Architects Deep Quotes

i overthink. i overlove. i over feel. i am the sea or i am nothing.

You & Me I will always be glad for the moments we’ve shared and for the moments we still have to share. Waking up next to you is a miracle: Your skin; My skin Your eyes; My eyes Your hair; My fingers Your paintings; My poems Your piercings; My tattoos Your overfeeling mind; My overthinking heart Your fart in the middle of the night; My uncontainable laughter Your soft yawn when you woke up; My lips kissing your soul back to sleep; My head on your chest; Listening to the heart that taught me it’s okay to feel again.

If I had known I’d have a hot architect balls deep inside of me before the end of the weekend, I’d have made time for a pedicure.

The skyscraper is but a physical realization of the information contained in the architect's design.

Human beings are not at the mercy of mythical emotion circuits buried deep within animalistic parts of our highly evolved brain: we are architects of our own experience.

All librarians, deep down, loathe their buildings. Something is always wrong—the counter is too high, the shelves too narrow, the delivery entrance too far from the offices. The hallway echoes. The light from windows bleaches books. In short, libraries are constructed by architects, not librarians.

As the main architect of the Constitution and a slave master of great wealth himself, Madison thought long and hard about how to protect minority rights in a government based on sovereignty of the people, a people then understood to be white men of property.

Contemporary architects tend to impose modernity on something. There is a certain concern for history but it’s not very deep. I understand that time has changed, we have evolved. But I don’t want to forget the beginning. A lasting architecture has to have roots.

Something deep within him, what it was he had no leisure nor skill to recognize, seemed to retreat down long dim corridors away from the doom that impeded. He hadn't known he had those convenient corridors of evasion in him, with their protective turns and angles by which to put distance between himself and menace. Oh clever architect of the Mind, oh merciful blueprints that made such emergency exits available.

He took a deep drag and looked up into the cold night sky and saw a sea of stars above him. He knew nothing about constellations or astronomy, but he enjoyed the beautiful sight. In Paris, he had never even noticed the night sky, but out in the country it was immense, almost drawing you up into the heavens. One couldn’t help but be awed by the sight. As he smoked, he continued to stare at the sky, marveling at the vast number and configurations of stars.

You are the creation of God. You are the beauty of God. There is not one wrinkle, hair, nail, or cell that was not created by the Divine. God is the master architect, sculptor, and admirer of you and of creation Itself. If you look at a wrinkle on your face, that is the Love of God written upon you. The curves, the contours, the space surrounding you, the masterful etching is the deep story of you. Here, there, and everywhere, God knows you, knows Creation.

By five minutes of four I was checked into the hotel. They had a lot of room. They had three conventions going and they still had a lot of room. Once inside the hotel, I was right back in Miami. Same scent to the chilled air, same skeptical servility, same glorious decor—as if a Brazilian architect had mated an air terminal with a manufacturer of cotton padding. Lighting, dramatic. At any moment the star of the show will step back from one of the eight (8) bars and break into song and the girlies will come prancing in. Keep those knees high, kids. Keep laughing.

Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.

He seemed a little surprised that writers in America do not get together, do not associate with one another very much. In the Soviet Union writers are very important people. Stalin has said that writers are the architects of the human soul. We explained to him that writers in America have quite a different standing, that they are considered just below acrobats and just above seals. And in our opinion this is a very good thing. We believe that a writer, particularly a young writer, too much appreciated, is as likely to turn as heady as a motion-picture actress with good notices in the trade journals. And we believe that the rough-and-tumble critical life an American writer is subject to is very healthy for him in the long run. It seems to us that one of the deepest divisions between the Russians and the Americans or British, is in their feeling toward their governments. The Russians are taught, and trained, and encouraged to believe that their government is good, that every part of it is good, and that their job is to carry it forward, to back it up in all ways. On the other hand, the deep emotional feeling among Americans and British is that all government is somehow dangerous, that there should be as little government as possible, that any increase in the power of government is bad, and that existing government must be watched constantly, watched and criticized to keep it sharp and on its toes. And later, on the farms, when we sat at table with farming men, and they asked how our government operated, we would try to explain that such was our fear of power invested in one man, or in one group of men, that our government was made up of a series of checks and balances, designed to keep power from falling into any one person’s hands. We tried to explain that the people who made our government, and those who continue it, are so in fear of power that they would willingly cut off a good leader rather than permit a precedent of leadership. I do not think we were thoroughly understood in this, since the training of the people of the Soviet Union is that the leader is good and the leadership is good. There is no successful argument here, it is just the failure of two systems to communicate one with the other.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

