Good Papa Quotes

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If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
Good-by, Good-by, world. Good-by, Grover's Corners... Mama and Papa. Good-by to clocks ticking... and Mama's sunflowers. And food and coffee. And new-ironed dresses and hot baths...and sleeping and waking up. Oh, earth, you're too wonderful for anybody to realize you.
Thornton Wilder (Our Town)
I’ve been kissed by men who did a very good job. But they don’t give kissing their whole attention. They can’t. No matter how hard they try parts of their minds are on something else. Missing the last bus—or their chances of making the gal—or their own techniques in kissing—or maybe worry about jobs, or money, or will husband or papa or the neighbors catch on. Mike doesn’t have technique . . . but when Mike kisses you he isn’t doing anything else. You’re his whole universe . . . and the moment is eternal because he doesn’t have any plans and isn’t going anywhere. Just kissing you.
Robert A. Heinlein (Stranger in a Strange Land)
Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her. He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36)
Markus Zusak (The Book Thief)
Let's really look at one another!...It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed... Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? (Emily)
Thornton Wilder (Our Town)
Now, Mama, Papa, and sir," said Ramses, "please withdraw to the farthest corner and crouch down with your backs turned. It is as I feared; we will never break through by this method. The walls are eight feet thick. Fortunately I brought along a little nitroglycerin--" "Oh, good Gad," shrieked Inspector Cuff.
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
Stop wasting so much energy hating your body; it makes you weaker. Everything good in your life begins from the moment you begin accepting, understanding, respecting, and loving your true self.
Harry Papas
We’ll come back,” said Papa. “I know,” said Anna... “But it won’t be the same - we won’t belong. Do you think we’ll ever really belong anywhere?” “I suppose not,” said Papa. “Not the way people belong who have lived in one place all their lives. But we’ll belong a little in lots of places, and I think that may be just as good.
Judith Kerr (When Hitler Stole Pink Rabbit (Out of the Hitler Time, #1))
I told Mama and Savannah about Ruben's proposal. That got us to talking about marriage and we laughed and cried some, and missed Papa, and it felt good to belong to each other. I don't feel as lonely today as I have in months. At least I know there are other women around me.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
I wish you had a 'little missus' who could pet you as I used to pet papa when he had a headache. I should like to be your 'little missus' myself, poor dear! Good night-good night. God bless you!
Frances Hodgson Burnett (A Little Princess)
Tadas was sent to the principal today," announced Jonas at dinner. He wedged a huge piece of sausage into his small mouth. "Why?" I asked. "Because he talked about hell," sputtered Jonas, juice from the plump sausage dribbling down his chin. "Jonas, don't speak with your mouth full. Take smaller pieces," scolded Mother. "Sorry," said Jonas with his moth stuffed. "It's good." He finished chewing. I took a bite of sausage. It was warm and the skin was deliciously salty. "Tadas told one of the girls that hell is the worst place ever and there's no escape for all eternity." "Now why would Tadas be talking of hell?" asked Papa, reaching for the vegetables. "Because his father told him that if Stalin comes to Lithuania, we'll all end up there.
Ruta Sepetys (Between Shades of Gray)
Enjoy losing weight. Enjoy eating healthy, delicious food. Do not wait until you reach your destination to feel good. Take as much happiness and joy as you can from your weight loss journey.
Harry Papas
Because of the diamond in your coat pocket. Because I left it here to protect you. All it has done is put me in more danger. Then why hasn’t the house been hit? Why hasn’t it caught fire? It’s a rock, Papa. A pebble. There is only luck, bad or good. Chance and physics. Remember? You are alive. I am only alive because I have not yet died.
Anthony Doerr (All the Light We Cannot See)
Papa, potatoes, poultry, prunes and prism, are all very good words for the lips.
Charles Dickens
I try not to think in terms of good and bad. I prefer to think in terms of light and dark. I believe that all people have a light that shines inside of them. This light allows us to see into other people's hearts, to see the beauty there. The love. The sadness. The humanity. Some people, though, have lost this light. They have darkness inside them, so that is all they see in others: darkness. No beauty. No love. Why do they hate us? Because they cannot see our light. Nor can they extinguish it. As long as we shine our light, we win. That is why they hate us. Because they will never take our light from us." -Max (Papa)
R.J. Palacio (White Bird)
If what Granma Mary Rommely said is true, then it must be that no one ever dies, really. Papa is gone, but he's still here in many ways. He's here in Neeley who looks just like him and in Mama who knew him so long. He's here in his mother who began him and who is still living. Maybe I will have a boy some day who looks like Papa and has all of Papa's good without the drinking. And that boy will have a boy. And that boy will have a boy. It might be there is no real death.
Betty Smith (A Tree Grows in Brooklyn)
NO MUSE IS GOOD MUSE To be an Artist you need talent, as well as a wife who washes the socks and the children, and returns phone calls and library books and types. In other words, the reason there are so many more Men Geniuses than Women Geniuses is not Genius. It is because Hemingway never joined the P.T.A. And Arthur Rubinstein ignored Halloween. Do you think Portnoy's creator sits through children's theater matinees--on Saturdays? Or that Norman Mailer faced 'driver's ed' failure, chicken pox or chipped teeth? Fitzgerald's night was so tender because the fender his teen-ager dented happened when Papa was at a story conference. Since Picasso does the painting, Mrs. Picasso did the toilet training. And if Saul Bellow, National Book Award winner, invited thirty-three for Thanksgiving Day dinner, I'll bet he had help. I'm sure Henry Moore was never a Cub Scout leader, and Leonard Bernstein never instructed a tricycler On becoming a bicycler just before he conducted. Tell me again my anatomy is not necessarily my destiny, tell me my hang-up is a personal and not a universal quandary, and I'll tell you no muse is a good muse unless she also helps with the laundry.
Rochelle Distelheim
Kalmar nodded. "I'm sorry, Papa. I wasn't strong enough." "None of us are, lad. Me least of all." Esben smiled and took a rattling breath. "But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?" Kalmar shook his head. Esben smiled and shuddered with pain. "A good answer, my boy. Then do you believe that I love you?" "Yes, sir. I believe you." Kalmar buried his face in his father's fur. "Remember that in the days to come. Nia, Janner, Leeli - help him to remember.
Andrew Peterson (The Monster in the Hollows (The Wingfeather Saga, #3))
That's easy for you to say! You're just a kid. You don't know what a rotten, horrible place this world can be. It can be so cold...so cruel...so unforgiving..." "Papa...That's why we need to be good.
Dav Pilkey (Lord of the Fleas (Dog Man, #5))
There was a little girl Who had a little curl Right in the middle of her forehead. When she was good, she was very, very good. And when she was “bad”, Her Papa loved her anyway.
Kristen McKee (Nursery Rhymes for the Unconditional and Unschooled)
Oh no, Papa, Kitty objected warmly. Varenka adores her. And besides, she does so much good! Ask anyone you like! Everybody knows her and Aline Stah. Perhaps, he said, pressing her arm with his elbow. But it is better to do good so that, ask whom you will, no one knows anything about it.
Leo Tolstoy (Anna Karenina)
Intelligent? He was more than intelligent. What you two had had everything and nothing to do with intelligence. He was good, and you were both lucky to have found each other, because you too are good.' My father had never spoken of goodness this way before. It disarmed me. 'I think he was better than me, Papa.' 'I'm sure he'd say the same about you, which flatters the two of you.
André Aciman (Call Me by Your Name)
Operating by trial and error mostly, we've evolved a tacitly agreed upon list of the elements that make for a good fantasy. The first decision the aspiring fantasist must make is theological. King Arthur and Charlemagne were Christians. Siegfried and Sigurd the Volsung were pagans. My personal view is that pagans write better stories. When a writer is having fun, it shows, and pagans have more fun than Christians. Let's scrape Horace's Dulche et utile off the plate before we even start the banquet. We're writing for fun, not to provide moral instruction. I had much more fun with the Belgariad/Malloreon than you did, because I know where all the jokes are. All right, then, for item number one, I chose paganism. (Note that Papa Tolkien, a devout Anglo-Catholic, took the same route.)
David Eddings (The Rivan Codex: Ancient Texts of the Belgariad and the Malloreon)
I'm not good, of course; I wouldn't give a fig to be good. So it's not vanity. It's on a far grander scale; a splendid selfishness, - authorized, too; and papa and mamma brought me up to worship beauty, -and there's the fifth commandment, you know.
Harriet Prescott Spofford (The Amber Gods and Other Stories)
Achilles might be a good papa to the family, but he was also a killer, and he never forgives. Poke knew that, though. Bean warned her, and she knew it, but she chose Achilles for their papa anyway. Chose him and then died for it. She was like that Jesus that Helga preached about in her kitchen while they ate. She died for her people. And Achilles, he was like God. He made people pay for their sins no matter what they did. The important thing is, stay on the good side of God. That's what Helga teaches, isn't it? Stay right with God. I'll stay right with Achilles. I'll honor my papa, that's for sure, so I can stay alive until I'm old enough to go out on my own.
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
[1965] To my children Dear Hildita, Aleidita, Camilo, Celia, And Ernesto, If you ever have to read this letter, it will be because I am no longer with you. You practically will not remember me, and the smaller ones will not remember me at all. Your father has been a man who acted on his beliefs and has certainly been loyal to his convictions. Grow up as good revolutionaries. Study hard so that you can master technology, which allows us to master nature. Remember that the revolution is what is important, and each one of us, alone is worth nothing. Above all, always be capable of feeling deeply any injustice committed against anyone, anywhere in the world. This is the most beautiful quality in a revolutionary. Until forever, my children. I still hope to see you. A great big kiss and a big hug from, Papa
Ernesto Che Guevara
Emily: Oh, Mama, look at me one minute as though you really saw me. Mama, fourteen years have gone by. I'm dead. You're a grandmother, Mama! Wally's dead, too. His appendix burst on a camping trip to North Conway. We felt just terrible about it - don't you remember? But, just for a moment now we're all together. Mama, just for a moment we're happy. Let's really look at one another!...I can't. I can't go on.It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed. Take me back -- up the hill -- to my grave. But first: Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? Stage Manager: No. (pause) The saints and poets, maybe they do some. Emily: I'm ready to go back.
Thornton Wilder (Our Town)
He doesn’t stop a lot of things that cause him pain. Your world is severely broken. You demanded your independence, and now you are angry with the one who loved you enough to give it to you. Nothing is as it should be, as Papa desires it to be, and as it will be one day. Right now your world is lost in darkness and chaos, and horrible things happen to those that he is especially fond of… Papa has never needed evil to accomplish his good purposes. It is you humans who have embraced evil and Papa has responded with goodness. What happened to Missy was the work of evil and no one in your world is immune from it.” ~Sophia
William Paul Young (The Shack)
... Papa's always had the ability to remember the good things and let the bad ones go." "Not a bad ability." "... I'm not sure. I think we have to remember it all before we can forgive it.
Madeleine L'Engle (Certain Women)
Do you remember that little boy, Papa? Yes. I remember him. Do you think he’s all right that little boy? Oh yes. I think he’s all right. Do you think he was lost? No. I don't think he was lost. I’m scared that he was lost. I think he’s all right. But who will find him if he’s lost? Who will find that little boy? Goodness will find the little boy. It always has. It will again.
Cormac McCarthy (The Road)
Yush said that Papa had a “wartime personality” Yush thought this was a good thing to have, particularly when leading a battle, as someone who needed to make tough decisions for the betterment of the group. I agreed with Yush in theory, but I was also confused. The problem with that kind of personality was that when everything was peaceful, one had to create wars to feel useful or important.
Prachi Gupta (They Called Us Exceptional: And Other Lies That Raised Us)
Elizabeth laughed and pushed her father's shoulder. "Go, Papa, and be kind to him. I love him so. And it would be to your advantage to be on his good side." Mr. Bennet raised his eyebrows. "Oh, and why is that?" Because I have seen both his libraries in London and at Pemberley, Papa." Interested and amused, Mr. Bennet said, "Ahh, and are they very grand, Lizzy?" A more exquisite sight you will not see," she assured him.
KaraLynne Mackrory (Bluebells in the Mourning)
Rosie and her homies are hangin' in the hood, doin' all the things that good girls should. Hittin' all the homework, combing all the hair, walkin' around like they just don't care!
Papa Lorenzo
Bad writers don't practice, Stella. It's the good ones who care enough to try, who worry about getting the words just right. You are probably better than you think" -Papa
Sharon M. Draper (Stella by Starlight)
I can state unequivocally that childlike surrender in trust is the defining spirit of authentic discipleship. And I would add that the supreme need in most of our lives is often the most overlooked—namely, the need for an uncompromising trust in the love of God. Furthermore, I would say that, while there are times when it is good to go to God as might a ragged beggar to the King of kings, it is vastly superior to approach God as a little child would approach his or her papa.
Brennan Manning (Ruthless Trust: The Ragamuffin's Path to God)
So, Henrik, is the weather good for fishing?” Papa asked cheerfully, and listened briefly. Then he continued, “I’m sending Inge to you today with the children, and she will be bringing you a carton of cigarettes. “Yes, just one,” he said, after a moment. Annemarie couldn’t hear Uncle Henrik’s words. “But there are a lot of cigarettes available in Copenhagen now, if you know where to look,” he went on, “and so there will be others coming to you as well, I’m sure.” But it wasn’t true. Annemarie was quite certain it wasn’t true. Cigarettes were the thing that Papa missed, the way Mama missed coffee. He complained often—he had complained only yesterday—that there were no cigarettes in the stores.
Lois Lowry (Number the Stars)
Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don’t ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl’s pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn’t that a heartwarming story? Restores my faith in just about everything.
Don DeLillo (Américana)
Daisy smiled and said, “Jay Berry, you won’t die. You may think you will, but you won’t. In a day or two, you’ll be as good as new, I hope.” “You’re just saying that because you heard Papa say it,” I said. “No, I’m not!” Daisy said. “I’m saying it because I’m a nurse, and nurses are supposed to cheer up their patients.” I knew all too well that once Daisy had gotten into one of her Red Cross nursing spells, it was ridiculous to even think of trying to argue her out of it. So I just groaned, closed my eyes, and sat there while
Wilson Rawls (Summer of the Monkeys)
White ain't nothing.' Mama's grip did not lessen. 'It is something, Cassie. White is something just like black is something. Everybody born on this Earth is something, and nobody, no matter what color is better than anybody else.' 'Then how come Mr. Simms don't know that.' 'Because he's one of those people who has to believe that white people are better than black people to make himself feel big.' I stared questionably at Mama, not really understanding. Mama squeezed my hadn't and explained further, 'You see, Cassie, many years ago, when our people were fist brought from Africa in chains to work as slaves in this country--' 'Like Big Ma's Papa and Mama?' Mama nodded. "Yes, baby. Like Papa Luke and Mama Rachael. Except they were born right here is Mississippi, but their grandparents were born in Africa. And when they came, there was some white people who thought that is was wrong for any people to be slaves. So the people who needed slaves to work in their fields and the people who were making money bringing slaves from Africa preached that black people weren't really people like white people were, so slavery was all right. They also said that slavery was good for us because it thought us to be good Christians, like the white people.' She sighed deeply, her voice fading into a distant whisper, 'But they didn't teach us Christianity to save our souls, but to teach us obedience. They were afraid of slave revolts and they wanted us to learn the Bible's teachings about slaves being loyal to their masters. But even teaching Christianity didn't make us stop wanting to be free and many slaves ran away.
Mildred D. Taylor
And Your modest ambition is to be a good housekeeper, isn't it?" "Well, yes, Papa; but not only that. I was thinking about it afterward by myself, and I think housekeeping is a the practical part of it - and that's a good big part too - but What I really want to be is a lovely, good, womanly woman, like Aunt Alice, you know.
Carolyn Wells (Patty At Home)
Papa is a preferable mode of address', observed Mrs General. 'Father is rather vulgar, my dear. The word Papa, besides, gives a pretty form to the lips. Papa, potatoes, poultry, prunes and prism, are all very good words for the lips: especially prunes and prism. You will find it serviceable, in the formation of a demeanour, if you sometimes say to yourself in company - on entering a room, for instance - Papa, potatoes, poultry, prunes and prism.
Charles Dickens (Little Dorrit)
Billy,” she said, “I don’t approve of this hunting, but it looks like I can’t say no; not after all you’ve been through, getting your dogs, and all that training.” “Aw, he’ll be all right,” Papa said. “Besides, he’s getting to be a good-size man now.” “Man!” Mama exclaimed. “Why, he’s still just a little boy.” “You can’t keep him a little boy always,” Papa said. “He’s got to grow up some day.” “I know,” Mama said, “but I don’t like it, not at all, and I can’t help worrying.” “Mama, please don’t worry about me,” I said. “I’ll be all right. Why, I’ve been all over these hills, you know that.” “I know,” she said, “but that was in the daytime. I never worried too much when it was daylight, but at night, that’s different. It’ll be dark and anything could happen.” “There won’t be anything happen,” I said. “I promise I’ll be careful.” Mama got up from the table saying, “Well, it’s like I said, I can’t say no and I can’t
Wilson Rawls (Where the Red Fern Grows)
I am sorry, Papa. That was hardly ladylike —” Her father held up a hand to stay her words. “There is no need. On the contrary, my dear, I believe I am rather proud of you.” His eyes twinkled as he looked at Mr Darcy. “I say, good show.
Beatrice Langford (A Fortunate Compromise: A Pride and Prejudice Variation (Sweet Standalone Pride and Prejudice Variations))
Going home in the trolley, Francie held the shoebox in her lap because Mama had no lap now. Francie thought deep thoughts during her ride. 'If what Granma Mary Rommely said is true, then it must be that no one ever dies, really. Papa is gone, but he's still here in many ways. He's here in Neeley who looks just like him and in Mama who knew him so long. He's here in his mother who began him and who is still living. Maybe I will have a boy some day who looks like Papa and has all of Papa's good without the drinking. And that boy will have a boy. And that boy will have a boy. It might be there is no real death.' Her thougths went to McGarrity. 'No one would ever believe there was any part of Papa in him.
