Although We Are Far Apart Quotes

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Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired a hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newly weds." "Oh my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenous activities, like a long night of love making, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had just poured for him. "What about you princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry."I sighed and sat up. "Oh really?" Loki arched an eyebrow. "Does that mean that last night-" "It means last night is none of your business," I snapped.
Amanda Hocking (Ascend (Trylle, #3))
Have you ever been to Florence?” asked Dr. Igor. “No.” “You should go there; it’s not far, for that is where you will find my second example. In the cathedral in Florence, there’s a beautiful clock designed by Paolo Uccello in 1443. Now, the curious thing about this clock is that, although it keeps time like all other clocks, its hands go in the opposite direction to that of normal clocks.” “What’s that got to do with my illness?” “I’m just coming to that. When he made this clock, Paolo Uccello was not trying to be original: The fact is that, at the time, there were clocks like his as well as others with hands that went in the direction we’re familiar with now. For some unknown reason, perhaps because the duke had a clock with hands that went in the direction we now think of as the “right” direction, that became the only direction, and Uccello’s clock then seemed an aberration, a madness.” Dr. Igor paused, but he knew that Mari was following his reasoning. “So, let’s turn to your illness: Each human being is unique, each with their own qualities, instincts, forms of pleasure, and desire for adventure. However, society always imposes on us a collective way of behaving, and people never stop to wonder why they should behave like that. They just accept it, the way typists accepted the fact that the QWERTY keyboard was the best possible one. Have you ever met anyone in your entire life who asked why the hands of a clock should go in one particular direction and not in the other?” “No.” “If someone were to ask, the response they’d get would probably be: ‘You’re crazy.’ If they persisted, people would try to come up with a reason, but they’d soon change the subject, because there isn’t a reason apart from the one I’ve just given you. So to go back to your question. What was it again?” “Am I cured?” “No. You’re someone who is different, but who wants to be the same as everyone else. And that, in my view, is a serious illness.” “Is wanting to be different a serious illness?” “It is if you force yourself to be the same as everyone else. It causes neuroses, psychoses, and paranoia. It’s a distortion of nature, it goes against God’s laws, for in all the world’s woods and forests, he did not create a single leaf the same as another. But you think it’s insane to be different, and that’s why you chose to live in Villete, because everyone is different here, and so you appear to be the same as everyone else. Do you understand?” Mari nodded. “People go against nature because they lack the courage to be different, and then the organism starts to produce Vitriol, or bitterness, as this poison is more commonly known.
Paulo Coelho (Veronika Decides to Die)
Listen, baby Ain't no mountain high Ain't no valley low Ain't no river wide enough, baby If you need me, call me No matter where you are No matter how far Just call my name I'll be there in a hurry You don't have to worry 'Cause baby, There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you Remember the day I set you free I told you You could always count on me From that day on I made a vow I'll be there when you want me Some way,some how 'Cause baby, There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you No wind, no rain My love is alive Way down in my heart Although we are miles apart If you ever need a helping hand I'll be there on the double As fast as I can Don't you know that There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you Don't you know that There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough
Marvin Gaye
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened. "Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds." "Oh, my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him. "What about you, Princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry." I sighed and sat up. "Oh, really?" Loki arched an eyebrow. "Does that mean that last night-" "It means that last night is none of your business," I snapped. I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before. "Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen." "Oh, I have plenty you haven't seen," I said and pulled the robe around me. "You should get married more often," Loki teased. "It makes you feisty." I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself. "What are you doing?" I asked. "Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas." "Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed. "He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care." In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life. "So, how did everyone sleep last night?" Loki asked. There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding. "Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly. "Finn?" I asked, stunned. Finn looked appalled and pointed at Loki. "What are you doing here?" "I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?" "What is he doing here?" Finn asked, turning his attention to me. "Never mind him." I waved it off. "What's going on?" "See, Finn, you should've told me when I asked," Loki said between sips of his drink.
