tragedy, and yet not strange because there is good reason for it. There is shaking by the hand. That should be enough. Yet a shaking of hands is not enough to give a vent to all kinds of feeling. The hand is too hard and too used to doing all things, with too little feeling and too far from the organs of taste and smell, and far from the brain, and the length of an arm from the heart. To rub a nose like the blacks, that we think is so silly, is better, but there is nothing good to the taste about the nose, only a piece of old bone pushing out of the face, and a nuisance in winter, but a friend before meals and in a garden, indeed. With the eyes we can do nothing, for if we come too near, they go crossed and everything comes twice to the sight without good from one or other. There is nothing to be done with the ear, so back we come to the mouth, and we kiss with the mouth because it is part of the head and of the organs of taste and smell. It is temple of the voice, keeper of breath and its giving out, treasurer of tastes and succulences, and home of the noble tongue. And its portals are firm, yet soft, with a warmth, of a ripeness, unlike the rest of the face, rosy, and in women with a crinkling of red tenderness, to the taste not in compare with the wild strawberry, yet if the taste of kisses went , and strawberries came the year round, half of joy would be gone from the world. There is no wonder to me that we kiss, for when mouth comes to mouth, in all its stillness, breath joins breath, and taste joins taste, warmth is enwarmed, and tongues commune in a soundless language, and those things are said that cannot find a shape, have a name, or know a life in the pitiful faults of speech.
Richard Llewellyn (How Green Was My Valley)
Oh! je voudrais tant que tu te souviennes Des jours heureux où nous étions amis En ce temps-là la vie était plus belle Et le soleil plus brûlant qu'aujourd'hui. Les feuilles mortes se ramassent à la pelle Tu vois, je n'ai pas oublié Les feuilles mortes se ramassent à la pelle Les souvenirs et les regrets aussi. Et le vent du Nord les emporte, Dans la nuit froide de l'oubli. Tu vois je n'ai pas oublié, La chanson que tu me chantais... Les feuilles mortes se ramassent à la pelle Les souvenirs et les regrets aussi, Mais mon amour silencieux et fidèle Sourit toujours et remercie la vie. Je t'aimais tant, tu étais si jolie, Comment veux-tu que je t'oublie? En ce temps-là la vie était plus belle Et le soleil plus brûlant qu'aujourd'hui. Tu étais ma plus douce amie Mais je n'ai que faire des regrets. Et la chanson que tu chantais, Toujours, toujours je l'entendrai. C'est une chanson qui nous ressemble, Toi tu m'aimais, moi je t'aimais Et nous vivions, tous deux ensemble, Toi qui m'aimais, moi qui t'aimais. Mais la vie sépare ceux qui s'aiment, Tout doucement, sans faire de bruit Et la mer efface sur le sable Les pas des amants désunis. C'est une chanson qui nous ressemble, Toi tu m'aimais et je t'aimais Et nous vivions tous deux ensemble, Toi qui m'aimais, moi qui t'aimais. Mais la vie sépare ceux qui s'aiment, Tout doucement, sans faire de bruit Et la mer efface sur le sable Les pas des amants désunis.
Jacques Prévert
En ce temps que j'ai dit devant, Sur le Noël, morte saison, Que les loups se vivent de vent Et qu'on se tient en sa maison, Pour le frimas, près du tison, Me vint un vouloir de briser La très amoureuse prison Qui faisoit mon cœur débriser.
François Villon (Le Lais (French Edition))
He taunted me, "Pony boy, pony boy," because I liked ponies. Pony boy. He always came to vent his anger of dragons on me. They must really like us. They hide behind their Wasp Queen and pretend to hate us dragons, but in truth they love us. Why else would they bother with fucking us? That sentence probably turned you off. Thing is, I'm a very vulgar boy. -Chance Karrucci (the Sweet Dragon)
L'Poni Baldwin (Dragons and Cicadas: The Society On Da Run)
Before, as I walked about, either on my hunting, or for viewing the country, the anguish of my soul at my condition would break out upon me on a sudden, and my very heart would die within me, to think of the woods, the mountains, the desarts I was in; and how I was a prisoner, locked up with the eternal bars and bolts of the ocean, in an uninhabited wilderness, without redemption. In the midst of the greatest composures of my mind, this would break out upon me like a storm, and make me wring my hands and weep like a child. Sometimes it would take me in the middle of my work, and I would immediately sit down and sigh, and look upon the ground for an hour or two together; and this was still worse to me; for if I could burst out into tears, or vent my self by words, it would go off, and the grief having exhausted it self would abate.
Daniel Defoe (Robinson Crusoe)
Late in the evening, someone in the White House decided to vent to Ben Smith: 'A senior White House official just called me with a very pointed message for the administration's sometime allies in organized labor, who invested heavily in beating Blanche Lincoln, Obama's candidate, in Arkansas. "Organized labor just flushed $10 million of their members' money down the toilet on a pointless exercise," the official said. "If even half that total had been well-targeted and applied in key House races across this country, that could have made a real difference in November."' Boy, good thing for this source there's no member of Obama's staff who's known for blowing his stack and venting furiously at political defeats. I'll bet he was pounding the desk like a battering Rahm and that he threw out the E-manual on how to talk to the press when he did it.
Jim Geraghty
A best friend is the person who can call you at any hour and say, ‘I have all this bullshit happening in my life and I need you to listen to me vent about it.’ And the other person is supposed to unconditionally respond, ‘That is bullshit and you’re right’ and then offer to fight someone.
Kate Goldbeck (You, Again)
The place resembled a new model prison, or one that had achieved a provisional utopia after principled revolt, or maybe a homeless shelter for people with liberal arts degrees. The cages brought to mind those labs with their death-fuming vents near my college studio. These kids were part of some great experiment. It was maybe the same one in which I'd once been a subject. Unlike me, though, or the guinea pigs and hares, they were happy, or seemed happy, or were blogging about how they seemed happy.
Sam Lipsyte (The Ask)
Before, as I walk'd about, either on my Hunting, or for viewing the Country; the Anguish of my soul at my Condition, would break out upon me on a sudden, and my very Heart would die within me, to think of the Woods, the Mountains, the Desarts I was in; and how I was a Prisoner, lock'd up with the Eternal Bars and Bolts of the Ocean, in an uninhabited Wilderness, without Redemption: In the midst of the greatest Composures of my Mind, this would break out upon me like a Storm , and make me wring my Hands, and weep like a Child: Sometimes it would take me in the middle of my Work, and I would immediately sit down and sigh, and look upon the Ground for an Hour or two together; and this was still worse to me; for if I could burst out into Tears, or vent myself by Words, it would go off, and the Grief having exhausted itself would abate.
Daniel Defoe (Robinson Crusoe)
You’re acting like a child!” was one brave reporter’s response when I denied his interview. Was I acting like child? No, I didn’t think I was. They didn’t understand any of this if they thought that. You know, sometimes I wanted to take their hands and place the truth in it. I wanted to give them everything I had. Sometimes I wanted to act like they treated me and show them how childish I could be. I wanted to give them the weight of everything I felt and let them be the goddamn judge of this shit. Sometimes I wanted to vent, scream, and give it all away. Here, you take my talent. Take my life you feel the need to criticize every moment of the day. Take everything I have and you deal with the shit. You see what you can make of it since you seem to think I’m doing so badly. I wanted them to feel the pressure, the inadequateness, the letdown, all of it.
Shey Stahl (Black Flag (Racing on the Edge, #2))
Ou le vent me porte
Blake Lively
Suddenly the dressing-room of La Sorelli, one of the principal dancers, was invaded by half-a-dozen young ladies of the ballet, who had come up from the stage after “dancing” Polyeucte. They rushed in amid great confusion, some giving vent to forced and unnatural laughter, others to cries of terror. Sorelli, who wished to be alone for a moment to “run through” the speech which she was to make to the resigning managers, looked around angrily at the mad and tumultuous crowd. It was little Jammes—the girl with the tip-tilted nose, the forget-me-not eyes, the rose-red cheeks and the lily-white neck and shoulders—who gave the explanation in a trembling voice: “It’s the ghost!” And she locked the door. - Chapter 1: Is it the Ghost?
Gaston Leroux (The Phantom of the Opera)
Listen, Wesley, this may sound weird coming from me, since I hate you and all, but you can tell me stuff if you want.” It sounded like something out of a cheesy G-rated movie. Great. “I mean, I vented all of my shit about Jake to you, so if you want to do the same,… well, I’m cool with that.” The smirk slipped for a second. “I’ll keep that in mind.” Then he cleared his throat and added stiffly, “Didn’t you say that you needed to go home? You don’t want to be late for school.” “Right.” I started to stand, but his warm hand closed around my wrist. I turned around and found him looking at me. He leaned forward and pressed his lips against mine. Before I even realized what was happening, he pulled away and whispered, “Thank you, Bianca.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
What's that?" "My friend St. Clair bought it for me. So I wouldn't feel out of place." She raises her eyebrows as she pulls back onto the road. "Are there a lot of Canadians in Paris?" My face warms. "I just felt,you know, stupid for a while. Like one of those lame American tourists with the white sneakers and the cameras around their necks? So he bought it for me, so I wouldn't feel....embarrassed. American." "Being American is nothing to be ashamed of," she snaps. "God,Mom,I know.I just meant-forget it." "Is this the English boy with the French father?" "What does that have anything to do with it?" I'm angry. I don't like what she's implying. "Besides,he's American. He was born here? His mom lives in San Francisco. We sat next to each other on the plane." We stop at a red light.Mom stares at me. "You like him." "OH GOD,MOM." "You do.You like this boy." "He's just a friend.He has a girlfriend." "Anna has a boooy-friend," Seany chants. "I do not!" "ANNA HAS A BOOOY-FRIEND!" I take a sip of coffee and choke. It's disgusting. It's sludge. No, it's worse than sludge-at least sludge is organic. Seany is still taunting me. Mom reaches around and grabs his legs,which are kicking her seat again.She sees me making a face at my drink. "My,my. Once semester in France, and suddenly we're Miss Sophisticated. Your father will be thrilled." Like it was my choice! Like I asked to go to Paris! And how dare she mention Dad. "ANNNN-A HAS A BOOOY-FRIEND!" We merge back onto the interstate. It's rush hour,and the Atlanta traffic has stopped moving. The car behind ours shakes us with its thumping bass. The car in front sprays a cloud of exhaust straight into our vents. Two weeks.Only two more weeks.s
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
How did you get in here?" He opened up his arms. "Easy. I jumped from a plane onto your roof, disengaged the security grid in your basement, crawled into your house through an air vent, cut the security wires on your wall screens, crawled back outside, unlocked a sky window, slid through, and here I am." I raised a single eyebrow. "I knocked on the door and your mum let me in. Crazy, right?
Katie Kacvinsky (Still Point (Awaken, #3))
Quando avevo poco meno di vent’anni, conducevo un’esistenza apatica, senza scopo. Mi sentivo fuori posto a scuola come a casa, ed ero sempre chiuso nel mio guscio. Ero troppo sensibile, e questo mi portava a pretendere troppo dagli altri e da me stesso, e al contempo, forse proprio per questo, avevo la sensazione di essere totalmente vuoto. Ero fatto così. Pensavo che al mondo non ci fosse un posto adatto a me.
Satoshi Yagisawa
I couldn’t believe how physical and immediate my loneliness was. I needed help, some kind of comfort to get through until I could see him again, a place to vent. I needed someone warm who might not judge me.
Melissa Broder (The Pisces)
TWO THINGS STRIKE every Irish person when he comes to America, Irish friends tell me: the vastness of the country, and the seemingly endless desire of its people to talk about their personal problems. Two things strike an American when he comes to Ireland: how small it is, and how tight-lipped. An Irish person with a personal problem takes it into a hole with him, like a squirrel with a nut before winter. He tortures himself and sometimes his loved ones, too. What he doesn’t do, if he has suffered some reversal, is vent about it to the outside world. The famous Irish gift of gab is a cover for all the things they aren’t telling you.
