Outer Appearance Quotes

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Later,” I said to the room at large as I didn’t want to appear rude. For some reason this was met by Shirleen saying, "I’ll put money down that she’s living with him in four days.” My confused gaze swung to Shirleen but she was looking at the movie star glamour girl who was looking at me. “Three days,” Glamour girl said, smiling at me and I thought, in other circumstances, I would have liked to meet her. “A week, she’s got spirit,” The other black lady said. She was smiling at me too, not like I was the butt of some joke, but in a kind way. I opened the outer door. Before it closed behind me, I heard Luke say strangely, “Tonight.” Then everyone laughed.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
For ages you have come and gone courting this delusion. For ages you have run from the pain and forfeited the ecstasy. So come, return to the root of the root of your own soul. Although you appear in earthly form Your essence is pure Consciousness. You are the fearless guardian of Divine Light. So come, return to the root of the root of your own soul. When you lose all sense of self the bonds of a thousand chains will vanish. Lose yourself completely, Return to the root of the root of your own soul. You descended from Adam, by the pure Word of God, but you turned your sight to the empty show of this world. Alas, how can you be satisfied with so little? So come, return to the root of the root of your own soul. Why are you so enchanted by this world when a mine of gold lies within you? Open your eyes and come --- Return to the root of the root of your own soul. You were born from the rays of God's Majesty when the stars were in their perfect place. How long will you suffer from the blows of a nonexistent hand? So come, return to the root of the root of your own soul. You are a ruby encased in granite. How long will you decieve Us with this outer show? O friend, We can see the truth in your eyes! So come, return to the root of the root of your own soul. After one moment with that glorious Friend you became loving, radiant, and ecstatic. Your eyes were sweet and full of fire. Come, return to the root of the root of your own soul. Shams-e Tabriz, the King of the Tavern has handed you an eternal cup, And God in all His glory is pouring the wine. So come! Drink! Return to the root of the root of your own soul. Soul of all souls, life of all life - you are That. Seen and unseen, moving and unmoving - you are That. The road that leads to the City is endless; Go without head and feet and you'll already be there. What else could you be? - you are That.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
I'd developed an inability to demonstrate much negative emotion at all. It was another thing that made me seem like a dick - my stomach could be all oiled eels, and you would get nothing from my face and less from my words. It was a constant problem: too much control or no control at all.
Gillian Flynn (Gone Girl)
When you focus on lack and scarcity and what you don’t have, you fuss about it with your family, you discuss it with your friends, you tell your children that you don’t have enough - “We don’t have enough for that, we can’t afford that” - then you’ll never be able to afford it, because you begin to attract more of what you don’t have. If you want abundance, if you want prosperity, then focus on abundance. Focus on prosperity. (Lisa Nichols) Many people in Western culture are striving for success. They want the great home, they want their business to work, they want all these outer things. But what we found in our research is that having these outer things does not necessarily guarantee what we really want, which is happiness. So we go for these outer things thinking they’re going to bring us happiness , but it’s backward. You need to go for the inner joy, the inner peace, the inner vision first, and then all of the outer things appear. (Marci Shimoff)
Rhonda Byrne (The Secret (The Secret, #1))
My ideas were confused. In a peculiar way, the unreality of the outer world appeared to be an extension of my own disturbed state of mind.
Anna Kavan (Ice)
ome sea cucumbers have a transparent outer body, giving them an alien appearance. Laura feels transparent throughout her entire body.
Sally Ann Hunter (Transfigured Sea)
Tommy might be a boy in outer appearance but he was 500 years my senior and significantly more powerful than me. "We" had a serious problem really meant, "I" had a serious problem.
Mark Tufo (Rise of the Werewolf (Lycan Fallout #1))
Everybody is Beautiful and Unique in Their Own Special Way, Beauty goes Beyond the Outer Appearance. I think it's More Important to have a Beautiful Mind. Stop Comparing Yourselves Amongst Yourselves. Nobody is like You and Never will be You. Stop being Jealous of Others. Stop Hating on Others. Appreciate your Qualities and Characteristics.
Amaka Imani Nkosazana
If I had a type, I guess you could say I liked brunettes the best, and I kind of liked librarian types, you know, their outer appearance hiding smoldering heat inside….
David Lynch (Room to Dream)
He too had watched as the outer limits of his life had narrowed from the world at large, to the island of Manhattan, to that book-lined office in which he awaited with a philosophical resignation the closing of the finger and thumb. And then this... This! A little boy from Nebraska appears at his doorstep with a gentle demeanor and a fantastical tale. A tale not from a leather-bound tome mind you... But from life itself. How easily we forget-we in the business of storytelling- that life was the point all along.
Amor Towles (The Lincoln Highway)
To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended directly and unconditionally by Mind at Large-- this is an experience of inestimable value to everyone and especially to the intellectual.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Suddenly I began to find a strange meaning in old fairy-tales; woods, rivers, mountains, became living beings; mysterious life filled the night; with new interests and new expectations I began to dream again of distant travels; and I remembered many extraordinary things that I had heard about old monasteries. Ideas and feelings which had long since ceased to interest me suddenly began to assume significance and interest. A deep meaning and many subtle allegories appeared in what only yesterday had seemed to be naive popular fantasy or crude superstition. And the greatest mystery and the greatest miracle was that the thought became possible that death may not exist, that those who have gone may not have vanished altogether, but exist somewhere and somehow, and that perhaps I may see them again. I have become so accustomed to think "scientifically" that I am afraid even to imagine that there may be something else beyond the outer covering of life. I feel like a man condemned to death, whose companions have been hanged and who has already become reconciled to the thought that the same fate awaits him; and suddenly he hears that his companions are alive, that they have escaped and that there is hope also for him. And he fears to believe this, because it would be so terrible if it proved to be false, and nothing would remain but prison and the expectation of execution.
P.D. Ouspensky (A New Model of the Universe (Dover Occult))
I am not so foolish as to equate what happens under the influence of mescalin or of any other drug, prepared or in the future preparable, with the realization of the end and ultimate purpose of human life: Enlightenment, the Beatific Vision. All I am suggesting is that the mescalin experience is what Catholic theologians call "a gratuitous grace," not necessary to salvation but potentially helpful and to be accepted thankfully, if made available. To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and the inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large—this is an experience of inestimable value to everyone and especially to the intellectual.
Aldous Huxley (The Doors of Perception)
To those that are not accustomed to it the inner beauty appears as ugliness because humanity in general inclines to the outer and knows nothing of the inner.
Wassily Kandinsky (Concerning the Spiritual in Art)
Don't Judge People By Their Outer Appearances, Even The Bright Beautiful Moon Has Its Dark Side Which It Keeps Hidden All The Time....
Muhammad Imran Hasan
The art of seduction should be from within yourself, not from your outer appearance. If whoever you're doing this for doesn't realize that... then, honey, you're seducing the wrong person.
xxSkemoxx183 (Lupus Deus)
It's hard to imagine, seeing how crowded the sky looks tonight, how far away one star is from another. Like, people, really. We can appear to be standing right next to each other, and yet in our minds, we can be thousands of miles away, lost to the outer reaches. But we're all together in the same black soup, which makes us all related somehow.
Kathleen Kent (The Outcasts)
We all wish we could live in a world where everyone looked past our outer appearances and focused on our inner being. The only likely way for that to happen is if someone is on a journey of loving us.
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
INTUITION (L. intueri, ‘to look at or into’). I regard intuition as a basic psychological function (q.v.). It is the function that mediates perceptions in an unconscious way. Everything, whether outer or inner objects or their relationships, can be the focus of this perception. The peculiarity of intuition is that it is neither sense perception, nor feeling, nor intellectual inference, although it may also appear in these forms. In intuition a content presents itself whole and complete, without our being able to explain or discover how this content came into existence. Intuition is a kind of instinctive apprehension, no matter of what contents. Like sensation (q.v.), it is an irrational (q.v.) function of perception. As with sensation, its contents have the character of being “given,” in contrast to the “derived” or “produced” character of thinking and feeling (qq.v.) contents. Intuitive knowledge possesses an intrinsic certainty and conviction, which enabled Spinoza (and Bergson) to uphold the scientia intuitiva as the highest form of knowledge. Intuition shares this quality with sensation (q.v.), whose certainty rests on its physical foundation. The certainty of intuition rests equally on a definite state of psychic “alertness” of whose origin the subject is unconscious.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung Book 38))
If all I need to do is smile, your culture is highly dependent on the shallowness of outer appearances.” “Yeah,” I laugh.  “We know. A million dead philosophers have told us before.