Amanda Hocking (Ascend (Trylle, #3))
Some scholars believe we have long since passed a tipping point where the declining marginal return on imprisonment has dipped below zero. Imprisonment, they say, now creates far more crime than it prevents, by ripping apart fragile social networks, destroying families, and creating a permanent class of unemployables.28 Although it is common to think of poverty and joblessness as leading to crime and imprisonment, this research suggests that the War on Drugs is a major cause of poverty, chronic unemployment, broken families, and crime today. Todd R. Clear’s book Imprisoning Communities: How Mass Incarceration Makes Disadvantaged Communities Worse powerfully demonstrates that imprisonment has reached such extreme levels in many urban communities that a prison sentence and/or a felon label poses a much greater threat to urban families than crime itself.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
The picture of human life in the market-place, though its general tint was the sad gray, brown, or black of the English emigrants, was yet enlivened by some diversity of hue. A party of Indians—in their savage finery of curiously embroidered deerskin robes, wampum-belts, red and yellow ochre, and feathers, and armed with the bow and arrow and stone-headed spear—stood apart with countenances of inflexible gravity, beyond what even the Puritan aspect could attain. Nor, wild as were these painted barbarians, were they the wildest feature of the scene. This distinction could more justly be claimed by some mariners—a part of the crew of the vessel from the Spanish Main—who had come ashore to see the humours of Election Day. They were rough-looking desperadoes, with sun-blackened faces, and an immensity of beard; their wide short trousers were confined about the waist by belts, often clasped with a rough plate of gold, and sustaining always a long knife, and in some instances, a sword. From beneath their broad-brimmed hats of palm-leaf, gleamed eyes which, even in good-nature and merriment, had a kind of animal ferocity. They transgressed without fear or scruple, the rules of behaviour that were binding on all others: smoking tobacco under the beadle's very nose, although each whiff would have cost a townsman a shilling; and quaffing at their pleasure, draughts of wine or aqua-vitae from pocket flasks, which they freely tendered to the gaping crowd around them. It remarkably characterised the incomplete morality of the age, rigid as we call it, that a licence was allowed the seafaring class, not merely for their freaks on shore, but for far more desperate deeds on their proper element. The sailor of that day would go near to be arraigned as a pirate in our own. There could be little doubt, for instance, that this very ship's crew, though no unfavourable specimens of the nautical brotherhood, had been guilty, as we should phrase it, of depredations on the Spanish commerce, such as would have perilled all their necks in a modern court of justice. But the sea in those old times heaved, swelled, and foamed very much at its own will, or subject only to the tempestuous wind, with hardly any attempts at regulation by human law. The buccaneer on the wave might relinquish his calling and become at once if he chose, a man of probity and piety on land; nor, even in the full career of his reckless life, was he regarded as a personage with whom it was disreputable to traffic or casually associate. Thus the Puritan elders in their black cloaks, starched bands, and steeple-crowned hats, smiled not unbenignantly at the clamour and rude deportment of these jolly seafaring men; and it excited neither surprise nor animadversion when so reputable a citizen as old Roger Chillingworth, the physician, was seen to enter the market-place in close and familiar talk with the commander of the questionable vessel.
Nathaniel Hawthorne (The Scarlet Letter)
Yes, he admitted, if gravity is always attractive, and never repulsive, then the stars in the universe might be unstable. But there was a loophole in this argument. Assume that the universe is, on average, totally uniform and infinite in all directions. In such a static universe, all the forces of gravity cancel one another out, and the universe becomes stable once again. Given any star, the forces of gravity acting on it from all the distant stars in different directions eventually sum to zero, and hence the universe does not collapse. Although this was a clever solution to this problem, Newton realized there was still a potential flaw to his solution. The universe might be uniform on average, but it cannot be exactly uniform at all points, so there must be tiny deviations. Like a house of cards, it appears to be stable, but the tiniest flaw will cause the entire structure to collapse. So Newton was clever enough to realize that a uniform infinite universe was indeed stable but was always teetering on the edge of collapse. In other words, the cancellation of infinite forces must be infinitely precise or else the universe will either collapse or be ripped apart. Thus, Newton’s final conclusion was that the universe was infinite and uniform on average, but occasionally God has to tweak the stars in the universe, so they do not collapse under gravity. Why Is the Night Sky Black? But this raised another problem. If we start with a universe that is infinite and uniform, then everywhere we look into space our gaze will eventually hit a star. But since there are an infinite number of stars, there must be an infinite amount of light entering our eyes from all directions. The night sky should be white, not black. This is called Olbers’ paradox. Some of the greatest minds in history have tried to tackle this sticky question. Kepler, for example, dismissed the paradox by claiming that the universe was finite, and hence there is no paradox. Others have theorized that dust clouds have obscured starlight. (But this cannot explain the paradox, because, in an infinite amount of time, the dust clouds begin to heat up and then emit blackbody radiation, similar to a star. So the universe becomes white again.) The final answer was actually given by Edgar Allan Poe in 1848. Being an amateur astronomer, he was fascinated by the paradox and said that the night sky is black because, if we travel back in time far enough, we eventually encounter a cutoff—that is, a beginning to the universe. In other words, the night sky is black because the universe has a finite age. We do not receive light from the infinite past, which would make the night sky white, because the universe never had an infinite past. This means that telescopes peering at the farthest stars will eventually reach the blackness of the Big Bang itself. So it is truly amazing that by pure thought, without doing any experiments whatsoever, one can conclude that the universe must have had a beginning.
