Tarzan Quotes

We've searched our database for all the quotes and captions related to Tarzan. Here they are! All 100 of them:

Am I alive and a reality, or am I but a dream?
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
Dear parents, Jasmine was in a relationship with a dirty homeless boy named Aladdin. Snow White lived alone with 7 men. Pinnochio was a liar. Robin Hood was a thief. Tarzan walked around without clothes on. A stranger kissed sleeping beauty and she married him. Cinderella lied and snuck out at night to attend a party. You can't blame us. We were taught to rebel since a young age.
Walt Disney Company
Tarzan-like men are my weakness, apparently.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
I'll be like your bodyguard or something. Me Tarzan. You Jane.
Nyrae Dawn (What a Boy Wants (What a Boy Wants, #1))
A hippie is someone who looks like Tarzan, walks like Jane and smells like Cheetah.
Ronald Reagan
Michael has never cried during a Broadway show. Except in that scene where Tarzan's ape father is brutally murdered. And that was only because he was laughing so hard.
Meg Cabot (Princess Mia (The Princess Diaries, #9))
Taking you to the shower. Me Tarzan, You Jane. Do as I say.
Lisa Renee Jones (If I Were You (Inside Out, #1))
Who is more real? Homer or Ulysses? Shakespeare or Hamlet? Burroughs or Tarzan?
Robert A. Heinlein (The Number of the Beast)
The time has arrived when patience becomes a crime and mayhem appears garbed in a manner of virtue
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
I think—I think it’s a big deal. Bigger for him and Eve than for most people.' Shane kept his eyes down, fixed on the sidewalk and the steps they were taking. 'Look, ask him, okay? This is girl talk. I don’t do girl talk.' She punched him in the shoulder. 'Ass.' 'That’s better. I was starting to feel like we should go shoe shopping or something.' 'Being a girl is not a bad thing!' 'No.' He took his hand out of his pocket and put his arm around her shoulders, hugging her close. 'If I could be half the girl you are, I’d be—wow, I have no idea where I was going with that, and it just turned out uncomfortable, all of a sudden.' 'Jackass.' 'You like being a girl—that’s good. I like being a guy—that’s also good.' 'Next you’ll be all Me, Tarzan, you, Jane!
Rachel Caine (Last Breath (The Morganville Vampires, #11))
When you were sleeping on the sofa I put my ear to your ear and listened to the echo of your dreams. That is the ocean I want to dive in, merge with the bright fish, plankton and pirate ships. I walk up to people on the street that kind of look like you and ask them the questions I would ask you. Can we sit on a rooftop and watch stars dissolve into smoke rising from a chimney? Can I swing like Tarzan in the jungle of your breathing? I don’t wish I was in your arms, I just wish I was peddling a bicycle toward your arms.
Jeffrey McDaniel
You know, I’ve had a really wonderful night tonight. I got to tell Kyrian and Julian that Valerius is in town and spent, oh I don’t know, three, four hours trying to keep them from going after the Roman. Then, just when I could relax and do my job, I find out there are Daimons in the swamp and no Talon to kill them. And why wasn’t Talon here? Because Tarzan was swinging off a balcony to save Jane from Cheetah. Now all I can do is stand here and say, next fiasco, please, right this way. (Acheron)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
For myself, I always assume that a lion is ferocious, and so I am never caught off my guard.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
When Tarzan killed he more often smiled than scowled, and smiles are the foundation of beauty.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
I got this story from someone who had no business in the telling of it.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
It is a characteristic of the weak and criminal to attribute to others the misfortunes that are the result of their own wickedness.
Edgar Rice Burroughs (The Son of Tarzan (Tarzan, #4))
Put your faith in what you most believe in.
Phil Collins (Disney's Tarzan: Easy Piano)
I love you, and because I love you I believe in you. But if I did not believe, still should I love. Had you come back for me, and had there been no other way, I would have gone into the jungle with you - forever.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Calvin: ME TARZAN! KING OF JUNGLE! Suzy: Nice underpants. Does your mom know you're over here like this? Calvin:...I don't think Jane EVER said that to Tarzan.
