Although We're Not Together Quotes

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I tilt my head and ask “What firsts have we already passed?” “The easy ones,” he says. “First hug, first date, first fight, first time we slept together, although I wasn’t the one sleeping. Now we barely have any left. First kiss. First time to sleep together when we’re both actually awake. First marriage. First kid. We’re done after that. Our lives will become mundane and boring and I’ll have to divorce you and marry a wife who’s twenty years younger than me so I can have a lot more firsts and you’ll be stuck raising the kids.” He bring his hand to my cheek and smile at me. “So you see, babe? I’m only doing this for your benefit. The longer I wait to kiss you, the longer it’ll be before I’m forced to leave you high and dry.
Colleen Hoover (Hopeless (Hopeless, #1))
[..]Although personally, I think cyberspace means the end of our species." Yes? Why is that?" Because it means the end of innovation," Malcolm said. "This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they'll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behaviour. We innovate new behaviour to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That's the effect of mass media - it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there's a McDonald's on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there's less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity - our most necessary resource? That's disappearing faster than trees. But we haven't figured that out, so now we're planning to put five billion people together in cyberspace. And it'll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. [..]
Michael Crichton (The Lost World (Jurassic Park, #2))
In this impossible alternate world where time moves in another direction, where the fields are endless, and where the ground beneath us has never been more unstable. Although I’m beginning to lose track of which way is up or down, it’s a wonderful sense of relief to have someone else here with me. Someone who can look, see what I see, and tell me I’m not dreaming. Or maybe we’re dreaming together, I’m not sure. But it doesn’t matter right now. Neither of us wants to wake up from this.
Dustin Thao (You've Reached Sam)
Well.” I’m quiet for a few seconds, weighing whether I’m about to make a giant mistake. Probably, but I plow ahead anyway. “I’d like to try. If you want to. Not because we’re thrown together in this weird situation and I think you’re hot, although I do. But because you’re smart, and funny, and you do the right thing more often than you give yourself credit for. I like your horrible taste in movies and the way you never sugarcoat anything and the fact that you have an actual lizard. I’d be proud to be your girlfriend, even in a nonofficial capacity while we’re, you know, being investigated for murder. Plus, I can’t go more than a few minutes without wanting to kiss you, so—there’s that.
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
What firsts have we already passed? The eady ones, I say. First hug, first date, first fight, first time we slept together, although I wasn't the one sleeping. Now we barely have any keft. First kiss. First time to sleep together when we're both actually awake. First marriage. First kid. We're done after that. Our lives will become mundane and boring and I'll have to divorce you and marry a wife who's twenty years younger than me so I can have a lot more firsts and you'll be stuck raising the kids. So you see, babe? I'm only doing this for your benefit. The longer I wait to kiss you, the longer it'll be before I'm forced to leave you high and dry. Your logic terrifies me, I sort of don't find you attractive anymore.
Colleen Hoover (Losing Hope (Hopeless, #2))
‎'After a few seconds, I knew Tuesday was listening. He locked into my eyes, and a calm came over him that I had never seen before. Maybe the part of him that wanted love opened up. Maybe he realized, finally, that this wasn't like any rela tionship he'd had before. He had been on a treadmill, racing toward each new handler but always ending in the exact spot: alone. He didn't know I was the mission he'd been training for, but at that moment, at the very least, he realized I needed him. And maybe I realized, in my heart and in my head, that this was a two-way relationship and he needed me too. All I know for sure is that when I looked up, everybody was staring at us. Staff, dogs, veterans, everybody. Even the photographer had lowered his camera. Lu Picard told me later that we were together for five minutes, although I could have it was thirty seconds at the most. 'What was that about?' she asked, as Tuesday and I walked post, side by side. 'We're okay now.' I told her. 'We reached an understanding.
Luis Carlos Montalván
You're getting me wet." He looked me in the eyes for the first time, and the corners of his mouth turned upward. "Although I suppose I shouldn't complain about that since it's like your trademark or something. If we're going to hang out together , I'll need to start wearing my raincoat." "Are we going to hang out?" He tilted his head and considered me lazily. "I've always wanted my own elf.
Janette Rallison (It's a Mall World After All)
So, here’s the thing,” she tells them. “All of that stuff is true. All the other worlds that human beings believe in, via group myths or spiritual visitations or even imaginations if they’re vivid enough, they exist. Imagining a world creates it, if it isn’t already there. That’s the great secret of existence: it’s supersensitive to thought. Decisions, wishes, lies—that’s all you need to create a new universe. Every human being on this planet spins off thousands between birth and death, although there’s something about the way our minds work that keeps us from noticing. In every moment, we’re constantly moving in multiple dimensions—we think we’re sitting still, but we’re actually falling from one universe to the next to the next, so fast that it all blends together, like… like animation. Except there’s a lot more than just images flipping past.
N.K. Jemisin (The City We Became (Great Cities, #1))
Although he wasn't trying to, he had taught me one of the most meaningful lessons about love that I have ever received- that when all else is lost, love is the one thing that remains.
Tom Papa (We're All in This Together . . .: So Make Some Room)
I tilt my head sideways so I can look him straight on. “What firsts have we already passed?” “The easy ones. First hug, first date, first fight, first time we slept together, although I wasn’t the one sleeping. Now we barely have any left. First kiss. First time to sleep together when we’re both actually awake. First marriage. First kid. We’re done after that. Our lives will become mundane and boring and I’ll have to divorce you and marry a wife who’s twenty years younger than me so I can have a lot more firsts and you’ll be stuck raising the kids.” He cups my cheek in his hand and smiles at me. “So you see, babe? I’m only doing this for your benefit. The longer I wait to kiss you, the longer it’ll be before I’m forced to leave you high and dry.
Colleen Hoover (Hopeless (Hopeless, #1))
For a while now, I have been conscious of a tension in my relationship with you,” Svetlana said. “And I think that’s the reason. It’s because we both make up narratives about our own lives. I think that’s why we decided not to live together next year. Although obviously it’s also why we’re so attracted to each other.” “Everyone makes up narratives about their own lives.” “But not to the same extent. Think about my roommates. Fern, for example. I don’t mean that she doesn’t have an inner life, or that she doesn’t think about the past or make plans for the future. But she doesn’t compulsively rehash everything that happens to her in the form of a story. She’s in my story – I’m not in hers. That makes her and me unequal, but it also gives our relationship a kind of stability, and safeness. We each have our different roles. It’s like an unspoken contract. With you, there’s more instability and tension, because I know you’re making up a story, too, and in our story, I’m just a character.” “I don’t know,” I said. “I still think everyone experiences their own life as a narrative. If you didn’t have some kind of ongoing story in mind, how would you know who you were when you woke up in the morning?” “That’s a weak definition of narrative. That’s saying that narrative is just memory plus causality. But, for us, the narrative has aesthetics, too.” “But I don’t think that’s because of our personalities,” I said. Isn’t it more about how much money our parents have? You and I can afford to pursue some narrative just because it’s interesting. You could go to Belgrade to come to terms with your life before the war, and I could go to Hungary to learn about Ivan. But Fern has to work over the summer.” “...Fern is just an example. Valerie’s parents are engineers, she doesn’t have to work, but she’s still more like Fern than she is like us” “I don’t know,” I said. “I guess it feels elitist to look at it that way.” “Don’t you think you pretending not to be elitist is disingenuous?” Svetlana said. “If you really think about who you are, and what you value?
