Architects Famous Quotes

That’s what happens in our hearts. The holes do not disappear, but scar tissue grows and becomes part of who we are. The same takes place in nature. As the famous Spanish architect Antoni Gaudi observed, 'There are no straight lines or sharp corners in nature.' The most stable structures in nature— like trees or spiderwebs— have angular and curved lines. As our hearts grow larger, and we learn that scar tissue is not so ugly after all, we accommodate what we had thought would be unendurable. And we realize that the wisdom we have gained would not have been possible without the losses we have known, even those that seemed impossible to bear.

Finland is world-famous for its architects and decorators, who know how to produce beautiful effects in simple ways. On my first visit to Finland, I remember being invited into the living room of one of my host’s homes, and immediately thinking to myself, “This is the most beautiful room that I’ve ever seen!” On reflection, I then wondered why I found it so beautiful, because the room was a nearly-empty cubicle with just a few pieces of simple furniture. But the materials and form of the room, and those few pieces of furniture, were typically Finnish in their simplicity and beauty

It infuriates him, this killing, this death. Infuriating that this is what we’re known for now, drug cartels and slaughter. This my city of Avenida 16 Septembre, the Victoria Theater, cobblestone streets, the bullring, La Central, La Fogata, more bookstores than El Paso, the university, the ballet, garapiñados, pan dulce, the mission, the plaza, the Kentucky Bar, Fred’s—now it’s known for these idiotic thugs. And my country, Mexico—the land of writers and poets—of Octavio Paz, Juan Rulfo, Carlos Fuentes, Elena Garro, Jorge Volpi, Rosario Castellanos, Luis Urrea, Elmer Mendoza, Alfonso Reyes—the land of painters and sculptors—Diego Rivera, Frida Kahlo, Gabriel Orozco, Pablo O’Higgins, Juan Soriano, Francisco Goitia—of dancers like Guillermina Bravo, Gloria and Nellie Campobello, Josefina Lavalle, Ana Mérida, and composers—Carlos Chávez, Silvestre Revueltas, Agustín Lara, Blas Galindo—architects—Luis Barragán, Juan O’Gorman, Tatiana Bilbao, Michel Rojkind, Pedro Vásquez—wonderful filmmakers—Fernando de Fuentes, Alejandro Iñárritu, Luis Buñuel, Alfonso Cuarón, Guillermo del Toro—actors like Dolores del Río, “La Doña” María Félix, Pedro Infante, Jorge Negrete, Salma Hayek—now the names are “famous” narcos—no more than sociopathic murderers whose sole contribution to the culture has been the narcocorridas sung by no-talent sycophants. Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high.

Restorative nostalgics don’t just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to “rebuild the lost home and patch up the memory gaps.” Many of them don’t recognize their own fictions about the past for what they are: “They believe their project is about truth.” They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don’t acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don’t want to act out roles from the past because it amuses them: they want to behave as they think their ancestors did, without irony.

At the entrance of the gardens, Lauren approached the two large bronze buffalos, replicas of buffalo statues that were displayed during the World’s Columbian Exhibition in 1893. The event was meant to celebrate Columbus’ arrival in the New World in 1492. The fair was so spectacular that people still talk about it today, the fourteen great buildings constructed by famous architects. There were fairgrounds of wonder and mystery, science and invention, but almost all of it was temporary, temporary buildings, canals and lagoons. Over twenty-seven million people visited Chicago in those six months during the fair and took with them to their small rural towns, cities across America and country’s far away the stories of a great city on a prairie, a great people, and all of the magic that lives there.

Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.

And so part of the declaring of love means you are working to a commission, now. You are not the sole architect of the person you are building. Someone else is looking over your blueprints--nodding, enthusiastically,over this turret--so you build the turret bigger! and remaining tactfully silent over an ostentatious fountain, which you immediately and silently scrap. You have entered a new world--in which there are two opinions on what will make the very best you. And if your partner is wise, and kind, and has the same taste as you, you will make amazing things together. And if your partner is broken, or impatient, or has darker needs--is unknowingly trying to build you in the shape of another woman he once knew, and lost; is trying to lean into your foundations to make his own stronger--you will make something with rotten walls, and impossible angles, which will, one day in the future, collapse. But that is all part of becoming an adult. That is the difference between girls and women. That they are finally ready to hear the secret of what makes them them,. That they are strong enough--for good, or for ill--to ask someone what is, unexpectedly,the most terrifying, relevatory question, on Earth; one you have to be brave, and ready, to hear: "Why do you love me?