Betty Smith (A Tree Grows in Brooklyn)
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket. "Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars." The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly. I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees. "Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam." "Elly doesn't like anything anymore." The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot. "Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama." Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran. I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
Katherine Dunn (Geek Love)
Aunty Ifeoma was silent as she ladled the thick cocoyam paste into the soup pot; then she looked up and said Papa-Nnukwu was not a heathen but a traditionalist, that sometimes what was different was just as good as what was familiar, that when Papa-Nnukwu did his itu-nzu, his declaration of innocence, in the morning, it was the same as our saying the rosary.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I’m getting thirstier every minute. If it didn’t hurt you, it won’t hurt me. If my papa was here, he’d let me have some.” “You’re not going to tell him about it, are you?” said Jesse. His face had gone very pale under its sunburn. He stood up and put a bare foot firmly on the pile of pebbles. “I knew this would happen sooner or later. Now what am I going to do?” As he said this, there was a crashing sound among the trees and a voice called, “Jesse?” “Thank goodness!” said Jesse, blowing out his cheeks in relief. “Here comes Ma and Miles. They’ll know what to do.” And sure enough, a big, comfortable-looking woman appeared, leading a fat old horse, and at her side was a young man almost as beautiful as Jesse. It was Mae Tuck with her other son, Jesse’s older brother. And at once, when she saw the two of them, Jesse with his foot on the pile of pebbles and Winnie on her knees beside him, she seemed to understand. Her hand flew to her bosom, grasping at the old brooch that fastened her shawl, and her face went bleak. “Well, boys,” she said, “here it is. The worst is happening at last.
Natalie Babbitt (Tuck Everlasting)
But I did know that nobody ever asked me what I wanted for Christmas. Had any adult with the power to fulfill my desires taken me seriously and asked me what I wanted, they would have known that I did not want to have anything to own, or to possess any object. I wanted rather to feel something on Christmas day. The real question would have been, "Dear Claudia, what experience would you like on Christmas?" I could have spoken up, "I want to sit on the low stool in Big Mama's kitchen with my lap full of lilacs and listen to Big Papa play his violin for me alone." The lowness of the stool made for my body, the security and warmth of Big Mama's kitchen, the smell of the lilacs, the sound of music, and, since it would be good to have all my senses engaged, the taste of peach, perhaps, afterward.
Toni Morrison (The Bluest Eye)
That’s what Papa counting on, no doubt. But romantic love is . . .I don’t wish to say that romantic love itself is a fraud—I’m sure the feelings it inspires are genuine enough, however temporary. But the way it’s held up as this pristine, everlasting joy every woman ought to strive for—when in fact love is more like beef brought over from Argentina on refrigerated ships: It might stay fresh for a while under carefully controlled conditions, but sooner or later it’s qualities will begin to degrade. Love is by and large a perishable good and it is lamentable that young people are asked to make irrevocable, till-death-do-we-part decisions in the midst of a short-lived euphoria.
Sherry Thomas (A Study in Scarlet Women (Lady Sherlock, #1))
White ain't nothing.' Mama's grip did not lessen. 'It is something, Cassie. White is something just like black is something. Everybody born on this Earth is something, and nobody, no matter what color is better than anybody else.' 'Then how come Mr. Simms don't know that.' 'Because he's one of those people who has to believe that white people are better than black people to make himself feel big.' I stared questionably at Mama, not really understanding. Mama squeezed my hadn't and explained further, 'You see, Cassie, many years ago, when our people were fist brought from Africa in chains to work as slaves in this country--' 'Like Big Ma's Papa and Mama?' Mama nodded. "Yes, baby. Like Papa Luke and Mama Rachel. Except they were born right here is Mississippi, but their grandparents were born in Africa. And when they came, there was some white people who thought that is was wrong for any people to be slaves. So the people who needed slaves to work in their fields and the people who were making money bringing slaves from Africa preached that black people weren't really people like white people were, so slavery was all right. They also said that slavery was good for us because it thought us to be good Christians, like the white people.' She sighed deeply, her voice fading into a distant whisper, 'But they didn't teach us Christianity to save our souls, but to teach us obedience. They were afraid of slave revolts and they wanted us to learn the Bible's teachings about slaves being loyal to their masters. But even teaching Christianity didn't make us stop wanting to be free, and many slaves ran away.” ... She was silent for a moment, then went on. 'Well, after a while, slavery became so profitable to people who had slaves and even to those who didn't that most people started to believe that black people weren't really people like everybody else. And when the Civil War was fought, and Mama Rachel and Papa Luke and all the other slaves were freed, people continued to think that way. Even the Northeners who fought the war didn't really see us equal to white people. 'So, now, even though seventy years have passed since slavery, most white people still think of us as they did then, that we're not as good as they are. And people like Mr. Simms hold onto that belief harder than some other folks because they have little else to hold onto. For him to believe that he is better than we are makes him think that he's important, simply because he's white.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
Good-by, Good-by, world. Good-by, Grover’s Corners . . . Mama and Papa. Good-by to clocks ticking . . . and Mama’s sunflowers. And food and coffee. And new-ironed dresses and hot baths . . . and sleeping and waking up. Oh, earth, you’re too wonderful for anybody to realize you.
Thornton Wilder (Our Town: The Timeless Pulitzer Prize-winning Drama (Perennial Classics))
It was the belief of Bokonon that good societies could be built only by pitting good against evil, and by keeping the tension between the two high at all times. And, in Castle's book, I read my first Bokononist poem, or 'Calypso' It went like this: 'Papa' Monzano, he's so very bad, But without bad 'Papa' I would be so sad; Because without 'Papa's' badness, Tell me, if you would, How could wicked old Bokonon Ever, ever look good?
Kurt Vonnegut Jr. (Cat’s Cradle)
When I see someone with six-pack abs, I know we won’t have fun because that person doesn’t know what fun is. Their idea of a good time is putting on tight shorts and working on their stomach muscles. Someone with love handles is putting on oven mitts and working on baking the perfect cinnamon buns. They’re fun.
Tom Papa (You're Doing Great!: And Other Reasons to Stay Alive)
I didn’t realize,” she confesses mournfully, “all that was going on and we never noticed…. Good-by, world. Good-by, Grover’s Corners … Mama and Papa. Good-by to clocks ticking … and Mama’s sunflowers. And food and coffee. And new-ironed dresses and hot baths … and sleeping and waking up. Oh, earth, you’re too wonderful for anybody to realize you.
Anonymous
Emma laughed, and replied: "But I had the assistance of all your endeavours to counteract the indulgence of other people. I doubt whether my own sense would have corrected me without it." "Do you?—I have no doubt. Nature gave you understanding:—Miss Taylor gave you principles. You must have done well. My interference was quite as likely to do harm as good. It was very natural for you to say, what right has he to lecture me?—and I am afraid very natural for you to feel that it was done in a disagreeable manner. I do not believe I did you any good. The good was all to myself, by making you an object of the tenderest affection to me. I could not think about you so much without doating on you, faults and all; and by dint of fancying so many errors, have been in love with you ever since you were thirteen at least. [...] "How often, when you were a girl, have you said to me, with one of your saucy looks—'Mr. Knightley, I am going to do so-and-so; papa says I may, or I have Miss Taylor's leave'—something which, you knew, I did not approve. In such cases my interference was giving you two bad feelings instead of one." "What an amiable creature I was!—No wonder you should hold my speeches in such affectionate remembrance.
Jane Austen (Emma)
she did go to a race-meeting, in Papa’s riding days, she would shut her eyes during his race, and once when he was to ride a bad jumper she
Molly Keane (Good Behaviour)
„You shouldn‘t be trying to sow divisions in this community,“ Papa says, which sounds like something a good newsperson would say on TV.
Deepa Anappara (Djinn Patrol on the Purple Line)
With Papa, there were only good days and great days. On bad days, he wanted to know how I aimed to turn things around to finish out with some good.
Allison Pataki (The Magnificent Lives of Marjorie Post)
God loves us, Izzy, and wants to give us good gifts, but those gifts aren’t always what we expect. Sometimes instead of making a person well, he comforts us and gives us the courage to go on. Sometimes he sends new people into our lives to help us—like when he sent Papa Gideon to take care of you. And sometimes he gives us a new joy that we would not have known otherwise.
Karen Witemeyer (Head in the Clouds)
Of course it means you are going away from us for good," she said with a sigh. "But that does not mean I'll lose you forever. Look at my papa here; he's been dead all these years, and yet he is more real to me than almost anybody else. He never goes out of my life. I talk to him and consult him all the time. The older I grow, the better I know him and the more I understand him.
Willa Cather
I suppose, he was thinking, that we heard this tale of the Herzogs ten times a year. Sometimes Mama told it, sometimes he. So we had a great schooling in grief. I still know these cries of the soul. They lie in the breast, and in the throat. The mouth wants to open wide and let them out. But all these are antiquities -- yes, Jewish antiquities originating in the Bible, in a Biblical sense of personal experience and destiny. What happened during the War abolished Father Herzog's claim to exceptional suffering. We are on a more brutal standard now, a new terminal standard, indifferent to persons. Part of the program of human destruction into which the human spirit has poured itself with energy, even with joy. These personal histories, old tales from old times that may not be worth remembering. I remember. I must. But who else -- to whom can this matter? So many millions -- multitudes -- go down in terrible pain. And, at that, moral suffering is denied, these days. Personalities are good only for comic relief. But I am still a slave to Papa's pain. The way Father Herzog spoke of himself! That could make one laugh. His I had such dignity.
Saul Bellow (Herzog)
Adam,' I say, 'had good times and he had bad times.' I pause here and glance at Nana, see that she is crying silently, the way I cried at the duck pond in the park. I was going to say something more about the bad times- how Adam's bad times were different from most people's, and that I'll never really understand them. But now that I see Nana's tears, see her start to reach for Papa's hand, then pull back and fold her hands in her lap again- now that I see Nana, I change my mind. I think we should remember that Adam was one of those people who could lift the corners of our universe,' I say. I clear my throat. 'Thank you.' As I slide into our pew I realize I feel older. I think of Janet and Nancy and find that nonw I can brush them away. And I understand that Adam and I are not as alike as I had thought. I remembered the tortured look on Adam's face the night of the Ferris wheel and the look of happiness, happiness, and realize that Adam's decision to take his life was not made easily. It took a certain kind of courage. Just not the kind of courage I chose. I settle between Mom and Dad, and they take my hands and smmile at me. No tears. I squeeze their hands. ~pgs 177-178; Hattie on life
Ann M. Martin (A Corner of the Universe)
I was alone alright. And life surely had been a hard trial for me, so far. From the time mama and Katie fell sick, life had been one misery after another. But here I was. Still with breath in my lungs. And blood in my veins. And memories and voices in my heart. Good ones. And life was going on, all around me. With or without me, it was going on. It weren't a matter of the whole thing stopping or the whole thing going on. The whole thing was going on. It was only a matter of me standing up and deciding what part I had to play in it all. I could be the quitting kind. Or not. I could be the kind of man my mama and papa had raised, or not. I rose to my feet and did the best I could to scrape the worst of the mud off my coat and pants. "Sarah's going to be somebody's horse," I said to myself. "And I'm sure as hell gonna make sure she's mine.
Dan Gemeinhart (Some Kind of Courage)
Dear Papa, it seemed, had not left his family in affluent circumstances; but he had certainly endowed them with good looks, a commodity in which they had been bred from earliest youth to trade to the best advantage.
Georgette Heyer (Cotillion)
We were created by God and for God, and until we understand that, we are restless, brokenhearted glory chasers, always seeking something more. Only God, the highest and greatest good, the infinite holy One, is finally enough.
Matt Papa (Look and Live: Behold the Soul-Thrilling, Sin-Destroying Glory of Christ)
Do you think we’ll ever really belong anywhere?” “I suppose not,” said Papa. “Not the way people belong who have lived in one place all their lives. But we’ll belong a little in lots of places, and I think that may be just as good.
Judith Kerr (Out of the Hitler Time trilogy)
The science of Papa’s trade brought him an even greater level of respect. It was well and good to share bread and music, but it was nice for Liesel to know that he was also more than capable in his occupation. Competence was attractive.
Markus Zusak (The Book Thief)
I know you were hurt and have every reason to be angry, but just know that there hasn’t been a day that has gone by that I haven’t thought about you and Ty. Maybe that’s my punishment, knowing you are doing well and knowing I had nothing to do with it. For what it’s worth, I’m proud of you, for having done so great despite people breaking their promises to you. It was good to see you, even if it was only for a moment. I am glad I got at least that. I’ve missed you, Papa Bear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
That’s a much better kiss than the one you gave her when you won the shooting match!” “And a much better proposal of marriage than the one you gave her yesterday morning!” Minerva chimed in. “Leave him be!” Celia chided as Jackson went red about the ears. “He saved my life twice, figured out who killed Mama and Papa, and taught Gran some humility. We can’t all be good at everything, you know.” Amid the laughter, he kissed her again, but her family didn’t let that go on for long. It was cold outside, after all. Gran herded them inside to the great hall, where the servants had brought out refreshments. There, everyone had to take turns congratulating them and clamoring for all the usual details of how it had started and when it had become true love.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Papa wants you to marry some decrepit old wigsby?” She gave him a charmingly rueful smile, all tousled golden curls like some angel who had rolled off a cloud in her sleep, he thought, and had fallen to earth with a thud. “Something like that,” she said in vague amusement. “I see. Well, surely we can find a solution.” He snapped his fingers and gave her a grin. “Shall I ruin you? That should solve your problem. The old wigsby won’t want you if you’re used goods, and I assure you, I’d be happy to oblige.
Gaelen Foley (Lady of Desire (Knight Miscellany, #4))
Papa talks enough of my defects, and shows enough scorn of me, to make it natural I should doubt myself. I doubt whether I am not altogether as worthless as he calls me, frequently; and then I feel so cross and bitter, I hate everybody! I am worthless, and bad in temper, and bad in spirit, almost always; and, if you choose, you may say good-bye: you’ll get rid of an annoyance. Only, Catherine, do me this justice: believe that if I might be as sweet, and as kind, and as good as you are, I would be; as willingly, and more so, than as happy and as healthy. And believe that your kindness has made me love you deeper than if I deserved your love: and though I couldn’t, and cannot help showing my nature to you, I regret it and repent it; and shall regret and repent it till I die!
Emily Brontë (Wuthering Heights)
Papa is a preferable mode of address,' observed Mrs General. 'Father is rather vulgar, my dear. The word Papa, besides, gives a pretty form to the lips. Papa, potatoes, poultry, prunes, and prism are all very good words for the lips: especially prunes and prism.
Charles Dickens (Little Dorrit)
Good-by, Good-by world! Good-by, Grover’s Corners … Mama and Papa. Good-by to clocks ticking and Mama’s sunflowers. And food and coffee. And new-ironed dresses and hot baths … and sleeping and waking up. Oh, earth, you’re too wonderful for anybody to realize you!
R.J. Palacio (Wonder)
He vows her to be his own honeylamb, swears they will be papa pals, by Sam, and share good times way down west in a guaranteed happy lovenest when May moon she shines and they twit twinkle all night combing the comet's tail up right and shooting popguns at the stars.
James Joyce (Finnegans Wake)
Some people will say, well there were more men in the country at that time who looked like Cleveland than did not. Still, that is how he looked. Cleveland was once a sheriff himself. He brought a good deal of misery to the land in the Panic of ‘93 but I am not ashamed to own that my family supported him and has stayed with the Democrats right on through, up to and including Governor Alfred Smith, and not only because of Joe Robinson. Papa used to say that the only friends we had down here right after the war were the Irish Democrats
Charles Portis (True Grit)
Miss Tox sat down upon the widow-seat, and thought of her good Papa deceased—Mr. Tox, of the Customs Department of the public service; and of her childhood, passed at a seaport, among a considerable quantity of cold tar, and some rusticity. She fell into a softened remembrance of meadows, in old time, gleaming with buttercups, like so many inverted firmaments of golden stars; and how she had made chains of dandelion-stalks for youthful vowers of eternal constancy, dressed chiefly in nankeen; and how soon those fetters had withered and broken.
Charles Dickens (Dombey and Son)
Papa,” said Anna after the first excitement of seeing him safe and sound had worn off. “Papa, I was a bit upset when I heard about the price on your head.” “So was I!” said Papa. “Very upset.” “Were you?” asked Anna, surprised. Papa had always seemed so brave. “Well, it’s such a very small price,” explained Papa. “A thousand marks goes nowhere these days. I think I’m worth a lot more, don’t you?” “Yes,” said Anna, feeling better. “No self-respecting kidnapper would touch it,” said Papa. He shook his head sadly. “I’ve a good mind to write to Hitler and complain!
Judith Kerr (When Hitler Stole Pink Rabbit (Out of the Hitler Time, #1))
Do other dads not end their phone calls with existential despair? Because that's what my dad does. Papa ends most of his calls with me the way you might close a conversation with someone you want to menace. "Anyway," he'll say, "I'll be here. Staring into the abyss." Or, when I have given him good news, "The talented will rule and the rest will perish in the sea of mediocrity." Or, when I have given him bad news, "I am for for everything that happens to you, as everything is my fault." He never ends with anything that couldn't one day be construed as a tragic yet comic last word.
Scaachi Koul
I suppose you are not musical,' said Fanny, 'as I see no piano.' 'I am fond of hearing good music; I cannot play well myself; and papa and mamma don't care much about it; so we sold our old piano when we came here.' 'I wonder how you can exist without one. It almost seems to me a necessary of life.
Elizabeth Gaskell (North and South)
Hyacinth let her voice grow even louder. “Mama is amazing and the best cook and baker and her food is delicious! And Papa is the best papa in the world! And you are mean and you make us all feel bad about ourselves and you never have anything good to say about anyone. And you won’t go to Mama’s bakery, and I think it’s because you’re afraid to see that Mama is following her dream. And Oliver is great at basketball and he’s smart too, and Isa is the best violin player and is one day going to be the most famous violinist and tour all over Europe, and Jessie will study important science things and help the world be a better place, and I don’t know what Laney is going to do but she’s going to be amazing at whatever she does because she is the nicest person to ever live and gets along with everyone. So stop making us feel bad about ourselves and if you don’t have something nice to say, then don’t say anything at all!
