Get The Strap Quotes

We've searched our database for all the quotes and captions related to Get The Strap. Here they are! All 100 of them:

I want to be strapped to a table, while a family of chickens argues over who gets to eat my legs.
Jarod Kintz (I Want)
My eyes went to him. "Your rule, honey. I can go put panties on." His eyes came to me. "You do, I get the strap.
Kristen Ashley (Knight (Unfinished Hero, #1))
See, the problem with boobs is if you have big ones, you can never look thin. You get these burns on your shoulders from bra straps, and your back hurts. And unless you're using them for their intended purpose, they're always in the way." "In the way of what? My hands, My face? Don't you blaspheme in here." He looked up to the sky. "She didn't mean it, Lord. Promise.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
Where's your boyfriend, District 12? Still hanging on?" She asks. Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!" Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me. "Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Jack Sparrow: How did you get here? Will Turner: Sea turtles, mate. A pair of them strapped to my feet. Jack Sparrow: Not so easy, is it?
Captain Jack Sparrow
He was the first to reach the aircraft, and he went for the door that by some miracle was facing outward and not into the concrete wall. Wrenching the thing open, and getting out his flashlight, he didn’t know what to expect inside—smoke? Fumes? Blood and body parts? Zsadist was sitting rigid in a backward-facing seat, his big body strapped in, both hands locked on the armrests. The Brother was staring straight ahead and not blinking. “Have we stopped moving?” he said hoarsely
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
If the Dauntless knew about this, everyone would be getting in line to learn how to drive it,” he says. “Including me.” “No, they would be strapping themselves to the wings.” Christina pokes his arm. “Don’t you know your own faction?
Veronica Roth (Allegiant (Divergent, #3))
People aren't confused bythe Gospel. They're confused by us. Jesus is the only way to God, but we are not the only way to Jesus. This world doesn't need my tie, my hoodie, my denomination or my interpretation of the Bible. They just need Jesus. We can be passionate about what we believe, but we can't strap ourselves to the Godspel, because we are slowing it down. Jesus is going to save the world, but maybe the best thing we can do is just get out of the way.
Casting Crowns
Ready,Stiff?" Zeke smirks down at me. "I have to say,I'm impressed that you aren't screaming and crying right now." "I told you," Uriah says. "She's Dauntless through and through. Now get on with it." "Careful,brother,or I might not tighten your straps enough," Zeke says. He smacks his knee. "And then,splat!" "Yeah,yeah," Uriah says. "And then our mother would boil you alive.
Veronica Roth (Divergent (Divergent, #1))
I suppose you’ve got your future all figured out?” “No. I just know I’m going to get my mother out of that place and try to build some kind of life for us.” Wylan nodded to the posters on the wall. “Is this really what you want? To be a criminal? To keep bouncing from the next score to the next fight to the next near miss?” “Honestly?” Jesper knew Wylan probably wasn’t going to like what he said next. “It’s time,” Kaz said from the doorway. “Yes, this is what I want,” said Jesper. Wylan looped his satchel over his shoulder, and without thinking, Jesper reached out and untwisted the strap. He didn’t let go. “But it’s not all that I want.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I didn’t realize I was frozen in place until a classmate shouldered into me, knocking my heavy backpack from my shoulder. “’Scuse me,” he grumbled, his tone more Get out of the way than Sorry I ran into you. As I bent to retrieve my backpack, praying Kennedy and his fangirl hadn’t seen me, a hand grasped the strap and swung the pack up from the floor. I straightened and looked into clear gray-blue eyes. “Chivalry isn’t really dead, you know.