While there are deeper regularities in the Universe than the simple circumstances we generally describe as orderly, all that order, simple and complex, seems to derive from laws of Nature established at the Big Bang (or earlier), rather than as a consequence of belated intervention by an imperfect deity. “God is to be found in the details” is the famous dictum of the German scholar Aby Warburg. But, amid much elegance and precision, the details of life and the Universe also exhibit haphazard, jury-rigged arrangements and much poor planning. What shall we make of this: an edifice abandoned early in construction by the architect? The evidence, so far at least and laws of Nature aside, does not require a Designer. Maybe there is one hiding, maddeningly unwilling to be revealed. Sometimes it seems a very slender hope. The significance of our lives and our fragile planet is then determined only by our own wisdom and courage. We are the custodians of life’s meaning. We long for a Parent to care for us, to forgive us our errors, to save us from our childish mistakes. But knowledge is preferable to ignorance. Better by far to embrace the hard truth than a reassuring fable. If we crave some cosmic purpose, then let us find ourselves a worthy goal. --Pale Blue Dot: A Vision of the Human Future in Space

Reflective nostalgics miss the past and dream about the past. Some of them study the past and even mourn the past, especially their own personal past. But they do not really want the past back. Perhaps this is because, deep down, they know that the old homestead is in ruins, or because it has been gentrified beyond recognition--or because they quietly recognize that they wouldn't much like it now anyway. Once upon a time life might have been sweeter or simpler, but it was also more dangerous, or more boring, or perhaps more unjust. Radically different from the reflective nostalgics are what Boym calls the restorative nostalgics, not all of whom recognize themselves as nostalgics at all. Restorative nostalgics don't just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to "rebuild the lost home and patch up the memory gaps." Many of them don't recognize their own fictions about the past for what they are: "They believe their project is about truth." They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don't acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don't want to act out roles from the past because it amuses them: they want to behave as think their ancestors did, without irony. It is not by accident that restorative nostalgia often goes hand in hand with conspiracy theories and the medium-sized lies. These needn't be as harsh or crazy as the Smolensk conspiracy theory or the Soros conspiracy theory; they can gently invoke scapegoats rather than a full-fledged alternative reality. At a minimum, they can offer an explanation: The nation is no longer great because someone has attacked us, undermined us, sapped our strength. Someone—the immigrants, the foreigners, the elites, or indeed the EU—has perverted the course of history and reduced the nation to a shadow of its former self. The essential identity that we once had has been taken away and replaced with something cheap and artificial. Eventually, those who seek power on the back of restorative nostalgia will begin to cultivate these conspiracy theories, or alternative histories, or alternative fibs, whether or not they have any basis in fact.

One famous (and perhaps apocryphal) story tells of how he, while testifying in court, was asked by an official to identify himself. Wright responded by declaring that he was the greatest architect in the world. His response, when asked how he could make such a statement, was that he had no choice – he was under oath.

You didn't have to go back far to recall a culture that said: Yes, we like a drink at lunchtime. The political culture, he meant—Peter Judd was well aware that the culture in general was chucking booze down its neck like a mental hobo. But the political culture, meaning Westminster, had cleaned up its act since the millennium, a shift in which Judd himself had played no small part. A public disavowal of some of the more famous extravagances of his youth had, near as damn it, established a party line, or at least had drawn a line across which his party didnt dare tread... Once the House's reputation for being more or less sober during daylight hours had been salvaged, and his own status as architect of the "New Responsibility" (copyright, some broadsheet reptile) safely established, Judd was happy to revert to drinking at lunchtime when he felt like it.

Do not call attention to yourself with silly gestures. Do not believe that the joy of everyone in your proximity depends on you. Do not fear that one of them might be bored, in pain, or yearning for a list of famous local architects that you must volubly supply. Do not disgorge personal data to invoke an aura of mutual trust. Do not ask anyone their dearest wish or what they would like their last meal to be. Do not try too hard. Do not riff.

McDonald’s has successfully used the famous golden yellow arches and red motif designed by architect Stanley Meson when founder Ray Kroc opened his first restaurant on April 15, 1955, in Chicago suburb Des Plaines, Illinois. The cheerful yellow and speedy red color formula helps create a happy eating experience while increasing table turnover. Warm colors, such as red, orange, and yellow — which are connected to the lower chakras that involve digestion, motivation, and hunger — have been found to stimulate the need to eat. Other restaurants use the magnifying, expansive “red prana effect” to increase table turnover while escalating the bill by elevating the volume level of sound in restaurants, which causes people to eat faster, drink more, and leave sooner.