Sara Wolf (Fear Me Not (The EVE Chronicles, #1))
Floating in the void free of gravity I made my way along the side of the ship. I listened to my own breaths. It was so dark and I was so weightless that I had to look for my bubbles to be sure which way was up. I swam backward a little away from the boat and into outer space and waved my arm through the water. Sure enough the phosphorescents appeared trailing my movement like the tail of a shooting star. I let myself tip upside down and floated there watching the gentle snowstorm marveling that a world of such strangeness existed here all the time just under the surface.
Elisabeth Eaves (Wanderlust: A Love Affair with Five Continents)
They watched her sit, holding the bundle up before her, the lamp just at her elbow belabored by a moth whose dark shape cast upon her face appeared captive within the delicate skull, the thin and roselit bone, like something kept in a china mask
Cormac McCarthy (Outer Dark)
Language and hearing are seated in the cerebral cortex, the folded gray matter that covers the first couple of millimeters of the outer brain like wrapping paper. When one experiences silence, absent even reading, the cerebral cortex typically rests. Meanwhile, deeper and more ancient brain structures seem to be activated--the subcortical zones. People who live busy, noisy lives are rarely granted access to these areas. Silence, it appears, is not the opposite of sound. It is another world altogether, literally offering a deeper level of thought, a journey to the bedrock of the self.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
The resurrection does not consist merely of the appearances of Jesus to his disciples after his death. Many think that these appearances in Galilee and Jerusalem are the resurrection. But they are simply to confirm the faith of the disciples. The real resurrection is the passing beyond the world altogether. It is Jesus' passage from this world to the Father. It was not an event in space and time, but the passage beyond space and time to the eternal, to reality. Jesus passed into reality. That is our starting point. It is into that world that we are invited to enter by meditation. We do not have to wait for physical death, but we can enter now into that eternal world. We have to go beyond the outer appearances of the senses and beyond the concepts of the mind, and open ourselves to the reality of Christ within, the Christ of the resurrection.
Bede Griffiths (The New Creation in Christ: Christian Meditation and Community)
The house appeared just as cozy and welcoming as the first time I saw it. Now, though, I knew what I was seeing was just the architecture, the outer shell; it didn't mean anything about the type of house it was inside.
Marianna Baer (Frost)
There is BEAUTY in every1, every-thing, every-place.All of life is either LOVE or a call for love. Underneath the layers of any fears is always a call 4 more love. Either from your own soul, your-self to BE reflected in your own world. Outer appearance means nothing as it is only the LIGHT with-IN 1's heart that matters, no matter WHO it IS
Angie karan
I venerate with emotion everything that comes from the heart when it is simple, silent and confident. It is a sensual pleasure, subtle and touching, to try to reach characters through the varied outer appearances of human conditions.
Odilon Redon (To Myself: Notes on Life, Art and Artists (English and French Edition))
I wonder how our souls are picked for our bodies. Is a good soul placed into a bad body just to show others not to judge by outer appearance? Or, is a rotten soul put into a beautiful body to show others that looks are only enough until times get tough? Either way, our souls are what we take from this life to the next and our body is what is laid to rest.
Jennae Cecelia (Uncaged Wallflower)
If some musicians put half as much effort in to the business side as they do their outer look and appearances, they could be twice as far.
Loren Weisman
All change is from the inner to the outer. All change begins in the self-concept. You must become the person you want to be on the inside before you see the appearance of this person on the outside.
Brian Tracy (Maximum Achievement: Strategies and Skills that Will Unlock Your Hidden Powers to Succeed)
Perhaps we should not be too surprised that nature sometimes appears counterintuitive to a tribe of observant, carbon-based ape descendants roaming around on the surface of a rocky world orbiting an unremarkable middle-aged star at the outer edge of the Milky Way galaxy.
Brian Cox (Why Does E=mc²? (And Why Should We Care?))
Outside and inside, life and soul, appear as parallels in “case history” and “soul history.” A case history is a biography of historical events in which one took part: family, school, work, illness, war, love. The soul history often neglects entirely some or many of these events, and spontaneously invents fictions and “inscapes” without major outer correlations. The biography of the soul concerns experience. It seems not to follow the one-way direction of the flow of time, and it is reported best by emotions, dreams, and fantasies … The experiences arising from major dreams, crises, and insights give definition to the personality. They too have “names” and “dates” like the outer events of case history; they are like boundary stones, which mark out one’s own individual ground. These marks can be less denied than can the outer facts of life, for nationality, marriage, religion, occupation, and even one’s own name can all be altered … Case history reports on the achievements and failures of life with the world of facts. But the soul has neither achieved nor failed in the same way … The soul imagines and plays – and play is not chronicled by report. What remains of the years of our childhood play that could be set down in a case history? … Where a case history presents a sequence of facts leading to diagnosis, soul history shows rather a concentric helter-skelter pointing always beyond itself … We cannot get a soul history through a case history.
James Hillman (Suicide and the Soul)
Beauty isn’t just outer appearance. Beauty isn’t just what your hair looks like, what your body looks like, how full your lips are, or how smooth your skin is. Beauty is so much more than people think. What really makes you beautiful is your inner beauty, Selena. You shine with your attitude, with your actions, yours words, and with your behavior. Outer beauty only gets attention, but inner beauty captures the heart. Remember: Beauty is ephemeral, but inner beauty remains forever.
Rose J. Bell (Under the Moon)
It was as though I had parted company all at once with my usual reasoning self, which had withdrawn into the shadows, leaving me no means of communicating with it; while another "I" took command, functioning at a different, more mysterious level, where all outer appearances were deceptive, and even the thoughts in my head shot with ambiguity.
Anna Kavan (Eagle's Nest)
There is only one thing in this Universe that can surround you with limitation, and that is accepting the outer appearance instead of the Mighty, Active Presence of God in you.
Comte de Saint-Germain (The "I am" discourses)
In everything we do, it is our hearts that make the difference, not our outer appearances... keep both eyes closed and instead open a third eye -- the eye that sees the inner realm.
Elif Shafak (The Forty Rules of Love)
Your whole being is like a home. Everyone is allowed to come at the door, only a few in living room, fewer still in bedroom. And then there is a secret room where nobody is allowed. Not even your own mind. We are so obsessed with others that we mostly live at the door (outer appearance) or in living room (job, relationship and travel that we do to fit with others).
Shunya
Once when the great slaver turned abolitionist John Newton was praised for what he had achieved, he responded quickly: “Sir, the devil already told me that.” In a similar situation, when the eminent Scottish preacher Robert Murray M’Cheyne was congratulated by a parishioner for his saintliness, he replied sharply, “Madame, if you could see in my heart, you would spit in my face.” In each case, they refused to let others think that they were what they weren’t. They resisted hypocrisy by exposing the gap that was its essence—the gap between the inner and the outer, appearance and reality.
Os Guinness (Fool's Talk: Recovering the Art of Christian Persuasion)
We are, in a certain way, defined as much by our potential as by its expression. There is a great difference between an acorn and a little bit of wood carved into an acorn shape, a difference not always readily apparent to the naked eye. The difference is there even if an acorn never has the opportunity to plant itself and become an oak. Remembering its potential changes the way in which we think of an acorn and react to it. How we value it. If an acorn were conscious, knowing its potential would change the way it might think and feel about itself. The Hindus use the greeting "Namaste" instead of our more noncommittal "Hello." The connotation of this is roughly, whatever your outer appearance, I see and greet the soul in you. There is a wisdom in such ways of relating. Sometimes we can best help other people by remembering that what we believe about them may be reflected back to them in our presence and may affect them in ways we do not fully understand. Perhaps a sense of possibility is communicated by our tone of voice, facial expression, or certain choice of words . . . Holding and conveying a sense of possibility does not mean making demands or having expectations. It may mean having no expectations, but simply being open to whatever promise the situation may hold and remembering the inability of anyone to know the future. Thoreau said that we must awaken and stay awake not by mechanical means, but by a constant expectation of the dawn. There's no need to demand the dawn, the dawn is simply a matter of time. And patience. And the dawn may look quite different from the story we tell ourselves about it. My experience has shown me the wisdom of remaining open to the possibility of growth in any and all circumstances, without ever knowing what shape that growth may take.
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
How things appear is only the thin, papery outer skin of the onion. Of course, when you cut open the onion, your eyes will sting and water, and then you can't see at all. You're lucky if you don't slice your finger.