Tammara Webber (Easy (Contours of the Heart, #1))
The Clock on the Morning Lenape Building Must Clocks be circles? Time is not a circle. Suppose the Mother of All Minutes started right here, on the sidewalk in front of the Morning Lenape Building, and the parade of minutes that followed--each of them, say, one inch long-- headed out that way, down Bridge Street. Where would Now be? This minute? Out past the moon? Jupiter? The nearest star? Who came up with minutes, anyway? Who needs them? Name one good thing a minute's ever done. They shorten fun and measure misery. Get rid of them, I say. Down with minutes! And while you're at it--take hours with you too. Don't get me started on them. Clocks--that's the problem. Every clock is a nest of minutes and hours. Clocks strap us into their shape. Instead of heading for the nearest star, all we do is corkscrew. Clocks lock us into minutes, make Ferris wheel riders of us all, lug us round and round from number to number, dice the time of our lives into tiny bits until the bits are all we know and the only question we care to ask is "What time is it?" As if minutes could tell. As if Arnold could look up at this clock on the Lenape Building and read: 15 Minutes till Found. As if Charlie's time is not forever stuck on Half Past Grace. As if a swarm of stinging minutes waits for Betty Lou to step outside. As if love does not tell all the time the Huffelmeyers need to know.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
Hart pointed at the carriage. "Get in." Eleanor started, and the cake vendor, who'd been watching with evident enjoyment, looked worried. "No need," Eleanor said to Hart. "I'll find a hansom. I've brought Maigdlin an I have so many parcels." "Get into the carriage, El, or I'll strap you to the top of it." Eleanor rolled her eyes and took another bite of seedcake.
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
It’s like I’m on a roller-coaster ride, but I’m not allowed to get off. I’m strapped to the seat, and within eyesight the unfinished twirl of the track swirls into the air.
Danielle Esplin (Give It Back)
He strapped a video camera to the hood of his car and we drove around while he filmed us smashing through piles of old dead Christmas trees that residents had left in the alleys and he would set on fire. I could never get Jake to “put out” but it still was a really romantic night for me, so I stayed in touch.
John Waters (Role Models)
Nero drove them out at full throttle, under heavy pursuit. The transport went careening down the street, sending pedestrians and other vehicles in all directions. "Nero!" Darling shouted. "Some of us aren't suicidal back here." "Then strap your ass down. Or lose it." Nero jerked to the right. This time, Darling landed on Hauk. Hauk put him back on his feet. "Nuh-uh. You have to buy me dinner before you crawl on top of me, baby. No one gets a free ride on the Hauk train.
Sherrilyn Kenyon (Born of Fury (The League: Nemesis Rising, #6))
The sick in soul insist that it is humanity that is sick, and they are the surgeons to operate on it. They want to turn the world into a sickroom. And once they get humanity strapped to the operating table, they operate on it with an ax.
Eric Hoffer
You get that he took something precious from you, your ability to trust.... He took that from you, now's your time to fight and get it back...Just live in the now, Kia, keep livin' in the now and when I say that, right now.." "That doesn't make me any less scared, Sam," I whispered in his ear and he lifted his head and looked down at me." "He strapped you with that too, baby. Fight back and learn to be fearless.
Kristen Ashley (Heaven and Hell (Heaven and Hell, #1))
Now we're going to go back in ther and get you something to eat. Then you're going to pull you big boy pants up and act like a man. My granddaughter needs her strapping boyfriend to be strong and not act like a pussy
Sophie Monroe (Battlescars (Battlescars, #1))
Prometheus on the rock. Do you know that story? Every day he's punished for giving mortals fire by being strapped to a rock and having his liver eaten out by an eagle. I always thought it was a poor punishment. That he'd just get used to the pain, and the eagle would have to think of some new torture. But you don't. And he does.
Kendare Blake (Girl of Nightmares (Anna, #2))
I've never had a boy in here," Martin said in a serious voice. "I've never touched another man, as a matter of fact. . . .except for my father. That was my duty." Blomkvist's temples were pounding. He could not put his weight on his feet without being strangled. He tried to use his fingers to get a grip on the concrete wall behind him, but there was nothing to hold onto. "It's time," Martin Vanger said. He put a hand on the strap and pulled down. Blomkvist instantly felt the noose cut into his neck. "I've always wondered how a man tastes." He increased the pressure on the noose and leaned forward to kiss Blomkvist on the lips at the same time that a cold voice cut through the room. "Hey you fucking creep, in this shithole I've got a monopoly on that one.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
So Jane was getting married. Well, more power to her. In fact, let me tighten those straps. Any word from the governor on the pardon? No? All right, then, more power to her.
James Lileks (Falling Up the Stairs)
If it’s not going to change, get out of it as soon as you can, even if you end up having nothing afterward or thinking you’ll have nothing afterward. Or be financially strapped afterward.
