Art Portfolio Quotes

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Hey, Red.” I greeted her with a cocky grin. “Can’t stay away from me, huh? Don’t blame you.” I gestured at myself. “Look at all this.” I was still shirtless from the shower, and I didn’t want to brag or anything, but my abs were a fucking work of art. “If I knew you had company, I would’ve waited,” she said dryly. She was carrying a large portfolio bag, which was strange, since she didn’t draw. Maybe she went shopping earlier. “Wouldn’t want to interrupt your weekly lovefest with your ego.” “Daily,” I corrected. “Self-love is critical to maintaining one’s self-esteem. But you’re hot, so you’re allowed to interrupt.
Ana Huang (Twisted Hate (Twisted, #3))
The life an infertile person seeks comes to her not by accident and not by fate but by hard-fought choices. How to put together the portfolio of photographs. How to answer at the home study. What clinic or doctor or procedure. Donor egg or donor sperm or donor embryo. Open or closed adoption. What country, what boxes to check or uncheck. What questions to ask, and ask again. When to start and when to stop. What to say when her child says, Tell me my story.
Belle Boggs (The Art of Waiting: On Fertility, Medicine, and Motherhood)
I carried with me into the West End Bar, the White Horse Tavern, a long list of things I would never do: I would never have my hair set in a beauty parlor. I would never move to a suburb and bake cakes or make casseroles. I would never go to a country club dance, although I did like the paper lanterns casting rainbow colors on the terrace. I would never invest in the stock market. I would never play canasta. I would never wear pearls. I would love like a nursling but I would never go near a man who had a portfolio or a set of golf clubs or a business or even a business suit. I would only love a wild thing. I didn't care if wild things tended to break hearts. I didn't care if they substituted scotch for breakfast cereal. I understood that wild things wrote suicide notes to the gods and were apt to show up three hours later than promised. I understood that art was long and life was short.
Anne Roiphe (Art and Madness: A Memoir of Lust Without Reason)
Speculation and opinions drove not only the market but the products, sadly, the values of which were hinged not to the ineffable quality of art as a sacred human ritual—a value impossible to measure, anyway—but to what a bunch of rich assholes thought would “elevate” their portfolios and inspire jealousy and, delusional as they all were, respect. I was perfectly happy to wipe out all that garbage from my mind.
Ottessa Moshfegh (My Year of Rest and Relaxation)
The basic idea of a portfolio life is that instead of thinking of your work as a monolithic activity, what if you chose to see it as the complex group of interests, passions, and activities it is?
Jeff Goins (The Art of Work: A Proven Path to Discovering What You Were Meant to Do)
Handy then encourages what he calls “portfolio people” to organize their time not based on hours in a week, but rather days in a year. For example, if you need to make $50,000 per year and can figure out a way to make $250 a day, then you only need to work 200 days a year.
Jeff Goins (The Art of Work: A Proven Path to Discovering What You Were Meant to Do)
Your taste in music, the kinds of books you enjoy, even your favorite foods all contribute to the person you are and the portfolio you’re creating—and therefore, make up your calling.
Jeff Goins (The Art of Work: A Proven Path to Discovering What You Were Meant to Do)
want you, it’s their loss,” Grandma said. “Why don’t we just wait and see what they say?” Ms. Donatello told me. “I have to go to the bathroom,” Georgia said. I didn’t want to talk anymore, so I just made like Leonardo the Silent and kept my mouth shut after that. Finally, the office door opened, and Mr. Crawley, the director of the school, came over to talk to us. I tried not to look like I wanted to disappear. Or self-destruct. Or both. “First of all, Rafe,” he said, “you should know there are three things we look for in an applicant. One of those is experience. A lot of the students at Cathedral have been studying art since before they could write.” “Sure,” I said. “I get it. No problem.” But he wasn’t done yet. “The other two things we look for are talent and persistence,” he said. “Not only is that portfolio of yours full of artistic promise, it’s also just full. When I see that, I see a boy who would probably keep drawing whether anyone was paying attention or not.
James Patterson (Middle School: Get Me out of Here! - Free Preview (The First 19 Chapters))
best VCs know that companies are always bought, never sold.
Mahendra Ramsinghani (The Business of Venture Capital: Insights from Leading Practitioners on the Art of Raising a Fund, Deal Structuring, Value)
who are not is what they know and how they apply that knowledge. Because the world is governed by men, should you not endeavor to learn as much as possible about men? If you study men with the same diligence as you have studied art and the texts with which Master Dichartyn has plied you and examined you, you will gain great knowledge about how best to apply all you know.
