Agony Of Waiting Quotes

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I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W. I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.
Jane Austen (Persuasion)
Espere" in Spanish, is the one word covering two meanings: "waiting" and "hoping". If life, however, offers no expectation or prospect, waiting represents time "wasted”. Waiting needs a future. If not, time is condemned to be "killed". In the event that we are lost in a gap of boredom and despair, we are driven back in a vacuum of senselessness and deadlocked in a point of nothingness. We are, so therefore, bound to watch the agony of "time". ("Waiting for a place behind the geraniums " )
Erik Pevernagie
What was the difference between love and the agony of waiting? Like love, the agony of waiting began in the muscles somewhere around the upper belly but soon spread out to the chest, the thighs, and the forehead, to invade the entire body with numbing force.
Orhan Pamuk (Snow)
Spirit that could not be broken. You do not yield. She would endure it again, if asked. She would do it. Every brutal hour and bit of agony. And it would hurt, and she would scream, but she’d face it. Survive against it. Arobynn had not broken her. Neither had Endovier. She would not allow this waste of existence to do so now. Her shaking eased, her body going still. Waiting. Maeve blinked at her. Just once. Aelin sucked in a breath—sharp and cool. She did not want it to be over. Any of it.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I thought I loved him when he went away; I love him now in another degree: he is more my own. [ . . . ] Oh! a thousand weepers, praying in agony on waiting shores, listened for that voice, but it was not uttered--not uttered till; when the hush came, some could not feel it: till, when the sun returned, his light was night to some!
Charlotte Brontë (Villette)
Up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.
Henry Miller (Black Spring)
I can wait in silence no longer, but I’m afraid I’m already too late. I am trapped between agony and hope—believing I have no right to speak, but knowing more how much I’d regret it if I did not. Tell me I’m not wrong. Tell me that, this time, you will accept my offer. Because I’m making it again. I want you with me, Elliot. It’s all I have ever wanted. I offer you everything I have—my world, my ship, my self—perhaps they will be enough to replace what I know you would be giving up if you came with me.
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
You want me to have feelings?" he said. "I already told you that I love you. What else should I say? That I long to be near you every second of every day? I see colors, only around you....I smell perfume, only around you. God, it's like...like I'm alive again. Sometimes I go crazy just wondering if I imagined it all, and I wait to see when it...you...will be taken away from me." "I feel all these things, Abbey," he continued on. "Rage that I can't run my fingers through your hair. Sorrow that I can't lay my face next to yours. Agony that I can't steal the breath from your lips. I can't eat or breathe or sleep for wanting to touch you, and yet I don't eat or breathe or sleep. I'm just here. Stuck in between.
Jessica Verday (The Haunted (The Hollow, #2))
There was pain and then there was agony. Hello, agony. I’d been waiting for you. Finish me off. Please.
Karina Halle (And With Madness Comes the Light (Experiment in Terror, #6.5))
God created through love and for love. God did not create anything except love itself, and the means to love. He created love in all its forms. He created beings capable of love from all possible distances. Because no other could do it, he himself went to the greatest possible distance, the infinite distance. This infinite distance between God and God, this supreme tearing apart, this agony beyond all others, this marvel of love, is the crucifixion. Nothing can be further from God than that which has been made accursed.
Simone Weil (Waiting for God)
Every choice has a consequence, every consequence another choice. Little agonies waiting to be embraced. Only the moment before the choice really weighs anything. Very heavy moments, exploding into nothing.
MCM
Just because something is addictive doesn't mean that you will get addicted to it. But . . . if your stomach ties up in knots while you count the seconds waiting for a phone call from that special someone . . . if you hear a loud buzzing in your ears when you see a certain person's car (or one just like it) . . . if your eyes burn when you hear a random love song or see a couple holding hands . . . if you suffer the twin agonies of craving for and withdrawing from a series of unrequited crushes or toxic relationships . . . if you always feel like you're clutching at someone's ankle and dragged across the floor as they try to leave the room . . . welcome to the club.
Ethlie Ann Vare
I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting. Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing. Whisper of running streams, and winter lightning. The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth.
T.S. Eliot (Four Quartets)
You don't forget. You don't 'get over it'. You just find a way to stuff the pain in a pocket somewhere inside. But every once in a while, something - some stupid, insignificant little thing - triggers it. The worst pain you have ever felt. And you have to start all over. Feel the same jerking agony that only comes when you realize, when you remember that you'll never see his face again, that you'll never be able to share that stupid thing that reminded you of him in the first place. The pain never goes away. It only dulls, waiting for another trigger.
Julie Hockley (Scare Crow (Crow's Row, #2))
Love is nothing but the prolonged agony of waiting for it to end. The fear of losing the ones we love makes us do selfish and foolish and cruel things. The only freedom is freedom from love, and once your love is gone, it can be perfect, crystallized in your memory forever.
Dana Schwartz (Anatomy: A Love Story (The Anatomy Duology, #1))
Fuck was the best word. The most dangerous word. You couldn't whisper it. Fuck was always too loud, too late to stop it, it burst in the air above you and fell slowly right over your head. There was total silence, nothing but Fuck floating down. For a few seconds you were dead, waiting for Henno to look up and see Fuck landing on top of you. They were thrilling seconds-when he didn't look up. It was a word you couldn't say anywhere. It wouldn't come out unless you pushed it. It made you feel caught and grabbed you the minute you said it. When it escaped it was like an electric laugh, a soundless gasp followed by the kind of laughing only forbidden things could make, an inside tickle that became a brilliant pain, bashing at your mouth to be let out. It was agony. We didn't waste it.
Roddy Doyle (Paddy Clarke Ha Ha Ha)
The thing is that when you find true love it lives on, No matter if you two seperate but the love stays alive, broken, gasping for breath, love and affection, but in agony, waiting for everything to end.
Alamvusha
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
I learned something about grief. I had heard people say that when someone dies, it leaves a hole in the world. But it doesn't, I realized. Arturo was still everywhere. Something would happen and I would think, Wait until I tell Arturo. I kept turning around, expecting to see him. If he had disappeared completely, I thought, it might be easier. If I had no knowledge that he had ever existed, no evidence that he was ever part of our lives, it might have been bearable. And how wrong that sounded: part of our lives. As if he was something with boundaries, something that hadn't permeated us, flowed through us and in us and all around us. I learned something about grief. When someone dies, it doesn't leave a hole and that's the agony.
Cristina Henríquez (The Book of Unknown Americans)
I feel there will be a time. A time when there will be no agony. I will never cry. There will come a time when my smile will be genuine. You will be able to tell. I feel there will come a time when the winds will carry all the wrinkles away when the rain will bring beauty with it when the sun shine will carry the birds my way. When the flowers will be welcome in this world. The pain I feel will not stay forever. Nothing will last. The good brought bad with it. I know the bad has already begun. What I know more is that the good is hidden in it. It is never gone. It will never go. And I will wait!
Aleena Yasin
He watched the pain's unsummoned appearance with a cold, detached curiosity; he said to himself: Well, here it is again. He waited to see how long it would last. It gave him a strange, hard pleasure to watch his fight against it, and he could forget that it was his own suffering; he could smile in contempt, not realizing that he smiled at his own agony. Such moments were rare. But when they came, he felt as he did in the quarry: that he had to drill through granite, that he had to drive a wedge and blast the thing within him which persisted in calling to his pity.
Ayn Rand (The Fountainhead)
I can feel his soul through his lips. It's telling me a story of agony over how long it's waited for this moment and how it never wants it to end.
Tara Elizabeth (Zoo (The Enclosure Chronicles, #1))
There's a funny fool. I have a riddle for you, Shagwell. Why do you care if she screams? Oh, wait, I know." He shouted "SAPPHIRES," as loudly as he could. Cursing, Rorge kicked at his stump again. Jaime howled. I never knew there was such agony in the world, was the last thing he remembered thinking. It was hard to say how long he was gone, but when the pain spit him out, Urswyck was there, and Vargo Hoat himself. "Thee'th not to be touched," the goat screamed, spraying spittle all over Zollo. "Thee hath to be a maid, you foolth! Thee'th worth a bag of thapphireth!" And from then on, every night Hoat put guards on them, to protect them from his own. Two nights passed in silence before the wench finally found the courage to whisper, "Jaime? Why did you shout out?" "Why did I shout out 'sapphires,' you mean? Use your wits, wench. Would this lot have cared if I shouted 'rape'?" "You did not need to shout at all." "You're hard enough to look at with a nose. Besides, I wanted to make the goat say, 'thapphireth.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I can't promise your journey will be good, I actually guarantee that it won't. I can't promise glorious days or shining redemption. I am here to assure the opposite; you will be faced with the hardest days of your life. The agony is incessant, unyielding, but when you get to the point where you feel like everything's gone, there's a little twist, a flame, a small shift. It is subtle, it comes when you least expect it. Wait for it. This is the rule of the universe, this is the one thing in life I know to be true. No matter how awful and long your journey, I can promise you the turn. One day it will lift.
