“
I do hope we shall meet again. Perhaps we could have a reading club of some sorts. I 've read that one." She leaned in. "Have you reached the part where Mr. Darcy proposes?"
Asriel narrowed his gaze on Cross. "She did that on purpose."
Pippa shook her head. "Oh, I did not ruin it. Elizabeth refuses." She paused. "I suppose I did ruin that. Apologies.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
Marisa! Marisa!” The cry was torn from Lord Asriel, and with the snow leopard beside her, with a roaring in her ears, Lyra’s mother stood and found her footing and leapt with all her heart, to hurl herself against the angel and her daemon and her dying lover, and seize those beating wings, and bear them all down together into the abyss.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Oh! You’re Lord Asriel!” “That’s right. But how are you going to test the truth of that claim?” “What’s the baby’s name?” “Lyra.” “And what’s her dæmon called?” “Pantalaimon.
”
”
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
“
Which made her barefaced lies all the more effective, Lord Asriel thought with disgust; she lied in the very marrow of her bones.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
“
Asriel was a tall man with powerful shoulders, a fierce dark face, and eyes that seemed to flash and glitter with savage laughter. It was a face to be dominated by, or to fight: never a face to patronize or pity. All his movements were large and perfectly balanced, like those of a wild animal, and when he appeared in a room like this, he seemed a wild animal held in a cage too small for it.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
At one point he seemed to be showing the moon to Lyra, pointing up at it and holding her so she could see, or perhaps he was showing Lyra to the moon; at any rate he looked like a lord in his own domain, with nothing to fear and all the silvery night to enjoy.
”
”
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
“
My daughter!” cried Lord Asriel, exulting. “Isn’t it something to bring a child like that into the world? You’d think it was enough to go alone to the king of the armored bears and trick his kingdom out of his paws—but to go down into the world of the dead and calmly let them all out! And that boy; I want to meet that boy; I want to shake his hand. Did we know what we were taking on when we started this rebellion? No. But did they know—the Authority and his Regent, this Metatron—did they know what they were taking on when my daughter got involved?
”
”
Philip Pullman (His Dark Materials)
“
I can’t bear the thought of oblivion, Asriel,” she continued. “Sooner anything than that. I used to think pain would be worse—to be tortured forever—I thought that must be worse . . . But as long as you were conscious, it would be better, wouldn’t it? Better than feeling nothing, just going into the dark, everything going out forever and ever?
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I can’t bear the thought of oblivion, Asriel,” she continued. “Sooner anything than that. I used to think pain would be worse – to be tortured for ever – I thought that must be worse… But as long as you were conscious, it would be better, wouldn’t it? Better than feeling nothing, just going into the dark, everything going out for ever and ever?
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Oh, this was confusing. Mrs. Coulter was so kind and wise, whereas Lyra had actually seen the Master trying to poison Uncle Asriel. Which of them did she owe most obedience to?
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
And Lord Asriel has a way special to himself of bringing about what he wants, he just has to call for something and—
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
El aletiómetro advierte de aterradoras consecuencias si lord Asriel continúa investigando.
”
”
Philip Pullman (La brújula dorada (La Materia Oscura))
“
The two dark figures of the bene elim has not moved. But they spoke:
"You must come with us now. Lord Asriel needs you at once. The enemy's power is growing every minute. The shaman has told you what your task is. Follow us and help us win. Come with us. Come this way. Come now."
And Will looked from them to Lyra's rucksack and back again, and he didn't hear a word they said.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
And that was how sin came into the world," he said, "sin and shame and death. It came the moment their daemons became fixed."
"But..." Lyra struggled to find the words she wanted: "but it en't true, is it? Not true like chemistry or engineering, not that kind of true? There wasn't really an Adam and Eve? The Cassington Scholar told me it was just a kind of fairy tale."
"The Cassington Scholarship is traditionally given to a freethinker; it's his function to challenge the faith of the Scholars. Naturally he'd say that. But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it.
