β
Two possibilities exist: either we are alone in the Universe or we are not. Both are equally terrifying.
β
β
Arthur C. Clarke
β
I'm sure the universe is full of intelligent life. It's just been too intelligent to come here.
β
β
Arthur C. Clarke
β
The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
β
β
Arthur C. Clarke
β
Any sufficiently advanced technology is indistinguishable from magic.
β
β
Arthur C. Clarke (Profiles of the Future: An Inquiry into the Limits of the Possible)
β
How inappropriate to call this planet "Earth," when it is clearly "Ocean.
β
β
Arthur C. Clarke
β
Magic's just science that we don't understand yet.
β
β
Arthur C. Clarke
β
One of the great tragedies of mankind is that morality has been hijacked by religion. So now people assume that religion and morality have a necessary connection. But the basis of morality is really very simple and doesn't require religion at all.
β
β
Arthur C. Clarke
β
My favourite definition of an intellectual: 'Someone who has been educated beyond his/her intelligence.
[Sources and Acknowledgements: Chapter 19]
β
β
Arthur C. Clarke (3001: The Final Odyssey)
β
I donβt believe in astrology; Iβm a Sagittarius and weβre skeptical.
β
β
Arthur C. Clarke
β
One of the greatest tragedies in mankind's entire history may be that morality was hijacked by religion.
β
β
Arthur C. Clarke
β
Before you become too entranced with gorgeous gadgets and mesmerizing video displays, let me remind you that information is not knowledge, knowledge is not wisdom, and wisdom is not foresight. Each grows out of the other, and we need them all.
β
β
Arthur C. Clarke
β
It was the mark of a barbarian to destroy something one could not understand.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
What was more, they had taken the first step toward genuine friendship. They had exchanged vulnerabilities.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
It may be that our role on this planet
is not to worship God--but to create him.
β
β
Arthur C. Clarke
β
It has yet to be proven that intelligence has any survival value.
β
β
Arthur C. Clarke
β
In my life I have found two things of priceless worth - learning and loving. Nothing else - not fame, not power, not achievement for its own sake - can possible have the same lasting value. For when your life is over, if you can say 'I have learned' and 'I have loved,' you will also be able to say 'I have been happy.
β
β
Arthur C. Clarke (Rama II (Rama #2))
β
I am an optimist. Anyone interested in the future has to be otherwise he would simply shoot himself.
β
β
Arthur C. Clarke
β
The more wonderful the means of communication, the more trivial, tawdry, or depressing its contents seemed to be.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Now I'm a scientific expert; that means I know nothing about absolutely everything.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Science is the only religion of mankind.
β
β
Arthur C. Clarke (Childhoodβs End)
β
A faith that cannot survive collision with the truth is not worth many regrets.
β
β
Arthur C. Clarke (The Exploration of Space)
β
It must be wonderful to be seventeen, and to know everything.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
The Universe is not only queerer than we suppose, but queerer than we can suppose.
β
β
J.B.S. Haldane (Possible Worlds)
β
After their encounter on the approach to Jupiter, there would aways be a secret bond between them---not of love, but of tenderness, which is often more enduring.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
The thingβs hollowβit goes on foreverβandβoh my God!βitβs full of stars!
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
There were some things that only time could cure. Evil men could be destroyed, but nothing could be done with good men who were deluded.
β
β
Arthur C. Clarke (Childhoodβs End)
β
Every revolutionary idea seems to evoke three stages of reaction. They may be summed up by the phrases: (1) It's completely impossible. (2) It's possible, but it's not worth doing. (3) I said it was a good idea all along.
β
β
Arthur C. Clarke
β
Sometimes I think we're alone in the universe, and sometimes I think we're not. In either case, the idea is quite staggering.
β
β
Arthur C. Clarke
β
I will not be afraid because I understand ... And understanding is happiness.
β
β
Arthur C. Clarke (Rama Revealed (Rama, #4))
β
Politicians should read science fiction, not westerns and detective stories.
β
β
Arthur C. Clarke
β
When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.
β
β
Arthur C. Clarke
β
No utopia can ever give satisfaction to everyone, all the time. As their material conditions improve, men raise their sights and become discontented with power and possessions that once would have seemed beyond their wildest dreams. And even when the external world has granted all it can, there still remain the searchings of the mind and the longings of the heart.