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

I was also aware of three other historically important Christians whose apparently obsessive-compulsive symptoms had become a source of latter-day psychiatric speculation. They were Martin Luther, architect of Europe’s sixteenth-century Reformation and a figure of incomparable importance in the history of Western civilization; Ignatius of Loyola, Luther’s famous adversary, founder of the Catholic order known as the Jesuits and leader of the Counter-Reformation; and Alphonsus Liguori, a nineteenth-century Catholic saint who is renowned for his contributions to the field of moral theology.

Legends of Bangladesh - A bunch of pure souls who achieved the glory for a country, Bangladesh, will remember forever as the legends of the nation. The world will know them for their work, sacrifice, love and mostly commitment to give best to their country until last breath. Some of them are famous for writing, some are journalism, Actor movie directors, sportsmen, cricketer, Footballer, economist, scientist, photographer, singer, businessman, martyr, architect, magician and so on. Its not enough to salute and remember them, nationwide respect and acknowledgment with proper mind will fulfill their destiny of making a golden country with all those hard work.

In many respects, the skill set of an artist is similar to that of a programmer. Michelangelo was the archetypal renaissance man: a painter, sculptor, architect, poet, and engineer. Perhaps he would have made an incredible programmer. When asked about how he created one of his most famous works, the statue of David, he said: I looked into the stone and saw him there, and just chipped away everything else. Is that what you do? Do you reduce and remove the complexities of the problem space, chipping them all away until you reach the beautiful code you were aiming for?

Wright is an interesting study of a superstar architect having both right and wrong influence. “All Architecture, worthy the name,” he decreed in 1910, “will, henceforward, more and more be organic.”12 So inspired by Viollet-le-Duc and Louis Sullivan, he inspired countless others (including young me) toward an organic approach to architecture. At the same time, the very pomposity of his decrees helped inflame a fatal egotism in generations of architects, and his most famous buildings belie his organic ideal. They were so totally designed—down to the screwheads all being aligned horizontally to match his prairie line—that they cannot be changed. To live in one of his houses is to be the curator of a Frank Lloyd Wright museum;

Republican-controlled bank in the city. Plenty of Republicans were inherently suspicious of banks, but many would welcome the opportunity to use one that didn’t require them to get into bed with their political enemies.   Hamilton was infuriated when he realized how Burr had used him. Once the company had received its charter, it abandoned all pretense of providing the city with clean water, instead laying in a pipe system that transported the contaminated well water around the city. This incident perhaps marked the turning point in Hamilton’s relationship with Burr; friendly despite their political differences, the most famous duel in American history lay in their future, and only one of them would survive it.     The

As technologists, developers and architects like to solve technical problems, not people problems. However, as Gerald Weinberg was famous for saying, “no matter what they tell you, it’s always a people problem.

That's his perception of reality," Nenad responded. "He has adopted it as his interpretation and cannot break free from it, and probably doesn't even consider doing so. In fact, we too are unable to escape his worldview as it partly is our own. However, when faced with the choice between the cat and the belt, I choose the cat. It's not doomed, it's not poisoned, and it can be easily removed by hand from the engine, even if it comes at a financial cost. I have enough space in my cage for its rescue. I can imagine that within its mind, this engine has become a prison for his hopes of salvation. Overcoming our phobias of losing money in the pursuit of something else, even in small amounts, is healthy. A ground strap costs nothing, and though it may require a bit of time in a repair shop, in this day and age, we are used to wasting our time for far less. The reality of our daily lives is filled with every online distraction, like a sheet riddled with holes from moths that we wrap ourselves in out of habit without even noticing. It’s so comforting. At first, you embrace what everyone else does, what you are told to think. But eventually, you come to the realization that you have the power to dictate your thought patterns and become the architect of your ideology. You can construct a personal propaganda machine that aligns with your values and desires, creating a unique model of the world that is entirely your own. Your mind is still going to be a box in one of the billions of drawers, but it’s going to be YOUR box. Your true home. Manipulate yourself. We should manipulate ourselves towards common sense, compassion, and hope that we’ll get a good batch of people at some point so we can live among more like-minded peers. Now it’s up to our online feed. Now the education in our phone holds the reins, encapsulated in the three-second video of someone's take on history, the five-second clip of fitness models or investment strategies. And if we're fortunate, some famous person would quote Epictetus' Discourses, perhaps echoing the wisdom of Dostoevsky, Camus, Kafka, Marcus Aurelius, Sartre, etc. This is our chance for us to avoid descending into mere survival instincts without the tempering influence of morality and an understanding of the absurdity that we have created around us. To get addicted to the freedom in our minds. OR to choose the ground strap, choose to sacrifice someone else’s life so we can preserve our resources, because that’s what greed is, on a deep ancient level it’s you hoarding resources the same way a squirrel does with its winter supplies. Choose to be a squirrel rather than a human and live off your acorns. Choose to kill the cat. Choose not to ruin your precious machine. Choose the current model of society and disappear in it like a pelican getting caught in an airplane engine. Perhaps responsibility is the first and maybe even the only synonym for human purpose. Of course, there is value in the small moments we experience, but they lack foundation if they don’t fit into the break from working on something meaningful.