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner. He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before. “Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him. Apparently that had been the right thing to say because he smiled widely in response to it. “What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it. “Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.” “You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face. “I’m not sure if that’s a compliment or not.” “It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.” “Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully. He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...” He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do. “Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine. “Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.” I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.” “You haven’t taken back your royal name?” he asked in surprise. “I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted. You don’t know?” he asked in surprise. “Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased. He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.” “Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.
Edgar Allan Poe (The Complete Works Of Edgar Allen Poe: Miscellany)
I didn’t have a mother in Cokyri.” “You’re far too well-mannered not to have had a mother growing up.” Her blue eyes were twinkling, unthreatening. Again, she was teasing him, and although I expected him to simply sidestep her a third time, he did not. “To the extent I had a mother, she was the High Priestess.” I looked incredulously back and forth between the two of them, for in half an hour, my mother had enticed Narian to divulge as much to her as I had gleaned in two years. Though I was now bursting to speak, I refrained, and she pressed him further. “You’re close to her then?” This was more a statement than a question. “At one time we were very close. She cared for me, when I was young. I grew apart from her over time, and then, when I found out that I was born Hytanican…” “Yes?” “She lied to me. Had been lying for years--my entire life.” He was not letting himself feel the words, but there was an ache underlying them. I thought back to when Narian and I had first met--he had fascinated me, but I had never considered what he must have been enduring. At sixteen years of age, he’d run away, and not just from home, but from his country, into the land of his enemy. His anger and feelings of betrayal must have been overwhelming, and he had to have been scared, though he never showed it. And now my mother had him talking about it. “The difficulty at this point,” she said, nodding sympathetically, “is learning that you cannot judge the world by the actions of one person.” “Yes, I can,” he responded, promptly enough that even my mother was surprised. “You can’t object to me evaluating the world based on Alera’s example.” She laughed, while I sat quietly by, feeling my face grow hot. Narian was not one to give compliments, though I knew he noticed many things. I glanced to him, highly appreciative of his words, and laid my hand upon his forearm. “Quite right,” my mother concurred, smiling at us both.
Cayla Kluver (Sacrifice (Legacy, #3))
Alric looked at Reuben. “Is he telling the truth? I can have him ripped apart by dogs, you know. I love dogs. We use them to hunt, but they aren’t allowed to actually take down or eat their quarry. Always thought that was a shame, you know? I think they would appreciate the opportunity. It could be fun too. We could just let these fools run and bet on how far they can get before the dogs catch them.” “I bet Horace doesn’t make it to the gate,” Mauvin said; then all heads turned to Reuben. Ellison looked at him, too, his face frozen in a tense, wide-eyed stare. “I wasn’t aware of any threat from Squire Ellison, Your Highness,” Reuben replied. “Are you sure?” Alric pressed, and flicked a small yellow leaf off Ellison’s shoulder. “We don’t have to use the dogs.” He smiled and tilted his head toward the Pickerings. “They’d love to teach them a lesson, you know. In a way they’re a lot like hunting dogs—they never get the chance to kill anyone either. Ever since they reached their tenth birthday, no one has been stupid enough to challenge them.” “I was, Your Highness,” Reuben said. That got a laugh from the Pickerings and the prince, although Reuben didn’t know why. “Yes, you did, didn’t you?” “That’s why you’re our friend,” Mauvin explained. “He didn’t know who we were,” Fanen pointed out. “He had no idea about the skill of a Pickering blade.” “It wouldn’t have mattered,” Reuben said. His blood was still up from the fight, and his mouth ran away with him. “If I thought you were there to harm the princess, I would still have fought you.” A moment of silence followed this and Reuben watched as Alric smiled; then he glanced at Mauvin and they laughed again. “Tell me, Hilfred, how are you at catching frogs?