L.E. Modesitt Jr. (Imager (Imager Portfolio, #1))
It’s called a portfolio life,
Jeff Goins (The Art of Work: A Proven Path to Discovering What You Were Meant to Do)
To position yourself as an expert, create content, write a book, build a blog, post on social media, and write articles for professional publications and news sites to build your intellectual portfolio of expertise. Repurpose content in a variety of ways.
Susan C. Young (The Art of Preparation: 8 Ways to Plan with Purpose & Intention for Positive Impact (The Art of First Impressions for Positive Impact, #2))
A good portfolio manager knows which companies to keep and which ones to let go. Many a GP has struggled with portfolio companies that cannot meet their value-creation milestones, or raise additional follow-on rounds of capital, or generate target returns in a time span of, say, five to seven years. The faster you recognize those losses, the better it is.” - “As David Cowan says, “Just focus on your top five—the rest is distraction.” The harder part of the investor's discipline is to know when to quit.” - “You have to constantly scan all of those things and be willing to adjust your own sense of what's a reasonable outcome and move the company into a position where it has the maximum chance to succeed. ” - “Time is your enemy: Portfolio companies always take twice as much capital and twice as long to exit. Early-stage companies rarely meet milestones as planned and always burn cash faster than anticipated.
Mahendra Ramsinghani (The Business of Venture Capital: Insights from Leading Practitioners on the Art of Raising a Fund, Deal Structuring, Value Creation, and Exit Strategies)
she had graduated from the Beaux Arts in Caen. She worked entirely on her body, she explained to me; I looked at her anxiously as she opened her portfolio. I was hoping she wasn't going to show me photos of plastic surgery on her toes or anything like that - I'd had it up to here with things like that. But no, she simply handed me some postcards which she had had made, with the imprint of her pussy dipped in different coloured paints. I chose a turquoise and a mauve; I was a little sorry I hadn't brought photos of my prick to return the favour.
Michel Houellebecq (Platform)
5 Thumb Rules to Follow for Outsourcing 3D Character. Outsourcing has become one of the basic requirements of the digital industry. Be it software, websites, architecture rendering or 3D character modelling, companies look forward to outsource these tasks to reliable names. Reason is simple. When it comes to value for money, 3D Art Outsourcing Service stands to be the most viable option as setting up in-house production often isn’t considered a wise ROI choice. But, this necessity has also given rise to possible frauds. There are countless companies waiting to gulp your money in the blink of an eye. There are many more who are ready to lure you with lucrative offers when it comes to 3D character modelling concept. Since not everyone is familiar with the technicalities of this field, companies can easily get trapped with fake promises of giving top notch services well within their reach, only to find out that the whole thing was neither worth their time nor money. However, all the sham can be avoided if companies follow the six thumb rules while Game outsourcing character modelling tasks to animation studios as these will lead them to the right names. 1) Take a Tour of the Website Although you will find expert comments on not to judge a company by its cover, there is no denying the fact that website plays a decisive role in company’s credibility, especially when it comes to art and animation studios. A studio that claims to offer you state-of-art results must first focus on its own. A clean, crisp website with appropriate content can actually say a lot about the studio’s work. A poor design and inappropriate content often indicate the following things: - Outdated and poorly maintained - Negligence towards its virtual presentation - Unprofessionalism - Poor marketing A sincere design and animation studio will indeed feature a vibrant website with all its details properly included. 2) Location Matters Location has a huge impact on hiring charges as it largely decides the price range one can expect. If you are looking forward to countries like India, you expect the range to be well within your budget chiefly because such countries have immense talent, but because of the increasing demand and competition in the field of outsourcing, hiring charges are relatively cheaper than countries like UK or USA. This means that once can get desired expertise without spending a fortune. 3) Know Your Team Inside Out Since you will be spending your hard earned money, you have every right to know the ins and outs of your team. Getting to know the team can assist you in your decision. Do your part of homework and be ready with your queries. Starting from their names to their works, check everything you can, and if need be, go for one-to-one conversation. This will not only help you to know them better, but will also give you an idea of their communication, their knowledge about their work and their sincerity. A dedicated one will always answer you up to the point while a confused one with fidget with words or beat around the bush. 4) Don’t Miss Out on the Portfolio While the website of a studio is its virtual representative, it’s the portfolio which speaks about its execution. Reputed names of 3D modelling and design companies house excellent projects ranging from simple to complex ones. A solid portfolio indicates: - commitment of the studio towards its projects - competency of its team - execution and precision - status of its expertise Apart from the portfolio, some animation studios even feature case studies and white papers in their websites which indicate their level of transparency. Make sure to go through all of them.