Bill Watterson (Attack of the Deranged Mutant Killer Monster Snow Goons (Calvin and Hobbes, #7))
As the body rolled to the ground Tarzan of the Apes placed his foot upon the neck of his lifelong enemy and, raising his eyes to the full moon, threw back his fierce young head and voiced the wild and terrible cry of his people.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
I do not understand exactly what you mean by fear," said Tarzan. "Like lions, fear is a different thing in different men, but to me the only pleasure in the hunt is the knowledge that the hunted thing has power to harm me as much as I have to harm him. If I went out with a couple of rifles and a gun bearer, and twenty or thirty beaters, to hunt a lion, I should not feel that the lion had much chance, and so the pleasure of the hunt would be lessened in proportion to the increased safety which I felt." "Then I am to take it that Monsieur Tarzan would prefer to go naked into the jungle, armed only with a jackknife, to kill the king of beasts," laughed the other good naturedly, but with the merest touch of sarcasm in his tone. "And a piece of rope," added Tarzan.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
I am Tarzan of the Apes. I want you. I am yours. You are mine. We live here together always in my house. I will bring you the best of fruits, the tenderest deer, the finest meats that roam the jungle. I will hunt for you. I am the greatest of the jungle fighters. I will fight for you. I am the mightiest of the jungle fighters. You are Jane Porter, I saw it in your letter. When you see this you will know that it is for you and that Tarzan of the Apes loves you.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Beast?" Jane murmured. "Then God make me a beast; for, man or beast, I am yours.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
The caveman in me was pretty proud of myself as I did the metaphorical Tarzan beat-on-the-ole-chest routine. Good thing I was smart enough to keep my trap shut about it.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
We are, all of us, creatures of habit, and when the seeeming necessity for schooling ourselves in new ways ceases to exist, we fall naturally and easily into the manner and customs which long usage has implanted ineradicably within us.
Edgar Rice Burroughs (The Beasts of Tarzan (Tarzan, #3))
Sports just happen to be excellent for avoiding foreign-language stage fright and developing lasting friendships while still sounding like Tarzan.
Timothy Ferriss (The 4-Hour Workweek)
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, "Tarzan and the Lost Empire", there are 31 books on my list.
Edgar Rice Burroughs
Men were indeed more foolish and more cruel than the beasts of the jungle! How fortunate was he who lived in the peace and security of the great forest!
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Captain Billings," he drawled finally, "if you will pardon my candor, I might remark that you are something of an ass, don't you know.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Me Kate. You Tarzan?” “No.” Curran bared his teeth at me. “In the first book, he grabs a lion by the tail and pulls it. Never gonna happen. First, an adult male lion weights five hundred pounds. Second, you grab my tail, I’ll turn around and take your face off.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.
Robert McCammon
It must be that I am dreaming, and that I shall awaken in a moment to see that awful knife descending toward my heart- kiss me, dear, just once before I lose my dream forever." -Jane-
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
The natives knew better than to screw around with Tarzan. He was one bad dude. Lions, rhinos, just him and his knife. Great penthouse and elevator. Wouldnt last long in Brooklyn. Busted for indecent exposure. Me Tarzan you Judge. That is absolutely correct, and you are going to do sixty days. Try dressing as Beau Brummel the next time. Next case!
Hubert Selby Jr. (Waiting Period)
I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be.
Joey Comeau (We all got it coming)
You talk to my wife, you die,” he announced coldly. Dante whistled in the distance, and Zephyr flushed. That was the most 'Me Tarzan, You Jane' thing she'd ever seen in her life. She was as taken as she could get.
RuNyx (The Finisher (Dark Verse, #4))
As far back as Yossarian could recall, he explained to Clevinger with a patient smile, somebody was always hatching a plot to kill him. There were people who cared for him and people who didn't, and those who hated him were out to get him. They hated him because he was Assyrian. But they couldn't touch him, he told Clevinger, because he had a sound mind in a pure body and was as strong as an ox. They couldn't touch him because he was Tarzan, Mandrake, Flash Gordon. He was Bill Shakespeare. He was Cain, Ulysses, the Flying Dutchman; he was Lot in Sodom, Deirdre of the Sorrows, Sweeney in the nightingales among trees. He was miracle ingredient Z-247. He was - Crazy!" Clevinger interrupted, shrieking. "That's what you are! Crazy!" "immense. I'm a real slam-bang, honest-to-goodness, three-fisted humdinger. I'm a bona fide Supraman." "Superman?" Clevinger cried. "Superman?" Supraman," Yossarian corrected.
