French Quotes

We've searched our database for all the quotes and captions related to French. Here they are! All 100 of them:

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For the two of us, home isn't a place. It is a person. And we are finally home.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries." Even Thalia smiled at that. "And I need to use the dam restroom." ... I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand." "I want to use the dam water fountain," Grover said. "And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt.
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Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
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I go to seek a Great Perhaps.
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François Rabelais
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French name, English accent, American school. Anna confused.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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The more you know who you are, and what you want, the less you let things upset you.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Is it possible for home to be a person and not a place?
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Give me books, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know.
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John Keats
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I know you aren't perfect. But it's a person's imperfections that make them perfect for someone else.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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I'm a little distracted by this English French American Boy Masterpiece.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I wish friends held hands more often, like the children I see on the streets sometimes. I'm not sure why we have to grow up and get embarrassed about it.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Will you please tell me you love me? I’m dying here.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I'm saying I'm in love with you! I've been in love with you this whole bleeding year!
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Boys turns girls into such idiots.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Why is it that the right people never wind up together? Why are people so afraid to leave a relationship, even if they know it's a bad one?
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I wish for the thing that is best for me.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Girl scouts didn't teach me what to do with emotionally unstable drunk boys.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Boy, those French! They have a different word for everything.
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Steve Martin
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Just because something isn't practical doesn't mean it's not worth creating. Sometimes beauty and real-life magic are enough.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Madame Guillotine gets mad at me. Not because I told them to shove it, but because I didn’t say it in French. What is wrong with this school?
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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The only French word I know is oui, which means β€œyes,” and only recently did I learn it’s spelled o-​u-​i and not w-​e-​e.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Soap?" "School of America in Paris" he explains. "SOAP". Nice. My father sent me here to be cleansed.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Perfect is overrated. Perfect is boring." I smile. "You don't think I'm perfect?" "No. You're delightfully screwy, and I wouldn't have you any other way.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Speak in French when you can’t think of the English for a thing-- turn your toes out when you walk--- And remember who you are!
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Lewis Carroll (Through The Looking Glass)
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Blood may be thicker than water, but it's certainly not as thick as ketchup. Nor does it go as well with French fries.
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Jarod Kintz (This Book is Not for Sale)
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So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have?
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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...This particular blunder is known as deus ex machina, which is French for "Are you fucking kidding me?
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Howard Mittelmark (How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Themβ€”A Misstep-by-Misstep Guide)
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When it's right, it's simple.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity...
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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Seriously, I don't know any American girl who can resist an English accent.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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So do you believe in second chances?" I bite my lip. "Second, third, fourth. Whatever it takes. However long it takes. If the person is right," he adds. "If the person is... Lola?" This time, he holds my gaze. "Only if the other person is Cricket.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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I don't want to feel this way around him. I want things to be normal. I want to be his friend, not another stupid girl holding out for something that will never happen.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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He showed the words β€œchocolate cake” to a group of Americans and recorded their word associations. β€œGuilt” was the top response. If that strikes you as unexceptional, consider the response of French eaters to the same prompt: β€œcelebration.
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Michael Pollan (In Defense of Food: An Eater's Manifesto)
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And if I'm the stars, Cricket Bell is entire galaxies.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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How many times can our emotions be tied to someone else's - be pulled and stretched and twisted - before they snap? Before they can never be mended again?
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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There are some people in life that you can't get over.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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We both got our Point Zero wishes―each other. He said he wished for me every time.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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She's a serial kisser. I think her parents are French.
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C.C. Hunter (Born at Midnight (Shadow Falls, #1))
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Sometimes a mistake isn't a what. It's a who.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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A moment of reserve. "That was it? The whole story?" "Yes. God, you're right. That was pants." I sidestep another aggressive couscous vendor. "Pants?" "Rubbish. Crap. Shite." Pants. Oh heavens, that's cute.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I don't believe in fashion. I believe in costume. Life is too short to be same person every day.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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I went to a restaurant that serves "breakfast at any time" so I ordered French toast during the Renaissance.