Elizabeth Cunningham
The strangest think I have learned is that it's impossible to know what's inside someone. The wizards didn't teach me this, but I have learned it myself. Those who appear tall and straight and very good are sometimes rotten on the inside, and others, huge and clawed and apparently very bad, sometimes contain a pure and sweet form of goodness. The biggest trap is to judge a person by their outer casing. Their skin. Their hair. Their snow-white feathers.
Karen Foxlee (Ophelia and the Marvelous Boy)
Many worry about their outer appearance much more then their inner bearing. It's nice to have great and expensive things such as cars and houses but even better to know the greater principles in life to help maintain and keep them.
Timothy Pina (Hearts for Haiti: Book of Poetry & Inspiration)
None of us is perfectly aligned with the truth of our being. All of us live with falsity, but the magnitude of the gap between inner reality and outer appearance will always be an indication of the magnitude of the clouding of presence.
David G. Benner (Presence and Encounter: The Sacramental Possibilities of Everyday Life)
Your clothes are not your true self; your outer appearance is not your true self; your heart inside your body is not your true self and your words are not your true self. Your true self is your hidden thoughts that no one knows about them!
Mehmet Murat ildan
For the Christian, living by strict rules becomes a danger when it quenches the spiritual life rather than expresses it. Do you rely on rules as a way to earn God’s approval? Does a rule-based community set up a ranking system of higher and lower spirituality? Do rules distract you from weightier issues? Which do they foster, pride or humility? Do they help nourish the inner life or merely whitewash the outer appearance? These are the questions Jesus raised about the Pharisees, in some of the strongest language he ever used.
Philip Yancey (What Good Is God?: In Search of a Faith That Matters)
A man with delicately-strung nerves often says and does things which often lead us to think more meanly of him than he deserves. It is his great misfortune constantly to present himself at his worst. On the other hand, a man provided with nerves vigorously constituted, is provided also with a constitutional health and a hardihood wich express themselves brightly in his manners, and which lead to a mistaken impression that his nature is what it appears to be on the surface. Having good health, he has good spirits. Having good spirits, he wins as an agreeable companion on the persons with whom he comes in contact - although he may be hiding all the while, under an outer covering which is physically wholesome, an inner nature which is morally diseased.
Wilkie Collins (Poor Miss Finch)
I've come to the conclusion that buying a house is a lot like courting a woman. You think you know what you are looking for, but you never really can be sure what you are going to end up with, what you are getting yourself into, how long is it going to take or how much its going to cost you. Outer appearances can be deceiving. There's bound to be surprises- both pleasant ones and the unpleasant. When you see them in person they usually don't look the same as they do in their pictures. You can find them with big backyards and with big front yards, but if you are set on having both, its definitely going to cost you.
José N. Harris
Anyone close to a woman is in fact in the presence of two women; an outer being and an interior criatura, one who lives in the topside world, one who lives in the world not so easily seeable. The outer being lives by the light of day and is easily observed. She is often pragmatic, acculturated, and very human. The criatura, however, often travels to the surface from far away, often appearing and then as quickly disappearing, yet always leaving behind a feeling: something surprising, original, and knowing.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
You will not be able to solve anything outside until you own how the situation affects you inside. Problems are generally not what they appear to be. When you get clear enough, you will realize that the real problem is that there is something inside of you that can have a problem with almost anything. The first step is to deal with that part of you. This involves a change from “outer solution consciousness” to “inner solution consciousness.” You have to break the habit of thinking that the solution to your problems is to rearrange things outside. The only permanent solution to your problems is to go inside and let go of the part of you that seems to have so many problems with reality.
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
The Sick Woman begins to see that life is wilder, more chaotic, harsher and more loving, paradoxical, and downright strange than she was ever taught. She discovers for herself the power of moon and the tides, the shifting of the stars and the seasons, the haze of pollen and shift in air pressure and how they impact her dreams, her moods, her body processes. She learns that she is not an independent automaton but a wild being woven of life and death, a chaos of magic, not a machine of logic. She learns that the outer impacts the inner in myriad ways. And vice versa. She learns that she is simultaneously weaker and yet more powerful than she ever knew. She is dangerous with this knowledge which does not appear in the medical books and bibles except as anomalies. She’s singing from the wrong hymn sheet and messing up the patina of perfection that the patriarchy is aiming for. In a display of a million marching soldiers with polished boots, gleaming medals and straight legs, there is the sick woman, bare breasted, hair loose, scars showing, shameless, dancing to her own tune.
Lucy H. Pearce (Medicine Woman: Reclaiming the Soul of Healing)
No, it is you who are mistaken,” he said. “Look at you. You are neither man nor beast, but some pathetic creature who is less than both. You hate what you are and want to be what you cannot truly become. Your appearance may change, and you may wear all the fine clothes that you can steal from the bodies of your victims, but you will still be a wolf inside. Even then, what do you think will happen once your outer transformation is complete, when you start to resemble fully what once you hunted? You will look like a man, and the pack will no longer recognize you as its own. What you most desire is the very thing that will doom you, for they will tear you apart and you will die in their jaws as others have died in yours.
John Connolly (The Book of Lost Things)
Within this world each human being is a metaphysical entity. This means our physical actions appearance and words represent our inner invisible being. Not only does the outer reflect the inner but we are living hieroglyphics symbolizing an aspect of a greater idea. But even further, the righteous and elect of the All Powerful are templates for and of the Anointed Messiah.
Aklila Kedan
The green painted concrete out in front of the house, which at first seemed like a novel way to save money on lawn-moving, was now just plain depressing. The hot water came reluctantly to the kitchen sink as if from miles away, and even then without conviction, and sometimes a pale brownish color. Many of the windows wouldn't open properly to let flies out. Others wouldn't shut properly to stop them getting in. The newly planted fruit trees died in the sandy soil of a too-bright backyard and were left like grave-markers under the slack laundry lines, a small cemetery of disappointment. It appeared to be impossible to find the right kinds of food, or learn the right way to say even simple things. The children said very little that wasn't a complaint.
Shaun Tan (Tales from Outer Suburbia)
Pretty things can be denied when it is beauty that comes from a place inside. Your outer appearance may have its place but to walk in beauty is to walk in grace. So lift your confidence to gain inner merit, then walk in beauty and connect to your spirit. Embellish yourself with art for fun, it enhances, inspires and in beauty, YOU RUN!" Maiara, The Little People Journey into the Mystic Sea
Chris DiSano-Davenport (The Little People Journey into the Mystic Sea)
All who are capable of absorption in an inward passion must have experienced at times the strange feeling of unreality in common objects, the loss of contact with daily things, in which the solidity of the outer world is lost, and the soul seems, in utter loneliness, to bring forth, out of its own depths, the mad dance of fantastic phantoms which have hitherto appeared as independently real and living.
Bertrand Russell (Mysticism and Logic and Other Essays)
I’m sorry I cannot say I love you when you say you love me. The words, like moist fingers, appear before me full of promise but then run away to a narrow black room that is always dark, where they are silent, elegant, like antique gold, devouring the thing I feel. I want the force of attraction to crush the force of repulsion and my inner and outer worlds to pierce one another, like a horse whipped by a man. I don’t want words to sever me from reality. I don’t want to need them. I want nothing to reveal feeling but feeling—as in freedom, or the knowledge of peace in a realm beyond, or the sound of water poured into a bowl.
Henri Cole (Blackbird and Wolf: Poems)
Whether you get up one morning with a foggy mind and the world around you appears to be dark and foggy, or you awaken with a clear mind and your world seems beautiful and light, understand that these different impressions are coming from your own mind rather than from changes in the external environment. Instead of misinterpreting whatever you experience in life through wrong conceptions, realize that it’s not outer reality, but only mind.
Thubten Yeshe (Becoming Your Own Therapist)
External relationships seem to have been emptied by a massive withdrawal of the real libidinal self. Effective mental activity has disappeared into a hidden inner world; the patient's conscious ego is emptied of vital feeling and action, and seems to have become unreal. You may catch glimpses of intense activity going on in the inner world through dreams and fantasies, but the patient's conscious ego merely reports these as if it were a neutral observer not personally involved in the inner drama of which it is a detached spectator. The attitude to the outer world is the same: non-involvement and observation at a distance without any feeling, like that of a press reporter describing a social gathering of which he is not a part, in which he has no personal interest, and by which he is bored. Such activity as is carried on may appear to be mechanical. When a schizoid state supervenes, the conscious ego appears to be in a state of suspended animation in between two worlds, internal and external, and having no real relationships with either of them. It has decreed an emotional and impulsive standstill, on the basis of keeping out of effective range and being unmoved.