Michael Lewis (Boomerang: Travels in the New Third World)
Lorsque j’ai commencé à voyager en Gwendalavir aux côtés d'Ewìlan et de Salim, je savais que, au fil de mon écriture, ma route croiserait celle d'une multitude de personnages. Personnages attachants ou irritants, discrets ou hauts en couleurs, pertinents ou impertinents, sympathiques ou maléfiques... Je savais cela et je m'en réjouissais. Rien, en revanche, ne m'avait préparé à une rencontre qui allait bouleverser ma vie. Rien ne m'avait préparé à Ellana. Elle est arrivée dans la Quête à sa manière, tout en finesse tonitruante, en délicatesse remarquable, en discrétion étincelante. Elle est arrivée à un moment clef, elle qui se moque des serrures, à un moment charnière, elle qui se rit des portes, au sein d’un groupe constitué, elle pourtant pétrie d’indépendance, son caractère forgé au feu de la solitude. Elle est arrivée, s'est glissée dans la confiance d'Ewilan avec l'aisance d'un songe, a capté le regard d’Edwin et son respect, a séduit Salim, conquis maître Duom... Je l’ai regardée agir, admiratif ; sans me douter un instant de la toile que sa présence, son charisme, sa beauté tissaient autour de moi. Aucun calcul de sa part. Ellana vit, elle ne calcule pas. Elle s'est contentée d'être et, ce faisant, elle a tranquillement troqué son statut de personnage secondaire pour celui de figure emblématique d'une double trilogie qui ne portait pourtant pas son nom. Convaincue du pouvoir de l'ombre, elle n'a pas cherché la lumière, a épaulé Ewilan dans sa quête d'identité puis dans sa recherche d'une parade au danger qui menaçait l'Empire. Sans elle, Ewilan n'aurait pas retrouvé ses parents, sans elle, l'Empire aurait succombé à la soif de pouvoir des Valinguites, mais elle n’en a tiré aucune gloire, trop équilibrée pour ignorer que la victoire s'appuyait sur les épaules d'un groupe de compagnons soudés par une indéfectible amitié. Lorsque j'ai posé le dernier mot du dernier tome de la saga d'Ewilan, je pensais que chacun de ses compagnons avait mérité le repos. Que chacun d'eux allait suivre son chemin, chercher son bonheur, vivre sa vie de personnage libéré par l'auteur après une éprouvante aventure littéraire. Chacun ? Pas Ellana. Impossible de la quitter. Elle hante mes rêves, se promène dans mon quotidien, fluide et insaisissable, transforme ma vision des choses et ma perception des autres, crochète mes pensées intimes, escalade mes désirs secrets... Un auteur peut-il tomber amoureux de l'un de ses personnages ? Est-ce moi qui ai créé Ellana ou n'ai-je vraiment commencé à exister que le jour où elle est apparue ? Nos routes sont-elles liées à jamais ? — Il y a deux réponses à ces questions, souffle le vent à mon oreille. Comme à toutes les questions. Celle du savant et celle du poète. — Celle du savant ? Celle du poète ? Qu'est-ce que... — Chut... Écris.
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
Une fois de plus, cela me frappe, comme une rafale de vent chaud: je l'aime follement. J'aime chaque centimètre carré de sa peau, chaque émotion qui passe dans ses yeux, chaque pensée que je devine sans qu'il dise un mot.
Christina Lauren (Beautiful Beginning (Beautiful Bastard, #3.5))
Ox, I swear to god, if you’ve ruined a normal life for outside of this, I will punch you in the spleen.” Chris said, “She’ll do it too. Trust me. When she was seven, I accidentally --ow, fine, it was on purpose, stop hitting me for fucks sake--left one of her barbies on the heating vent. It melted its face and looked...well, it looked just awesome. She didn’t think so. I still have a scar on my elbow from where she attacked me with her fingernails.
T.J. Klune (Wolfsong (Green Creek, #1))
I wasn't the most handsome man, but it was like my dad told me once: if you got born deficient downstairs, you'd better get good using your tongue. It took me years before I got the nuance of that—not that anything was lacking.
Thomm Quackenbush (The Road to Vent Haven)
And . . . it would be a real relief for me to have someone along I can talk to freely.” Her smile tilted a little at this. “Talk, or vent?” “I—hem!—suspect this one is going to entail quite a lot of venting, yes. D’you think you can stand it?
Lois McMaster Bujold (Diplomatic Immunity (Vorkosigan Saga, #13))
What a skeletal wreck of man this is. Translucent flesh and feeble bones, the kind of temple where the whores and villains try to tempt the holistic domes. Running rampid with free thought to free form, and the free and clear. When the matters at hand are shelled out like lint at a laundry mat to sift and focus on the bigger, better, now. We all have a little sin that needs venting, virtues for the rending and laws and systems and stems are ripped from the branches of office, do you know where your post entails? Do you serve a purpose, or purposely serve? When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned. For the rest of us, there is always Sunday. The day of the week the reeks of rest, but all we do is catch our breath, so we can wade naked in the bloody pool, and place our hand on the big, black book. To watch the knives zigzag between our aching fingers. A vacation is a countdown, T minus your life and counting, time to drag your tongue across the sugar cube, and hope you get a taste. WHAT THE FUCK IS ALL THIS FOR? WHAT THE HELL’S GOING ON? SHUT UP! I can go on and on but lets move on, shall we? Say, your me, and I’m you, and they all watch the things we do, and like a smack of spite they threw me down the stairs, haven’t felt like this in years. The great magnet of malicious magnanimous refuse, let me go, and punch me into the dead spout again. That’s where you go when there’s no one else around, it’s just you, and there was never anyone to begin with, now was there? Sanctimonious pretentious dastardly bastards with their thumb on the pulse, and a finger on the trigger. CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT! Government is another way to say better…than…you. It’s like ice but no pick, a murder charge that won’t stick, it’s like a whole other world where you can smell the food, but you can’t touch the silverware. Huh, what luck. Fascism you can vote for. Humph, isn’t that sweet? And we’re all gonna die some day, because that’s the American way, and I’ve drunk too much, and said too little, when your gaffer taped in the middle, say a prayer, say a face, get your self together and see what’s happening. SHUT UP! FUCK YOU! FUCK YOU! I’m sorry, I could go on and on but their times to move on so, remember: you’re a wreck, an accident. Forget the freak, your just nature. Keep the gun oiled, and the temple cleaned shit snort, and blaspheme, let the heads cool, and the engine run. Because in the end, everything we do, is just everything we’ve done.
Stone Sour (Stone Sour)
I have spent these last two days in concentrated introspection," said Cutie, "and the results have been most interesting. I began at the one sure assumption I felt permitted to make.I, myself, exist, because I think-" Powell groaned, "Oh, Jupiter, a robot Descartes!" "Who's Descartes?" demanded Donovan. "Listen, do we have to sit here and listen to this metal maniac-" "Keep quiet, Mike!" Cutie continued imperturbably, "And the question that immediately arose was: Just what is the cause of my existence?" Powell's jaw set lumpily. "You're being foolish. I told you already that we made you." "And if you don't believe us," added Donovan, "we'll gladly take you apart!" The robot spread his strong hands in a deprecatory gesture, "I accept nothing on authority. A hypothesis must be backed by reason, or else it is worthless - and it goes against all the dictates of logic to suppose that you made me." Powell dropped a restraining arm upon Donovan's suddenly unched fist. "Just why do you say that?" Cutie laughed. It was a very inhuman laugh - the most machine-like utterance he had yet given vent to. It was sharp and explosive, as regular as a metronome and as uninflected. "Look at you," he said finally. "I say this in no spirit of contempt, but look at you! The material you are made of is soft and flabby, lacking endurance and strength, depending for energy upon the inefficient oxidation of organic material - like that." He pointed a disapproving finger at what remained of Donovan's sandwich. "Periodically you pass into a coma and the least variation in temperature, air ressure, humidity, or radiation intensity impairs your efficiency. You are _makeshift_. "I, on the other hand, am a finished product. I absorb electrical energy directly and utilize it with an almost one hundred percent efficiency. I am composed of strong metal, am continuously conscious, and can stand extremes of environment easily. These are facts which, with the self-evident proposition that no being can create another being superior to itself, smashes your silly hypothesis to nothing.
Isaac Asimov
What happens when a child reared in love, protection, and honesty is suddenly beaten by someone? The child will scream, give vent to his anger, then burst into tears, reveal his pain, and probably ask: Why are you doing this to me? None of this is possible when a child trained from the very outset to be obedient is beaten by his own parents, whom he loves. The child must stifle his pain and anger and repress the whole situation to survive. For to be able to show anger the child needs the confidence based on experience that he will not be killed as a result. A battered child cannot build up this confidence; children are indeed sometimes killed when they dare to rebel against injustice. Hence the child must suppress his rage to survive in a hostile environment, must even stifle his massive, overwhelming pain in order not to die of it. So now the silence of forgetting descends over everything, and the parents are idealized—they have never done any wrong. “And if they did beat me, I deserved it.” This is the familiar version of the torture that has been endured.
Alice Miller (Banished Knowledge: Facing Childhood Injuries)
I kept flashing back to an argument I used to have with my ex. Every time I vented about work, he rushed to hand-craft a solution, which was an irritating habit. All you want to do is fix me, I spat at him once. But I never thought to ask - Why do I have such a high tolerance for being broken?
Sarah Hepola (Blackout: Remembering the Things I Drank to Forget)
No sooner had I finished reading the letter than I liberally cursed Peña Sombra and his respectful passion. ‘You wretched, preposterous, mad demon! You Lucifer! Why did the bull which you killed before our very eyes not tear your stomach out? Your cursed respect has caused the death of my husband and my sister. You have condemned me to spend my life in tears and poverty and now you dare to ask for the hand of a ten-month-old infant in marriage. Let heaven … Let …’ Well, I gave vent to everything that my anger inspired me to say and then I went to Segovia and legalized Don Sancho’s letter.
Jan Potocki (The Manuscript Found in Saragossa)
I’m glad of it, that’s one of your foolish extravagances, sending flowers and things to girls for whom you don’t care two pins,” continued Jo reprovingly. “Sensible girls for whom I do care whole papers of pins won’t let me send them ‘flowers and things’, so what can I do? My feelings need a ‘vent’.
