Alone And Indoors Quotes

We've searched our database for all the quotes and captions related to Alone And Indoors. Here they are! All 38 of them:

Deciding whether or not to trust a person is like deciding whether or not to climb a tree because you might get a wonderful view from the highest branch or you might simply get covered in sap and for this reason many people choose to spend their time alone and indoors where it is harder to get a splinter.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
It comes, I suppose,” I said thoughtfully, speaking to the air, “of spending too much time alone indoors, and forgetting that living things don’t always stay where you put them.
Naomi Novik (Uprooted)
Work is finding yourself alone at the track when the weather kept everyone else indoors. Work is pushing through the pain and crappy first drafts and prototypes. It is ignoring whatever plaudits others are getting, and more importantly, ignoring whatever plaudits you may be getting. Because there is work to be done. Work doesn’t want to be good. It is made so, despite the headwind.
Ryan Holiday (Ego Is the Enemy)
As far as food is concerned, the great extravagance is not caviar or truffles, but beef, pork and poultry. Some 38 percent of the world's grain crop is now fed to animals, as well as large quantities of soybeans. There are three times as many domestic animals on this planet as there are human beings. The combined weight of the world's 1.28 billion cattle alone exceeds that of the human population. While we look darkly at the number of babies being born in poorer parts of the world, we ignore the over-population of farm animals, to which we ourselves contribute...[t]hat, however, is only part of the damage done by the animals we deliberately breed. The energy intensive factory farming methods of the industrialised nations are responsible for the consumption of huge amounts of fossil fuels. Chemical fertilizers, used to grow the feed crops for cattle in feedlots and pigs and chickens kept indoors in sheds, produce nitrous oxide, another greenhouse gas. Then there is the loss of forests. Everywhere, forest-dwellers, both human and non-human, can be pushed out. Since 1960, 25 percent of the forests of Central America have been cleared for cattle. Once cleared, the poor soils will support grazing for a few years; then the graziers must move on. Shrub takes over the abandoned pasture, but the forest does not return. When the forests are cleared so the cattle can graze, billions of tons of carbon dioxide are released into the atmosphere. Finally, the world's cattle are thought to produce about 20 percent of the methane released into the atmosphere, and methane traps twenty-five times as much heat from the sun as carbon dioxide. Factory farm manure also produces methane because, unlike manured dropped naturally in the fields, it dies not decompose in the presence of oxygen. All of this amounts to a compelling reason...for a plant based diet.
Peter Singer (Practical Ethics)
It was all right when I did it,” I said, “but when you did it, it was wrong. As though—you were following a trail, but a tree had fallen down in the meantime, or some hedge grew up, and you insisted on continuing on anyway, instead of going around it—” “There are no hedges!” he roared. “It comes, I suppose,” I said thoughtfully, speaking to the air, “of spending too much time alone indoors, and forgetting that living things don’t always stay where you put them.
Naomi Novik (Uprooted)
I will tell you what I have learned myself. For me, a long five- or six-mile walk helps. And one must go alone and every day. I have done this for many years. It is at these times I seem to get re-charged. If I do not walk one day, I seem to have on the next what van Gogh calls "the meagerness.""The meagerness," he said, "or what is called depression." After a day or two of not walking, when I try to write I feel a little dull and irresolute. For a long time I thought that the dullness was just due to the asphyxiation of an indoor, sedentary life (which all people who do not move around a great deal in the open air suffer from, though they do not know it).
Brenda Ueland (If You Want to Write)
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl
Deciding whether or not to trust a person is like deciding whether or not to climb a tree, because you might get a wonderful view from the highest brand, or you might simply get covered in sap, and for this reason many people choose to spend their time alone and indoors, where it is harder to get a splinter.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
Amal: It isn't sad. When they shut me in here first I felt the day was so long. Since the King's Post Office I like it more and more being indoors, and as I think I shall get a letter one day, I feel quite happy and then I don't mind being quiet and alone. I wonder if I shall make out what'll be in the King's letter? Gaffer: Even if you didn't wouldn't it be enough if it just bore your name?