Karina Yan Glaser (The Vanderbeekers Make A Wish (The Vanderbeekers, #5))
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
Do you know where we are Papa? the boy said. Sort of. How sort of? Well. I think we're about two hundred miles from the coast. As the crow flies. As the crow flies? Yes. It means going in a straight line. Are we going to get there soon? Not real soon. Pretty soon. We're not going as the crow flies. Because crows don't have to follow roads? Yes. They can go wherever they want. Yes. Do you think there might be crows somewhere? I dont know. But what do you think? I think it's unlikely. Could they fly to Mars or someplace? No. They couldnt. Because it's too far? Yes. Even if they wanted to. Even if they wanted to. What if they tried and they just got half way or something and then they were too tired. Would they fall back down? Well. They really couldnt get halfway because they'd be in space and there's not any air in space so they wouldnt be able to fly and besides it would be too cold and they'd freeze to death. Oh. Anyway they wouldnt know where Mars was. DO we know where Mars is? Sort of. If we spaceship could we go there? Well. If you had a really good spaceship and you had people to help you I suppose you could go. Would there be good and stuff when you got there? No. There's nothing there. Oh. They sat there for a long time. They sat on their folded blankets and watched the road in both directions. No wind. Nothing. After a while the boy said: There's not any crows. Are there? No.
Cormac McCarthy (The Road)
A bear took a walk in a deep dark wood And stopped just where a Rabbit stood “Do you have trouble with stinky poo Sticking to your fur when you go to the loo?” Said the big brown bear to the small white hare. The rabbit pointed his nose to the sky "Trouble with poo! Oh no not I" “Good” said the bear “then if you don’t mind?” Picked up the bunny and wiped his behind
Papa G.
He felt as my papa felt,” Sara thought. “He was ill as my papa was; but he did not die.” So her heart was more drawn to him than before. When she was sent out at night she used sometimes to feel quite glad, because there was always a chance that the curtains of the house next door might not yet be closed and she could look into the warm room and see her adopted friend. When no one was about she used sometimes to stop, and, holding to the iron railings, wish him good night as if he could hear her. “Perhaps you can feel if you can’t hear,” was her fancy. “Perhaps kind thoughts reach people somehow, even through windows and doors and walls. Perhaps you feel a little warm and comforted, and don’t know why, when I am standing here in the cold and hoping you will get well and happy again.
Frances Hodgson Burnett (A Little Princess)
She had never been staying there before, without being struck by it, or without wishing that other Elliots could have her advantage in seeing how unknown, or unconsidered there, were the affairs which at Kellynch Hall were treated as of such general publicity and pervading interest; yet, with all this experience, she believed she must now submit to feel that another lesson, in the art of knowing our own nothingness beyond our own circle, was become necessary for her; for certainly, coming as she did, with a heart full of the subject which had been completely occupying both houses in Kellynch for many weeks, she had expected rather more curiosity and sympathy than she found in the separate but very similar remark of Mr and Mrs Musgrove: “So, Miss Anne, Sir Walter and your sister are gone; and what part of Bath do you think they will settle in?” and this, without much waiting for an answer; or in the young ladies’ addition of, “I hope we shall be in Bath in the winter; but remember, papa, if we do go, we must be in a good situation: none of your Queen Squares for us!” or in the anxious supplement from Mary, of—“Upon my word, I shall be pretty well off, when you are all gone away to be happy at Bath!
Jane Austen (Jane Austen: The Complete Collection)
There are good men to be found under every denomination, whether they be Jews, Mahomedans, or Pagans; but they are not Christians.” “Very true, papa.” “Faith in things seen, if I may use the term, my dear child, may induce men to acknowledge the power and goodness of the Almighty, but it will not make them wise to salvation; for that end, it is necessary, as the Apostle saith, to have faith in things not seen.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
When I walk the path between the gardens everyone is there, Mama and Papa, the aunts, Caleb and Jack. Aunt Harriet plays the flute-- But the best thing of all is that Grandfather is there waiting for me, smiling. He gives my dog husband a bone. “Be good to Cassie,” he says. “Oui,” says Nick. I am astonished. I have never heard Nick speak French words. “You speak French!” I cry. “I retrieve, too,” says my dog husband.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
Outside the gates of the finca, watching the passing rows of tin-roofed shacks which represented the residential section of San Francisco de Paula, I began to think about The Old Man and the Sea, and I realized it was Ernest’s counterattack against those who had assaulted him for Across the River. It was an absolutely perfect counterattack and I envisioned a row of snickering carpies bearing the likenesses of Dwight Macdonald and Louis Kronenberger and E.B. White, who in the midst of cackling, “Through! Washed Up! Kaput!” suddenly grab their groins and keel over. It is a rather elementary military axiom that he who attacks must anticipate the counterattack, but the critics, poor boys, would never make General Staff. As Ernest once said, “One battle doesn’t make a campaign but critics treat one book, good or bad, like a whole goddamn war.
A.E. Hotchner (Papa Hemingway)
We’ll come back,” said Papa. “I know,” said Anna. She remembered how she had felt when they had gone back to the Gasthof Zwirn for the holidays and added, “But it won’t be the same – we won’t belong. Do you think we’ll ever really belong anywhere?” “I suppose not,” said Papa. “Not the way people belong who have lived in one place all their lives. But we’ll belong a little in lots of places, and I think that may be just as good.
Judith Kerr (When Hitler Stole Pink Rabbit (Out of the Hitler Time, #1))
It is a good thing for a man to live in a family for the same reason that it is a good thing for a man to be besieged in a city. It is a good thing for a man to live in a family in the same sense that it is a beautiful and delightful thing for a man to be snowed up in a street. They all force him to realise that life is not a thing from outside, but a thing from inside. Above all, they all insist upon the fact that life, if it be a truly stimulating and fascinating life, is a thing which, of its nature, exists in spite of ourselves. The modern writers who have suggested, in a more or less open manner, that the family is a bad institution, have generally confined themselves to suggesting, with much sharpness, bitterness, or, pathos, that perhaps the family is not always very congenial. Of course the family is a good institution because it is uncongenial. It is wholesome precisely because it contains so many divergencies and varieties. It is, as the sentimentalists say, like a little kingdom, and, like most other little kingdoms, is generally in a state of something resembling anarchy. It is exactly because our brother George is not interested in our religious difficulties, but is interested in the Trocadero Restaurant, that the family has some of the bracing qualities of the commonwealth. It is precisely because our uncle Henry does not approve of the theatrical ambitions of our sister Sarah that the family is like humanity. The men and women who, for good reasons and bad, revolt against the family, are, for good reasons and bad, simply revolting against mankind. Aunt Elizabeth is unreasonable, like mankind. Papa is excitable, like mankind. Our youngest brother is mischievous, like mankind. Grandpapa is stupid, like the world; he is old, like the world.
G.K. Chesterton (In Defense of Sanity: The Best Essays of G.K. Chesterton)
There were still few rules at Down House, and Charles was not very good at enforcing the ones he and Emma did make. This was well known among his children. In 1855, when Lenny was about five, Charles walked in to find his son jumping up and down and tumbling all over a new sofa. 'Oh Lenny, Lenny,' Charles said. 'You know it is against all rules.' 'Then,' Lenny said to his papa, 'I think you'd better go out of the room.' And so Charles did.
Deborah Heiligman
You’re too good to carry hate in your heart, Mia, and that’s one of your best qualities and one that I’m the most grateful for. If you didn’t forgive me… if you didn’t give me a chance, then I wouldn’t know how big a heart lives inside you. I wouldn’t know my daughter. I wouldn’t know the amazing woman your papa raised you to be.” He looked down then, his lips pulled into to a frown. “People can change. And I hope that you see me as proof of that.
Jay McLean (Leo (Preston Brothers #3))
So, Henrik, is the weather good for fishing?” Papa asked cheerfully, and listened briefly. Then he continued, “I’m sending Inge to you today with the children, and she will be bringing you a carton of cigarettes. “Yes, just one,” he said, after a moment. Annemarie couldn’t hear Uncle Henrik’s words. “But there are a lot of cigarettes available in Copenhagen now, if you know where to look,” he went on, “and so there will be others coming to you as well, I’m sure.
Lois Lowry (Number the Stars)
Boys are beaten for reading poetry, grocers are called ‘robbers’ for sending in their bills, dogs are fed chicken while the servants are forced to eat laundry starch to stave off hunger, terrified children are put on horses at a remarkably young age, a nanny is dismissed for drunkenness but still given a good reference because to do otherwise ‘would have been unkind and unnecessary’. The proper way to conduct oneself in all matters is to employ selective silence: Papa
Molly Keane (Good Behaviour)
Would she be ashamed of her people; ashamed of handsome papa who had been so lighthearted, kind and understanding; ashamed of brave and truthful Mama who was so proud of her own mother, even though Granma couldn’t read or write; ashamed of Neeley who was such a good honest boy? No! No! If being educated would make her ashamed of what she was, then she wanted none of it. “But I’ll show that Miss Garnder,” she vowed. “I’ll show her I’ve got an imagination. I certainly will show
Betty Smith (A Tree Grows in Brooklyn)
So her heart was more drawn to him than before. When she was sent out at night she used sometimes to feel quite glad, because there was always a chance that the curtains of the house next door might not yet be closed and she could look into the warm room and see her adopted friend. When no one was about she used sometimes to stop, and, holding to the iron railings, wish him good night as if he could hear her. “Perhaps you can feel if you can’t hear,” was her fancy. “Perhaps kind thoughts reach people somehow, even through windows and doors and walls. Perhaps you feel a little warm and comforted, and don’t know why, when I am standing here in the cold and hoping you will get well and happy again. I am so sorry for you,” she would whisper in an intense little voice. “I wish you had a ‘Little Missus’ who could pet you as I used to pet papa when he had a headache. I should like to be your ‘Little Missus’ myself, poor dear! Good night ­good night. God bless you!
Frances Hodgson Burnett (A Little Princess)
Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.
Jenny Offill (Dept. of Speculation)
Well; but Flushie! It is too true that he has been lost — lost and won; and true besides that I was a good deal upset by it meo more; and that I found it hard to eat and sleep as usual while he was in the hands of his enemies. It is a secret too. We would not tell papa of it. Papa would have been angry with the unfortunate person who took Flush out without a chain; and would have kicked against the pricks of the necessary bribing of the thief in order to the getting him back. Therefore we didn’t tell papa; and
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
The next morning, of course, Betsy made a list. Lists were always her comfort. For years she had made lists of books she must read, good habits she must acquire, things she must do to make herself prettier—like brushing her hair a hundred strokes at night, and manicuring her fingernails, and doing calisthenics before an open window in the morning. (That one hadn’t lasted long.) It was fun making this list, sitting in bed with her breakfast tray on her lap…hot chocolate, crisp hard rolls, and a pat of butter. Hanni had brought it to her after closing the windows and pushing back the velvet draperies. Betsy felt like a heroine in one of her own stories; their maids always awakened them that way. 1. Learn the darn money. 2. Study German. (You’ve forgotten all you knew.) 3. Buy a map and learn the city—from end to end, as you told Papa you would. 4. Read the history of Bavaria. You must have it for background. 5. Go to the opera. (You didn’t stay in Madeira because Munich is such a center for music and art???) 6. Go to the art galleries. (Same reason.) 7. Write! Full of enthusiasm, she planned a schedule. First, each morning, she would have her bath, and then write until noon. After the midday dinner she would go out and learn the city. She would go to the galleries, museums, and churches. She would have coffee out—for atmosphere. “Then I’ll come home and study German and read Bavarian history. And after supper…” she tried not to remember the look of that dining room…“I’ll write my diary-letter, except when I go to the opera or concerts.
Maud Hart Lovelace (Betsy and the Great World / Betsy's Wedding (Betsy-Tacy #9-10))
I don’t believe any of you suffer as I do,” cried Amy, “for you don’t have to go to school with impertinent girls, who plague you if you don’t know your lessons, and laugh at your dresses, and label your father if he isn’t rich, and insult you when your nose isn’t nice.” “If you mean libel, I’d say so, and not talk about labels, as if Papa was a pickle bottle,” advised Jo, laughing. “I know what I mean, and you needn’t be statirical about it. It’s proper to use good words, and improve your vocabilary,” returned Amy, with dignity.
Henry James (The Greatest Literary Classics Of All Time: Enriched edition. 150 Books: Romeo and Juliet, Emma, Vanity Fair, Middlemarch, Tom Sawyer, Faust, Notre Dame de Paris…)
Miss Kinsley regarded him with the look of disgust girls reserved for snails and frogs. “Any man who would suggest to a young woman that she should elope rather than listen to her papa’s advice can only be up to no good.” “Elope?” Oliver queried, his eyes narrowing on Miss Kinsley. “This scoundrel proposed marriage to you?” “Now, Miss Kinsley,” Nathan began in his best placating voice, “we both know it wasn’t like-“ “Quiet!” Oliver snapped at him. “Or I swear not even Maria will keep me from throttling you.” Nathan swallowed. Hard.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Perhaps you can FEEL if you can't hear," was her fancy. "Perhaps kind thoughts reach people somehow, even through windows and doors and walls. Perhaps you feel a little warm and comforted, and don't know why, when I am standing here in the cold and hoping you will get well and happy again. I am so sorry for you," she would whisper in an intense little voice. "I wish you had a 'Little Missus' who could pet you as I used to pet papa when he had a headache. I should like to be your 'Little Missus' myself, poor dear! Good night—good night. God bless you!
Frances Hodgson Burnett (A Little Princess)
Bobby, when he saw his father, had retreated a few steps back, as also did Grace, who, to confess the truth, had been attracted by the sound of sugar-plums, in spite of the irregular verbs. And Lucy withdrew her hand from her muff, and looked guilty. Was she not deceiving the good man — nay, teaching his own children to deceive him? But there are men made of such stuff that an angel could hardly live with them without some deceit. “Papa’s gone now,” whispered Bobby; “I saw him turn round the corner.” He, at any rate, had learned his lesson — as it was natural that he should do.
Anthony Trollope (Complete Works of Anthony Trollope)
You should be napping,” his wife chided. “Westhaven was behaving peculiarly.” “Oh?” The duke slipped an arm around his wife’s waist. “How so?” “He walked in, kissed my cheek, and said, ‘His Grace has advised me to marry for love,’ then left. Not like him at all.” The duchess frowned. “Are you feeling well, Percy?” “Keeps his word, that boy.” The duke smiled. “I am feeling better, Esther, and we did a good job with Westhaven. Knows his duty, he does, and will make a fine duke.” Her Grace kissed his cheek. “More to the point, he makes a fine son, and he will make an even better papa.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
We’ll meet at the same time tomorrow,’ said Shmuel. ‘Don’t be late this time,’ said Bruno, standing up and dusting himself down. ‘And don’t forget the striped pajamas.’ Both boys went home in high spirits that afternoon. Bruno imagined a great adventure ahead and finally an opportunity to see what was really on the other side of the fence before he went back to Berlin – not to mention getting in a little serious exploration as well – and Shmuel saw a chance to get someone to help him in the search for his papa. All in all, it seemed like a very sensible plan and a good way to say goodbye.
John Boyne (The Boy in the Striped Pajamas)
This is the essence of sin, and the story of all our lives. We have all set our hopes onto something or someone we thought was really impressive and important. Something we thought would really make us happy . . . money, another person, a position. So we examine the thing. We lean on it a little bit. We test it. We taste it. It seems good. We respect it a little more, so we lean on it a little more. Pretty soon we trust enough to place the full weight of our soul upon it, and then . . . crash. We end up disappointed. Despairing. Why? Because it wasn’t God. And everything crumbles under the weight of worship except God.
Matt Papa (Look and Live: Behold the Soul-Thrilling, Sin-Destroying Glory of Christ)
Poor John,” said Mama. “This is a very hard job. Keeping Jack in line behind him.” “Huge,” said Anna. “Nearly impossible,” said Justin. And they began to laugh all over again. A long time later, Grandfather and Jack came back. They were very quiet. They sat next to each other at the table where Mama and Papa and Anna and Justin were drinking coffee. Grandfather poked Jack gently. Jack looked up at Grandfather. “Doggie sorry,” said Jack. Grandfather poked Jack again. “Jack sorry,” said Jack, using his name for the first time. Grandfather sat back. “That’s very good,” he said, pleased with himself. “Drat,” whispered Jack.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
I found me a place where I can do good without doing any harm, and I can see I’m doing good, and them I’m doing good for know I’m doing it, and they love me, Unk, as best they can. I found me a home. "And when I die down here some day," said Boaz, "I’m going to be able to say to myself, ’Boaz—you made millions of lives worth living. Ain’t nobody ever spread more joy. You ain’t got an enemy in the Universe.’ " Boaz became for himself the affectionate Mama and Papa he’d never had. " ’You go to sleep now,’ " he said to himself, imagining himself on a stone deathbed in the caves. " ’You’re a good boy, Boaz,’ " he said. " ’Good night.
Kurt Vonnegut Jr. (The Sirens of Titan)
A letter from 15 year old Sophia - later Catherine the Great - to her father: My Lord: I beg you to assure yourself that your advice and exhortation will remain forever engraved on my heart, as the seeds of the holy faith will in my soul, to which I pray God to lend all the strength it will need to sustain me through the temptations to which I expect to be exposed... I hope to have the consolation of being worthy of it, and likewise of continuing to receive good news of my dear Papa, and I am, as long as I live, and in an inviolable respect, my lord, your Highness's most humble, most obedient, and faithful daughter and servant, Sophia.
Robert K. Massie
Any letters from Justin?” Sarah asked Sam. “No letters for a while. Anna waits for the mail every day.” “Are you worried?” asked Sarah. Sam got up and put on his coat. “Yes, a little. Letters take such a long time.” “And the influenza?” asked Papa. “Better, Jacob. Fewer cases. I think it has run its course,” said Sam. “We think about Justin every day,” said Sarah. “Thoughts are good,” said Sam with a smile. “Having him here would be better.” Sam went to the door and turned. “No work, Jacob. And”--he looked at Grandfather--“you know what I think.” “What does that mean?” asked Sarah. “It’s--” Sam began. “Private,” said Sarah and Sam at the same time.
