Architecture Student Quotes

The ideal architect should be a man of letters, a skillful draftsman, a mathematician, familiar with historical studies, a diligent student of philosophy, acquainted with music, not ignorant of medicine, learned in the responses of jurisconsults, familiar with astronomy and astronomical calculations.

An aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.

the architecture student from number eleven presses his face to the glass and looks at the way the light falls through the water, he thinks about a place where he worked in the spring, an office where they had a stack of empty watercooler bottles against the window, and how he would sit and watch the sun mazing its way through the layers of refraction, the beauty of it, he called it spontaneous maths and he wanted to build architecture like he that, he looks at the row of houses opposite and he pictures them built entirely of plastic and glass, he imagines how people's lives might change if their dwellings shook with endless reflections of light, he does not know if it's possible but he thinks it's a nice idea

Most college students would have deemed it a waste of a perfectly good Friday night, but most students were not in a program with constant stress and regular physical battles, with the possible exception of architecture majors.

Darmstadt is one of those German towns that, having been landscaped by Allied heavy bombers, rezoned by the Red Army, and rebuilt by the Marshall Plan, demonstrates perfectly that (a) sometimes it’s better to lose a war than to win one, and (b) some of the worst crimes against humanity are committed by architecture students.

In education, we need to begin paying attention to matters routinely ignored. We spend long hours trying to teach a variety of courses on, say, the structure of government or the structure of the amoeba. But how much effort goes into studying the structure of everyday life — the way time is allocated, the personal uses of money, the places to go for help in a society exploding with complexity? We take for granted that young people already know their way around our social structure. In fact, most have only the dimmest image of the way the world of work or business is organized. Most students have no conception of the architecture of their own city's economy, or the way the local bureaucracy operates, or the place to go to lodge a complaint against a merchant. Most do not even understand how their own schools — even universities — are structured, let alone how much structures are changing under the impact of the Third Wave.

Perhaps I occasionally sought to give, or inadvertently gave, to the student a sense of battle on the intellectual battlefield. If all you do is to give them a faultless and complete and uninhabited architectural masterpiece, then you do not help them to become builders of their own.

I remember to this day how easily I could grasp what he called his tentative ideas when he talked about the architectural style of the capitalist era, a subject which he said had fascinated him since his own student days, speaking in particular of the compulsive sense of order and the tendency towards monumentalism evident in law courts and penal institutions, railway stations and stock exchanges, opera houses and lunatic asylums, and the dwelling built to rectangular grid patterns for the labor force.

The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.

A wonderful ferment was working in Germany. Life seemed more free, more modern, more exciting than in any place I had ever seen. Nowhere else did the arts or the intellectual life seem so lively. In contemporary writing, painting, architecture, in music and drama, there were new currents and fine talents. And everywhere there was an accent on youth. One sat up with the young people all night in the sidewalk cafés, the plush bars, the summer camps, on a Rhineland steamer or in a smoke-filled artist’s studio and talked endlessly about life. They were a healthy, carefree, sun-worshiping lot, and they were filled with an enormous zest for living to the full and in complete freedom. The old oppressive Prussian spirit seemed to be dead and buried. Most Germans one met—politicians, writers, editors, artists, professors, students, businessmen, labor leaders—struck you as being democratic, liberal, even pacifist.

The curious part was this: most students said that they knew that social life would be more important to their happiness than architecture, yet they still put greater weight on physical features. This is the standard mis-weighing of extrinsic and intrinsic values: we may tell each other that experiences are more important than things, but we constantly make choices as though we didn’t believe