Well before the end of the 20th century however print had lost its former dominance. This resulted in, among other things, a different kind of person getting elected as leader. One who can present himself and his programs in a polished way, as Lee Quan Yu you observed in 2000, adding, “Satellite television has allowed me to follow the American presidential campaign. I am amazed at the way media professionals can give a candidate a new image and transform him, at least superficially, into a different personality. Winning an election becomes, in large measure, a contest in packaging and advertising. Just as the benefits of the printed era were inextricable from its costs, so it is with the visual age. With screens in every home entertainment is omnipresent and boredom a rarity. More substantively, injustice visualized is more visceral than injustice described. Television played a crucial role in the American Civil rights movement, yet the costs of television are substantial, privileging emotional display over self-command, changing the kinds of people and arguments that are taken seriously in public life. The shift from print to visual culture continues with the contemporary entrenchment of the Internet and social media, which bring with them four biases that make it more difficult for leaders to develop their capabilities than in the age of print. These are immediacy, intensity, polarity, and conformity. Although the Internet makes news and data more immediately accessible than ever, this surfeit of information has hardly made us individually more knowledgeable, let alone wiser, as the cost of accessing information becomes negligible, as with the Internet, the incentives to remember it seem to weaken. While forgetting anyone fact may not matter, the systematic failure to internalize information brings about a change in perception, and a weakening of analytical ability. Facts are rarely self-explanatory; their significance and interpretation depend on context and relevance. For information to be transmuted into something approaching wisdom it must be placed within a broader context of history and experience. As a general rule, images speak at a more emotional register of intensity than do words. Television and social media rely on images that inflamed the passions, threatening to overwhelm leadership with the combination of personal and mass emotion. Social media, in particular, have encouraged users to become image conscious spin doctors. All this engenders a more populist politics that celebrates utterances perceived to be authentic over the polished sound bites of the television era, not to mention the more analytical output of print. The architects of the Internet thought of their invention as an ingenious means of connecting the world. In reality, it has also yielded a new way to divide humanity into warring tribes. Polarity and conformity rely upon, and reinforce, each other. One is shunted into a group, and then the group polices once thinking. Small wonder that on many contemporary social media platforms, users are divided into followers and influencers. There are no leaders. What are the consequences for leadership? In our present circumstances, Lee's gloomy assessment of visual media's effects is relevant. From such a process, I doubt if a Churchill or Roosevelt or a de Gaulle can emerge. It is not that changes in communications technology have made inspired leadership and deep thinking about world order impossible, but that in an age dominated by television and the Internet, thoughtful leaders must struggle against the tide.

Reflective nostalgics miss the past and dream about the past. Some of them study the past and even mourn the past, especially their own personal past. But they do not really want the past back. Perhaps this is because, deep down, they know that the old homestead is in ruins, or because it has been gentrified beyond recognition--or because they quietly recognize that they wouldn't much like it now anyway. Once upon a time life might have been sweeter or simpler, but it was also more dangerous, or more boring, or perhaps more unjust. Radically different from the reflective nostalgics are what Boym calls the restorative nostalgics, not all of whom recognize themselves as nostalgics at all. Restorative nostalgics don't just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to "rebuild the lost home and patch up the memory gaps." Many of them don't recognize their own fictions about the past for what they are: "They believe their project is about truth." They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don't acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don't want to act out roles from the past because it amuses them: they want to behave as think their ancestors did, without irony. It is not by accident that restorative nostalgia often goes hand in hand with conspiracy theories and the medium-sized lies. These needn't be as harsh or crazy as the Smolensk conspiracy theory or the Soros conspiracy theory; they can gently invoke scapegoats rather than a full-fledged alternative reality. At a minimum, they can offer an explanation: The nation is no longer great because someone has attacked us, undermined us, sapped our strength. Someone—the immigrants, the foreigners, the elites, or indeed the EU—has perverted the course of history and reduced the nation to a shadow of its former self. The essential identity that we once had has been taken away and replaced with something cheap and artificial. Eventually, those who seek power on the back of restorative nostalgia will begin to cultivate these conspiracy theories, or alternative histories, or alternative fibs, whether or not they have any basis in fact.

DevOps Evangelist An expert Consultant who can now evangelise a DevOps solution for an Enterprise. Typical tasks: Scaling DevOps capabilities across Enterprise Change Management Organisation Alignment This is a high-end Consulting role, with a heavy technology bend. At a DevOps Engineer level, it’s mostly about deep technical skills. As you evolve into a solution architect kind of role, along with the technical acumen, it’s also about leadership skills to build consensus/agreements and making a team work together.

Semi-enclosed within a rampart of books, she was reading intensely, oblivious of everything except the volumes she had gathered around her. Freddy tilted his head and read the titles on the bindings, whispering them as he read. He had assumed that her selection would be heavy on fashion, makeup, and “celebrities,” but he was wrong. With her left hand resting possessively on Who’s Who in Zimbabwe, she was deep in Sources and Methods of Hiccup Diagnosis. She had also chosen the Directory of Polish Hydraulic Fluid Wholesalers; the Encyclopaedia of Angels; the Catalogue of Chuvash Books in German Libraries; Aboriginal Science Fiction; The Register of Non-Existent Churches; A Bibliography of Indonesian Military Poetry; Orators Who Possessed Horses; Lloyds’ Survey of Failed Board Games; A Dictionary of the Efik Language; The Picture Book of Albanian Idioms—a list in her handwriting lay next to the latter, beginning with the entry, “I ka duart të prera, ‘to have one’s hands cut off,’ ”—The Language of the French & Indian War, Vol. I, Obscene Expressions; Glossary of Dead Architects (Freddy couldn’t wait to read the latest entries); and, finally, though not least, Nicknames of Popular Fish. “You see,” he told her, “it’s fascinating.” “Yes, I love it. Now go away.” “I have our press.” “I couldn’t care less about our press.” She held up Who’s Who in Zimbabwe. “There’s a whole world out there, Freddy, that has nothing to do with us.

The four common archetypes of Staff-plus roles I encountered are: The Tech Lead guides the approach and execution of a particular team. They partner closely with a single manager, but sometimes they partner with two or three managers within a focused area. Some companies also have a Tech Lead Manager role, which is similar to the Tech Lead archetype but exists on the engineering manager ladder and includes people management responsibilities. The Architect is responsible for the direction, quality, and approach within a critical area. They combine in-depth knowledge of technical constraints, user needs, and organization level leadership. The Solver digs deep into arbitrarily complex problems and finds an appropriate path forward. Some focus on a given area for long periods. Others bounce from hotspot to hotspot as guided by organizational leadership. The Right Hand extends an executive’s attention, borrowing their scope and authority to operate particularly complex organizations. They provide additional leadership bandwidth to leaders of large-scale organizations. This taxonomy is more focused on being useful than complete, but so far, I’ve been able to fit every Staff-plus engineer I’ve spoken to into one of these categories. Admittedly, some folks are easier to classify than others.