Patricia MacLachlan (Caleb's Story (Sarah, Plain and Tall #3))
How the earthly father would love a child who would creep into his room with angry, troubled face, and sit down at his feet, saying when asked what he wanted: "I feel so naughty, papa, and I want to get good"! Would he say to his child: "How dare you! Go away, and be good, and then come to me?" And shall we dare to think God would send us away if we came thus, and would not be pleased that we came, even if we were angry as Jonah? Would we not let all the tenderness of our nature flow forth upon such a child? And shall we dare to think that if we being evil know how to give good gifts to our children, God will not give us his own spirit when we come to ask him?
George MacDonald (Unspoken Sermons Series I., II., and II.)
That’s good,” young Tom said. “I told the headmaster neither papa nor Mr. Joyce had dirty minds and now I can tell him about Mr. Davis if he asks me. He was pretty set on it that I had a dirty mind. But I wasn’t worried. There’s a boy at school that really has one and you can tell the difference all right. What was Mr. Pascin’s first name?” “Jules.” “How do you spell it?” David asked. Thomas Hudson told him. “What ever became of Mr. Pascin?” young Tom asked. “He hanged himself,” Thomas Hudson said. “Oh gee,” Andrew said. “Poor Mr. Pascin,” young Tom said in benediction. “I’ll pray for him tonight.” “I’m going to pray for Mr. Davis,” Andrew said. “And do it often,” Roger said.
Ernest Hemingway (Islands in the Stream)
He felt as my papa felt,” Sara thought. “He was ill as my papa was; but he did not die.” So her heart was more drawn to him than before. When she was sent out at night she used sometimes to feel quite glad, because there was always a chance that the curtains of the house next door might not yet be closed and she could look into the warm room and see her adopted friend. When no one was about she used sometimes to stop, and, holding to the iron railings, wish him good night as if he could hear her. “Perhaps you can feel if you can’t hear,” was her fancy. “Perhaps kind thoughts reach people somehow, even through windows and doors and walls. Perhaps you feel a little warm and comforted, and don’t know why, when I am standing here in the cold and hoping you will get well and happy again. I am so sorry for you,” she would whisper in an intense little voice. “I wish you had a ‘Little Missus’ who could pet you as I used to pet papa when he had a headache. I should like to be your ‘Little Missus’ myself, poor dear! Good night--good night. God bless you!” She would go away, feeling quite comforted and a little warmer herself. Her sympathy was so strong that it seemed as if it must reach him somehow as he sat alone in his armchair by the fire, nearly always in a great dressing gown, and nearly always with his forehead resting in his hand as he gazed hopelessly into the fire. He looked to Sara like a man who had a trouble on his mind still, not merely like one whose troubles lay all in the past.
Frances Hodgson Burnett (A Little Princess)
I'm here, Papa," she whispered, saying the words she had longed to say for her entire life. "I'm here, and I'm never going to leave you again." He made a sound of contentment and closed his eyes. Just as Evie thought he had fallen asleep, he murmured, "Where shall we walk first today, lovey? The biscuit baker, I s'pose..." Realizing that he imagined this was one of her long-ago childhood visits, Evie replied softly, "Oh, yes." Hastily she knuckled away the excess moisture from her eyes. "I want an iced bun... and a cone of broken biscuits... and then I want to come back here and play dice with you." A rusty chuckle came from his ravaged throat, and he coughed a little. "Let Papa take forty winks before we leaves... there's a good girl..." "Yes, sleep," Evie murmured, turning the cloth over on his forehead. "I can wait, Papa.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Eat your beans, Jack,” said Mama, pointing to his plate. “Doggie no beans,” said Jack, frowning. “They’re good, Jack,” said Justin. “No,” said Jack. Grandfather dropped his fork on the floor. “Drat,” he said. “I’d like you to eat some beans, Jack,” repeated Mama. Jack climbed down out of his chair. “Drat, drat, drat,” he yelled. Everyone was quiet. Grandfather finally spoke. “That sounded…a little bit…like…” “You, Boppa,” said Papa. Grandfather sighed and stood up. “I guess I’m the one who should take care of this,” he said. He took Jack’s hand and they went outside. Mama bit her lip. Papa stared at his plate. Suddenly, Mama began to laugh. We laughed, too. “Poor John,” said Mama. “This is a very hard job. Keeping Jack in line behind him.” “Huge,” said Anna. “Nearly impossible,” said Justin. And they began to laugh all over again.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
Encouraged by her parents’ applause, the girl went on: “Do you think we take off our tops to give you pleasure? We do it for ourselves, because we like it, because it feels better, because it brings our bodies nearer to the sun! You’re only capable of seeing us as sex objects!” Again Papa and Mama Clevis applauded, but this time their bravos had a somewhat different tone. Their daughter’s words were indeed right, but also somewhat inappropriate for a fourteen-year-old. It was like an eight-year-old boy saying: “If there’s a holdup, Mama, I’ll defend you.” Then too the parents applaud, because their son’s statement is clearly praiseworthy. But since it also shows excessive self-assurance, the praise is rightly shaded by a certain smile. With such a smile the Clevis parents had tinged their second bravos, and their daughter, who had heard that smile in their voices and did not approve of it, repeated with irritated obstinacy: “That’s over and done with. I’m not anybody’s sex object.” Without smiling, the parents merely nodded, not wanting to incite their daughter any further. Jan, however, could not resist saying: “My dear girl, if you only knew how easy it is not to be a sex object.” He uttered these words softly, but with such sincere sorrow that they resounded in the room for a long while. They were words difficult to pass over in silence, but it was not possible to respond to them either. They did not deserve approval, not being progressive, but neither did they deserve argument, because they were not obviously against progress. There were the worst words possible, because they were situated outside the debate conducted by the spirit of the time. They were words beyond good and evil, perfectly incongruous words.
Milan Kundera (The Book of Laughter and Forgetting)
Oliver was able to get most of the paint off the floor by using the plastic putty knife, but the carpets and armchair cover did not fare so well: even after all the blotting, they still had large spots of pinkish hues. Everyone crossed their fingers that the color would fade once everything had dried. It was at that point that Papa brought Mama downstairs to examine the fuchsia paint job. The Vanderbeekers gathered around and waited for the verdict. “It’s terrible,” Mama finally said. “We can’t keep it like this.” She exchanged glances with Papa, then murmured, “I think we need to dip into the Fiver Account.” “Not the Fiver Account!” Papa whispered in horror. “What’s the Fiver Account?” Laney asked. She had really good ears. Mama and Papa looked at each other for a long moment; then Mama finally said, “For the past two years, we’ve been putting any five-dollar bills we get into a can we nailed into the corner of our
Karina Yan Glaser (The Vanderbeekers to the Rescue)
Aunt Lou was up early, dressed in overalls. She and Papa sat at the table drinking coffee and having a peppy discussion. Jack sat between them, his head turning from one side to the other as they talked. I stood in the doorway, listening. “Why?” asked Papa. “I want to,” said Aunt Lou. “Do you have a permit to drive?” asked Papa. “Yes,” said Aunt Lou quickly. Papa smiled slightly. Jack smiled, too. “Well…where is it?” asked Papa. Aunt Lou took a deep breath and went to find her bag. “Good morning, Cassie,” said Papa. “Good morning,” I said, coming into the kitchen. Grandfather came after me, pouring coffee and sitting next to Jack. “Pal!” said Jack. “Pal,” said Grandfather, putting his hand over Jack’s hand. Aunt Lou handed Papa a folded piece of paper. “Here.” Papa looked at it, then at Aunt Lou. “This says Lou can drive, signed, Horace Bricker.” Aunt Lou nodded. “Yes, Horace taught me how to drive. That’s proof.” Papa’s mouth opened. He looked at me, then closed it again.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
— I have fluctuated from one shadow of uncertainty and anxiety to another, all the summer, on the subject to which my last earthly wishes cling, and I delayed writing to you to be able to say I am going to London. I may say so now — as far as the human may say ‘yes’ or ‘no’ of their futurity. The carriage, a patent carriage with a bed in it, and set upon some hundreds of springs, is, I believe, on its road down to me, and immediately upon its arrival we begin our journey. Whether we shall ever complete it remains uncertain — more so than other uncertainties. My physician appears a good deal alarmed, calls it an undertaking full of hazard, and myself the ‘Empress Catherine’ for insisting upon attempting it. But I must. I go, as ‘the doves to their windows,’ to the only earthly daylight I see here. I go to rescue myself from the associations of this dreadful place. I go to restore to my poor papa the companionships family. Enough has been done and suffered for me. I thank God I am going home at last.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
Don't sell these people short," I said to her. "They've all been through a lot. Take Mrs. Chou, for example, the lady who lives in back of you. She's been married four times. Her present husband and the three before him were in the same squadron - they were all good friends to begin with. When one died the next took over, and so on, one by one. Sort of an understanding, you see, so that there would always be someone to take care of her. And Mrs. Hsu across the street from you, her husband used to be her younger brother-in-law. The Hsu brothers were both in the Thirteenth Group. The older brother got killed, and the younger brother took his place. To the children by her first husband he's Uncle, and at the same time he's Papa; for a long time they just didn't know what to call him." "But how can they still talk and laugh like that?" Verdancy looked at me in bewilderment. "My dear girl?" I laughed. "If they don't laugh, what do you expect them to do, cry? If they wanted to cry, they wouldn't have waited till now.
Pai Hsien-yung (Taipei People)
Ma Chere Mamma, We are all well I do my lessons always and never corroberate the girls -- Meg says I mean contradick so I put in both words and you can take the properest. Meg is a great comfort to me and lets me have jelly every night at tea its so good for me Jo says because it keeps me sweet tempered. Laurie is not as respeckful as he ought to be now I am almost in my teens, he calls me Chick and hurts my feelings by talking French to me very fast when I say Merci or Bon jour as Hattie King does. The sleeves of my blue dress were all worn out, and Meg put in new ones, but the full front came wrong and they are more blue than the dress. I felt bad but did not fret I bear my troubles well but I do wish Hannah would put more starch in my aprons and have buckwheats every day. Can't she? Didn't I make that interrogation point nice? Meg says my punchtuation and spelling are disgraceful and I am mortyfied but dear me I have so many things to do, I can't stop. Adieu, I send heaps of love to Papa. Your affectionate daughter . .. AMY CURTIS MARCH
Louisa May Alcott (Little Women)
But me, I know why. I heard him talk to the lifeguard. He’s finally getting cagey, is all. The way Papa finally did when he came to realize that he couldn’t beat that group from town who wanted the government to put in the dam because of the money and the work it would bring, and because it would get rid of the village: Let that tribe of fish Injuns take their sink and their two hundred thousand dollars the government is paying them and go some place else with it! Papa had done the smart thing signing the papers; there wasn’t anything to gain by bucking it. The government would of got it anyhow, sooner or later; this way the tribe would get paid good. It was the smart thing. McMurphy was doing the smart thing. I would see that. He was giving in because it was the smartest thing to do, not because of any of these other reasons the Acutes were making up. He didn’t say so, but I knew and I told myself it was the smart thing to do. I told myself that over and over: It’s safe. Like hiding. it’s the smart thing to do nobody could say and different. I know what he’s doing.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
HEY, LADY? IS THAT PRETTY DECORATION ON THE CURRY... REALLY A PIECE OF CHOCOLATE?!" "How is that even possible?!" "Do you see its delicate, complex design? And they're mass-producing it?! It even has a colorful swirl pattern on it!" "Not even a professional could manage something like this!" "It wasn't hard, really. I just printed those chocolates using a 3-D Food Printer." "A 3-D Printer? Oh, I've heard of those!" "But I didn't know you could use it to print food!" "Dark chocolate makes a perfect accent to curry, y'know. Take some 80 percent cacao chocolate, add a dash of curry spices to it and then print it out in totally cute designs with a 3-D Printer! Put it on top of some piping hot curry, and it will start to melt, adding a rich, colorful undertone to the flavor of the dish!" "Papa, I want some! Buy me that!" "Sure thing! Your papa wants to try it too!" "Mm! The curry itself smells so good I could melt! But then they go and add that beautiful chocolate topping?!" "Man, Totsuki students are amazing!" They like it. "That chocolate is, like, all bonus. It adds a colorful touch and a little sweet scent... without affecting the curry spices you balanced so carefully.
Yūto Tsukuda (食戟のソーマ 16 [Shokugeki no Souma 16] (Food Wars: Shokugeki no Soma, #16))
NO MUSE IS GOOD MUSE -by Rochelle Distelheim To be an Artist you need talent, as well as a wife who washes the socks and the children, and returns phone calls and library books and types. In other words, the reason there are so many more Men Geniuses than Women Geniuses is not Genius. It is because Hemingway never joined the P.T.A. And Arthur Rubinstein ignored Halloween. Do you think Portnoy's creator sits through children's theater matinees--on Saturdays? Or that Norman Mailer faced 'driver's ed' failure, chicken pox or chipped teeth? Fitzgerald's night was so tender because the fender his teen-ager dented happened when Papa was at a story conference. Since Picasso does the painting, Mrs. Picasso did the toilet training. And if Saul Bellow, National Book Award winner, invited thirty-three for Thanksgiving Day dinner, I'll bet he had help. I'm sure Henry Moore was never a Cub Scout leader, and Leonard Bernstein never instructed a tricycler On becoming a bicycler just before he conducted. Tell me again my anatomy is not necessarily my destiny, tell me my hang-up is a personal and not a universal quandary, and I'll tell you no muse is a good muse unless she also helps with the laundry. -Rochelle Distelheim ===============================
Rochelle Distelheim (Sadie in Love)
Do you know how to play?” I asked. Hannah gave me one of her vexed looks. “Goodness, Andrew, if it weren’t for me you wouldn’t know the first thing about marbles. Your brain is a regular sieve these days.” I tapped my forehead to remind her I’d been sick. She looked so contrite I felt guilty. “Will you teach me all over again?” Hannah poured her marbles onto the quilt and sighed. Without raising her eyes, she said, “Girls my age are supposed to be ladies, but sometimes I get mighty tired of trying to be what I’m not.” Cradling an aggie almost as shiny as Andrew’s red bull’s-eye, she cocked her head, studied her targets, and shot. The aggie hit a glass marble and sent it spinning off the bed. Hannah grinned and tried again. When all the marbles except the aggie were scattered on the floor, Hannah seized my chin and tipped my face up to hers. Looking me in the eye, she said, “If you promise not to tell a soul, I’ll give you as many lessons as you want. No matter what Papa thinks, I’d rather play marbles than be a lady, and that’s the truth.” “Ringer,” I said sleepily. “Do you know how to play ringer?” Hannah ruffled my hair. “You must be pulling my leg, Andrew. That’s what we always play. It’s your favorite game.” I yawned. “Starting tomorrow, we’ll practice every day till I get even better than I used to be.” “When I’m finished with you, you’ll be the all-time marble champion of Missouri.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
That’s where the shouts and yells of the twenty houses round about crash and rebound, even the cries of the concierges’ little birds, rotting away as they pipe for the spring they will never see in their cages beside the privies, which are all clustered together out at the dark end with their ill-fitting, banging doors. A hundred male and female drunks inhabit those bricks and feed the echoes with their boasting quarrels and muddled, eruptive oaths, especially after lunch on a Saturday. That’s the intense moment in family life. Shouts of defiance as the drink pours down. Papa is brandishing a chair, a sight worth seeing, like an axe, and Mama a log like a sabre! Heaven help the weak! It’s the kid who suffers. Anyone unable to defend himself or fight back – children, dogs and cats – is flattened against the wall. After the third glass of wine, the black kind, the worst, it’s the dog’s turn, Papa stamps on his paw. That’ll teach him to be hungry at the same time as people. It’s good for a laugh when he crawls under the bed, whimpering for all he’s worth. That’s the signal. Nothing arouses a drunken woman so much as an animal in pain, and bulls aren’t always handy. The argument starts up again, vindictive, compulsive, delirious, the wife takes the lead, hurling shrill calls to battle at the male. Then comes the mêlée, the smash-up. The uproar descends on the court, the echo swirls through the half-darkness. The children yap with horror. They’ve found out what Mama and Papa have in them! Their yells draw down parental thunders.
Louis-Ferdinand Céline (Journey to the End of the Night)
Look. It's the condition our condition is in. Everybody wants the life of a black man. White men want us dead or quiet - which is the same thing as dead. White women, same thing. They want us, you know, 'universal,' human, no 'race consciousness.' Tame, except in bed. They like a little racial loincloth in the bed. But outside the bed they want us to be individuals. You tell them, 'But they lynched my papa,' and they say, 'Yeah, but you're better than the lynchers are, so forget it.' And black women, they want your whole self. Love, they call it, and understanding. 'Why don't you understand me?' What they mean is, Don't love anything on earth except me. They say, 'Be responsible,' but what they mean is, Don't go anywhere where I ain't. You try to climb Mount Everest, they'll tie up your ropes. Tell them you want to go to the bottom of the sea - just for a look - they'll hide your oxygen tank. Or you don't even have to go that far. Buy a horn and say you want to play. Oh, they love the music, but only after you pull eight at the post office. Even if you make it, even if you stubborn and mean and you get to the top of Mount Everest, or you do play and you good, real good - that still ain't enough. You blow your lungs out on the horn and they want what breath you got left to hear about how you love them. They want your full attention. Take a risk and they say you not for real. That you don't love them. They won't even let you risk your own life, man, your own life - unless it's over them. You can't even die unless it's about them. What good is a man's life if he can't even choose what to die for?