Louisa May Alcott (Little Women (Little Women, #1))
I have learned,” Douglas explained, “first through my wife’s illness and then especially through the accident, not to confuse God with life. I’m no stoic. I am as upset about what happened to me as anyone could be. I feel free to curse the unfairness of life and to vent all my grief and anger. But I believe God feels the same way about the accident as I do—grieved and angry. I don’t blame Him for what happened… . We tend to think, ‘Life should be fair because God is fair.’ But God is not life. And if I confuse God with the physical reality of life—by expecting constant good health, for example—then I set myself up for a crashing disappointment.”3
Pat Williams (What Are You Living For?: Investing Your Life in What Matters Most)
L'Amour qui n'est pas un mot Mon Dieu jusqu'au dernier moment Avec ce coeur débile et blême Quand on est l'ombre de soi-même Comment se pourrait-il comment Comment se pourrait-il qu'on aime Ou comment nommer ce tourment Suffit-il donc que tu paraisses De l'air que te fait rattachant Tes cheveux ce geste touchant Que je renaisse et reconnaisse Un monde habité par le chant Elsa mon amour ma jeunesse O forte et douce comme un vin Pareille au soleil des fenêtres Tu me rends la caresse d'être Tu me rends la soif et la faim De vivre encore et de connaître Notre histoire jusqu'à la fin C'est miracle que d'être ensemble Que la lumière sur ta joue Qu'autour de toi le vent se joue Toujours si je te vois je tremble Comme à son premier rendez-vous Un jeune homme qui me ressemble M'habituer m'habituer Si je ne le puis qu'on m'en blâme Peut-on s'habituer aux flammes Elles vous ont avant tué Ah crevez-moi les yeux de l'âme S'ils s'habituaient aux nuées Pour la première fois ta bouche Pour la première fois ta voix D'une aile à la cime des bois L'arbre frémit jusqu'à la souche C'est toujours la première fois Quand ta robe en passant me touche Prends ce fruit lourd et palpitant Jettes-en la moitié véreuse Tu peux mordre la part heureuse Trente ans perdus et puis trente ans Au moins que ta morsure creuse C'est ma vie et je te la tends Ma vie en vérité commence Le jour que je t'ai rencontrée Toi dont les bras ont su barrer Sa route atroce à ma démence Et qui m'as montré la contrée Que la bonté seule ensemence Tu vins au coeur du désarroi Pour chasser les mauvaises fièvres Et j'ai flambé comme un genièvre A la Noël entre tes doigts Je suis né vraiment de ta lèvre Ma vie est à partir de toi
Louis Aragon
Ma liberté Longtemps je t'ai gardée Comme une perle rare Ma liberté c'est toi qui m'as aidé A larguer les amarres Pour aller n'importe où Pour aller jusqu'au bout Des chemins de fortune Pour cueillir en rêvant Une rose des vents Sur un rayon de lune Ma liberté Devant tes volontés Mon âme était soumise Ma liberté je t'avais tout donné Ma dernière chemise Et combien j'ai souffert Pour pouvoir satisfaire Tes moindres exigences J'ai changé de pays J'ai perdu mes amis Pour gagner ta confiance Ma liberté Tu as su désarmer Toutes mes habitudes Ma liberté toi qui m'as fait aimer Même la solitude Toi qui m'as fait sourire Quand je voyais finir Une belle aventure Toi qui m'as protégé Quand j'allais me cacher Pour soigner mes blessures Ma liberté Pourtant je t'ai quittée Une nuit de décembre J'ai déserté les chemins écartés Que nous suivions ensemble Lorsque sans me méfier Les pieds et poings liés Je me suis laissé faire Et je t'ai trahie pour Une prison d'amour Et sa belle geôlière Et je t'ai trahie pour Une prison d'amour Et sa belle geôlière
Georges Moustaki
Sorry," I said. There was little healing power in the word, but maybe the Inspectre wasn't looking to heal. Maybe he didn't want someone to fix it. It had been broken too long for me to think anything I said would actually help. It was like trying to put a Band-Aid on a shark bite. Sometimes people just needed to vent and get it out of their system.
Anton Strout (Dead Waters (Simon Canderous, #4))
On songe au mot d'Esprit: Je ne me consolerois jamais de mourir. Dans un monde où tout va à la mort, la mort est le fond. C'est sur lui que se dressent les femmes seules dans l'insomnie, les enfants qui regardent et les cires qui fondent. La beauté des regards et des mains, des corps, des lumières qui se portent sur eux, des couleurs qui les vêtent, des pourpoints et des socques, des vielles et des cartes à jouer, des verres et des livres, des doigts qui s'avancent et qui se tendent, est faite de la mort. La beauté est une flamme de chandelle dans la tristesse, dans l'argent, dans le mépris, dans la solitude. Dans la nuit. Une haleine d'enfant la courbe; un souffle la menace; le vent définitif l'éteint.
Pascal Quignard
On the TV screen in Harry's is The Patty Winters Show, which is now on in the afternoon and is up against Geraldo Rivera, Phil Donahue and Oprah Winfrey. Today's topic is Does Economic Success Equal Happiness? The answer, in Harry's this afternoon, is a roar of resounding "Definitely," followed by much hooting, the guys all cheering together in a friendly way. On the screen now are scenes from President Bush's inauguration early this year, then a speech from former President Reagan, while Patty delivers a hard-to-hear commentary. Soon a tiresome debate forms over whether he's lying or not, even though we don't, can't, hear the words. The first and really only one to complain is Price, who, though I think he's bothered by something else, uses this opportunity to vent his frustration, looks inappropriately stunned, asks, "How can he lie like that? How can he pull that shit?" "Oh Christ," I moan. "What shit? Now where do we have reservations at? I mean I'm not really hungry but I would like to have reservations somewhere. How about 220?" An afterthought: "McDermott, how did that rate in the new Zagat's?" "No way," Farrell complains before Craig can answer. "The coke I scored there last time was cut with so much laxative I actually had to take a shit in M.K." "Yeah, yeah, life sucks and then you die." "Low point of the night," Farrell mutters. "Weren't you with Kyria the last time you were there?" Goodrich asks. "Wasn't that the low point?" "She caught me on call waiting. What could I do?" Farrell shrugs. "I apologize." "Caught him on call waiting." McDermott nudges me, dubious. "Shut up, McDermott," Farrell says, snapping Craig's suspenders. "Date a beggar." "You forgot something, Farrell," Preston mentions. "McDermott is a beggar." "How's Courtney?" Farrell asks Craig, leering. "Just say no." Someone laughs. Price looks away from the television screen, then at Craig, and he tries to hide his displeasure by asking me, waving at the TV, "I don't believe it. He looks so... normal. He seems so... out of it. So... un dangerous." "Bimbo, bimbo," someone says. "Bypass, bypass." "He is totally harmless, you geek. Was totally harmless. Just like you are totally harmless. But he did do all that shit and you have failed to get us into 150, so, you know, what can I say?" McDermott shrugs. "I just don't get how someone, anyone, can appear that way yet be involved in such total shit," Price says, ignoring Craig, averting his eyes from Farrell. He takes out a cigar and studies it sadly. To me it still looks like there's a smudge on Price's forehead. "Because Nancy was right behind him?" Farrell guesses, looking up from the Quotrek. "Because Nancy did it?" "How can you be so fucking, I don't know, cool about it?" Price, to whom something really eerie has obviously happened, sounds genuinely perplexed. Rumor has it that he was in rehab.
Bret Easton Ellis (American Psycho)
Berrigan gave vent to a meaningful cough, which seemed to conceal the word rubbish inside it. Pritchard looked up at him with a smile. “Oh, and of course, I received a pigeon mail from Berrigan a week or so ago, telling me what you’re up to.” Halt and Crowley both swung round to look at the occasional jongleur. He shrugged. “Didn’t I tell you we keep in touch from time to time?” he asked, indicating Pritchard with a nod of his head. “No. Egon said he did. But I don’t recall your mentioning it,” Crowley replied. Berrigan thought for a second or two, then said, “Pritchard and I keep in touch from time to time.” “Highly amusing,” Crowley said, giving Berrigan a withering look. Berrigan managed to survive without being too withered.
John Flanagan (The Tournament at Gorlan (Ranger’s Apprentice: The Early Years, #1))
A ce moment-là, Maxim me regarda enfin. Il me regarda pour la première fois de la soirée et, dans ses yeux, je lus un message d'adieu. C'était comme s'il se penchait au bastingage d'un navire, et que je me tenais en contrebas sur le quai. Il y avait d'autres gens qui touchaient son épaule et qui touchaient la mienne, mais nous ne les remarquions pas. Nous ne nous parlions pas et ne nous hélions pas, car le vent et la distance emportaient le son de nos voix. Mais je vis ses yeux, tout comme lui vit les miens, avant que le navire se détache du quai. Favell, Mme Danvers, le colonel Julyan, Frank avec son bout de papier à la main, tous furent oubliés à cet instant-là. Cet instant-là était le nôtre, inviolé, communion éphémère entre nos deux êtres.
Daphne du Maurier (Rebecca)
Le Métèque Avec ma gueule de métèque, de juif errant, de pâtre grec Et mes cheveux aux quatre vents Avec mes yeux tout délavés, qui me donnent l'air de rêver Moi qui ne rêve plus souvent. Avec mes mains de maraudeur, de musicien et de rôdeur Qui ont pillé tant de jardins Avec ma bouche qui a bu, qui a embrassé et mordu Sans jamais assouvir sa faim Avec ma gueule de métèque, de juif errant, de pâtre grec De voleur et de vagabond Avec ma peau qui s'est frottée au soleil de tous les étés Et tout ce qui portait jupon Avec mon coeur qui a su faire souffrir autant qu'il a souffert Sans pour cela faire d'histoire Avec mon âme qui n'a plus la moindre chance de salut Pour éviter le purgatoire. Avec ma gueule de métèque, de juif errant, de pâtre grec Et mes cheveux aux quatre vents Je viendrai ma douce captive, mon âme soeur, ma source vive Je viendrai boire tes vingt ans Et je serai prince de sang, rêveur, ou bien adolescent Comme il te plaira de choisir Et nous ferons de chaque jour, toute une éternité d'amour Que nous vivrons à en mourir. Et nous ferons de chaque jour, toute une éternité d'amour Que nous vivrons à en mourir.
Georges Moustaki
vautré sur une chaise de métal, j’espionnai le jeu des garçonnets, lesquels se lançaient leurs voiliers miniatures d’un bord à l’autre du bassin circulaire, puis, malgré moi, j’observai le vent dans la ramée, l’oscillation des arbustes, j’envoyai deux ou trois cailloux pour dessiner des ronds sur l’eau et je me penchais vers les fleurs lorsque la paix m’inonda… J’avais compris.
Éric-Emmanuel Schmitt (Madame Pylinska et le secret de Chopin (French Edition))
army of people. First, a massive thank you to all of my readers. I wouldn’t be writing this right now if it wasn’t for your support. I say it every time, but you guys are seriously the absolute best. Thank you for sticking with me and just being awesome in general. To the greatest reading group in the history of the Internet, my Slow Burners, thank you for your patience and love. To my pre-readers/ friends for putting up with me and the horrible drafts I send you. Ryn, I can’t thank you enough for not just being a good friend but for also helping me out with this freaking blurb. To my new friend Amy who kept me company so many nights doing writing sprints and for letting me vent randomly, this book would have taken me way longer to finish (and it would have been less fun). Eva, Eva, Eva. The list of
Mariana Zapata (From Lukov with Love)
(Don’t look at me funny. That’s exactly what the old stories called him: a lame ass-driver. The dude was lame, like crippled. He was leading an ass, like a donkey. What did you think I meant?) Anyway, Psyche thought it was weird to see a crippled dude in a volcanic vent, just hanging out with his ass. (I’m not going to laugh. Nope. Not even a little.) The guy called out to her, “Hello, there, girl! You look kind and helpful. My ass has dropped some of its load…by which, of course, I mean that my donkey has dropped some of the firewood it was carrying. Could you help me gather up these sticks and put them back on my ass?” I guess Aphrodite was testing Psyche to see if she would get distracted by helping the dude. Either that or she was trying to make Psyche laugh so hard she would fall into the chasm.
Rick Riordan (Percy Jackson's Greek Heroes)
Perhaps the most extraordinary survival yet found was that of a Streptococcus bacterium that was recovered from the sealed lens of a camera that had stood on the Moon for two years. In short, there are few environments in which bacteria aren’t prepared to live. “They are finding now that when they push probes into ocean vents so hot that the probes actually start to melt, there are bacteria even there,” Victoria Bennett told me.