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
She thrust the pink box she was holding into Mr. Rutherford’s hands before she opened up her reticule and pulled out a fistful of coins. Counting them out very precisely, she stopped counting when she reached three dollars, sixty-two cents. Handing Mr. Rutherford the coins, she then took back the pink box, completely ignoring the scowl Mr. Rutherford was now sending her. “This is not the amount of money I quoted you for the skates, Miss . . . ?” “Miss Griswold,” Permilia supplied as she opened up the box and began rummaging through the thin paper that covered her skates. Mr. Rutherford’s brows drew together. “Surely you’re not related to Mr. George Griswold, are you?” “He’s my father,” Permilia returned before she frowned and lifted out what appeared to be some type of printed form, one that had a small pencil attached to it with a maroon ribbon. “What is this?” Mr. Rutherford returned the frown, looking as if he wanted to discuss something besides the form Permilia was now waving his way, but he finally relented—although he did so with a somewhat heavy sigh. “It’s a survey, and I would be ever so grateful if you and Miss Radcliff would take a few moments to fill it out, returning it after you’re done to a member of my staff, many of whom can be found offering hot chocolate for a mere five cents at a stand we’ve erected by the side of the lake. I’m trying to determine which styles of skates my customers prefer, and after I’m armed with that information, I’ll be better prepared to stock my store next year with the best possible products.” “Far be it from me to point out the obvious, Mr. Rutherford, but one has to wonder about your audacity,” Permilia said. “It’s confounding to me that you’re so successful in business, especially since not only are you overcharging your customers for the skates today, you also expect those very customers to extend you a service by taking time out of their day to fill out a survey for you. And then, to top matters off nicely, instead of extending those customers a free cup of hot chocolate for their time and effort, you’re charging them for that as well.” “I’m a businessman, Miss Griswold—as is your father, if I need remind you. I’m sure he’d understand exactly what my strategy is here today, as well as agree with that strategy.” Permilia stuck her nose into the air. “You may very well be right, Mr. Rutherford, but . . .” She thrust the box back into his hands. “Since I’m unwilling to pay more than I’ve already given you for these skates, I’ll take my money back, if you please.” “Don’t be ridiculous,” Mr. Rutherford said, thrusting the box right back at Permilia. “Now, if the two of you will excuse me, I have other customers to attend to.” With that, he sent Wilhelmina a nod, scowled at Permilia, and strode through the snow back to his cash register.
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Although she is far apart from me, but still we are living in the same air and under the same moon, when she breath i take her breath through the air to the core of my heart,i feel her,i smells her every moment…!
zia
We file into the suite and are instantly greeted by Rena and the three younger Noires, all various shades of trouble. While Axel and Ryker sport suits, charm, and a chiseled edge, the rest of the family boasts self-expression. Jax has blue hair, highlighting the dark blue rims on his golden-brown eyes, gauges in his stretched piercings, and colored tattoos. Maddox has wintry-gray eyes, messy onyx-black hair, and black tattoos all over his pale skin, even his fingers. Cash is less extreme—tousled blond hair, complementing his baby blues, and a few less tattoos. His menacing smile is what sets him apart. No question he’s a miscreant, shoving anyone within reach to the depths of Hell. Although I suspect the fall from grace would be the trip of a lifetime. And last, but far from least, there’s Rena, the gothic-punk Noire princess.
Brandy Hynes (Carving Graves (KORT, #2))
A series of light bulbs dangling from raw wires illuminated its progression to a far-off end… and she wasn’t sure what she was seeing. The walls had cutouts in them, little curve-topped holes stacked three to a group and spaced far enough apart to accommodate ladders that led up to the middle and top levels. It was almost as though they were sleeping compartments of some kind— “Come on,” Apex hissed. “We don’t want to be caught here.” “Then why did you stop.” She glanced back at him. “What are all those spaces?” “None of your business.” As he pulled her away, she did some math in her head. Assuming they were a kind of bunk system, there had to be—Jesus, several hundred workers in the facility. “How many people are here?” she said, even though she’d already done the estimate, and even if she hadn’t, he would certainly not help her. It was more like she couldn’t believe the total. “We’re going all the way up to the main floor. It’s more dangerous in some ways and less so in others.” “Well, I’ll put that in my Yelp! review of this place. Thanks.” When they got to the next floor, he didn’t give her a chance to stop at the fire door. She caught only a glance through its window down another long corridor. Unlike the one under it, the level seemed to be far more brightly lit, and there were no sleeping pods. The walls were also finished, although only with raw Sheetrock from what she glimpsed. At the next landing, Apex stopped at a steel door that had no window in it. Pressing his ear against the steel panel, he seemed to not even breathe as he listened. Then he turned to her. “The lowest two floors are totally underground. The next one up is mostly so. This one is not at all, however, so I’m going to have to move fast. As soon as I open the way, we’re heading to the first door on the left that’s unlocked. It’s a break room. It will be empty and the windows are boarded up, so it’s safer. On three. One… two… three—” Apex ripped open the metal panel, and then recoiled as if he had been hit with toxic gas. Lifting his arm to his face, he ducked down low—and jumped forward