Elif Batuman (The Idiot)
Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh, that hurts. Are you done?” “Almost,” Harding said. “Hang on.” “And believe me, it’ll be fast. If you map complex systems on a fitness landscape, you find the behavior can move so fast that fitness can drop precipitously. It doesn’t require asteroids or diseases or anything else. It’s just behavior that suddenly emerges, and turns out to be fatal to the creatures that do it. My idea was that dinosaurs—being complex creatures—might have undergone some of these behavioral changes. And that led to their extinction.
Michael Crichton (The Lost World (Jurassic Park, #2))
Everyone eats his words by himself although we’re all eating together. There’s no thought for the hunger of others, you can’t hunger together. Cabbage soup was our main food, but it mainly took the meat from our bones and the sanity from our minds. The hunger angel ran around in hysterics. He lost all proportion, growing more in a single day than grass in an entire summer or snow in an entire winter.
Herta Müller (The Hunger Angel: A Novel)
Lucifer snapped his fingers and froze them. He didn’t really care what they did to each other, but he’d spent several months in the wild capturing the beast he’d turned into a desk. “Children, children,” he said tucking his hands behind his back and adopting his father figure mode. It usually made his daughter, Muriel, laugh. “Must I remind you that I tasked you with a mission. One that I might add, Ysabel, you should be most eager to complete. What I do not need, is for you to FUCK IT UP!” He let his voice increase in treble until it boomed. “I’ve been more than tolerant, but enough is enough. You will cease bringing me your petty squabbles. You will do the job I assigned. And if you don’t want his tongue in your mouth, Ysabel, then bite it off. Although, really, if you enjoyed it so much, I don’t see what the problem is. Maybe he can help you remove the stick up your ass if you let him kiss the other end. Now, if we’re done here, and since I’m boss, and I say we are, leave and don’t come back until you’re done, because if you do, I’m duct taping the pair of you together and throwing you in a dark room until you learn to get along. Or fuck. I don’t really care which, but I prefer the latter so I can watch.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
All of that stuff is true. All the other worlds that human beings believe in, via group myths or spiritual visitations or even imaginations if they're vivid enough, they exist. Imagining a world creates it, if it isn't already there. That's the great secret of existence: it's supersensitive to thought. Decisions, wishes, lies—that's all you need to create a new universe. Every human being on this planet spins off thousands between birth and death, although there's something about the way our minds work that keeps us from noticing. In every moment, we're continually moving in multiple dimensions—we think we're sitting still, but we're actually falling from one universe to the next to the next, so fast that it all blends together like . . . like animation. Except there's a lot more than just images flipping past.
N.K. Jemisin (The City We Became (Great Cities, #1))
For a while now I’ve been conscious of a tension in my relationship with you,” Svetlana said. “And I think that’s the reason. It’s because we both make up narratives about our own lives. I think that’s why we decided not to live together next year. Although obviously it’s also why we’re so attracted to each other.” “Everyone makes up narratives about their own lives.” “But not to the same extent. Think about my roommates. Fern, for example. I don’t mean that she doesn’t have an inner life, or that she doesn’t think about the past or make plans for the future. But she doesn’t compulsively rehash everything that happens to her in the form of a story. She’s in my story—I’m not in hers. That makes her and me unequal, but it also gives our relationship a kind of stability, and safeness. We each have our different roles. It’s like an unspoken contract. With you, there’s more instability and tension, because I know you’re making up a story, too, and in your story I’m just a character.” “I don’t know,” I said. “I still think everyone experiences their own life as a narrative.
Elif Batuman (The Idiot)
The intelligent want self-control; children want candy. —RUMI INTRODUCTION Welcome to Willpower 101 Whenever I mention that I teach a course on willpower, the nearly universal response is, “Oh, that’s what I need.” Now more than ever, people realize that willpower—the ability to control their attention, emotions, and desires—influences their physical health, financial security, relationships, and professional success. We all know this. We know we’re supposed to be in control of every aspect of our lives, from what we eat to what we do, say, and buy. And yet, most people feel like willpower failures—in control one moment but overwhelmed and out of control the next. According to the American Psychological Association, Americans name lack of willpower as the number-one reason they struggle to meet their goals. Many feel guilty about letting themselves and others down. Others feel at the mercy of their thoughts, emotions, and cravings, their lives dictated by impulses rather than conscious choices. Even the best-controlled feel a kind of exhaustion at keeping it all together and wonder if life is supposed to be such a struggle. As a health psychologist and educator for the Stanford School of Medicine’s Health Improvement Program, my job is to help people manage stress and make healthy choices. After years of watching people struggle to change their thoughts, emotions, bodies, and habits, I realized that much of what people believed about willpower was sabotaging their success and creating unnecessary stress. Although scientific research had much to say that could help them, it was clear that these insights had not yet become part of public understanding. Instead, people continued to rely on worn-out strategies for self-control. I saw again and again that the strategies most people use weren’t just ineffective—they actually backfired, leading to self-sabotage and losing control. This led me to create “The Science of Willpower,” a class offered to the public through Stanford University’s Continuing Studies program. The course brings together the newest insights about self-control from psychology, economics, neuroscience, and medicine to explain how we can break old habits and create healthy habits, conquer procrastination, find our focus, and manage stress. It illuminates why we give in to temptation and how we can find the strength to resist. It demonstrates the importance of understanding the limits of self-control,
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
Stop,” Jesse said. I stared up at him, almost panting with fear. “Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?” “How can you say it? It nearly happened on the roof today. You can’t know-“ “I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.” I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin. “The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.” With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm. “Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added. It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world. But he looked up suddenly. “They’re searching for you,” he said, releasing me at once, moving away. They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy. “Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?” “Yes?” There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
As she looked into all the hopeful but weary eyes of the magical community, Brystal was reminded of her final moments with Madame Weatherberry, and she knew exactly what she wanted to say. "Hello, everyone," she said. "I can only imagine what you've all been through to get here - both in life and on the road. This historic day is possible thanks to a long history of brave men and women making tremendous sacrifices. And although the fight for acceptance and freedom may seem like it's over, our work isn't finished. The world will never be a better place for us until we make it a better place for all. And no matter what challenges await us, no matter whose favor we've yet to earn, we cannot allow anyone's hate to rob us of our compassion or dampen our ambition along the way." "The truth is," Brystal continued, "there will always be a fight, there will always be bridges to cross and stones to turn, but we must never forfeit our joy to the times we live in. When we surrender our ability to be happy, we become as flawed as the battles we face. And too many lives have already been lost for us to lose sight of what we're fighting for now. So let's honor the people who gave their lives for this moment to happen - let's cherish their memory by living each and every day as freely, as proudly, and as joyfully as they would have wanted us to. Together let's begin a new chapter for our community, so when they tell our story years in the future, the tale of magic has a happy and prosperous ending.
