Apron With Wine Quotes

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They looked up. Someone with a face and apron that said ‘barman’ in seven hundred languages was standing over them, a wine jug in each hand. "No women in here," he went on. "Why not?" said Nobby. "No women asking questions, neither." "Why not?" “‘cos it is written, that’s why.” "Where’m I supposed to go, then?" The barman shrugged. “Who knows where women go?” "Off you go, Beti," said the Patrician. "And … listen for information!" Nobby grabbed the cup of wine from Colon and gulped it down. "I dunno," he moaned. "I’ve only been a woman ten minutes and already I hate you male bastards.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
Too often we only identify the crucial points in our lives in retrospect. At the time we are too absorbed in the fetid detail of the moment to spot where it is leading us. But not this time. I was experiencing one of my dad’s deafening moments. If my life could be understood as a meal of many courses (and let’s be honest, much of it actually was), then I had finished the starters and I was limbering up for the main event. So far, of course, I had made a stinking mess of it. I had spilled the wine. I had dropped my cutlery on the floor and sprayed the fine white linen with sauce. I had even spat out some of my food because I didn’t like the taste of it. “But it doesn’t matter because, look, here come the waiters. They are scraping away the debris with their little horn and steel blades, pulled with studied grace from the hidden pockets of their white aprons. They are laying new tablecloths, arranging new cutlery, placing before me great domed wine glasses, newly polished to a sparkle. There are more dishes to come, more flavors to try, and this time I will not spill or spit or drop or splash. I will not push the plate away from me, the food only half eaten. I am ready for everything they are preparing to serve me. Be in no doubt; it will all be fine.” (pp.115-6)
Jay Rayner (Eating Crow: A Novel of Apology)
The two women sat by the fire, tilting their glasses and drinking in small peaceful sips. The lamplight shone upon the tidy room and the polished table, lighting topaz in the dandelion wine, spilling pools of crimson through the flanks of the bottle of plum gin. It shone on the contented drinkers, and threw their large, close-at-hand shadows upon the wall. When Mrs Leak smoothed her apron the shadow solemnified the gesture as though she were moulding an universe. Laura's nose and chin were defined as sharply as the peaks peaks on a holly leaf.
Sylvia Townsend Warner (Lolly Willowes)
In the kitchen reigned confusion and despair. One edition of jelly was trickled from pot to pot, another lay upon the floor, and a third was burning gaily on the stove. Lotty, with Teutonic phlegm, was calmly eating bread and currant wine, for the jelly was still in a hopelessly liquid state, while Mrs. Brooke, with her apron over her head, sat sobbing dismally.
Louisa May Alcott
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
And then there is the waiter. Not pathetic-decidedly not comic. Never making one of those perfectly insignificant remarks which amaze you so coming from a waiter (as though the poor wretch were a sort of coffee-pot and a wine bottle and not expected to hold so much as a drop of anything else). He is grey, flat-footed, and withered, with long, brittle nails that set your nerves on edge while he scrapes up your two sous. When he is not smearing over the table or flicking at a dead fly or two, he stands with one hand on the back of a chair, in his far too long apron, and over his other arm the three-cornered dip of dirty napkin, waiting to be photographed in connexion with some wretched murder. “Interior of Café where Body was Found.” You’ve seen him hundreds of times.
Katherine Mansfield (Je ne parle pas français)
I'll never forget that time, when we first came here, and our horse had the colic, and I ran over to your place—your father was away, and you came home with me and showed father how to let the wind out of the horse. You were only a little girl then, but you knew ever so much more about farm work than poor father. You remember how homesick I used to get, and what long talks we used to have coming from school? We've someway always felt alike about things.” “Yes, that's it; we've liked the same things and we've liked them together, without anybody else knowing. And we've had good times, hunting for Christmas trees and going for ducks and making our plum wine together every year. We've never either of us had any other close friend. And now”—Alexandra wiped her eyes with the corner of her apron—
Willa Cather (O Pioneers!)