J.R. Ward (The Wolf (Black Dagger Brotherhood: Prison Camp, #2))
The Mariner’s Officers Club was a classy place and much the same as the one I had heard about in Cape Town. Complete with “linen service” it was about as good as it gets. The Monkey Gland Steak… Not to worry, it’s only a name; no monkeys are a part of this tangy sauce that is a delicious blend of fruit and splices. The sauce can also be used as a marinade. As far as I know it is not on the market but can be made by frying minced onions, garlic and ginger in coconut oil until the onions are translucent. Pour this over your favorite steak or hamburger for an exciting taste treat. From here we took a taxi to the Smuggler’s Inn which was in a British Colonial Style building on Point Road. Although the area that the nightclub was in was considered part of the red light district it was a popular Avant guarde area where the younger in crowd of Durban would go. With upbeat music in the days prior to rock & roll it was a lot of fun. The bottom end of Point Road Mahatma Gandhi Road at night was always a hive of activity with Smugglers leading the way as an offbeat entertainment center. Before returning to Kerstin’s flat we had the driver take us to the end of the point where we could find the newest nightclubs with strip shows, music, dancing. We even witnessed a slug fest between some guys, known as a raut. For us it was a hoot and lots of fun but I’m certain that they were black & blue for days. Kerstin told me that many of the participants of these fights could be expected to show up at Dr. Acharya’s practice the following Monday. Returning to her apartment we enjoyed the rest of the evening in bed. At six o’clock the taxi I had called was waiting curbside. I considered how lucky I was to have connected with Kerstin but I still didn’t know much about her. Why did this beautiful girl come into my life? It was a mystery without an answer!
Hank Bracker
Although I agree that we need to attend to the social, asserting a sharp divide between impairment and disability fails to recognize that both impairment and disability are social; simply trying to determine what constitutes impairment makes clear that impairment doesn't exist apart from social meanings and understandings. Susan Wendell illustrates this problem when she queries how far one must be able to walk to be considered able-bodied; the answer to that question, she explains, has much to do with the economic and geographic context in which it is addressed.
Alison Kafer (Feminist, Queer, Crip)
There is thus a twofold restriction put upon pure truth: on the one hand an aspect of the truth is invested with the character of integral truth, and on the other hand an absolute character is attributed to the relative. Furthermore this standpoint of expediency carries with it the negation of all those things which, being neither accessible nor indispensable to everyone indiscriminately, lie for that reason beyond the purview of the theological perspective and must be left outside it—hence the simplifications and symbolical syntheses peculiar to every exoterism. Lastly, we may also mention, as a particularly striking feature of these doctrines, the identification of historical facts with principial truths and the inevitable confusions resulting therefrom. For example, when it is said that all human souls, from that of Adam to the departed souls of Christ’s own contemporaries, must await his descent into hell in order to be delivered, such a statement confuses the historical with the cosmic Christ and represents an eternal function of the Word as a temporal fact for the simple reason that Jesus was a manifestation of this Word, which is another way of saying that in the world where this manifestation took place, Jesus was truly the unique incarnation of the Word. Another example may be found in the divergent views of Christianity and Islam on the subject of the death of Christ: apart from the fact that the Koran, by its apparent denial of Christ’s death, is simply affirming that Christ was not killed in reality— which is obvious not only as regards the divine nature of the God- Man, but also as regards his human nature, since it was resurrected—the refusal of Muslims to admit the historical Redemption, and consequently the facts that are the unique terrestrial expression of universal Redemption as far as Christian humanity is concerned, simply denotes that in the final analysis Christ did not die for those who are “whole”, who in this case are the Muslims insofar as they benefit from another terrestrial form of the one and eternal Redemption. In other words, if it is true in principle that Christ died for all men—in the same way that the Islamic Revelation is principally addressed to everyone—in fact he died only for those who must and do benefit from the means of grace that perpetuate his work of Redemption; hence the traditional distance separating Islam from the Christian Mystery is bound to appear exoterically in the form of a denial, exactly in the same way that Christian exoterism must deny the possibility of salvation outside the Redemption brought about by Jesus. However that may be, although a religious perspective may be contested ab extra, that is to say, in the light of another religious perspective deriving from a different aspect of the same truth, it remains incontestable ab intra inasmuch as its capacity to serve as a means of expressing the total truth makes of it a key to that truth. Moreover it must never be forgotten that the restrictions inherent in the dogmatist point of view express in their own way the divine Goodness, which wishes to prevent men from going astray and which gives them what is accessible and indispensable to everyone, having regard to the mental predispositions of the human collectivity concerned.
Frithjof Schuon (The Fullness of God: Frithjof Schuon on Christianity (Library of Perennial Philosophy))