Toni Morrison (Song of Solomon)
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“ “That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’” “Fifty paces? Are you mad? It would have to be a hundred at least.” Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.” “Don’t remind me,” Celia grumbled. “Gabe also said he won a kiss from you.” “Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.” “Perhaps he was just trying to be polite.” Celia sighed. “Probably. I didn’t kiss you “properly” today because I was afraid if I did I might not stop. “The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.” Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?” Celia nodded. Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?” “Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.” “He hasn’t mentioned marriage?” “No.” Concern crossed Minerva’s face. “And love? What of that?” “That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.” Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.” Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.” “Mr. Pinter doesn’t strike me as that sort.” “Well, he didn’t strike me as having an ounce of passion until he started kissing me.” Minerva shot her a sly glance. “How is his kissing?” Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure. “That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?” “Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.” “You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.” I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either. Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Mrs. Hamilton gave him a pitying look. She didn’t believe it any more than her brother did. “We’ve all heard the stories.” “Well, they died here, or died running from here. Who do you think does the killing? It’s them. They come to work every day like killing people is nothing. How can they do that? How can they kill kids and nobody does anything?” Mrs. Hamilton strained to think of a good answer, or maybe another lie, but she couldn’t reply to him for a time. “It’s wrong,” she said. “As wrong as anything I’ve ever seen.” Hearing the truth made Robert’s bones heavy. He sobbed into Mrs. Hamilton’s arms. If she’d been Mama, she would have hugged him for a long while, patting the back of his neck, saying, All right, try to be brave like your papa, and then let him lie down and miss his chores. But she wasn’t Mama, so when the hug was cut short, he could barely stand. “Listen to me,” Mrs. Hamilton said, her words steadying him. “I know.” She’d spoken as if she’d seen it all: the dead boys in the photographs, Gloria’s map, the haint at the church. Every secret thing that only Redbone knew—had known. Robert felt dizzy when he remembered Redbone was dead. “I know what it is to have someone killed by violence—the injustice of it. It’s the worst feeling there is. My late husband, he didn’t die in the war: he got pulled off a train and beaten to death after he got back home. He never made it back to me. I carry that, Robert.” Her eyes were bright with tears. “This is yours to carry. There’s lots of people working to get you out of here, but you won’t find justice in here. If there’s any kind of justice, and I do mean if, it’s waiting outside. After
Tananarive Due (The Reformatory)
It must be a shock to see us so old,” Hannah said. “I’m afraid I couldn’t climb a tree or shoot a marble if my life depended on it. Neither could Andrew, but I doubt he’ll admit it.” “If I put my mind to it,” Andrew said, “I could beat Drew with one hand tied behind my back. He was never any match for me.” Hannah raised her eyebrows. “It seems to me he outplayed you once.” “Pshaw. What’s one game?” If Aunt Blythe hadn’t come back just then, I’d have argued, maybe even challenged Andrew to a rematch, but instead, I smiled and leaned my head against Hannah’s shoulder, happy to feel her arm around me. This close, she still smelled like rose water. Turning the pages of the album, Hannah showed us pictures of Mama and Papa, Theo, herself--and Andrew. “These are my favorites.” She pointed to the photographs John had taken of us in the Model T. We were all smiling except Theo. He sat beside me, scowling into the camera, still angry about Mrs. Armiger and the music lessons. “We wanted Theo to come with us today,” Hannah said, “but he’s living down in Florida with his third wife--a lady half his age, I might add.” Andrew nudged me. “He sends his best, said he hopes to see you again someday.” I glanced at Aunt Blythe but she was staring at the photograph. “The resemblance is incredible. If I didn’t know better, I’d swear it was Drew.” Andrew chuckled. “Take a good look at me now. This is how the poor boy will look when he’s ninety-six.” I studied his rosy face, his white hair and mustache. His back was bent, but his eyes sparkled with mischief. Going to his side, I put my arms around him. “You’re not so bad,” I said. Dropping my voice to a whisper, I added, “I wouldn’t be surprised if you could still beat me in a game of ringer.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
You must go back to bed.” “No,” I shouted. “Not yet! I have to finish this game.” I couldn’t leave Andrew, not now, not when I was finally winning. Hannah released me so suddenly I staggered backward. “I’ll fetch Papa!” she cried. Andrew threw himself at her. “Hannah, stop, you’re ruining everything!” I grabbed his arm. “Let her go. We don’t have much time!” Casting a last terrified look at me, Hannah ran downstairs, calling for Mama and Papa. Andrew turned to me, his face streaked with tears. “Quick, Drew. Shoot four more marbles out of the ring!” Holding my breath I aimed. Click, click, click. An immie, a cat’s-eye, and a moonstone spun across the floor, but I missed the fourth. Andrew knuckled down and shot at the scattered marbles. Of the seven in the ring, he managed to hit two before he missed. Downstairs I heard Hannah pounding on Papa and Mama’s door. “One more, Drew,” Andrew whispered. It was hard to aim carefully. Papa and Mama were awake. Their voices rose as Hannah tried to explain I was in the attic acting as if I’d lost my mind. My hand shook and the first marble I hit merely clicked against another. Andrew took his turn, hit three, and missed the fourth. “Send me home, Drew,” he begged. “I don’t care if I die when I get there.” Two marbles were left--a carnelian and an immie, widely separated. Neither was close to my aggie. Even for someone as good as Andrew, it was a hard shot. Holding his breath, Andrew crossed his fingers and closed his eyes. I knuckled down and aimed for the carnelian. Click. As Papa tramped up the steps with Mama at his heels, the seventh marble rolled into the shadows. My aggie stayed in the middle of the ring. Andrew let out his breath and stared at me. I’d won--what would happen now?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Jon,” she was saying to the boy across the table from her. “I am in so much pain from stubbing my toe! I need aspirin.” “What’s aspirin?” asked the boy, sounding panicked. He was obviously Nephilim, through and through and through. Magnus could tell without seeing his runes. In fact, he was prepared to bet the boy was a Cartwright. Magnus had known several Cartwrights through the centuries. The Cartwrights all had such distressingly thick necks. “You buy it in a pharmacy,” said the girl. “No, don’t tell me, you don’t know what a pharmacy is either. Have you ever left Idris in your whole life?” “Yes!” said Jon, possibly Cartwright. “On many demon-hunting missions. And once Mama and Papa took me to the beach in France!” “Amazing,” said the girl. “I mean that. I’m going to explain all of modern medicine to you.” “Please don’t do that, Marisol,” said Jon. “I did not feel good after you explained appendectomies. I couldn’t eat.” Marisol made a face at her plate. “So what you’re saying is, I did you a huge favor.” “I like to eat,” said Jon sadly. “Right,” said Marisol. “So, I don’t explain modern medicine to you, and then a medical emergency occurs to me. It could be solved with the application of a little first aid, but you don’t know that, and so I die. I die at your feet. Is that what you want, Jon?” “No,” said Jon. “What’s first aid? Is there a . . . second aid?” “I can’t believe you’re going to let me die when my death could so easily be avoided, if you had just listened,” Marisol went on mercilessly. “Okay, okay! I’ll listen.” “Great. Get me some juice, because I’ll be talking for a while. I’m still very hurt that you even considered letting me die,” Marisol added as Jon scrambled up and made for the side of the room where the unappetizing food and potentially poisonous drinks were laid out. “I thought Shadowhunters had a mandate to protect mundanes!” Marisol shouted after him. “Not orange juice. I want apple juice!
Cassandra Clare (Tales from the Shadowhunter Academy)
Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.
Melissa Jensen (The Fine Art of Truth or Dare)
What’s the meaning of this?” Papa strode toward us. “You’ve disturbed the entire household, Andrew.” Mama gripped his arm. “For goodness sake, Henry, don’t frighten the child. Haven’t you done enough damage? I told you not to whip him!” Papa made an effort to calm down. Taking a deep breath, he squatted in front of me. “What’s troubling you, son?” he asked. “Surely a spanking didn’t cause this.” Aching with sadness, I put my arms around his neck. I’d won, I’d finally beaten Andrew. I’d thought I’d be happy, but I wasn’t. “I don’t want to leave you and Mama,” I sobbed. Papa held me tight. “Now, now,” he said. “Where did you get such a silly notion? You aren’t going anywhere.” While Papa comforted me, Andrew climbed onto his father’s shoulders, piggyback style. No one saw him but me. No one heard him say, “Hush Drew, you’re shaming me in front of everyone.” Ignorant of Andrew’s presence, Papa shivered. “Fall’s coming. Feel the nip in the air?” Hannah and Theo were waiting for us at the bottom of the steps. “Mama,” Theo whispered, “is Andrew sick again?” Mama shook her head, but Theo looked unconvinced. Slipping his hand in Hannah’s, he watched Papa lay me on my bed. On the other side of the room, Andrew took a seat in the rocking chair. It was obvious he didn’t enjoy being invisible. Staring at Hannah and Theo, he rocked the chair vigorously. When that didn’t get their attention, he sang “I’ve Been Working on the Railroad” at the top of his lungs. But no matter what he said or did, he couldn’t make his sister or his brother see or hear him. I knew Andrew was sad, but I was even sadder. When Mama leaned over to kiss me, I hugged her so tight she could hardly breathe. “I’ll never forget you,” I whispered. Mama drew back. “What did you say?” “Nothing,” I mumbled. “I love you, Mama.” She smiled. “Well, for goodness sake, you little jackanapes, I love you too.” Smoothing the quilt over me, she turned to the others. “What Andrew needs is a good night’s sleep. In the morning, he’ll be himself again, just wait and see.” “I hope so,” Andrew said.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
When Mama leaned over to kiss me, I hugged her so tight she could hardly breathe. “I’ll never forget you,” I whispered. Mama drew back. “What did you say?” “Nothing,” I mumbled. “I love you, Mama.” She smiled. “Well, for goodness sake, you little jackanapes, I love you too.” Smoothing the quilt over me, she turned to the others. “What Andrew needs is a good night’s sleep. In the morning, he’ll be himself again, just wait and see.” “I hope so,” Andrew said. Papa frowned. “No one will get any sleep, good or bad, with Buster making such a racket. I don’t know what ails that animal.” While we’d been talking, Andrew had gone to the window and whistled for the dog. Though the Tylers hadn’t heard the loud two-fingered blast, Buster definitely had. His howls made the hair on my neck prickle. Even Andrew looked frightened. He backed away from the window and sat quietly in the rocker. “Edward told me a dog howls when somebody in the family is about to die,” Theo said uneasily. Papa shook his head. “That’s superstitious nonsense, Theodore. Surely you know better than to believe someone as well known for mendacity as your cousin.” Muttering to himself, Papa left the room. Taking Theo with her, Mama followed, but Hannah lingered by the bed. I reached out and grabbed her hand. “Don’t leave yet,” I begged. “Stay a while.” Hannah hesitated for a moment, her face solemn, her eyes worried. “Mama’s right, Andrew,” she said softly. “You need to rest, you’ve overexcited yourself again. We’ve got all day tomorrow to sit in the tree and talk.” When Hannah reached up to turn off the gas jet, I glanced at Andrew. He was watching his sister from the rocker, his eyes fixed longingly on her face. A little wave of jealousy swept over me. He’d get to be with her for years, but all I had were a few more minutes. In the darkness, Hannah smiled down at me. “Close your eyes,” she said. “Go to sleep.” “But I’ll never see you again.” Hannah’s smile vanished. “Don’t talk nonsense,” she whispered. “You’ll see me tomorrow and every day after that.” In the corner, Andrew stared at his sister and rocked the chair harder. In the silent room I heard it creak, saw it move back and forth. Startled by the sound, Hannah glanced at the rocker and drew in her breath. Turning to me, she said, “Lord, the moon’s making me as fanciful as you. I thought I saw--” She shook her head. “I must need a good night’s sleep myself.” Kissing me lightly on the nose, Hannah left the room without looking at the rocking chair again.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Did the Führer take her (mother) away?” The question surprised them both, and it forced Papa to stand up. He looked at the brown-shirted men taking to the pile of ash with shovels. He could hear them hacking into it. Another lie was growing in his mouth, but he found it impossible to let it out. He said, “I think he might have, yes.” “I knew it.” The words were thrown at the steps and Liesel could feel the slush of anger, stirring hotly in her stomach. “I hate the Führer,” she said. “I hate him.” And Hans Hubermann? What did he do? What did he say? Did he bend down and embrace his foster daughter, as he wanted to? Did he tell her that he was sorry for what was happening to her, to her mother, for what had happened to her brother? Not exactly. He clenched his eyes. Then opened them. He slapped Liesel Meminger squarely in the face. “Don’t ever say that!” His voice was quiet, but sharp. As the girl shook and sagged on the steps, he sat next to her and held his face in his hands. It would be easy to say that he was just a tall man sitting poorpostured and shattered on some church steps, but he wasn’t. At the time, Liesel had no idea that her foster father, Hans Hubermann, was contemplating one of the most dangerous dilemmas a German citizen could face. Not only that, he’d been facing it for close to a year. “Papa?” The surprise in her voice rushed her, but it also rendered her useless. She wanted to run, but she couldn’t. She could take a Watschen from nuns and Rosas, but it hurt so much more from Papa. The hands were gone from Papa’s face now and he found the resolve to speak again. “You can say that in our house,” he said, looking gravely at Liesel’s cheek. “But you never say it on the street, at school, at the BDM, never!” He stood in front of her and lifted her by the triceps. He shook her. “Do you hear me?” With her eyes trapped wide open, Liesel nodded her compliance. It was, in fact, a rehearsal for a future lecture, when all of Hans Hubermann’s worst fears arrived on Himmel Street later that year, in the early hours of a November morning. “Good.” He placed her back down. “Now, let us try …” At the bottom of the steps, Papa stood erect and cocked his arm. Forty-five degrees. “Heil Hitler.” Liesel stood up and also raised her arm. With absolute misery, she repeated it. “Heil Hitler.” It was quite a sight—an eleven-year-old girl, trying not to cry on the church steps, saluting the Führer as the voices over Papa’s shoulder chopped and beat at the dark shape in the background.
Markus Zusak
St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.
Bessie Smith
You break her heart, and you’ll have to deal with me and her three brothers, and if you survive that, Her Grace will ensure your social ruin unto the nineteenth generation. I remind you, all of my boys are crack shots and more than competent with a sword.” “It is not my intention to break her heart.” “Oh, it’s never our intention.” His Grace’s brows drew down in thought, and he was once again the affable paterfamilias. “Maggie is different. I hope that’s from being the oldest daughter, but her unfortunate origins are too obvious a factor to be dismissed. She’s in want of… dreams, I think. My other girls have dreams. Sophie dreamed of her own family, Jenny loves to paint, Louisa has her literary scribbling, and Evie must racket about the property as her brothers used to, but Maggie has never been a dreamer. Not about her first pony nor her first waltz nor her first… beau.” Nor her first lover. The words hung unspoken in the air while the fire crackled and hissed and a log fell amid a shower of sparks. It wasn’t what Ben would have expected any papa to say of his daughter, but then, marrying into a family meant details like this would be shared—Esther Windham misplaced her everyday jewels, and Percy thought his daughters should be entitled to dream. In a different way, it felt as if Ben were still lurking in doorways and climbing through windows, but this window was called marriage, and Maggie was trying to lock it shut with Ben on the outside. “I’m not sure Maggie wants to marry me.” It was as close as he’d come to touching on the circumstances of the betrothal. His Grace regarded him for a long moment. “I’m her papa, but I was a young man once, Hazelton. Maggie is only a bit younger than Devlin and a few months older than Bart would have been. When I married, I had no idea either of my two oldest progeny existed. I’d no sooner started filling my nursery when—before my heir was out of dresses—both women came forward, hurling accusations and threats. If my marriage can survive that onslaught, surely you can overcome a little stubbornness in my daughter?” It was, again, an insight into the Windham family Ben gained only because he was engaged to marry Maggie. Such confidences prompted a rare inclination toward direct speech. “I think Maggie’s dream is to be left alone. If she jilts me, she’ll have one more excuse to retire from life, to hide and tell herself she’s content.” “Content.” His Grace spat the word. “Bother content. Content is milk toast and pap when life is supposed to be a banquet. Make Maggie’s dreams come true, young Hazelton, and show her contentment is shoddy goods compared to happiness.” “You make it sound simple.” “We’re speaking of women and that particular subspecies of the genre referred to as wives. It is simple—devote yourself to her happiness, and you will be rewarded tenfold. I do not, however, say the undertaking will ever be easy.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
I wanted to apologize.” His gaze lifted from her bosom. He remembered those breasts in his hands. “For what?” “For deceiving you as I did. I misunderstood the nature of our relationship and behaved like a spoiled little girl. It was a terrible mistake and I hope you can find it in your heart to forgive me.” A terrible mistake? A mistake to be sure, but terrible? “There is nothing to forgive,” he replied with a tight smile. “We were both at fault.” “Yes,” she agreed with a smile of her own. “You are right. Can we be friends again?” “We never stopped.” At least that much was true. He might have played the fool, might have taken advantage of her, but he never ceased caring for her. He never would. Rose practically sighed in relief. Grey had to struggle to keep his eyes on her face. “Good. I’m so glad you feel that way. Because I do so want your approval when I find the man I’m going to marry.” Grey’s lips seized, stuck in a parody of good humor. “The choice is ultimately yours, Rose.” She waved a gloved hand. “Oh, I know that, but your opinion meant so much to Papa, and since he isn’t here to guide me, I would be so honored if you would accept that burden as well as the others you’ve so obligingly undertaken.” Help her pick a husband? Was this some kind of cruel joke? What next, did she want his blessing? She took both of his hands in hers. “I know this is rather premature, but next to Papa you have been the most important man in my life. I wonder…” She bit her top lip. “If you would consider acting in Papa’s stead and giving me away when the time comes?” He’d sling her over his shoulder and run her all the way to Gretna Green if it meant putting an end to this torture! “I would be honored.” He made the promise because he knew whomever she married wouldn’t allow him to keep it. No man in his right mind would want Grey at his wedding, let along handling his bride. Was it relief or consternation that lit her lovely face? “Oh, good. I was afraid perhaps you wouldn’t, given your fear of going out into society.” Grey scowled. Fear? Back to being a coward again was he? “Whatever gave you that notion?” She looked genuinely perplexed. “Well, the other day Kellan told me how awful your reputation had become before your attack. I assumed your shame over that to be why you avoid going out into public now.” “You assume wrong.” He'd never spoken to her with such a cold tone in all the years he'd known her. "I had no idea your opinion of me had sunk so low. And as one who has also been bandied about by gossips I would think you would know better than to believe everything you hear, no matter how much you might like the source." Now she appeared hurt. Doe-like eyes widened. "My opinion of you is as high as it ever was! I'm simply trying to say that I understand why you choose to hide-" "You think I'm hiding?" A vein in his temple throbbed. Innocent confusion met his gaze. "Aren't you?" "I avoid society because I despise it," he informed her tightly. "I would have thought you'd know that about me after all these years." She smiled sweetly. "I think my recent behavior has proven that I don't know you that well at all. After all, I obviously did not achieve my goal in seducing you, did I?" Christ Almighty. The girl knew how to turn his world arse over appetite. "There's no shame in being embarrassed, Grey. I know you regret the past, and I understand how difficult it would be for you to reenter society with that regret handing over you head." "Rose, I am not embarrassed, and I am not hiding. I shun society because I despise it. I hate the false kindness and the rules and the hypocrisy of it. Do you understand what I am saying? It is because of society that I have this." He pointed at the side of his face where the ragged scar ran.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting: “That ol’ nag ain't good for nothin'!" “Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!" “That poor ol' horse must be twenty if she's a day, lads!" “Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight. "What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!" “I bet she ain't galloped in ten years!" "She will now!" “Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun. “Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing. “Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!" “Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop. “Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!" “Aren't you a Christian. you devil?" shouts one old man from the crowd. “Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another. “You‘ll do 'er in!" shouts a third. “Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!