Death's Embrace - A Soliloquy by Stewart Stafford In sincere tongue, declare with heart: Art thou but a mimic, shadow of the art, Or standest thou bold, architect of the new, Crafting the morrow in thy vision true? Unburden me from this oppressive weight, I cannot bear this overwhelming force. Despair hath found its pinnacle in me, And I must peer into realms unknown, If cherished sight fails me at mine end, I shall renounce all chimeras of the light. But fall not tamely from Life’s precipice, Death presses hard on thy frail fingers, Hold on, cry, resist thy certain ruin! Trouble's court, may yet bestow thee favour. Dreams are but fancies giv’n swift wings, That soar beyond the bounds of reason; In minds that dare to fly unshackled, The dreamer becometh the vision. Love is both a journey and destination: Long and painful upon the path, Unsought, yet blissful when it is found. From dust conjur’d — to stars, we’re turned. Beware the self-righteous man, Whose pride does unseat the very world Before he sees his error. Piteous wounds of thine own hand, 'Tis easy to judge from afar Without walking with aching bones. If there be cause that yet remaineth here, It showeth their harshness and injustice To themselves and their loving others. Mourn their release with mercy and thanks Transient whispers guide along chance’s way. Weep not for those who have found Death’s embrace, They lament for us who tarry on old shores. Death but ushers a veiled dawn, not life's twilight, A metamorphosis of guise, not of the spirit's light. Though we must part for now, we shall be one again. For love’s wrought by flesh, yet holds not its chain. Time-worn age stoops; penitents depart. Pawned as one in vigilant trance But what a folly 'tis to mark the signs of our undoing; Memory's comet trails bequeathed to loved ones left, Contagion's rehearsal on the ephemeral stage. With luck, a stand-in may go on in thy stead. Ere thy final bow becomes unavoidable. With tyrant Death prowling public ways, I turn from mankind hence to seek delight. A chamber ceiling seen upon morn's wake, I say: “The sun does rise? Let's haste away!” Upon waking, a stone tomb's ashen lid, I would perchance say: “Alas!..mine eyes do grow heavy.” A life well-liv’d is not weigh’d by earthly goods Or the number of mourners at the grave. Numerous, deep laugh lines tell the tale, On the face of the person lying still in the crypt, Reveals threescore years and twelve’s true worth. Death is not the villain of the piece; It is the next phase of life, in strange attire. I accept my fate with grace and courage. For I have liv’d and lov’d and dream’d enough. © Stewart Stafford, 2024. All rights reserved.

Living through the Blitz, edited by MO’s Tom Harrisson, makes clear just how much the ‘1945’ we now consume is a construct, a convenient fairy tale built up piece by piece several generations later. Most interesting for our purposes is its plentiful evidence that the imperative (in rhetoric, if not in the specific form of the unprinted poster) to ‘Keep Calm and Carry On’ actually had much the opposite effect. The patronising message infuriated most of the scores of mostly working-class diarists and interviewees whose materials make up the book. And rather than an alliance between the ‘decent’ people and their ‘decent’, benevolent public servants, Living through the Blitz finds a total divorce between the interests of each, with the civil service and local government desperately scared of the workers they were supposed to be sheltering from bombs. For example, while the Labour left and radical architects were advocating communal shelters, central government had a firm preference for the privatisation of bomb protection. ‘Whitehall’, Harrisson writes, ‘had long declared that there must be no “shelter mentality”. If big, safe, deep shelters were established, people would simply lie in them and do no work. Worse, such concentrations of proletarians could be breeding grounds for mass hysteria, even subversion. The answer was the Anderson shelter.’2 That is, private shelters in back gardens, not necessarily safer, but less likely to encourage sedition.

That's his perception of reality," Nenad responded. "He has adopted it as his interpretation and cannot break free from it, and probably doesn't even consider doing so. In fact, we too are unable to escape his worldview as it partly is our own. However, when faced with the choice between the cat and the belt, I choose the cat. It's not doomed, it's not poisoned, and it can be easily removed by hand from the engine, even if it comes at a financial cost. I have enough space in my cage for its rescue. I can imagine that within its mind, this engine has become a prison for his hopes of salvation. Overcoming our phobias of losing money in the pursuit of something else, even in small amounts, is healthy. A ground strap costs nothing, and though it may require a bit of time in a repair shop, in this day and age, we are used to wasting our time for far less. The reality of our daily lives is filled with every online distraction, like a sheet riddled with holes from moths that we wrap ourselves in out of habit without even noticing. It’s so comforting. At first, you embrace what everyone else does, what you are told to think. But eventually, you come to the realization that you have the power to dictate your thought patterns and become the architect of your ideology. You can construct a personal propaganda machine that aligns with your values and desires, creating a unique model of the world that is entirely your own. Your mind is still going to be a box in one of the billions of drawers, but it’s going to be YOUR box. Your true home. Manipulate yourself. We should manipulate ourselves towards common sense, compassion, and hope that we’ll get a good batch of people at some point so we can live among more like-minded peers. Now it’s up to our online feed. Now the education in our phone holds the reins, encapsulated in the three-second video of someone's take on history, the five-second clip of fitness models or investment strategies. And if we're fortunate, some famous person would quote Epictetus' Discourses, perhaps echoing the wisdom of Dostoevsky, Camus, Kafka, Marcus Aurelius, Sartre, etc. This is our chance for us to avoid descending into mere survival instincts without the tempering influence of morality and an understanding of the absurdity that we have created around us. To get addicted to the freedom in our minds. OR to choose the ground strap, choose to sacrifice someone else’s life so we can preserve our resources, because that’s what greed is, on a deep ancient level it’s you hoarding resources the same way a squirrel does with its winter supplies. Choose to be a squirrel rather than a human and live off your acorns. Choose to kill the cat. Choose not to ruin your precious machine. Choose the current model of society and disappear in it like a pelican getting caught in an airplane engine. Perhaps responsibility is the first and maybe even the only synonym for human purpose. Of course, there is value in the small moments we experience, but they lack foundation if they don’t fit into the break from working on something meaningful.