Joseph Heller (Catch-22)
Teach me to speak the language of men.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
And could she love where she feared?
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
I'll be there for you always Always and always Just look over your shoulder I'll be there, always.
Phil Collins (Disney's Tarzan: Easy Piano)
Sono un mirabile incrocio tra Tarzan e Giacomo Leopardi. In me convivono tutte le doti intellettuali di Tarzan e tutta la prestanza fisica di Giacomo Leopardi.
Ambrogio Borsani
...those features are burned so deep into my memory and my heart that I should recognize them anywhere in the world from among a thousand others, who might appear identical to any one but me.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
All he knew was that he could not eat the flesh of this black man, and thus hereditary instinct, ages old, usurped the functions of his untaught mind and saved him from transgressing a worldwide law of whose very existence he was ignorant.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
[..] it has remained for man alone among all creatures to kill senselessly and wantonly for the mere pleasure of inflicting suffering and death.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
[...] smiles are the foundation of beauty.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
His straight and perfect figure, muscled as the best of the ancient Roman gladiators must have been muscled, and yet with the soft and sinuous curves of a Greek god, told at a glance the wondrous combination of enormous strength with suppleness and speed.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
...my civilization is not even skin deep - it does not go deeper than my clothes.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
Even brave men, and D'Arnot was a brave man, are sometimes frightened by solitude.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
And so he learned to read. From then on his progress was rapid.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Plan Number Three: Attack Him with All Available Weaponry. Ludicrous. I wasn’t Tarzan. I was a puny, feeble, vegetarian life form.
Yann Martel (Life of Pi)
P44- in tarzans clever little mind many thoughts revolved and back of these was his divine power of reason.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
From a lofty perch Tarzan viewed the village of thatched huts across the intervening plantation.
Edgar Rice Burroughs (Tarzan of the Apes)
So glorious does love transfigure its object"~Tarzan
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
Hundreds of words await ostracism from our functional vocabularies: waltz and fizz and squeeze and booze and frozen pizza pie, frizzy and fuzzy and dizzy and duzzy, the visualization of emphyzeema-zapped Tarzans, wheezing and sneezing, holding glazed and anodized bazookas, seized by all the bizarrities of this zany zone we call home. Dazed or zombified citizens who recognize hazardous organizations of zealots in their hazy midst, too late - too late to size down. Immobilized we iz. Minimalized. Paralyzed. Zip Zap. ZZZZZZZZZ. Crazy. Crazy. Did I say crazy?
Mark Dunn (Ella Minnow Pea: A Novel in Letters)
With man it is different. When he comes many of the larger animals instinctively leave the district entirely, seldom if ever to return; and thus it has always been with the great anthropoids. They flee man as man flees a pestilence.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Rich loved taking care of women. He would swoop in like Tarzan swinging on a vine, rescue them from whatever situation they found themselves in, and be their hero. He would make all the decisions, and he would be strong and dependable. "What a catch!" they would feel. But they did not see his inability to allow them to disagree or have an opinion. He could not yield to another person. He could not show weakness or vulnerability. He would make up for that inflexibility by being a very attractive "strong man" to women who would want to be swept off their feet more than they wanted a real person. So, they would be a perfect match—until he would see the other side of a passive, compliant woman. She would be sneaky and not tell him exactly what was going on. Then, lo and behold, one day she would really "mess up" and have a wish contrary to somthing he wanted or valued. Then, from his perspective, she had "changed" and had become "selfish." "She used to be nice, and now look!" But in reality, this is not what had happened. She had not changed. When they first met, she showed only half of who she was, hiding the other half, which would come out in sneaky, indirect ways. After a while, it came out directly, such as when she disagreed with him. Then he would cry, "Foul." So they both got what they asked for. In her compliance, she attracted a controller. In his control he attracted an adaptive person who had a secret side and was indirect. They were co-conspirators, and it always blew up.