β
β
Arthur C. Clarke (Childhoodβs End)
β
This is the first age that's ever paid much attention to the future, which is a little ironic since we may not have one.
β
β
Arthur C. Clarke
β
All human plans [are] subject to ruthless revision by Nature, or Fate, or whatever one preferred to call the powers behind the Universe.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
But please remember: this is only a work of fiction. The truth, as always, will be far stranger.
β
β
Arthur C. Clarke
β
Science can destroy religion by ignoring it as well as by disproving its tenets. No one ever demonstrated, so far as I am aware, the nonexistence of Zeus or Thor, but they have few followers now.
β
β
Arthur C. Clarke (Childhoodβs End)
β
Never attribute to malevolence what is merely due to incompetence
β
β
Arthur C. Clarke (3001: The Final Odyssey)
β
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Sometimes when I'm in a bookstore or library, I am overwhelmed by all the things that I do not know. Then I am seized by a powerful desire to read all the books, one by one.
β
β
Arthur C. Clarke
β
Now I understand,β said the last man.
β
β
Arthur C. Clarke (Childhoodβs End)
β
Whether we are based on carbon or on silicon makes no fundamental difference; we should each be treated with appropriate respect.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
Utopia was here at last: its novelty had not yet been assailed by the supreme enemy of all Utopiasβboredom.
β
β
Arthur C. Clarke (Childhoodβs End)
β
...science fiction is something that could happen - but usually you wouldn't want it to. Fantasy is something that couldn't happen - though often you only wish that it could.
β
β
Arthur C. Clarke (The Collected Stories of Arthur C. Clarke)
β
When in doubt, say nothing and move on.
β
β
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
β
. . . the newspapers of Utopia, he had long ago decided, would be terribly dull.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
I would defend the liberty of consenting adult creationists to practice whatever intellectual perversions they like in the privacy of their own homes; but it is also necessary to protect the young and innocent.
β
β
Arthur C. Clarke
β
Open the pod bay doors, Hal.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
The time was fast approaching when Earth, like all mothers, must say farewell to her children.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
. . . Moon-Watcher felt the first faint twinges of a new and potent emotion. It was a vague and diffuse sense of envy--of dissatisfaction with his life. He had no idea of its cause, still less of its cure; but discontent had come into his soul, and he had taken one small step toward humanity.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
If he was indeed mad, his delusions were beautifully organized.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
But he knew well enough that any man in the right circumstances could be dehumanised by panic.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Humor was the enemy of desire.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
I don't believe in God but I'm very interested in her.
β
β
Arthur C. Clarke
β
Then he [The Star Child] waited, marshaling his thoughts and brooding over his still untested powers. For though he was master of the world, he was not quite sure what to do next. But he would think of something.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
If such a thing had happened once, it must surely have happened many times in this galaxy of a hundred billion suns.
β
β
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
β
ALL THESE WORLDS ARE YOURS, EXCEPT EUROPA.
ATTEMPT NO LANDING THERE.
USE THEM TOGETHER. USE THEM IN PEACE.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
Now I can rejoice that I knew you, rather than mourn because I lost you.
β
β
Arthur C. Clarke (Songs of Distant Earth)
β
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth.
Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star.
But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell.
How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars.
Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?'
Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction.
The truth, as always, will be far stranger.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Overhead, without any fuss, the stars were going out.
β
β
Arthur C. Clarke (The Nine Billion Names of God)
β
The best measure of a man's honesty isn't his income tax return. It's the zero adjust on his bathroom scale.
β
β
Arthur C. Clarke
β
Unlike the animals, who knew only the present, Man had acquired a past; and he was beginning to grope toward a future.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
It is a bitter thought, but you must face it. The planets you may one day possess. But the stars are not for man.