The recent rise in many countries of the toxic nationalism that the architects of the United Nations hoped would be banished after the horrors of the Second World War is a reflection of this, as is the trend to greater theological conservatism in many places, and the willingness of many to defer complicated choices back to the imagined teachings of ancient gods.

So far as I could tell, I was alone here, at least in this section. I wasn’t happy about the way the corridor went up a little ways and disappeared around a bend. I decided then and there if I ever try to be an architect, all my buildings would borrow from my old high school gymnasium—a big, empty space where you can’t possible hide anything. May not be much in the way of privacy, but there are advantages all right.

Lusitania was born in the age of historicism, at a time when liners strove to attract impressionable travelers with luxurious, opulent decor evoking the past. Palladian lounges, Teutonic smoking rooms, Turkish baths, Parisian palm courts, and Jacobean dining saloons mingled side by side, in a jarringly abrupt mixture of conflicting styles and claustrophobic decoration. The interiors Scottish architect James Miller devised for Lusitania, though, were subtler in approach. Here, the understated elegance of the Georgian Era predominated: rooms paneled in dark mahogany, bedecked with carved pilasters and columns, ringed by deep ornamental friezes, and crowned with vaulted skylights or graceful domes. The effect gave passengers the “pleasurable hallucination” that they were enjoying a stay at a luxurious hotel like the Ritz in London or the Waldorf-Astoria in New York.(

AN ANSWER TO OUR QUESTION Places of worship embody the aspirations of their architects, and the communities they represent, to ideal beauty. Their chosen means of expression feature color, geometry, and symmetry. Consider, in particular. the magnificent plate HH. Here the local geometry of the ambient surfaces and the local patterns of their color change as our gaze surveys them. It is a vibrant embodiment of anamorphy and anachromy-the very themes that our unveiling of Nature's deep design finds embodied at Nature's core. Does the world embody beautiful ideas? There is our answer, before our eyes: Yes. Color and geometry, symmetry, anachromy, and anamorphy, as ends in themselves, are only one branch of artistic beauty. Islam's injunction against representational art played an important part in bringing these forms of beauty to the fore, as did the physical constraint of structural stability (we need columns to support the weight of ceilings, and the arches and domes to distribute tension). Depictions of human faces, bodies, emotions, landscapes, historic scenes, and the like, when they are allowed, are far more common subjects for art than those austere beauties. The world does not, in its deep design, embody all forms of beauty, nor the ones that people without special study, or very unusual taste, find most appealing. But the world does, in its deep design, embody some forms of beauty that have been highly prized for their own sake, and have been intuitively associated with the divine.

Lesson learned. To succeed as an architect in this world is to sacrifice vision to reality. The field of architecture pretends to be art, and sometimes a house design that is real and true gets recognition, but in reality, success is more often a business. A little seed of brilliance that had germinated and begun to sprout deep inside Duncan withered and died that afternoon.

Sumerian myths and legends of the antediluvian world do much more than speak of the five cities. They also tell an extraordinary story of how their ancestors, who lived in the 'most ancient times', were visited by a brotherhood of semi-divine beings described as half men, half fish, who had been 'sent [by the gods] to teach the arts of civilization to mankind before the Flood' and who had themselves 'emerged from the sea'. The collective name by which these creatures were known was the 'Seven Sages' and the name of their leader was Oannes. Each of them was paired as a 'counsellor' to an antediluvian king and they were renowned for their wisdom in affairs of state and for their skills as architects, builders and engineers.

Egyptologists claim that Khufu began construction of his pyramid so it would be completed in time to accept his corpse. I should imagine that while he was considering what style of pyramid he wanted, he would have been consulting his architects and engineers to see what was feasible. He also might have been interested in knowing how long it would take to build and how much it would cost. Using today's technology, modern stonecutters have estimated that it would take at least twenty-seven years just to quarry and deliver the stone. I wonder how long it would have taken Khufu's men using simple, primitive methods?

As we look around the world, especially in Egypt, Lebanon, Turkey, the west coast of Italy, Peru, and Bolivia, there are stone structures and the remains of others which don't easily fit into the standard picture of history. The pyramids of Giza in Egypt, Puma Punku in Bolivia, and the great megalithic wall of Sachsayhuaman in Peru are but three examples of astonishingly well-made stone works which modern engineers, stone masons, and other experts puzzle over. Conventional academics in general date these structures well within the standard timeline of so-called civilization. The generally prescribed creation date of the three pyramids of Giza is about 2500 BC, Puma Punku is alleged to have been constructed around 600 AD, and Sachsayhuaman approximately 1200 to 1400 AD. However, what intrigues engineers, architects, stone masons, and other professionals is the extreme precision of the work, often in very hard stone, which many archaeologists insist was usually achieved using bronze and or copper chisels, wooden measuring devices, and stone hammers.