Rabindranath Tagore (The Post Office)
This is the thing about cities, the way that even indoors you’re always at the mercy of a stranger’s gaze.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
The fear of rape puts many women in their place - indoors, intimidated, dependent yet again on material barriers and protectors... I was advised to stay indoors at night, to wear baggy clothes, to cover or cut my hair, to try to look like a man, to move someplace more expensive, to take taxis, to buy a car, to move in groups, to get a man to escort me—all modern versions of Greek walls and Assyrian veils, all asserting it was my responsibility to control my own and men's behavior rather than society's to ensure my freedom. I realized that many women had been so successfully socialized to know their place that they had chosen more conservative, gregarious lives without realizing why. The very desire to walk alone had been extinguished in them—but it had not in me.
Rebecca Solnit (Wanderlust: A History of Walking)
The difference in joy respondents felt in urban versus natural settings (especially coastal environments) was greater than the difference they experienced from being alone versus being with friends, and about the same as doing favored activities like singing and sports versus not doing those things. Yet, remarkably, the respondents, like me, were rarely caught outside. Ninety-three percent of the time, they were either indoors or in vehicles.
Florence Williams (The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative)
In the distant past, Muslim doctors advised nervous people to look up at the sky. Forget the tight earth. Imagine that the sky, all of it, belonged to them alone. Crescent, low moon, more stars than the eyes looking up at them. But the sky was free, without any price, no one I knew spoke of it, no one competed for it. Instead, one by one those who could afford it began to sleep indoors in cool air-conditioned rooms, away from the mosquitoes and the flies...
Leila Aboulela
Always lost, always striking out in the wrong direction, always going around in circles. You have suffered from a life-long inability to orient yourself in space, and even in New York, the easiest of cities to negotiate, the city where you have spent the better part of your adulthood, you often run into trouble. Whenever you take the subway from Brooklyn to Manhattan (assuming you have boarded the correct train and are not traveling deeper into Brooklyn), you make a special point to stop for a moment to get your bearings once you have climbed the stairs to the street, and still you will head north instead of south, go east instead of west, and even when you try to outsmart yourself, knowing that your handicap will set you going the wrong way and therefore, to rectify the error, you do the opposite of what you were intending to do, go left instead of right, go right instead of left, and still you find yourself moving in the wrong direction, no matter how many adjustments you have made. Forget tramping alone in the woods. You are hopelessly lost within minutes, and even indoors, whenever you find yourself in an unfamiliar building, you will walk down the wrong corridor or take the wrong elevator, not to speak of smaller enclosed spaces such as restaurants, for whenever you go to the men’s room in a restaurant that has more than one dining area, you will inevitably make a wrong turn on your way back and wind up spending several minutes searching for your table. Most other people, your wife included, with her unerring inner compass, seem to be able to get around without difficulty. They know where they are, where they have been, and where they are going, but you know nothing, you are forever lost in the moment, in the void of each successive moment that engulfs you, with no idea where true north is, since the four cardinal points do not exist for you, have never existed for you. A minor infirmity until now, with no dramatic consequences to speak of, but that doesn’t mean a day won’t come when you accidentally walk off the edge of a cliff.
Paul Auster (Winter Journal)
Work is finding yourself alone at the track when the weather kept everyone else indoors. Work is pushing through the pain and crappy first drafts and prototypes. It is ignoring whatever plaudits others are getting, and more importantly, ignoring whatever plaudits you may be getting.
Ryan Holiday (Ego Is the Enemy)
Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties. Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things." "Not much chance of social movement for me, I'm afraid." "Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice." "That's all right, Dad; I'm quite happy to stay at home with you and Mom." "Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?" Mom smiled across at me. "Ah, leave him alone, Bob, there's plenty of time for that." We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.
E.R. Braithwaite (To Sir, With Love)
Work is finding yourself alone at the track when the weather kept everyone else indoors. Work is pushing through the pain and crappy first drafts and prototypes. It is ignoring whatever plaudits others are getting, and more importantly, ignoring whatever plaudits you may be getting. Because there is work to be done. Work doesn’t want to be good. It is made so, despite the headwind. There is another old expression: You know a workman by the chips they leave. It’s true. To judge your progress properly, just take a look at the floor.