"Anyway, it's what the Church has taught for thousands of years. And when Rusakov discovered Dust, at last there was a physical proof that something happened when innocence changed into experience.
"Incidentally, the Bible gave us the name Dust as well. At first they were called Rusakov Particles, but soon someone pointed out a curious verse toward the end of the Third Chapter of Genesis, where God's cursing Adam for eating the fruit."
He opened the Bible again and pointed it out to Lyra. She read:
"In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return...."
Lord Asriel said, "Church scholars have always puzzled over the translation of that verse. Some say it should read not 'unto dust shalt thou return' but 'thou shalt be subject to dust,' and others say the whole verse is a kind of pun on the words 'ground' and 'dust,' and it really means that God's admitting his own nature to be partly sinful. No one agrees. No one can, because the text is corrupt. But it was too good a word to waste, and that's why the particles became known as Dust.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Asriel among the bears: "Iofur Raknison, I'm going to be entirely frank with you," followed by a string of confident and overbearing lies—had he noticed the bear-king's doll-dæmon, the clue that he was unbearlike enough to be tricked? Or was it just luck?—but he knew the bears well enough. He was very like his daughter.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
I can't bear the thought of oblivion, Asriel," she continued. "Sooner anything than that. I used to think pain would be worse – to be tortured for ever – I thought that must be worse... But as long as you were conscious, it would be better, wouldn't it? Better than feeling nothing, just going into the dark, everything going out for ever and ever?
”
”
Philip Pullman (His Dark Materials)
“
I lied and lied, Asriel… Let’s not wait too long, I can’t bear it… We won’t live, will we? We won’t survive like the ghosts?”
“Not if we fall into the abyss. We came here to give Lyra time to find her dæmon, and then time to live and grow up. If we take Metatron to extinction, Marisa, she’ll have that time, and if we go with him, it doesn’t matter.
”
”
Philip Pullman (His Dark Materials)
“
nothing. “I can’t bear the thought of oblivion, Asriel,” she continued. “Sooner anything than that. I used to think pain would be worse—to be tortured forever—I thought that must be worse … But as long as you were conscious, it would be better, wouldn’t it? Better than feeling nothing, just going into the dark, everything going out forever and ever?
”
”
Philip Pullman (His Dark Materials Omnibus (His Dark Materials, #1-3))
“
Malcolm verbeet de pijn in zijn linkerarm en rommelde onder in de rugzak op zoek naar de alethiometer in de zwartfluwelen stof. Terwijl hij hem tevoorschijn haalde, viel het fluwelen lapje open en het gouden mechaniek glansde in het zwakke licht.
'Wat is dát?' vroeg Asriel.
'Een aardigheidje voor Lyra.' En Malcolm stopte het vlug tussen haar dekentjes.