Can I have your sperm?” “Umm, no,” says my very handsome friend. He’s standing in the doorway of his stunning Upper East Side townhouse, wearing a completely bewildered expression. Who can blame him? It’s 10 p.m. and I’m in my pajamas, my bunned-up hair hanging askew off my head. “Before you say no, hear me out––” “No,” he repeats as if I haven’t just given him instructions. He eyeballs my pjs with the pigs with wings pattern on them. A joke gift Delia bought me when she told me she sleeps naked and I said I would do that when pigs fly. They’re very comfy. “Are you in your pajamas?” “Yes.” I push past him to get inside. “I’m prepared to assume all cost,” I rush to say, my voice high and marked with desperation. “You know my financial situation. You know I don’t need help in that regard. And you can participate as little or as much as you want in raising our child––” “Slow down, Stella––” “Jeff said no...” I walk directly into his living room and come to an abrupt stop. Stacks of cardboard boxes are everywhere. “Are you moving?” “Yes.” Ethan brushes a hand over his gorgeous face. “Where’s this coming from?” “I want a baby and the gays said I was too structured. And we’re friends, right? We respect each other, right?” “Wait? What gays?” “The architect, and the professor of economics at Columbia. Keep up, will you.” Ethan chuckles and I glare back. This wasn’t supposed to be this hard. And it’s poking at all my sore spots. “I really liked the professor. He’s the one that said I was too structured. The architect said he found a more geographically suitable candidate, but I’m pretty sure he was lying because I would’ve moved uptown if that was the only issue.” “Okay––” he says, taking a deep breath, his hands on his hips. “You want a baby.” “Yes.” “So go to a sperm bank.” “Too anonymous.” “I’m not giving you my sperm, Stella. I’m moving to Los Angeles in less than two weeks and I’m getting married. I don’t think she’d be too keen on me handing over my sperm.” Stunned, I rock back on my heels. “What?! To who?” “To a woman I’m in love with.” He smiles then, the sweetest of smiles, and I know he’s serious. “Camilla’s friend.” At my blank response he continues, “The actress––we haven’t talked in months.” “I called.” “To tell me my investments are up thirteen percent.” “You’re up fourteen for the year now. And you said you were too busy for a drink.” “You canceled the last time.” Totally dejected, I slump down on the armrest of his couch. “You were the last name on my list.” I can’t keep the disappointment out of my voice. I’m so bummed I may start to cry and I am not a crier. Ethan chuckles softly. “Wow, thanks.” “You know what I mean.” “Why not a sperm bank?” “I want my kid to know his or her father. I don’t want to tell them I bought their father.

Substitute “Hillbilly” for “Blues” and this regionally inflected nostalgia remains much the same. Bear down on the word “real” in Paramount’s advertising copy, and it is possible to see how recorded roots music, with its claims to authenticity, could help counter a sense of social and cultural dislocation, a deep anxiety about the increasing superficiality and transitory nature of a modern America characterized by disconcerting changes.

This tension between interdependencies and adaptability is a deep feature of networks and profoundly affects many types of systems. Software designers see it when a program becomes so complex that any enhancement or bug fix introduces five new bugs. Architects see it when a client asks them to move a wall just one foot, and it has knock-on effects that send the project's cost sky-high. Some biologists, such as Stuart Kauffman, believe that this tension creates upper limits on the complexity of organisms. In economic organizations, there is a clear trade-off between the benefits of scale and the coordination costs and constraints created by complexity.

The NIV Bible corroborates the timeline from the creation of the Adapa to the time that they were so numerous that Enlil wanted them terminated, namely 600 years, Noah’s age at the time of the flood. Genesis 7:11 (NIV) In the six hundredth year of Noah’s life, on the seventeenth day of the second month—on that day all the springs of the great deep burst forth, and the floodgates of the heavens were opened.  And rain fell on the earth forty days and forty nights. Atrahasis later contradicts the 40 day continuous rain, specifying only 7 days of rain in the Sumerian account.  It is also interesting to question the ages shown in the Bible from Adam to Noah in

Deep learning is an approach to machine learning. While machine learning is trying to put knowledge into computers by allowing computers to learn from examples, deep learning is doing it in a way that is inspired by the brain.

And yet… the kindness I had witnessed in my time here; the drive to begin over, to build something worthwhile from the ashes of destruction seemed… unstoppable. I’d come to realize that the will to succeed, to create something bigger than ourselves was a basic drive woven deep within the very fabric of our humanity. We had all been given a second chance. A chance to try again. To make something… better. And so what if the Architect was AWOL? Who cared if there was no roadmap to follow? And as for the Adversary; well, it wouldn’t be the first time humanity had come face-to-face with a tyrant intent on subjugating all of us to his will. Throughout the history of our race, we had confronted those same trials and beaten them, time after time. There were two billion humans on this planet. Two billion hand-selected souls who shared the same drive and determination that had brought our species to dominance over every other living thing on this planet. This was our chance to build that brave new world that had haunted our species’ dreams for millennia. To rescue humanity from this fate. The Architect had chosen me. Had told me that I was the one it trusted. And if our theories were true, then the Architect knew more about me than I did. So, who was I to question its choice?

Vitruvian, as in the Roman architect and Leonardo da Vinci’s Vitruvian Man. Symbolic of universal connection, the computer system would be housed deep underground, surrounded by solid granite inside uninhabited forestland.

As we embark on this challenging yet transformational inner journey, we tap into the quantum self, the infinite potential that resides within. We come to realize that we’re not victims of circumstance, but conscious creators with the power to literally change the world ... or at least our world … by altering our worldview. Our own reclaimed beliefs—which are more like deep knowings based on direct personal experience instead of mimetic desire—are some of the primary tools that we employ as increasingly conscious architects of our own experience.

