Aslan Lion Witch Wardrobe Quotes

Safe?” said Mr. Beaver; “don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ‘Course he isn’t safe. But he’s good. He’s the King, I tell you.

Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again.

He's not safe, but he's good (referring to Aslan, the Lion, in The Lion, the Witch and the Wardrobe)

Aslan is a lion- the Lion, the great Lion." "Ooh" said Susan. "I'd thought he was a man. Is he-quite safe? I shall feel rather nervous about meeting a lion"..."Safe?" said Mr Beaver ..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.

He'll be coming and going" he had said. "One day you'll see him and another you won't. He doesn't like being tied down--and of course he has other countries to attend to. It's quite all right. He'll often drop in. Only you mustn't press him. He's wild, you know. Not like a tame lion.

If there's anyone who can appear before Aslan without their knees knocking, they're either braver than most, or else just silly.

You have a traitor there, Aslan," said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he'd been through and after the talk he'd had that morning. He just went on looking at Aslan. It didn't seem to matter what the Witch said.

Lucy looked and saw that Aslan had just breathed on the feet of the stone giant. It's all right!" shouted Aslan joyously. "Once The feet are put right, all the rest of him will follow.

Then Miah whispered, "Your hair." Chace opened his eyes. "What buddy?" Miah leaned back but didn't let go, looked up at Chace with his red eyes and kept whispering, "Your hair. Lion's hair." Chace didn't get it but forced his own smile and replied quietly, "Okay." Miah let him go, Chace's arms dropped away, Miah's chin quivered but his eyes didn't waver from Chace's when he whispered, "You're my Aslan." Aslan. The Lion, the Witch and the Wardrobe. Holy fuck.

None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it had some enormous meaning--either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in it's inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of Summer.

At least he went on saying this till Aslan had loaded him up with three dwarfs, one dryad, two rabbits, and a hedgehog, that steadied him a bit.

It means,” said Aslan, “that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward. And now—

Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces - the golden face and the dead-white face so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs Beaver particularly noticed this.

El mal se trocará en bien, cuando Aslan aparezca. Ante el sonido de su rugido, las penas desaparecerán. Cuando descubra sus dientes, el invierno encontrará su muerte. Y cuando agite su melena, tendremos nuevamente primavera".

Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again. You

They say Aslan is on the move- perhaps has already landed." And now a very curious thing happened. None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it has some enormous meaning- either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer.

No, little friend,’ said the Lion. ‘You have not made the first joke, you have only been the first joke.

The most pleased of the lot was the other lion, who kept running about everywhere pretending to be very busy but really in order to say to everyone he met, “Did you hear what he said? Us lions. That means him and me. Us lions. That’s what I like about Aslan. No side, no standoffishness. Us lions. That meant him and me.” At least he went on saying this till Aslan had loaded him up with three dwarfs, one dryad, two rabbits, and a hedgehog. That steadied him a bit.

At the name of Aslan each one of the children felt something jump in its inside.

Please—Aslan,” said Lucy, “can anything be done to save Edmund?” “All shall be done,” said Aslan. “But it may be harder than you think.

You have a traitor there, Aslan,” said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he’d been through and after the talk he’d had that morning. He just went on looking at Aslan. It didn’t seem to matter what the Witch said.

None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different

The quickest way you can help him is by going to meet Aslan,” said Mr. Beaver, “once he’s with us, then we can begin doing things.

Once a king or queen in Narnia, always a king or queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan.

Who is Aslan?” asked Susan. “Aslan?” said Mr. Beaver, “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr. Tumnus.” “She won’t turn him into stone too?” said Edmund. “Lord love you, Son of Adam, what a simple thing to say!” answered Mr. Beaver with a great laugh. “Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights, as it says in an old rhyme in these parts: Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death And when he shakes his mane, we shall have spring again. You’ll understand when you see him.” “But shall we see him?” asked Susan. “Why, Daughter of Eve, that’s what I brought you here for. I’m to lead you where you shall meet him,” said Mr. Beaver. “Is--is he a man?” asked Lucy. “Aslan a man!” said Mr. Beaver sternly. “Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Don’t you know who is the King of Beasts? Aslan is a lion--the Lion, the great Lion.” “Ooh!” said Susan, “I’d thought he was a man. Is he--quite safe? I shall feel rather nervous about meeting a lion.” “That you will, dearie, and no mistake,” said Mrs. Beaver. “If there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.” “Then he isn’t safe?” said Lucy. “Safe?” said Mr. Beaver. “Don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.