Chanel Miller (Know My Name)
It pained her that a few hundred words in an also-ran newspaper could get her kicked out. That damned article. And Rook. Her sharpest agony. She had invested in this guy. Waited for this guy. Felt something for this guy that went beyond the bedroom ... or wherever else they took each other. Nikki did not give herself easily to a man, and this betrayal by Rook was why. Heat reflected on her answer at the oral boards about her greatest flaw and admitted her reply was a mask. Yes, her identification with her job was total. But her greatest flaw wasn’t overinvestment in her career. It was her reticence to be vulnerable. Unarmed as she was-literally-she had been emotionally so with Rook. That was the gut shot that had blown clean through her soul.
Richard Castle
I once wrote you a letter and you never replied, which makes me wonder if you ever received it. This time it's a more personal delivery - and I need a reply, even if it's not the one I want. I'm listening to you - I can hear every word, however softly you speak - and I'm half-agony, half-hope. You're saying that men are realists - that, when the woman they love is no longer available, they move on. Well, believe me, I tried - and I thought I had. But seeing you again, after so many years, just proved how little I knew... You told me to trust myself. So here I am back in Bath, putting everything on the line for a second chance with you. Is that what you want, too? Whatever your answer, remember this: I may not deserve you - when I think of how I've behaved, I know I've shown little self-control and even less forgiveness - but I've never stopped loving you. You're talking about heartless men... But I have a heart, and it's the same one you almost broke ten years ago, and it belongs to you, and only you, even more than it did then. And yes, I'm a realist: if you no longer love me, I will accept it. But don't say that only a woman can keep on loving someone who's no longer part of her life! Because I will keep on loving you until there are no stars in the sky. Tell me tonight how you feel. If there's any chance of you loving me back, then I'll wait for you as I should have waited before. If not, say the word and I'll leave you in peace. But I'll never forget you, or what we had, or what might have been. Rick
Juliet Archer (Persuade Me (Darcy & Friends, #2))
This tale is the gibbet in the square... The blood on the cobblestones. It is the K carved into a Scholar girl’s skin. The mother who waited thirty years for her child. The agony of a family destroyed. This tale is a warning. And it is a promise kept.
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
The other two waited respectfully while M. Bouc struggled in mental agony.
Agatha Christie (Murder on the Orient Express (Hercule Poirot, #10))
IN THAT MOMENT I NEEDED A GOD I COULD TRUST WITH MY AGONY-RIDDEN, EMOTION-ETCHED HEART, NOT JUST WITH MY LIFE’S STRATEGY.
Grace Thornton (I Don't Wait Anymore: Letting Go of Expectations and Grasping God's Adventure for You)
She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed. The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished." So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back. She looks at him.
Sébastien Japrisot
Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart's desire; each was full of self- confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it— it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
Upton Sinclair (The Jungle)
Down to the closest friend every man is a potential murderer. Often it wasn't necessary to bring out the gun or the lasso or the branding iron-- they had found subtler and more devilish ways of torturing and killing their own. For me the most excruciating agony was to have the word annihilated before it even left my mouth. I learned, by bitter experience, to hold my tongue; I learned to sit in silence, and even smile, when actually I was foaming at the mouth. I learned to shake hands and say how do you do to all this innocent-looking fiends who were only waiting for me to sit down in order to suck my blood.
Henry Miller (Henry Miller on Writing)
It's weird to be waiting for someone to die. After a while, it starts to feel like you're rooting for death, just so the whole dying process can finally end. And this death seemed to last forEVER. It was AGONY.
Tyler Feder (Dancing at the Pity Party: A Dead Mom Graphic Memoir)
The normal process of life contains moments as bad as any of those which insane melancholy is filled with, moments in which radical evil gets its innings and takes its solid turn. The lunatic’s visions of horror are all drawn from the material of daily fact. Our civilization is founded on the shambles, and every individual existence goes out in a lonely spasm of helpless agony. If you protest, my friend, wait until you arrive there yourself. (The Varieties of Religious Experience, 1902)
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
The problem with your generation,” the professor preached, sticking his hands into his pockets, “is a bloated sense of entitlement. You feel owed everything, and you want it now. Why suffer the sweet agony of watching a television series just to find out the big reveal you’ve waited years to discover when you can just wait for the entire series to appear on Netflix and watch all fifty episodes in three days, right?” “Exactly!” a guy on the other side of the room blurted out. “Work smarter, not harder.
Penelope Douglas (Corrupt (Devil's Night, #1))
The thing is that when you find true love.... it lives on. No matter if you two seperate but the love stays alive; broken, gasping for breath, love and affection, but in agony, waiting for everything to end. But Sadly, It lives on... in memories and thought's.
Alamvusha
He did not seem to know enough about the people in his novel. They did not seem to trust him. They were all named, more or less, all more or less destined, the pattern he wished them to describe was clear to him. But it did not seem clear to them. He could move them about but they themselves did not move. He put words in their mouths which they uttered sullenly, unconvinced. With the same agony, or greater, with which he attempted to seduce a woman, he was trying to seduce his people: he begged them to surrender up their privacy. And they refused - without, for all their ugly intransigence, showing the faintest desire to leave him. They were waiting for him to find the key, press the nerve, tell the truth.
James Baldwin (Another Country)
I was no longer capable of either enthusiasm or fear. Once an ecstatic idealist […], I had now passed - like the rest of my contemporaries who had survived thus far - into a permanent state of numb disillusion. Whatever part of my brief adulthood I chose to look back upon — the restless pre-War months at home, the naïve activities of a college student, the tutelage to horror and death as a V.A.D. nurse, the ever-deepening night of fear and suspense and agony in a provincial town, in a university city, in London, in the Mediterranean, in France — it all seemed to have meant one thing, and one thing only, ‘a striving, and a striving, and an ending in nothing.’ Now there were no more disasters to dread and no friends left to wait for; with the ending of apprehension had come a deep, nullifying blankness, a sense of walking in a thick mist which hid all sights and muffled all sounds. I had no further experience to gain from the War; nothing remained except to endure it.
Vera Brittain (Testament of Youth)
Perceptive people like you wound more easily than others. But if we’re going to work on God’s side, we have to decide to open our hearts to the griefs and pain all around us. It’s not an easy decision. A dangerous one too. And a tiny narrow door to enter into a whole new world. But in that world a great experience waits for us: meeting the One who’s entered there before us. He suffers more than any of us could because His is the deepest emotion and the highest perception…He doesn’t just leave us and Himself in the anguish. At the point where His ultimate in love meets His total capacity to absorb and feel all our agony, there the miracle happens and the exterior situation changes. I’ve seen that miracle
Catherine Marshall
Electricity poured though him like liquid agony, setting every nerve on fire. His body arched, his muscles going into spams, a cry tearing itself from between clenched teeth. Then Quintana stepped back, leaving Zach shaking, breathless, wanting to puke. Strangely, he found the pain easier to bear now than he had two weeks before. Perhaps it was just that he'd been through this before. Or perhaps it was the fact that his pain was buying time for the woman he loved. Why hadn't he told her? Why hadn't he told Natalie he loved her when he'd had the chance? It would've taken only a few seconds. What the hell had he been afraid of? And all at once it hit him- regret as deep and wide as the ocean. Natalie. If he died today, she would never know what she meant to him. If he died, he would never even get a shot at building a life with her, of knowing what it was like to come home every night and find someone waiting for him. Hell, he wouldn't even know whether he'd gotten her pregnant. Then don't die, McBride. Zach looked into the eyes of the man who was going to kill him. I love you, Natalie. I'm sorry I didn't tell you. Forgive me.
Pamela Clare (Breaking Point (I-Team, #5))
waiting for the gusting wind to take down her temperature, burningly aware of the memory of his hands on her waist, her shoulders, her wrists. Her head was too full of the memory, the too-recent agony of wanting to kiss him.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
What we saw in the mirror was some odd animal making faces. We were hungry, but we knew there was no food. We walked alone, occasionally bumping into each other, and could do little but wait for the agony to descend on us again.
Andre Solnikkar (Post Mortem Diversions)
And each of them had an individuality of his own, a will of his own, a hope and a heart's desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it—it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
Upton Sinclair (The Jungle)
A wolf howled sending her lonely ululations high into the air, wailing and crying like a tortured soul. Worse was the agony of expectation as she waited for the answering cry, so that it was almost relief when it came. - Mr Darcy, Vampyre
Amanda Grange
Why suffer the sweet agony of watching a television series just to find out the big reveal you’ve waited years to discover when you can just wait for the entire series to appear on Netflix and watch all fifty episodes in three days, right?
Penelope Douglas (Corrupt (Devil's Night, #1))
Kai whirled around and his face was sadowed by the angle of the sun. Still, she knew his tone. Anger. “What’s so funny? That our project has been set back several says? That we’re stuck here longer? That you take a little spill from a horse and everyone wants to rearrange the world so you don’t suffer a moment of inconvenience?” “No,” she said, and her voice was even. “That I would wait a month in agony just to hear you insult me. I’m a miserable girl indeed, don’t you think?