Ryan Holiday (Ego Is the Enemy)
Every time you sit down to work, remind yourself: I am delaying gratification by doing this. I am passing the marshmallow test. I am earning what my ambition burns for. I am making an investment in myself instead of in my ego. Give yourself a little credit for this choice, but not so much, because you’ve got to get back to the task at hand: practicing, working, improving. Work is finding yourself alone at the track when the weather kept everyone else indoors. Work is pushing through the pain and crappy first drafts and prototypes. It is ignoring whatever plaudits others are getting, and more importantly, ignoring whatever plaudits you may be getting. Because there is work to be done. Work doesn’t want to be good. It is made so, despite the headwind.
Ryan Holiday (Ego Is the Enemy)
I realized that it was not Ko-san, now safely ditched for ever, but Ko-san's mother who stood in need of pity and consideration. She must still live on in this hard unpitying world, but he, once he had jumped [in battle], had jumped beyond such things. The case could well have been different, had he never jumped; but he did jump; and that, as they say, is that. Whether this world's weather turns out fine or cloudy no more worries him; but it matters to his mother. It rains, so she sits alone indoors thinking about Ko-san. And now it's fine, so she potters out and meets a friend of Ko-san's. She hangs out the national flag to welcome the returned soliders, but her joy is made querulous with wishing that Ko-san were alive. At the public bath-house, some young girl of marriageable age helps her to carry a bucket of hot water: but her pleasure from that kindness is soured as she thinks if only I had a daughter-in-law like this girl. To live under such conditions is to live in agonies. Had she lost one out of many children, there would be consolation and comfort in the mere fact of the survivors. But when loss halves a family of just one parent and one child, the damage is as irreparable as when a gourd is broken clean across its middle. There's nothing left to hang on to. Like the sergeant's mother, she too had waited for her son's return, counting on shriveled fingers the passing of the days and nights before that special day when she would be able once more to hang on him. But Ko-san with the flag jumped resolutely down into the ditch and still has not climbed back.
Natsume Sōseki (Ten Nights of Dream, Hearing Things, The Heredity of Taste)
There are two gradations of cold that are always acceptable: Mild Frost, which is preferable for reading and writing and any other activity done indoors, and Absolute Zero, which is the only temperature suitable for sleep. There is nothing more delicious than being swathed in a cocoon of blankets and awaking with a nose frosted over with rime, and once I do achieve vampiric heights and fall asleep with the mastery of a corpse lately dead, I am best left alone until I wake up at my usual time. I do tend to bite when rattled out of my flocculent coffin, and everyone in my building knows never to disturb me during the early morning hours. Authors, being crepuscular creatures, should never be roused before 11am: the creative mind is never turned off; it only dies momentarily and its revived by the scent of coffee at the proper time. Bacon is also an acceptable restorative.
Michelle Franklin (I Hate Summer: My tribulations with seasonal depression, anxiety, plumbers, spiders, neighbours, and the world.)
I was certainly not the best mother. That goes without saying. I didn’t set out to be a bad mother, however. It just happened. As it was, being a bad mother was child’s play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn’t do during those hours we were trapped together would scourge my soul. Why did I allow Grace to make Mia cry? Why did I snap at Mia to stop just to silence the noise? Why did I sneak to a quiet place, whenever I could? Why did I rush the days—will them to hurry by—so I could be alone? Other mothers took their children to museums, the gardens, the beach. I kept mine indoors, as much as I could, so we wouldn’t cause a scene. I lie awake at night wondering: what if I never have a chance to make it up to Mia? What if I’m never able to show her the kind of mother I always longed to be? The kind who played endless hours of hide-and-seek, who gossiped side by side on their daughters’ beds about which boys in the junior high were cute. I always envisioned a friendship between my daughters and me. I imagined shopping together and sharing secrets, rather than the formal, obligatory relationship that now exists between myself and Grace and Mia. I list in my head all the things that I would tell Mia if I could. That I chose the name Mia for my great-grandmother, Amelia, vetoing James’s alternative: Abigail. That the Christmas she turned four, James stayed up until 3:00 a.m. assembling the dollhouse of her dreams. That even though her memories of her father are filled with nothing but malaise, there were split seconds of goodness: James teaching her how to swim, James helping her prepare for a fourth-grade spelling test. That I mourn each and every time I turned down an extra book before bed, desperate now for just five more minutes of laughing at Harry the Dirty Dog. That I go to the bookstore and purchase a copy after unsuccessfully ransacking the basement for the one that used to be hers. That I sit on the floor of her old bedroom and read it again and again and again. That I love her. That I’m sorry. Colin
Mary Kubica (The Good Girl)
I caught the bus to town and the tram to the Half-way and walked the rest. I was too down-hearted even to call in at Hutton's for a drink. It was dark when I got indoors and I lit the lamp. The house was empty, empty, empty! I was alone and I new I would be alone for the rest of my days. I don't know how I managed to live since then. I have had friends or, at least, people I have talked to: and many people have been good to me. I can't ever say how good Tabitha have been to me: but I took it for granted while she lived. I have chased after this girl, or that girl, when the spirit moved me: or, more likely, as Raymond would have said, from force of habit. I have lived in Raymond's tragic story as if it was my own: but it is a mystery to me yet, and perhaps i put things wrong when I tried to put things right. I have held my own against strangers and against enemies from another country: and against the double-faced behaviour of some of my own people. I have seen the funny side of things, and made a lot of people laugh: and I suppose they have thought I am the happy-go-lucky sort: but since that night I have lived without hope. I have often wondered what it is I can have done wrong to have to live for so many years without hope. It is no wonder I think a lot and am a bit funny in the head.