When we think of an institution, we can usually see it as embodied in a building: the Vatican, the Pentagon, the Sorbonne, the Treasury, the Massachusetts Institute of Technology, the Kremlin, the Supreme Court. What we cannot see, until we become close students of the institution, are the ways in which power is maintained and transferred behind the walls and beneath the domes, the invisible understandings which guarantee that it shall reside in certain hands but not in others, that information shall be transmitted to this one but not to that one, the hidden collusions and connections with other institutions of which it is supposedly independent. When we think of the institution of motherhood, no symbolic architecture comes to mind, no visible embodiment of authority, power, or of potential or actual violence. Motherhood calls to mind the home, and we like to believe that the home is a private place. Perhaps we imagine row upon row of backyards, behind suburban or tenement houses, in each of which a woman hangs out the wash, or runs to pick up a tear-streaked two-year-old; or thousands of kitchens, in each of which children are being fed and sent off to school. Or we think of the house of our childhood, the woman who mothered us, or of ourselves. We do not think of the laws which determine how we got to these places, the penalties imposed on those of us who have tried to live our lives according to a different plan, the art which depicts us in an unnatural serenity or resignation, the medical establishment which has robbed so many women of the act of giving birth, the experts—almost all male—who have told us how, as mothers, we should behave and feel. We do not think of the Marxist intellectuals arguing as to whether we produce “surplus value” in a day of washing clothes, cooking food, and caring for children, or the psychoanalysts who are certain that the work of motherhood suits us by nature. We do not think of the power stolen from us and the power withheld from us, in the name of the institution of motherhood.

And that is why I would propose that, in our teaching of the humanities, we should emphasize the enduring creations of the past. The schools should stay as far from contemporary works as possible. Because of the nature of the communications industry, our students have continuous access to the popular arts of their own times - its music, rhetoric, design, literature, architecture. Their knowledge of the form and content of these arts is by no means satisfactory. But their ignorance of the form and content of the art of the past is cavernous.

Finland isn't just vast expanses of pristine wilderness. Vibrant cities stock the country's southern areas, headlined by the capital, Helsinki, an electrifying urban space with world-renowned design and music scenes. Embraced by the Baltic, it’s a spectacular ensemble of modern and stately architecture, island restaurants and stylish and quirky bars. And the ‘new Suomi’ epicurean scene is flourishing, with locally foraged flavours to the fore. Beyond Helsinki, Tampere and Turku in particular are lively, engaging cities with spirited university-student populations.

In the quest to create “safe schools,” students have become demoralized and criminalized. The presence of metal detectors, surveillance cameras, drug-sniffing dogs, harsh ticketing policies, and prison-inspired architecture has created a generation of students, usually poor and of color, who are always under surveillance and always under suspicion. These modes of controlling spaces and the youth within them normalize expectations of criminality, often fulfilled when everyday violations of school rules lead to ticketing, suspension, or worse, court summons and eventual incarceration—a direct path into the criminal justice system.…

It was when Maya showed me the benches at Gallaudet University that I started to glimpse sound—the physical structure of it, the elastic bounce of its travel. My friends who are deaf have always told me that sound also belongs to them—that hearing people are forever getting it wrong to imagine deafness as a “silent world”—but the benches were the thing that made this idea vividly real. They were a feature in the design at the scale of rooms at Gallaudet, alongside a dozen other architectural choices that a hearing person could easily miss. Maya had paused for a moment in our campus tour to point them out, standing in the middle of a big, airy common space lined with windows on three sides, the lobby of a dorm where many students study and socialize, alone or in groups. The benches serve as seating for nearby wood tables, sets that are interspersed with soft fabric chairs arranged 360 degrees around for discussion. “Wood is the best material for this kind of group seating,” she told me, and mimed lightly slapping the wood with her palm. The resonance of wood makes it reverberate when struck. Students sometimes tap or slap nearby surfaces to get one another’s attention or to call a group to order, she said, and materials like concrete or thick plastics tend to absorb the sound rather than scatter it productively.