Diana Peterfreund
Connection terminated. I'm sorry to interrupt you, Elizabeth. If you still even remember that name. But I'm afraid you've been misinformed. You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called. You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune. A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near. Yet somehow out of reach. But, you will never find them. None of you will. This is where your story ends. And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be. I am remaining as well. I am nearby. This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should. And to you monsters trapped in the corridors. Be still. And give up your spirits. They don't belong to you. As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears. Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend. My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours. And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then. So, let me save you now. It's time to rest, for you, and for those you have carried in your arms... This ends. For all of us. End communication.
Scott Cawthon
The more consciousness there is in such a sufferer who in despair wills to be himself, the more his despair intensifies and becomes demonic. It usually originates as follows. A self that in despair wills to be itself is pained in some distress or other that does not allow itself to be taken away from or separated from his concrete self. So now he makes precisely this torment the object of all his passion, and finally it becomes a demonic rage. By now, even if God in heaven and all the angels offered to help him out of it- no, he does not want that, now it is too late. Once he would gladly have given everything to be rid of this agony, but he was kept waiting; now it is too late, now he would rather rage against everything and be the wronged victim of the whole world and of all life, and it is of particular significance to him to make sure that he has his torment on hand and that no one takes it away from him- for then he would not be able to demonstrate and prove to himself that he is right. This eventually becomes such a fixation that for an extremely strange reason he is afraid of eternity, afraid that it will separate him from his, demonically understood, infinite superiority over other men, his justification, demonically understood, for being what he is.
Søren Kierkegaard (The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening)
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W. "I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.
Jane Austen (Persuasion)
The more consciousness there is in such a sufferer who in despair wills to be himself, the more his despair intensifies and becomes demonic. It usually originates as follows. A self that in despair wills to be itself is pained in some distress or other that does not allow itself to be taken away from or separated from his concrete self. So now he makes precisely this torment the object of all his passion, and finally it becomes a demonic age. By now, even if God in heaven and all the angels offered to help him out of it- no, he does not want that, now it is too late. Once he would gladly have given everything to be rid of this agony, but he was kept waiting; now it is too late, now he would rather rage against everything and be the wronged victim of the whole world and of all life, and it is of particular significance to him to make sure that he has his torment on hand and that no one takes it away from him- for then he would not be able to demonstrate and prove to himself that he is right. This eventually becomes such a fixation that for an extremely strange reason he is afraid of eternity, afraid that it will separate him from his, demonically understood, infinite superiority over other men, his justification, demonically understood, for being what he is.
Søren Kierkegaard (The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening)
He doesn’t say anything for a while, just studies me in that intense way. His nostrils flare, and again it’s like he’s taking in my scent or something. He continues, “Somehow, I think I know you. From the first moment I saw you, I felt that I knew you.” The words run through me, reminding me of when he let me escape in the mountains. He’s good. Protective. I have nothing to fear from him, but everything to fear from his family. I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels so good. The pulse at his neck skips against his flesh. “Jacinda.” My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides sown to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us. I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he’s in agony. Or bliss. Or maybe both. Like he’s never been touched before. My heart squeezes. Like I’ve never touched anyone before. “Don’t stay away from me anymore.” I stop myself, just barely, from telling him I won’t. I can’t promise that. Can’t lie. He opens his eyes. States starkly, bleakly. “I need you.
Sophie Jordan (Firelight (Firelight, #1))
Bond closed his eyes and waited for the pain. He knew that the beginning of torture is the worst. There is a parabola of agony. A crescendo leading up to a peak and then the nerves are blunted and react progressively less until unconsciousness and death. All he could do was to pray for the peak, pray that his spirit would hold out so long and then accept the long free-wheel down to the final blackout. He had been told by colleagues who had survived torture by the Germans and the Japanese that towards the end there came a wonderful period of warmth and languor leading into a sort of sexual twilight where pain turned to pleasure and where hatred and fear of the torturers turned to a masochistic infatuation. It was the supreme test of will, he had learnt, to avoid showing this form of punch-drunkenness. Directly it was suspected they would either kill you at once and save themselves further useless effort, or let you recover sufficiently so that your nerves had crept back to the other side of the parabola. Then they would start again.
Ian Fleming (Casino Royale (James Bond, #1))
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
We’ve only just found each other! You cannot condemn me to live without you! Would you really go so soon, and leave me? Never to return, or if you did, only after an agony of waiting you should wish on no man! And how should I greet thee, after long years? With silence, and tears! My heart will break, yet brokenly live on!” “Stop quoting yourself!” Emily snapped. “You were! You were going to trap me here in Glass Town all for yourself! You’d steal my father and my aunt and my home away! You would make this whole beautiful world into a cage to hold me fast.” “No, Ellis—Emily! I would love you! I would be your husband!” “I’m ten!” “So?” shouted Lord Byron desperately. “I’m eleven! Emily, my darling, don’t be so dramatic.
Catherynne M. Valente (The Glass Town Game)
Your holiness!" She raised her voice, forcing herself to sound tearful and supplicatory. "If we are to die, would you let me kiss him one last time?" She half expected Taka to react to her uncharacteristic behavior, but he didn't move, didn't look at her. He was kneeling in the frozen dirt beside her, every inch of him alert, and she was probably the least of his concerns. "You want to kiss the man who tried to kill you? You are a very foolish young woman," the Shirosama said. "Go ahead." Taka turned to her, his eyes dark and unreadable, waiting. She reached up, put her mouth against his and whispered, "I have a knife that's fallen down the front of my shirt, you son of a bitch. See if you can get it." The feel of his lips against hers was agony. The sickness deep inside her was that she wanted to kiss him anyway, no matter what he'd done.
Anne Stuart (Ice Blue (Ice, #3))
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner. The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so. Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift your banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
Charles Haddon Spurgeon
The first ripple of unease hit him. He lifted his head for a moment, and his prey’s blood spurted out. He bent once more to his task, this time all efficiency and quickness. It was Alexandria. He could feel the first wave of pain hitting her. He flew to her, to be close when she called out for him. And he hoped, for both their sakes, that that would be soon. She needed him, but he had promised to compel her no further than the blood exchange. She had to call for him. Outside the underground chamber he paced, Alexandria’s pitiful cries sending shards of pain through his own heart. A dozen times he reached for the door, wanting even needing to kick it in. But she had to call for him. She had to express faith in him or she would never believe he was helping, not harming, her. He rested his forehead against the door, then was shocked to see a crimson stain from the contact. He was sweating blood, in agony hearing her pleas and feeling the pain twisting and burning within her body. The physical agony he could manage, but his heart and his mind were in torment. “Where are you? You promised to help me. Where are you?” He had waited so long for the invitation, he thought he was hallucinating when it actually came. He hit the door with the flat of his hand and burst inside. She could see her own agony reflected in his eyes. There was a scarlet smear on his forehead.
Christine Feehan (Dark Gold (Dark, #3))
James felt as he always felt waiting to deliver this kind of news: like an emotional mugger, smashing into other people's calm lives, leaving agony and loss behind. The aloofness of his role built his guilt, his distance from their pain. That he could introduce himself to people to deliver news that ruined them, with no wounds of his own to show in solidarity. He was the professional, like a doctor, slicing through their existence then going back to his own clean life.
Dal Maclean (Bitter Legacy (Bitter Legacy, #1))
Pete Berman sized up his competition like a predator lining up its prey. Gerry Williams dribbled once with his left hand, stopped on a dime, and nailed an open 15-footer. He had played on the Fellingwood Varsity Basketball Team since his freshman year, and was now a 16 year-old boy in a man's body. Pete sat on a board of the old splinter-ridden, wooden stands fixed on Gerry, but he was unable to defend his turf. His team was losing badly again, and the waiting was pure agony.
Phil Wohl (High School Rivalry)
In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together. You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet. You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it’s agony-free for the rest of your afterlife. But that doesn’t mean it’s always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line. Two years of boredom: staring out a bus window, sitting in an airport terminal. One year reading books. Your eyes hurt, and you itch, because you can’t take a shower until it’s your time to take your marathon two-hundred-day shower. Two weeks wondering what happens when you die. One minute realizing your body is falling. Seventy-seven hours of confusion. One hour realizing you’ve forgotten someone’s name. Three weeks realizing you are wrong. Two days lying. Six weeks waiting for a green light. Seven hours vomiting. Fourteen minutes experiencing pure joy. Three months doing laundry. Fifteen hours writing your signature. Two days tying shoelaces. Sixty-seven days of heartbreak. Five weeks driving lost. Three days calculating restaurant tips. Fifty-one days deciding what to wear. Nine days pretending you know what is being talked about. Two weeks counting money. Eighteen days staring into the refrigerator.