G.B. Edwards
You're alone. You can develop only when you're alone; you always will be alone, your consciousness of the fact that you can't come up with anything on your own… Everything else is a delusion, is dubious. Nothing ever changes… You talk to other people; you are alone. You have opinions, other people's opinions, your own opinions, you are always alone. And when you write a book, or books if you are like me, you are even more alone. Making yourself understood is impossible; there's no such thing as doing that. Out of solitude, out of aloneness grows an even more intense aloneness, apartness. Eventually, you change scenes at ever-briefer intervals. You believe that ever-larger cities—your small home town is no longer enough for you, Vienna is no longer enough, London is no longer enough. You're forced to go to another continent; you try going here and there, speaking foreign languages—is Brussels perchance the right place? Is it perchance Rome? And you travel to every place in the world, and you are always alone with yourself and with your ever-more abominable work. You go back to your native country, you withdraw back into your farmhouse, you shut the doors if you are like me—and this is often for days at a time—you stay shut up indoors and then your sole pleasure and on the other hand your ever-increasing source of delight is your work
Thomas Bernhard
He hated it so very much I almost felt sorry for him. He finally resorted to standing over me while I cast the final spell, noting down every small thing I did, even the sneeze from breathing in too deep over the cinnamon, and when I was finished he tried it again himself. It was very strange watching him, like a delayed and flattering mirror: he did everything exactly the way I had done, but more gracefully, with perfect precision, enunciating every syllable I had slurred, but he wasn’t halfway through before I could tell it wasn’t working. I twitched to interrupt him. He shot me a furious look, so I gave up and let him finish working himself into a thicket, as I thought of it, and when he was done and nothing whatsoever had happened, I said, “You shouldn’t have said miko there.” “You did!” he snapped. I shrugged helplessly: I didn’t doubt that I had, though to be perfectly honest I didn’t remember. But it hadn’t been an important thing to remember. “It was all right when I did it,” I said, “but when you did it, it was wrong. As though—you were following a trail, but a tree had fallen down in the meantime, or some hedge grew up, and you insisted on continuing on anyway, instead of going around it—” “There are no hedges!” he roared. “It comes, I suppose,” I said thoughtfully, speaking to the air, “of spending too much time alone indoors, and forgetting that living things don’t always stay where you put them.