Henry Cloud (How to Get a Date Worth Keeping)
The more one knows of one's religion the less one believes - no one living knows more of mine than I.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
If people were paid for writing rot such as I read in some of those magazines that I could write stories just as rotten.
Edgar Rice Burroughs
P33- the wail of the living had answered the call of universal motherhood within her wild beast which the dead could not still.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
... but life would be very miserable indeed were I to spend it in terror of the thing that has not yet happened.
Edgar Rice Burroughs (The Son of Tarzan (Tarzan, #4))
I memorized all of “John Carter” and “Tarzan,” and sat on my grandparents’ front lawn repeating the stories to anyone who would sit and listen. I would go out to that lawn on summer nights and reach up to the red light of Mars and say, “Take me home!” I yearned to fly away and land there in the strange dusts that blew over dead-sea bottoms toward the ancient cities.
Ray Bradbury
...it was his misfortune that most of the men he knew preferred immaculate linen and their clubs to nakedness and the jungle. It was, of course, difficult to understand, yet it was very evident that they did.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
They couldn't him because he was Tarzan, Mandrake, Flash Gordon. He was Bill Shakespeare. He was Cain, Ulysses, the Flying Dutchman; he was Lot in Sodom, Dreirdre of the Sorrows, Sweeney in the nightingales among trees. He was miracle ingredient Z-247.
Joseph Heller (Catch-22)
I feel always that I am a prisoner.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
Jane saw the little note and ignored it, for she was very angry and hurt and mortified, but—she was a woman, and so eventually she picked it up and read it. MY
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
She realized the spell that had been upon her in the depths of that far-off jungle, but there was no spell of enchantment now in prosaic Wisconsin.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Tut, tut! I have often admonished my pupils to count ten before speaking. Were I you, Mr. Philander, I should count at least a thousand, and then maintain a discreet silence.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Me, Tarzan. You, Jane. I kill bad guy. Beat chest. Tarzan howl.
Stephanie Rowe (Kiss at Your Own Risk (Soulfire #1))
p 18 - Hundreds of thousands of years ago our ancestors of the dim and distant past faced the same problems which we must face in the same primeval forest. That we are here today evidences their victory.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
P43- that the huge, fierce brute loved this child of another race is beyond question.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Captain Billings," he drawled finally, "if you will pardon my candor, I might remark that you are something of an ass.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
P33- the son of an english lord and an english lady nursed at the breast of kala, the great ape.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
She’s mine. She might not know it yet, but she’s mine.
Pippa Grant (Stud in the Stacks (Girl Band #2))
Yes, your man, Jane Porter. Your savage, primeval man come out of the jungle to claim his mate--the woman who ran away from him," he added almost fiercely.
Edgar Rice Burroughs
Just look over your shoulder...I'll be there always.
Phil Collins (Disney's Tarzan: Easy Piano)
Y la sonrisa es la base de la belleza.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Those who know say that the most painful punishment that can be inflicted upon an adult male, short of injuring him, is a good, old fashioned shaking.
Edgar Rice Burroughs (The Son of Tarzan (Tarzan, #4))
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah. Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right? ....... I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
Erica Jong (Fear of Flying)
In his savage, untutored breast new emotions were stirring. He could not fathom them. He wondered why he felt so great an interest in these people—why he had gone to such pains to save the three men. But he did not wonder why he had torn Sabor from the tender flesh of the strange girl. Surely the men were stupid and ridiculous and cowardly. Even Manu, the monkey, was more intelligent than they. If these were creatures of his own kind he was doubtful if his past pride in blood was warranted. But the girl, ah—that was a different matter. He did not reason here. He knew that she was created to be protected, and that he was created to protect her
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
I am enough. I am enough. The words ricocheted through me, shaking every cell as they traveled. I felt them; I understood them; they fused into my bones. The though galloped and jumped through my system like a racehorse. I called it out to the dark sky. I watched my proclamation bounce from star to star, swinging like Tarzan from carbon to carbon. I am whole and complete. I will never run out. And I am more than enough.