David Eagleman (Sum: Forty Tales from the Afterlives)
It all got too busy, suddenly. Troops were getting into battles at the Moro Bridge and then into Urbino. Maybe in Urbino I stopped. You felt you could be shot any time there, not just if you were a soldier, but a priest or a nurse. It was a rabbit warren, those narrow tilted streets. Soldiers were coming in with just bits of their bodies, falling in love with me for an hour and then dying. It was important to remember their names. But I kept seeing the child whenever they died. Being washed away. Some would sit up and rip all their dressings off trying to breathe better. Some would be worried about tiny scratches on their arms when they died. Then the bubble in the mouth. That little pop. I leaned forward to close a dead soldier’s eyes, and he open them and sniggered, “Can’t wait to have me dead? You bitch!” He sat up and swept everything on my tray to the floor. So furious. Who would want to die like that? To die with that kind of anger. You bitch! After that I always waited for the bubble in their mouths. I know death now, David. I know all the smells, I know how to divert them from agony. When to give the quick jolt of morphine in a major vein. The saline solution. To make them empty their bowels before they die. Every damn general should have had my job. Every damn general. It should have been a pre-requisite for any river crossing. Who the hell were we to be given this responsibility, expected to be wise as old priests, to know how to lead people towards something no one wanted and somehow make them feel comfortable. I could never believe in all those services they gave for the dead. Their vulgar rhetoric. How dare they! How dare they talk like that about a human being dying.
Michael Ondaatje (The English Patient)
Here there is buried legend after legend of youth and melancholy, of savage nights and mysterious bosoms dancing on the wet mirror of the pavement, of women chuckling softly as they scratch themselves, of wild sailors’ shouts, of long queues standing in front of the lobby, of boats brushing each other in the fog and tugs snorting furiously against the rush of tide while up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.
Henry Miller (Black Spring)
Agony ripped her. Finally, after a lifetime, she admitted it was the chance of seeing Tate, the hope of rounding a creek bend and watching him though reeds, that had pulled her into the marsh every day of her life since she was seven. She knew his favorite lagoons and paths trough difficult quagmires; always following him at a safe distance. Sneaking about, stealing love. Never sharing it. You can't get hurt when you love someone from the other side of an estuary. All the years she rejected him, she survived because he was somewhere in the marsh, waiting. But now perhaps he would no longer be there.
Delia Owens (Where the Crawdads Sing)
But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days." His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that." I swallow back a laugh. "I can't." "Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me." "I never said-" "You didn't have to." I inhale sharply. "Don't do this." He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..." I frown and shake my head. His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in." He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you." The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family. I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good. The pulse at his neck skips against his flesh. "Jacinda." My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us. I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before. "Don't stay away from me anymore." I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie. He opens his eyes. Stares starkly, bleakly. "I need you." He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know." Then he kisses me.
Sophie Jordan (Firelight (Firelight, #1))
That night, Marlboro Man and I had a date. It was the Thursday night before our wedding, and the rehearsal dinner was the following night. It would be our last night alone together before we’d say I do. I couldn’t wait to see him; it had been two whole days. Forty-eight excruciating hours. I missed him fiercely. When he arrived on my parents’ doorstep, I opened the door and smiled. He looked gorgeous. Solid. Irresistible. Grinning, he stepped forward and kissed me. “You look good,” he said softly, stepping back. “You got some sun today.” I gulped, flashing back to the agony of my facial that afternoon and fearing for the future of my face. I should have just stayed home and packed all day.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
It was all so very businesslike that one watched it fascinated. It was porkmaking by machinery, porkmaking by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests—and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretense of apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. One could not stand and watch very long without becoming philosophical, without beginning to deal in symbols and similes, and to hear the hog squeal of the universe. Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart’s desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it—it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
Upton Sinclair (The Jungle)
Earth Your Dancing Place Beneath heaven's vault remember always walking through halls of cloud down aisles of sunlight or through high hedges of the green rain walk in the world highheeled with swirl of cape hand at the swordhilt of your pride Keep a tall throat Remain aghast at life Enter each day as upon a stage lighted and waiting for your step Crave upward as flame have keenness in the nostril Give your eyes to agony or rapture Train your hands as birds to be brooding or nimble Move your body as the horses sweeping on slender hooves over crag and prairie with fleeing manes and aloofness of their limbs Take earth for your own large room and the floor of the earth carpeted with sunlight and hung round with silver wind for your dancing place
May Swenson
I realized that it was not Ko-san, now safely ditched for ever, but Ko-san's mother who stood in need of pity and consideration. She must still live on in this hard unpitying world, but he, once he had jumped [in battle], had jumped beyond such things. The case could well have been different, had he never jumped; but he did jump; and that, as they say, is that. Whether this world's weather turns out fine or cloudy no more worries him; but it matters to his mother. It rains, so she sits alone indoors thinking about Ko-san. And now it's fine, so she potters out and meets a friend of Ko-san's. She hangs out the national flag to welcome the returned soliders, but her joy is made querulous with wishing that Ko-san were alive. At the public bath-house, some young girl of marriageable age helps her to carry a bucket of hot water: but her pleasure from that kindness is soured as she thinks if only I had a daughter-in-law like this girl. To live under such conditions is to live in agonies. Had she lost one out of many children, there would be consolation and comfort in the mere fact of the survivors. But when loss halves a family of just one parent and one child, the damage is as irreparable as when a gourd is broken clean across its middle. There's nothing left to hang on to. Like the sergeant's mother, she too had waited for her son's return, counting on shriveled fingers the passing of the days and nights before that special day when she would be able once more to hang on him. But Ko-san with the flag jumped resolutely down into the ditch and still has not climbed back.
Natsume Sōseki (Ten Nights of Dream, Hearing Things, The Heredity of Taste)
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write.
Jane Austen (The Jane Austen Collection)
One of the great myths about war is that there is a ground zero, a center stage, where the terrible forces unleashed by it can be witnessed, recounted, and replayed like the launching of a rocket. War is a human activity far too large to be contained in the experience of a single reporter in a single place and time in any meaningful way. When it comes, it happens to everyone. Everything is in its path. Yet this is the allure of war reporting, the chance of acquiring some personal mother lode of truth to beam back to the living rooms of a waiting nation. The fear that comes from reporting on a war is as much a fear of missing this mother load as it is of being injured or killed in battle, and it sets reporters apart from the people who have to fight wars. Soldiers have their own agonies to think about as a battle approaches. Missing the war is not generally one of them.
John Hockenberry (Moving Violations: War Zones, Wheelchairs, and Declarations of Independence)
She had only time, however, to move closer to the table where he had been writing, when footsteps were heard returning; the door opened; it was himself. He begged their pardon, but he had forgotten his gloves, and instantly crossing the room to the writing table, and standing with his back towards Mrs. Musgrove, he drew out a letter from under the scattered paper, placed it before Anne with eyes of glowing entreaty fixed on her for a moment, and hastily collecting his gloves, was again out of the room, almost before Mrs. Musgrove was aware of his being in it - the work of an instant! The revolution which one instant had made in Anne, was almost beyond expression. The letter, with a direction hardily legible, to 'Miss A.E. - ,' was evidently the one which he had been folding so hastily. While supposed to be writing only to Captain Benwick, he had been also addressing her! On the contents of that letter depended all which this world could do for her! Any thing was possible, any thing might be defied rather than suspense. Mrs. Musgrove had little arrangements of her own at her own table; to their protection she must trust, and sinking into the chair which he had occupied, succeeding to the very spot where he had leaned and written, her eyes devoured the following words: 'I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own, than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. - Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.' 'I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.
Jane Austen (Persuasion)
. It took us both — and Mom, too, and just about everybody in town — a long time to accept the fact that he and his wife had done such evil things. Though he wasn’t evil through and through, or else why would he have saved my life? I don’t think anyone is evil beyond saving. Maybe I’m like Dad that way: naive. But better naive, I think, than calloused to the core. It dawned on me sometime later about Dr. Dahninaderke and his nightly vigils at the shortwave radio. I firmly believe he was listening to the foreign countries for news on who else in the Nazi regime had been captured and brought to justice. I believe that under his cool exterior he lived in perpetual terror, waiting for that knock on the door. He had delivered agonies, and he had suffered them, too. Would he have killed me once he had that green feather in his fist, as he and Kara had tortured and killed Jeff Hannaford over blackmail money? I honestly don’t know. Do you?
Robert McCammon (The Southern Novels: Boy's Life, Mystery Walk, Gone South, and Usher's Passing)
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too
Jane Austen (Persuasion)
For an immeasurable period of time, hours, days, weeks, it seemed, Celia had been struggling against tides of anguish, sinking deeper and deeper into a dreadful sea, whose waves broke at ever shorter intervals until at last there was no respite, but an endless torment that drowned and broke and shattered her to nothing. There was no longer any such person as Celia Bryant in the living world. All that remained was an anonymous hulk, a bleeding rag of flesh in a universe of pain. Her brain had long ago ceased to function. Only somewhere, at the centre of torture, an inexorable core of consciousness persisted. Hours ago, years ago, she had thought: 'This is too much. No one could bear such agony and go on living.' It seemed that something in her must break; that she must either die or fall into oblivion. Yet somehow she had gone on bearing everything. She had not died. She had not lost consciousness. All that she had lost was the sense of her personal integrity. As a human being she was obliterated; her mind was dispersed. she could not any longer envisage an end of torment. 'Not only not to hope:not even to wait. Just to endure.' At last, in some region utterly remote, a new thing came into being, words were spoken, and strangely, incredibly, the words had significance. That which had once been Celia could not grasp their meaning because somewhere else a woman's voice was crying out lamentably. Nevertheless, she heard a man speaking, and with a new searing pain there pierced her also a thin shaft of hope, the first premonitory pang of deliverance. Thereafter she seemed to fall into a black and quiet place, a dark hole of oblivion, where she lay as at the bottom of a deep well. Slowly, painfully, the disintegrated fragments of her being reassembled themselves. By long and difficult stages she returned to some sort of normality. Her brain, her senses, all the strained mechanism of her body and mind, reluctantly began to function once more. The miracle for which she no longer hoped had actually come to pass: there was an end of pain.