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【V信83113305】：France is globally renowned for its prestigious architectural education, particularly through its unique network of "Écoles d'Architecture." These state-funded institutions, such as the esteemed École Nationale Supérieure d'Architecture de Paris-Belleville, offer a rigorous curriculum blending profound theoretical knowledge with intensive practical application. The training emphasizes not only technical mastery and creative design but also a deep engagement with France’s rich architectural heritage and contemporary urban challenges. Graduates are highly sought after for their critical thinking and innovative approach to sustainable design and spatial planning. This system solidifies France's position as a leading incubator of world-class architects, shaping the built environment on an international scale.，ESA-diploma安全可靠购买建筑专业学院毕业证, 如何办理建筑专业学院学历学位证, 出售ESA证书哪里能购买ESA毕业证, 建筑专业学院毕业证最简单办理流程, 最新ESA毕业证成功案例, 建筑专业学院毕业证书-一比一制作, 建筑专业学院文凭Ecole Spéciale d'Architecture, Ecole Spéciale d'Architecturediploma建筑专业学院挂科处理解决方案, 666办理建筑专业学院毕业证最佳渠道

【V信83113305】：The Illinois Institute of Technology (IIT) is a private research university in Chicago, renowned for its focus on technology, engineering, architecture, and science. Founded in 1890, IIT is celebrated for its rigorous academic programs and a strong emphasis on hands-on, interdisciplinary learning. The university's iconic campus features several buildings designed by the legendary architect Ludwig Mies van der Rohe, reflecting its deep connection to modern design and innovation. IIT prides itself on a curriculum that powerfully combines theory with practical application, preparing students to become leaders and problem-solvers in their fields. With a vibrant, diverse community and a prime location in a major metropolitan hub, it offers students unparalleled opportunities for professional development and research.，快速办理IIOT毕业证-伊利诺伊理工学院毕业证书-百分百放心, 伊利诺伊理工学院毕业证成绩单制作, IIOT学位证书办理打开职业机遇之门, IIOT伊利诺伊理工学院多少钱, 专业办理IIOT伊利诺伊理工学院成绩单高质学位证书服务, 办理IIOT毕业证成绩单学历认证, Illinois Institute of Technology伊利诺伊理工学院毕业证制作代办流程, 办理伊利诺伊理工学院毕业证IIOT毕业证书毕业证, 最爱-美国-IIOT毕业证书样板

【V信83113305】：France's architectural education is globally renowned, particularly through its unique system of "Écoles d'Architecture." These state-funded institutions, under the French Ministry of Culture, offer a highly selective and rigorous curriculum. The most prestigious is the École Nationale Supérieure d'Architecture de Paris-Belleville, though schools in Lyon, Versailles, and Toulouse are also highly regarded. The training emphasizes a strong theoretical foundation combined with practical, project-based learning (le projet). This approach fosters not just technical skill but also critical thinking and a deep engagement with cultural and urban contexts. The diploma obtained, the "Diplôme d'État d'Architecte," is a master's level degree required to practice. This system produces architects known for their innovative, conceptual, and often avant-garde designs, solidifying France's enduring influence on global architecture.，Offer(Ecole Spéciale d'Architecture成绩单)建筑专业学院如何办理?, 建筑专业学院毕业证成绩单学历认证最安全办理方式, 出售证书哪里能购买毕业证, 挂科办理ESA建筑专业学院毕业证本科学位证书, 原版建筑专业学院毕业证书办理流程, 一流ESA建筑专业学院学历精仿高质, 网络在线办理建筑专业学院毕业证文凭学历证书, 建筑专业学院电子版毕业证与法国Ecole Spéciale d'Architecture学位证书纸质版价格, 建筑专业学院毕业证成绩单学历认证最快多久

【V信83113305】：Musashino Art University stands as a cornerstone of Japan's creative education, renowned for its profound influence on the worlds of art and design. Founded with a philosophy that emphasizes both technical mastery and free, expressive creativity, it has cultivated generations of visionary artists, illustrators, and designers. The university's rigorous curriculum encourages students to explore a diverse range of mediums, from traditional Japanese painting to cutting-edge digital media. Its expansive campus, featuring a celebrated library designed by architect Sou Fujimoto, provides an environment that inspires innovation and deep contemplation. By consistently pushing the boundaries of artistic expression, Musashino continues to shape the cultural landscape not only of Japan but also of the global art scene.，加急多少钱办理武蔵野美術大学毕业证-武藏野美术大学毕业证书, 武蔵野美術大学文凭制作流程确保学历真实性, 制作日本文凭武藏野美术大学毕业证, 1:1原版武蔵野美術大学武藏野美术大学毕业证+武蔵野美術大学成绩单, 修改武藏野美术大学成绩单电子版gpa让学历更出色, 在线办理武蔵野美術大学武藏野美术大学毕业证本科硕士成绩单方法, 挂科办理武蔵野美術大学武藏野美术大学毕业证本科学位证书, 原装正版武藏野美术大学毕业证真实水印成绩单制作, 办理大学毕业证武藏野美术大学