”
”
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
“
Iofur’s playing a difficult game. But he’s clever. He’s done what they both want. He’s kept Lord Asriel isolated, to please Mrs. Coulter; and he’s let Lord Asriel have all the equipment he wants, to please him. Can’t last, this equilibrium. Unstable. Pleasing both sides. Eh? The wave function of this situation is going to collapse quite soon. I have it on good authority.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
To stop you getting impatient, that’s why. You don’t really want to stand around at the cocktail party being all sweet and pretty. She’s just making a pet out of you.” Lyra turned her back and closed her eyes. But what Pantalaimon said was true. She had been feeling confined and cramped by this polite life, however luxurious it was. She would have given anything for a day with Roger and her Oxford ragamuffin friends, with a battle in the claybeds and a race along the canal. The one thing that kept her polite and attentive to Mrs. Coulter was that tantalizing hope of going north. Perhaps they would meet Lord Asriel. Perhaps he and Mrs. Coulter would fall in love, and they would get married and adopt Lyra, and go and rescue Roger from the Gobblers.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Lord Asriel was a tall man with powerful shoulders, a fierce dark face, and eyes that seemed to flash and glitter with savage laughter. It was a face to be dominated by, or to fight: never a face to patronize or pity. All his movements were large and perfectly balanced, like those of a wild animal, and when he appeared in a room like this, he seemed a wild animal held in a cage too small for it.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Keep behind me, Metatron—wait here—Asriel is suspicious—let me lull him first. When he’s off guard, I’ll call you. But come as a shadow, in this small form, so he doesn’t see you—otherwise, he’ll just let the child’s dæmon fly away.” The Regent was a being whose profound intellect had had thousands of years to deepen and strengthen itself, and whose knowledge extended over a million universes. Nevertheless, at that moment he was blinded by his twin obsessions: to destroy Lyra and to possess her mother. He nodded and stayed where he was, while the woman and the monkey moved forward as quietly as they could.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
“
There’s a child or a ghost or something down in that village,” she said, “or maybe near it, I don’t know for certain. I want to go and find him and bring him back to Lord Faa and the others if I can. I thought he was a ghost, but the symbol reader might be telling me something I can’t understand.” “If he is outside,” said the bear, “he had better have some shelter.” “I don’t think he’s dead,” said Lyra, but she was far from sure. The alethiometer had indicated something uncanny and unnatural, which was alarming; but who was she? Lord Asriel’s daughter. And who was under her command? A mighty bear. How could she possibly show any fear?
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Serafina had thought Mrs. Coulter beautiful, for a short-life; but Ruta Skadi was as lovely as Mrs. Coulter, with an extra dimension of the mysterious, the uncanny. She had trafficked with spirits, and it showed. She was vivid and passionate, with large black eyes; it was said that Lord Asriel himself had been her lover. She wore heavy gold earrings and a crown on her black curly hair ringed with the fangs of snow tigers. Serafina’s dæmon, Kaisa, had learned from Ruta Skadi’s dæmon that she had killed the tigers herself in order to punish the Tartar tribe who worshiped them, because the tribesmen had failed to do her honor when she had visited their territory. Without their tiger gods, the tribe declined into fear and melancholy and begged her to allow them to worship her instead, only to be rejected with contempt; for what good would their worship do her? she asked. It had done nothing for the tigers. Such was Ruta Skadi: beautiful, proud, and pitiless.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Angels! Halt and listen to me! I am the witch Ruta Skadi, and I want to talk to you!” They turned. Their great wings beat inward, slowing them, and their bodies swung downward till they were standing upright in the air, holding their position by the beating of their wings. They surrounded her, five huge forms glowing in the dark air, lit by an invisible sun. She looked around, sitting on her pine branch proud and unafraid, though her heart was beating with the strangeness of it, and her dæmon fluttered to sit close to the warmth of her body. Each angel-being was distinctly an individual, and yet they had more in common with one another than with any human she had seen. What they shared was a shimmering, darting play of intelligence and feeling that seemed to sweep over them all simultaneously. They were naked, but she felt naked in front of their glance, it was so piercing and went so deep. Still, she was unashamed of what she was, and she returned their gaze with head held high. “So you are angels,” she said, “or Watchers, or bene elim. Where are you going?” “We are following a call,” said one. She was not sure which one had spoken. It might have been any or all of them at once. “Whose call?” she said. “A man’s.” “Lord Asriel’s?” “It may be.” “Why are you following his call?” “Because we are willing to,” came the reply. “Then wherever he is, you can guide me to him as well,” she ordered them. Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