Anna Kavan (Change the Name)
Love has made him surprise himself. He would never have believed it possible, but it's turned out that he is a man who can walk up to a closed door on a murky November day, wearing his one good suit, and knock without hesitation, waiting while the rain comes down around him, even though he's not wanted. He can do this and not think twice, just the way he can spend hours watching a wounded cedar beetle and weep over its rare beauty, as well as its agony. Richard is certain that other species fall in love - primates, of course, and canines - but he has wondered about his beetles. There are people who would surely get a chuckle out of the mere suggestion, but in Richard's opinion it's pure vanity to presume that love exists only on our terms. A red leaf may be the universe for the tortoise beetle or the ladybird. A single touch the ecstasy of a lifetime. And so, here he is, in love despite everything. It is he, stupider than any beetle, and far more obstinate, who has traveled three thousand miles, even though he fully expects to be turned away.
Alice Hoffman (Here on Earth)
The more intense this hegemonic process of forced integration and integral reality is, the more singularities will rise against it. There will be more "rogue states" - states (like Iran, Palestine) that deliberately exclude themselves from the international community without waiting to be excluded, that exclude themselves from the universal and play their own game, at their own risk and peril. There will be more "rogue events" and more refusal of society by individuals. One could say, inverting Holderlin, that "Where Good grows, there grows the Genie of Evil," ("Da, wo des Gute wiichst, wiichst auch der Genius des Bosen"). This more or less clandestine insurrection of antagonistic forces against the integrist violence of the system is less an effect of the mind, the will or even the desire of human beings than the evil genius of the world itself in refusing globalization. To find the only adversary who will face this allpowerful hegemony, we must look for those beings that are strangers to will, exiled from dialogue and representation, exiled from knowledge and history.
Jean Baudrillard (The Agony of Power)
From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment. Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror and pain and they wouldn't even have understood why. They have a right to go on living, and the strength to do it, Setsuko thought. For their sakes, if no one else's, I should rejoice that the war ended before an invasion reached the home front. Shoichi Wakui's words came back clearly: "Even when a war is lost, people's lives still go on." And Naomis, in the gray notebook: "Every war comes to an end, and when peace is restored Paris rises like a phoenix." But what about those who'd already died? It was agony to think of those who would not rise: the dead would be left where they fell at the ends of the earth while the living would come home with their knapsacks of clothing and food. Whether they had gone to the front or stayed at home, the people had staked their lives for country and Emperor, and after they had lost, the country and the Emperor were still there. Then what had it all meant? Adrift and floundering in despair, Setsuko slipped back into a restless sleep.
Shizuko Gō (Requiem)
So it began. It ended as it always does, with such things; he had a full pleasure-chamber and flagellary, the Duc de Morhban, and he took me there, in the cool depths of the earth beneath his castle at the outermost edge of Terre d’Ange, setting the torches ablaze until it might as well have been Kushiel’s domain, wringing me limp with blood and sweat, his face distorted behind the lash, and the sound of my own voice, begging, pleading, as he rode me at the end, bestriding me like a colossus. He used flechettes, too. I hadn’t counted on that. A thousand deaths, of agony and pleasure, I died there in Quincel de Morhban’s chamber. He was good, better almost than any patron I had known, when at last he laid civility aside for violent pleasure, the mask of lust obscuring his features. He was a Kusheline, it was in his blood. He wanted—oh, Elua, he wanted!—to hear me give the signale. If he gave up his questions, it was for that, waiting. And if I had given it, I would have answered. But I had given the signale to one patron only, who had sundered me from myself. Quincel de Morhban could command me, shuddering, to give up my very flesh, quivering in abject climax. He could, and he did, snarling with victory. Not my signale. And in the end, his exhaustion defeated us both.
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy #1))
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W. “I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father’s house this evening or never.
Jane Austen (Persuasion)
Wait… wait!” he shouted. “Just tell me what you want to know!” The brute seized Reid’s head in his large hands and gripped it tightly, forcing him still. The interrogator chose a tool—a thin-bladed scalpel. “Please don’t… please don’t…” Reid’s breath came in short gasps. He was nearly hyperventilating. “Shh,” said the interrogator calmly. “You will want to remain still. I would not want to cut off your ear. At least, not by accident.” Reid screamed as the blade sliced into the skin behind his ear, but the brute held him still. Every muscle in his limbs went taut. A strange sound reached his ears—a soft melody. The interrogator was singing a tune in Arabic as he cut into Reid’s head. He dropped the bloody scalpel into the tray as Reid hissed shallow breaths through his teeth. Then the interrogator reached for a pair of needle-nose pliers. “I’m afraid that was just the beginning,” he whispered in Reid’s ear. “This next part will actually hurt.” The pliers gripped something in Reid’s head—was it his bone?—and the interrogator tugged. Reid screamed in agony as white-hot pain shot through his brain, pulsing out into nerve endings. His arms trembled. His feet slapped against the floor. The pain crescendoed until Reid thought he couldn’t possibly take any more. Blood pounded in his ears, and his own screams sounded as if they were far away. Then the procedure lamp dimmed, and the edges of his vision darkened as he slipped into unconsciousness.
Jack Mars (Agent Zero (Agent Zero, #1))
Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away. She ran to the door and slid open the peek-a-boo slot. Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice. A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.” “So open it then. I’ve got a lead I think on escapee number three.” A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?” “Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.” “I can’t. Please. Just go away. I promise I’ll let you in when you come back.” His eyes narrowed. “Open this door, Ysabel.” “No. Now go away. I’ll talk to you in half an hour.” She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved. The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening. Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body. Make it stop. Make it stop. Wishing, praying, pleading didn’t stop the torture. As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain. Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt? Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief. Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.” Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.” -Remy & Ysabel
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
VW Valley is one of the final mountains one climbs on Selection--but it’s among the worst. VW stands for Voluntary Withdrawal, and when you see the mountain you can understand why people have often quit here. Steep, windswept, and boggy--and at mile thirty it is the point where many recruits quit and remove themselves from the course--broken by the sheer distance, weight, and speed. But not me. Not now. On my backside, I slid down the first steep reentrant leading into the bowl of the valley. I was using the butt of my weapon to steer me as I glissaded down the snow, and I finally slowed at the bottom, near an iced-over stream. I crossed it and started straight up the face with Trucker behind me. On and on and on--until finally at the crest I collapsed and waited for him. Trux’s feet were both badly swollen. Later on he discovered that he’d broken both of his big toes somewhere around this point. It was purely from the incessant pounding his feet were taking. He was in agony. I heard him muttering under his breath. He was mumbling Bible verses to himself. We had often both quietly prayed together before the big marches. Now we needed that help more than ever. “I am holding you by your right hand…Do not be afraid. I am here to help you.” Isaiah, 41:13. If ever I needed to hear such words it was now. It is easy to be cynical and to think you do not need help when all is going your way; but if Selection taught me anything it is that we all have our limits. To push beyond those limits sometimes requires something beyond just ourselves. That is what my faith has given me--a secret strength and help when I have needed it most.
Bear Grylls (Mud, Sweat and Tears)
There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them. Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’ Lockie squeezed Tina’s hand. ‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’ She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down. ‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’ Lockie smiled.The man jerked upright and dropped the garden fork. ‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’ ‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her. ‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway. ‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’ The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man. ‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’ At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’ Say it, Tina begged the man silently. Please, please, just say it. ‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?