Who's done it?" cried Susan. "What does it mean? Is it more magic?" "Yes!" said a great voice behind their backs . "It is more magic." They looked round. There, shining in the sunrise, larger than they had seen him before, shaking his mane (for it had apparently grown again) stood Aslan himself. "Oh, Aslan!" cried both the children, staring up at him, almost as much frightened as they were glad.

For when they tried to look at Aslan’s face they just caught a glimpse of the golden mane and the great, royal, solemn, overwhelming eyes; and then they found they couldn’t look at him and went all trembly.

You come of the Lord Adam and the Lady Eve," said Aslan. "And that is both honour enough to erect the head of the poorest beggar, and shame enough to bow the shoulders of the greatest emperor on earth. Be content.

That ride was perhaps the most wonderful thing that happened to them in Narnia. Have you ever had a gallop on a horse? Think of that; and then take away the heavy noise of the hoofs and the jingle of the bit and imagine instead the almost noiseless padding of the great paws. Then imagine instead of the black or grey or chestnut back of the horse the soft roughness of golden fur, and the mane flying back in the wind. And then imagine you are going about twice as fast as the fastest racehorse. But this is a mount that doesn't need to be guided and never grows tired. He rushes on and on, never missing his footing, never hesitating, threading his way with perfect skill between tree trunks, jumping over bush and briar and the smaller streams, wading the larger, swimming the largest of all. And you are riding not on a road nor in a park nor even on the downs, but right across Narnia, in spring, down solemn avenues of beech and across sunny glades of oak, through wild orchards of snow-white cherry trees, past roaring waterfalls and mossy rocks and echoing caverns, up windy slopes alight with gorse bushes, and across the shoulders of heathery mountains and along giddy ridges and down, down, down again into wild valleys and out into acres of blue flowers.

The rising of the sun had made everything look so different—all colors and shadows were changed—that for a moment they didn’t see the important thing. Then they did. The Stone Table was broken into two pieces by a great crack that ran down it from end to end; and there was no Aslan.

You have forgotten to clean your sword,” said Aslan. It was true. Peter blushed when he looked at the bright blade and saw it all smeared with the Wolf’s hair and blood. He stooped down and wiped it quite clean on the grass, and then wiped it quite dry on his coat. “Hand it to me and kneel, Son of Adam,” said Aslan. And when Peter had done so he struck him with the flat of the blade and said, “Rise up, Sir Peter Wolf’s-Bane. And, whatever happens, never forget to wipe your sword.

Aslan?” said Mr. Beaver. “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr. Tumnus.

Lucy is the first to find the secret of the wardrobe in the Professor’s mysterious old house. At first, her brothers and sister don’t believe her when she tells of her visit to the land of Narnia. But soon Edmund, then Peter and Susan step through the wardrobe themselves. In Narnia they find a country buried under the evil enchantment of the White Witch. When they meet the Great Lion, Aslan, they realize they’ve been called to a great adventure and bravely join the battle to free Narnia from the Witch’s sinister spell.

We must recognize that we have not been honest until we have explained to seekers that receiving Christ is the most sensible yet dangerous thing they could ever do. After all, like C. S. Lewis’s Aslan in The Lion, the Witch, and the Wardrobe, He is not a tame lion, and He certainly is not safe. He has the right to ask anything of those who confess His lordship. The same Jesus who beckons the weary to Himself may also ask everything of them, even sending them forth to lose their lives for His sake in this dark and fallen world.

if there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.

...whatever happens, never forget to wipe your sword.

Aslan.

end now he’s come and you’ve come. We’ve heard of Aslan

Aslan leaped again. A mad chase began. Round and round the hill-top he led them, now hopelessly out of their reach, now letting them almost catch his tail, now diving between them, now tossing them in the air with his huge and beautifully velveted paws and catching them again, and now stopping unexpectedly so that all three of them rolled over together in a happy laughing heap of fur and arms and legs. It was such a romp as no one has ever had except in Narnia, and whether it was more like playing with a thunderstorm or playing with a kitten Lucy could never make up her mind.