Naomi Novik (Uprooted)
Rooms For Rent Atlanta That Cater To Your Personal Growth Are you looking for just the right room to rent? Maybe you have the resources you need to find it yourself. After all, this is the age of the search engine, and plenty of information is available to anyone who seriously looks for it. There is a wide variety of choice, so you can concentrate only on those homes that might potentially be for you. There are plenty of advantages to occupying rooms for rent atlanta. You save a lot of money paying only part of the expenses you would normally pay for when you have a house of your own. This is because you only have to pay your share of the rent, water, electricity and heat bills. But there are disadvantages to house share too. Conflicts can arise when you live in house that is not yours, especially if you rent a room in a house where the other residents are from a different background than yours. Having a nice place to stay can even help your physical health, and it surely affects your mental health. You may find a place also that comes with furniture already in it. This would allow you to get by with spending less on not only the furniture but the transportation too. Sometimes you can actually save money finding rooms for rent atlanta in the country. This depends on how often you plan to visit the city. If you have a job you can do from home, or if you are retired and collecting benefits, then there is no real reason for you to pay the extra money to live in the city. Of course there are many choices you need to make while you are searching for a room. Some people just do not enjoy living alone. Renting an entire apartment to oneself can, indeed, be a lonely experience. For those who want an easy opportunity to socialize, then, renting a room is a great option. It is little wonder that so many houses on campuses around the country are full of young students renting rooms - its partly for convenience, and definitely partly for the chance to be among others their own age. Renting a room provides the chance to be among one’s peers. There are many more benefits, but perhaps the biggest and best is the advantage of not being locked into something for life. Room rentals can be very appealing, and they can complement the kind of lifestyle you want and deserve. If you want to find the spirit or soul of a city, move right in with its inhabitants. You may benefit socially by taking a couple of classes at the local college. You might try looking for rooms for rent atlanta where there are games, indoor or outdoor. This is a great way to meet people and get started in your new life. Depending on the weather, you might want a pool or access to a gym or tennis courts. Maybe you are attracted to the kind of community that has stunning architecture and green trees and plants. There may be a certain type of street design that appeals to you.
Ration
The New Dog I. “I’m intensely afraid of almost everything. Grocery bags, potted poinsettias, bunches of uprooted weeds wilting on a hot sidewalk, clothes hangers, deflated rubber balls, being looked in the eye, crutches, an overcoat tossed across the back of a chair (everybody knows empty overcoats house ghosts), children, doorways, music, human hands and the newspaper rustling as my owner, in striped pajamas, drinks coffee and turns its pages. He wants to find out where there’ll be war in the mid-east this week. Afraid even of eating, if someone burps or clinks a glass with a fork, or if my owner turns the kitchen faucet on to wash his hands during my meal I go rigid with fear, my legs buckle, then I slink from the room. I pee copiously if my food bowl is placed on the floor before the other dogs’. I have to be served last or the natural order of things - in which every moment I am about to be sacrificed - (have my heart ripped from my chest by the priest wielding his stone knife or get run out of the pack by snarling, snapping alphas) - the most sacred hierarchy, that fated arrangement, the glue of the universe, will unstick. The evolution will never itself, and life as we know it will subside entirely, until only the simplest animal form remain - jellyfish headless globs of cells, with only microscopic whips for legs and tails. Great swirling arms of gas will arm wrestle for eons to win cosmic dominance. Starless, undifferentiated chaos will reign. II. I alone of little escaped a hell of beating, neglect, and snuffling dumpsters for sustenance before this gullible man adopted me. Now my new owner would like me to walk nicely by his side on a leash (without cowering or pulling) and to lie down on a towel when he asks, regardless of whether he has a piece of bologna in his pocket or not. I’m growing fond of that optimistic young man in spite of myself. If only he would heed my warnings I’d pour out my thoughts to him: When panic strikes you like a squall wind and disaster falls on you like a gale, when you are hunted and scorned, wisdom shouts aloud in the streets: What is consciousness? What is sensation? What is mind? What is pain? What about the sorrows of unwatered houseplants? What indoor cloudburst will slake their thirst? What of my littler brothers and sisters, dead at the hands of dirty two legged brutes? Who’s the ghost in the universe behind its existence, necessary to everything that happens? Is it the pajama-clad man offering a strip of bacon in his frightening hand (who’ll take me to the park to play ball if he ever gets dressed)? Is it his quiet, wet-eyed, egg-frying wife? Dear Lord, Is it me?