Nicole Trope (The Boy Under the Table)
The sailors, goaded by the remorseless pangs of hunger, had eaten their leather belts, their shoes, the sweatbands from their caps, although both Clayton and Monsieur Thuran had done their best to convince them that these would only add to the suffering they were enduring. Weak and hopeless, the entire party lay beneath the pitiless tropic sun, with parched lips and swollen tongues, waiting for the death they were beginning to crave. The intense suffering of the first few days had become deadened for the three passengers who had eaten nothing, but the agony of the sailors was pitiful, as their weak and impoverished stomachs attempted to cope with the bits of leather with which they had filled them. Tompkins was the first to succumb. Just a week from the day the LADY ALICE went down the sailor died horribly in frightful convulsions. For hours his contorted and hideous features lay grinning back at those in the stern of the little boat, until Jane Porter could endure the sight no longer. "Can you not drop his body overboard, William?" she asked. Clayton rose and staggered toward the corpse. The two remaining sailors eyed him with a strange, baleful light in their sunken orbs. Futilely the Englishman tried to lift the corpse over the side of the boat, but his strength was not equal to the task. "Lend me a hand here, please," he said to Wilson, who lay nearest him. "Wot do you want to throw 'im over for?" questioned the sailor, in a querulous voice. "We've got to before we're too weak to do it," replied Clayton. "He'd be awful by tomorrow, after a day under that broiling sun." "Better leave well enough alone," grumbled Wilson. "We may need him before tomorrow." Slowly the meaning of the man's words percolated into Clayton's understanding. At last he realized the fellow's reason for objecting to the disposal of the dead man. "God!" whispered Clayton, in a horrified tone. "You don't mean—" "W'y not?" growled Wilson. "Ain't we gotta live? He's dead," he added, jerking his thumb in the direction of the corpse. "He won't care.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
I didn’t realize how far back I’d have to go in order to tell you about John Coffey, or how long I’d have to leave him there in his cell, a man so huge his feet didn’t just stick off the end of his bunk but hung down all the way to the floor. I don’t want you to forget him, all right? I want you to see him there, looking up at the ceiling of his cell, weeping his silent tears, or putting his arms over his face. I want you to hear him, his sighs that trembled like sobs, his occasional watery groan. These weren’t the sounds of agony and regret we sometimes heard on E Block, sharp cries with splinters of remorse in them; like his wet eyes, they were somehow removed from the pain we were used to dealing with. In a way—I know how crazy this will sound, of course I do, but there is no sense in writing something as long as this if you can’t say what feels true to your heart—in a way it was as if it was sorrow for the whole world he felt, something too big ever to be completely eased. Sometimes I sat and talked to him, as I did with all of them—talking was our biggest, most important job, as I believe I have said—and I tried to comfort him. I don’t feel that I ever did, and part of my heart was glad he was suffering, you know. Felt he deserved to suffer. I even thought sometimes of calling the governor (or getting Percy to do it—hell, he was Percy’s damn uncle, not mine) and asking for a stay of execution. We shouldn’t burn him yet, I’d say. It’s still hurting him too much, biting into him too much, twisting in his guts like a nice sharp stick. Give him another ninety days, your honor, sir. Let him go on doing to himself what we can’t do to him. It’s that John Coffey I’d have you keep to one side of your mind while I finish catching up to where I started—that John Coffey lying on his bunk, that John Coffey who was afraid of the dark perhaps with good reason, for in the dark might not two shapes with blonde curls—no longer little girls but avenging harpies—be waiting for him? That John Coffey whose eyes were always streaming tears, like blood from a wound that can never heal.
Stephen King (The Green Mile)
Anything to construct a new safe place where the melancholic freeze can’t find you. But all this is done to the detriment of your mind which is so tired from spinning the plates of so many different weights and sizes that it threatens collapse like a universe out of momentum, so you postpone decay by putting the inarguable tenet that it really truly did happen far in the back of your heart where it rots and takes up room that love could be occupying knowing one day it will just be all hard and black like an old rose, and because it is full of such incomprehensible truths, you believe, but will never say, that one day soon it will not serve you in the ways it was meant to serve you. It will pump blood and it will skip occasionally but that doesn’t even matter since it will not love another person well, no matter how hard you beg it to love another person well, and like a car that won’t start, it sits there hopelessly gasping and you know that it is your fault that it can’t be moved, so you drink even more because awareness of a lost way is the worst thing a creature on this earth can possibly have and when you lose sight of beauty you gain ownership of all the knowledge of everything evil that has ever been. You wish only to drown deeper because the acute agony felt in every nerve as you sink into your bottle is a welcomed distraction from the certainty of the pain your lust has howled into the garden. You stand alone in hell looking only into the dead eyes of your grim past. You are so sad and feel so disconnected from joy and love itself that when someone—anyone at all—reaches out to you in the mist that holds you back from the goodness of life like an unbreachable ravine you will become so thankful for her touch that reminds you of the girl you were sent to protect that you will kiss her lips and make yourself believe that interruption from grief might be what love is now but it is not, it is just another cruel trick hell plays on its slaves. It was only more wretchedness, because what even an absent god knows is that love is unmistakable. Love is unmistakable and nobody loves you like the one who waits.
Keith Buckley (Scale)
She knew she was going into that Cauldron. Knew she would lose this fight. Knew no one was going to save her: not sobbing Feyre, not Feyre's gagged former lover, nor her devastated new mate. Not Cassian, broken and bleeding on the floor. The warrior was still trying to rise on trembling arms. To reach her. The King of Hybern- he had done this. To Elain. To Cassian. And to her. The icy water bit into the soles of her feet. It was a kiss of venom, a death so permanent that every inch of her roared in defiance. She was going in- but she would not go gently. The water gripped her ankles with phantom talons, tugging her down. She twisted, wrenching her arm free from the guard who held it. And Nesta Archeron pointed. One finger- at the King of Hybern. A death-promise. A target marked. Hands shoved her into the water's waiting claws. Nesta laughed at the fear that crept into the king's eyes just before the water devoured her whole. In the beginning. And in the end. There was darkness. And nothing more. She did not feel the cold as she sank into a sea that had no bottom, no horizon, no surface. But she felt the burning. Immortality was not a serene youth It was fire. It was molten ore poured into her veins, boiling her human blood until it was nothing but steam, forging her brittle bones until they were fresh steel. And when she opened her mouth to scream, when the pain ripped her very self in two, there was no sound. There was nothing in this place but darkness and agony and power- They would pay. All of them. Staring with the Cauldron. Starting now. She tore into the darkness with talons and teeth. Rent and cleaved and shredded. And the dark eternity around her shuddered. Bucked. Thrashed. She laughed as it recoiled. Laughed around the mouthful of raw power she ripped out and swallowed whole; laughed at the fistfuls of eternity she shoved into her heart, her veins. The Cauldron struggled like a bird under a cat's paw. She refused to relent. Everything it had stolen from her, from Elain, she would take from it. Wrapped in black eternity, Nesta and the Cauldron twined, burning through the darkness like a newborn star.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss. Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her. She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality— you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible. “Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him. Let her, Gregori persuaded softly. Look at him. Jacques’ gaze was fastened on the woman’s face, the red flames receding from his eyes as she approached. “I’m Raven, Jacques. Don’t you remember me? Mikhail, your brother, is my lifemate.” Raven dropped to her knees beside the couple. “Thank God you’re alive. I can’t believe how lucky we are. Who did this to you? Who took you from us?” Shea felt the ripple of awareness in her mind. Jacques’ shock. His curiosity. He recognized those tear-filled blue eyes. Shea caught a glimpse, a fragment of memory, the woman bending over him, her hands clamped to his throat, pressing soil and saliva into a pumping wound. Shea held her breath, waiting. Jacques’ silent cry of despair echoed in her head. She forced herself to move, found his hand with hers, silently supporting him as she regarded the woman kneeling beside her. You didn’t tell me she was so beautiful, Shea reprimanded deliberately. In the midst of Jacques’ pain and agony, his possessive fury and maniacal madness, something seemed to melt the ice-cold core of murderous resolve. The urge to smile at that feminine, edgy tone came out of nowhere. Something snarling to be set free retreated, and the tension in him eased visibly. Is she? Jacques asked innocently. Shea’s green eyes touched his face, and warmth spread further inside him. And the beast was temporarily leashed. “Is this your lifemate, Jacques?” Raven asked softly. Shea looked at her then, this woman who had been a part of Jacques’ life. “I’m Shea O’Halloran.” Her voice was husky and ragged. “Jacques has been unable to use his voice since I found him.” Raven touched Shea’s bruised throat with gentle fingers. “Someone had better tell me what happened here.” Her blue eyes were studying the dark smudges closely. “Help her to the bed,” Gregori interceded, distracting Raven from her study. You owe me one, old friend, he sent to Mikhail.