Bill Bryson (A Short History of Nearly Everything)
Sessanta donne crocifisse!” Che uomo stupido, privo di tatto! La Cristianità rabbrividirà con orrore alla notizia. “Profanazione del simbolo sacro.” Questo è quanto griderà la Cristianità. Sì, la Cristianità si agiterà. Può sentirmi accusato di mezzo milione di omicidi l’anno per vent’anni e mantenere la sua compostezza, ma profanare il Simbolo è tutt’altra storia. Lo considererà un fatto grave. Si sveglierà e vorrà dare un’occhiata al mio passato. Agitarsi? Lo farà senz’altro, mi sembra già di sentire un lontano brusio… È stato un errore crocifiggere le donne, chiaramente un errore, palesemente un errore, ora me ne accorgo anch’io, e mi dispiace che sia accaduto, davvero mi dispiace. Credo che sarebbe stata una risposta altrettanto buona scorticarle vive… [Con un sospiro] Ma nessuno di noi ci ha pensato; non si può pensare a tutto; e in fondo, tutto sommato, errare non è che umano.
Mark Twain (Soliloquio di Re Leopoldo: Apologia del suo ruolo in Congo)
Be calm! I entreat you to hear me, before you give vent to your hatred on my devoted head. Have I not suffered enough that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine; my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king, if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember, that I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous." "Begone! I will not hear you. There can be no community between you and me; we are enemies. Begone, or let us try our strength in a fight, in which one must fall." "How can I move thee? Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion? Believe me, Frankenstein: I was benevolent; my soul glowed with love and humanity: but am I not alone, miserably alone? You, my creator, abhor me; what hope can I gather from your fellow-creatures, who owe me nothing? they spurn and hate me. The desert mountains and dreary glaciers are my refuge. I have wandered here many days; the caves of ice, which I only do not fear, are a dwelling to me, and the only one which man does not grudge. These bleak skies I hail, for they are kinder to me than your fellow-beings. If the multitude of mankind knew of my existence, they would do as you do, and arm themselves for my destruction. Shall I not then hate them who abhor me? I will keep no terms with my enemies. I am miserable, and they shall share my wretchedness. Yet it is in your power to recompense me, and deliver them from an evil which it only remains for you to make so great that not only you and your family, but thousands of others, shall be swallowed up in the whirlwinds of its rage. Let your compassion be moved, and do not disdain me. Listen to my tale: when you have heard that, abandon or commiserate me, as you shall judge that I deserve. But hear me. The guilty are allowed, by human laws, bloody as they are, to speak in their own defence before they are condemned. Listen to me, Frankenstein. You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man! Yet I ask you not to spare me: listen to me; and then, if you can, and if you will, destroy the work of your hands.
Mary Wollstonecraft Shelley (Frankenstein)
The Book of Oogenesis In the beginning were the gametes. And though there was sex, lo, there was no gender, and life was in balance. And God said, “Let there be Sperm”: and some seeds did shrivel in size and grow cheap to make, and they did flood the market. And God said, “Let there be Eggs”: and other seeds were afflicted by a plague of Sperm. And yea, few of them bore fruit, for Sperm brought no food for the zygote, and only the largest Eggs could make up the shortfall. And these grew yet larger in the fullness of time. And God put the Eggs into a womb, and said, “Wait here: for thy bulk has made thee unwieldy, and Sperm must seek thee out in thy chambers. Henceforth shalt thou be fertilized internally.” And it was so. And God said to the gametes, “The fruit of thy fusion may abide in any place and take any shape. It may breathe air or water or the sulphurous muck of hydrothermal vents. But do not forget my one commandment unto you, which has not changed from the beginning of time: spread thy genes.” And thus did Sperm and Egg go into the world. And Sperm said, “I am cheap and plentiful, and if sowed abundantly I will surely fulfill God’s plan. I shall forever seek out new mates and then abandon them when they are with child, for there are many wombs and little time.” But Egg said, “Lo, the burden of procreation weighs heavily upon me. I must carry flesh that is but half mine, gestate and feed it even when it leaves my chamber,” for by now many of Egg’s bodies were warm of blood, and furry besides. “I can have but few children, and must devote myself to those, and protect them at every turn. And I will make Sperm help me, for he got me into this. And though he doth struggle at my side, I shall not let him stray, nor lie with my competitors.” And Sperm liked this not. And God smiled, for Its commandment had put Sperm and Egg at war with each other, even unto the day they made themselves obsolete.
Peter Watts (Blindsight (Firefall, #1))
Andreevich. “Don’t be angry with me, Misha. It’s stuffy in here, and hot outside. I don’t have enough air.” “You can see the vent window on the floor is open. Forgive us for smoking. We always forget that we shouldn’t smoke in your presence. Is it my fault that it’s arranged so stupidly here? Find me another room.” “Well, so I’m leaving, Gordosha. We’ve talked enough. I thank you for caring about me, dear comrades. It’s not a whimsy on my part. It’s an illness, sclerosis of the heart’s blood vessels. The walls of the heart muscle wear out, get thin, and one fine day can tear, burst. And I’m not forty yet. I’m not a drunkard, not a profligate.” “It’s too early to be singing at your funeral. Nonsense. You’ll live a long while yet.” “In our time the frequency of microscopic forms of cardiac hemorrhages has increased greatly. Not all of them are fatal. In some cases people survive. It’s the disease of our time. I think its causes are of a moral order. A constant, systematic dissembling is required of the vast majority of us. It’s impossible, without its affecting your health, to show yourself day after day contrary to what you feel, to lay yourself out for what you don’t love, to rejoice over what brings you misfortune. Our nervous system is not an empty sound, not a fiction. It’s a physical body made up of fibers. Our soul takes up room in space and sits inside us like the teeth in our mouth. It cannot be endlessly violated with impunity.
Boris Pasternak (Doctor Zhivago (Vintage International))
The general kind and soft customs of Mustang were soon to strike me as exceptional. Apart from occasional disputes between husband and wife, which like family rows all around the world bring raised voices, I never heard a person scream or shout; Even the children had very civilised manners. In fact the only person I knew to consistently angry in Lo Mantang was myself, and Tibetans consider bd temper a Western characteristic. Take for example the reactions of European to missing his train; he will invariably swear under his breath. Who in our can stand frustration without giving vent to anger? I soon had to master my own temper, having raised my voice against one of the innumerable people who stopped to stare at me and my smal party, I was told by a peasant: ‘’I cannot understand; you are a great man, how is it that small things like myself deserve your wrath?’’ After that I learned to be tolerant, realising that by getting mad I was only debasing myself, and that it was stupid to be bothered by trivialities.
Michel Peissel (Mustang: A Lost Tibetan Kingdom)
- Maman, pourquoi les nuages vont dans un sens et nous dans l'autre ? Isaya sourit, caressa la joue de sa fille du bout des doigts. - Il y a deux réponses à ta question. Comme à toutes les questions, tu le sais bien. Laquelle veux-tu entendre ? - Les deux. -Laquelle en premier alors ? La fillette plissa le nez. - Celle du savant. - Nous allons vers le nord parce que nous cherchons une terre où nous établir. Un endroit où construire une belle maison, élever des coureurs et cultiver des racines de niam. C'est notre rêve depuis des années et nous avons quitté Al-Far pour le vivre. - Je n’aime pas les galettes de niam... - Nous planterons aussi des fraises, promis. Les nuages, eux, n'ont pas le choix. Ils vont vers le sud parce que le vent les pousse et, comme ils sont très très légers, il sont incapables de lui résister. - Et la réponse du poète ? - Les hommes sont comme les nuages. Ils sont chassés en avant par un vent mystérieux et invisible face auquel ils sont impuissants. Ils croient maîtriser leur route et se moquent de la faiblesse des nuages, mais leur vent à eux est mille fois plus fort que celui qui souffle là-haut. La fillette croisa les bras et parut se désintéresser de la conversation afin d'observer un vol de canards au plumage chatoyant qui se posaient sur la rivière proche. Indigo, émeraude ou vert pâle, ils se bousculaient dans une cacophonie qui la fit rire aux éclats. Lorsque les chariots eurent dépassé les volatiles, elle se tourna vers sa mère. - Cette fois, je préfère la réponse du savant. -Pourquoi ? demande Isaya qui avait attendu sereinement la fin de ce qu'elle savait être une intense réflexion. - J'aime pas qu'on me pousse en cachette.
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
I vented openly about how I couldn't believe that parents had abandoned these poor kids and how one of them had even smiled at me. The professor was a mentor, someone who thought deeply about how science and mortality intersected. I expected him to agree with me. "Yeah," he said. "Good. Good for you. But sometimes, you know, I think it's better if they die." Only later would I realize that our trip had added a new dimension to my understanding of the fact that brains give rise to our ability to form relationships and make life meaningful. Sometimes, they break.
Paul Kalanithi (When Breath Becomes Air)
Me: Morning. How’s the thesis coming along? Maggie: Do you want me to sugar-coat it, or are you honestly giving me an opening to vent? Me: Wide open. Vent away. Maggie: I’m miserable, Ridge. I hate it. I work on it for hours every day, and I just want to take a bat to my computer and go all Office Space on it. If this thesis were a child, I’d put it up for adoption and not even think twice about it. If this thesis were a cute, fuzzy puppy, I’d drop it off in the middle of a busy intersection and speed away. Me: And then you would do a U-turn and go back and pick it up and play with it all night.
Colleen Hoover (Maybe Someday (Maybe, #1))
Les gens que j'aime sont toujours loin de moi, et dans l'impossibilité de venir me trouver, alors que je peux à tout instant remplir la maison d'hôtes dont je ne me soucie pas le moins du monde. Peut-être, si je les voyais plus souvent, aimerais-je moins ces amis absents - du moins est-ce ce que je pense lorsque le vent hurle autour de la maison et que la nature paraît submergée de chagrin. Il m'est d'ailleurs arrivé quelquefois de souhaiter ne pas revoir de dix ans des amis pourtant très proches. Sans doute n'est-il pas d'amitié si forte qu'elle puisse résister à l'épreuve du petit déjeuner auquel, à la campagne, chacun se sent obligé de paraître.
Elizabeth von Arnim (Elizabeth and Her German Garden)
Then I had to invent fire. NASA put a lot of effort into making sure nothing here can burn. Everything is made of metal or flame-retardant plastic and the uniforms are synthetic. I needed something that could hold a flame, some kind of pilot light. I don’t have the skills to keep enough H2 flowing to feed a flame without killing myself. Too narrow a margin there. After a search of everyone’s personal items (hey, if they wanted privacy, they shouldn’t have abandoned me on Mars with their stuff) I found my answer. Martinez is a devout Catholic. I knew that. What I didn’t know was he brought along a small wooden cross. I’m sure NASA gave him shit about it, but I also know Martinez is one stubborn son of a bitch. I chipped his sacred religious item into long splinters using a pair of pliers and a screwdriver. I figure if there’s a God, He won’t mind, considering the situation I’m in. If ruining the only religious icon I have leaves me vulnerable to Martian vampires, I’ll have to risk it. There were plenty of wires and batteries around to make a spark. But you can’t just ignite wood with a small electric spark. So I collected ribbons of bark from local palm trees, then got a couple of sticks and rubbed them together to create enough friction to… No not really. I vented pure oxygen at the stick and gave it a spark. It lit up like a match.