Everyone looks at us expectantly when we emerge from the downstairs, and I’m sure it’s just my imagination but I can’t help but feel that a suspicious hush has fallen over the room. I wave, like an idiot. “Hey. Sorry I fell asleep.” I point behind me, down the stairs. “After we were talking. And playing cards. You know.” Miles screws his face up. “Thanks for the update.” He tugs at the strap of a floral apron around his neck and picks up a can opener. Granted, it’s a sort of fancy version of a regular can opener, but my brother turns it around in his hands like it’s a complicated rocket engine part salvaged from NASA. Are we really entrusting this fetus with dinner preparation for thirteen people? Andrew starts to explain to him how to use it, but I stop him with a hand on his arm. “No. He will learn through the suffering.” I turn to give the same warning look to my mom, but she seems perfectly content at the kitchen table with a glass of wine in one hand and a paperback in the other. Miles looks like he would very much like to give me the finger, but then his expression clears and a smirk pulls at his mouth. “Dude.” He points upward. “You two are under the mistletoe.” In unison, Andrew and I turn our faces up to the doorway overhead. Miles is right. The festive sprig is now hanging from a red ribbon pinned into the doorway. “I didn’t know that was there,” I burst out defensively
Christina Lauren (In a Holidaze)
He said wouldn't it be brilliant to have a food emporium on the ground floor of Fenton's, like Harrods, but have everything organic and locally grown." Diana paused to let the idea sink in. "I said not the ground floor of course, Fenton's isn't a supermarket, but the basement has been a dead zone for years. A whole floor dedicated to stationery when no one writes letters anymore." "A food emporium," Cassie repeated. "Fresh fish caught in the bay, oysters, crab when it's in season. Counters of vegetables you only find in the farmers market, those cheeses they make in Sonoma that smell so bad they taste good. Wines from Napa Valley, Ghirardelli chocolates, sourdough bread, sauces made by Michael Mina and Thomas Keller. Everything locally produced. And maybe a long counter with stools so you could sample bread and cheese, cut fruit, sliced vegetables. Not a true cafe because we'd keep the one on the fourth floor. It would have more the feel of a food bazaar, with the salespeople wearing aprons and white caps." Cassie closed her eyes and saw large baskets of vegetables, glass cases filled with goat cheese and baguettes, stands brimming with chocolate-covered strawberries.
Anita Hughes (Market Street)
As she said this, she tossed him one of her blue-and-gray-checked tea towels to use as an apron. She was wearing a blue summer dress and tucked her towel-apron into her red belt. Today he could see that her blond hair was tinged with silver at the temples and that the former confusion and terror had left her eyes. Soon the windowpanes had misted up; the gas flames were hissing under pots and pans; the white wine, shallots and cream sauce was simmering; and in a heavy pan the olive oil was browning potatoes sprinkled with rosemary and salt. They were chatting away as if they'd known each other for years and had simply lost touch for a while. About Carla Bruni, and about how male sea horses carried their young around in a pouch on their stomachs. They talked about fashion and about the trend for salt with added flavorings, and of course they gossiped about their neighbors.
Nina George (The Little Paris Bookshop)
Staff meal." The words are sweet relief, and I untie the apron Roberto gave me, hanging it up on the hook by the entrance. Sure, I ate here last night. But there were so many things on the menu I didn't order. The open-faced duck confit sandwich with red wine aioli, the almond-crusted salmon with zucchini puree, tempura vegetables, chipotle oil. I wonder how this works, if we get to choose whatever we want. Or maybe it's some new creation, some experimental dish that Chef tries out on the staff before adding it to the menu. To think that I might try one of her dishes before anyone else is all the reward I need for today's scrubbing, for the hot water that has splashed all over me throughout the day. What I find instead is a sheet tray of charred burger patties, most of them covered in toxic-yellow American cheese. There's another sheet tray with toasted buns and matchstick fries. Morris and Boris are leaning against the coffee station, taking huge bites in sync. I try to hide my disappointment, follow Elias's lead and grab a plate. I'm shocked that some people are eating it just like that, munching down as quickly as possible without bothering with the condiments. I'm starving too, but it's crazy to me that Chef Elise's food is at their fingertips and everyone's just letting it sit there. There's a whole line of deli containers right in front of us, and I can't even tell what's in them, but the mere thought is making my mouth water. Whispering so that no one can laugh and/or yell at me, I ask Elias if it's cool to use some of the mise to spruce up the burger. He shrugs. "Do your thing." It mellows the disappointment a little: pickled red jalapeños, cilantro aioli, Thai slaw.