Dolly Alderton (Everything I Know About Love)
Hundreds of thousands of years ago our ancestors of the dim and distant past faced the same problems which we must face, possibly in these same primeval forests. That we are here today evidences their victory. What they did may we not do? And even better, for are we not armed with ages of superior knowledge, and have we not the means of protection, defense, and sustenance which science has given us, but of which they were totally ignorant? What they accomplished, Alice, with instruments and weapons of stone and bone, surely that may we accomplish also.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Later, Thuran also found it necessary to construct a similar primitive garment, so that, with their bare legs and heavily bearded faces, they looked not unlike reincarnations of two prehistoric progenitors of the human race. Thuran acted like one.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
When he was finished, he set his plate down, looked at me, and raised an eyebrow. I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.” He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.” He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber. I watched him closely for a full two minutes and then folded up my napkin. “Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?” He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.” My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?” “Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.” “Partial? Partial meaning what, exactly?” “Partial, meaning a certain number of hours per day. Six hours to be exact.” I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.” He paused. “Twenty-four what?” “Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.” He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.” I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.” He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?” I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do. Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He killed for food most often, but, being a man, he sometimes killed for pleasure, a thing which no other animal does; for it has remained for man alone among all creatures to kill senselessly and wantonly for the mere pleasure of inflicting suffering and death.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
The magnificent diamond locket which hung about Tarzan's neck, had been a source of much wonderment to Jane. She pointed to it now, and Tarzan removed it and handed the pretty bauble to her. She saw that it was the work of a skilled artisan and that the diamonds were of great brilliancy and superbly set, but the cutting of them denoted that they were of a former day. She noticed too that the locket opened, and, pressing the hidden clasp, she saw the two halves spring apart to reveal in either section an ivory miniature.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
P37- none of them could understand how a child could be so and backward in learning to care for itself.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
You're still like a chocolate cupcake while I'm that weird lemon-white chocolate cookie people always pick last because it's weird.
Pippa Grant (Stud in the Stacks (Girl Band #2))
the bridesmaid's hand in his, "Hazel and I think it would be ripping to make it a double wedding." The
Edgar Rice Burroughs (The Return of Tarzan (Tarzan #2))
Erebus,
Edgar Rice Burroughs (The Tarzan Collection (8 Books))
[The little black boy] had seen Tarzan bring down a buck, just as Numa, the lion, might have done... Tibo had shuddered at the sight, but he had thrilled, too, and for the first time there entered his dull, Negroid mind a vague desire to emulate his savage foster parent. But Tibo, the little black boy, lacked the divine spark which had permitted Tarzan, the white boy, to benefit by his training in the ways of the fierce jungle. In imagination he was wanting, and imagination is but another name for super-intelligence. Imagination it is which builds bridges, and cities, and empires. The beasts know it not, the blacks only a little, while to one in a hundred thousand of earth's dominant race it is given as a gift from heaven that man may not perish from the earth.
Edgar Rice Burroughs (Jungle Tales of Tarzan (Tarzan #6))
And then again, had I declared myself I should have robbed the woman I love of the wealth and position that her marriage to Clayton will now insure to her. I could not have done that—could I, Paul?
Edgar Rice Burroughs (The Return of Tarzan (Tarzan #2))
I don’t remember everything that was happening around me at the time, but gangster life was intoxicating and irresistible. It’s difficult to describe the feeling. It’s that jungle culture, the lion syndrome, the Tarzan tag; the invincibility, the lure of living on the edge; having not just one woman but a whole brothel on your tail; the shooting irons, the fast cars and the endless supply of cocaine.
Jacques Pauw (Little Ice Cream Boy)
He said he used to have all the Doc Savage magazines and the Tarzan and John Carter of Mars books and the Shadow and Weird Tales and boxes of Argosy and Boy’s Life magazines, but his daddy had said Vernon had gotten too old for those things and all of them, every one, had gone into the fire or the trash and burned to ashes or been covered in earth. He said he would give a million dollars if he could have them again and he said that if I had any of them I should hold on to them forever because they were magic. And once you burn the magic things or cast them out in the garbage, Vernon said, you become a beggar for magic again.