Andy Weir (The Martian)
Il y a quelqu'un que je n'ai encore jamais eu envie de tuer. C'est toi. Tu peux marcher dans les rues, tu peux boire et marcher dans les rues, je ne te tuerai pas. N'aie pas peur. La ville est sans danger. Le seul danger dans la ville, c'est moi. Je marche, je marche dans les rues, je tue. Mais toi, tu n'as rien à craindre. Si je te suis, c'est parce que j'aime le rythme de tes pas. Tu titubes. C'est beau. On pourrait dire que tu boites. Et que tu es bossu. Tu ne l'es pas vraiment. De temps en temps tu te redresses, et tu marches droit. Mais moi, je t'aime dans les heures avancées de la nuit, quand tu es faible, quand tu trébuches, quand tu te voûtes. Je te suis, tu trembles. De froid ou de peur. Il fait chaud pourtant. Jamais, presque jamais, peut-être jamais il n'avait fait si chaud dans notre ville. Et de quoi pourrais-tu avoir peur? De moi? Je ne suis pas ton ennemi. Je t'aime. Et personne d'autre ne pourrait te faire du mal. N'aie pas peur. je suis là. Je te protège. Pourtant, je souffre aussi. Mes larmes - grosses gouttes de pluie - me coulent sur le visage. La nuit me voile. La lune m'éclaire. Les nuages me cachent. Le vent me déchire. J'ai une sorte de tendresse pour toi. Cela m'arrive parfois. Tres rarement. Pourquoi pour toi? Je n'en sais rien. Je veux te suivre très loin, partout, longtemps. Je veux te voir souffrir encore plus. Je veux que tu en aies assez de tout le reste. Je veux que tu viennes me supplier de te prendre. Je veux que tu me désires. Que tu aies envie de moi, que tu m'aimes, que tu m'appelles. Alors, je te prendrai dans mes bras, je te serrerai sur mon coeur, tu seras mon enfant, mon amant, mon amour. Je t'emporterai. Tu avais peur de naître, et maintenant tu as peur de mourir. Tu as peur de tout. Il ne faut pas avoir peur. Il y a simplement une grande roue qui tourne. Elle s'appelle Éternité. C'est moi qui fais tourner la grande roue. Tu ne dois pas avoir peur de moi. Ni de la grande roue. La seule chose qui puisse faire peur, qui puisse faire mal, c'est la vie, et tu la connais déjà.
Ágota Kristóf
1. Choose to love each other even in those moments when you struggle to like each other. Love is a commitment, not a feeling. 2. Always answer the phone when your husband/wife is calling and, when possible, try to keep your phone off when you’re together with your spouse. 3. Make time together a priority. Budget for a consistent date night. Time is the currency of relationships, so consistently invest time in your marriage. 4. Surround yourself with friends who will strengthen your marriage, and remove yourself from people who may tempt you to compromise your character. 5. Make laughter the soundtrack of your marriage. Share moments of joy, and even in the hard times find reasons to laugh. 6. In every argument, remember that there won’t be a winner and a loser. You are partners in everything, so you’ll either win together or lose together. Work together to find a solution. 7. Remember that a strong marriage rarely has two strong people at the same time. It’s usually a husband and wife taking turns being strong for each other in the moments when the other feels weak. 8. Prioritize what happens in the bedroom. It takes more than sex to build a strong marriage, but it’s nearly impossible to build a strong marriage without it. 9. Remember that marriage isn’t 50–50; divorce is 50–50. Marriage has to be 100–100. It’s not splitting everything in half but both partners giving everything they’ve got. 10. Give your best to each other, not your leftovers after you’ve given your best to everyone else. 11. Learn from other people, but don’t feel the need to compare your life or your marriage to anyone else’s. God’s plan for your life is masterfully unique. 12. Don’t put your marriage on hold while you’re raising your kids, or else you’ll end up with an empty nest and an empty marriage. 13. Never keep secrets from each other. Secrecy is the enemy of intimacy. 14. Never lie to each other. Lies break trust, and trust is the foundation of a strong marriage. 15. When you’ve made a mistake, admit it and humbly seek forgiveness. You should be quick to say, “I was wrong. I’m sorry. Please forgive me.” 16. When your husband/wife breaks your trust, give them your forgiveness instantly, which will promote healing and create the opportunity for trust to be rebuilt. You should be quick to say, “I love you. I forgive you. Let’s move forward.” 17. Be patient with each other. Your spouse is always more important than your schedule. 18. Model the kind of marriage that will make your sons want to grow up to be good husbands and your daughters want to grow up to be good wives. 19. Be your spouse’s biggest encourager, not his/her biggest critic. Be the one who wipes away your spouse’s tears, not the one who causes them. 20. Never talk badly about your spouse to other people or vent about them online. Protect your spouse at all times and in all places. 21. Always wear your wedding ring. It will remind you that you’re always connected to your spouse, and it will remind the rest of the world that you’re off limits. 22. Connect with a community of faith. A good church can make a world of difference in your marriage and family. 23. Pray together. Every marriage is stronger with God in the middle of it. 24. When you have to choose between saying nothing or saying something mean to your spouse, say nothing every time. 25. Never consider divorce as an option. Remember that a perfect marriage is just two imperfect people who refuse to give up on each other. FINAL
Dave Willis (The Seven Laws of Love: Essential Principles for Building Stronger Relationships)
Chanson Attrape une étoile filante, Fais qu'une Mandragore enfante, Dis-moi où sont les ans passés, Qui du Diable a fendu le pied, M’enseigne à ouïr les Sirènes À parer les dards de la haine, M’apprends Quel vent Pousse un cœur honnête en avant. Si tu es né pour l'impossible, Pour voir des choses invisibles, Cours si loin que sur toi le Temps Fasse neiger des cheveux blancs. Tu me diras à ta rentrée. Les merveilles qu'as rencontrées. Et puis Qu'ici Il n’est belle fidèle aussi. S'il en est une, écris : je gage Que ce fût doux Pèlerinage ; Et pourtant non, je n'irais point, Dussé-je la trouver non loin : Quand écrivant tu l'aurais vue Fidèle, jusqu'à ma venue Je crois Ma foi Qu’elle en trompera deux ou trois. (p. 103)
John Donne
He approached the great glass barrier dividing the room, and the speaker at the end of the table. "Cyclops?" he whispered, stepping closer, clearing his tight throat, "Cyclops, it's me, Gordon." The glow in the pearly lens was subdued. But the row of little lights still flashed--a complex pattern that repeated over and over like an urgent message from a distant ship in some lost code--ever, hypnotically, the same. Gordon felt a frantic dread rise within him, as when, during his boyhood, he had encountered his grandfather lying perfectly still on the porch swing, and feared to find that the beloved old man had died. The pattern of lights repeated, over and over. Gordon wondered. How many people would recall, after the hell of the last seventeen years, that the parity displays of a great supercomputer never repeated themselves? Gordon remembered a cyberneticist friend telling him the patterns of light were like snowflakes, none ever the same as any other. "Cyclops," he said evenly, "Answer me! I demand you answer--in the name of decency! In the name of the United St--" He stopped. He couldn't bring himself to meet this lie with another. Here, the only living mind he would fool would be himself. The room was warmer than it had seemed during his interview. He looked for, and found, the little vents through which cool air could be directed at a visitor seated in the guest chair, giving an impression of great cold just beyond the glass wall. "Dry ice," he muttered, "to fool the citizens of Oz.
David Brin (The Postman)
Watney, how you doing?" Lewis's voice said in his ear. "Fine so far, Commander," Watney replied. "You mentioned a plan?" "Affirmative," she said. "We're going to vent atmosphere to get thrust." "How?" "We're going to blow a hole in the VAL." "What!?" Watney said. "How!?" "Vogel's making a bomb." "I knew that guy was a mad scientist!" Watney said. "I think we should just go with my Iron Man idea." "That's too risky, and you know it," she replied. "Thing is," Watney said, "I'm selfish. I want the memorials back home to be just for me. I don't want the rest of you losers in them. I can't let you guys blow the VAL." "Oh," Lewis said, "well if you won't let us then - Wait... wait a minute... I'm looking at my shoulder patch and it turns out I'm the commander. Sit tight. We're coming to get you." "Smart ass.
Andy Weir (The Martian)
L'isolement Souvent sur la montagne, à l'ombre du vieux chêne, Au coucher du soleil, tristement je m'assieds ; Je promène au hasard mes regards sur la plaine, Dont le tableau changeant se déroule à mes pieds. Ici gronde le fleuve aux vagues écumantes ; Il serpente, et s'enfonce en un lointain obscur ; Là le lac immobile étend ses eaux dormantes Où l'étoile du soir se lève dans l'azur. Au sommet de ces monts couronnés de bois sombres, Le crépuscule encor jette un dernier rayon ; Et le char vaporeux de la reine des ombres Monte, et blanchit déjà les bords de l'horizon. Cependant, s'élançant de la flèche gothique, Un son religieux se répand dans les airs : Le voyageur s'arrête, et la cloche rustique Aux derniers bruits du jour mêle de saints concerts. Mais à ces doux tableaux mon âme indifférente N'éprouve devant eux ni charme ni transports ; Je contemple la terre ainsi qu'une ombre errante Le soleil des vivants n'échauffe plus les morts. De colline en colline en vain portant ma vue, Du sud à l'aquilon, de l'aurore au couchant, Je parcours tous les points de l'immense étendue, Et je dis : " Nulle part le bonheur ne m'attend. " Que me font ces vallons, ces palais, ces chaumières, Vains objets dont pour moi le charme est envolé ? Fleuves, rochers, forêts, solitudes si chères, Un seul être vous manque, et tout est dépeuplé ! Que le tour du soleil ou commence ou s'achève, D'un oeil indifférent je le suis dans son cours ; En un ciel sombre ou pur qu'il se couche ou se lève, Qu'importe le soleil ? je n'attends rien des jours. Quand je pourrais le suivre en sa vaste carrière, Mes yeux verraient partout le vide et les déserts : Je ne désire rien de tout ce qu'il éclaire; Je ne demande rien à l'immense univers. Mais peut-être au-delà des bornes de sa sphère, Lieux où le vrai soleil éclaire d'autres cieux, Si je pouvais laisser ma dépouille à la terre, Ce que j'ai tant rêvé paraîtrait à mes yeux ! Là, je m'enivrerais à la source où j'aspire ; Là, je retrouverais et l'espoir et l'amour, Et ce bien idéal que toute âme désire, Et qui n'a pas de nom au terrestre séjour ! Que ne puîs-je, porté sur le char de l'Aurore, Vague objet de mes voeux, m'élancer jusqu'à toi ! Sur la terre d'exil pourquoi resté-je encore ? Il n'est rien de commun entre la terre et moi. Quand là feuille des bois tombe dans la prairie, Le vent du soir s'élève et l'arrache aux vallons ; Et moi, je suis semblable à la feuille flétrie : Emportez-moi comme elle, orageux aquilons !
Alphonse de Lamartine (Antologija francuskog pjesništva)
A VALEDICTION: OF THE BOOK I'll tell thee now (dear love) what thou shalt do To anger destiny, as she doth us; How I shall stay, though she eloign me thus, And how posterity shall know it too; How thine may out-endure Sibyl's glory, and obscure Her who from Pindar could allure, And her, through whose help Lucan is not lame, And her, whose book (they say) Homer did find, and name. Study our manuscripts, those myriads Of letters, which have past 'twixt thee and me; Thence write our annals, and in them will be To all whom love's subliming fire invades, Rule and example found; There the faith of any ground No schismatic will dare to wound, That sees, how Love this grace to us affords, To make, to keep, to use, to be these his records. This book, as long-lived as the elements, Or as the world's form, this all-graved tome In cypher writ, or new made idiom; We for Love's clergy only are instruments; When this book is made thus, Should again the ravenous Vandals and Goths invade us, Learning were safe; in this our universe, Schools might learn sciences, spheres music, angels verse. Here Love's divines—since all divinity Is love or wonder—may find all they seek, Whether abstract spiritual love they like, Their souls exhaled with what they do not see; Or, loth so to amuse Faith's infirmity, they choose Something which they may see and use; For, though mind be the heaven, where love doth sit, Beauty a convenient type may be to figure it. Here more than in their books may lawyers find, Both by what titles mistresses are ours, And how prerogative these states devours, Transferred from Love himself, to womankind; Who, though from heart and eyes, They exact great subsidies, Forsake him who on them relies; And for the cause, honour, or conscience give; Chimeras vain as they or their prerogative. Here statesmen, (or of them, they which can read) May of their occupation find the grounds; Love, and their art, alike it deadly wounds, If to consider what 'tis, one proceed. In both they do excel Who the present govern well, Whose weakness none doth, or dares tell; In this thy book, such will there something see, As in the Bible some can find out alchemy. Thus vent thy thoughts; abroad I'll study thee, As he removes far off, that great heights takes; How great love is, presence best trial makes, But absence tries how long this love will be; To take a latitude Sun, or stars, are fitliest viewed At their brightest, but to conclude Of longitudes, what other way have we, But to mark when and where the dark eclipses be?