Amy Gerstler (Ghost Girl)
This is my lifemate, Alexandria. She is new to our people and knows nothing of our ways. We would both consider it a great honor if you would accompany us back to our house and tell us the news of our homeland." Are you out of your mind? Alexandria protested silently, horrified. It would be like bringing home a wild jungle cat. A tiger. Something very lethal. Gregori inclined his head at the introduction, but the refusal to join them was clear in his silver eyes. "It would be unwise of me to join you indoors. I would be a caged tiger, untrustworthy, unpredictable." His pale eyes flickered over Alexandria, and she had the distinct impression he was laughing at her. Then he turned his attention once more to Aidan. "I need to ask of you a favor." Aidan knew of what Gregori would speak, and he shook his head. "Do not, Gregori. You are my friend. Do not ask of me what I cannot do." Alexandria felt Aidan's sorrow, his distress. His mind was a turmoil of emotions, fear among them. The silver eyes flashed and burned. "You will do what you must, Aidan, just as I have done for over a thousand years. I have come here to wait for my lifemate. She will arrive in a few months to do a show, magic show. San Francisco is on her schedule. I intend to establish a house high in the mountains, far from your place. I need the wild, the heights, and I must be alone. I am close to the end, Aidan. The hunt, the kill, is all I have left." He waved a hand, and the ocean waves leapt in response. "I am not certain if I can wait until she comes. I am too close. The demon has nearly consumed me." There was no change in the sweet purity of his voice. "Go to her. Send for her. Call her to you." Aidan rubbed his forehead in agitation, and his obvious upset alarmed Alexandria more than anything else. Nothing ever seemed to get to Aidan. "Where is she? Who is she?" "She is Mikhail and Raven's daughter. But Raven did not prepare her for what was to come on the day of the claiming. She was but eighteen years. When I went to her, she was so filled with fear, I found I could not be the monster I needed to be to claim her against her will. I did not press her. I vowed to myself to allow her five years of freedom. After all, joining with me will be rather like joining with a tiger. Not the most comfortable of destinies.
Christine Feehan (Dark Gold (Dark, #3))
Deciding whether or not to trust a person is like deciding whether or not to climb a tree, because you might get a wonderful view from the highest branch, or you might simply get covered in sap, and for this reason many people choose to spend their time alone and indoors, where it is harder to get a splinter.
Lemony Snicket (A Series of Unfortunate Events Collection: Books 10-13 (A Series of Unfortunate Events Boxset Book 4))
IT WAS ALMOST December, and Jonas was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep, sickening feeling of something terrible about to happen. Frightened was the way he had felt a year ago when an unidentified aircraft had overflown the community twice. He had seen it both times. Squinting toward the sky, he had seen the sleek jet, almost a blur at its high speed, go past, and a second later heard the blast of sound that followed. Then one more time, a moment later, from the opposite direction, the same plane. At first, he had been only fascinated. He had never seen aircraft so close, for it was against the rules for Pilots to fly over the community. Occasionally, when supplies were delivered by cargo planes to the landing field across the river, the children rode their bicycles to the riverbank and watched, intrigued, the unloading and then the takeoff directed to the west, always away from the community. But the aircraft a year ago had been different. It was not a squat, fat-bellied cargo plane but a needle-nosed single-pilot jet. Jonas, looking around anxiously, had seen others—adults as well as children—stop what they were doing and wait, confused, for an explanation of the frightening event. Then all of the citizens had been ordered to go into the nearest building and stay there. IMMEDIATELY, the rasping voice through the speakers had said. LEAVE YOUR BICYCLES WHERE THEY ARE. Instantly, obediently, Jonas had dropped his bike on its side on the path behind his family’s dwelling. He had run indoors and stayed there, alone. His parents were both at work, and his little sister, Lily, was at the Childcare Center where she spent her after-school hours. Looking through the front window, he had seen no people: none of the busy afternoon crew of Street Cleaners, Landscape Workers, and Food Delivery people who usually populated the community at that time of day. He saw only the abandoned bikes here and there on their sides; an upturned wheel on one was still revolving slowly. He had been frightened then. The sense of his own community silent, waiting, had made his stomach churn. He had trembled. But it had been nothing. Within minutes the speakers had crackled again, and the voice, reassuring now and less urgent, had explained that a Pilot-in-Training had misread his navigational instructions and made a wrong turn. Desperately the Pilot had been trying to make his way back before his error was noticed. NEEDLESS TO SAY, HE WILL BE RELEASED, the voice had said, followed by silence. There was an ironic tone to that final message, as if the Speaker found it amusing; and Jonas had smiled a little, though he knew what a grim statement it had been. For a contributing citizen to be released from the community was a final decision, a terrible punishment, an overwhelming statement of failure.