She’s the daughter of Lord Asriel,” said Farder Coram. “And her mother is Mrs. Coulter, of the Oblation Board.” “And apart from that?” The old gyptian had to shake his head. “No,” he said, “I don’t know any more. But she’s a strange innocent creature, and I wouldn’t have her harmed for the world. How she comes to read that instrument I couldn’t guess, but I believe her when she talks of it. Why, Dr. Lanselius? What do you know about her?” “The witches have talked about this child for centuries past,” said the consul. “Because they live so close to the place where the veil between the worlds is thin, they hear immortal whispers from time to time, in the voices of those beings who pass between the worlds. And they have spoken of a child such as this, who has a great destiny that can only be fulfilled elsewhere—not in this world, but far beyond. Without this child, we shall all die. So the witches say. But she must fulfill this destiny in ignorance of what she is doing, because only in her ignorance can we be saved. Do you understand that, Farder Coram?” “No,” said Farder Coram, “I’m unable to say that I do.” “What it means is that she must be free to make mistakes. We must hope that she does not, but we can’t guide her. I am glad to have seen this child before I die.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Now this might sound strange to you, Serafina Pekkala, but I know the man better than any wife could know him, better than a mother. He’s been my master and my study for nigh on forty years. I can’t follow him to the height of his thought any more than I can fly, but I can see where he’s a-heading even if I can’t go after him. No, it’s my belief he turned away from a rebellion against the Church not because the Church was too strong, but because it was too weak to be worth the fighting.” “So…what is he doing?” “I think he’s a-waging a higher war than that. I think he’s aiming a rebellion against the highest power of all. He’s gone a-searching for the dwelling place of the Authority Himself, and he’s a-going to destroy Him. That’s what I think. It shakes my heart to voice it, ma’am. I hardly dare think of it. But I can’t put together any other story that makes sense of what he’s doing.” Serafina sat quiet for a few moments, absorbing what Thorold had said. Before she could speak, he went on: “ ’Course, anyone setting out to do a grand thing like that would be the target of the Church’s anger. Goes without saying. It’d be the most gigantic blasphemy, that’s what they’d say. They’d have him before the Consistorial Court and sentenced to death before you could blink. I’ve never spoke of it before and I shan’t again; I’d be afraid to speak it aloud to you if you weren’t a witch and beyond the power of the Church; but that makes sense, and nothing else does. He’s a-going to find the Authority and kill Him.” “Is that possible?” said Serafina. “Lord Asriel’s life has been filled with things that were impossible. I wouldn’t like to say there was anything he couldn’t do. But on the face of it, Serafina Pekkala, yes, he’s stark mad. If angels couldn’t do it, how can a man dare to think about it?” “Angels? What are angels?” “Beings of pure spirit, the Church says. The Church teaches that some of the angels rebelled before the world was created, and got flung out of heaven and into hell. They failed, you see, that’s the point. They couldn’t do it. And they had the power of angels. Lord Asriel is just a man, with human power, no more than that. But his ambition is limitless. He dares to do what men and women don’t even dare to think. And look what he’s done already: he’s torn open the sky, he’s opened the way to another world.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.
”
”
Philip Pullman (His Dark Materials)
“
That was Lyra’s world and her delight. She was a coarse and greedy little savage, for the most part. But she always had a dim sense that it wasn’t her whole world; that part of her also belonged in the grandeur and ritual of Jordan College; and that somewhere in her life there was a connection with the high world of politics represented by Lord Asriel. All she did with that knowledge was to give herself airs and lord it over the other urchins. It had never occurred to her to find out more.
”
”
Philip Pullman (The Golden Compass)
“
Both of them sat silent on the moss-covered rock in the slant of sunlight through the old pines and thought how many tiny chances had conspired to bring them to this place. Each of those chances might have gone a different way. Perhaps in another world, another Will had not seen the window in Sunderland Avenue, and had wandered on tired and lost toward the Midlands until he was caught. And in another world another Pantalaimon had persuaded another Lyra not to stay in the retiring room, and another Lord Asriel had been poisoned, and another Roger had survived to play with that Lyra forever on the roofs and in the alleys of another unchanging Oxford.
”
”
Philip Pullman (His Dark Materials Omnibus (His Dark Materials, #1-3))