Robert McCammon (Boy's Life)
If man spoke only when he had something worth while to say and said that as quickly as possible, ninety-eight per cent of the human race might as well be dumb, thereby establishing a heavenly harmony from pate to tonsil.
Edgar Rice Burroughs (Tarzan at the Earth's Core (Tarzan, #13; Pellucidar, #4))
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we’d make round trips. We swung on vines like Tarzan, and flashed Zorro’s keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book’s for the boys.
Robert McCammon (Boy's Life)
Through The Mecca I saw that we were, in our own segregated body politic, cosmopolitans. The black diaspora was not just our own world but, in so many ways, the Western world itself. Now, the heirs of those Virginia planters could never directly acknowledge this legacy or reckon with its power. And so that beauty that Malcolm pledged us to protect, black beauty, was never celebrated in movies, in television, or in the textbooks I’d seen as a child. Everyone of any import, from Jesus to George Washington, was white. This was why your grandparents banned Tarzan and the Lone Ranger and toys with white faces from the house. They were rebelling against the history books that spoke of black people only as sentimental “firsts”—first black five-star general, first black congressman, first black mayor—always presented in the bemused manner of a category of Trivial Pursuit. Serious history was the West, and the West was white. This was all distilled for me in a quote I once read from the novelist Saul Bellow. I can’t remember where I read it, or when—only that I was already at Howard. “Who is the Tolstoy of the Zulus?” Bellow quipped. Tolstoy was “white,” and so Tolstoy “mattered,” like everything else that was white “mattered.” And this view of things was connected to the fear that passed through the generations, to the sense of dispossession. We were black, beyond the visible spectrum, beyond civilization. Our history was inferior because we were inferior, which is to say our bodies were inferior. And our inferior bodies could not possibly be accorded the same respect as those that built the West. Would it not be better, then, if our bodies were civilized, improved, and put to some legitimate Christian use?
Ta-Nehisi Coates (Between the World and Me)
So this is what it’s like to have someone to watch over me. Don’t get me wrong—my sister would take a bullet for me and still manage to beat the shit out of the person who fired the shot. But this is totally different. Hotter. More Tarzan-y. More comforting. I’m this tough, handsome guy’s priority. He’ll care about me, protect me . . . like it’s his motherfucking job. Because—it is. I know from Liv that Nicholas finds the constant protection stifling. But to me, it just feels . . . really nice.
Emma Chase (Royally Endowed (Royally, #3))
Mild-mannered Abe, however, is Tarzan of the traffic jungle. He knows the strict species pecking order: pedestrians are on the bottom and run out of the way of everything, bicycles make way to cycle-rickshaws, which give way to auto-rickshaws, which stop for cars, which are subservient to trucks. Buses stop for one thing and one thing only. Not customers - they jump on while the buses are still moving. The only thing that can stop a bus is the king of the road, the lord of the jungle and the top dog. The holy cow.