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Steven Wright
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I moan with pleasure. "Did you just have a foodgasm?" he asks, wiping ricotta from his lips. "Where have you been all my life?" I ask the beautiful panini.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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This is home. The two of us.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Anna, Anna," Josh interrupts. "If I had a euro for every stupid thing I've done, I could buy the Mona Lisa. You'll be fine.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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People should say what they mean and not make other people stumble around.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Everyone makes mistakes. The important thing is to not make the same mistake twice.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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It's easy to talk about things we hate, but sometimes it's hard to explain exactly why we like something.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Please. The boy gets a boner every time you walk into the room." My eyes pop back open. Does she mean that figuratively or has she actually seen something? No. Focus, Anna.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Why do I care so much about him, and why do I wish I didn't? How can one person make me so confused all of the time?
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Har. Bloody. Har." He smiles. "Oh, I see. Known me less than a day and teasing me about my accent. What's next? Care to discuss the state of my hair? My height? My trousers?" Trousers. Honestly.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Because that’s the thing about depression. When I feel it deeply, I don’t want to let it go. It becomes a comfort. I want to cloak myself under its heavy weight and breathe it into my lungs. I want to nurture it, grow it, cultivate it. It’s mine. I want to check out with it, drift asleep wrapped in its arms and not wake up for a long, long time.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Je suis comme Γ§a. Ou j'oublie tout de suite ou je n'oublie jamais." Samuel BECKETT, En attendant Godot I'm like that. Either I forget right away or I never forget.
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Samuel Beckett (Waiting for Godot)
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I am not good at noticing when I'm happy, except in retrospect.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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I am hard on myself. But isn’t it better to be honest about these things before someone else can use them against you? Before someone else can break your heart? Isn’t it better to break it yourself?
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Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
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Palestine belongs to the Arabs in the same sense that England belongs to the English or France to the French. It is wrong and inhuman to impose the Jews on the Arabs... Surely it would be a crime against humanity to reduce the proud Arabs so that Palestine can be restored to the Jews partly or wholly as their national home
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Mahatma Gandhi
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Life isn’t about what you get, it’s about what you DO with what you get.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Phones are distracting. The internet is distracting.The way he looked at you? He wasn't distracted. He was consumed.
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Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
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I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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A blank canvas...has unlimited possibilities.
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Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
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And I hold my head high toward my big entrance, hand in hand with the boy who gave me the moon and the stars.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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I draw him closer by his tie and whisper into his ear, "Cricket Bell, I have been in love with you for my entire life.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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What just happened?" "Your father invited the former love of your life in for pie." "Yeah, that's what I thought.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Sorry to be your second choice." "Don't be stupid. Third choice. Mum's asleep, remember?" He laughs again.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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St. Clair clears his throat. 'My fiancΓ©e and I are headed out for a celebratory dessert. I'd ask you all to join us, but I don't want you there.
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Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
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There's no story,' I say. 'I saw you one day, and I just knew.
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Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
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Oof," he says. "Hey, there's a bed there." "Thanks for the warning." "No problem.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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It's not right. It hasn't been right, not since I met you.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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There's a word for it," she told me, "in French, for when you have a lingering impression of something having passed by. Sillage. I always think of it when a firework explodes and lights up the smoke from the ones before it." "That's a terrible word," I teased. "It's like an excuse for holding onto the past." "Well, I think it's beautiful. A word for remembering small moments destined to be lost.
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Robyn Schneider (The Beginning of Everything)
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What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.
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Ocean Vuong (On Earth We're Briefly Gorgeous)
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Why?" His voice is suspicious. "Are you two going out now?" "Yeah, we set up our first date right after he asked me to marry him. Please. We're just friends.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Sissy Mae Smith...stumbled into the room loaded down with even more bags. "You pack like a woman," she snarled when she finally dropped the luggage to the floor. "How can one man have so much conditioner?" His mouth filled with French toast, Mitch pointed at his hair and snarled, "Tawny mane! Do you think this shit stays this beautiful on its own? It needs care and love! Which is more than I'm getting from you!