β
β
Arthur C. Clarke (Childhood's End)
β
Now times had changed, and the inherited wisdom of the past had become folly.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Excessive interest in pathological behavior was itself pathological
β
β
Arthur C. Clarke (3001: The Final Odyssey)
β
1. When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.
2. The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
3. Any sufficiently advanced technology is indistinguishable from magic.
β
β
Arthur C. Clarke
β
The goal of the future is full unemployment, so we can play. Arthur C. Clarke (1917β2008)
β
β
Rutger Bregman (Utopia for Realists: And How We Can Get There)
β
manβs beliefs were his own affair, so long as they did not interfere with the liberty of others.
β
β
Arthur C. Clarke (Childhood's End)
β
The creation of wealth is certainly not to be despised, but in the long run the only human activities really worthwhile are the search for knowledge, and the creation of beauty. This is beyond argument, the only point of debate is which comes first.
β
β
Arthur C. Clarke (Profiles of the Future: An Inquiry into the Limits of the Possible)
β
Any sufficiently advanced technology is indistinguishable from magic."
"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying.
β
β
Arthur C. Clarke
β
In this single galaxy of ours there are eighty-seven thousand million suns. [...] In challenging it, you would be like ants attempting to label and classify all the grains of sand in all the deserts of the world. [...] It is a bitter thought, but you must face it. The planets you may one day possess. But the stars are not for man.
β
β
Arthur C. Clarke (Childhoodβs End)
β
It is not easy to see how the moreο»Ώ extreme forms of nationalism can long survive when men have seen the Earth in its true perspective as a single small globe against the stars.
β
β
Arthur C. Clarke
β
He was prepared, he thought, for any wonder. The only thing he had never expected was the utterly commonplace.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
He had a suspicion of plausible answers; they were so often wrong.
β
β
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
β
He found it both sad and fascinating that only through an artificial universe of video images could she establish contact with the real world.
β
β
Arthur C. Clarke (2061: Odyssey Three (Space Odyssey, #3))
β
Even by the twenty-second century, no way had yet been discovered of keeping elderly and conservative scientists from occupying crucial administrative positions. Indeed, it was doubted if the problem ever would be solved.
β
β
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
β
["The Devil in the Dark"] impressed me because it presented the idea, unusual in science fiction then and now, that something weird, and even dangerous, need not be malevolent. That is a lesson that many of today's politicians have yet to learn.
β
β
Arthur C. Clarke
β
If we both believe that we have nothing to learn from the other, is it not obvious that we will both be wrong?
β
β
Arthur C. Clarke (The City and the Stars)
β
Few artists thrive in solitude and nothing is more stimulating than the conflict of minds with similar interests.
β
β
Arthur C. Clarke
β
He was only aware of the conflict that was slowly destroying his integrityβthe conflict between truth, and concealment of truth.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
Religion is a by-product of fear. For much of human history it may have been a necessary evil, but why was it more evil than necessary? Isnβt killing people in the name of god a pretty good definition of insanity?
β
β
Arthur C. Clarke
β
Floyd could imagine a dozen things that could go wrong; it was little consolation that it was always the thirteenth that actually happened.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
For if not true, they are well imagined...
β
β
Arthur C. Clarke
β
When the reality was depressing, men tried to console themselves with myth.
β
β
Arthur C. Clarke (The City and the Stars)
β
all the worldβs religions cannot be right, and they know it. Sooner or later man has to learn the truth:
β
β
Arthur C. Clarke (Childhood's End)
β
Evil men could be destroyed, but nothing could be done with good men who were deluded.
β
β
Arthur C. Clarke (Childhood's End)
β
And because, in all the Galaxy, they had found nothing more precious than Mind, they encouraged its dawning everywhere. They became farmers in the fields of stars; they sowed, and sometimes they reaped. And sometimes, dispassionately, they had to weed.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
They would never know how lucky they had been. For a lifetime, mankind had achieved as much happiness as any race can ever know. It had been the Golden Age. But gold was also the color of sunset, of autumn: and only Karellenβs ears could catch the first wailings of the winter storms.
β
β
Arthur C. Clarke (Childhoodβs End)
β
In this universe the night was falling; the shadows were lengthening towards an east that would not know another dawn. But elsewhere the stars were still young and the light of morning lingered; and along the path he once had followed, Man would one day go again.