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
Oh we’re not together. I mean, we’re sitting together and we came here together but obviously we’re not together-together. How could we be together?  I’m probably never going to see him again after today. We’re not even friends. I don’t even know him. I mean, you know, really-” I inclined my head toward her and a small laugh burst from my lips, “can you even imagine? It’d be like Planet of the Apes- and he’s Charlton Heston with all the muscles and such and I’m that girl ape. They can’t be together because it’d be like a Neanderthal with a human, cross species breeding…and that’s just not right. Although Neanderthals are closely related to humans and are in fact part of the same species- if you want to be precise- they are a sub-species or alternate species of human...
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
I’m talking about all the order in the natural world,” Malcolm said. “And how perhaps it can emerge fast, through crystallization. Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh,
Michael Crichton (The Lost World (Jurassic Park, #2))
Tell me about your children," he said. "What would you like to know?" "Anything. How did you decide on their names?" "Justin was named after my husband's favorite uncle- a dear old bachelor who always brought him books when he was ill. My younger son, Stephen, was named after a character in an adventure novel Lord Clare and I read when we were children." "What was the title?" "I can't tell you; you'll think it's silly. It is silly. But we both loved it. We read it dozens of times. I had to send Henry my copy, after-" After you stole his. In Henry's view, the worst of West Ravenel's offenses had been stealing his copy of Stephen Armstrong: Treasure Hunter from a box of possessions beneath his bed at school. Although there had never been proof of the thief's identity, Henry had remembered that Ravenel had previously mocked him when he'd seen him reading it. "I know he's the one," Henry had written. "He's probably done something awful with it. Dropped it down the privy. I'd be surprised if the nincompoop can even read." "Someday when we're big," Phoebe had written in response, full of righteous vengeance, "we'll go thrash him together and take it back from him." But now she was sitting next to him at dinner. "-after he lost his copy," she finished awkwardly.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
YOU REALLY DO impress me, you know.” Cade peered down at Brooke, who lay against his chest, curled up in the sheets of her bed. “Thanks. I even impressed myself with that one.” She chuckled. “I wasn’t referring to that move you threw in at the end there. Although, yes, well done, you.” “Glad you approve.” “Actually, I was thinking about our conversation earlier, when you were talking about being out with Vaughn and Huxley.” “You’re thinking about Vaughn and Huxley while we’re lying in bed together? Not sure I like the sound of that.” She perked her head up and looked at him. “Oh . . . so that’s not something you would ever consider? The three of you, you know . . . all at once? Because I kind of have this fantasy I was going to talk to you about.” Cade was about to laugh, but then she held his gaze so unflinchingly that for a split second he wondered if she was actually serious. Okay . . . this definitely was not a conversation he’d ever expected to have with Brooke Parker of Sterling Restaurants, the Gorgeous Green Eyes, and Holy Shit She’s Into Foursomes. But then he saw the telltale sparkle in her eyes. He exhaled. “You suck.” “Oh my God, you should’ve seen the look on your—” She cut off, laughing when he beaned her with one of the pillows. Then he bonked her two more times for good measure. She sprawled across the bed when he’d finished, her hair tousled about her shoulders. “So that’s a ‘no,’ then?” Cade smiled. The woman may have driven him crazy, but he had a grin on his face the whole way. He lay on his side, facing her. “That is definitely a ‘no.’ And you still suck
Julie James (Love Irresistibly (FBI/US Attorney, #4))
I’m wondering what it would be like to be kissed by you.” “Let’s not go there,” he said. “I don’t want to mess up our friendship.” “It wouldn’t,” she said, grinning suddenly. “I’d like to know how it feels. I mean, as an experiment.” “Put the wrong chemicals together, and they explode.” She frowned. “Are you saying you don’t think I’d like it? Or that I would?” “It doesn’t matter, because I’m not going to kiss you.” She looked up at him shyly, from beneath lowered lashes, and gave him a cajoling smile. “Just one teeny, weeny little kiss?” He laughed at her antics. Inside his stomach, about a million butterflies had taken flight. “Don’t play games with me, Summer.” He said it with a smile, but it was a warning. One she ignored. She crooked her finger and wiggled it, gesturing him toward her. “Come here, and give me a little kiss.” She was doing something sultry with her eyes, something she’d never done before. She’d turned on some kind of feminine heat, because he was burning up just looking at her. “Stop this,” he said in a guttural voice. She canted her hip and put her hand on it, drawing his attention in that direction, then slid her tongue along the seam of her lips to wet them. “I’m ready, bad boy. What are you waiting for?” His heart was beating a hundred miles a minute. He was hot and hard and ready. And if he touched her, he was going to ruin everything. “I’m not going to kiss you, Summer.” He saw the disappointment flash in her eyes. Saw the determination replace it. “All right. I’ll kiss you.” He could have stopped her. He was the one with the powerful arms and the broad chest and the long, strong legs. But he wanted that kiss. “Fine,” he said. “Don’t expect fireworks. I’m only doing this because we’re friends.” And if she believed that, he had some desert brushland he could sell her. Suddenly, she seemed uncertain, and he felt a pang of loss. Silly to feel it so deeply, when kissing Summer had been the last thing he’d allowed himself to dream about. Although, to be honest, he hadn’t always been able to control his dreams. She’d been there, all right. Hot and wet and willing. He made himself smile at her. “Don’t worry, kid. It was a bad idea. To be honest, I value our friendship too much—” She threw herself into his arms, clutching him around the neck, so he had to catch her or get bowled over. “Whoa, there,” he said, laughing and hugging her with her feet dangling in the air. “It doesn’t matter that you’ve changed your mind about wanting that kiss. I’m just glad to be your friend.” She leaned back in his embrace, searching his eyes, looking for something. Before he could do or say anything to stop her, she pressed her lips softly against his. His whole body went rigid. “Billy,” she murmured against his lips. “Please. Kiss me back.” “Summer, I don’t—” She pressed her lips against his again, damp and pliant and inviting. He softened his mouth against hers, felt the plumpness of her upper lip, felt the open, inviting seam, and let his tongue slide along the length of it. “Oh.” She broke the kiss and stared at him with dazed eyes. Eyes that sought reason where there was none. He wanted to rage at her for ruining everything. They could never be friends now. Not now that he’d tasted her, not now that she’d felt his want and his need. He lowered his head to take her mouth, to take what he’d always wanted.