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Shelly Laurenston (The Mane Squeeze (Pride, #4))
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Do adults realize how lucky they are? Or do they forget that these small moments are actually small miracles? I don’t want to ever forget.
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Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
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I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
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I wasn't being a git. I wasn't even being a twat, or a wanker, or any of your other bleeding Briticisms -
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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If you ask me to kiss you, I will,” he says. His fingers stroke the inside of my wrists, and I burst into flames. β€œKiss me,” I say. He does.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Do you know my biggest regret?" She asks. "That you turned into this bright, beautiful, fascinating person... and I can't take credit for any of it.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I'm sorry," he says. "What? Why?" "You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that would be so bad.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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You say that I'm afraid of being alone, and it's true. I am. And I'm not proud of it. But you need to take a good look at yourself, Anna, because I am NOT the only one in this room who suffers this problem.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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You are not a perfect woman.You have an evil temper, you’re as blind as a mole, you’re a deplorable poet, and frankly, your French accent could use some work.” Supporting himself on his elbows, Leo took her face in his hands. β€œBut when I put those things together with the rest of you, it makes you into the most perfectly imperfect woman I’ve ever known.
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Lisa Kleypas (Married by Morning (The Hathaways, #4))
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Anna prods St. Clair's shoulder. "Come on. Weren't you gonna show me that thing?" "What thing?" She stares at him. He stares back. She cocks her head toward Cricket and me. "Ah, yes." St. Clair stands. "That thing." They rush out. The door shuts, and St. Clair shouts, "Lola, Cricket wants to show you his thing, too-oo!
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American. Military, naval, legal, corporate, criminal, jazz, rap and ghetto discourses are mingled at every turn. The French language, like Paris, has attempted, through its Academy, to retain its purity, to fight the advancing tides of Franglais and international prefabrication. English, by comparison, is a shameless whore.
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Stephen Fry (The Ode Less Travelled: Unlocking the Poet Within)
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His eyes lock on mine."Anna,I promise that I will never leave you." My heart pounds in response.And Γ‰tienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding,too.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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There's something about blue eyes. The kind of blue that startles you every time they're lifted in your direction. The kind of blue that makes you ache for them to look at you again. Not the blue green or blue gray, the blue that's just blue. Cricket has those eyes.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Remember that day I made you the elevator?” he suddenly asks. I give him a faint smile. β€œHow could I forget?” β€œThat was the day I had my first kiss.” My smile fades. β€œI’m better now,” He sets the apple beside me. β€œAt kissing, just so you know.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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lover, n. Oh, how I hated this word. So pretentious, like it was always being translated from the French. The tint and taint of illicit, illegitimate affections. Dictionary meaning: a person having a love affair. Impermanent. Unfamilial. Inextricably linked to sex. I have never wanted a lover. In order to have a lover, I must go back to the root of the word. For I have never wanted a lover, but I have always wanted lover, and to be loved. There is no word for the recipient of the love. There is only a word for the giver. There is the assumption that lovers come in pairs. When I say, Be my lover, I don't mean, Let's have an affair. I don't mean Sleep with me. I don't mean, Be my secret. I want us to go back to that root. I want you to be the one who loves me. I want to be the one who loves you.