Christine Feehan (Dark Desire (Dark, #2))
On the contrary the depth and profound feeling of the spirit presupposes that the soul has worked its way through its feelings and powers and the whole of its inner life, i.e. that it has overcome much, suffered grief, endured anguish and pain of soul, and yet in this disunion has preserved its integrity and withdrawn out of it into itself. In the myth of Hercules the Greeks have presented us with a hero who after many labours was placed amongst the gods and enjoyed blissful peace there. But what Hercules achieved was only something outside him, the bliss given him as a reward was only peaceful repose. The ancient prophecy that he would put an end to the reign of Zeus, he did not fulfill, supreme hero of the Greeks though he was. The end of that rule only began when man conquered not dragons outside him or Lernaean hydras, but the dragons and hydras of his own heart, the inner obstinacy and inflexibility of his own self. Only in this way does natural serenity become that higher serenity of the spirit which completely traverses the negative moment of disunion and by this labour has won infinite satisfaction. The, feeling of cheerfulness and happiness must be transfigured and purified into bliss. For good fortune and happiness still involve an accidental and natural correspondence between the individual and his external circumstances; but in bliss the good fortune still attendant on a man’s existence as he is in nature falls away and the whole thing is transferred into the inner life of the spirit. Bliss is an acquired satisfaction and justified only on that account; it is a serenity in victory, the soul’s feeling when it has expunged from itself everything sensuous and finite and therefore has cast aside the care that always lies in wait for us. The soul is blissful when, after experiencing conflict and agony, it has triumphed over its sufferings. (α) If we now ask what can be strictly ideal in this subject-matter, the answer is: the reconciliation of the individual heart with God who in his appearance as man has traversed this way of sorrows. The substance of spiritual depth of feeling is religion alone, the peace of the individual who has a sense of himself but who finds true satisfaction only when, self-collected, his mundane heart is broken so that he is raised above his mere natural existence and its finitude, and in this elevation has won a universal depth of feeling, a spiritual depth and oneness in and with God. The soul wills itself, but it wills itself in something other than what it is in its individuality and therefore it gives itself up in face of God in order to find and enjoy itself in him. This is characteristic of love, spiritual depth in its truth, that religious love without desire which gives to the human spirit reconciliation, peace, and bliss. It is not the pleasure and joy of actual love as we know it in ordinary life, but a love without passion, indeed without physical inclination but with only an inclination of soul. Looked at physically, this is a love which is death, a death to the world, so that there hovers there as something past the actual relationship of one person to another; as a real mundane bond and connection this relationship has not come essentially to its perfection; for, on the contrary, it bears in itself the deficiency of time and the finite, and therefore it leads on to that elevation into a beyond which remains a consciousness and enjoyment of love devoid of longing and desire.
Georg Wilhelm Friedrich Hegel
It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. ”Go and sleep, Mother, you will catch cold here.” ”I can sleep enough later,” she says. I sit up. ”I don’t go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.” She is silent. Then she asks gently: ”Are you very much afraid?” ”No Mother.” ”I would like to tell you to be on your guard against the women out in France. They are no good.” Ah! Mother, Mother! You still think I am a child–why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy’s trousers–it is such a little time ago, why is it over? ”Where we are there aren’t any women, Mother,” I say as calmly as I can. ”And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! ”Yes Mother, I will.” ”I will pray for you every day, Paul.” Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, mother! ”Perhaps you can get a job that is not so dangerous.” ”Yes, Mother, perhaps I can get into the cookhouse, that can easily be done.” ”You do it then, and if the others say anything–” ”That won’t worry me, mother–” She sighs. Her face is a white gleam in the darkness. ”Now you must go to sleep, Mother.” She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. ”And you must get well again, Mother, before I come back.” ”Yes, yes, my child.” ”You ought not to send your things to me, Mother. We have plenty to eat out there. You can make much better use of them here.” How destitute she lies there in her bed, she that loves me more than all the world. As I am about to leave, she says hastily: ”I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack.” Ah! Mother! I know what these under-pants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying; we have so much to say, and we shall never say it. ”Good-night, Mother.” ”Good-night, my child.” The room is dark. I hear my mother’s breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack, which lies there already made up because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;–I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave.
Erich Maria Remarque (All Quiet on the Western Front)
Notice that Jesus knows exactly who he is asking to lead his community: a sinner. As all Christian leaders have been, are, and will be, Peter is imperfect. And as all good Christian leaders are, Peter is well aware of his imperfections. The disciples too know who they are getting as their leader. They will not need—or be tempted—to elevate Peter into some semi-divine figure; they have seen him at his worst. Jesus forgives Peter because he loves him, because he knows that his friend needs forgiveness to be free, and because he knows that the leader of his church will need to forgive others many times. And Jesus forgives totally, going beyond what would be expected—going so far as to establish Peter as head of the church.11 It would have made more earthly sense for Jesus to appoint another, non-betraying apostle to head his church. Why give the one who denied him this important leadership role? Why elevate the manifestly sinful one over the rest? One reason may be to show the others what forgiveness is. In this way Jesus embodies the Father in the Parable of the Prodigal Son, who not only forgives the son, but also, to use a fishing metaphor, goes overboard. Jesus goes beyond forgiving and setting things right. A contemporary equivalent would be a tenured professor stealing money from a university, apologizing, being forgiven by the board of trustees, and then being hired as the school’s president. People would find this extraordinary—and it is. In response, Peter will ultimately offer his willingness to lay down his life for Christ. But on the shore of the Sea of Galilee, he can’t know the future. He can’t understand fully what he is agreeing to. Feed your sheep? Which sheep? The Twelve? The disciples? The whole world? This is often the case for us too. Even if we accept the call we can be confused about where God is leading us. When reporters used to ask the former Jesuit superior general Pedro Arrupe where the Jesuit Order was going, he would say, “I don’t know!” Father Arrupe was willing to follow, even if he didn’t know precisely what God had in mind. Peter says yes to the unknowable, because the question comes from Jesus. Both Christ’s forgiveness and Peter’s response show us love. God’s love is limitless, unconditional, radical. And when we have experienced that love, we can share it. The ability to forgive and to accept forgiveness is an absolute requirement of the Christian life. Conversely, the refusal to forgive leads ineluctably to spiritual death. You may know families in which vindictiveness acts like a cancer, slowly eating away at love. You may know people whose marriages have been destroyed by a refusal to forgive. One of my friends described a couple he knew as “two scorpions in a jar,” both eagerly waiting to sting the other with barbs and hateful comments. We see the communal version of this in countries torn by sectarian violence, where a climate of mutual recrimination and mistrust leads only to increasing levels of pain. The Breakfast by the Sea shows that Jesus lived the forgiveness he preached. Jesus knew that forgiveness is a life-giving force that reconciles, unites, and empowers. The Gospel by the Sea is a gospel of forgiveness, one of the central Christian virtues. It is the radical stance of Jesus, who, when faced with the one who denied him, forgave him and appointed him head of the church, and the man who, in agony on the Cross, forgave his executioners. Forgiveness is a gift to the one who forgives, because it frees from resentment; and to the one who needs forgiveness, because it frees from guilt. Forgiveness is the liberating force that allowed Peter to cast himself into the water at the sound of Jesus’s voice, and it is the energy that gave him a voice with which to testify to his belief in Christ.
James Martin (Jesus: A Pilgrimage)
Simon did everything inexpertly. He was really good at it. He was one of those tall lads apparently made out of knees, thumbs and elbows. Watching him walk was a strain, you kept waiting for the strings to snap, and when he talked the spasm of agony on his face if he spotted an S or W looming ahead in the sentence made people instinctively say them for him. It was worth it for the grateful look which spread across his acned face like sunrise on the moon.
Anonymous
Timid, dim witted eyes peer through the dark shadows of the dense forest and blinked, as the rhythm of the steady rain continued to beat down upon them, through the magic of a Grand Master Wizard. The cold mountain air breathed in wet, fresh and crisp, as the two bumblers huddled together in the forest for warmth and in wait. All within the camp seemed tranquil and calm. Suddenly without warning, the sleeping figures began to glow with the glimmering dust the cagy, old Wizard had deposited around the slumbering camp. The glittering and glimmering powder began to spark and flit all around the army camp with the spirited life of fairy fire bees, or perhaps more to the point, tiny, tormenting furies. Edgerton/Assassins of Dreamsongs 172 For that is what they quickly became, "tiny, tormenting furies"! Men awoke from the night, shrieking and screaming, as if they had been burned . . . for indeed they had! Where the sparkling dust touched, blankets caught on fire and clothes were engulfed in tiny, tormenting flames. The horizon was lit up, as all of the figures in the camp danced around in torment, against the blackness of the night. Men darted about the camp in panic and agony, screaming in supreme surprise and torment. Confused beyond belief, they ran into each other and became entangled in ridiculous heaps of flesh, cloth and hot armor. The whole army became piles of human clumps of torment, writhing on the ground. Panic ruled the night and even the small forest creatures stopped their nightly routines, to stare at the odd sight of the ridiculous creatures; arms and legs flailing about. Two rather comical figures strolled casually into the panic ridden encampment, whistling badly a stale, romantic tune. The two bumblers walked in slow, trembling saunters while whistling and laughing hysterically in fear. They both were as casual, as obvious trembling can allow one to be, when they approached the giant, blond Nobleman chained to the tree. The fairy fire bees bypassed the two bumblers with their tormenting magic. With stuttering steps and downcast eyes, they made their way to the tree and the man who would be King. Garish roared uncontrollably with laughter, at the sight of the writhing army and the two bumblers here for his rescue. Edgerton/Assassins of Dreamsongs 173 "We've c-c-come to s-s-save you my Lord." Godfrey stammered out the words trembling, nearly swallowing his tongue. Both stiffened in absolute fear, as they watched the turmoil the Wizard had caused around them, expecting discovery at any moment! Garish finally found his breath. "Well, let's get on with it! The furies can't last forever, although I wish they would!" "Oh right!" Godfrey fumbled around in his clothes for the magic key Arkin had given him. "The magic key, it must be around here somewhere. Did the Old Man give the key to you Humphrey?" "No, I thought you had it!" Humphrey scowled, already seeing his head in the guillotine. "Well, someone's got to have it!" Garish roared. A brawny guard in agonizing pain turned and caught sight of the fumbling escape. Screaming a battle cry, the burly guard stalked forward, to challenge them. Garish brought the chains up around the brute's neck and crushed him against the tree, the sparkling furies making him shriek for mercy. "Ah . . .here it is!" Godfrey exclaimed finding the magic key in his tunic. The key glowed with a golden power all its’ own, as he fished it from his pocket. His fingers trembled beyond that which he could remember, as he fitted the key into the lock. The chains quickly melted to the ground, to his delight and he laughed, as they all turned to flee. Edgerton/Assassins of Dreamsongs 174 Their escape was immediately hampered by a confrontation with a huge Knight, as he rose from the ground, to challenge them. Garish buried both fists into the giant's stomach, in hammering blows and then bore his powerfully bulk up over his head.