Joan Johnston (The Texan (Bitter Creek, #2))
Thanks again, sir.” Jules shook his hand again. “You’re welcome again,” the captain said, his smile warm. “I’ll be back aboard the ship myself at around nineteen hundred. If it’s okay with you, I’ll, uh, stop in, see how you’re doing.” Son of a bitch. Was Jules getting hit on? Max looked at Webster again. He looked like a Marine. Muscles, meticulous uniform, well-groomed hair. That didn’t make him gay. And he’d smiled warmly at Max, too. The man was friendly, personable. And yet . . . Jules was flustered. “Thanks,” he said. “That would be . . . That’d be nice. Would you excuse me, though, for a sec? I’ve got to speak to Max, before I, uh . . . But I’ll head over to the ship right away.” Webster shook Max’s hand. “It was an honor meeting you, sir.” He smiled again at Jules. Okay, he hadn’t smiled at Max like that. Max waited until the captain and the medic both were out of earshot. “Is he—” “Don’t ask, don’t tell.” Jules said. “But, oh my God.” “He seems nice,” Max said. “Yes,” Jules said. “Yes, he does.” “So. The White House?” “Yeah. About that . . .” Jules took a deep breath. “I need to let you know that you might be getting a call from President Bryant.” “Might be,” Max repeated. “Yes,” Jules said. “In a very definite way.” He spoke quickly, trying to run his words together: “I had a very interesting conversation with him in which I kind of let slip that you’d resigned again and he was unhappy about that so I told him I might be able to persuade you to come back to work if he’d order three choppers filled with Marines to Meda Island as soon as possible.” “You called the President of the United States,” Max said. “During a time of international crisis, and basically blackmailed him into sending Marines.” Jules thought about that. “Yeah. Yup. Although it was a pretty weird phone call, because I was talking via radio to some grunt in the CIA office. I had him put the call to the President for me, and we did this kind of relay thing.” “You called the President,” Max repeated. “And you got through . . .?” “Yeah, see, I had your cell phone. I’d accidently switched them, and . . . The President’s direct line was in your address book, so . . .” Max nodded. “Okay,” he said. “That’s it?” Jules said. “Just, okay, you’ll come back? Can I call Alan to tell him? We’re on a first-name basis now, me and the Pres.” “No,” Max said. “There’s more. When you call your pal Alan, tell him I’m interested, but I’m looking to make a deal for a former Special Forces NCO.” “Grady Morant,” Jules said. “He’s got info on Heru Nusantra that the president will find interesting. In return, we want a full pardon and a new identity.” Jules nodded. “I think I could set that up.” He started for the helicopter, but then turned back. “What’s Webster’s first name? Do you know?” “Ben,” Max told him. “Have a nice vacation.” “Recovering from a gunshot wound is not a vacation. You need to write that, like, on your hand or something. Jeez.” Max laughed. “Hey, Jules?” He turned back again. “Yes, sir?” “Thanks for being such a good friend.” Jules’s smile was beautiful. “You’re welcome, Max.” But that smile faded far too quickly. “Uh-oh, heads up—crying girlfriend on your six.” Ah, God, no . . . Max turned to see Gina, running toward him. Please God, let those be tears of joy. “What’s the verdict?” he asked her. Gina said the word he’d been praying for. “Benign.” Max took her in his arms, this woman who was the love of his life, and kissed her. Right in front of the Marines.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Do you ever find yourself reminiscing about the girl you used to be? I used to do it all the time, and depending on my mood – I’d either smile or cringe. I went through phases where, on the outside, I was the ‘everything’s gonna be okay’ type of girl. I comforted my friends and family. I was intelligent, confident, and strong, but in private, I hated myself. You see, I was adopted into what many consider the perfect family, and while I can say that I was raised in a loving home, there still wasn't enough love in the world that could’ve convinced me that I was enough. There wasn’t enough love in the world to make me believe I was loveable. Although my adoptive parents gave me all of their love, there wasn’t enough love in the world that could make me stop craving the love of my birth mother. It's taken me a very long time to accept myself. It’s taken years to win the war between who I am versus the crippling insecurities that made me hate myself. I’d love to be the perfect woman without flaws or insecurities, but this isn’t Barbie’s Dreamhouse. So, I apologize in advance for my inconsistency, at times. I apologize in advance for my mood swings. I apologize in advance for my immaturity. I apologize for my stupidity. I apologize for my moments of low self-esteem. I apologize for my lingering self-doubt. And I apologize for believing that I wasn’t good enough. I’m still a work in progress, and one day, I’ll even be confident enough to stop apologizing, but in the meantime, please bear with me. Growth doesn’t always happen in a straight line, nor does it happen overnight, so I thank you in advance for this difficult journey that we're about to embark on together, and I hope you can grow to love me as I’ve finally grown to love myself.