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David Levithan (The Lover's Dictionary)
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Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated. One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name. At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights. The boy did. By thinking about the girl.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly. "Fo' shiz," he replies in his polite English accent. I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly. Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much." "You oughtn't to have said that. Now I shall have to save it for special occasions." "My birthday is in February." Cough choke wheeze. "Please don't forget.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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A specter is haunting Europeβ€”the specter of Communism. All the powers of old Europe have entered into a holy alliance to exorcise this specter; Pope and Czar, Metternich and Guizot, French radicals and German police spies. Where is the party in opposition that has not been decried as Communistic by its opponents in power? Where the opposition that has not hurled back the branding reproach of Communism, against the more advanced opposition parties, as well as against its reactionary adversaries? Two things result from this fact. I. Communism is already acknowledged by all European powers to be in itself a power. II. It is high time that Communists should openly, in the face of the whole world, publish their views, their aims, their tendencies, and meet this nursery tale of the Specter of Communism with a Manifesto of the party itself.
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Karl Marx (The Communist Manifesto)
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The first thing I notice is his hair - it's the first thing I notice about anyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles, since I've just seen them in Meredith's room. It's artist's hair. Musician hair. I-pretend-I-don't-care-but-I-really-do hair.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want. Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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If I weren't standing next to your boyfriend, I'd be tempted to ask you out myself." She blushes, and St. Clair bounds inside the box office and wrestles her into a hug. "Miiiiiiiiine!" he says. "Cut it out." Anna pushes him off, laughing. "You'll get fired. And then I'll have to support your sorry arse for the rest of our lives.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries." Even Thalia smiled at that. "And I need to use the dam restroom." Maybe it was the fact that we were so tired and strung out emotionally, but I started cracking up, and Thalia and Grover joined in, while Zoe just looked at us. "I do not understand." "I want to use the dam water fountain," Grover said. "And…" Thalia tried to catch her breath. "I want to buy a dam T-shirt." I busted up, and I probably would've kept laughing all day, but then I heard a noise: "Moooo." The smile melted off my face. I wondered if the noise was just in my head, but Grover had stopped laughing too. He was looking around, confused. "Did I just hear a cow?" "A dam cow?" Thalia laughed.
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Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
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I trail my fingers across his cheek. He stays perfectly still for me. β€œPlease stop apologizing, Γ‰tienne.” β€œSay my name again,” he whispers. I close my eyes and lean forward. β€œΓ‰tienne.” He takes my hands into his.Those perfect hands, that fit mine just so. β€œAnna?” Our foreheads touch. β€œYes?” β€œWill you please tell me you love me? I’m dying here.” And then we’re laughing. And then I’m in his arms, and we’re kissing, at first quicklyβ€”to make up for lost timeβ€”and then slowly, because we have all the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I taste, too. And in between kisses, I tell him I love him. Again and again and again.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. β€œA potato,” she said flatly. β€œThat’s the best you can do? Seriously?” β€œIt makes sense,” I said. β€œListen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, β€˜I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” β€œA potato.” β€œSure. French fries? Mashed potatoes? Who doesn’t like potatoes?” β€œPlenty of people. Why can’t I be something sweet, like a cake?” β€œBecause cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
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Brandon Sanderson (Firefight (The Reckoners, #2))
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Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Γ‰tienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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Being with Anna is easy. She's the one." The one. It stops my heart. I thought Max was the one, but... there's that other one. The first one. "Do you believe in that?" I ask quietly. "In one person for everyone?" Something changes in St Clair's eyes. Maybe sadness. "I can't speak for anyone but myself," he says. "But, for me, yes. I have to be with Anna. But this is something you have to figure out on your own. I can't answer that for you, no one can." "Oh." "Lola." He rolls his chair over to my side. "I know things are shite right now. And in the name of friendship and full disclosure, I went through something similar last year. When I met Anna, I was with someone else. And it took a long time before I found the courage to do the hard thing. But you have to do the hard thing." I swallow. "And what's the hard thing?" "You have to be honest with yourself.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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The worst thing is not that the world is unfree, but that people have unlearned their liberty. The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time. Not being able to fall asleep and not allowing oneself to move: the marital bed. If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers. In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty. How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister… Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable. The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened. The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy. A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty. You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you. If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books. By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill. Any new possibility that existence acquires, even the least likely, transforms everything about existence.
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Milan Kundera