John Donne (The Love Poems)
LA LUNE I Jeanne songeait, sur l'herbe assise, grave et rose; Je m'approchai:-Dis-moi si tu veux quelque chose, Jeanne ?-car j'obéis à ces charmants amours, Je les guette, et je cherche à comprendre toujours Tout ce qui peut passer par ces divines têtes. Jeanne m'a répondu:-Je voudrais voir des bêtes. Alors je lui montrai dans l'herbe une fourmi. -Vois ! Mais Jeanne ne fut contente qu'à demi. -Non, les bêtes, c'est gros, me dit-elle. Leur rêve, C'est le grand. L'Océan les attire à sa grève, Les berçant de son chant rauque, et les captivant Par l'ombre, et par la fuite effrayante du vent; Ils aiment l'épouvante, il leur faut le prodige. -Je n'ai pas d'éléphant sous la main, répondis-je. Veux-tu quelque autre chose ? ô Jeanne, on te le doit ! Parle.-Alors Jeanne au ciel leva son petit doigt. -Ça, dit-elle.-C'était l'heure où le soir commence. Je vis à l'horizon surgir la lune immense.
Victor Hugo (L'Art d'être grand-père)
Mysterious My paper shines White, like snow, but the paper looks empty. I could decorate it with tiny spiders or stars or sketches of me looking at a blank page, but the clock ticks, and somehow I must write. I like the sight of untouched snow. Gentle, slow, silent, it drifts and swirls, layers itself, and I see a new world of mysterious, inviting shapes. I walk in its white whispers, susurrus. I drift back to this paper that feels hard on the disk, and I begin to listen- to the story I tell myself. The paper is a white, patient place, my private space for remembering, saving: spring sun on my face venting and inventing, arguing with my mother, wondering: who am I, wandering through cobwebs of old dreams, crying, sighing at people who don't see me, hoping to write music so blue listeners forget to breathe, playing the sounds, jamming with myself, changing ....into the me I can't quite see.
Pat Mora (Dizzy in Your Eyes: Poems about Love)
Running is a form of escapism; few runners would deny that. The metaphor of running away from one’s problems is hardly allegory, and it was certainly the case for me. Though why is that such a bad thing? Having a release valve allows the buildup of toxic fumes to be vented periodically. On untold occasions I ran out the door with the weight of the world on my shoulders and in the course of 5 or 6 strenuous miles these problems somehow dissipated into the ether. Sometimes I just wanted to keep going, to leave the world behind and just run. But that would be irresponsible. Yeah, it would, which made the idea all the more appealing. Odysseus ventured to faraway lands, yet returned home to his responsibilities and familial duties in due course a renewed man. Running could be at once irresponsible and responsible in this regard, a way to escape the madness of modernity and reemerge refreshed and washed clean.
Dean Karnazes (A Runner's High: Older, Wiser, Slower, Stronger)
Ione II. 'TWAS in the radiant summer weather, When God looked, smiling, from the sky; And we went wand'ring much together By wood and lane, Ione and I, Attracted by the subtle tie Of common thoughts and common tastes, Of eyes whose vision saw the same, And freely granted beauty's claim Where others found but worthless wastes. We paused to hear the far bells ringing Across the distance, sweet and clear. We listened to the wild bird's singing The song he meant for his mate's ear, And deemed our chance to do so dear. We loved to watch the warrior Sun, With flaming shield and flaunting crest, Go striding down the gory West, When Day's long fight was fought and won. And life became a different story; Where'er I looked, I saw new light. Earth's self assumed a greater glory, Mine eyes were cleared to fuller sight. Then first I saw the need and might Of that fair band, the singing throng, Who, gifted with the skill divine, Take up the threads of life, spun fine, And weave them into soulful song. They sung for me, whose passion pressing My soul, found vent in song nor line. They bore the burden of expressing All that I felt, with art's design, And every word of theirs was mine. I read them to Ione, ofttimes, By hill and shore, beneath fair skies, And she looked deeply in mine eyes, And knew my love spoke through their rhymes. Her life was like the stream that floweth, And mine was like the waiting sea; Her love was like the flower that bloweth, And mine was like the searching bee — I found her sweetness all for me. God plied him in the mint of time, And coined for us a golden day, And rolled it ringing down life's way With love's sweet music in its chime. And God unclasped the Book of Ages, And laid it open to our sight; Upon the dimness of its pages, So long consigned to rayless night, He shed the glory of his light. We read them well, we read them long, And ever thrilling did we see That love ruled all humanity, — The master passion, pure and strong.
Paul Laurence Dunbar
For many years I had tremendous problems with anger. I wouldn’t acknowledge it. It terrified me. I thought that I’d get lost in it. That once it started, it was never going to end. That it would totally consume me. But as I’ve said before, the opposite of depression is expression. What comes out of our body doesn’t make us ill. What stays in there does. Forgiveness is release, and I couldn’t let go until I gave myself permission to feel and express my rage. I finally asked my therapist to sit on me, to hold me down so I had a force to push against, so I could release a primal scream. Silent rage is self-destructive. If you’re not actively, consciously, intentionally releasing it, you’re holding on to it. And that’s not going to do you any good. Neither is venting anger. That’s when you blow your top. It might feel cathartic in the moment, but others foot the bill. And it can become addictive. You’re not really releasing anything. You’re just perpetuating a cycle—a harmful one. The best thing to do with anger is to learn to channel it, and then dissolve it.
Edith Eger (The Gift: 14 Lessons to Save Your Life)
There is always, for some reason, an element of sadness mingled with my thoughts of human happiness, and, on this occasion, at the sight of a happy man I was overcome by an oppressive feeling that was close upon despair. It was particularly oppressive at night. A bed was made up for me in the room next to my brother’s bedroom, and I could hear that he was awake, and that he kept getting up and going to the plate of gooseberries and taking one. I reflected how many satisfied, happy people there really are! ‘What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there is not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes... Everything is quiet and peaceful, and nothing protests but mute statistics: so many people gone out of their minds, so many gallons of vodka drunk, so many children dead from malnutrition... And this order of things is evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible. It’s a case of general hypnotism. There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him—disease, poverty, losses, and no one will see or hear, just as now he neither sees nor hears others. But there is no man with a hammer; the happy man lives at his ease, and trivial daily cares faintly agitate him like the wind in the aspen-tree—and all goes well.
Anton Chekhov (Stories)
remembered an incident from the prison. In that other world-within-a-world, back then, I moved into a new prison cell and discovered a tiny mouse there. The creature entered through a cracked air vent, and crept into the cell every night. Patience and obsessional focus are the gems we mine in the tunnels of prison solitude. Using them, and tiny morsels of food, I bribed the little mouse, over several weeks, and eventually trained it to eat from the edge of my hand. When the prison guards moved me from that cell, in a routine rotation, I told the new tenant—a prisoner I thought I knew well—about the trained mouse. On the morning after the move, he invited me to see the mouse. He’d captured the trusting creature, and crucified it, face down, on a cross made from a broken ruler. He laughed as he told me how the mouse had struggled when he’d tied it by its neck to the cross with cotton thread. He marvelled at how long it had taken to drive thumbtacks into its wriggling paws. Are we ever justified in what we do? That question ruined my sleep for a long time after I saw the tortured little mouse.
Gregory David Roberts (Shantaram)
I saw the Tracker—but that’s wrong, really. I saw right to where the tracking thing was. I saw those winnowing tentacles come out again, and the front figure pause, and then—it’s the only word that actually describes it—ooze on again on its via dolorosa. And at that the hind figure seemed to summon all its strength. It seemed to open out a fringe of arms or tentacles, a sort of corona of black rays spread out. It gaped with a full expansion, and even I could feel that there was a perfectly horrible attraction, or vacuum drag, being exerted. That was horrible enough, with the face of the super-suffering man now almost under me resonating my own terror. But the worst thing was that, as the tentacles unwrapped and winnowed out toward their prey, I saw they weren’t really tentacles at all. They were spreading cracks, veins, fissures, rents of darkness expanding from a void, a gap of pure blackness. There’s only one way to say it—one was seeing right through the solid world into a gap, an ultimate maelstrom. And from it was spreading out a—I can only call it so—a negative sunrise of black radiation that would deluge and obliterate everything. Of course it was still only a fissure, a vent, but one realized—This is a hole, a widening hole, that has been pierced in the dike that defends the common-sense, sensuous world. Through this vortex-hole that is rapidly opening, over this lip and brink, everything could slip, fall in, find no purchase, be swallowed up. It was like watching a crumbling cliff with survivors clinging to it being undercut and toppling into a black tide that had swallowed up its base. This negative force could drag the solidest things from their base, melt them, engulf the whole hard, visible world. And we were right on that brink. What was after us, for I knew now I was in its field, was not a thing of any passions or desires. Those are limited things, satiable things—in a way, balanced things, and so familiar, safe even, almost friendly in comparison with this. You know the grim saying, “You can give a sop to Cerberus, but not to his Master.” No, this was—that’s the technical term, I found, coined by those who have been up against this and come back alive—this was absolute Deprivation, really insatiable need, need that nothing can satisfy, absolute refusal to give, to yield. It is the second strongest thing in the universe, and, indeed, outside that. It could swallow the whole universe, and the universe would go for nothing, because in that gap the whole universe could fill not a bit of it. It would remain as empty, as gaping, as insatiable as ever, for it is the bottomless pit made by unstanchable Lack.
Gerald Heard (Dromenon: The Best Weird Stories of Gerald Heard)
Le Roi des Aulnes Quel est ce chevalier qui file si tard dans la nuit et le vent ? C'est le père avec son enfant ; Il serre le petit garçon dans son bras, Il le serre bien, il lui tient chaud. « Mon fils, pourquoi caches-tu avec tant d'effroi ton visage ? — Père, ne vois-tu pas le Roi des Aulnes ? Le Roi des Aulnes avec sa traîne et sa couronne ? — Mon fils, c'est un banc de brouillard. — Cher enfant, viens, pars avec moi ! Je jouerai à de très beaux jeux avec toi, Il y a de nombreuses fleurs de toutes les couleurs sur le rivage, Et ma mère possède de nombreux habits d'or. — Mon père, mon père, et n'entends-tu pas, Ce que le Roi des Aulnes me promet à voix basse ? — Sois calme, reste calme, mon enfant ! C'est le vent qui murmure dans les feuilles mortes. — Veux-tu, gentil garçon, venir avec moi ? Mes filles s'occuperont bien de toi Mes filles mèneront la ronde toute la nuit, Elles te berceront de leurs chants et de leurs danses. — Mon père, mon père, et ne vois-tu pas là-bas Les filles du Roi des Aulnes dans ce lieu sombre ? — Mon fils, mon fils, je vois bien : Ce sont les vieux saules qui paraissent si gris. — Je t'aime, ton joli visage me charme, Et si tu ne veux pas, j'utiliserai la force. — Mon père, mon père, maintenant il m'empoigne ! Le Roi des Aulnes m'a fait mal ! » Le père frissonne d'horreur, il galope à vive allure, Il tient dans ses bras l'enfant gémissant, Il arrive à grand-peine à son port ; Dans ses bras l'enfant était mort.