Lauren Lacey (Love You, Finally (Love in Beverly Mills Book 2))
Matt takes some time to settle himself before he speaks. When he does, he shares an anecdote about how Julie had written a book for him to have after she was gone, and she titled it, The Shortest Longest Romance: An Epic Love and Loss Story. He loses it here, then slowly composes himself and keeps going. He explains that in the book, he was surprised to find that near the end of the story—their story—Julie had included a chapter on how she hoped Matt would always have love in his life. She encouraged him to be honest and kind to what she called his “grief girlfriends”—the rebound girlfriends, the women he’ll date as he heals. Don’t mislead them, she wrote. Maybe you can get something from each other. She followed this with a charming and hilarious dating profile that Matt could use to find his grief girlfriends, and then she got more serious. She wrote the most achingly beautiful love letter in the form of another dating profile that Matt could use to find the person he’d end up with for good. She talked about his quirks, his devotion, their steamy sex life, the incredible family she inherited (and that, presumably, this new woman would inherit), and what an amazing father he’d be. She knew this, she wrote, because they got to be parents together—though in utero and for only a matter of months. The people in the crowd are simultaneously crying and laughing by the time Matt finishes reading. Everyone should have at least one epic love story in their lives, Julie concluded. Ours was that for me. If we’re lucky, we might get two. I wish you another epic love story. We all think it ends there, but then Matt says that he feels it’s only fair that Julie have love wherever she is too. So in that spirit, he says, he’s written her a dating profile for heaven. There are a few chuckles, although they’re hesitant at first. Is this too morbid? But no, it’s exactly what Julie would have wanted, I think. It’s out-there and uncomfortable and funny and sad, and soon everyone is laugh-sobbing with abandon. She hates mushrooms, Matt has written to her heavenly beau, don’t serve her anything with mushrooms. And If there’s a Trader Joe’s, and she says that she wants to work there, be supportive. You’ll also get great discounts. He goes on to talk about how Julie rebelled against death in many ways, but primarily by what Matt liked to call “doing kindnesses” for others, leaving the world a better place than she found it. He doesn’t enumerate them, but I know what they are—and the recipients of her kindnesses all speak about them anyway.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,
Blake Crouch (Recursion)
The Great Expansion has come to Earth at last. We will celebrate Mogadorian Progress together, granddaughter.’ 2 From the cracked second-floor window of an abandoned textile factory, I watch an old man in a ragged trench coat and filthy jeans crouch down in the doorway of the boarded-up building across the street. Once he’s settled, the man pulls a brown-bagged bottle from his coat and starts drinking. It’s the middle of the afternoon – I’m on watch – and he’s the only living soul I’ve seen in this abandoned part of Baltimore since we got here yesterday. It’s a quiet, deserted place, and yet it’s still preferable to the version of Washington, D.C. I saw in Ella’s vision. For now at least, it doesn’t look like the Mogadorians have pursued us from Chicago. Although, technically, they wouldn’t have to. There’s already a Mogadorian among us. Behind me, Sarah stomps her foot. We’re in what used to be the foreman’s office, dust everywhere, the floorboards swollen and mildewed. I turn around just in time to see her frowning at the remains of a cockroach on the bottom of her sneaker. ‘Careful. You might go crashing right through the floor,’ I tell her, only half joking. ‘I guess it was too much to ask for all your secret bases to be in penthouse apartments, huh?’ Sarah asks, fixing me with a teasing smile. We slept in this old factory last night, our sleeping bags laid on the sunken floorboards. Both of us are filthy, it’s been a couple of days since our last real shower, and Sarah’s blond hair is caked with dirt. She’s still beautiful to me. Without her at my side, I might’ve totally lost it
Pittacus Lore (The Revenge of Seven (Lorien Legacies, #5))
Yuichi and I are climbing a narrow ladder in the jet-black gloom. Together we peer into the cauldron of hell. We stare into the bubbling red sea of fire, and the air hitting our faces is so hot it makes us reel. Even though we're standing side by side, even though we're closer to each other than to anyone else in the world, even though we're friends forever, we don't join hands. No matter how forlorn we are, we each insist on standing on our own two feet. But I wonder, as I look at his uneasy profde blazingly illuminated by the hellish fire, although we have always acted like brother and sister, aren't we really man and woman in the primordial sense, and don't we think of each other that way? But the place we are in now is just too dreadful. It is not a place where two people can create a life together, Although I had been earnestly daydreaming until then, I suddenly started to laugh. "I see two lovers looking over the edge of the cauldron of hell. Are they contemplating a double suicide? This means their love will end in hell." I couldn't stop laughing. I was certainly no fortune-teller.
Anonymous
I knew it from the first day we worked together but I didn’t know what to do about it. I’d never, ever felt that way about anyone before, but she really didn’t seem that impressed by me. And she had a boyfriend, although that had never stopped me before if we’re being entirely honest.
Lindsey Kelk (The Single Girl's To-Do List)
Look at you.” I gestured toward him, for he could not disguise his pain, nor hide the fever that brought beads of sweat to his forehead. “You did this to yourself, Steldor. You punished yourself with your actions, but nothing else was accomplished. You just wanted to be a martyr.” “What’s wrong with that?” he shot back. “You want to be a saint! You want to be the one who brings peace to these people. You’re the one who brought war, Alera. You’re the reason Narian didn’t leave for good when he fled Hytanica. He loves you, and that’s why--” He stopped talking, unable to make himself complete that sentence. “You’re right about one thing,” I whispered in the dead silence. “Narian loves me, but what you won’t acknowledge is that he’s the reason any of us still have our lives. He’s the reason you weren’t killed for that show you put on.” “Extend my thanks,” he said, tone laden with sarcasm. I threw up my hands. “This is pointless, us dancing around in circles. You still won’t listen to anyone, let alone me. I may as well go.” “But you won’t--you aren’t yet ready to leave.” I didn’t move, hating that he knew my threat had been empty, and he stood. He drew closer to me until I could feel the heat radiating from his body. “Hytanica and Cokyri will always be different worlds, Alera. Before this is over, one of those worlds will be destroyed. We can’t coexist like this.” “Not when people like you refuse to believe any different.” “At least I’m not hiding from the truth. You’re so wrapped up in Narian that you can’t see the situation for what it really is. Cokyri is a godless, brutal, warrior empire that despises the very way we live. Now that they are in power, they have no need to honor our traditions or tolerate our beliefs. Don’t you see, it’s not just the Kingdom of Hytanica that will no longer exist. It is our entire way of life.” I stared at him, shocked and confused. Narian and I had always been able to work through our differences, so I had assumed our countries could, as well. But he and I wanted to be together, we wanted to be joined. Our countries did not. “Cokyri is interested only in obtaining certain things from us,” I argued, although a bit of doubt now nagged at me. “As long as we follow their regulations, we can live in the manner we always have.” “Then I’d keep an eye on their regulations, Alera. They’re already changing our educational system, what we are permitted to teach our sons. Religion will come next.” “Change isn’t necessarily all bad.” “It is when it’s forced down your throat. And in case you haven’t notice, the Cokyrians overseeing the work crews have not allowed us to rebuild our churches. They have been reconstructed, but for different, more practical purposes. The Cokyrians are quite enamored with practicality.” Not knowing what else to say, I turned to depart, only to feel his hand on my arm. “It doesn’t have to be like this, Alera. Between us, I mean.” He was looking at me with those dark, intense, fiery eyes--eyes that held love I had never reciprocated. “Things are what they are, Steldor,” I replied, decisive but desolate. “We’re separated by too much. We always have been. Just please, give yourself time to get well.” Before he could stop me a second time, I stepped out the door, feeling the weight of frustration lifting from my shoulders with each step I took away from him. I had been foolish to think he and I could communicate in spite of our differing beliefs. Neither of us wanted to cause the other pain, but that was all we had ever been good at doing.