Fyodor Dostoevsky (Crime and Punishment)
You are far too lovely, my dear, for there to be any need for you to be a 'bluestocking'." "I have no wish to be that. At the same time Papa always said that a pretty face is a good introduction, but a man wants something more if he to enjoy the company of one woman for the rest of his life.
Barbara Cartland (An Angel Runs Away)
Papa,” said Ethel, “will you lend me a pair of spectacles for the walk?”“And make yourself one, Ethel,” said Flora. “I don’t care— I want to see the view.” “It is very bad for you, Ethel,” further added her mother; “you will make your sight much shorter if you accustom your eyes to them.” “Well, mamma, I never do wear them about the house.” “For a very good reason,” said Margaret; “because you haven’t got them.” “No, I believe Harry stole them in the holidays.” “Stole them !” said the doctor; “as if they weren’t my property, unjustifiably appropriated by her!” “They were that pair that you never could keep on, papa,” said Ethel—“ no use at all to you. Come, do lend me them.” “I’m sure I shan’t let you wear them,” said Harry. “I shan’t go, if you choose to make yourself such an object.
Charlotte Mary Yonge (The Daisy Chain)
Papa’s good boy.
Bai Bai (I Live Timid I Love Bravely)
He beamed, his gaunt cheeks going red. “Splendid.” Papa stood. “But let me at least tell your mother that you put up a good deal more resistance than you did.
Christi Caldwell (One Winter with a Baron (The Heart of a Duke, #12))
women do try to initiate action a negative culture comes down hard to break them. Aaliya, 22, who is in the fashion industry, holds her breath, her lips tighten and her face visibly clouds over when asked about initiative. She says, ‘We are strong but not perceived as strong. For example, if I want to start something and I feel strongly about it, Papa and Mummy will always say, no, this is not good and you can’t do it and they break your confidence.’ When the mantra at home is don’t do this, you will fail, don’t try this, you will never learn it, don’t do this, you will get sick, some girls fight back, but at some level the messages get absorbed
Deepa Narayan (Chup: Breaking the Silence About India’s Women)
And Papa will say “ Kahin jane ki zaroorat nahin hai, ghar pe baitho . There is no need to go anywhere, sit at home.”’ For a while she keeps thinking about how to get out of her house with friends, but then she gives up the fight to go out and becomes good. Her parents are relieved. Gradually hiding becomes a habit. Invisibility becomes safe. A habit.
Deepa Narayan (Chup: Breaking the Silence About India’s Women)
Papa don’t look me in the eye when he sees me. I know he got Ben to jump the broom with Lucy. When I think of Benny’s lips on her, I want to stomp that girl’s head. She’s just some ugly thing up from the quarters! One night I go down to Ben’s place, just to know for sure. I hear them together, and they’re sounding like animals, but I stay to listen ’cause I can’t move, my feet won’t take me. My heart’s banging so hard I sit right down in the high grass, never mind the snakes. I stay till Benny’s snoring, then I go back to my house. I can’t see for crying. Next day Ben’s working here in my kitchen when Will Stephens comes with a letter. I talk to Will like he’s one fine man. Ben’s eyes are spittin’ fire when he runs out of here! Makes me feel good
Kathleen Grissom (The Kitchen House)
Listen, Hotch, whatever happens, whatever … she’s good and strong, but remember sometimes the strongest of women need help.
A.E. Hotchner (Papa Hemingway: A Personal Memoir)
No one's ever had this effect on me before. I feel ten times more alive." She laughed self-consciously. "Does that sound silly?" "Not at all. I understand. Your mother had the same effect on me." "Did she?" The earl let out a gravelly chuckle as he thought back to those days. "She was a fearless, free-spirited beauty with all the self-restraint of an unbroken horse. I knew she wasn't to the only life I could offer her. But I was mesmerized by her. I loved her enthusiasm and warmth, and everything that made her different from me. I thought if we were both willing to take a chance on each other, we might have a good marriage. It's turned out to be an extraordinary one." "No regrets, then?" Merritt dared to ask. "Even in the privacy of your own thoughts?" "Never," he said promptly. "Without Lillian, I would never have known true happiness. I don't hold with the common wisdom that a couple must have the same tastes and backgrounds. Married life would be dull indeed without some friction: one can't light a match without it." Merritt smiled. "I adore you, Papa. You've made it nearly impossible for me to find a man who doesn't suffer in comparison to you.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Isabella is busy,” Louisa said. “She’s frantically finishing preparations for the supper ball, as you know. I ought to be helping her.” She fixed Mac a look. “So should you.” “I am helping her. I’m minding the children. A good husband knows when to stay out of the way of the whirling household.” “A fine excuse,” Louisa said, feeling the first amusement she’d had in days. “Papa likes to hide up here,” Aimee said. “Morton and Mama bully him if he goes downstairs.
Jennifer Ashley (The Untamed Mackenzie (Mackenzies & McBrides, #5.5))
After you told me about the shirt cuff, I told you about the time I spilled ink on a map in my father's study." He shook his head, baffled. "It was a rare two-hundred-year-old map of the British Isles," Merritt explained. "I'd gone into my father's study to play with a set of inkwell bottles, which I'd been told not to do. But they were such tempting little etched glass bottles, and one of them was filled with the most resplendent shade of emerald green you've ever seen. I dipped a pen in it, and accidentally dribbled some onto the map, which had been spread out on his desk. It made a horrid splotch right in the middle of the Oceanus Germanicus. I was standing there, weeping with shame, when Papa walked in and saw what had happened." "What did he do?" Keir asked, now looking interested. "He was quiet at first. Waging a desperate battle with his temper, I'm sure. But then his shoulders relaxed, and he said in a thoughtful tone, 'Merritt, I suspect if you drew some legs on that blotch, it would make an excellent sea monster.' So I added little tentacles and fangs, and I drew a three-masted ship nearby." She paused at the flash of Keir's grin, the one that never failed to make her a bit light-headed. "He had it framed and hung it on the wall over his desk. To this day, he claims it's his favorite work of art." Amusement tugged at one corner of his mouth. "A good father," he commented.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I did not know why I destroyed those dolls. But I did know that nobody ever asked me what I wanted for Christmas. Had any adult with the power to fulfill my desires taken me seriously and asked me what I wanted, they would have known that I did not want to have anything to own, or to possess any object. I wanted rather to feel something on Christmas day. The real question would have been, “Dear Claudia, what experience would you like on Christmas?” I could have spoken up, “I want to sit on the low stool in Big Mama’s kitchen with my lap full of lilacs and listen to Big Papa play his violin for me alone.” The lowness of the stool made for my body, the security and warmth of Big Mama’s kitchen, the smell of the lilacs, the sound of the music, and, since it would be good to have all of my senses engaged, the taste of a peach, perhaps, afterward.
Toni Morrison (The Bluest Eye)
Gorka what’s your father like? Papa – your papa? He’s a good papa? My father was not… a good papa. He was never there. I didn’t know him… at all. Look Gorka, in my life I’ve tried to do everything that he didn’t. I… I’ve loved my family and I’ve nurtured my family… and you know… they are who they are. But at least I tried.
Joe Weiland
God didn’t care, papa. And that’s the truth of it. Isn’t it?” “God is not that cruel, Audrina. God is merciful when you give him a chance. But one has to do what is best for ones self when he has so many to take of.” “Then what good is he, papa? What good?
V.C. Andrews (My Sweet Audrina (Audrina, #1))
You know what I have to do now.” Greta slowly shakes her head, her clear blue eyes fixed on mine. “You don’t have to, Seb,” she says quietly. “Yes, I do.” “Why?” she says. “Because you think your father would have wanted revenge? Is that why?” “No—” I say, but Greta pushes on, overriding me. “Because I wouldn’t be so sure of that, Seb! Enzo told me a lot of things these last few years. Things he had done. Things he regretted. His hopes and dreams for you children. And especially for you, Seb. He said you were a good man. He said you weren’t like him—you’re more like your mother—” “He was wrong.” I cut her off. “I’m no different from Dante or Nero, or even my father. In fact, I might be worse.” “You don’t mean that—” “YES I DO!” I bark, startling Greta into silence. “Greta, I HATE Yenin. I’m going to find him, and I’m going to blow his fucking face off his skull, just like he did to Papa. He broke a blood contract, and he’ll pay for that, no matter what I have to do. I’m going to kill him, and his son, and every one of his men. I’m going to wipe them off the face of this earth, so anyone who even dreams of raising a hand to our family again will remember what happened to the Russians and shake with fear.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
I wonder if you’ll feel sorrow when I kill your father in front of you,” I say. “I did when you shot Papa in the face. My father was a good man, and he loved me. I don’t think you can say the same. You might be surprised by the relief that washes over you. If you’re alive to see it happen at all.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
No man has ever laid a hand on me again since that time. My only man was Trujillo. It’s true. Whenever one gets close and looks at me as a woman, I feel sick. Horrified. I want him to die, I want to kill him. It’s hard to explain. I’ve studied, I work, I earn a good living. But I’m empty and still full of fear. Like those old people in New York who spend the whole day in the park, staring at nothing. It’s work, work, work until I’m exhausted. You have no reason to envy me, I assure you. I envy all of you. Yes, yes, I know, you have problems, hard times, disappointments. But you also have families, husbands, children, relatives, a country. Those things fill your life. But Papa and His Excellency turned me into a desert.
Mario Vargas Llosa (The Feast of the Goat)
Nobody cares about anybody in this world,” Cleo said, feeling sadder and more morose by the second. “We all just use each other in one way or another. To feel good. To feel bad. To feel nothing at all. The lucky ones are real good at it. Like Merrick. Like your rich papa. The rest of us just take what we can get.
Francine Rivers (Redeeming Love)
only sadness was that Willie, a great favorite cat, had passed away. When Papa told me, he started to cry, and I did, too. “Papa, I thought you never cried,” I said through my own tears. I was sitting on the floor, my head on Papa’s knee. His hand was stroking my hair gently. It felt good. “I cry, Flea. Believe me, when the hurt is bad enough, I cry.
Christine M. Whitehead (Hemingway's Daughter)
I wouldn’t be so sure of that, Seb! Enzo told me a lot of things these last few years. Things he had done. Things he regretted. His hopes and dreams for you children. And especially for you, Seb. He said you were a good man. He said you weren’t like him—you’re more like your mother—” “He was wrong.” I cut her off. “I’m no different from Dante or Nero, or even my father. In fact, I might be worse.” “You don’t mean that—” “YES I DO!” I bark, startling Greta into silence. “Greta, I HATE Yenin. I’m going to find him, and I’m going to blow his fucking face off his skull, just like he did to Papa. He broke a blood contract, and he’ll pay for that, no matter what I have to do. I’m going to kill him, and his son, and every one of his men. I’m going to wipe them off the face of this earth, so anyone who even dreams of raising a hand to our family again will remember what happened to the Russians and shake with fear.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
You can worry about the small stuff, or you can live your life. Papa believed in living.
Sara Goodman Confino (She's Up to No Good)
the matador Cayetano Ordoñez, who in the Twenties fought under the name Niña de la Palma; Cayetano and Ernest had been good friends and he had been the prototype for Pedro Romero, Lady Brett’s matador-lover, in The Sun Also Rises.
A.E. Hotchner (Papa Hemingway: A Personal Memoir)
What do you think happens to a man going on sixty-two when he realizes that he can never write the books and stories he promised himself? Or do any of the other things he promised himself in the good days?
A.E. Hotchner (Papa Hemingway: A Personal Memoir)
A Good Man. Every night, like a question-and-answer prayer, my son and I recite...What are you going to be? And he says...An honest man. A fair man. A courageous man. And a good man. That's the most important thing, Papa. And my job is finally done. For the night.
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
Pasha, let me show you,” Tatiana said quietly. “It’s like this. You put your hand on the handle, and you pull. The door opens. You walk outside. It shuts behind you. Let’s see if you can do it.” “Just open the door, Tania,” said Pasha. “Can’t you see I’m carrying my suitcase?” Out on the street they stood still for a moment. “Tania,” said Papa. “Take the hundred and fifty rubles I gave you and go and buy us some food. But don’t dawdle, like always. Go immediately. Do you hear?” “I hear, Papa. I’ll go immediately.” Pasha snorted. “You’re going back to bed,” he whispered to her. Mama said, “Come on, we better go.” “Yes,” Papa said. “Come on, Pasha.” “So long,” Tatiana said, knocking Pasha on the arm. He grunted unhappily in reply and pulled her hair. “Tie your hair up before you go out, will you?” he said. “You’ll scare off the passersby.” “Shut up,” Tatiana said lightly. “Or I’ll cut it off completely.” “All right, let’s go now,” said Papa, tugging at Pasha. Tatiana said good-bye to Volodya, waved to her mother, took one last look at Pasha’s reluctant back, and returned upstairs.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Juan, you know what we’ve taught you? Papa and I?” They’d taught him so many things. To read and to write, and to brush his teeth, and– “To mind and be a good boy?” Again, Mama made that sound that wasn’t quite laughter or a sob, and her hand came down and touched his hair briefly. “That too, my love, but not that. About the USA. About how it existed and was blessed by God as long as it kept to the precepts of liberty and equality before the law. And how it fell and gave its power to supposedly enlightened rulers and then—
Sarah A. Hoyt (Here Be Dragons)
Juan, you know what we’ve taught you? Papa and I?” They’d taught him so many things. To read and to write, and to brush his teeth, and– “To mind and be a good boy?” Again, Mama made that sound that wasn’t quite laughter or a sob, and her hand came down and touched his hair briefly. “That too, my love, but not that. About the USA. About how it existed and was blessed by God as long as it kept to the precepts of liberty and equality before the law. And how it fell and gave its power to supposedly enlightened rulers and then—” “It was reduced in size,” Juan said, puffing a little as it was hard to keep up with Mama as she ran down one alley, then another. “And punished.” “Not reduced in size,” she said. “What remains calls itself United States, but it’s not.