【V信83113305】：The Aichi Prefectural University of the Arts stands as a pinnacle of creative education in Japan. Nestled in a serene, natural setting near Nagakute, its campus, designed by the renowned architect Tange Kenzō, is itself a work of art. The university fosters a rigorous environment where tradition and avant-garde experimentation converge. Students across disciplines—from Japanese painting, sculpture, and ceramics to design, architecture, and music—are mentored by distinguished artists and scholars. This emphasis on highly specialized, practical training under master practitioners cultivates not just technical mastery but also a profound artistic philosophy. It is a crucible for the next generation of cultural leaders, dedicated to both preserving deep artistic heritage and forging new, innovative expressions for the future.，在线办理爱知县立艺术大学毕业证offer外壳皮, 原价-愛知県立芸術大学毕业证官方成绩单学历认证, 如何办理愛知県立芸術大学爱知县立艺术大学学历学位证, 购买日本毕业证, 购买愛知県立芸術大学爱知县立艺术大学毕业证和学位证认证步骤, 专业办理愛知県立芸術大学爱知县立艺术大学成绩单高质学位证书服务, 办爱知县立艺术大学毕业证愛知県立芸術大学-Diploma

【V信83113305】：Founded in 1889, the Boston Architectural College (BAC) stands as a unique and progressive force in design education. Distinctly centered on a "learning by doing" philosophy, it seamlessly integrates rigorous academic study with mandatory, real-world practice. This model ensures students graduate not only with a deep theoretical understanding but also with extensive professional experience. Located in the heart of Boston, the BAC leverages its urban setting as an extended classroom, surrounded by historic and contemporary architectural landmarks. The college fosters a highly collaborative and inclusive environment, attracting passionate individuals dedicated to shaping the future of the built environment. It is a place where aspiring architects, designers, and artists gain the practical skills and creative vision to become impactful practitioners.，【V信83113305】原版定制波士顿建筑学院毕业证书,波士顿建筑学院毕业证书-一比一制作,快速办理TBAC毕业证-波士顿建筑学院毕业证书-百分百放心,极速办理波士顿建筑学院毕业证书,网络快速办理TBAC毕业证成绩单,本地美国硕士文凭证书原版定制TBAC本科毕业证书,100%定制TBAC毕业证成绩单,加急多少钱办理TBAC毕业证-波士顿建筑学院毕业证书,TBAC毕业证怎么办理-加钱加急,TBAC毕业证成绩单办理波士顿建筑学院毕业证书官方正版

【V信83113305】：Nestled in Providence, Rhode Island, Brown University stands as a distinguished Ivy League institution renowned for its vibrant, intellectual culture and distinctive undergraduate experience. Its hallmark is the Open Curriculum, which empowers students with the unusual freedom to architect their own rigorous course of study without mandatory general education requirements. This philosophy fosters intense curiosity, interdisciplinary exploration, and deep intellectual engagement. The university's collaborative, rather than competitive, atmosphere encourages a genuine passion for learning for its own sake. Home to a diverse and accomplished community of scholars and students, Brown’s beautiful campus on College Hill buzzes with creativity, activism, and a spirit of independent inquiry. It consistently attracts those who are not only academically gifted but also eager to challenge conventions and contribute meaningfully to the world.，硕士布朗大学文凭定制Brown毕业证书, Brown University文凭制作流程确保学历真实性, 高端Brown毕业证办理流程, 布朗大学毕业证成绩单学历认证最快多久, Brown毕业证成绩单办理布朗大学毕业证书官方正版, 百分百放心原版复刻布朗大学Brown毕业证书, 申请学校!Brown University成绩单布朗大学成绩单Brown University改成绩

【V信83113305】：Founded in 1971, the École Nationale Supérieure d'Architecture de Saint-Étienne (ENSASE) is a prominent French institution dedicated to architectural education and research. Located in the dynamic city of Saint-Étienne, the school is celebrated for its strong emphasis on experimental design, innovative construction techniques, and a deep engagement with the social and environmental dimensions of architecture. Its pedagogy encourages students to critically explore the evolving role of the architect in contemporary society, blending theoretical inquiry with hands-on practical application. The school fosters a culture of interdisciplinary collaboration and maintains strong connections to the international architectural community, preparing its graduates to become thoughtful and proactive agents in shaping the future built environment.，修改ENSA Saint-Etienne圣太田国立高等建筑学院成绩单电子版gpa实现您的学业目标, ENSA Saint-Etienne毕业证最新版本推荐最快办理圣太田国立高等建筑学院文凭成绩单, 高端ENSA Saint-Etienne圣太田国立高等建筑学院毕业证办理流程, 一比一原版Ecole Nationale Supérieure d'Architecture de Saint-Etienne圣太田国立高等建筑学院毕业证购买, 圣太田国立高等建筑学院毕业证本科学历办理方法, 办圣太田国立高等建筑学院毕业证university, 挂科办理Ecole Nationale Supérieure d'Architecture de Saint-Etienne圣太田国立高等建筑学院毕业证本科学位证书, 原版定制ENSA Saint-Etienne毕业证书案例, ENSA Saint-Etienne圣太田国立高等建筑学院-pdf电子毕业证

【V信83113305】：Nestled in Providence, Rhode Island, Brown University stands as a quintessential icon of academic excellence and intellectual freedom within the Ivy League. Founded in 1764, it is the seventh-oldest college in the United States, distinguished by its unique Open Curriculum. This pioneering approach empowers undergraduate students with unparalleled autonomy, allowing them to architect their own course of study without general education requirements. This philosophy fosters a culture of intense curiosity, interdisciplinary exploration, and deep intellectual engagement. The vibrant campus, with its blend of historic colonial buildings and modern facilities, provides a dynamic backdrop for a diverse and highly motivated student body. Brown’s commitment to rigorous inquiry, collaborative research, and impactful scholarship cements its reputation as a institution that not only educates but also inspires its students to become creative, independent thinkers poised to address the world's most complex challenges.，硕士博士学历Brown毕业证-布朗大学毕业证书-真实copy原件, Brown-diploma安全可靠购买布朗大学毕业证, 网络在线办理Brown布朗大学毕业证文凭学历证书, 加急布朗大学毕业证Brown毕业证书办理多少钱, 一比一办理-Brown毕业证布朗大学毕业证, Brown布朗大学毕业证书办理需要多久, 布朗大学毕业证成绩单制作, 购买布朗大学毕业证