Charles Nodier
The cemetery watchman left the room and returned with a tray holding three small skulls and a large one. I could feel the short hairs on the back of my neck standing up of their own accord. None of them were real though; they were wood or celluloid imitations. They all had flaps that opened at the top; one was a jug and the other three steins. The man behind the desk named the toast. 'To our Friend!' I thought he meant myself at first; he meant that shadowy enemy of all mankind, the Grim Reaper. 'We are called The Friends of Death,' he explained to me when the grisly containers had been emptied. 'To outline our creed and purpose briefly, it is this: That death is life, and life is death. We have mastered death, and no member of the Friends of Death need ever fear it. They 'die,' it is true, but after death they are buried in special graves in our private cemetery - graves having air vents, such as you discovered. Also, our graves are equipped with electric signals, so that after the bodies of our buried members begin to respond to the secret treatment our scientists have given them before internment, we are warned. Then we come and release them - and they live again. Moreover, they are released, freed of their thralldom; from then on death is an old familiar friend instead of an enemy. They no longer fear it. Do you not see what a wonderful boon this would be in your case, Brother Bud; you who have suffered so from that fear?' ("Graves For The Living")
Cornell Woolrich
Un jour, avec des yeux vitreux, ma mère me dit: « Lorsque tu seras dans ton lit, que tu entendras les aboiements des chiens dans la campagne, cache-toi dans ta couverture, ne tourne pas en dérision ce qu'ils font: ils ont soif insatiable de l'infini, comme toi, comme moi, comme le reste des humains, à la figure pâle et longue. Même, je te permets de te mettre devant la fenêtre pour contempler ce spectacle, qui est assez sublime » Depuis ce temps, je respecte le voeu de la morte. Moi, comme les chiens, j'éprouve le besoin de l'infini... Je ne puis, je ne puis contenter ce besoin! Je suis fils de l'homme et de la femme, d'après ce qu'on m'a dit. Ça m'étonne... je croyais être davantage! Au reste, que m'importe d'où je viens? Moi, si cela avait pu dépendre de ma volonté, j'aurais voulu être plutôt le fils de la femelle du requin, dont la faim est amie des tempêtes, et du tigre, à la cruauté reconnue: je ne serais pas si méchant. Vous, qui me regardez, éloignez-vous de moi, car mon haleine exhale un souffle empoisonné. Nul n'a encore vu les rides vertes de mon front; ni les os en saillie de ma figure maigre, pareils aux arêtes de quelque grand poisson, ou aux rochers couvrant les rivages de la mer, ou aux abruptes montagnes alpestres, que je parcourus souvent, quand j'avais sur ma tête des cheveux d'une autre couleur. Et, quand je rôde autour des habitations des hommes, pendant les nuits orageuses, les yeux ardents, les cheveux flagellés par le vent des tempêtes, isolé comme une pierre au milieu du chemin, je couvre ma face flétrie, avec un morceau de velours, noir comme la suie qui remplit l'intérieur des cheminées : il ne faut pas que les yeux soient témoins de la laideur que l'Etre suprême, avec un sourire de haine puissante, a mise sur moi.
Comte de Lautréamont (Les Chants de Maldoror)
Roll call. What’s this week’s all scatter word?” “Lowdown,” said Camilla. “And the all clear?” “Deadweight,” said Nona. “Perfect. What are your stations if that thing in the sky even looks like it’s about to start periscoping?” “The underground tunnels by the fish market,” said Camilla. “The big underpass bridge dugout,” said Nona. “Ten points to you both. And what do you do once you’re there?” “Hide until you come,” said Nona, and then added, truthfully: “And rescue any nearby animals so long as they don’t exceed the size of a box, and are wooly rather than hairy.” “Half points. No animals, hairy or wooly, I don’t care. Cam?” Camilla had finished with her hat, and now she was easing the big dark glasses onto her face— the ones she kept specially, despite the fact that they were a little unbalanced on her nose and her ears. They made both Palamedes and Camilla look chilly and clinical, but as Palamedes said, they solved the problem of the ghost limb. Without them he was everlastingly pushing something up his nose that wasn’t there. And Nona thought Camilla privately rather liked them. She settled them on, considered the question, and said: “Fight.” “No points. Camilla if you engage with a Herald, you’re not coming home.” “That’s your theory,” said Camilla. “There’s data behind it. Hect—” “If Camilla gets to fight, I should get to keep adjacent dogs,” said Nona decidedly. “Even if they’re hairy.” Pyrrha turned her eyes up to the ceiling in mute appeal. Her exhalation rasped loudly against the vent in her mask. “I used to run the whole Bureau,” she said, and now she didn’t sound like she was addressing either of them. “Now I’m up against wannabe heroes and hairy dogs. This is the punishment she would’ve wanted for me. God, she must be pissing herself laughing… let’s go kids. Like hell am I walking in this heat.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Nope- it was not! Ava and her girls that day went, and they cut a class at some point in the day and broke into my baby. Then Ava- ‘Rubbed one out!’ that means that she masturbated, and squirted her lady- juices all over the inside of my car. Yes- and I mean it went all over. It was on my seat on the dash, on the floor, and Ava smeared what creaminess that was on her two fingers on the windows, and driver’s side vent. As her clan, sisters pissed all over the carpet on the floor, and took their dumps on the seat, and left their thongs behind. Alison, she wrote a note on her undies saying- ‘Now you have some pairs to wear!’ It was so nasty! Plus- the outside was covered and wrapped with toilet paper as well as littered with Ava and her sisters used feminine products. What is wrong with these girls? What did I do to deserve this one? Likewise, the other kids thought it was the most humorous thing, which they ever witnessed at the end of the school day. When I discovered it- You know, I was utterly sick to my stomach. I think I screamed so loudly it echoed throughout the land, and started to cry and ran while being pushed around bouncing around off their bodies, I cannot remember- I was so upset, and then the kids were all around me kicking, and pushing me from one place to another. I was just like a hacky sack for them, until I passed out, and dropped to the hard ground. That gave them time for them to spit on me, and dump things like glue in my hair or whatever that shit was. Then what gets me is that she signed her name- Ava on the dashboard with a black permanent sharpie marker, and It reads, ‘Suck on this- Nevaeh- lick, what I gave you all up!’ and she drew a heart, with a line through it also. She wanted me to know because there was not a thing I could do about it. Depressed- to say that her juicy sprays were more yellowish, and a thick sticky white, then clear on my blue and white cloth seats. Yet, Hope had the car towed and cleaned for me inside and out, she could not believe what kids do these days. Therefore, that was the first time that I drove my car to school and the last. That whole thing cost me a lot. I guess it is back to the bus. That is what everyone wants is it not. This completely sucked; I have a car that I cannot drive anywhere other than at home or have locked up in the barn- with the other rust bucket car.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
Ai kishte dëgjuar më parë avionët të bënin zhurmë të sforcuar po jo si kjo kërkëllitje e metalit rreth e rrotull tij, sikur perçinat po dilnin vendit si ca kopsa të jakave të modës së vjetër. Veç kësaj, krahët qenë shumë të hollë. Edhe në një ditë të qetë e blu, po t'i shihje ato të dridheshin do të thoshe: një çift fletësh hekuri, ja se ç'janë. - Viktor, po anohemi gjithnjë e më tepër... S'kam parë kurrë kaq keq. Asnjë koment. S'mund të mohohej ajo që dukej. Avioni hidhej poshtë e lart si një kartë bixhozi. - Në qoftë se rrëzohemi... - Do të jetë faji im. Unë të futa këtu. Qe një çast fluturimi i rrafshtë, pa lëkundje. Viktori u habit që ritmi i zemrës së tij nuk qe rritur. As nuk e mbajti frymën dhe as nuk u djersit kur avioni nisi të bjerë përsëri. - Ti sikur s'çan kokë dhe aq, - tha Katrina. - Sigurisht që çaj. - Dëgjo Viktor. Nëqoftë se vdekja është përpara çdo minute, nëqoftë se do të përfundojmë në ujë... Dua të të pyes të më thuash diçka. - Mos e fillo këtë Katrinë. - Është fare e thjeshtë. Dua thjesht ta thuash këtë... - Lëri këto budallallëqe, Katrina. Në një kohë të tillë si kjo, të më pyet. E çfarë? Për dashurinë? - Zemërimi e bëri zërin e tij të ngjante përsëri me një flaut. Goja iu zmadhua dhe mustaqet gjithashtu iu zgjeruan. Ai qe gati të fliste edhe më ashpër. Ajo e ndërpreu: - Mos u bëj kështu me mua tani, Viktor. Nëqoftë se ne do të biem, pse nuk do të doje ta thoje këtë?... - E kape këtë rast për të më përdredhur krahun. - Në se ne nuk e duam njëri-tjetrin, atëherë çfarë bëjmë ne? Pse ndodhemi këtu? - U ndodhëm se ti je një grua dhe unë jam një burrë, ja pse ndodhemi këtu. Ç'mendim të çuditshëm që kishte: ateistët pranojnë ritin absolut. Gruaja këmbëngul dhe burri që po vdes, tund kokën. Pse jo? Pas pak, ata ndjenë ngritjen e kontrolluar të avionit. Ai kishte gjetur përsëri një shtresë të butë ajri dhe po fluturonte qetësisht. Ende në ankth, Katrina nisi të mendojë rreth atyre ç'i kishte shtënë në kokë fortuna. - Tani jemi mirë, - tha Viktori. Ajo ndjeu se ishte shumë më pak mirë se ç'kishte qenë ndonjëherë. O zot! Sa shumë humba, mendonte ajo. Dera e kabinës u hap dhe piloti i dytë tha: - Jeni mirë? Ishte rrugë e keqe. Por për një minutë jemi mbi Çikagon e jugut. - Një lumë fjalësh, një kërkëllitje e pakuptueshme erdhi nga kulla e kontrollit në Miduej. Viktori qe i qetë dhe dukej edhe me humor të mirë. Ç'vetëpërmbajtje kishte ai njeri! Dhe nuk t'i përmendte kundër teje, gjërat qesharake. E kishte shumë të mirë këtë gjë. Atje në spital, për shembull. Ai nuk mund të thoshte: "Të dua". Kjo do të qe shfajësim. Katrina vente e vinte nëpër fjalët e thënë nga ai e ajo, ndërsa avioni u afrua pranë tokës dhe u ul. I kishte mbetur mendja te të gjithë ato edhe kur i kaluan te helikopteri, nën fshikullimën e helikave. Vajzat e shërbimit aty, qenë të mësuara. Ato sikur thoshin: Mos u mërzit e dashur, dashuria do t'i zgjidhë problemet e tua. Bëje veten të meritueshme dhe do të dashurohesh. fq.126-128
Saul Bellow (Him With His Foot in His Mouth and Other Stories)
I stopped struggling, going limp in his arms. He reached around us and shoved the door closed, spinning around and facing us toward the kitchen. “I was trying to make you breakfast.” It took a moment for his words and their meaning to sink in. I stared dumbfounded across the room and past the island. There was smoke billowing up from the stove and the window above the sink was wide open. Bowls and spoons littered the island and there was a carton of eggs sitting out. He was trying to cook. He was really bad at it. I started to laugh. The kind of laugh that shook my shoulders and bubbled up hysterically. My heart rate was still out of control, and I took in a few breaths between laughs to try and calm it down. He said something, but I couldn’t hear him because the fire alarm was still going off. I had no doubt half the neighborhood was now awake from the sound. He didn’t bother to put me down, instead hauling me along with him, where he finally set me down, dragged a chair over near the alarm, and climbed up to remove the battery. The noise cut off and the kitchen fell silent. “Well, shit,” he said, staring at the battery in his hand. A giggle escaped me. “Does this always happen when you cook?” He shrugged. “The only time I ever cook is when it’s my turn at the station.” His forehead creased and a thoughtful look came over his face. “The guys are never around when it’s my night to cook. Now I know why.” He snagged a towel off the counter and began waving away the rest of the lingering smoke. I clicked on the vent fan above the stove. There was a pan with half a melted spatula, something that may or may not have once been eggs, and a muffin tin with half-burned, half-raw muffins (how was that even possible?). “Well, this looks…” My words faltered, trying to come up with something positive to say. “Completely inedible?” he finished. I grinned. “You did all this for me?” “I figured after a week of hospital food, you might like something good. Apparently you aren’t going to find that here.” I had the urge to hug him. I kept my feet planted where they were. “Thank you. No one’s ever ruined a pan for me before.” He grinned. “I have cereal. Even I can’t mess that up.” I watched as he pulled down a bowl and poured me some, adding milk. He looked so cute when he handed me the bowl that I lifted the spoon and took a bite. “Best cereal I ever had.” “Damn straight.” I carried it over to the counter and sat down. “After we eat, would you mind taking me to my car? I hope it’s still drivable.” “What about the keys?” “I have a security deposit box at the bank. I keep my spare there in case I ever need them.” “Pretty smart.” “I have a few good ideas now and then.” “Contrary to the way it looks, I do too.” “Thank you for trying to make me breakfast. And for the cereal.” He walked over to the stove and picked up the ruined pan. “You died with honor,” he said, giving it a mock salute. And then he threw the entire thing into the trashcan. I laughed. “You could have washed it, you know.” He made a face. “No. Then I might be tempted to use it again.