Lois Lowry (The Giver (The Giver, #1))
The thought alone reminded Daymon of a zombie movie in which a group of survivors holed up in a large indoor mall.
Shawn Chesser (Fury (Surviving the Zombie Apocalypse #15))
… yet a little colder, gray sky deepening into haziness as evening fell, making the water look like molten silver as it caught the soft beams of a misty moon. A soothing peace and an ever increasing chill set in that drove one indoors, an excuse for bed and a good book. I slipped out on deck, my nightly custom before retiring, for a few moments alone with my thoughts. It was all so quiet, but how penetratingly cold it had become! Little wisps of mist like tiny fairies wafted gently inboard from the sea and left my face clammy. I shivered. It was indeed a night for bed, warmth and cozy thoughts of home and firesides.
Violet Jessop (Titanic Survivor: The Newly Discovered Memoirs of Violet Jessop Who Survived Both the Titanic and Britannic Disasters)
The indoor rules were simple: don’t touch anything that wasn’t in your book bag. Did you come home from school, grab a glass, pour yourself some juice, and camp out in front of the TV watching cartoons? Congratulations, Anne of Green Gables, your childhood was fucking rad. We weren’t allowed to touch the glasses anymore after I broke the Hamburglar tumbler from our set of McDonald’s fine china. We didn’t have juice boxes because we were on welfare, and I would rather have chewed tinfoil than recreationally drink powdered milk. We tried to watch TV once, turning it off as soon as we heard Mom’s footsteps on the landing, but technology in the eighties was intent on destroying our flimsy excuses. “Were you watching TV?” Cory and I would give each other the knowing glance of liars everywhere and say, “No.” Mom would then go over, touch the TV, and, feeling the warmth emanating from the screen, rip our story apart in three seconds flat. Disobeying her wasn’t the worst offense—we were wasting electricity, and no parent in the country could abide using electricity for the intended purpose if they were not the ones flipping the switch. When Mom was home, you could fire up every light in the house, leave an empty blender running full speed, and overload every outlet until the fuses popped like fireworks. But children alone were unworthy of electricity, so I guess the expectation was we could spend our time weaving brooms out of hay and banging out candle holders on a tin press. We had to make our own fun, so we invented Spiderweb City.
Danielle Henderson (The Ugly Cry: How I Became a Person (Despite My Grandmother's Horrible Advice))
They were so close now that their various yellow probes of wrist-light puddled around them and caught the grass around my elbows. They were islands of authority in the night, with immense theoretical power over us, but, like us, they were small and alone; the night was huger than any of us. And we were more a part of the night than they. This was their property, their station, and we were trespassing on it but they could not see us. When they turned and went back indoors, I felt almost as if I could fly.
William T. Vollmann (Riding Toward Everywhere)
Whiskers taut, front teeth bared Shaking breath, round eyes scared Winter kept falling from the sky, building up under the windowsills, and crawling with frost over the panes. When clouds kept the sun from burning the frost away, Miri could see the outside world only as a grayish blur. So much time indoors, so much time with no one to talk to, was making her feel wretched. Her body ached, her skin itched as though she were wrapped tight in wool and could not stretch. The next time Olana dismissed the girls outside, Esa turned to Miri before leaving the classroom and gestured that she should follow. Miri sighed with anticipation. If Esa forgave her, perhaps the others would as well. Her determination to be just fine alone melted under the bright hope of making everything all right. She had one small task first. After waiting until all the girls left the classroom, Miri crept to the book shelf for a chance to return the volume of tales. She was standing on her tiptoes, inching the book back into place, when a sound at the door startled her. She jumped and dropped the book. "What are you doing?" asked Olana. "Sorry," said Miri, picking up the fallen book and dusting it off. "I was just . . ." "Just dropping my books on the floor? You weren't planning on stealing one, were you? Of course you were. I would have allowed you to borrow a book, Miri, but I won't tolerate stealing. In the closet with you." "The closet?" said Miri. "But I wasn't . . ." "Go," said Olana, herding Miri like a sulky goat. Miri knew the place, though she had never been in it. She looked back before stepping inside. "For how long?" Olana shut the door on Miri and clicked the lock. The sudden lack of light was terrifying. Miri had never been any place so dark. In winter Marda, Pa, and Miri slept by the kitchen fire, and in summer they slept under the stars. She lay on the floor and peered under
Shannon Hale (Princess Academy (Princess Academy #1))
When do you feel most creative? When do you feel most social? When do you most want to be alone? Are you spontaneous or do you like to make plans far in advance? What are (at least) three things that energize you? What are (at least) three things that exhaust you? What are three everyday-ish activities or parts of daily your routine that you just love and feel good about? What is your ideal evening activity/nightly routine if you hope to get a good night’s sleep? What are three everyday-ish activities that you hate doing or dread? When you’re going about your day, do you like having background noise? What kind? What activities do you like doing alone? What activities do you prefer to do with other people? How much does your physical appearance matter to you? What effect does your appearance have on your mood? When do you feel most attractive? Least attractive? Your Environment Do you prefer being indoors or outdoors? When do you crave being outside? What makes you want to be inside more? How much does tidiness matter to you? What about cleanliness? Does the answer change if you’re talking about home versus work versus public spaces versus other people’s spaces?