Sire, there is a messenger from the enemy who craves audience.” “Let him approach,” said Aslan. The leopard went away and soon returned leading the Witch’s Dwarf. “What is your message, Son of Earth?” asked Aslan. “The Queen of Narnia and Empress of the Lone Islands desires a safe conduct to come and speak with you,” said the Dwarf, “on a matter which is as much to your advantage as to hers.” “Queen of Narnia, indeed!” said Mr. Beaver. “Of all the cheek--” “Peace, Beaver,” said Aslan. “All names will soon be restored to their proper owners. In the meantime we will not dispute about noises.

Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again.

Ooh!” said Susan in a different tone. “Look! I wonder--I mean, is it safe?” Lucy looked and saw that Aslan had just breathed on the feet of the stone giant. “It’s all right!” shouted Aslan joyously. “Once the feet are put right, all the rest of him will follow.” “That wasn’t exactly what I meant,” whispered Susan to Lucy. But it was too late to do anything about it now even if Aslan would have listened to her.

Hand it to me and kneel, Son of Adam,” said Aslan. And when Peter had done so he struck him with the flat of the blade and said, “Rise up, Sir Peter Wolf’s-Bane. And, whatever happens, never forget to wipe your sword.

And so,” continued the Witch, “that Human creature is mine. His life is forfeit to me. His blood is my property.” “Come and take it then,” said the Bull-with-the-man’s-head in a great bellowing voice. “Fool,” said the Witch with a savage smile that was almost a snarl, “do you really think your master can rob me of my rights by mere force? He knows the Deep Magic better than that. He knows that unless I have blood as the Law says, all Narnia will be overturned and perish in fire and water.” “It is very true,” said Aslan; “I do not deny it.” “Oh, Aslan!” whispered Susan in the Lion’s ear. “Can’t we--I mean, you won’t, will you? Can’t we do something about the Deep Magic? Isn’t there something you can work against it?” “Work against the Emperor’s magic?” said Aslan, turning to her with something like a frown on his face. And nobody ever made that suggestion to him again.

But as for Aslan himself, the Beavers and the children didn’t know what to do or say when they saw him. People who have not been in Narnia sometimes think that a thing cannot be good and terrible at the same time. If the children had ever thought so, they were cured of it now. For when they tried to look at Aslan’s face they just caught a glimpse of the golden mane and the great, royal, solemn, overwhelming eyes; and then they found they couldn’t look at him and went all trembly. “Go on,” whispered Mr. Beaver. “No,” whispered Peter, “you first.” “No, Sons of Adam before animals,” whispered Mr. Beaver back again. “Susan,” whispered Peter, “what about you? Ladies first.” “No, you’re the eldest,” whispered Susan. And of course the longer they went on doing this the more awkward they felt. Then at last Peter realized that it was up to him. He drew his sword and raised it to the salute and hastily saying to the others, “Come on. Pull yourselves together,” he advanced to the Lion and said, “We have come--Aslan.” “Welcome, Peter, Son of Adam,” said Aslan. “Welcome, Susan and Lucy, Daughters of Eve.

Four adventurers step through a wardrobe door and into the land of Narnia, a land enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice.

For a second after Aslan had breathed upon him the stone lion looked just the same. Then a tiny streak of gold began to run all over him as the flame licks all over a bit of paper- then, while his hindquarters were still obviously stone, the lion shook his mane and all the heavy, stone folds rippled into living hair.

Edmund she found him standing on his feet and not only healed of his wounds but looking better than she had seen him look – oh, for ages; in fact ever since his first term at that horrid school which was where he had begun to go wrong. He had become his real old self again and could look you in the face. And there on the field of battle Aslan made him a knight.

proceeded to pitch their camp. Aslan’s mood affected everyone that evening. Peter was feeling uncomfortable too at the idea of fighting the battle on his own; the news that Aslan might not be there had come as a great shock to him. Supper that evening was a quiet meal. Everyone felt how different it had been last night or even that morning. It was as if the good times, having just begun, were already

At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer.

It isn't Narnia, you know," sobbed Lucy. "It's you. We shan't meet you there. And how can we live, never meeting you?" "But you shall meet me, dear one," said Aslan. "Are -are you there too, Sir?" said Edmund. "I am," said Aslan. "But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.

Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens. So the children sat in their thrones and scepters were put into their hands and they gave rewards and honors to all their friends, to Tumnus the Faun, and to the Beavers, and Giant Rumblebuffin, to the leopards, and the good centaurs and the good dwarfs, and to the lion. And that night there was a great feast in Cair Paravel, and revelry and dancing, and gold flashed and wine flowed, and answering to the music inside, but stranger, sweeter, and more piercing, came the music of the sea-people. But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there, they said nothing about it. For Mr. Beaver had warned them. “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down--and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.

None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don’t understand but in the dream it feels as if it has some enormous meaning – either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life

It means,” said Aslan, “that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward.

Go on,” whispered Mr. Beaver. “No,” whispered Peter, “you first.” “No, Sons of Adam before animals,” whispered Mr. Beaver back again. “Susan,” whispered Peter, “what about you? Ladies first.” “No, you’re the eldest,” whispered Susan. And of course the longer they went on doing this the more awkward they felt. Then at last Peter realized that it was up to him. He drew his sword and raised it to the salute and hastily saying to the others “Come on. Pull yourselves together,” he advanced to the Lion and said: “We have come--Aslan.

And for a second nothing seems to have happened; and then you notice a tiny streak of flame creeping along the edge of the newspaper. It was like that now. For a second after Aslan had breathed upon him the stone lion looked just the same. Then a tiny streak of gold began to run along his white marble back then it spread—then the colour seemed to lick all over him as the flame licks all over a bit of paper—then, while his hindquarters were still obviously stone, the lion shook his mane and all the heavy, stone folds rippled into living hair.

A few minutes later the Witch herself walked out on to the top of the hill and came straight across and stood before Aslan. The three children, who had not seen her before, felt shudders running down their backs at the sight of her face; and there were low growls among all the animals present. Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces--the golden face and the dead-white face--so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs. Beaver particularly noticed this. “You have a traitor there, Aslan,” said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he’d been through and after the talk he’d had that morning. He just went on looking at Aslan. It didn’t seem to matter what the Witch said. “Well,” said Aslan, “his offense was not against you.” “Have you forgotten the Deep Magic?” asked the Witch. “Let us say I have forgotten it,” answered Aslan gravely. “Tell us of this Deep Magic.” “Tell you?” said the Witch, her voice growing suddenly shriller. “Tell you what is written on that very Table of Stone which stands beside us? Tell you what is written in letters deep as a spear is long on the trunk of the World Ash Tree? Tell you what is engraved on the scepter of the Emperor-Beyond-the-Sea? You at least know the magic which the Emperor put into Narnia at the very beginning. You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill.” “Oh,” said Mr. Beaver. “So that’s how you came to imagine yourself a Queen--because you were the Emperor’s hangman. I see.” “Peace, Beaver,” said Aslan, with a very low growl.

Of course the children’s eyes turned to follow the lion; but the sight they saw was so wonderful that they soon forgot about him. Everywhere the statues were coming to life. The courtyard looked no longer like a museum; it looked more like a zoo. Creatures were running after Aslan and dancing round him till he was almost hidden in the crowd. Instead of all that deadly white the courtyard was now a blaze of colours; glossy chestnut sides of centaurs, indigo horns of unicorns, dazzling plumage of birds, reddy-brown of foxes, dogs and satyrs, yellow stockings and crimson hoods of dwarfs; and the birch-girls in silver, and the beech-girls in fresh, transparent green, and the larch-girls in green so bright that it was almost yellow. And instead of the deadly silence the whole place rang with the sound of happy roarings, brayings, yelpings, barkings, squealings, cooings, neighings, stampings, shouts, hurrahs, songs and laughter.

That evening after tea the four children all managed to get down to the beach again and get their shoes and stockings off and feel the sand between their toes. But the next day was more solemn. For then, in the Great Hall of Cair Paravel--that wonderful hall with the ivory roof and the west door all hung with peacock’s feathers and the eastern door which opens right onto the sea, in the presence of all their friends and to the sound of trumpets, Aslan solemnly crowned them and led them onto the four thrones amid deafening shouts of, “Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens.