Still, it was hard not to be impressed by the names who would be involved. Present in the room that day were William Pedersen, co-founder of the high-rise titans Kohn Pedersen Fox; David Childs, partner at the juggernaut Skidmore Owings and Merrill, who had designed Time Warner Center; Elizabeth Diller, from the “cerebral boutique” Diller Scofidio + Renfro, whose visions had informed the High Line; David Rockwell, a “virtuoso of showbiz and restaurant design”; Howard Elkus, from the high-end shopping-center specialists Elkus Manfredi; and landscape architect Thomas Woltz.

The formal annexation of the Crimea to the Russian Empire took place in 1783, with the Russian army entering the peninsula and sending the last Crimean khan into exile in central Russia. Bezborodko, by then a leading architect of Russian foreign policy, played an important role in this development. He was also an author of the so-called Greek Project, a plan to destroy the Ottoman Empire and establish a new Byzantium under Russian control, as well as to create Dacia, a new country on the Danube consisting of Moldavia and Wallachia. The project never came to fruition, but its echoes still resonate in the Greek names given by the imperial authorities to the Crimean towns, including Simferopol, Yevpatoria, and the most famous of them, Sevastopol—the Russian naval base established on the peninsula two years after its annexation.

AT THE END of the eighteenth century London was well into the mad, technology-driven expansion that would only stop with the establishment of the Metropolitan Green Belt in the 1940s. Since then, developers have gnashed their teeth and looked enviously back on a time when a man armed only with his own wits and a massive inherited estate could shape the very fabric of the capital. Times like when the fifth Duke of Bedford found his country house surrounded on three sides by Regency London, and decided there was nothing for it but to dig up the old back garden and rake in a ton of cash. He enlisted the legendary architect and developer James Burton, who had a thing for elegant squares, the newfangled long windows in the French style, and vestigial balconies with wrought iron decorative railings. The only carbuncle on the road to progress was the weird group of gentlemen who’d taken to meeting in the faux medieval tower that an earlier duke caused to be built to add some drama to his garden. These gentlemen were in the nature of a secret society, although they seemed well favored by certain members of court—particularly Queen Charlotte. In return for being allowed to demolish the tower, James Burton agreed to incorporate a magnificent mansion into the terrace along the southern side of the square. It would be built after the style of White’s—the famous gentlemen’s club—and include a demonstration room, library, dining hall, reading room, and accommodation for visiting members. The central atrium was so impressive it’s thought to have inspired Sir Charles Barry in his design of the more famous Reform Club forty years later. And so the Folly was born. And all of this at below market cost.

the campus of Florida Southern College in Lakeland are ten buildings designed by Frank Lloyd Wright, the most of the master’s work collected in one spot. Architects rave about Miami Beach’s iconic Fontainebleau Hotel with its famous curve, the palm-in-the-hole Atlantis condo in Miami, and the tin-roof cool of the Panhandle town of Seaside.