Harry Guntrip (Schizoid Phenomena, Object Relations and the Self)
Thus the Greek conception of culture will be unveiled… the conception of culture as a new and improved physis, without inner and outer, without dissimulation and convention, culture as a unanimity of life, thought, appearance, and will.
Friedrich Nietzsche (Untimely Meditations)
I barely gave my appearance a thought. My animals didn’t care about my outer shell, they certainly didn’t love me for my appearance. They probably had no sense of beauty whatsoever; I can’t imagine that a human being would have seemed beautiful to them.
Marlen Haushofer (The Wall)
We are focus-points of consciousness, [...] enormously creative. When we enter the self-constructed hologrammetric arena we call spacetime, we begin at once to generate creativity particles, imajons, in violent continuous pyrotechnic deluge. Imajons have no charge of their own but are strongly polarized through our attitudes and by the force of our choice and desire into clouds of conceptons, a family of very-high-energy particles which may be positive, negative or neutral. [...] Some common positive conceptions are exhilarons, excytons, rhapsodons, jovions. Common negative conceptions include gloomons, tormentons, tribulons, agonons, miserons. "Indefinite numbers of conceptions are created in nonstop eruption, a thundering cascade of creativity pouring from every center of personal consciousness. They mushroom into conception clouds, which can be neutral or strongly charged - buoyant, weightless or leaden, depending on the nature of their dominant particles. "Every nanosecond an indefinite number of conception clouds build to critical mass, then transform in quantum bursts to high-energy probability waves radiating at tachyon speeds through an eternal reservoir of supersaturated alternate events. Depending on their charge and nature, the probability waves crystallize certain of these potential events to match the mental polarity of their creating consciousness into holographic appearance. [...] "The materialized events become that mind's experience, freighted with all the aspects of physical structure necessary to make them real and learningful to the creating consciousness. This autonomic process is the fountain from which springs every object and event in the theater of spacetime. "The persuasion of the imajon hypothesis lies in its capacity for personal verification. The hypothesis predicts that as we focus our conscious intention on the positive and life-affirming, as we fasten our thought on these values, we polarize masses of positive conceptions, realize beneficial probability-waves, bring useful alternate events to us that otherwise would not have appeared to exist. "The reverse is true in the production of negative events, as is the mediocre in-between. Through default or intention, unaware or by design, we not only choose but create the visible outer conditions that are most resonant to our inner state of being [...]
Richard Bach (Running from Safety: An Adventure of the Spirit)
A man like me gets used to recognizing himself from the inside. The inside is what I am familiar with. Nor am I much given to studying my outward appearance in the looking glass. It is a curious thing, to see oneself in a photograph. It is a meeting with the outer man.
Diane Setterfield (Once Upon a River)
This changing of focus in the eye, moving the eye itself when looking at things that do not move, deepens one’s sense of outer reality. Then static things may be caught in the very act of becoming. By so simple a matter, too, as altering the position of one’s head, a different kind of world may be made to appear. Lay the head down, or better still, face away from what you look at, and bend with straddled legs till you see your world upside down. How new it has become! From the close-by sprigs of heather to the most distant fold of the land, each detail stands erect in its own validity. In no other way have I seen of my own unaided sight that the earth is round. As I watch, it arches its back, and each layer of landscape bristles—though bristles is a word of too much commotion for it. Details are no longer part of a grouping in a picture of which I am the focal point, the focal point is everywhere. Nothing has reference to me, the looker. This is how the earth must see itself.
Nan Shepherd (The Living Mountain)
These inner movements not only produce corresponding outer movements: this is the law which operates beneath all physical appearances. He who practices these exercises of bilocation will develop unusual powers of concentration and quiescence and will inevitably achieve waking consciousness on the inner and dimensionally larger world.
Neville Goddard (Awakened Imagination)
The unexpected parallelisms of ideas in psychology and physics suggest, as Jung pointed out, a possible ultimate one-ness of both fields of reality that physics and psychology study-i.e., a psychophysical one-ness of both fields of reality that physics and psychology study-i.e., a psychophysical one-ness of all life phenomena. Jung was even convinced that what he calls the unconscious somehow links up with the structure of inorganic matter-a link to which the problem of so-called "psychosomatic" illness seems to point. The concept of a unitarian idea of reality (which has been followed up by Pauli and Erich Nuemann) was called by Jung the unus mundus (the one world, within which matter and psyche are not yet discriminated or separately actualized). He paved the way toward such a unitarian point of view by pointing out that an archetype shows a "psychoid" (i.e., not purely psychic but almost material) aspect when it appears within a synchronistic event-for such an event is in effect a meaningful arrangement of inner psychic and outer facts.
C.G. Jung (Man and His Symbols)
In mystical literature such self-contradictory phrases as "dazzling obscurity," "whispering silence," "teeming desert," are continually met with. They prove that not conceptual speech, but music rather, is the element through which we are best spoken to by mystical truth. Many mystical scriptures are indeed little more than musical compositions. "He who would hear the voice of Nada, 'the Soundless Sound,' and comprehend it, he has to learn the nature of Dharana…. When to himself his form appears unreal, as do on waking all the forms he sees in dreams, when he has ceased to hear the many, he may discern the ONE—the inner sound which kills the outer…. For then the soul will hear, and will remember. And then to the inner ear will speak THE VOICE OF THE SILENCE…. And now thy SELF is lost in SELF, THYSELF unto THYSELF, merged in that SELF from which thou first didst radiate.. . . Behold! thou hast become the Light, thou hast become the Sound, thou art thy Master and thy God. Thou art THYSELF the object of thy search: the VOICE unbroken, that resounds throughout eternities, exempt from change, from sin exempt, the seven sounds in one, the VOICE OF THE SILENCE. Om tat Sat."[277] [277] H. P. Blavatsky: The voice of the Silence. These words, if they do not awaken laughter as you receive them, probably stir chords within you which music and language touch in common. Music gives us ontological messages which non-musical criticism is unable to contradict, though it may laugh at our foolishness in minding them. There is a verge of the mind which these things haunt; and whispers therefrom mingle with the operations of our understanding, even as the waters of the infinite ocean send their waves to break among the pebbles that lie upon our shores.
William James (Varieties of Religious Experience, a Study in Human Nature)
And as she lost consciousness of outer things, and her name and her personality and her appearance, and whether Mr. Carmichael was there or not, her mind kept throwing up from its depths, scenes, and names, and sayings, and memories and ideas, like a fountain spurting over that glaring, hideously difficult white space, while she modelled it with greens and blues.
Virginia Woolf (To The Lighthouse: The Virginia Woolf Library Authorized Edition)
The human mind is grown inside a 0.0013 cubic meters crystalline calcium phosphate box on the 149 million km2 rocky surface of a 510 million km2 planet that is falling in a straight line over curved space at 108,000 kilometres per hour inside the gravity well of a 6 trillion km2 star on a 250 million year sojourn around the centre of a galaxy containing some 400 billion stars and trillions of planets and moons. The immediate solar system appears to end at the Kuiper Belt, its outer edge a mind-stunning 7 billion kilometres away, yet the outermost reach of the Heliosphere is still another 5 billion kilometres further out. The furthest object, however, within the Sun’s gravity well, Sedna, marks the solar system’s diameter to in fact be a sense-jarring 287 billion kilometres in length.
John Zande (The Owner of All Infernal Names: An Introductory Treatise on the Existence, Nature & Government of our Omnimalevolent Creator)
They are unavoidable at this moment, standing, as you do, on the outer verge of your long seclusion, and peopling the world with ugly shapes, which you will soon find to be as unreal as the giants and ogres of a child’s story-book. I find nothing so singular in life, as that everything appears to lose its substance the instant one actually grapples with it. So it will be with what you think so terrible.
Nathaniel Hawthorne (The House of the Seven Gables)
Indeed, the most intense feeling we know of, intense to the point of blotting out all other experiences, namely, the experience of great bodily pain, is at the same time the most private and least communicable of all. Not only is it perhaps the only experience which we are unable to transform into a shape fit for public appearance, it actually deprives us of our feeling for reality to such an extent that we can forget it more quickly and easily than anything else. There seems to be no bridge from the most radical subjectivity, in which I am no longer “recognizable,” to the outer world of life.42 Pain, in other words, truly a borderline experience between life as “being among men” (inter homines esse) and death, is so subjective and removed from the world of things and men that it cannot assume an appearance at all.43
Hannah Arendt (The Human Condition)
The person with a good heart and leading a virtuous life will envelop himself in a flourished countenance, creating a favorable condition for the form to develop, the color to brighten, the voice to strengthen, and other signs of good karma. By contrast, the person with a bad heart and leading a malicious life will damage his or her countenance, form, color, and voice, creating a condition conducive to bad karma.