Game Yan
The great art dealers operated like index funds. They bought everything they could. And they bought it in portfolios, not individual pieces they happened to like. Then they sat and waited for a few winners to emerge.
Morgan Housel (The Psychology of Money: Timeless lessons on wealth, greed, and happiness)
Take your story, no matter how boring or exciting you think it is, and find a way to tell it in an interesting way. Include it in your Biography in your portfolio, on your “About” page on your website and repeat it any time someone asks about you. People will remember your story and then they will remember you.
Maria Brophy (Art Money & Success: A complete and easy-to-follow system for the artist who wasn't born with a business mind.)
The great art dealers operated like index funds. They bought everything they could. And they bought it in portfolios, not individual pieces they happened to like. Then they sat and waited for a few winners to emerge. That’s all that happens.
Morgan Housel (The Psychology of Money: Timeless lessons on wealth, greed, and happiness)
End of May 2012 The continuation of my email to Andy: …I was delighted to return to London after war-ravaged Belfast. The students in our college had to evacuate several times due to IRA bomb threats. I must have subconsciously selected to be in Northern Ireland because of my unsettling inner upheavals. Much like the riots that went on in the city in 1971, I was unconsciously fighting my inner demons within myself. I needed that year to overcome my sexual additions and to immerse myself in my fashion studies. By the following year, I had compiled an impressive fashion design portfolio for application with various London Art and Design colleges. Foundation students generally required two years to complete their studies. I graduated from the Belfast College of Art with flying colors within a year. By the autumn of 1972, I was accepted into the prestigious Harrow School of Art and Technology. Around that period, my father’s business was waning and my family had financial difficulty sponsoring my graduate studies. Unbeknownst to my family, I had earned sufficient money during my Harem services to comfortably put myself through college. I lied to my parents and told them I was working part-time in London to make ends meet so I could finance my fashion education. They believed my tall tale. For the next three years I put my heart and soul into my fashion projects. I would occasionally work as a waiter at the famous Rainbow Room in Biba, which is now defunct. Working at this dinner dance club was a convenient way of meeting beautiful and trendy patrons, who often visit this capricious establishment.
Young (Unbridled (A Harem Boy's Saga, #2))
It's no small matter to cross an ocean,"Chagall said. "More can be lost than canvas and paint. An artist must bear witness, Monsieur Fry. He cannot turn away, even if he wished to." "An artist cannot bear witness if he's dead.
Julie Orringer (The Flight Portfolio)
The woman in the pictures may change, but what remains constant is that she is always someone Andrew had fucked or was fucking or wanted to fuck, and that's something that, for me, keeps them from being art photos, the work of an artist. That's something that, no matter how beautiful they are, turns them into booby pictures that Andrew took and pulled out of a leather satchel as we sat at my kitchen table - pictures that, for reasons I haven't yet figured out, Andrew showed to me but not to my husband, who wanted into the kitchen to fix a ham sandwich while Andrew and I flipped through his leather-covered portfolio -- and I tried to think of things to say that weren't "How on earth did you ever talk this girl into doing this?
Diana Joseph (I'm Sorry You Feel That Way: The Astonishing But True Story of a Daughter, Sister, Slut, Wife, Mother, and Friend to Man and Dog)
Thinking, Fast and Slow by Daniel Kahneman The Four Pillars of Investing by William Bernstein The Little Book of Common Sense Investing by John Bogle The Little Book of Behavioral Investing by James Montier Stocks for the Long Run by Jeremy Siegel The Warren Buffett Portfolio by Robert Hagstrom Damn Right: Behind the Scenes with Berkshire Hathaway Billionaire Charlie Munger by Janet Lowe Investing: The Last Liberal Art by Robert Hagstrom Success Equation: Untangling Skill and Luck in Business, Sports, and Investing by Michael Mauboussin Devil Take the Hindmost by Edward Chancellor The Most Important Thing by Howard Marks All About Asset Allocation by Rick Ferri Winning the Loser's Game by Charles Ellis
Ben Carlson (A Wealth of Common Sense: Why Simplicity Trumps Complexity in Any Investment Plan (Bloomberg))