Rachel Wilkerson Miller (The Art of Showing Up: How to Be There for Yourself and Your People)
Nevertheless two men good-humouredly greeted her, and both times she froze into nervous annoyance, and walked on with hastening steps. She got into her bedroom and locked the door as if against a danger. Then she sat at the window and thought that five years before the dinner alone would have been pleasant because of its solitariness, and because of the possibilities of an encounter; and the walk home from the restaurant alone delightful. And she would certainly have had a cup of coffee or a drink with one or other of the two men. So what had happened to her? It was true that with Paul she had taught herself never to look at a man, even casually, because of his jealousy; she was, with him, like a protected indoors woman from a Latin country. But she had imagined this was an outward conformity to save him from self-inflicted pain. Now she saw that her whole personality had changed. For some time she sat, listless, at the window, watching the darkening but blossoming city, and told herself she should make herself walk through its streets, and force herself into talking to people; she should let herself be picked up and flirt a little. But she understood she was as incapable of walking down the hotel stairs, leaving her key at the desk and going into the streets, as if she had just served a prison sentence for four years in solitary confinement and then told to behave normally. She went to bed. She was unable to sleep.
Doris Lessing (The Golden Notebook)
The mind roams more widely in the dark than it does in light. It is no surprise, then, stepping out of the unlit house into the unlit compound to find myself with the sudden thought, What if I inhabited another body and had a different destiny? We have all had these notions, perhaps while standing on a porch over a lake in the summer night as our friends enjoy a party indoors, or maybe on waking alone at three in the morning. Moments of great isolation. And there is that other thought: What if everything changed tonight? What if there is an explosion in the generator house? Nighted color seeps into the mind.
Teju Cole (Every Day Is for the Thief)
All that was left of the Navane was a dark orange film, hardened against the plastic walls of the dropper bottle, segmented and flaking like dried earth. I remembered this stuff. It was the worst of the worst. It came with all kinds of warnings about going out into the sun and what to use on your skin to protect yourself from the extra sensitivity, which seemed like jokes to me, like they had to be meant as jokes. I think it was years before I stood outside in the sun at all for longer than the few minutes it took me to get from a transport van into the cool shade of the indoors. I sniffed at the bottle. There wasn’t a whole lot of scent left; just enough for me to grab hold of the memory of what it had been like getting this stuff from the dropper to my tongue. Like forcing a cadaver to drool something sweet into my mouth. Whole sweeping narratives had formed inside me around this medication, I remembered: stories I’d told myself to make taking it less numbing, to give not just meaning but intrigue to my dull condition. Explorers on distant South American mountainsides retrieving flowers from rock cliffs whose petals alone could yield the essence that would make the nauseating syrup in the tinted bottle: but you couldn’t get the essence directly from the petals; it was far too potent for human beings, it’d kill you; first you had to feed it to sparrows, whose livers filtered out the toxins, then cut out the livers and boil all the remaining organs in water. Then you strained the resulting decoction through cheesecloth and diluted it in a ten-to-one solution, and capped the bottles you’d drained it into and kept them away from light, because what you were left with was thiothixene HCl, known commercially as Navane, which I took in oral suspension because the doctor thought without it I might see or hear bad things.
John Darnielle (Wolf in White Van)