Lewis thus invites his readers to enter into a world of supposals. Suppose God did decide to become incarnate in a world like Narnia. How would this work out? What would it look like? Narnia is a narrative exploration of this theological assumption. Lewis’s own explanation of how the figure of Aslan is to be interpreted makes it clear that The Lion, the Witch and the Wardrobe is a supposal—the imaginative exploration of an interesting possibility. “Let us suppose that there were a land like Narnia and that the Son of God, as He became a Man in our world, became a Lion there, and then imagine what would happen.”[587]

Lewis’s Chronicles of Narnia are about finding a master story that makes sense of all other stories—and then embracing that story with delight because of its power to give meaning and value to life. Yet Lewis’s narrative nevertheless subtly raises darker questions. Which story is the true story? Which stories are merely its shadows and echoes? And which are mere fabrications—tales spun to entrap and deceive? At an early stage in The Lion, the Witch and the Wardrobe, the four children begin to hear stories about the true origins and destiny of Narnia. Puzzled, they find they have to make decisions about which people and which stories are to be trusted. Is Narnia really the realm of the White Witch? Or is she a usurper, whose power will be broken when two Sons of Adam and two Daughters of Eve sit on the four thrones at Cair Paravel? Is Narnia really the realm of the mysterious Aslan, whose return is expected at any time? Gradually, one narrative emerges as supremely plausible—the story of Aslan. Each individual story of Narnia turns out to be part of this greater narrative. The Lion, the Witch and the Wardrobe hints at (and partially discloses) the big picture, expanded in the remainder of the Narnia series. This “grand narrative” of interlocking stories makes sense of the riddles the children see and experience around them. It allows the children to understand their experiences with a new clarity and depth, like a camera lens bringing a landscape into sharp focus. Yet Lewis did not invent this Narnian narrative. He borrowed and adapted one that he already knew well, and had found to be true and trustworthy—the Christian narrative of Creation, Fall, redemption, and final consummation. Following his late-evening conversation with Tolkien and Dyson about Christianity as the true myth in September 1931, Lewis began to grasp the explanatory and imaginative power of an incarnational faith. As we saw (page 134), Lewis came to believe in Christianity partly because of the quality of its literary vision—its ability to give a faithful and realistic account of life. Lewis was thus drawn to Christianity not so much by the arguments in its favour, but by its compelling vision of reality, which he could not ignore—and, as events proved, could not resist.

If the series is read in the order of publication, the reader enters this narrative in The Lion, the Witch and the Wardrobe, which concerns the coming—technically the “advent”—of the redeemer. The Magician’s Nephew deals with the narrative of creation and fall, while The Last Battle concerns the ending of the old order, and the advent of a new creation. The remaining four novels (Prince Caspian, The Voyage of the “Dawn Treader,” The Horse and His Boy, and The Silver Chair) deal with the period between these two advents. Lewis here explores the life of faith, lived in the tension between the past and future comings of Aslan. Aslan is now at one and the same time an object of memory and of hope. Lewis speaks of an exquisite longing for Aslan, when he cannot be seen clearly; of a robust yet gracious faith, able to withstand cynicism and skepticism; of people of character who walk trustingly through the shadowlands, seeing “in a mirror darkly” and learning to deal with a world in which they are assaulted by evil and doubt.

But where do these ideas come from? They are all derived from the writings of the Middle Ages—not works of academic theology, which generally were critical of such highly visual and dramatic approaches, but the popular religious literature of the age, which took pleasure in a powerful narrative of Satan’s being outmanoeuvred and outwitted by Christ.[615] According to these popular atonement theories, Satan had rightful possession over sinful human beings. God was unable to wrest humanity from Satan’s grasp by any legitimate means. Yet what if Satan were to overstep his legitimate authority, and claim the life of a sinless person—such as Jesus Christ, who, as God incarnate, was devoid of sin? The great mystery plays of the Middle Ages—such as the cycle performed at York in the fourteenth and fifteenth centuries—dramatised the way in which a wily and canny God tricked Satan into overstepping his rights, and thus forfeiting them all. An arrogant Satan received his comeuppance, to howls of approval from the assembled townspeople. A central theme of this great popular approach to atonement was the “Harrowing of Hell”—a dramatic depiction of the risen Christ battering the gates of hell, and setting free all who were imprisoned within its realm.[616] All of humanity were thus liberated by the death and resurrection of Christ. In Narnia, Edmund is the first to be saved by Aslan; the remainder are restored to life later, as Aslan breathes on the stone statues in the Witch’s castle. Lewis’s narrative in The Lion, the Witch and the Wardrobe contains all the main themes of this medieval atonement drama: Satan having rights over sinful humanity; God outwitting Satan because of the sinlessness of Christ; and the breaking down of the gates of Hell, leading to the liberation of its prisoners. The imagery is derived from the great medieval popular religious writings which Lewis so admired and enjoyed.