Sarah A. Hoyt (Here Be Dragons)
What do you know about my papa? You probably have a not-too-good opinion of my family. Violent, abusive, unfaithful, illegitimate and ignorant: is that what you think of us? Well, all those things we might have been, but we were family. I hope you can understand this because, if you can’t, I pity you. If you cannot see beyond our vulgar, primitive poverty to the core of what made us family, nothing you have has any value at all. When
Nick Roddy (A Woman of Africa: If you run from both the sun and the moon you must one day confront your shadow)
Hello, ladies, I’m your uncle Devlin. Has Westhaven scared you witless with his fuming and fretting?” This fellow looked to be great fun, with a nice smile and kind green eyes. “Mama and Papa didn’t say anything about getting uncles for Christmas,” Amanda observed, but she was smiling back at the big uncle. The biggest uncle—they were all as tall as Papa. “Well, that’s because we’re a surprise,” the other dark-haired fellow said. “I’m your uncle Valentine, and we have an entire gaggle of aunties waiting out in the coach to spoil you rotten. Westhaven here is just out of sorts because Father Christmas gave him a headache for being naughty yesterday.” “I was not naughty.” The other two uncles thought this was quite funny, judging by their smiles. “There’s your problem,” said Uncle Devlin. “I’m thinking it’s a fine day for a pair of ladies to join their aunts for a ride in the traveling coach.” Uncle Gayle—it didn’t seem fair to call him by the same name as Fleur’s puppy—appeared to consider this. “For what purpose?” “To keep the peace. Emmie and I never haul out our big guns around the children,” said Uncle Devlin, which made no sense. “Do you like to play soldiers?” Fleur asked. Amanda appeared intrigued by the notion. She was forever galloping up hills and charging down banisters in pursuit of the French. Uncle Devlin’s brows knitted—he had wonderful dark eyebrows, much like Papa’s. “As a matter of fact, on occasion, if I’ve been an exceedingly good fellow, my daughter lets me join her in a game of soldiers.” “I’m not exactly unfamiliar with the business myself,” said Uncle Valentine. “I excel at the lightning charge and have been known to take even the occasional doll prisoner.” “Missus Wolverhampton would not like being a prisoner,” Fleur said, though Uncle Valentine was teasing—wasn’t he?” “Perhaps you gentlemen can arrange an assignation to play soldiers with our nieces on some other day,” Westhaven said. He sounded like his teeth hurt, which Fleur knew might be from the seasonal hazard of eating too much candy. “You can play too,” Fleur allowed, because it was Christmas, and one ought to be kind to uncles who strayed into one’s nursery. “We’ll let you be Wellington,” Amanda added, getting into the spirit of the day. “Which leaves me to be Blucher’s mercenaries,” Uncle Devlin said, “saving the day as usual.” “Oh, that’s brilliant.” Uncle Valentine wasn’t smiling now. “Leave your baby brother to be the infernal French again, will you? See if I write a waltz for your daughter’s come out, St. Just.” Uncle Gayle wasn’t frowning quite so mightily. In fact, he looked like he wanted to smile but was too grown-up to allow it. “Perhaps you ladies will gather up a few soldiers and fetch a doll or two. We’re going on a short journey to find your mama and papa, so we can all share Christmas with them.” Fleur noticed his slip, and clearly, Amanda had too—but it was the same slip Amanda had made earlier, and one Fleur was perfectly happy to let everybody make. Uncle Gayle had referred to their papa’s new wife not as their stepmama, but as their mama. What a fine thing that would be, if for Christmas they got a mama again for really and truly. Amanda fetched their dolls, Fleur grabbed their favorite storybook, and the uncles herded them from the nursery, all three grown men arguing about whose turn it was to be the blasted French. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
What the devil are you eating?” Leo, Lord Ramsay, stood in the family parlor at Ramsay House, viewing his dark-haired twins, Edward and Emmaline, who were playing on the carpeted floor. His wife, Catherine, who was helping the babies to build block towers, looked up with a smile. “They’re eating biscuits.” “These?” Leo glanced at a bowl of little brown biscuits that had been placed on a table. “They look revoltingly similar to the ones Beatrix has been feeding the dog.” “That’s because they are.” “They’re…Good God, Cat! What can you be thinking?” Lowering to his haunches, Leo tried to pry a sodden biscuit away from Edward. Leo’s efforts were met with an indignant squall. “Mine!” Edward cried, clutching the biscuit more tightly. “Let him have it,” Catherine protested. “The twins are teething, and the biscuits are very hard. There’s nothing harmful in them.” “How do you know that?” “Beatrix made them.” “Beatrix doesn’t cook. To my knowledge, she can barely butter her bread.” “I don’t cook for people,” Beatrix said cheerfully, coming into the parlor with Albert padding after her. “But I do for dogs.” “Naturally.” Leo took one of the brown lumps from the bowl, examining it closely. “Would you care to reveal the ingredients of these disgusting objects?” “Oats, honey, eggs…they’re very nourishing.” As if to underscore the point, Catherine’s pet ferret, Dodger, streaked up to Leo, took the biscuit from him, and slithered beneath a nearby chair. Catherine laughed low in her throat as she saw Leo’s expression. “They’re made of the same stuff as teething biscuits, my lord.” “Very well,” Leo said darkly. “But if the twins start barking and burying their toys, I’ll know whom to blame.” He lowered to the floor beside his daughter. Emmaline gave him a wet grin and pushed her own sodden biscuit toward his mouth. “Here, Papa.” “No, thank you, darling.” Becoming aware of Albert nosing at his shoulder, Leo turned to pet him. “Is this a dog or a street broom?” “It’s Albert,” Beatrix replied.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Papa suggested you had some options to put before me. What have you to offer besides this lunatic proposal that I should join myself to a man who is not much given to vice and not at all given to stealing kisses?” Now he was watching her mouth. “The only other option I see, Louisa Windham, is for you to marry me.” He braced himself for her to whip away, to laugh, to pucker up with the presumption of it. “Say something, Louisa. I mean you no insult, I hope you know that.” “You think I’d take insult because you raise swine and I am a duke’s daughter?” She still had not moved away, and a distracting olfactory tickle of clove and citrus wended its way into Joseph’s awareness. “There is that salient reality, but it’s also the case that I must have children, Louisa, there being the matter of that da—deuced title. I could not offer you the cordial union you might seek.” “By cordial, you mean unconsummated.” He managed another nod. Merely standing near her, her arm twined with his, their fingers linked—when had that happened?—was wreaking havoc with his composure. She stared past him into the fire, her brows knit. “I like children. They’re honest. They might lie about whether they stole the pie, but they don’t deceive themselves about enjoying every bite. Children love a good story. They don’t twitch their noses at a lively tale because it does not ‘improve the mind.’ Eve and Jenny adore children.” What was she saying? “Louisa, I am offering a marriage in truth, though I am not the better bargain.” This
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Kit listened to your parting sermon this morning. He was a very good boy today.” She lay on her back, her head turned to watch the baby. “And he’s thriving in your care. Sophie. You aren’t really going to give him up, are you? If Their Graces were tolerant of the tweenie’s situation, they might make allowances for you.” He regretted the words, because they opened the door for him to wonder again what exactly her position in the household was. He told himself it didn’t matter—it still didn’t matter—because again, he’d be leaving in the morning. She curled over on her side, pillowing her cheek on her hand as she gazed at the fire. “Their Graces would indulge me, did I ask it of them, but Kit needs a real family, brothers and sisters, a mama, a papa. I would spoil him shamelessly, and there’s much I do not know about raising a child.” He gave in to the temptation to touch her, reaching over and smoothing the side of his thumb along her hairline. “You’re a quick study. Every mother and aunt and granny in Town would be happy to help you.” Women were like that. They rallied around babies despite differences in age, class, standing, and even nationality. She did not react to his caress, not that he could see. “I think the country is a better place to grow up, especially for boys.” It occurred to him to offer her a place at Sidling. His aunt and uncle were forever grousing about their aging staff, but they refused to pension off the duffers and dodderers on their payroll. But then he’d never see her, for Sidling was one place he would not frequent if he could help it. Still, the idea was not without merit. It would be better than losing touch with her entirely. “He’s
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
no more stolen moments, let alone hours, in which to discover each other . . . from now on, they were formally betrothed, and that betrothal had its own rules. Maddening, perhaps intentionally so. Luci filched another stuffed date from the tray a sleepy maidservant was carrying back to the kitchen, and followed her father into the library. Her uncle and grandfather, already relaxed in chairs by the fireplace, looked up as she came in. "Luci, you should be in bed." "Papa, I'm not sleepy." He raised his eyebrows at her, but she didn't move. "Papa, I had a message cube from Esmay today." Her uncle Casimir sighed. "Esmay . . . now there's another problem. Berthold, did you get anywhere in the Landsmen's Guild?" "Nowhere. Oh, Vicarios won't oppose us, but that's because of Luci, and his support is half-hearted. It would be different if she hadn't left so young, I think. They don't really remember her, and even though they awarded her the Starmount, and consider her a hero, they do not want a Landbride—any Landbride but especially our Landbride—connected to an outlander family. Cosca told me frankly that even if she moved here, and also her husband, he would oppose it. Nothing good ever came from the stars, he insisted." "And the votes?" "Enough for a challenge, Casi, I'm sure of it. No, the only way out of this is for Esmaya to come and talk to them herself." "Or resign." "Or resign, but—will she?" Luci spoke up. "She mentioned that in her cube." "What—resigning? Why?" "Her precious Fleet seems to think about us the way the Landsmen's Guild thinks about them. She says they have some kind of regulation forbidding officers to marry Landbrides." Her father snorted. "Do they have one forbidding officers to be Landbrides? How ridiculous!" "Are you serious?" Casimir asked. "They have something specific about Landbrides? How would they know?" "I don't know," Luci said. "That's just what she said. And she said why didn't we take in all those women brought back from Our Texas—she was sure they'd fit in." A stunned silence, satisfying by its depth and length. "She what?" Casimir said finally. "Aren't those women—" "Free-birthers and religious cultists," Luci said, with satisfaction. "Exactly." "But—but the priests will object," Berthold said. "Not as badly as the Landsmen's Guild, if they hear of it. Dear God, I thought she had more sense than that!" "She is in love," Luci pointed out, willing now to be magnanimous. "Apparently Fleet is taking Barin's salary to pay for their upkeep—at least some of it—and Esmay's trying to help him out. Nineteen of them, after all, and all those children." "At our expense." Casimir shook his head. "Well, that settles it. She'll have to resign, as soon as I can get word to her. The Trustees will certainly not approve this, if I were willing to let it be known." He gave Luci a hard look. "You didn't tell Philip, I hope." "Of course not." Luci glared at her uncle. Esmay might not have any sense, but she knew what the family honor required. "I hope she does name you Landbride, Luci," Casimir said. "You'll be a good one." Luci had a sudden spasm of doubt. Was she being fair to Esmay, who after all had had so many bad things happen to her? But underneath the doubt, the same exultation she had felt when Esmay gave her the brown mare . . . mine, it's mine, I can take care of it, nobody can hurt it . . . "I wonder if we could place an ansible call," Casimir said. "Surely it's not that urgent,
Elizabeth Moon (The Serrano Succession (The Serrano Legacy combo volumes Book 3))
The real question would have been, “Dear Claudia, what experience would you like on Christmas?” I could have spoken up, “I want to sit on the low stool in Big Mama’s kitchen with my lap full of lilacs and listen to Big Papa play his violin for me alone.” The lowness of the stool made for my body, the security and warmth of Big Mama’s kitchen, the smell of the lilacs, the sound of the music, and, since it would be good to have all of my senses engaged, the taste of a peach, perhaps, afterward.
Toni Morrison (The Bluest Eye)
The children hadn't any Mamma. She had died when Phil was a baby, four years before my story began. Katy could remember her pretty well; to the rest she was but a sad, sweet name, spoken on Sunday, and at prayer-times, or when Papa was especially gentle and solemn. In place of this Mamma, whom they recollected so dimly, there was Aunt Izzie, Papa's sister, who came to take care of them when Mamma went away on that long journey, from which, for so many months, the little ones kept hoping she might return. Aunt Izzie was a small woman, sharp-faced and thin, rather old-looking, and very neat and particular about everything. She meant to be kind to the children, but they puzzled her much, because they were not a bit like herself when she was a child. Aunt Izzie had been a gentle, tidy little thing, who loved to sit as Curly Locks did, sewing long seams in the parlor, and to have her head patted by older people, and be told that she was a good girl; whereas Katy tore her dress every day, hated sewing, and didn't care a button about being called "good," while Clover and Elsie shied off like restless ponies when any one tried to pat their heads. It was very perplexing to Aunt Izzie, and she found it hard to quite forgive the children for being so "unaccountable," and so little like the good boys and girls in Sunday-school memoirs, who were the young people she liked best, and understood most about.
Susan Coolidge (What Katy Did)
Amy was mentally packing for a midnight flight to the mail coach to Dover (plan C), when Jane’s gentle voice cut through the listing of ovine pedigrees. "Such a pity about the tapestries," was all she said. Her voice was pitched low but somehow it carried over both the shouting men. Amy glanced sharply at Jane, and was rewarded by a swift kick to the ankle. Had that been a ‘say something now!’ kick, or a ‘be quiet and sit still’ kick? Amy kicked back in inquiry. Jane put her foot down hard over Amy’s. Amy decided that could be interpreted as either ‘be quiet and sit still’ or ‘please stop kicking me now!' Aunt Prudence had snapped out of her reverie with what was nearly an audible click. "Tapestries?" she inquired eagerly. "Why, yes, Mama," Jane replied demurely. "I had hoped that while Amy and I were in France we might be granted access to the tapestries at the Tuilleries." Jane’s quiet words sent the table into a state of electric expectancy. Forks hovered over plates in mid-air; wineglasses tilted halfway to open mouths; little Ned paused in the act of slipping a pea down the back of Agnes’s dress. Even Miss Gwen stopped glaring long enough to eye Jane with what looked more like speculation than rancour. "Not the Gobelins series of Daphne and Apollo!" cried Aunt Prudence. "But, of course, Aunt Prudence," Amy plunged in. Amy just barely restrained herself from turning and flinging her arms around her cousin. Aunt Prudence had spent long hours lamenting that she had never taken the time before the war to copy the pattern of the tapestries that hung in the Tuilleries Palace. "Jane and I had hoped to sketch them for you, hadn’t we, Jane?" "We had," Jane affirmed, her graceful neck dipping in assent. "Yet if Papa feels that France remains unsafe, we shall bow to his greater wisdom." At the other end of the table, Aunt Prudence was wavering. Literally. Torn between her trust in her husband and her burning desire for needlepoint patterns, she swayed a bit in her chair, the feather in her small silk turban quivering with her agitation. "It surely can’t be as unsafe as that, can it, Bertrand?" She leant across the table to peer at her husband through eyes gone nearsighted from long hours over her embroidery frame. "After all, if dear Edouard is willing to take responsibility for the girls…" "Edouard will take very good care of us, I’m sure, Aunt Prudence! If you’ll just read his letter, you’ll see – ouch!" Jane had kicked her again.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
What a boy, cousin! He ought to have been whipped, but the trick was so spirited and amusing that I let him off.” Then the Princess looked at Grandmamma and laughed again. “Ah! So you WHIP your children, do you” said Grandmamma, with a significant lift of her eyebrows, and laying a peculiar stress on the word “WHIP.” “Alas, my good Aunt,” replied the Princess in a sort of tolerant tone and with another glance at Papa, “I know your views on the subject, but must beg to be allowed to differ with them. However much I have thought over and read and talked about the matter, I have always been forced to come to the conclusion that children must be ruled through FEAR. To make something of a child, you must make it FEAR something.
Leo Tolstoy (Delphi Complete Works of Leo Tolstoy)
Oh, thank goodness,” the child said woefully, plopping down on the marble floor beside Blotchy. She ran searching fingers over her cheeks and nose. She winced and pushed her sticky hair out of her face. “Papa will be disappointed.” As before, this child was quite closed to Fire mentally, impressively so, but Fire had understood enough of the other children’s feelings to interpret what she meant. “Because you came to my defense, you mean.” “No, because I forgot to guard my left side. He reminds me all the time. I think my nose is broken. He’ll punish me.” It was true Garan was not the personification of kindness, but still, Fire couldn’t imagine him punishing a child for not winning a fight against approximately eight adversaries. “Because someone else broke your nose? Surely not.” The child gave a mournful sigh. “No, because I threw the first punch. He said I mustn’t do that. And because I’m not in my lessons. I’m supposed to be in my lessons.
Kristin Cashore (Fire)
Holly Berries A Confederate Christmas Story by Refugitta There was, first, behind the clear crystal pane, a mammoth turkey, so fat that it must have submitted to be killed from sheer inability to eat and move, hung all around with sausage balls and embowered in crisp white celery with its feathered tops. Many a belated housekeeper or father of a family, passing by, cast loving glances at the monster bird, and turned away with their hands on depleted purses and arms full of brown paper parcels. Then there were straw baskets of eggs, white and shining with the delightful prospect of translation into future eggnogs; pale yellow butter stamped with ears of corn, bee hives, and statuesque cows with their tails in an attitude. But these were all substantials, and the principal attraction was the opposition window, where great pyramids of golden oranges, scaly brown pineapples, festoons of bananas, boxes of figs and raisins with their covers thrown temptingly aside, foreign sauces and pickles, cheeses, and gilded walnuts were arranged in picturesque regularity, jut, as it seemed, almost within reach of one’s olfactories and mouth, until a closer proximity realized the fact of that thick plate glass between. Inside it was just the same: there were barrels and boxes in a perfect wilderness; curious old foreign packages and chests, savory of rare teas and rarer jellies; cinnamon odors like gales from Araby meeting you at every turn; but yet everything, from the shining mahogany counter under the brilliant gaslight, up to the broad, clean, round face of the jolly grocer Pin, was so neat and orderly and inviting that you felt inclined to believe yourself requested to come in and take off things by the pocketful, without paying a solitary cent. I acknowledge that it was an unreasonable distribution of favors for Mr. Pin to own, all to himself, this abundance of good things. Now, in my opinion, little children ought to be the shop keepers when there are apples and oranges to be sold, and I know they will all agree with me, for I well remember my earliest ambition was that my papa would turn confectioner, and then I could eat my way right through the store. But our friend John Pin was an appreciative person, and not by any means forgetful of his benefits. All day long and throughout the short afternoon, his domain had been thronged with busy buyers, old and young, and himself and his assistant (a meager-looking young man of about the dimensions of a knitting needle) constantly employed in supplying their demands. From the Southern Illustrated News.
Philip van Doren Stern (The Civil War Christmas Album)
Thing is, I’ve decided what I’m going to do next. I have to go back to the university, of course. Next semester, I’m cutting back my schedule. I need more freedom. I’m going to transition out, sneak up on retirement. I’m going to get myself one of these!” he exclaimed, smacking the steering wheel. “Mary’s sons are married and have children—they’re great kids, superior stepsons. One lives in Texas, one in Florida. I’m going to put my house on the market and retire by the end of school, just in time to begin traveling. I’m going to see this country one state at a time, and I’m going to drop in on those boys. They both have amazing wives. One has three children, one has two—and even though I’m a stepfather, they call me Papa instead of Grandpa. I’m going to visit them occasionally while I’m traveling, then move on to other sights, then check back in. What do you think of that idea?” Her smile was alive. “It sounds wonderful. You’ll enjoy that. Maybe I’ll even see you now and then in Virgin River.” “Or, you could come along,” he said. “You have all those military boys all over the place. We could check on them, as well. And believe me, once a couple of them get married and have children, the others fall in line. I’ve seen it a million times. As soon as I get an offer on the house—which is a good house and should bring a nice price even in a depressed economy—I’m going to start shopping for a quality RV. I’ve been looking at pictures online. Maureen, you have no idea how high tech these things have become! They now come with expandable sides, two people showers, freezers, big screens in the living room and bedroom, Whirlpool tubs—you name it! How’d you like to have a hot tub on wheels, Maureen?” She looked over at him. He was so excited by his idea, he was actually a little flushed, and she found herself hoping it wasn’t high blood pressure. If the moment ever presented itself, she’d ask about that. But after all his rambling about his future RV, all she could say was, “Come along?” “A perfect solution for both of us,” he said. “We’d have time together, we’d have fun together. We’d see the families, travel…” “George, that’s outrageous. We’ve had a few lunches—” “And we’ll have a few more! We’ll also e-mail, talk on the phone, get together occasionally—in Virgin River, but also in Phoenix and Seattle. We’ll spend the next six months figuring out if we fit as well as it seems we do.” “Long distance? Occasional visits?” she asked doubtfully. “It’ll give you time to look over my accounts to be sure you’re not getting conned out of your retirement.” He laughed at his own joke, slapping his knee. “Of course, with five brawny, overprotective sons you’re relatively safe from a dangerous guy like me.” He glanced at her and his expression was playful. “We’re not young, Maureen. We should be sure we’re attracted to each other and that we get along, but we shouldn’t waste a lot of time. Every day is precious.