Cambria Hebert (Torch (Take It Off, #1))
Besides, I know you loved my Lucy . . ." Here he turned away and covered his face with his hands. I could hear the tears in his voice. Mr. Morris, with instinctive delicacy, just laid a hand for a moment on his shoulder, and then walked quietly out of the room. I suppose there is something in a woman's nature that makes a man free to break down before her and express his feelings on the tender or emotional side without feeling it derogatory to his manhood. For when Lord Godalming found himself alone with me he sat down on the sofa and gave way utterly and openly. I sat down beside him and took his hand. I hope he didn't think it forward of me, and that if her ever thinks of it afterwards he never will have such a thought. There I wrong him. I know he never will. He is too true a gentleman.I said to him, for I could see that his heart was breaking, "I loved dear Lucy, and I know what she was to you, and what you were to her. She and I were like sisters, and now she is gone, will you not let me be like a sister to you in your trouble? I know what sorrows you have had, though I cannot measure the depth of them. If sympathy and pity can help in your affliction, won't you let me be of some little service, for Lucy's sake?" In an instant the poor dear fellow was overwhelmed with grief. It seemed to me that all that he had of late been suffering in silence found a vent at once. He grew quite hysterical,and raising his open hands, beat his palms together in a perfect agony of grief. He stood up and then sat down again, and the tears rained down his cheeks. I felt an infinite pity for him, and opened my arms unthinkingly. With a sob he laid his head on my shoulder and cried like a wearied child, whilst he shook with emotion. We women have something of the mother in us that makes us rise above smaller matters when the mother spirit is invoked. I felt this big sorrowing man's head resting on me, as though it were that of a baby that some day may lie on my bosom, and I stroked his hair as though he were my own child. I never thought at the time how strange it all was. After a little bit his sobs ceased, and he raised himself with an apology, though he made no disguise of his emotion. He told me that for days and nights past, weary days and sleepless nights, he had been unable to speak with any one, as a man must speak in his time of sorrow. There was no woman whose sympathy could be given to him, or with whom, owing to the terrible circumstance with which his sorrow was surrounded, he could speak freely. "I know now how I suffered," he said, as he dried his eyes, "but I do not know even yet, and none other can ever know, how much your sweet sympathy has been to me today. I shall know better in time, and believe me that, though I am not ungrateful now, my gratitude will grow with my understanding. You will let me be like a brother, will you not, for all our lives, for dear Lucy's sake?" "For dear Lucy's sake," I said as we clasped hands."Ay, and for your own sake," he added, "for if a man's esteem and gratitude are ever worth the winning, you have won mine today. If ever the future should bring to you a time when you need a man's help,believe me, you will not call in vain. God grant that no such time may ever come to you to break the sunshine of your life, but if it should ever come, promise me that you will let me know." He was so earnest, and his sorrow was so fresh, that I felt it would comfort him, so I said, "I promise.
Bram Stoker (Dracula)
Les deux femmes, vêtues de noir, remirent le corps dans le lit de ma sœur, elles jetèrent dessus des fleurs et de l’eau bénite, puis, lorsque le soleil eut fini de jeter dans l’appartement sa lueur rougeâtre et terne comme le regard d’un cadavre, quand le jour eut disparu de dessus les vitres, elles allumèrent deux petites bougies qui étaient sur la table de nuit, s’agenouillèrent et me dirent de prier comme elles. Je priai, oh ! bien fort, le plus qu’il m’était possible ! mais rien… Lélia ne remuait pas ! Je fus longtemps ainsi agenouillé, la tête sur les draps du lit froids et humides, je pleurais, mais bas et sans angoisses ; il me semblait qu’en pensant, en pleurant, en me déchirant l’âme avec des prières et des vœux, j’obtiendrais un souffle, un regard, un geste de ce corps aux formes indécises et dont on ne distinguait rien si ce n’est, à une place, une forme ronde qui devait être La tête, et plus bas une autre qui semblait être les pieds. Je croyais, moi, pauvre naïf enfant, je croyais que la prière pouvait rendre la vie à un cadavre, tant j’avais de foi et de candeur ! Oh ! on ne sait ce qu’a d’amer et de sombre une nuit ainsi passée à prier sur un cadavre, à pleurer, à vouloir faire renaître le néant ! On ne sait tout ce qu’il y a de hideux et d’horrible dans une nuit de larmes et de sanglots, à la lueur de deux cierges mortuaires, entouré de deux femmes aux chants monotones, aux larmes vénales, aux grotesques psalmodies ! On ne sait enfin tout ce que cette scène de désespoir et de deuil vous remplit le cœur : enfant, de tristesse et d’amertume ; jeune homme, de scepticisme ; vieillard, de désespoir ! Le jour arriva. Mais quand le jour commença à paraître, lorsque les deux cierges mortuaires commençaient à mourir aussi, alors ces deux femmes partirent et me laissèrent seul. Je courus après elles, et me traînant à leurs pieds, m’attachant à leurs vêtements : — Ma sœur ! leur dis-je, eh bien, ma sœur ! oui, Lélia ! où est-elle ? Elles me regardèrent étonnées. — Ma sœur ! vous m’avez dit de prier, j’ai prié pour qu’elle revienne, vous m’avez trompé ! — Mais c’était pour son âme ! Son âme ? Qu’est-ce que cela signifiait ? On m’avait souvent parlé de Dieu, jamais de l’âme. Dieu, je comprenais cela au moins, car si l’on m’eût demandé ce qu’il était, eh bien, j’aurais pris La linotte de Lélia, et, lui brisant la tête entre mes mains, j’aurais dit : « Et moi aussi, je suis Dieu ! » Mais l’âme ? l’âme ? qu’est-ce cela ? J’eus la hardiesse de le leur demander, mais elles s’en allèrent sans me répondre. Son âme ! eh bien, elles m’ont trompé, ces femmes. Pour moi, ce que je voulais, c’était Lélia, Lélia qui jouait avec moi sur le gazon, dans les bois, qui se couchait sur la mousse, qui cueillait des fleurs et puis qui les jetait au vent ; c’était Lelia, ma belle petite sœur aux grands yeux bleus, Lélia qui m’embrassait le soir après sa poupée, après son mouton chéri, après sa linotte. Pauvre sœur ! c’était toi que je demandais à grands cris, en pleurant, et ces gens barbares et inhumains me répondaient : « Non, tu ne la reverras pas, tu as prié non pour elle, mais tu as prié pour son âme ! quelque chose d’inconnu, de vague comme un mot d’une langue étrangère ; tu as prié pour un souffle, pour un mot, pour le néant, pour son âme enfin ! » Son âme, son âme, je la méprise, son âme, je la regrette, je n’y pense plus. Qu’est-ce que ça me fait à moi, son âme ? savez-vous ce que c’est que son âme ? Mais c’est son corps que je veux ! c’est son regard, sa vie, c’est elle enfin ! et vous ne m’avez rien rendu de tout cela. Ces femmes m’ont trompé, eh bien, je les ai maudites. Cette malédiction est retombée sur moi, philosophe imbécile qui ne sais pas comprendre un mot sans L’épeler, croire à une âme sans la sentir, et craindre un Dieu dont, semblable au Prométhée d’Eschyle, je brave les coups et que je méprise trop pour blasphémer.
Gustave Flaubert (La dernière heure : Conte philosophique inachevé)
Dear Jon, A real Dear Jon let­ter, how per­fect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one para­graph in and I’ve al­ready fucked this. I’m writ­ing this be­cause I can’t say any of this to you face-to-face. I’ve spent the last few months ques­tion­ing a lot of my friend­ships and won­der­ing what their pur­pose is, if not to work through big emo­tional things to­gether. But I now re­al­ize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the lit­eral sense, but I know you all would have done any­thing to fix me other than lis­ten­ing to me talk and al­low­ing me to be sad with­out so­lu­tions. And now I am writ­ing this let­ter rather than pick­ing up the phone and talk­ing to you be­cause, de­spite every thing I know, I just don’t want to, and I don’t think you want me to ei­ther. I lost my mind when Jen broke up with me. I’m pretty sure it’s been the sub­ject of a few of your What­sApp con­ver­sa­tions and more power to you, be­cause I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt. If you do a high-fat, high-pro­tein, low-carb diet and join a gym, it will be a good dis­trac­tion for a while and you will lose fat and gain mus­cle, but you will run out of steam and eat nor­mally again and put all the weight back on. So maybe don’t bother. Drunk­en­ness is an­other idea. I was in black­out for most of the first two months and I think that’s fine, it got me through the evenings (and the oc­ca­sional af­ter­noon). You’ll have to do a lot of it on your own, though, be­cause no one is free to meet up any more. I think that’s fine for a bit. It was for me un­til some­one walked past me drink­ing from a whisky minia­ture while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only per­son I’ve ever told this story. None of your mates will be ex­cited that you’re sin­gle again. I’m prob­a­bly your only sin­gle mate and even I’m not that ex­cited. Gen­er­ally the ex­pe­ri­ence of be­ing sin­gle at thirty-five will feel dif­fer­ent to any other time you’ve been sin­gle and that’s no bad thing. When your ex moves on, you might be­come ob­sessed with the bloke in a way that is al­most sex­ual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do some­times. If you open up to me or one of the other boys, it will feel good in the mo­ment and then you’ll get an emo­tional hang­over the next day. You’ll wish you could take it all back. You may even feel like we’ve en­joyed see­ing you so low. Or that we feel smug be­cause we’re win­ning at some­thing and you’re los­ing. Re­member that none of us feel that. You may be­come ob­sessed with work­ing out why ex­actly she broke up with you and you are likely to go fully, fully nuts in your bid to find a sat­is­fy­ing an­swer. I can save you a lot of time by let­ting you know that you may well never work it out. And even if you did work it out, what’s the pur­pose of it? Soon enough, some girl is go­ing to be crazy about you for some un­de­fin­able rea­son and you’re not go­ing to be in­ter­ested in her for some un­de­fin­able rea­son. It’s all so ran­dom and un­fair – the peo­ple we want to be with don’t want to be with us and the peo­ple who want to be with us are not the peo­ple we want to be with. Re­ally, the thing that’s go­ing to hurt a lot is the fact that some­one doesn’t want to be with you any more. Feel­ing the ab­sence of some­one’s com­pany and the ab­sence of their love are two dif­fer­ent things. I wish I’d known that ear­lier. I wish I’d known that it isn’t any­body’s job to stay in a re­la­tion­ship they don’t want to be in just so some­one else doesn’t feel bad about them­selves. Any­way. That’s all. You’re go­ing to be okay, mate. Andy
Dolly Alderton (Good Material)