Quyen Quang Tran (Physiognomy: The Art of Reading People)
Look at your hair!” she says, moving her hand toward my short hair but not actually touching it. “It’s so different.” I am stronger than when I knew them. I stand straighter. I am more patient. I hold fewer grudges. I am more thankful for what I have, less resentful for what I don’t. I am less restless. I read a lot more books. I play the piano. I’m engaged. But, of course, she can’t see all that. The only change she can see is my short, blond hair.
Taylor Jenkins Reid (One True Loves)
Avoid extremes. Don’t make a distinction between outer and inner and don’t become one of Jung’s types, either extrovert or introvert. Sosan says: Be flowing, balancing. Outer and inner are just like the right and left leg. Why choose one? If you choose one, all movement stops. They are like two eyes: if you choose one then you will be able to see but your vision is no more three dimensional, the depth is lost. You have two ears: you can use one, you can be addicted to the idea that you are a left ear type or a right ear type, but then you lose. Then half the world is closed to you. The inner and outer are just two eyes, two ears, two legs – why choose? Why not use both choicelessly? And why divide? Because you are one! The left leg and the right leg only appear two. You flow within both – the same energy, the same being. You look through both your eyes. Why not use inner and outer and give them a balance? Why move to the extreme?
Osho (Hsin Hsin Ming: The Book of Nothing)
The Hindu doctrine teaches that a human cycle, to which it gives the name Manvantara, is divided into four periods marking so many stages during which the primordial spirituality becomes gradually more and more obscured; these are the same periods that the ancient traditions of the West called the Golden, Silver, Bronze, and Iron Ages. We are now in the fourth age, the Kali-Yuga or “dark age”, and have been so already, it is said, for more than six thousand years, that is to say since a time far earlier than any known to “classical” history. Since that time, the truths which were formerly within reach of all have become more and more hidden and inaccessible; those who possess them grow fewer and fewer, and although the treasure of “nonhuman” (that is, supra-human) wisdom that was prior to all the ages can never be lost, it nevertheless becomes enveloped in more and more impenetrable veils, which hide it from men’s sight and make it extremely difficult to discover. This is why we find everywhere, under various symbols, the same theme of something that has been lost—at least to all appearances and as far as the outer world is concerned—and that those who aspire to true knowledge must rediscover; but it is also said that what is thus hidden will become visible again at the end of the cycle, which, because of the continuity binding all things together, will coincide with the beginning of a new cycle. (The Dark Age, p. 3)
René Guénon (The Essential René Guénon: Metaphysical Principles, Traditional Doctrines, and the Crisis of Modernity (The Perennial Philosophy Series))
The late-afternoon sky, in Paul's peripheral vision, panoramic and mostly unobstructed, appeared rural or suburban, more indicative of forests and fields and lakes—of nature's vast connections, through the air and the soil, to more of itself—than of outer space, which was mostly what Paul thought of when beneath an urban sky, even in daytime, especially in Manhattan, between certain buildings, framing sunless zones of upper atmosphere, as if inviting space down to deoxygenate a city block.
Tao Lin (Taipei)
We believe some people are more special, more beautiful, more capable, more influential, more intelligent, more gifted, and have a greater capacity for good than others, often based on material possessions and outer appearances. At the root, that is why we are engaged in a struggle now in the Congress led by one group of people who truly believes their role is to defend the privileges of the elite. They defend tax breaks for the rich and ask for trillions in cuts to the safety nets that protect the middle class, the elderly, the sick, and the poor, because, in essence, they believe one group is more important than the other, more deserving than the other, and one contributes more good than the other. This is actually an illusion that is blind to the interdependence of the entire creation, which unites the weak with the strong, the privileged with the poor, and the ugly with the beautiful. All the inequities of our world are basically attempts to actualize this erroneous belief. And that is why there is turmoil, because we are in conflict with the truth, working to manifest an idea that is false.
John Lewis (Across That Bridge: A Vision for Change and the Future of America)
Next to this central belief which,while I was reading, would be constantly reaching out from my inner self to the outer world, towards the discovery of truth, came the emotions aroused in me by the action in which I was taking part, for these afternoons were crammed with more dramatic events than occur, often, in a whole lifetime. These were the events taking Place in the book I was reading. It is true that the people concerned in them were not what Francoise would have called "real people." .... it matters not that the actions, the feelings of this new order of creatures appear to us in the guise of truth, since we have made them our own, since it is in ourselves that they are happening, that they are holding in thrall, as we feverishly turn over the pages of the book, our quickened breath and staring eyes. And once the novelist has brought us to this state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid and more abiding than those which come to us in sleep, why then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which only we should have to spend years of our actual life in getting to know, and the most intense of which would never be revealed to us of their development prevents us from perceiving them. It is the same in life; the heart changes, and it is our worst sorrow; but we know it only through reading, through our imagination: in reality its alternation, like that of certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Language and hearing are seated in the cerebral cortex, the folded gray matter that covers the first couple of millimeters of the outer brain like wrapping paper. When one experiences silence, absent even reading, the cerebral cortex typically rests. Meanwhile, deeper and more ancient brain structures seem to be activated—the subcortical zones. People who live busy, noisy lives are rarely granted access to these areas. Silence, it appears, is not the opposite of sound. It is another world altogether, literally offering a deeper level of thought, a journey to the bedrock of the self.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Our outer world reflects our inner commitments. If we want to know what we are really committed to, all we have to do is look at our lives. We are, whether we are aware of it or not, always creating exactly what we are most committed to. It is vital to understand that the choices we make are always in alignment with our deepest commitments. By examining what we have and what we don’t have, we will be able to uncover and see what we are truly committed to. When our lives are not the way we want them to be, we can be certain we have a conflicting hidden—underlying—commitment to something other than that which we say we are committed to.
Nancy Levin (Jump...and Your Life Will Appear: An Inch-by-Inch Guide to Making a Major Change)
What are the chances that we will encounter some alien form of life as we explore the galaxy? If the argument about the timescale for the appearance of life on Earth is correct, there ought to be many other stars whose planets have life on them. Some of these stellar systems could have formed five billion years before the Earth—so why is the galaxy not crawling with self-designing mechanical or biological life forms? Why hasn’t the Earth been visited and even colonised? By the way, I discount suggestions that UFOs contain beings from outer space, as I think that any visits by aliens would be much more obvious—and probably also much more unpleasant.
Stephen Hawking (Brief Answers to the Big Questions)
I stood outside Antilla for a long time watching the sun go down. I imagined that the tower was as deep as it was high. That it had a twenty-seven-story-long tap root, snaking around below the ground, hungrily sucking sustenance out of the earth, turning it into smoke and gold. Why did the Ambanis choose to call their building Antilla? Antilla is the name of a set of mythical islands whose story dates back to an eighth-century Iberian legend. When the Muslims conquered Hispania, six Christian Visigothic bishops and their parishioners boarded ships and fled. After days, or maybe weeks, at sea, they arrived at the isles of Antilla, where they decided to settle and raise a new civilization. They burned their boats to permanently sever their links to their barbarian-dominated homeland. By calling their tower Antilla, do the Ambanis hope to sever their links to the poverty and squalor of their homeland and raise a new civilization? Is this the final act of the most successful secessionist movement in India: the secession of the middle and upper classes into outer space? As night fell over Mumbai, guards in crisp linen shirts with crackling walkie-talkies appeared outside the forbidding gates of Antilla. The lights blazed on, to scare away the ghosts perhaps. The neighbors complain that Antilla’s bright lights have stolen the night. Perhaps it’s time for us to take back the night.
Arundhati Roy (Capitalism: A Ghost Story)
If your everyday life appears to be unworthy subject matter, do not complain to life. Complain to yourself. Lament that you are not poet enough to call up its wealth. For the creative artist there is no poverty—nothing is insignificant or unimportant. Even if you were in a prison whose walls would shut out from your senses the sounds of the outer world, would you not then still have your childhood, this precious wealth, this treasure house of memories? Direct your attention to that. Attempt to resurrect these sunken sensations of a distant past. You will gain assuredness. Your aloneness will expand and will become your home, greeting you like the quiet dawn. Outer tumult will pass it by from afar.