Robyn Carr (Angel's Peak (Virgin River #10))
She went silent but shuddered again. When it happened a third time, he realized the woman he was holding was near tears, and he forgot all about thunder, artillery, and infantry. “Miss Farnum?” She burrowed into his chest. “Emmaline?” The crying was still not audible, but her body gave off heat, and when he bent his face to her, his nose grazed her damp cheek. “Hush, now.” He gathered her into his embrace and stroked her hair back from her face in a long, slow caress. “You mustn’t take on. Winnie won’t go anywhere for many years, and you will always be dear to her.” He pattered on, no longer aware of the storm outside, so wrapped up was he with this much more personal upheaval. Her words came back to him, the words about Winnie’s deserving and not having a papa’s affections, Winnie’s not being able to trust a gentleman’s advances, Winnie’s being sent away. Winnie, indeed. He let her cry, and soothed and comforted as best he could, but eventually she quieted. “I am mortified,” she whispered, her face pressed to his chest. “You will think me an unfit influence on Bronwyn.” “I think you very brave,” he said, his nose brushing her forehead. “Very resourceful but also a little tired of being such a good girl and more than a little lonely.” She said nothing for a moment but stopped her nascent struggle to get off his lap. “You forgot, a lot embarrassed,” she said at length. “I get like this—” She stopped abruptly, and he felt heat suffuse her face where her cheek lay against his throat. “You get like this when your menses approach. I have five sisters, if you will recall.” He tried without much success to keep the humor from his voice. “And do they fall weeping into the lap of the first gentleman to show them simple decency?” Emmie asked sternly. “If he were the first gentleman in years of managing on their own, then yes, I think they would be moved to tears.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Anna, did you just indirectly admit to liking me?” She drew in a swift breath and saw from his expression that while he was teasing, he was also… fishing. “Of course I like you. I like you entirely too well, and it is badly done of you to make me admit it.” “Well, let’s go from bad to worse, then, and you can tell me precisely why you like me.” “You are serious?” “I am. If you want, I will return the favor, though we have only several hours, and my list might take much longer than that.” He is flirting with me, Anna thought, incredulous. In his high-handed, serious way, the Earl of Westhaven had just paid her a flirtatious compliment. A lightness spread out from her middle, something of warmth and humor and guilty pleasure in it. “All right.” Anna nodded briskly. “I like that you are shy and honorable in the ways that count. I like that you are kind to Morgan, and to your animals, and old Nanny Fran. You are as patient with His Grace as a human can be, and you adore your brother. You are fierce, too, though, and can be decisive when needs must. You are also, I think, a romantic, and this is no mean feat for a man who spends half his days with commercial documents. Mostly, I like that you are good; you look after those who depend on you, you have gratitude for your blessings, and you don’t think enough of yourself.” Beside her, the earl was again silent. “Shall I go on?” Anna asked, feeling a sudden awkwardness. “You could not possibly pay me any greater series of compliments than you just have,” he said. “The man you describe is a paragon, a fellow I’d very much like to meet.” “See?” Anna nudged him with her shoulder. “You do not think enough of yourself. But I can also tell you the parts of you that irritate me—if that will make you feel better?” “I irritate you?” The earl’s eyebrows rose. “This should be interesting. You gave me the good news first, fortifying me for more burdensome truths, so let fly.” “You are proud,” Anna began, her tone thoughtful. “You don’t think your papa can manage anything correctly, and you won’t ask your brothers nor mother nor sisters even, for help with things directly affecting them. I wonder, in fact, if you have anybody you would call a friend.” “Ouch. A very definite ouch, Anna. Go on.” “You have forgotten how to play,” Anna said, “how to frolic, though I cannot fault you for a lack of appreciation for what’s around you. You appreciate; you just don’t seem to… indulge yourself.” “I see. And in what should I indulge myself?” “That is for you to determine,” she replied. “Marzipan has gone over well, I think, and sweets in general. You have indulged your love of music by having Val underfoot. As to what else brings you pleasure, you would be the best judge of that.” The earl turned down a shady lane lined with towering oaks and an understory of rhododendrons in vigorous bloom. “It was you,” he said. “Before Val moved in, I thought it was a neighbor playing the piano late in the evenings, but it was you. Were you playing for me?” Anna glanced off to the park beyond the trees and nodded.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
She marched up to the door, banged it open with a satisfying crash, brandished her scythe, and announced herself to any and all therein. “Get your heathen, trespassing backsides out of this carriage house immediately, lest I inform your papas of your criminal conduct—and your mamas.” “Good lord,” a cultured and ominously adult male voice said softly from Ellen’s right, “we’re about to be taken prisoner. Prepare to defend your borders, my friend. Sleeping Beauty has awakened in a state.” Ellen’s gaze flew to the shadows, where a tall, dark-haired man was regarding her with patient humor. The calm amusement in his eyes suggested he posed no threat to her, while his dress confirmed he was a person of some means. Ellen had no time to further inventory that stranger, because the sound of a pair of boots slowly descending the steps drew her gaze across the room. Whoever was coming down those stairs was in no hurry and was certainly no boy. Long, long legs became visible, then muscles that looked as if they’d been made lean and elegant from hours in the saddle showed off custom riding boots and excellent tailoring. A trim, flat torso came next, then a wide muscular chest and impressive shoulders. Good lord, he was taller than the fellow in the corner, and that one was a good half a foot taller than she. Ellen swallowed nervously and tightened her grip on the scythe. “Careful,” the man in the shadows said softly, “she’s armed and ready to engage the enemy.” Those dusty boots descended the last two steps, and Ellen forced herself to meet the second man’s face. She’d been prepared for the kind of teasing censorship coming from the one in the corner, a polite hauteur, or outright anger, but not a slow, gentle smile that melted her from the inside out. “Mrs. FitzEngle.” Valentine Windham bowed very correctly from the waist. “It has been too long, and you must forgive us for startling you. Lindsey, I’ve had the pleasure, so dredge up your manners.” “Mr. Windham?” Ellen lowered her scythe, feeling foolish and ambushed, and worst of all—happy. So
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
God in heaven, Windham. Did Her Grace have no influence on her menfolk whatsoever?” “Of course, she did. I am a very good dancer. I have some conversation. I know how to dress and how to flirt with the wallflowers.” “But one expects a certain dignity from the ducal household. Did your papa have no influence on you?” “A telling influence. Thanks to him, my brothers and I learned to indulge in the foregoing mischief and a great deal more without getting caught.” Darius eyed his companion skeptically. “And here I thought you must have been spouting King James in utero, reciting the royal succession by the time you were out of nappies, and strutting about with a quizzing glass by the age of seven.” “That would be more my brother Gayle, though Anna has gotten him over the worst of it. The man is too serious by half.” “And you’re not?” Darius was carefully surveying the surrounds as he posed this question. “I am the soul of levity,” Val rejoined straight-faced.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
My train! This is the train Papa promised me!” He pulled a little red engine from the branches of the tree. “And it’s red. Just like I wanted!” Confused, Aletta joined him, and Andrew held up the toy, a tag bearing his name hanging off the smokestack. “All really good trains are red, Mama,” he said, as though everyone should know that. The train was hand carved, not nearly as detailed as the one she’d ordered from the Nashville mercantile, and it had no railcars and certainly didn’t make any sounds. But when she turned the train over and saw the writing on the bottom, she felt the prick of tears. I love you, buddy, Jake. She read the inscription aloud, and Andrew’s eyes lit. He raced over to Jake, who knelt and hugged him tight. “I love my train!” Andrew drew back. “Does this mean I get to call you Jake now?” Jake looked across the room at her, much like everyone else, and Aletta smiled. “I imagine that would be just fine.” Andrew gave a loud shout and went to show Winder his red engine. Aletta joined Jake, who stood quietly off to the side. “How did you know?” She searched his gaze. “That was the kind of train he wanted? And that he wanted red?” “I didn’t. But that’s the kind of train I had when I was his age. Besides . . . aren’t all really good trains red?
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
Mama, how come Captain Winston’s hair can touch his collar and mine can’t?” Jake eyed her, wondering how she was going to respond. “Because Captain Winston is a grown man, Andrew. And grown men can decide for themselves how long they want their hair to be.” Andrew frowned as he climbed down from the stool. “But boys with mamas can’t?” Jake could tell Aletta was trying not to smile. “That’s right. Once you’re older, then you can decide for yourself how long you want your hair to be.” Andrew seemed to let that settle in, then turned to Jake. “Has your mama died, Captain Winston?” Jake nodded. “Yes, Andrew. She has.” “Your papa too?” “Yes,” he answered softly. “And my only brother.” “Do you miss ’em?” “Every day.” “I miss my papa too.” Andrew bowed his head. Jake knelt beside him. “You know, as the years have passed, I can still feel my family with me. In here.” Jake touched the place over his heart. “Just like you’ll do with your papa . . . who was a very wise and good man. And you’ll grow up to be just like him someday.” Without warning, Andrew launched himself at him, and Jake hugged him close, the little boy’s arms around his neck about the best thing he could ever remember feeling. “It’s going to be okay, buddy.” “You promise?” Andrew whispered against his neck. “I promise,” Jake whispered back, praying he could be part of keeping that promise in the boy’s life.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
I don’t know, but I thought they were the best sort of gifts, for I saw that plenty of kind thought and clever contrivance went to them, ay, and some little self-denial too.” “Papa, you look as if you meant something; but ours are nothing but nasty old rubbish.” “Perhaps some fairy, or something better, has brought a wand to touch the rubbish, Blanche; for I think that the maidens gave what would have been worthless kept, but became precious as they gave it.” “Do you mean the list of our flannel petticoats, papa, that Mary has made into a tippet?” “Perhaps I meant Mary’s own time and pains, as well as the tippet. Would she have done much good with them otherwise?” “No, she would have played. Oh! then you like the presents because they are our own making? I never thought of that. Was that the reason you did not give us any of your sovereigns to buy things with?” “Perhaps I want my sovereigns for the eleven gaping mouths at home, Blanche. But would not it be a pity to spoil your pleasure? You would have lost all the chattering and laughing and buzzing I have heard round Margaret of late, and I am quite sure Miss Rivers can hardly be as happy in the gifts that cost her nothing, as one little girl who gives her sugar-plums out of her own mouth!” Blanche clasped her papa’s hand tight, and bounded five or six times. “They are our presents, not yours,” said she. “Yes, I see. I like them better now.
Charlotte Mary Yonge (The Daisy chain, or Aspirations)
Lady Jenny, your turn.” She passed her sketch pad over to him, feeling a pang of sympathy for accused criminals as they stood in the dock. And yet, she’d asked for this. Gotten together all of her courage to ask for this one moment of artistic communion. “Well,” Mr. Harrison said, “isn’t he a handsome fellow? What do you think, ladies?” “You look like a papa,” Fleur observed. “Though our papa doesn’t sketch. He reads stories.” “And hates his ledgers,” Amanda added. “Is my hair that long in back?” “Yes,” Jenny said, because she’d drawn not only Elijah Harrison’s hands, but all of him, looking relaxed, elegant, and handsome, with Amanda crouched at his side, fascinated with what he created on the page. “I look…” He regarded the sketch in silence, while Jenny heard a coach-and-four rumbling toward her vulnerable heart. “I look… a bit tired, slightly rumpled, but quite at home. You are very quick, Lady Genevieve, and quite good.” Quite good. Like saying a baby was adorable, a young gentleman well-mannered. “The pose was simple,” Jenny said, “the lighting uncomplicated, and the subject…” “Yes?” He was one of those men built in perfect proportion. Antoine had spent an entire class wielding a tailor’s measure on Mr. Harrison’s body, comparing his proportions to the Apollo Belvedere, and scoffing at the “mistakes” inherent in Michelangelo’s David. Jenny wanted to snatch her drawing from his hand. “The subject is conducive to a pleasing image.” He passed the sketch pad back, but Jenny had the sense that in some way, some not entirely artistic way, she’d displeased him. The disappointment was survivable. Her art had been displeasing men since she’d first neglected her Bible verses to sketch her brothers. “You
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Hullo, Aunt Jen!” “Bronwyn, hello. Please tell Scout not to knock anything over.” On the mantel, Timothy had come to attention, though he remained sitting. He hissed at the dog and added a low, menacing growl for good measure. “Scout, come.” The dog ignored his owner, another Windham grandchild, this one down from the North with St. Just and his countess. The scent of Elijah’s boots was apparently more compelling than the punishment for indifferent hearing. “Scout, come here this instant.” Bronwyn sounded like her papa, the former cavalry officer, but the dog had apparently never bought his colors. Elijah nudged the beast in the direction of the door with his knee. “Miss Winnie, was there something you were looking for? Something you wanted to tell us?” “Yes!” The dog walked over to the girl while Jenny steadied a jar of brushes his tail had nearly knocked to the floor. “I forget—oh, I remember. Aunt Eve is here. You have to come get kissed. She’s going to have a baby, and Papa says from the size of her he thinks it will be a baby horse.” Jenny hoped St. Just hadn’t said that within Eve’s hearing—though he probably had. “We’ll be along presently. You can tell everybody we’re coming.
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
I walked through the cool, sterile halls of the hospital where my children and my grandchild were born and where Papa had died, and out into the heavy, humid air. The sun hung low, bright and hot, and the air was thick with light. This was my home and I would not leave Marina and her baby. I would not be run off.
Cheryl Reid (As Good as True)
A Poem For Papa She visit you on any giving day. With only a few words to say. She bow her head and start to pray. I know in heaven you will stay. As I look above into the sky. I no longer ask God why. We miss you, the family and I. There are times I begin to cry. When I'm no longer happy, but mad. Thinling of the good times we had. Knowing you're gone, makes me sad. You no longer suffer, I'm glad. Papa I say this with love. Knowing you're smiling with me. Your presence will be miss. From Dynistee with a smile and a kiss.
Ray Price Billy
A Poem For Papa She visit you on any giving day. With only a few words to say. She bow her head and start to pray. I know in heaven you will stay. As I look above into the sky. I no longer ask God why. We miss you, the family and I. There are times I begin to cry. When I'm no longer happy, but mad. Thinking of the good times we had. Knowing you're gone, makes me sad. You no longer suffer, I'm glad. Papa I say this with love. Knowing you're smiling with me. Your presence will be miss. From Dynistee with a smile and a kiss.
Ray Price Billy
Once she and Edwin were alone, she shifted away from his curiously possessive hand. This would be hard. What could she say? How could she break it to him gently? Then Edwin glanced at her with the accusing gray eyes that made her feel like a schoolgirl being taken to task by her papa, and she squirmed guiltily. “I take it that you are not really heading to the duke and duchess’s town house from here,” he said coolly. Sweet Lord, but he was astute. “No.” “And I suppose that means that you and Rathmoor have renewed your…er…friendship.” Blunt, too. Not that she was surprised. Edwin had always been blunt. But he’d never taken that hard tone with her, and it rankled a bit. “Yes.” She tipped up her chin. “I’m afraid we have.” Edwin strolled over to the fireplace and stood with his back to her, rigid as the pokers next to him. “You and I had a deal.” A long sigh escaped her. “I realize that. And I feel bad about reneging on it. I was looking forward to helping Yvette in society. She deserves a good marriage.” She squared her shoulders. “But I think I deserve one, too. With a man who wants me to be more than just a companion to his sister.” He muttered something under his breath. “I did intend our marriage to be a real one, you know.” That was a shock. Edwin had always been cynical about the institution. “Surely you’re not serious.” She wished he would look at her again so she could better guess what he was thinking. “Don’t tell me you’re going to give me some nonsense about how you’ve fallen in love with me.” “No.” As if realizing how sharply he’d answered, he shot her a rueful glance. “I suppose I could eventually come to love you. I’d at least make the attempt.” Poor man. “There’s no attempting with love. You either love someone or you don’t. Trust me on that.” He searched her face. “Are you in love with Rathmoor, then?” “Yes.” The answer came without her even thinking about it. Because she was. She probably always had been. She’d told Dom that he’d killed her love for him, but the truth was, it was unkillable. Though she’d thought to root him out of her heart, he’d merely lain dormant in the wintry ground, waiting until spring when he could grow over her heart like the pernicious honeysuckle in Uncle’s arbor. She should have told Dom last night how she felt, but she’d been too afraid that loving him might mean forgiving him for what he’d done. And she hadn’t been quite ready for that. She wasn’t sure she was now, either. All she knew was she loved him. Whether she could live with him was another matter entirely.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
God’s greatest glory is that he is good. The brightest gem in the crown of God is his goodness.
Matt Papa (Look and Live: Behold the Soul-Thrilling, Sin-Destroying Glory of Christ)
Tatiana heard Alexander say, “Don’t bother with shots. Pour mine straight into a glass.” “Good man,” said Papa, pouring him a glass.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Go. Take care of your girlfriend. Come by for dinner sometime, and we’ll talk.” She waited for Mike as he kissed his mother good-bye and then made the rounds with her family. Papa shook Mike’s hand hard enough to make him wince. Annabelle cringed as he shook Mama’s hand. She leaned over and whispered something to Aunt Rose, who, much to Annabelle’s mortification, took Mike’s face in her hands, kissed him on both cheeks. “You’re a good boy. Everything with your job and with Annabelle will work out in time. Have faith… and make sure you got a lot of antacids.
Robin Kaye (Too Hot to Handle (Domestic Gods, #2))
I love the scene in The Shack when Papa says to Mackenzie, “Just follow my voice” (91). It is no more complicated than that. But oh, Lord, there are so many voices. Jesus’ Papa loves us forever, and shouts our name with a smiling face, but we have weird ears. There are childhood wounds, the voices of our disappointed parents, the sermons on the angry god, the constant whisper: “I am not worthy, I am not important, not lovable, not good enough, not okay.
C. Baxter Kruger (The Shack Revisited: There is More Going on Here Than You Ever Dared To Dream)
Papa’s good little girl.  Good little play thing.  Well-loved, well-cherished, well-fucked, whether she wanted to be or not.
Darla Phelps (Pani's Story (Pets #2))
Look at this view, Papa.” Samantha gently lifted his head so he could see the splendor outside. “You made it to the Columbia River.” He rested against her. “The Columbia,” he said slowly. “We did it.” “Yes, we did.” She lay Papa back down to rest, but moments later he sat up again, his voice more urgent this time. “I haven’t been a good father to you.” “Yes, you have.” He shook his head. “Forgive me?” She had nothing to forgive him for, but she kissed his forehead anyway. “Of course.” “You take care of Micah, good care of him.” She looked over at her brother, asleep under the blanket. “We’ll both take care of him.” Papa shook her arm with surprising strength, like he had to make Samantha understand. “You need to care for him.” She choked out, “I will, Papa. Don’t worry.
Melanie Dobson (Where the Trail Ends: The Oregon Trail (An American Tapestry))