NOTE: Practice your most effective relaxation techniques before you begin these exercises (refer to Chapter 6 if necessary). People are better able to concentrate when they are relaxed. Listening -Pay attention to the sounds coming from outside: from the street, from above in the air, from as far away as possible. Then focus on one sound only. -Pay attention to the sounds coming from a nearby room—the kitchen, living room, etc. Identify each one, then focus on a single sound. -Pay attention to the sounds coming from the room you are in: the windows, the electrical appliances. Then focus on one sound only. -Listen to your breathing. -Hear a short tune and attempt to re-create it. -Listen to a sound, such as a ringing doorbell, a knock on the door, a telephone ringing, or a siren. How does it make you feel? -Listen to a voice on the telephone. Really focus on it. -Listen to the voices of family members, colleagues, or fellow students, paying close attention to their intonation, pacing, and accent. What mood are they conveying? Looking -Look around the room and differentiate colors or patterns, such as straight lines, circles, and squares. -Look at the architecture of the room. Now close your eyes. Can you describe it? Could you draw it? -Look at one object in the room: chair, desk, chest of drawers, whatever. Close your eyes and try to picture the shape, the material, and the colors. -Notice any changes in your environment at home, at school, or in your workplace. -Look at magazine photos and try to guess what emotions the subjects’ expressions show. -Observe the effect of light around you. How does it change shapes? Expressions? Moods? Touching -When shaking a person’s hand, notice the temperature of the hand. Then notice the temperature of your own hand. -Hold an object in your hands, such as a cup of coffee, a brick, a tennis ball, or anything else that is available. Then put it down. Close your eyes and remember the shape, size, and texture of the object. -Feel different objects and then, with your eyes closed, touch them again. Be aware of how the sensations change. -Explore different textures and surfaces with your eyes first open and then closed. Smelling and Tasting -Be aware of the smells around you; come up with words to describe them. -Try to remember the taste of a special meal that you enjoyed in the past. Use words to describe the flavors—not just the names of the dishes. -Search your memory for important smells or tastes. -Think of places with a strong tie to smell. These sensory exercises are an excellent way to boost your awareness and increase your ability to concentrate. What is learned in the fullest way—using all five senses—is unlikely to be forgotten. As you learn concentration, you will find that you are able to be more in tune with what is going on around you in a social situation, which in turn allows you to interact more fully.

The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.

Al-Azhar mosque in El Hussein Square. One of Cairo’s oldest houses of worship, it once doubled as a university, renowned in Europe and throughout the Arab world for its scholarship. Standing on the footpath, Alex took a moment to admire the structure, named after Fatima al-Zahra, daughter of the Prophet Muhammad. Five minarets stretched toward the sky, each with balconies and intricately carved columns. There were six entrances. The main one now before him was built in the eighteenth century and known as Bab El Muzayini, the barber’s gate. Students had once been shaved there. The mosque was a potpourri of architectural styles, built piecemeal over its thousand-year history. But the overall effect was quite beautiful.

Although building science has been taught in schools of architecture for quite some time, the knowledge and understanding it encompasses are still not part of students’ and architects’ cognitive framework and design intuition.

Where people were once dazzled to be online, now their expectations had soared, and they did not bother to hide their contempt for those who sought to curtail their freedom on the Web. Nobody was more despised than a computer science professor in his fifties named Fang Binxing. Fang had played a central role in designing the architecture of censorship, and the state media wrote admiringly of him as the “father of the Great Firewall.” But when Fang opened his own social media account, a user exhorted others, “Quick, throw bricks at Fang Binxing!” Another chimed in, “Enemies of the people will eventually face trial.” Censors removed the insults as fast as possible, but they couldn’t keep up, and the lacerating comments poured in. People called Fang a “eunuch” and a “running dog.” Someone Photoshopped his head onto a voodoo doll with a pin in its forehead. In digital terms, Fang had stepped into the hands of a frenzied mob. Less than three hours after Web users spotted him, the Father of the Great Firewall shut down his account and recoiled from the digital world that he had helped create. A few months later, in May 2011, Fang was lecturing at Wuhan University when a student threw an egg at him, followed by a shoe, hitting the professor in the chest. Teachers tried to detain the shoe thrower, a science student from a nearby college, but other students shielded him and led him to safety. He was instantly famous online. People offered him cash and vacations in Hong Kong and Singapore. A female blogger offered to sleep with him.