Rainer Maria Rilke (Letters to a Young Poet)
Then for a brief moment he saw everything completely differently. Open space, empty and endless, stretched away in all “directions. Everything within this dead expanse, every living thing was helpless and alone. Things were happening by accident, and when the accident failed, automatic law appeared – the rhythmical machinery of nature, the cogs and pistons of history, conformity with the rules that was rotting from the inside and crumbling to dust. Cold and sorrow reigned everywhere. Every creature was trying to huddle up to something, to cling to something, to things, to each other, but all that resulted was suffering and despair. The quality of what Izydor saw was temporality. Under a colourful outer coating everything was merging in collapse, decay, and destruction.
Olga Tokarczuk (Primeval and Other Times)
The conclusion of the whole matter appears to me to be this, that behind Romance lies Folk-lore, behind Folk-lore lie the fragments of forgotten Faiths: the outward expression has changed, but the essential elements remain the same. What the Grail was from the first, that throughout its development it has remained, the symbol and witness to unseen realities, transcending this world of sense; on whatever plane the effort be made, the attempt to penetrate from the outer to the inner, to apprehend behind the sign the thing signified, to bring the lower, and temporary, life into contact with the higher and enduring is a task worthy the highest energies of man. I do not think it matters in the least whether or not the Grail was originally Christian, if it was from the first the symbol of spiritual endeavour.
Jessie Laidlay Weston
Whenever a person of unveiling sees a form which communicates to him gnosis which he did not have and which he had not been able to grasp before, that form is from his own source, no other. From the tree of himself he gathers the fruits of his cultivation, as his outer form opposite the reflected body is nothing other than himself, even though the place of the presence in which he sees the form of himself presents him with an aspect of the reality of that presence through transformation. The large appears small in the small mirror and tall in the tall, and the moving as movement. It can reverse its form from a special presence, and it can reflect things exactly as they appear, so the right side of the viewer is his right side, while the right side can be on the left. This is generally the normal state in mirrors, and it is a break in the norm when the right side is seen as the right and inversion occurs. All this is from the gifts of the reality of the Presence in which it is manifested and which we have compared to the mirror.
Ibn 'Arabi (The Bezels of Wisdom)
Then one day, as he was watching one of his workers sift a shovelful of earth, something among the rocks and sand caught his eye, “a flat fragment of some brick-red substance,” which appeared briefly and then disappeared. It looked, thought Suggs, exactly like a piece of pottery. But that couldn’t be—pottery was found throughout Island Southeast Asia and much of Melanesia, but it had never been seen east of Samoa. And yet, there it was: an unmistakable potsherd from the lowest level of the dark band of sand that indicated human habitation. Almost immediately, a second, larger fragment emerged, then a third: a piece of an ancient pot rim with a grooved and rounded lip and marks on the inner and outer surfaces, “from the hand of the potter who had smoothed this vessel in the dim past.” In all, five fragments of pottery were discovered, belonging to just three vessels: a poorly fired, crumbly brown pot with a coarse temper; a well-fired reddish-brown bowl with a flared rim; and a fine-tempered fragment, also reddish brown, with marks that showed it had been polished using some kind of tool. Modest though they were, these ceramic tidbits changed “the complexion of Polynesian prehistory”—though, as was so often the case, it was not immediately clear in precisely what way.
Christina Thompson (Sea People: The Puzzle of Polynesia)
Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)
In the outer layers of young stars life nearly always appears not only in the normal manner but also in the form of parasites, minute independent organisms of fire, often no bigger than a cloud in the terrestrial air, but sometimes as large as the Earth itself. These "salamanders" either feed upon the welling energies of the star in the same manner as the star's own organic tissues feed, or simply prey upon those tissues themselves. Here as elsewhere the laws of biological evolution come into force, and in time there may appear races of intelligent flame-like beings. Even when the salamandrian life does not reach this level, its effect on the star's tissues may become evident to the star as a disease of its skin and sense organs, or even of its deeper tissues. It then experiences emotions not wholly unlike human fright and shame, and anxiously and most humanly guards its secret from the telepathic reach of its fellows. The salamandrian races have never been able to gain mastery over their fiery worlds. Many of them succumb, soon or late, either to some natural disaster or to internecine strife or to the self-cleansing activities of their mighty host. Many others survive, but in a relatively harmless state, troubling their stars only with a mild irritation, and a faint shade of insincerity in all their dealings with one another. In the public culture of the stars the salamandrian pest was completely ignored. Each star believed itself to be the only sufferer and the only sinner in the galaxy. One indirect effect the pest did have on stellar thought. It introduced the idea of purity. Each star prized the perfection of the stellar community all the more by reason of its own secret experience of impurity.
Olaf Stapledon (Star Maker)
It is conceivable that an interplay of genes and epigenes coordinates human embryogenesis. Let us return, yet again, to Morgan's problem: the creation of a multicellular organism from a one-celled embryo. Seconds after fertilization, a quickening begins in the embryo. Proteins reach into the nucleus of the cell and start flicking genetic switches on and off. A dormant spaceship comes to life. Genes are activated and repressed, and these genes, in turn, encode yet other proteins that activate and repress other genes. A single cell divides to form two, then four, and eight cells. An entire layer of cells forms, then hollows out into the outer skin of a ball. Genes that coordinate metabolism, motility, cell fate, and identity fire "on." The boiler room warms us. The lights flicker on in the corridors. The intercom crackles alive. Now a second code stirs to life to ensure that gene expression is locked into place in each cell, enabling each cell to acquire and fix an identity. Chemical marks are selectively added to certain genes and erased from others, modulating the expression of the genes in that cell alone. Methyl groups are inserted and erased, and histones are modified to repress or activate genes. The embryo unfurls step by step. Primordial segements appear, and cells take their positions along various parts of the embryo. New genes are activated that command subroutines to grow limbs and organs, and more chemical marks are appended on the genomes of individual cells. Cells are added to create organs and structures-forelegs, hind legs, muscles, kidneys, bones, eyes. Some cells die a programmed death. Genes that maintain function, metabolism, and repair are turned on. An organism emerges from a cell.
Siddhartha Mukherjee (The Gene: An Intimate History)
There is a way of living life, a mode of being religious that causes destruction wherever it appears. It is the misinterpretation of the concept of holiness. It was certainly an issue in Jesus’ day. The variety of the ‘Judaisms’ of Jesus’ day, the various schools or parties, the rabbinic schools of Hillel and Shammai . . . the Essenes . . . apocalyptic sects, mainstream elite like the Sadducees and marginalized Samaritans alike all held to some kind of holiness code, that behavior which made the people right before God. The Temple itself reflected gradations or strata of holiness, from the outer Court of the Gentiles to the Holy of Holies. This meta-map of the Temple was overlaid on Jewish society as well. Just as there were degrees of holy space in the Temple, so also in society various persons had various degrees of holiness . . . It was a hierarchical model, lived out by every group or party except one, that of Jesus. Yet, oddly enough we do not find this holiness language in Jesus’ teaching. Unlike the constant refrain of holiness in the Dead Sea Scrolls or the later Mishnah, Jesus has another set of lyrics using the same melody. Instead of “Be holy as I am holy” Jesus taught “Be merciful as your Father in heaven is merciful” (Luke 6:36). Mercy was for Jesus what holiness was to many of his contemporaries. Notice the same form is used but the substance has changed. Why is this? Because for Jesus, holiness was not a solution but a problem. Holiness caused ostracizing and exclusion; mercy brought reconciliation and re-socialization. Holiness depended on gradation and hierarchy; mercy broke through all barriers. Holiness differentiated persons based upon honor, wealth, family tree, religious affiliation; mercy recognized that God honors all, loves all and blesses all.