【V信83113305】：The University of Chicago, founded in 1890, is a prestigious private research university located in Chicago, Illinois. Renowned for its rigorous academic environment and intellectual culture, it emphasizes critical thinking and interdisciplinary scholarship. The university is home to influential programs in economics, law, sociology, and political science, with numerous Nobel laureates among its faculty and alumni. Its iconic Gothic-style campus, designed by architect Henry Ives Cobb, blends historic charm with modern facilities. The University of Chicago Press, one of the largest academic presses in the world, further underscores its commitment to knowledge dissemination. Known for its unique Core Curriculum, the institution fosters deep analytical skills across disciplines. With a vibrant student life and global research impact, it remains a leader in higher education.，毕业证文凭-芝加哥大学毕业证, 高仿原版芝加哥大学毕业证-UChicago毕业证书-外壳-offer制作, Offer(University of Chicago成绩单)芝加哥大学如何办理?, 挂科办理UChicago芝加哥大学学历学位证, 办美国UChicago芝加哥大学文凭学历证书, 办理芝加哥大学毕业证文凭, 专业办理芝加哥大学成绩单高质学位证书服务, 办理芝加哥大学毕业证-UChicago毕业证书-毕业证, 如何办理UChicago芝加哥大学学历学位证

B Arch Admission in Kerala – Shape Your Future with DCSMAT Institution If you are passionate about design, creativity, and construction, then pursuing a B Arch admission in Kerala could be the perfect way to start your professional journey. Architecture is not just about building structures—it’s about shaping the world around us with innovation and vision. Among the top institutions in Kerala offering architectural education, DCSMAT Institution has established itself as a pioneer in nurturing young minds into skilled architects. The Bachelor of Architecture (B.Arch) program at DCSMAT is carefully designed to combine creativity, technology, and practical experience. With a strong focus on sustainable design and innovative learning methods, DCSMAT ensures students gain both theoretical knowledge and hands-on skills. The curriculum covers everything from architectural design and urban planning to construction technology and environmental studies, providing students with a well-rounded education that meets industry standards. When considering B Arch admission in Kerala, DCSMAT stands out due to its world-class infrastructure and expert faculty. The institution offers modern studios, design labs, and advanced computer facilities that enable students to explore architectural concepts effectively. Faculty members, who are experienced professionals and academics, guide students through every phase of learning—encouraging them to think creatively, solve real-world challenges, and develop their unique design perspectives. One of the key highlights of DCSMAT is its focus on experiential learning. Students gain exposure to live projects, design exhibitions, and field visits, where they interact with industry experts and understand practical applications of architectural concepts. This immersive approach ensures that DCSMAT graduates are job-ready and confident in their abilities to create impactful architectural designs. The institution also promotes an eco-conscious and socially responsible design philosophy. Through its programs, students are encouraged to adopt sustainable building practices and contribute to the development of green, energy-efficient architecture. This approach not only aligns with global architectural trends but also reflects DCSMAT’s commitment to producing architects who care about the environment and community. For students applying for B Arch admission in Kerala, DCSMAT offers more than just education—it offers a transformative experience. The campus atmosphere fosters creativity, collaboration, and innovation. Regular workshops, guest lectures, and intercollegiate events help students stay connected to the latest trends and technologies in architecture. DCSMAT also supports professional growth through internships and industry tie-ups, ensuring students are well-prepared to enter the architectural profession with confidence and competence. In conclusion, B Arch admission in Kerala at DCSMAT Institution is the ideal choice for aspiring architects who wish to combine creativity with practical expertise. With a focus on design excellence, sustainability, and innovation, DCSMAT provides students with a strong foundation to succeed in the world of architecture. Choosing DCSMAT means choosing a future built on imagination, technical mastery, and a deep understanding of architectural principles. Start your journey toward becoming a visionary architect with DCSMAT—where ideas take shape, and creativity builds the future.

our emotions aren’t built-in, waiting to be revealed. They are made. By us. We don’t recognize emotions or identify emotions: we construct our own emotional experiences, and our perceptions of others’ emotions, on the spot, as needed, through a complex interplay of systems. Human beings are not at the mercy of mythical emotion circuits buried deep within animalistic parts of our highly evolved brain: we are architects of our own experience.

Springtime flatters this part of the Somme countryside, undramatic with its flat fields and scattered villages. The largest object for miles, dominating the shallow depression of the Ancre, is the Thriepval Memorial. You approach the park down a long avenue, past lawns carefully tended and set in a girdle of trees. The massive triple arch of dark-red brick, each leg of the arch four piers deep, each pier with its four high panels of dun-coloured marble on which the names of the dead are engraves, is, for all its height, a squat, graceless thing. There is not another soul in sight, and no sound. From the plinth you look down long rows of white crosses and plain headstones on the far side of the memorial; some say inconnu, others 'A Sodier of the Great War'. Beyond them, beyond this enclosure, the lush countryside meanders to its low horizon. The dead are listed by regiment, then by rank and then alphabetically - nothing disordered here. This dismal monumentalism, a confirmation rather than a denial of the mindset which led to such slaughter in the first place, though the architect intended no irony. The monument was raised by the power of the state as a piece of political theatre extravagant enough to be seen from miles and years away, as it was by my father when he passed on the Bapaume Road in the summer of 1944.