By the end of my first year at the university (1938-39), the history of art professor organized a trip for his students to be sightseeing in Turkey, Greece and Egypt. We were supposed to study especially the Hadjia Sophia Mosque in Istanbul, the pyramids in Egypt and the many architectural sights in Greece. The trip was supposed to take place in September, 1939. I had registered for the student trip abroad, in the company of friendly colleagues. As a preparation for the boat crossings, I had a tailor make for me a rain jacket, with a woolen buttoned-in lining. We were supposed to travel by boat from Constan ta, a Black Sea port in Romania. That trip never materialized since World War II broke out on September 1, 1939. The only good that came of these preparations was the jacket, which did me great duty during the war years.

The alienation of Americans from the democratic process has also eroded knowledge of the most basic facts about our constitutional architecture of checks and balances. When the Annenberg Public Policy Center at the University of Pennsylvania conducted a broad survey on our Constitution, released in September 2006, they found that more than a third of the respondents believed the executive branch has the final say on all issues and can overrule the legislative and judicial branches. Barely half—53 percent—believed that the president was required to follow a Supreme Court decision with which he disagreed. Similarly, only 55 percent of those questioned believed that the Supreme Court had the power to declare an act of Congress unconstitutional. Another study found that the majority of respondents did not know that Congress—rather than the president—has the power to declare war. The Intercollegiate Studies Institute conducted a study in 2005 of what our nation’s college students knew about the Constitution, American government, and American history that provoked the American Political Science Association Task Force on Civic Education to pronounce that it is “axiomatic that current levels of political knowledge, political engagement, and political enthusiasm are so low as to threaten the vitality and stability of democratic politics in the United States.” The study found that less than half of college students “recognized that the line ‘We hold these truths to be self-evident, that all men are created equal’ is from the Declaration of Independence.” They also found that “an overwhelming majority, 72.8 percent, could not correctly identify the source of the idea of ‘a wall of separation’ between church and state.” When the John S. and James L. Knight Foundation conducted a survey of high school students to determine their feelings toward the First Amendment, they found that “after the text of the First Amendment was read to students, more than a third of them (35 percent) thought that the First Amendment goes too far in the rights it guarantees. Nearly a quarter (21 percent) did not know enough about the First Amendment to even give an opinion. Of those who did express an opinion, an even higher percentage (44 percent) agreed that the First Amendment goes too far in the rights it guarantees.” The survey revealed that “nearly three-fourths” of high school students “either don’t know how they feel about [the First Amendment] or they take it for granted.

People come, students and everyone else, to be inspired by the biennale. They expect to see architecture as a kind of seismograph of where we are.

with a 40-second “microbreak” in between. Students who looked at the picture of flowers and grass between the first and second trials made fewer errors than those who looked at the concrete roof. The researchers speculated that the most likely explanation for the difference was that the natural scene stimulated both “sub-cortical arousal” (desire dopamine) and “cortical attention control” (control dopamine). A reporter from the Washington Post who commented on the study noted that “urban rooftops covered with grasses, plants and other types of greenery are becoming increasingly popular around the world . . . [Facebook] recently installed a massive 9-acre green roof at its office in Menlo Park, California.” That approach to architecture, using H&N stimulation to activate dopamine, is not only good for the soul—it may also be good for the bottom line.