Michael Hardin (The Jesus Driven Life: Reconnecting Humanity with Jesus)
Now we move on to the dominant idea of this ancient heroic tradition, namely the mystical conception of victory. The fundamental assumption is that of a true correspondence between the physical and metaphysical, between the visible and the invisible, whereby the deeds of the spirit reveal supra-individual traits and express themselves through action and real events. On this basis, a spiritual realization is presumed to be the hidden soul of certain martial endeavors, which are crowned by the actual victory. Then the material, military victory becomes the correlation to a spiritual event, which has called forth victory in the place where outer and inner connect. The victory appears as a tangible sign for a consecration and mystical rebirth that are fulfilled in the same instant. The Furies and the death which the warrior withstood physically on the battlefield also confront him internally, in his spiritual element, in the form of a dangerous and threatening outburst of the primordial energy of his being. In triumphing over this, victory is his. This connection clarifies why, in the Traditional world, every victory also takes on a sacred meaning. The celebrated commander on the battlefield thus provided the experience of the presence of a mystical, transformative energy. In the same way we can understand the deep meaning a supra-wordly character that breaks forth in the victory’s glory and 'divinity', as well as the fact that the ancient Roman triumphal ceremony had far more of a sacred quality than a military one. It sheds a totally different light on those recurring symbols of the ancient Aryan tradition of Victories, Valkyries, and similar beings who leads the souls of warriors into 'Heaven', as well as on the myth of a victorious hero such as the Doric Hercules, who receives the crown from Nike, the 'victory goddess', enabling him to participate in Olympian immortality. And now it becomes obvious how paralyzing and frivolous that viewpoint is which prefers to see only 'poetics', rhetorics, and fairy tales in all of this.
Julius Evola (Metaphysics of War)
A rich, thick mix of chicken and beef bouillon! Ground beef and onions sautéed in butter until savory and tender, their umami-filled juices soaking into the rice! The creamy risotto melding into one with the soft, mildly sweet egg! "Mmm! It's practically a knockout punch!" "The clincher appears to be this sauce. Oyster sauce accented with a touch of honey, its mildly tart flavor is thick and heavy. Together with the curry risotto, it creates two different layers of flavor!" "I see! While Hayama's dish was a bomb going from no aroma to powerful aroma... ... this dish is instead an induced explosion! The differing fragrances from the inner risotto and the outer sauce come at you in waves, tempting you into that next bite!" But that's not all. How did he make the flavor this deep? The strong aroma and hint of bitterness means he used cumin and cardamom. The sting on the tongue comes from cloves. I can smell fragments of several spices, but those are all just surface things. Where is this full-bodied depth that ties it all together coming from?! Wait, it's... ... mango. "Mango chutney." "Chutney?! Is that all it took to give this dish such a deep flavor?!" CHUTNEY Also spelled "Chatney" or "Chatni," chutney is a South Asian condiment. Spices and herbs are mixed with mashed fruit or vegetables and then simmered into a paste. A wide variety of combinations are possible, resulting in chutneys that can be sweet, spicy or even minty. "I used my family's homemade mango chutney recipe! I mixed a dollop of this in with the rice when I steamed it. The mango acts as an axle, running through and connecting the disparate flavors of all the spices and giving a deeper, full-bodied flavor to the overall dish. In a way, it's practical, applied spice tech!"In India where it originated, chutneys are always served on the side as condiments. It's only in Japan that chutney is added directly into a curry." "Huh!" "Oh, wow." "It's unconventional to say the least, from the standpoint of original Indian curry. However, by using the chutney..." "... he massively improved the flavor and richness of the overall dish... ... without resorting to using an excess of oils or animal products!
Yūto Tsukuda (食戟のソーマ 8 [Shokugeki no Souma 8] (Food Wars: Shokugeki no Soma, #8))
… But how do I create my charioteer? Or do I want to be my own charioteer? I can guide myself only with will and intention. But will and intention are simply part of myself. Consequently they are insufficient to express my wholeness. Intention is what I can foresee, and willing is to want a foreseen goal. But where do I find the goal? I take it from what is presently known to me. Thus I set the present in place of the future. In this manner, though I cannot reach the future, I artificially produce a constant present. Everything that would like to break into this present strikes me as a disturbance, and I seek to drive it away so that my intention survives. Thus I close off the progress of life. But how can I be my own charioteer without will and intention? Therefore a wise man does not want to be a charioteer, for he knows that will and intention certainly attain goals but disturb the becoming of the future. Futurity grows out of me; I do not create it, and yet I do, though not deliberately and wilfully, but rather against will and intention. If I want to create the future, then I work against my future. And if I do not want to create it, once again I do not take sufficient part in the creation of the future, and everything happens then according to unavoidable laws to which I fall victim. The ancient devised magic to compel fate. They needed it to determine outer fate. We need it to determine inner fate and to find the way that we are unable to conceive. For a long time I considered what type of magic this would have to be. And in the end I found nothing. Whoever cannot find it within himself should become an apprentice, and so I took myself off to a far country where a great magician lived, of whose reputation I had heard. The Magician After a long search I found the small house in the country fronted by a large bed of tulips. This is where Philemon, the magician, lives with his wife Baucis. Philemon is one of those magicians who has not yet managed to banish old age, but who lives it with dignity, and his wife can only do the same. Their interests seem to have become narrow, even childish. They water their bed of tulips and tell each about the flowers that have newly appeared. And their days fade into a pale wavering chiaracuso, lit up by the past, only slightly frightened of the darkness of what is to come.
C.G. Jung (The Red Book: Liber Novus)
Students of the theory of ethics call only those acts "good" which are the expression of good impulses and refuse to acknowledge others as such. But society is on the whole guided by practical aims and does not bother about this distinction; it is satisfied if a man adapts his conduct and his actions to the precepts of civilization and asks little about his motives. We have heard that the outer compulsion which education and environment exercise upon a man brings about a further transformation of his impulse life for the good, the change from egotism to altruism. But this is not the necessary or regular effect of the outer compulsion. Education and environment have not only love premiums to offer but work with profit premiums of another sort, namely rewards and punishments. They can therefore bring it about that a person subject to their influence decides in favor of good conduct in the civilized sense without any ennobling of impulse or change from egotistic into altruistic inclinations. On the whole the consequence remains the same; only special circumstances will reveal whether the one person is always good because his impulses compel him to be so while another person is good only in so far as this civilized behavior is of advantage to his selfish purposes. But our superficial knowledge of the individual gives us no means of distinguishing the two cases, and we shall certainly be misled by our optimism into greatly over-estimating the number of people who have been transformed by civilization. Civilized society, which demands good conduct and does not bother about the impulse on which it is based, has thus won over a great many people to civilized obedience who do not thereby follow their own natures. Encouraged by this success, society has permitted itself to be misled into putting the ethical demands as high as possible, thereby forcing its members to move still further from their emotional dispositions. A continual emotional suppression is imposed upon them, the strain of which is indicated by the appearance of the most remarkable reactions and compensations. In the field of sexuality, where such suppression is most difficult to carry out, it results in reactions known as neurotic ailments. In other fields the pressure of civilization shows no pathological results but manifests itself in distorted characters and in the constant readiness of the inhibited impulses to enforce their gratification at any fitting opportunity.