Cayla Kluver (Sacrifice (Legacy, #3))
Why? You didn’t kill him. So tell me about you. Where are you from? What’s with the accent? You look like a black guy, no offense.” “I am a black guy. No offense,” he retorted but seemed a little thrown off in the way his eyes narrowed on her in a dissecting manner. Gaby was aware she had been sharp with her words to his condolences. She wondered if she offended him, or surprised him. A man like Power was probably used to women creaming at his slightest display of affection. “My father and his family are Belizean. I was born and raised in Belize. I lived there until I was 19-years-old. My mother is…was… a black American. My father, Belizean, yes. Still, I’m a black man.” “So Belizeans aren’t considered Hispanic?” Gaby questioned with a crinkled brow. “Belizeans, like most Central and South American inhabitants, are descendants of African slaves that were just dropped off along the way. But we were the only British colony in the region, the only Central American country where English is still the official language, although most Belizeans are trilingual, Elizabeth The Second’s the queen, the whole nine. But we’re of black ancestry even with Hispanic heritage. I see darker tones in my country than yours. Nicaraguans, Puerto Ricans, Brazilians, Costa Ricans, Columbians… most of them have more black blood than the black people in the U.S. That’s why it kills me when people ask shit like that. I mean…” He stopped short. “… not you,” he offered up but Gaby only pressed her lips together feeling slightly embarrassed knowing she was in fact, amongst the ignorant.
Takerra Allen (An Affair in Munthill)
I tilt my head sideways so I can look him straight on. “What firsts have we already passed?” “The easy ones. First hug, first date, first fight, first time we slept together, although I wasn’t the one sleeping . Now we barely have any left. First kiss. First time to sleep together when we’re both actually awake. First marriage. First kid. We’re done after that. Our lives will become mundane and boring and I’ll have to divorce you and marry a wife who’s twenty years younger than me so I can have a lot more firsts and you’ll be stuck raising the kids.” He cups my cheek in his hand and smiles at me. “So you see, babe? I’m only doing this for your benefit. The longer I wait to kiss you, the longer it’ll be before I’m forced to leave you high and dry.” Hoover, Colleen (2012-12-18). Hopeless (pp. 165-166). Colleen Hoover. Kindle Edition.
Colleen Hoover (Hopeless (Hopeless, #1))
That’s the great secret of existence: it’s supersensitive to thought. Decisions, wishes, lies—that’s all you need to create a new universe. Every human being on this planet spins off thousands between birth and death, although there’s something about the way our minds work that keeps us from noticing. In every moment, we’re constantly moving in multiple dimensions—we think we’re sitting still, but we’re actually falling from one universe to the next to the next, so fast that it all blends together, like… like animation. Except there’s a lot more than just images flipping past.
N.K. Jemisin (The City We Became (Great Cities, #1))
How can it be so, this hovering sense of being both victim and perpetrator, both us and them, both me and him? Have we been expelled from an arcadia of fun where nature provided us with innocent automata, lowing and braying machines for our amusement? I doubt it. I doubt it very much. I tell you what I think, since you ask, since you dare to push your repulsive face at me, from out of the smooth paintwork of my heavily mortgaged heart. I think there was only so much fun to go round, only so much and no more available. We've used it all up country dancing in the gloaming, kissing by moonlight, eating shellfish while the sun shatters on our upturned fork and we make the bon point. And of course, the think about fun is that it exists solely in retrospect, in retroscendence; when you're having fun you are perforce abandoned, unthinking. Didn't we have fun, well, didn't we? You know we did. You're with me now, aren't you? We're leaving the party together. We pause on the stairs and although we left of our own accord, pulled our coat from under the couple entwined on the bed, we already sense that it was the wrong decision, that there was a hidden hand pushing us out, wanting to exclude us. We pause on the stairs and we hear the party going on without us, a shrill of laughter, a skirl of music. Is it too late to go back? Will we feel silly if we go back up and announce to no one in particular, 'Look, the cab hasn't arrived. We thought we'd just come back up and wait for it, have a little more fun.' Well, yes, yes, we will feel silly, bloody silly, because it isn't true. The cab has arrived, we can see it at the bottom of the stairs, grunting in anticipation, straining to be clutched and directed, to take us away. Away from fun and home, home to the suburbs of maturity. One last thing. You never thought that being grown up would mean having to be quite so - how can I put it? Quite so - grown up. Now did you? You didn't think that you'd have to work at it quite so hard. It's so relentless, this being grown up, this having to be considered, poised, at home with a shifting four-dimensional matrix of Entirely Valid Considerations. You'd like to get a little tiddly, wouldn't you? You'd like to fiddle with the buttons of reality as he does, feel it up without remorse, without the sense that you have betrayed some shadowy commitment. Don't bother. I've bothered. I've gone looking for the child inside myself. Ian, the Startrite kid. I've pursued him down the disappearing paths of my own psyche. I am he as he is me, as we are all . . . His back, broad as a standing stone . . . My footsteps, ringing eerily inside my own head. I'm turning in to face myself, and face myself, and face myself. I'm looking deep into my own eyes. Ian, is that you, my significant other? I can see you now for what you are, Ian Wharton. You're standing on a high cliff, chopped off and adumbrated by the heaving green of the sea. You're standing hunched up with the dull awareness of the hard graft. The heavy workload that is life, that is death, that is life again, everlasting, world without end. And now, Ian Wharton, now that you are no longer the subject of this cautionary tale, merely its object, now that you are just another unproductive atom staring out from the windows of a branded monad, now that I've got you where I want you, let the wild rumpus begin.