Fredi had always focused on getting kids excited to learn. He cared less about covering the required curriculum and more about finding hands-on projects. To many students, school felt sterile and bureaucratic. Fredi’s music was just one way he tried to change the ambience. It didn’t necessarily matter if they liked it. It was enough to be different. He also fought for unstructured time in the school day. When he arrived at Carl Hayden in 1987, he started a class called Science Seminar. There was no curriculum. Fredi just told students to find something fun to build or an idea to test. Over the years, students had embarked on a variety of unusual projects. One student tried to teach color-blind rats the differences among colors. Another student constructed a 1:60 clay model of downtown Phoenix, placed it in a wind tunnel, and blew carbon dioxide across it. The goal: determine how architecture could be used to increase air circulation and help dissipate trapped air pollution. Fredi’s room became the refuge of tinkerers, inventors, and frustrated dreamers.

No one here ever tells us out loud that we Etonians are natural leaders: that is what the architecture is for. In one of the rooms, where students gather now and then, I find the mounted bust of every boy who has gone on to be the leader of the country. My boarding houses look like government buildings.

The then-teenager was blown away by the curvaceous, modernist design of Temple’s student-activities center—so much so that it made him want to learn more about architecture.

My time at Burberry Preparatory Academy is over, and with it, ends this chapter of my life. Marnye Reed, scholarship student, daughter of Charlie and Jennifer, honor roll enthusiast, lover of old architecture and boring historical facts.

For architecture and engineering lessons, Ron had his students create blueprints for a house. When he required them to do at least four different drafts, other teachers warned him that younger students would become discouraged. Ron disagreed—he had already tested the concept with kindergarteners and first graders in art. Rather than asking them to simply draw a house, he announced, “We’ll be doing four different versions of a drawing of a house.” Some students didn’t stop there; many wound up deciding to do eight or ten drafts. The students had a support network of classmates cheering them on in their efforts. “Quality means rethinking, reworking, and polishing,” Ron reflects. “They need to feel they will be celebrated, not ridiculed, for going back to the drawing board. . . . They soon began complaining if I didn’t allow them to do more than one version.

As students in the 1950s we were conditioned into despising the excesses of baroque/rococo architecture; that is, until we were reprogrammed by Nikolaus Pevsner in his Slade lectures at Cambridge.

Zen is Buddhism made simple again. The robes worn by Zen priests are plain black affairs (unlike the colorful getups favored by the Tibetans and their other Buddhist cousins), and even after receiving Transmission, the Zen master's daily dress is a dull brown robe. You can sit anywhere; Dogen Zenji said that the heart is the real zendo. This informs temple architecture. Plainness here is neither false humility nor a facade. It is true to the bone. Skeletal beams and rafters are seamlessly joined; they are not nailed or screwed into place; they are made to fit together. Inside a zendo, there is mostly open space, dimly lit, with a small central altar and a tan, a two-foot-high wooden platform built around the perimeter, where meditators sit on plain black cushions, facing the wall. There are few ceremonial objects—the teacher's staff, a stick of incense burning in a bowl—and it is rare to run into more than one or two bronze or wooden Buddhas. Zen rituals are spare, too. Music is reduced to an isolated ding or bong of a bell, the flat report of a mallet tapped against a slab of wood, and a thrumming bang from a giant bass drum. Even the chanting is monochromatic; students pitch their voices toward the deep, dark end of the register and grumble in unison.

an architecture professor had offered that one of the ways he tries to help his students overcome blind spots, whether related to subtraction or not, is by requiring them to come up with five, ten, or even fifty conceptual changes to the problem at hand. Only then are students allowed to choose their preferred change to develop more fully.

ROME AND OURSELVES Rome is a bazaar in full swing, and a picturesque one. There you find every sort of horror (see the four reproductions here given) and the bad taste of the Roman Renaissance. We have to judge this Renaissance by our modern taste, which separates us from it by four great centuries of effort, the 17th, 18th, 19th, and 20th. We reap the benefit of this endeavour; we judge hardly, but with a warrantable severity. These four centuries are lacking at Rome, which fell asleep after Michael Angelo. Setting foot once again in Paris, we recover our ability to judge. The lesson of Rome is for wise men, for those who know and can appreciate, who can resist and can verify. Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life. The Grand Prix de Rome and the Villa Medici are the cancer of French architecture.