It was only after World War II that Stanford began to emerge as a center of technical excellence, owing largely to the campaigns of Frederick Terman, dean of the School of Engineering and architect-of-record of the military-industrial-academic complex that is Silicon Valley. During World War II Terman had been tapped by his own mentor, presidential science advisor Vannevar Bush, to run the secret Radio Research Lab at Harvard and was determined to capture a share of the defense funding the federal government was preparing to redirect toward postwar academic research. Within a decade he had succeeded in turning the governor’s stud farm into the Stanford Industrial Park, instituted a lucrative honors cooperative program that provided a camino real for local companies to put selected employees through a master’s degree program, and overseen major investments in the most promising areas of research. Enrollments rose by 20 percent, and over one-third of entering class of 1957 started in the School of Engineering—more than double the national average.4 As he rose from chairman to dean to provost, Terman was unwavering in his belief that engineering formed the heart of a liberal education and labored to erect his famous “steeples of excellence” with strategic appointments in areas such as semiconductors, microwave electronics, and aeronautics. Design, to the extent that it was a recognized field at all, remained on the margins, the province of an older generation of draftsmen and machine builders who were more at home in the shop than the research laboratory—a situation Terman hoped to remedy with a promising new hire from MIT: “The world has heard very little, if anything, of engineering design at Stanford,” he reported to President Wallace Sterling, “but they will be hearing about it in the future.

Jorge Giordani, a seventy-six-year-old electronics engineer and the main architect of Venezuela’s economic policies under Chávez—known as “the Monk” for his ascetic ways and almost religious devotion to orthodox leftist ideas—famously admitted that US$20 billion, or one-third of the country’s total import bill, was lost to obscure enterprises in 2012 alone.

Pope Julius II commissioned an architect by the name of Donato Bramante to do the work. Though it wouldn’t be until 1626, another 120 years before the work would be completed. Bramante died in 1514 and four other architects would work on the buildings. Namely Baldassare Peruzzi, Antonio Sangallo, Raphael and of course the most famous of them all, Michaelangelo.

The Century was a high-speed luxury train, used by the rich and famous traveling between Chicago and New York. Sportscaster Bob Elson set up a microphone in Chicago’s LaSalle Street Station and tried to intercept well-knowns for spontaneous interviews. Among the celebrities who appeared were Rita Hayworth and Eleanor Roosevelt, but architect Frank Lloyd Wright brushed briskly past. When Elson said he loved Wright’s work, Wright replied, “In that case, young man, I’ve done enough for you already.” The show was alive with terminal noise, with trains hissing and chugging and tooting. Train buffs complained that the Century was dieselpowered, but the producers thought the old sounds were more romantic, so the sound effects records remained, at least into the late ’40s.

in one of the most famous papers of the twentieth century, ‘The Architecture of Complexity’, Simon wrote that the central theme that runs through my remarks is that complexity frequently takes the form of hierarchy, and that hierarchic systems have some common properties that are independent of their specific content. Hierarchy, I shall argue, is one of the central structural schemes that the architect of complexity uses. And also: I have already given an example of one kind of hierarchy that is frequently encountered in the social sciences: a formal organisation.

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【V信83113305】：Hongik University, located in Seoul, South Korea, is renowned for its vibrant contribution to the nation's contemporary arts and culture. Established in 1946, its name embodies the founding ethos of "devoting oneself to the benefit of all humanity." While the university offers a comprehensive range of academic disciplines, it is most celebrated for its prestigious College of Fine Arts, which has produced many of Korea's leading artists, designers, and architects. The surrounding Hongdae area, named after the university, has become a world-famous epicenter of youth culture, indie music, street art, and urban creativity. This dynamic synergy between the academic institution and its neighborhood makes Hongik University a vital and pulsating heart of Korean artistic innovation and underground culture.，Hongik University弘益大学挂科了怎么办？, 制作弘益大学成绩单, 极速办弘益大学毕业证Hongik University文凭学历制作, 1:1原版홍익대학교弘益大学毕业证+홍익대학교成绩单, 一比一原版Hongik University弘益大学毕业证购买, 哪里买홍익대학교弘益大学毕业证|홍익대학교成绩单, 韩国Hongik University弘益大学毕业证成绩单在线制作办理, 办弘益大学学历证书学位证书成绩单, 韩国大学文凭购买