Sigmund Freud (Reflections on War and Death)
Because Prometheus has a one-sided orientation to his soul, all tendencies to adapt to the external world are repressed and sink into the unconscious. Consequently, if perceived at all, they appear as not belonging to his own personality but as projections. There would seem to be a contradiction in the fact that the soul, whose cause Prometheus has espoused and whom he has, as it were, fully assimilated into consciousness, appears at the same time as a projection. But since the soul, like the persona, is a function of relationship, it must consist in a certain sense of two parts—one part belonging to the individual, and the other adhering to the object of relationship, in this case the unconscious. Unless one frankly subscribes to von Hartmann’s philosophy, one is generally inclined to grant the unconscious only a conditional existence as a psychological factor. On epistemological grounds, we are at present quite unable to make any valid statement about the objective reality of the complex psychological phenomenon we call the unconscious, just as we are in no position to say anything valid about the essential nature of real things, for this lies beyond our psychological ken. On the grounds of practical experience, however, I must point out that, in relation to the activity of consciousness, the contents of the unconscious lay the same claim to reality on account of their obstinate persistence as do the real things of the external world, even though this claim must appear very improbable to a mind that is “outer-directed.” It must not be forgotten that there have always been many people for whom the contents of the unconscious possessed a greater reality than the things of the outside world. The history of human thought bears witness to both realities. A more searching investigation of the human psyche shows beyond question that there is in general an equally strong influence from both sides on the activity of consciousness, so that, psychologically, we have a right on purely empirical grounds to treat the contents of the unconscious as just as real as the things of the outside world, even though these two realities are mutually contradictory and appear to be entirely different in their natures. But to subordinate one reality to the other would be an altogether unjustifiable presumption. Theosophy and spiritualism are just as violent in their encroachments on other spheres as materialism. We have to accommodate ourselves to our psychological capacities, and be content with that.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung Book 38))
Radiation from the Big Bang may give us a clue to dark matter and dark energy. First of all, the echo, or afterglow, of the Big Bang is easy to detect. Our satellites have been able to detect this radiation to enormous accuracy. Photographs of this microwave background radiation show that it is remarkably smooth, with tiny ripples appearing on its surface. These ripples, in turn, represent tiny quantum fluctuations that existed at the instant of the Big Bang that were then magnified by the explosion. What is controversial, however, is that there appear to be irregularities, or blotches, in the background radiation that we cannot explain. There is some speculation that these strange blotches are the remnants of collisions with other universes. In particular, the CMB (cosmic microwave background) cold spot is an unusually cool mark on the otherwise uniform background radiation that some physicists have speculated might be the remnants of some type of connection or collision between our universe and a parallel universe at the beginning of time. If these strange markings represent our universe interacting with parallel universes, then the multiverse theory might become more plausible to skeptics. Already, there are plans to put detectors in space that can refine all these calculations, using space-based gravity wave detectors. LISA Back in 1916, Einstein showed that gravity could travel in waves. Like throwing a stone in a pond and witnessing the concentric, expanding rings it creates, Einstein predicted that swells of gravity would travel at the speed of light. Unfortunately, these would be so faint that he did not think we would find them anytime soon. He was right. It took until 2016, one hundred years after his original prediction, before gravity waves were observed. Signals from two black holes that collided in space about a billion years ago were captured by huge detectors. These detectors, built in Louisiana and Washington State, each occupy several square miles of real estate. They resemble a large L, with laser beams traveling down each leg of the L. When the two beams meet at the center, they create an interference pattern that is so sensitive to vibrations that they could detect this collision. For their pioneering work, three physicists, Rainer Weiss, Kip S. Thorne, and Barry C. Barish, won the Nobel Prize in 2017. For even greater sensitivity, there are plans to send gravity wave detectors into outer space. The project, known as the laser interferometry space antenna (LISA), might be able to pick up vibrations from the instant of the Big Bang itself. One version of the LISA consists of three separate satellites in space, each connected to the others by a network of laser beams. The triangle is about a million miles on each side.
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
Edgerton/Assassins of Dreamsongs 169 The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in. The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept. Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him. The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires. Edgerton/Assassins of Dreamsongs 170 In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease." From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp. An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting. Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight. The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp. Edgerton/Assassins of Dreamsongs 171 The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.
John Edgerton (ASSASSINS OF DREAMSONGS)
To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and the inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large – thus an experience of inestimable value to everyone and especially to the intellectual. For the intellectual is by definition the man for whom, in Goethe’s phrase, ‘the word is essentially fruitful.’ He is the man who feels that ‘what we perceive by the eye is foreign to us as such and need not impress us deeply.’ And yet, though himself an intellectual and one of the supreme masters of language, Goethe did not always agree with his own evaluation of the word. ‘We talk,’ he wrote in middle life, ‘far too much. We should talk less and draw more. I personally should like to renounce speech altogether and, like organic Nature, communicate everything I have to say in sketches. That fig tree, this little snake, the cocoon on my window sill quietly awaiting its future – all these are momentous signatures. A person able to decipher their meaning properly would soon be able to dispense with the written or the spoken word altogether. The more I think of it, there is something futile, mediocre, even (I am tempted to say) foppish about speech. By contrast, how the gravity of Nature and her silence startle you, when you stand face to face with her, undistracted, before a barren ridge or in the desolation of the ancient hills.’ We can never dispense with language and the other symbol systems; for it is by means of them, and only by their means, that we have raised ourselves above the brutes, to the level of human beings. But we can easily become the victims as well as the beneficiaries of these systems. We must learn how to handle words effectively; but at the same time we must preserve and, if necessary, intensify our ability to look at the world directly and not through that half-opaque medium of concepts, which distorts every given fact into the all too familiar likeness of some generic label or explanatory abstraction. Literary or scientific, liberal or specialist, all our education is predominantly verbal and therefore fails to accomplish what it is supposed to do. Instead of transforming children into fully developed adults, it turns out students of the natural sciences who are completely unaware of Nature as the primary fact of experience, it inflicts upon the world students of the Humanities who know nothing of humanity, their own or anyone else’s. In a world where education is predominantly verbal, highly educated people find it all but impossible to pay serious attention to anything but words and notions. There is always money for, there are always doctrines in, the learned foolery of research into what, for scholars, is the all-important problem: Who influenced whom to say what when? Even in this age of technology the verbal humanities are honoured. The non-verbal humanities, the arts of being directly aware of the given facts of our existence, are almost completely ignored. Every individual is at once the beneficiary and the victim of the linguistic tradition into which he has been born - the beneficiary in as much as language gives access to the accumulated records of other people's experience, the victim in so far as it confirms him in the belief that reduced awareness is the only awareness and as it bedevils his sense of reality, so that he is all too apt to take his concepts for data, his words for actual things. That which, in the language of religion, is called "this world" is the universe of reduced awareness, expressed, and, as it were, petrified by language.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
No matter what philosophical standpoint people may adopt nowadays, from every point of view the falsity of the world in which we think we live is the most certain and firmest thing which our eyes are still capable of apprehending: - for that we find reason after reason, which would like to entice us into conjectures about a fraudulent principle in the "essence of things." But anyone who makes our very thinking, that is, "the spirit," responsible for the falsity of the world - an honourable solution which every conscious or unconscious advocatus dei [pleader for god] uses -: whoever takes this world, together with space, time, form, and movement as a false inference, such a person would at least have good ground finally to learn to be distrustful of all thinking itself. Wouldn’t it be the case that thinking has played the greatest of all tricks on us up to this point? And what guarantee would there be that thinking would not continue to do what it has always done? In all seriousness: the innocence of thinkers has something touching, something inspiring reverence, which permits them even today still to present themselves before consciousness with the request that it give them honest answers: for example, to the question whether it is "real," and why it really keeps itself so absolutely separate from the outer world, and similar sorts of questions. The belief in "immediate certainties" is a moral naivete which brings honour to us philosophers - but we should not be "merely moral" men! Setting aside morality, this belief is a stupidity, which brings us little honour! It may be the case that in bourgeois life the constant willingness to suspect is considered a sign of a "bad character" and thus belongs among those things thought unwise. Here among us, beyond the bourgeois world and its affirmations and denials - what is there to stop us from being unwise and saying the philosopher has an absolute right to a "bad character," as the being who up to this point on earth has always been fooled the best - today he has the duty to be suspicious, to glance around maliciously from every depth of suspicion. Forgive me the joke of this gloomy grimace and way of expressing myself. For a long time ago I myself learned to think very differently about and make different evaluations of deceiving and being deceived, and I keep ready at least a couple of digs in the ribs for the blind anger with which philosophers themselves resist being deceived. Why not? It is nothing more than a moral prejudice that truth is worth more than appearance. That claim is even the most poorly demonstrated assumption there is in the world. People should at least concede this much: there would be no life at all if not on the basis of appearances and assessments from perspectives. And if people, with the virtuous enthusiasm and foolishness of some philosophers, wanted to do away entirely with the "apparent world," assuming, of course, you could do that, well then at least nothing would remain any more of your "truth" either! In fact, what compels us generally to the assumption that there is an essential opposition between "true" and "false"? Is it not enough to assume degrees of appearance and, as it were, lighter and darker shadows and tones for the way things appear - different valeurs [values], to use the language of painters? Why could the world about which we have some concern - not be a fiction? And if someone then asks "But doesn’t an author belong to a fiction?" could he not be fully answered with Why? Doesn’t this "belong to" perhaps belong to the fiction? Is it then forbidden to be a little ironic about the subject as well as about the predicate and the object? Is the philosopher not permitted to rise above a faith in grammar? All due respect to governesses, but might it not be time for philosophy to renounce faith in governesses?-
Friedrich Nietzsche (Beyond Good and Evil)
HOW TO USE THIS BOOK WHAT TO DO FIRST 1. Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says For Mom and Dad for having me and for Jeannie (or Jack or Debra or Donnie or …) for putting up with me so supportively and for my nine children for not interrupting me and for my Publisher for not discouraging me and for my Writers’ Circle for listening to me and for Barbie and Greta and Albert Einstein and Aunty May and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog. This will be followed by a short piece of prose that says When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn. Ka’a Orto’o, Gnomic Utterances Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick section). Find the Map. 2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell. These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.” This is mostly it. No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places. In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule. 3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible. 4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword. 5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.
Diana Wynne Jones