β
β
Arthur C. Clarke
β
Science fiction is held in low regard as a branch of literature, and perhaps it deserves this critical contempt. But if we view it as a kind of sociology of the future, rather than as literature, science fiction has immense value as a mind-stretching force for the creation of the habit of anticipation. Our children should be studying Arthur C. Clarke, William Tenn, Robert Heinlein, Ray Bradbury and Robert Sheckley, not because these writers can tell them about rocket ships and time machines but, more important, because they can lead young minds through an imaginative exploration of the jungle of political, social, psychological, and ethical issues that will confront these children as adults.
β
β
Alvin Toffler (Future Shock)
β
He did not know that the Old One was his father, for such a relationship was utterly beyond his understanding, but as he looked at the emaciated body he felt a dim disquiet that was the ancestor of sadness.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
In accordance with the terms of the Clarke-Asimov treaty, the second-best
science writer dedicates this book to the second-best science-fiction
writer.
[dedication to Isaac Asimov from Arthur C. Clarke in his book Report on Planet Three]
β
β
Arthur C. Clarke
β
What an odd thing it is to see an entire species -- billions of people -- playing with, listening to meaningless tonal patterns, occupied and preoccupied for much of their time by what they call 'music.' (-- The Overlords, from Arthur C. Clarke's Childhood's End)
β
β
Oliver Sacks (Musicophilia: Tales of Music and the Brain)
β
There is no reason to assume that the universe has the slightest interest in intelligenceβor even in life. Both may be random accidental by-products of its operations like the beautiful patterns on a butterfly's wings. The insect would fly just as well without them.
β
β
Arthur C. Clarke
β
He was moving through a new order of creation, of which few men had ever dreamed. Beyond the realms of sea and land and air and space lay the realms of fire, which he alone had been privileged to glimpse. It was too much to expect that he would also understand.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
β
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
β
β
Arthur C. Clarke
β
So this, thought Jan, with a resignation that lay beyond all sadness, was the end of man. It was an end that no prophet had foreseen β an end that repudiated optimism and pessimism alike.
Yet it was fitting: it had the sublime inevitability of a great work of art. Jan had glimpsed the universe in all its immensity, and knew now that it was no place for man. He realized at last how vain, in the ultimate analysis, had been the dream that lured him to the stars.
For the road to the stars was a road that forked in two directions, and neither led to a goal that took any account of human hopes or fears.
β
β
Arthur C. Clarke (Childhoodβs End)
β
Some dangers are so spectacular and so much beyond normal experience that the mind refuses to accept them as real, and watches the approach of doom without any sense of apprehension. The man who looks at the onrushing tidal wave, the descending avalanche, or the spinning funnel of the tornado, yet makes no attempt to flee, is not necessarily paralyzed with fright or resigned to an unavoidable fate. He may simply be unable to believe that the message of his eyes concerns him personally. It is all happening to somebody else.
β
β
Arthur C. Clarke (2010: Odyssey Two)
β
For the last century, almost all top political appointments [on the planet Earth] had been made by random computer selection from the pool of individuals who had the necessary qualifications. It had taken the human race several thousand years to realize that there were some jobs that should never be given to the people who volunteered for them, especially if they showed too much enthusiasm. As one shrewed political commentator had remarked: βWe want a President who has to be carried screaming and kicking into the White House β but will then do the best job he possibly can, so that heβll get time off for good behavior.
β
β
Arthur C. Clarke (Imperial Earth)
β
What is human memory?" Manning asked. He gazed at the air as he spoke, as if lecturing an invisible audience - as perhaps he was. "It certainly is not a passive recording mechanism, like a digital disc or a tape. It is more like a story-telling machine. Sensory information is broken down into shards of perception, which are broken down again to be stored as memory fragments. And at night, as the body rests, these fragments are brought out from storage, reassembled and replayed. Each run-through etches them deeper into the brain's neural structure. And each time a memory is rehearsed or recalled it is elaborated. We may add a little, lose a little, tinker with the logic, fill in sections that have faded, perhaps even conflate disparate events.
"In extreme cases, we refer to this as confabulation. The brain creates and recreates the past, producing, in the end, a version of events that may bear little resemblance to what actually occurred. To first order, I believe it's true to say that everything I remember is false.
β
β
Arthur C. Clarke
β
Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
β
β
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))