There may be people to whose tempers and dispositions Contention may be pleasing,” he wrote to John Randolph in 1775, “but to me it is of all states, but one, the most horrid.” He much preferred “to withdraw myself totally from the public stage and pass the rest of my days in domestic ease and tranquillity, banishing every desire of afterwards even hearing what passes in the world.” The most astute student of Jefferson’s lifelong compulsion to make and then remake Monticello into a perfect palace and a “magical mystery tour of architectural legerdemain” has concluded that Jefferson’s obsessive “putting up and pulling down” are best understood as a form of “childhood play adapted to an adult world.” Both the expectations that Jefferson harbored for his private life in his mansion on the mountain, as well as his way of trying to design and construct it, suggested a level of indulged sentimentality that one normally associates with an adolescent.21

A lover of cities is usually polygamous. So let's admit that Paris is hardly the only European city with stunningly seductive architecture, food, babble, and traditions of leisure. And, as for ancient credentials, it can't compare with, say, Rome. But no city has offered such a spectrum of imagined and, sometimes, real fulfillments. Exile's Paris, drinker's Paris, artist's Paris, student's Paris, champion moviegoer's Paris, sexual quester's Paris . .. the Paris offered to the imagination of foreigners was like water, filling every form.

Lasticity is at once an outcome, a process, a goal, a trait, a characteristic, a construct, and an architecture to facilitate and foster breakaway student success. But those descriptors do not do justice to lasticity’s meaning, because it is also a catalyst for culture change.

Rooms For Rent Atlanta That Cater To Your Personal Growth Are you looking for just the right room to rent? Maybe you have the resources you need to find it yourself. After all, this is the age of the search engine, and plenty of information is available to anyone who seriously looks for it. There is a wide variety of choice, so you can concentrate only on those homes that might potentially be for you. There are plenty of advantages to occupying rooms for rent atlanta. You save a lot of money paying only part of the expenses you would normally pay for when you have a house of your own. This is because you only have to pay your share of the rent, water, electricity and heat bills. But there are disadvantages to house share too. Conflicts can arise when you live in house that is not yours, especially if you rent a room in a house where the other residents are from a different background than yours. Having a nice place to stay can even help your physical health, and it surely affects your mental health. You may find a place also that comes with furniture already in it. This would allow you to get by with spending less on not only the furniture but the transportation too. Sometimes you can actually save money finding rooms for rent atlanta in the country. This depends on how often you plan to visit the city. If you have a job you can do from home, or if you are retired and collecting benefits, then there is no real reason for you to pay the extra money to live in the city. Of course there are many choices you need to make while you are searching for a room. Some people just do not enjoy living alone. Renting an entire apartment to oneself can, indeed, be a lonely experience. For those who want an easy opportunity to socialize, then, renting a room is a great option. It is little wonder that so many houses on campuses around the country are full of young students renting rooms - its partly for convenience, and definitely partly for the chance to be among others their own age. Renting a room provides the chance to be among one’s peers. There are many more benefits, but perhaps the biggest and best is the advantage of not being locked into something for life. Room rentals can be very appealing, and they can complement the kind of lifestyle you want and deserve. If you want to find the spirit or soul of a city, move right in with its inhabitants. You may benefit socially by taking a couple of classes at the local college. You might try looking for rooms for rent atlanta where there are games, indoor or outdoor. This is a great way to meet people and get started in your new life. Depending on the weather, you might want a pool or access to a gym or tennis courts. Maybe you are attracted to the kind of community that has stunning architecture and green trees and plants. There may be a certain type of street design that appeals to you.