Sarah Macdonald (Holy Cow: An Indian Adventure)
Cletus Byron Winston, you are being rude.” I might have my own less than glowing thoughts about my father, but he was my father. He opened his mouth to respond, then snapped it shut and did a double take, his eyes narrowing on me. “First of all, how do you know my middle name?” “Your momma used to use it when you were naughty, when you boys would help her shelve books in the library. ‘Cletus Byron! Stop stuffing Astrophysics Monthly down your pants!’” Cletus grinned. Then he chuckled. His eyes lost some of their zealous focus as he pushed away from the tree and strolled closer. “Oh yeah. She did, didn’t she?” “I felt sorry for Billy, though.” I scooched to one side as he sat down. “His name always confused everyone, like your momma was trying to talk to Shakespeare’s ghost. ‘William Shakespeare, would you please stop Beauford from pulling down his pants in front of the girls?’” Cletus laughed harder, leaning backward and holding his stomach. “I remember that. How old was Beau?” “He was ten. He was trying to show us his new Tarzan underwear. I don’t think he meant any harm.” “He sure did love that underwear.” Cletus nodded and he scratched his beard. “I’m going to have to find him some Tarzanunderwear in adult size.” “So you can torture him about it?” He pretended to be shocked by my accusation. “Certainly not. I don’t torture my siblings.” “Yeah, right.” I gave him my side-eye. “You forget, I’m a people watcher. I know you sell embarrassing pictures of them onstock photo sites. Jethro was griping about it after church over the summer. If it’s not torture, what do you call it then?” He lifted his chin proudly. “I offer invaluable character building opportunities. I help them reach their true potential through suffering.” “Oh, please
Penny Reid (Beard Science (Winston Brothers, #3))
She pushed him away from her. The rain swept over her face as she lifted her emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. ”Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.” The dark, malevolent feeling had faded away. Whoever it was no longer was watching them. She could tell. “I feel another argument coming on.” His mocking amusement might not have shown on his face, but she could feel it in her mind. Jacques simply lifted her and tossed her over his shoulder. “No way, you wild man. You aren’t Tarzan. I don’t like heights. Put me down.” “Close your eyes. Who is Tarzan? Not another male, I hope.” The wind rushed over her body, and she could feel them moving fast, so fast the world seemed to blur. She closed her eyes and clutched at him, afraid to do anything else. His laughter was happy and carefree, and it warmed her heart, dispelling any residue of fear she carried. It was a miracle to her that he could laugh, that he was happy. Tarzan is the ultimate male. He swung through trees and carries his woman off into the jungle. He patterns himself after me. She nuzzled his neck. He tries.
Christine Feehan (Dark Desire (Dark, #2))
Tony Williams: You’ve often mentioned that Tales of Hoffmann (1951) has been a major influence on you. George Romero: It was the first film I got completely involved with. An aunt and uncle took me to see it in downtown Manhattan when it first played. And that was an event for me since I was about eleven at the time. The imagery just blew me away completely. I wanted to go and see a Tarzan movie but my aunt and uncle said, “No! Come and see a bit of culture here.” So I thought I was missing out. But I really fell in love with the film. There used to be a television show in New York called Million Dollar Movie. They would show the same film twice a day on weekdays, three times on Saturday, and three-to-four times on Sunday. Tales of Hoffmann appeared on it one week. I missed the first couple of days because I wasn’t aware that it was on. But the moment I found it was on, I watched virtually every telecast. This was before the days of video so, naturally, I couldn’t tape it. Those were the days you had to rent 16mm prints of any film. Most cities of any size had rental services and you could rent a surprising number of films. So once I started to look at Tales of Hoffmann I realized how much stuff Michael Powell did in the camera. Powell was so innovative in his technique. But it was also transparent so I could see how he achieved certain effects such as his use of an overprint in the scene of the ballet dancer on the lily ponds. I was beginning to understand how adept a director can be. But, aside from that, the imagery was superb. Robert Helpmann is the greatest Dracula that ever was. Those eyes were compelling. I was impressed by the way Powell shot Helpmann sweeping around in his cape and craning down over the balcony in the tavern. I felt the film was so unique compared to most of the things we were seeing in American cinema such as the westerns and other dreadful stuff I used to watch. Tales of Hoffmann just took me into another world in terms of its innovative cinematic technique. So it really got me going. Tony Williams: A really beautiful print exists on laserdisc with commentary by Martin Scorsese and others. George Romero: I was invited to collaborate on the commentary by Marty. Pat Buba (Tony’s brother) knew Thelma Schoonmaker and I got to meet Powell in later years. We had a wonderful dinner with him one evening. What an amazing guy! Eventually I got to see more of his movies that I’d never seen before such as I Know Where I’m Going and A Canterbury Tale. Anyway, I couldn’t do the commentary on Tales of Hoffmann with Marty. But, back in the old days in New York, Marty and I were the only two people who would rent a 16mm copy of the film. Every time I found it was out I knew that he had it and each time he wanted it he knew who had it! So that made us buddies.
George A. Romero (George A. Romero: Interviews)