If the witch is to be finally defeated before bedtime, we must find the battle at once!" - Aslan 'The Lion, the Witch, & the Wardrobe

That's what I like about Aslan. No side, no standoff-ishness. Us Lions. That meant him and me.

They say Aslan is on the move...

Who is Aslan?" asked Susan. "Aslan?" said Mr Beaver. "Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr Tumnus." "She won’t turn him into stone too?" said Edmund. "Lord love you, Son of Adam, what a simple thing to say!" answered Mr Beaver with a great laugh. "Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights as it says in an old rhyme in these parts: Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again. You’ll understand when you see him.

But meanwhile what about poor Mr Tumnus?" said Lucy. "The quickest way you can help him is by going to meet Aslan," said Mr Beaver, "once he’s with us, then we can begin doing things.

I’ve come at last,” said he. “She has kept me out for a long time, but I have got in at last. Aslan is on the move. The Witch’s magic is weakening.

But what does it all mean?” asked Susan when they were somewhat calmer. “It means,” said Aslan, “that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward. And now—” “Oh yes. Now?” said Lucy, jumping up and clapping her hands. “Oh, children,” said the Lion, “I feel my strength coming back to me. Oh, children, catch me if you can!

Who’s done it?” cried Susan. “What does it mean? Is it magic?” “Yes!” said a great voice behind their backs. “It is more magic.” They looked round. There, shining in the sunrise, larger than they had seen him before, shaking his mane (for it had apparently grown again) stood Aslan himself. “Oh, Aslan!” cried both the children, staring up at him, almost as much frightened as they were glad. “Aren’t you dead then, dear Aslan?” said Lucy. “Not now,” said Aslan.

Aslan?” said Mr. Beaver. “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, who will save Mr. Tumnus.

They say Aslan is on the move—perhaps has already landed.” And now a very curious thing happened. None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don’t understand but in the dream it feels as if it has some enormous meaning—either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer.

the witch in The Lion, the Witch and the Wardrobe only understands the grabbing kind of authority—if you want something, you take it. She does not understand Aslan's kind of authority at all. What does she think when Aslan comes to negotiate Edmund's release? Remember that Edmund had betrayed his brother and sisters, and because of that, even though he had been rescued from the witch, she has a lawful claim on him because he is a traitor. Aslan does not dispute the claim. Instead, he does something that is shocking and incomprehensible to all those who, like the witch, only understand the grasping kind of authority: He agrees to give himself in exchange for Edmund. This is because Aslan knows that the way to authority is through sacrifice. Even so, when Aslan fulfills his part of the agreement, it is very difficult for him. Just understanding the principle of sacrifice does not automatically make that sacrifice easy. When he goes to his death, he is so sorrowful that he allows Lucy and Susan to accompany him part way and provide some comfort and companionship. When the witch sees Aslan coming, she believes she has triumphed. "'The fool!' she cried, 'The fool has come. Bind him fast'" (151). All she understands is what Aslan calls the "deep magic," which allows a traitor to be freed if another chooses to die in his place. But after Aslan comes back to life, he explains the witch's mistake: "'It means,' said Aslan, 'That though the witch knew the deep magic, there is a magic deeper still which she did not know'" (163). The deeper magic is that love and sacrifice conquer hate and greed. Love and sacrifice create true, ultimate authority. So it is not just that Aslan died for Edmund as the perfect, substitutionary sacrifice for a traitor, thus saving him—though of course he did die in Edmund's place and he did save him. There is more to it: After his death and resurrection, Aslan gains true authority. He had authority before, but after this it grows and changes in a glorious way. But sinful people cannot understand this "deep magic." You can explain it, read it from the Bible, draw it on a blackboard, and shout it at the top of your lungs, but a sinful heart cannot know this principle: if you give, you get. They just cannot get it into their heads—or rather, into their hearts. For they do not have an intellectual problem; they have a spiritual problem.