John Edgerton (ASSASSINS OF DREAMSONGS)
He watched the unfolding scene with bated breath, dying to know what Dick was planning. He didn’t have to wait long to find out. The boy’s scream was so loud and high-pitched that Sebastian had to cover his ears with his hands. Richard had bitten off the tip of the boy’s cock. “Oh my, that’s tasty,” he said, chewing and sucking on the lump of meat in his mouth. The boy howled in agony, blood spurting in great arcs from his severed genitals. He fell to his knees then onto his side, clutching the bloody stump that had once been his cock.
Sam West (Splatterpunks)
I think you should be punished for tormenting me for so long.” --- “Don’t be afraid,” he said. “Art is full of agony and beauty. The pen itself a sword of pleasure and pain, isn’t it, my poet?” --- “I’ve been waiting for you.” His voice sizzled with hunger. How could I respond? I’ve been thinking about you non-stop like a sex-crazed harlot since I left? “I’m here.” --- “Remind me who you are,” he said in a gentler tone, almost a please. “How we know each other.” “Okay,” she began. “I’m Savannah Evans, a grad student and teaching assistant who teaches English at a college in Cambridge. I applied to the colony to work on my poetry and arrived six weeks ago. “We’ve spoken many times. You’ve praised my work, which I find a great honor as I’m a fan of your art.” --- “A cross between two species. Doomed with the thirst of the undead for human blood, yet tormented by the gargoyle drive to protect them.” --- She ceased to breathe. When he leaned forward and his lips fluttered against hers, her footing became unsteady and she stumbled. He placed a hand on her lower back to steady her and pulled her close. Her breasts met his hard torso and she became aware at how frantically her heart beat. She wrapped her arms around his neck and lost herself in the kiss as their lips met. They explored each other with a sort of fascination, mouth and tongues claiming each other in their hunger. Delicately at first, as if not sure this was real or just a fantasy, and then strong and unyielding. Demanding this moment to never end. --- “I bought new lingerie today I wanted to show you, but I didn’t get a chance with all that happened.” “You’ll have to return tomorrow night then…. Maybe we’ll order an entire catalog.” His smile and the glint of mischievousness in his eyes reflected lascivious thoughts. “You can model all the outfits you’d like for me.” ---
Lisa Carlisle (Dark Velvet (Chateau Seductions, #1))
Don’t you know where God is leading on this?” I was asked once. “Yes, I do,” I said. “And that’s the problem. I’m waiting for my willingness to catch up with God’s.” That’s why I identify so much with Christ, alone and in agony, as he prayed in Gethsemane. It is the ultimate picture of Christianity, the picture of us struggling spiritually as God aligns our will with his. It’s the picture that fuels the ascetic spiritual temperament.
Gary L. Thomas (Sacred Pathways: Discover Your Soul's Path to God)
If you wish to talk about it…about how you feel…” Sylvan began hesitantly. “How I feel?” Baird laughed harshly. “I’ll tell you how I fuckin’ feel. I feel like my hand just got cut off and I’m looking down at the bloody stump waiting for the pain to start. She was part of me, Sylvan—the best part. And she’s gone.” “I know.” There was real agony in his brother’s voice now. “Forgive me, Baird. I blame myself.” “Don’t.” Baird shook his head wearily. “It would have come out sooner or later, I’m sure. And if it had happened after we’d already bonded, well…” “There’s nothing worse than a broken bond,” Sylvan murmured. “I wouldn’t know.” Baird ran a hand over his face, hearing the sandpaper scratch of his rough cheeks against his fingertips. “But if it’s worse than this, I don’t wanna know about it.” “Baird—
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, Put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner. The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so. Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift you banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
Charles Haddon Spurgeon
Cade struggled helplessly for words to convey his feelings, but Lily was already straining against another pain. "Why does it not come?" he demanded sharply of Dove Woman, who was merely sitting cross-legged on the floor, humming to herself. "Because it is not time," she repeated. "But it is killing her! Look how she suffers. We must do something." Cade paced, throwing anxious looks at Lily as she took a deep breath and released the bed once more. "You had better go out with the others, Cade. There is nothing you can do to speed the child's coming." Not understanding the actual words between Cade and Dove Woman, Lily understood their content. "I will fetch Travis. He will give you something for the pain." Before Cade could start for the door, Lily gave a groan of pure agony, and Dove Woman unhurriedly rose from the floor. "She is in pain! Santa Maria, do something!" Cade dropped to his knees beside the bed and tried to lift Lily into his arms, but she reached for the bed rails. "Send him out," Dove Woman enunciated in clear Spanish when Lily rested once more. "It will save pain for both." Lily looked up at Cade's anguished expression, startled by the immense emotion displayed for the first time on his usually implacable features, and her heart took two leaps and a jump before settling more calmly in her chest. "Leave, Cade. There is nothing more you can do here," she said softly. "How can I leave?" he cried. "I have done this to you. I would take the pain away." As Lily's eyes closed with the onset of the next contraction, Cade panicked. "Lily, I can't lose you! Lily, please..." Dove Woman went to the door and murmured to the two boys waiting outside. The eldest looked rebellious at her words, but he disappeared into the opposite cabin. Moments later, he returned with Travis. Travis pounded on the closed bedroom door and shouted, "Cade, get your royal ass out here before I have to come in and get you!" Lily's eyes blinked open, and she half smiled at this command. "Go, Cade. You can't bring the child any faster." "I can't leave you here to suffer alone." Cade touched her brow, unwilling to form even in his mind the words for the fear he felt. He had just watched a man die, but it was Lily’s pain that was ripping him apart, tearing down the walls of his heart and soul. "I wish there was music," Lily whispered, surrendering to the pain once again. Cade caught the wish even as Travis slammed into the room, gun in hand to order him out. "Cade, damn you, the women want you out!" Travis shouted. Seeing only an obstruction between himself and the means to satisfy Lily's wish, Cade coolly knocked Travis's gun aside, floored him with a single punch, and stepping over his friend's fallen body, walked out the door. In
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Mikhail pushed a hand through his thick mane of hair. “Our people cannot do without you, Gregori, and quite simply, neither can I.” “You are so certain that I will not turn?” Gregori’s smile was self-mocking. “Your faith in me exceeds my own. This vampire is ruthless, drunk on his own power. He craves the killing, the destruction. I walk the line of that madness every day. His power is nothing, a feather in the wind compared to mine. I have no heart, and my soul is dark. I do not want to wait until I cannot make my own choice. The one thing I do not want is to force you to seek me out to destroy me. My life has been my belief in you, in protecting you. I will not wait until I must be hunted.” Mikhail waved a tired hand to open the earth above his brother. “You are our greatest healer, the greatest asset to our people.” “That is why they whisper my name in fear and dread.” Beneath their feet the ground suddenly shook, heaved and bucked, rolling perilously. The center of the earthquake was obviously a great distance away, but there was no mistaking the howl of rage produced by a powerful vampire at the destruction of his lair. The undead had entered his lair confidently, until he found the body of the first wolf. Each turn or passage entrance was marked with one of his minions, until his entire pack lay dead at his feet. The burned bodies of his sentinels, the bats, lay in a mound of blackened ashes. Fear turned to terror. It would not be Mikhail, whose sense of justice and fair play would be his downfall, but the dark one. Gregori— the most feared of all Carpathians. It had not occurred to the vampire that the dark one might take a hand in this game. Andre hurtled himself from the safety of his favorite lair just as the mountain heaved and the chamber walls collapsed in on themselves. Cracks widened in the narrow passageway, and the rock faces inched closer and closer together. The clap of granite grinding against granite nearly burst his eardrums. A true vampire making numerous kills was far more susceptible to the sun, and to the terrible lethargy that claimed Carpathian bodies in the day. Andre had little time to find a safe hole. As he burst from the collapsing mountain, the sun hit his body, and he screamed with the agony of it. Dust and rock spewed from his home, and the echo of Gregori’s taunting laughter drifted down with the debris from the earthquake. “No, Gregori.” There was amusement in Mikhail’s soft voice as he floated into the soothing arms of the earth. “That is a good example of why they whisper your name in fear and dread. No one understands your dark humor the way I do.
Christine Feehan (Dark Prince (Dark, #1))