Education was still considered a privilege in England. At Oxford you took responsibility for your efforts and for your performance. No one coddled, and no one uproariously encouraged. British respect for the individual, both learner and teacher, reigned. If you wanted to learn, you applied yourself and did it. Grades were posted publicly by your name after exams. People failed regularly. These realities never ceased to bewilder those used to “democracy” without any of the responsibility. For me, however, my expectations were rattled in another way. I arrived anticipating to be snubbed by a culture of privilege, but when looked at from a British angle, I actually found North American students owned a far greater sense of entitlement when it came to a college education. I did not realize just how much expectations fetter—these “mind-forged manacles,”2 as Blake wrote. Oxford upholds something larger than self as a reference point, embedded in the deep respect for all that a community of learning entails. At my very first tutorial, for instance, an American student entered wearing a baseball cap on backward. The professor quietly asked him to remove it. The student froze, stunned. In the United States such a request would be fodder for a laundry list of wrongs done against the student, followed by threatening the teacher’s job and suing the university. But Oxford sits unruffled: if you don’t like it, you can simply leave. A handy formula since, of course, no one wants to leave. “No caps in my classroom,” the professor repeated, adding, “Men and women have died for your education.” Instead of being disgruntled, the student nodded thoughtfully as he removed his hat and joined us. With its expanses of beautiful architecture, quads (or walled lawns) spilling into lush gardens, mist rising from rivers, cows lowing in meadows, spires reaching high into skies, Oxford remained unapologetically absolute. And did I mention? Practically every college within the university has its own pub. Pubs, as I came to learn, represented far more for the Brits than merely a place where alcohol was served. They were important gathering places, overflowing with good conversation over comforting food: vital humming hubs of community in communication. So faced with a thousand-year-old institution, I learned to pick my battles. Rather than resist, for instance, the archaic book-ordering system in the Bodleian Library with technological mortification, I discovered the treasure in embracing its seeming quirkiness. Often, when the wrong book came up from the annals after my order, I found it to be right in some way after all. Oxford often works such. After one particularly serendipitous day of research, I asked Robert, the usual morning porter on duty at the Bodleian Library, about the lack of any kind of sophisticated security system, especially in one of the world’s most famous libraries. The Bodleian was not a loaning library, though you were allowed to work freely amid priceless artifacts. Individual college libraries entrusted you to simply sign a book out and then return it when you were done. “It’s funny; Americans ask me about that all the time,” Robert said as he stirred his tea. “But then again, they’re not used to having u in honour,” he said with a shrug.

Thus the continuation of the master tutor and willing servant students, the privileging of the visual, the inculcation of absurd modes of behaviour (sleep deprivation, aggressive defensiveness, internal competition), the raising of individuals on to pedestals, all these and more self-perpetuate in schools of architecture around the world, a strange form of interbreeding with tutors passing the architectural gene to students who in turn become tutors who perform the same rituals.

A student of Syrian affairs soon becomes used to paradox. A comparatively small country, narrowly chauvinistic and jealous of its national sovereignty, Syria is nevertheless the repository, and has often been the origin, of oecumenical and transcendental ideas about Arab unity. Its society is one of the most heterogeneous in the Middle East and yet its leaders have been the proponents of a radical integrative political movement: Arab Nationalism. It has kindly and hospitable inhabitants, but it is also a police state where a man can be locked up indefinitely without a trial. Your Syrian friends are your friends for life, but a curious current of xenophobia runs through the country. Syrians love culture and natural beauty, but the ugliness of many Syrians towns and their architecture has to be seen to be believed.

Continue your asking as you move forward and discover your knowing. Asking and knowing are essentially one and the same energy, for the one that mirrors Source is forever the student and always the master. Source is innocent, the ultimate explorer of reality and it seeks to know itself. Yet Source is all knowing, there is nothing it does not know. A paradox indeed. Embracing these paradoxes is your way to expansion.

Once designers start to look for patterns, they start noticing them everywhere. So, the goal of teaching students how to engage is design research is as much about verifying the validity of those patterns as it is about identifying them in the first place.