Adi Alsaid (North of Happy)
Several pills and a hot shower later, I felt well enough to go back to the party. To my surprise, the three girls were skinny-dipping in the rooftop swimming pool, while Johnny, wearing nothing but an apron, served them wine from a silver platter. “Ze white is a 1968 Chassagne-Montrachet,” he said in a cheesy accent plucked from the Mighty Carson Art Players, “and ze rhedd is a 1966 Pétrus.” I was impressed; that Pétrus went for $3,000 a bottle. “Come on, Henry,” Johnny shouted. “Take off your clothes! Join the fun!” Well, I
Henry Bushkin (Johnny Carson: A Taut Portrait of a Complex Man Revealing the True Johnny Carson)
Madame Escoffier," he said. In his white apron, he was again the man she loved. The gentle man who only spoke in whispers. "I am sorry," she said. "I am not." He leaned over and kissed her. His lips tasted of tomatoes, sharp and floral. The moment, filled with the heat of a reckless summer, brought her back to the gardens they had grown together in Paris in a private courtyard behind Le Petit Moulin Rouge. Sweet Roma tomatoes, grassy licorice tarragon, thin purple eggplants and small crisp beans thrived in a series of old wine barrels that sat in the tiny square. There were also violets and roses that the 'confiseur' would make into jellies or sugar to grace the top of the 'petit-fours glacés,' which were baked every evening while the coal of the brick ovens cooled down for the night. "No one grows vegetables in the city of Paris," she said, laughing, when Escoffier first showed her his hidden garden, "except for Escoffier." He picked a ripe tomato, bit into it and then held it to her lips. "Pomme d'amour, perhaps this was fruit of Eden." The tomato was so ripe and lush, so filled with heat it brought tears to her eyes and he kissed her. "You are becoming very good at being a chef's wife." "I love you," she said and finally meant it. 'Pommes d'amour.' The kitchen was now overflowing with them.
N.M. Kelby (White Truffles in Winter)
We'll start with a '95 Kistler-Dutton Ranch." She poured one for herself and tasted it. Ah, yes, she thought. Intense and lively with layers of pear, spice, vanilla, and nutmeg. And a hint of honey, if she wasn't mistaken. She smacked her lips. Her foray entered into, she was relaxing and beginning to enjoy herself. She grinned with glee as she wrapped herself into her oversize apron. "As I am a culinary orphan, I have chosen dishes from a wide range of influences. We're starting with classical French. In France, to begin, they often offer you what they call 'amuse bouches.' Amusements for the mouth. Here are yours." She set before him a platter filled with baby profiteroles, little puffs of pastry sliced in the middle and filled with a surprise. Troy reached out and brought one to his lips. His face flushed with pleasure as he bit into the creamy filling. "Yes," she said. "Finely chopped cooked lobster mixed with finely chopped cooked mushrooms sautéed in lobster butter. All bound with hot béchamel sauce.
Nina Killham (How to Cook a Tart)
It's one of my own recipes: peach crème brûlée with a brandy crust." She paraded it past Daniel's eyes. "See," she said, "I made your favorite. Of course I perfected it considerably these past few weeks." She kept walking and deposited the dish in front of Troy. She poured over it a good douse of brandy, then rummaged in her apron and drew forth a long match. One flick and the brûlée ignited in a crown of blue flames. Troy's eyes widened with childish pleasure. "Here you go, my big man." Her spoon crunched into the caramelized topping and reemerged with rich, creamy, peachy dessert. On the plate, the velvety brûlée glistened with delicious, crackly caramel. Jasmine pushed forward a glass of Robert Mondavi's luscious Moscato d'Oro. "Bon appétit.
Nina Killham (How to Cook a Tart)
Shit.” He suddenly sets down the carver. “You know what I need?” “What?” “An apron.” He disappears into the pantry adjacent to the kitchen then sticks his head out. “Do you want one too?” Lord. Can I handle him in an apron? “Um, sure.” Tripp is pulling one over his neck when he walks back out, a basic black canvas getup he’s tying around his waist. Has an identical one for me. Standing in front of me, mere inches away, he slides the thin straps over my head, pulls it down and sizes it. Creates a fold in front so it’s not too long, then slides his arms behind my back, loops it around once, and ties it in a bow at my belly button. “Well then. Aren’t you fucking adorable.” He leans forward, kissing me on the tip of the nose. What the what has gotten into him? What the hell is in this wine?
Sara Ney (Hard Love (Trophy Boyfriends, #3))
The release of steam created a sigh in the air, acting as the prayer before a meal, the ceremonial ribbon cutting before the devouring. Eating crab was a leisurely pursuit. The sweet treasure of crabmeat could only be unlocked by a deft grip or the aid of a steel seafood cracker. I offered the coveted heavy female crab to my guest. He smiled and brandished his cracker, shattering the shell in strategic spots. He attacked with purpose: disassembling, dissecting to get to the jeweled fat and eggs inside. While Older Shen ate, I proceeded with my own crab, prying the carapace open by pulling on its apron. The juices dripped down my fingers as I attacked the meat in the body first. My favorite parts were the legs because of how little effort they took compared to the claw and the minute chambers of the body. I sucked the meat from the hollow legs, careful to avoid the plasticky cartilage. The sweetness of the crab complemented the spicy, tangy dipping sauce I'd provided. Flecks of green onion and yellow disks of chili pepper seeds floated in the red wine vinegar.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)