Will Self (My Idea of Fun)
What’s up, Albert?” “Well, I’ve done inventory at Ralph’s, and I think if I had a lot of help, I could put together an okay Thanksgiving dinner.” Sam stared at him. He blinked. “What?” “Thanksgiving. It’s next week.” “Uh-huh.” “There are ovens at Ralph’s, big ones. And no one has taken the frozen turkeys. Figure two hundred and fifty kids if pretty much everyone from Perdido Beach shows up, right? One turkey will feed maybe eight people, so we need thirty-one, thirty-two turkeys. No problem there, because there are forty-six turkeys at Ralph’s.” “Thirty-one turkeys?” “Cranberry sauce will be no problem, stuffing is no problem, no one has taken much stuffing yet, although I’ll have to figure out how to mix, like, seven different brands and styles together, see how it tastes.” “Stuffing,” Sam echoed solemnly. “We don’t have enough canned yams, we’ll have to do fresh along with some baked potatoes. The big problem is going to be whipped cream and ice cream for the pies.” Sam wanted to burst out laughing, but at the same time he found it touching and reassuring that Albert had put so much thought into the question. “I imagine the ice cream is pretty much gone,” Sam said. “Yeah. We’re very low on ice cream. And kids have been taking the canned whipped cream, too.” “But we can have pie?” “We have some frozen. And we have some pie shells we can bake up ourselves.” “That would be nice,” Sam said. “I’ll need to start three days before. I’ll need, like, at least ten people to help. I can haul the tables out of the church basement and set up in the plaza. I think I can do it.” “I’ll bet you can, Albert,” Sam said with feeling. “Mother Mary’s going to have the prees make centerpieces.” “Listen, Albert…” Albert raised a hand, cutting Sam off. “I know. I mean, I know we may have some great big fight before that. And I heard you have your fifteenth coming up. All kinds of bad stuff may happen. But, Sam—” This time, Sam cut him off. “Albert? Get moving on planning the big meal.” “Yeah?” “Yeah. It will give people something to look forward to.
Michael Grant
In any event, it was not many months later that my wife conceived, unexpectedly. After careful discussion we decided it was not something that should continue. I’m in my fifties. I didn’t want to go through any more child-raising experiences. I’d seen enough. So we came to our conclusion and made the necessary medical appointment. "Then something very strange happened. I’ll never forget it. As we went over the whole decision in detail one last time, there was a kind of dissociation, as though my wife started to recede while we sat there talking. We were looking at each other, talking normally, but it was like those photographs of a rocket just after launching where you see two stages start to separate from each other in space. You think you’re together and then suddenly you see that you’re not together anymore. "I said, 'Wait. Stop. Something’s wrong.' What it was, was unknown, but it was intense and I didn’t want it to continue. It was a really frightening thing, which has since become clearer. It was the larger pattern of Chris, making itself known at last. We reversed our decision, and now realize what a catastrophe it would have been for us if we hadn’t. "So I guess you could say, in this primitive way of looking at things, that Chris got his airplane ticket after all. This time he’s little girl named Nell and our life is back in perspective again. The hole in the pattern is being mended. A thousand memories of Chris will always be at hand, of course, but not a destructive clinging to some material entity that can never be here again. We’re in Sweden now, the home of my mother’s ancestors, and I’m working on a second book which is a sequel to this one. "Nell teaches aspects of parenthood never understood before. If she cries or makes a mess or decides to be contrary (and these are relatively rare), it doesn’t bother. There is always Chris’s silence to compare it to. What is seen now so much more clearly is that although the names keep changing and the bodies keep changing, the larger pattern that holds us all together goes on and on. In terms of this larger pattern the lines at the end of this book still stand. We have won it. Things are better now. You can sort of tell these things. "ooolo99ikl;i.,pyknulmmmmmmmmmm 111 "(This last line is by Nell. She reached around the corner of the machine and banged on the keys and then watched with the same gleam Chris used to have. If the editors preserve it, it will be her first published work.) " ...Robert M. Pirsig Gothenburg, Sweden 1984
Robert Pirsig, Zen and the Art of Motorcycle Maintenance
I’d like to try. If you want to. Not because we’re thrown together in this weird situation and I think you’re hot, although I do. But because you’re smart, and funny, and you do the right thing more often than you give yourself credit for. I like your horrible taste in movies and the way you never sugarcoat anything and the fact that you have an actual lizard. I’d be proud to be your girlfriend, even in a nonofficial capacity while we’re, you know, being investigated for murder. Plus, I can’t go more than a few minutes without wanting to kiss you, so—there’s that.
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.
Peter Bogdanovich (Paper Moon)
She leaned in again, kissing me softly. “Just keep going and we’ll find out together.” I slowly moved my rough, callused hands up her body under my hoodie. Feeling the softness of her skin. Her breath hitched when my body fell forward, pushing her back onto the mattress to lay in between her thighs. Placing all my weight on my arms, I cradled her face and we made out like we were two teenagers who couldn’t get enough of each other. I usually hated kissing, it was pointless in my opinion. Although with Mila, I didn’t want to stop kissing her. Holding her. Being on top of her. My eyes followed the movement of her hands when she reached for the bottom of my hoodie, pulling it up over her head and discarding it on the floor. She was now topless, lying beneath me. “You’re beautiful, Mila.” She beamed, licking her lips. Beckoning me to continue down this uncharted territory between us. I groaned in satisfaction into the side of her neck, placing soft kisses on her pulse. Inch-by-inch, I deliberately took it slow. Confidently crawling my way down her body, I lightly skimmed my lips across her bare breasts, igniting tingles all over her skin against my mouth. Sucking in her nipple, I watched as her back arched off the bed and she fisted the sheets. Her body was begging, pleading with me to keep going and I happily obliged. Giving her what she wanted. Working my way down her stomach, my predatory glare never left her eyes as I continued my tour of her petite frame. “Do I keep going?” Through the slits of her heated gaze, she nodded. “Just so we’re clear… you want me to kiss—” I grinned “—down here?” She blushed. “You’re going to get all shy on me now? I’m barely hanging on by a thread here, Mila.” “My shyness is turning you on?” “Among other things.