Pop music does not throw the same cultural weight it once did; its ideas and challenges are no longer central to social movements. In the UK and US, ruinously expensive tuition fees and cuts to art education have narrowed the range of class backgrounds that art students are coming from. But the magpie cultural education that pop music provided has left a strong legacy ... Postmodernism, and all its liquid games of reference, was not just an idea incubated by the art gallery, the academy, or the architecture studio; it came from pop’s intellectual permissiveness. The pretensions of individuals from all walks of life—their ambition, their curiosity, their desires to make the world around them a more interesting place—is cultural literacy in action.

Except for practices that incorporate design as the way they practice—for example, architecture and engineering—the art of design is not incorporated into students’ experiences in schools, despite its superiority in many situations, even to such analytical problem solving as scientists employ. The power of design as an instrument of learning is almost completely overlooked by the educational system. For example, the best way to learn how an automobile (or any other mechanism) works and to gain understanding of why it works the way it does is to design one. Moreover, it is in design that people learn what they want.

This was true of any and every aspect of knowledge; you figured out how to learn it, and you exposed yourself to people who were willing to make their understanding public if you thought it could be a worthwhile part of your endeavor. That is the basis for the formation of universities in the Middle Ages—places where thinkers were willing to spend their time making their thoughts public. The only ones who got to stay were the ones whom other people (“students”) found relevant enough to their own personal quests to make listening to them worthwhile. By the way, this attitude toward teaching has not disappeared. When quantum theory was being developed in the second quarter of the twentieth century, aspiring atomic physicists traveled to the various places where different theorists were developing their thoughts, often in radically different directions. Students traveled to Bohr’s institute to find out how he viewed quantum theory, then to Heisenberg, to Einstein, to Schrodinger, to Dirac, and so on. What was true of physics was equally true of art, architecture...you name it. It is still true today. One does not go to Pei to learn “architecture”; one goes to learn how he does it—that is, to see him “teach” by telling and showing you his approach. Schools should enable people to go where they want to go, not where others want them to. The

Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo

oan Hilliard could feel the smile on her face as she stepped from her car. Not the best wheels, but they were hers, a token of four years spent working in a brokerage firm. Joan had always wanted to be a teacher, but she had finished college at the wrong time. To her great disappointment, she couldn’t land a teaching position. She had still wanted her own classroom but decided that any job was better than nothing. The brokerage firm paid well, and she felt better for the experience. She had learned about herself, how to work with other adults, and what life at work was all about. Above all, she felt more confident. She had learned to cope in a demanding and stressful adult environment. That experience ought to help in a classroom of kids. She was delighted to get a teaching assignment at Pico School. It looked like a friendly place from the outside. The surrounding neighborhood was in decline, but Pico boasted green lawns, welltrimmed shrubbery, and large, lattice-paned windows. Built in the 1950s, it had the architectural charm that Joan remembered from the schools of her childhood. As she walked through the arched entryway, she noticed the vaguely familiar smells of new wax and summer mustiness. As she turned down the corridor leading to the principal’s office, she ran into a tall, broad-shouldered man with hands on hips, scrutinizing the newly polished sheen on the floor. This had to be the custodian, admiring his work before hundreds of students’feet turned it into a mosaic of scuff marks. As she moved closer, he looked up and smiled as if he had

Organization systems present the site’s information to us in a variety of ways, such as content categories that pertain to the entire campus (e.g., the top bar and its “Academics” and “Admission” choices), or to specific audiences (the block on the middle left, with such choices as “Future Students” and “Staff”). Navigation systems help users move through the content, such as with the custom organization of the individual drop-down menus in the main navigation bar. Search systems allow users to search the content; when the user starts typing in the site’s search bar, a list of suggestions is shown with possible matches for the user’s search term. Labeling systems describe categories, options, and links in language that (hopefully) is meaningful to users; you’ll see examples throughout the page (e.g., “Admission,” “Alumni,” “Events”).