【V信83113305】：The École Nationale Supérieure d'Architecture de Paris-La Villette (ENSAPLV) stands as a prominent and influential institution in architectural education. Located within the vast Parc de la Villette in Paris, the school is renowned for its progressive and experimental pedagogical approach. It emphasizes a multidisciplinary understanding of architecture, integrating theory with hands-on practice and research. The curriculum encourages critical thinking about urbanism, society, and the evolving role of the architect. Its distinct location provides a living laboratory for students to engage with the park's iconic deconstructivist structures, including Bernard Tschumi's famous red folies. As one of France's largest schools of architecture, ENSAPLV consistently produces graduates who are prepared to challenge conventions and shape the future of the built environment.，修改巴黎拉维莱特国立高等建筑学院成绩单电子版gpa实现您的学业目标, Offer(Ecole Nationale Supérieure d'Architecture de Paris la Villette成绩单)巴黎拉维莱特国立高等建筑学院如何办理?, 终于找到哪里办ENSA Paris-La Villette巴黎拉维莱特国立高等建筑学院毕业证书, fake-ENSA Paris-La Villette-diploma-transcript, ENSA Paris-La Villette本科毕业证, 原版定制ENSA Paris-La Villette毕业证书, 1:1原版巴黎拉维莱特国立高等建筑学院毕业证+Ecole Nationale Supérieure d'Architecture de Paris la Villette成绩单, 1:1原版巴黎拉维莱特国立高等建筑学院毕业证+ENSA Paris-La Villette成绩单, 办理ENSA Paris-La Villette巴黎拉维莱特国立高等建筑学院成绩单高质量保密的个性化服务

【V信83113305】：Hongik University, located in Seoul, South Korea, is renowned for its vibrant contribution to the nation's contemporary art and design scene. Established in 1946, its name embodies the founding ethos of "devotion to the benefit of humanity." The university's College of Fine Arts is particularly prestigious, consistently ranked among the top in the country and serving as a primary incubator for Korea's most influential artists, designers, and architects. This creative energy spills out into the surrounding Hongdae area, a district globally famous for its indie music culture, street art, and dynamic nightlife, all deeply influenced by the university's youthful and innovative spirit. More than just an institution, Hongik is a cultural hub that continuously shapes Korea's artistic landscape.，홍익대학교弘益大学毕业证书, 韩国毕业证办理, 弘益大学学位证毕业证, 定制홍익대학교毕业证, 正版弘益大学学历证书学位证书成绩单, 如何办理弘益大学学历学位证, 办理韩国毕业证, 百分比满意度-홍익대학교弘益大学毕业证, 弘益大学毕业证书-一比一制作

【V信83113305】：The University of Chicago, founded in 1890, is a prestigious private research university located in Chicago, Illinois. Renowned for its rigorous academic environment and intellectual culture, it emphasizes critical thinking and interdisciplinary scholarship. The university is home to influential programs in economics, law, sociology, and physics, with numerous Nobel laureates among its faculty and alumni. Its iconic Gothic-style campus, designed by architect Henry Ives Cobb, blends historic charm with modern facilities. The university's commitment to free expression is embodied in its famous "Chicago Principles," fostering open debate. Notable institutions like the Booth School of Business and the Harris School of Public Policy further solidify its global reputation. A hub for innovation and discovery, the University of Chicago continues to shape academia and society.，UChicago文凭制作流程确保学历真实性, 美国办芝加哥大学毕业证办成绩单购买, 办理UChicago毕业证, 哪里买University of Chicago芝加哥大学毕业证|University of Chicago成绩单, 挂科办理University of Chicago芝加哥大学毕业证文凭, 办理芝加哥大学毕业证文凭, 美国University of Chicago毕业证仪式感|购买University of Chicago芝加哥大学学位证, 办芝加哥大学毕业证University of Chicago-university, University of ChicagodiplomaUniversity of Chicago芝加哥大学挂科处理解决方案

【V信83113305】：Hongik University, located in the vibrant heart of Seoul, is renowned as a premier institution for art and design in South Korea. Founded in 1946, its name embodies the educational philosophy of "devoting oneself to the benefit of all humanity." The university's College of Fine Arts is particularly prestigious, producing some of the nation's most influential artists, designers, and architects. Beyond its academic rigor, Hongik is famous for the youthful and creative energy that permeates its surrounding neighborhood, Hongdae. This area has become a cultural epicenter, known for its indie music scene, street art, and dynamic nightlife, all fueled by the innovative spirit of the university's students. Hongik University stands as a symbol of creativity and cultural innovation.，做今年新版홍익대학교弘益大学毕业证, 购买弘益大学毕业证, 韩国Hongik University毕业证仪式感|购买弘益大学学位证, 弘益大学毕业证成绩单学历认证最快多久, Hongik University弘益大学电子版毕业证与韩国Hongik University学位证书纸质版价格, 正版韩国홍익대학교毕业证文凭学历证书, Offer(홍익대학교成绩单)홍익대학교弘益大学如何办理?, 홍익대학교弘益大学毕业证书, 韩国文凭办理

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