M. Robinson (The Kiss (Playboy Pact, #1))
The kind of wrestle that God invites us to is not easy or quick. It requires us to continue to bring our hearts to God as we navigate the painful chasm between how life was supposed to be and how it is. But this wrestling has a purpose. God never requires anything from us that is not for our good, for the outworking of His Kingdom, and for the glory of His name. We may know the following promise well, but it’s especially important to remember it when we’re wrestling: “And we know that for those who love God all things work together for good, for those who are called according to his purpose” (Romans 8:28). When we enter a wrestling season, we just have to keep holding on to see Him do that work. What does it look like to keep holding on? Jacob’s story shows us. Although he was tired of trying, Jacob was also determined to receive a blessing from the one who met him in his struggle. Scripture describes Jacob’s wrestle in just six verses: So Jacob was left alone, and a man wrestled with him till daybreak. When the man saw that he could not overpower him, he touched the socket of Jacob’s hip so that his hip was wrenched as he wrestled with the man. Then the man said, “Let me go, for it is daybreak.” But Jacob replied, “I will not let you go unless you bless me.” The man asked him, “What is your name?” “Jacob,” he answered. Then the man said, “Your name will no longer be Jacob, but Israel, because you have struggled with God and with humans and have overcome.” Jacob said, “Please tell me your name.” But he replied, “Why do you ask my name?” Then he blessed him there. GENESIS 32:24-29, NIV
Ashley Morgan Jackson (Tired of Trying: How to Hold On to God When You’re Frustrated, Fed Up, and Feeling Forgotten)
I previously spoke to Mrs. Newton of such… She's trading your shifts. She spoke to inform you she wishes you a: 'Happy Birthday.'' ‘I- yet can't come over,’ I resolved, clambering for an excuse. ‘I, well, I mustn't watch Romeo and Juliet yet for English.’ Olivia squealed, ‘You have Romeo and Juliet memorized.’ ‘Although Mr. Smith proclaimed, we obliged to notice it performed to thoroughly acknowledge it that's how Shakespeare intended it to be presented.’ Marcel rolled his eyes. ‘You've already seen the movie,’ Olivia accused. ‘Although not the nineteen-sixties version. Mr. Smith said it was the best.’ Subsequently, Olivia lost the self-satisfied smile and glared at me. ‘This can be obvious, or this can be troublesome, Bell, but one way or the others’ Marcel interrupted her threat. ‘Relax, Olivia. If Karly wants to watch a movie, then she can. It's her birthday.’ ‘So there,’ I added. ‘I'll bring her over around seven,’ he continued. ‘That will give you more time to set up.’ Olivia's howling sounded again. ‘Sounds immeasurable good. See you tonight, Bell! It'll be fun, you'll see.’ She grinned- the wide smile revealed all her perfect, glistening teeth-then pecked me on the cheek and danced off moving her first class before I could respond. ‘Marcel, please-’ I started to beg, but he clasped one crisp finger to my lips. ‘Let's review it later. We're going to be late for school.’ No one bothered to stare at us as we took our representative seats in the back of the classroom (we should almost every class together now-it was amazing the favors Marcel could get the female administrators to do for him.)
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Yuichi & I are climbing a narrow ladder in the jet-black gloom. Together we peer into the cauldron of hell. We stare into the bubbling red sea of fire, and the air hitting our faces is so hot it makes us reel. Even though we're standing side by side, even though we're closer to each other than anyone else in the world, even though we're friends forever, we don't join hands. No matter how forlorn we are, we each insist on standing on our own two feet. But I wonder, as I look at his uneasy profile blazingly illuminated by the hellish fire, although we have always acted like brother and sister, aren't we really man and woman in the primordial sense, and don't we think of each other that way? But the place we are in now is just too dreadful. It is not a place where two people can create a life together.
Banana Yoshimoto (Kitchen)
I’m talking about all the order in the natural world,” Malcolm said. “And how perhaps it can emerge fast, through crystallization. Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh, that hurts. Are you done?
Michael Crichton (The Lost World (Jurassic Park, #2))
Suddenly she was aware of an icy tingling on her neck, and every hair on her body stood erect. She turned around slowly. Derek was standing behind her, looking far from deserving of anyone's sympathy. He stared at her like a jaded sultan surveying his latest female acquisition. His dark handsomeness was matched only by his extraordinary self-possession. "Where is your fiancé?" he asked in a distinctly unfriendly tone. Sara was unnerved by his threatening stillness. "I don't have a... That is, h-he... We're not going to marry." "He didn't propose?" "No... well, yes, but..." Sara stepped back instinctively. Derek moved to close the distance between them. As they talked, she continued to edge away, and he followed like a stalking cat. "Mr. Kingswood proposed a few nights after my return," Sara said breathlessly. "I accepted. I was very happy at first... well, not precisely happy, but-" "What happened?" "There were problems. He said I had changed. I suppose he was right, although-" "He broke the engagement?" "I... I think a case could be made that we broke it together..." As he advanced on her, she found herself backing into a nearby room, almost stumbling over a delicate gilded chair. "Mr. Craven, I wish you would stop prowling after me this way!
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Our solar system, in turn, is just one tiny corner of the Milky Way galaxy, that thick band of stars visible in the darkest night skies stretching far over our heads. We’re about 25,000 light-years away from the center of the rotating galaxy, which astronomers estimate contains somewhere between 100 and 400 billion stars—and at least that number of planets—and stretches across some 87,400 light-years. What we see in our skies from Earth is the equivalent of staring at the side of the Milky Way stretching off before us, as if we’re looking at the edge of a plate or a Frisbee. It is spiral-shaped, like an enormous spinning pinwheel, first mentioned, as far as we know, by the Persian astronomer Abd al-Rahman al-Sufi in AD 964, recorded in his The Book of the Fixed Stars. In 1610, Galileo was the first astronomer to piece together, using a telescope, that the Milky Way visible in our skies was a collection of faint stars; a century later, Immanuel Kant surmised that it was a rotating body of stars, and over the next two hundred years, astronomers came to begin to grasp how enormous the universe truly is. Now we understand that our Milky Way is about 2.5 million light-years from the next closest galaxy, known as Andromeda. Together, these two massive galaxies—and all the stuff in between them, including a number of so-called dwarf galaxies and satellite galaxies, as well as a third large galaxy known as Triangulum—make up what astronomers call the “Local Group,” which is one corner of a larger cosmic structure known as a “supercluster.”II For most of the last fifty years, our particular galactic neighborhood was believed to be part of the “Virgo Supercluster,” a gathering of about one hundred galaxies, but in 2014 a team of astronomers led by Hawaii’s R. Brent Tully realized we were more connected to our neighbors than anyone had realized; they redrew the boundaries of the galactic map after realizing that our supercluster was far more vast and in fact consisted of what had been four separate superclusters that all moved in the same gravitational rhythm. They dubbed the new supercluster “Laniakea,” Hawaiian for “immense heaven,” and we now believe it encompasses about one hundred thousand other galaxies that astronomers define as “nearby,” despite the fact that they stretch across more than 520 million light-years of outer space. Laniakea, in turn, is now understood to be part of the Pisces-Cetus Supercluster Complex, an enormous structure of about sixty superclusters that together stretch across a billion light-years. The Pisces-Cetus Supercluster Complex is what’s known as a “galaxy filament,” the largest structures known to exist in our universe, in which NASA now estimates there are about 200 billion galaxies stretching across 46 billion light-years.III (Each of those galaxies is estimated to have perhaps 100 million stars—although the largest, known as supergiants, can contain 100 trillion.)
Garrett M. Graff (UFO: The Inside Story of the U.S. Government's Search for Alien Life Here―and Out There)