Maye Musk (A Woman Makes a Plan: Advice for a Lifetime of Adventure, Beauty, and Success)
There's an elderly woman fussing with the top of the cream pitcher, trying to get it open. Her purse sits on the counter, but as I approach, she picks up the handbag and anchors it to her side, crossing her arm over the strap. “Oh, that pitcher can be tricky,” I say. “Can I help?” She thanks me and smiles when I hand her back the cream. I'm sure she doesn't even realize she moved her purse when I got closer. But I did.
Jodi Picoult (Small Great Things)
Toddlers are tired of hearing Facebook notifications during story time. We’re sick of having to sit in parked cars, fully strapped in, while you make sure you get the last word on a virtual dispute with an acquaintance.
Bunmi Laditan (The Honest Toddler)
But I couldn't get the image out of my head of the beast strapped to the table, Father humming while the candle wax slowly dripped, and Montgomery assisting. I felt betrayed, as though the boy I'd idolized was nothing more than a fantasy.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
One, you don’t know everything. Two, what you don’t know can absolutely hurt you. And three, someone’s getting fucked. The only question is, who’s wearing the strap-on?
Mira Grant (Please Do Not Taunt the Octopus (Newsflesh, #3.4))
Buried how long?” The answer was always the same: “Almost eighteen years.” You had abandoned all hope of being dug out?” Long ago.” You know that you are recalled to life?” They tell me so.” I hope that you care to live?” I can’t say.” Shall I show her to you? Will you come and see her?” The answers to this question were various and contradictory. Sometimes the broken reply was, “Wait! It would kill me if I saw her too soon.” Sometimes it was given in a tender rain of tears, and then it was, “Take me to her.” Sometimes it was staring and bewildered, and then it was, “I don’t know her. I don’t understand.” After such imaginary discourse, the passenger in his fancy would dig, and dig, dig – to dig this wretched creature out. Got out at last, with earth hanging about his face and hair, he would suddenly fall away to dust. The passenger would then start to himself, and lower the window, to get the reality of mist and rain on his cheek. Yet even when his eyes were opened on the mist and rain, on the moving patch of light from the lamps, and the hedge of the roadside retreating by jerks, the night shadows outside the coach would fall into the train of night shadows within. Out of the midst in them, a ghostly face would rise, and he would accost it again. Buried how long?” Almost eighteen years.” I hope you care to live?” I can’t say.” Dig – dig – dig – until an impatient movement from one of the two passengers would admonish him to pull up the window, draw his arm securely through the leather strap, and speculate on the two slumbering life forms, until his mind lost hold of them, and they again slid away into the bank and the grave. Buried how long?” Almost eighteen years.” You had abandoned all hope of being dug out?” Long ago.” The words were still in his hearing just as spoken – distinctly in his hearing as ever spoken words had been in his life – when the weary passenger started to the consciousness of daylight, and found that the shadows of night were gone.
Charles Dickens (A Tale of Two Cities)
But why is it on the girls? Why is it just expected that we'll be the ones to say something and get all mad? Why can't we just depend on boys to not slap butts and snap bra straps?!
Claire Swinarski (What Happened to Rachel Riley?)
I palmed his face and mushed him away from me before I got too angry and started really wailing on him. “Grab Alex’s guitar then and see if you can even remember how to hold it.”We all watched in horror as Tucker drunkenly tried to strap Alex’s precious guitar on,banging it into the speakers and amps, stumbling and struggling with it as he tried to stand up straight. “You have got you be kidding me,” Ethan growled when Tucker finally got the guitar strapped to him. Backwards. Then his legs seemed to buckle under him and he dropped heavily to his knees on the floor. Alex’s eyes widened and his jaw flew open. “Get my guitar! Get it away from him! Get it! Geeeeet Ittttttttt!” he yelled.
Christine Zolendz (Scars and Songs (Mad World, #3))
Now the situation is different, I admit: I have a wristwatch, I compare the angle of its hands with the angle of all the hands I see; I have an engagement book where the hours of my business appointments are marked down; I have a chequebook on whose stubs I add and subtract numbers. At Penn Station I get off the train, I take the subway, I stand and grasp the strap with one hand to keep my balance while I hold the newspaper up in the other, folded so I can glance over the figures of the stock market quotations: I play the game, in other words, the game of pretending there's an order in the dust, a regularity in the system, or an interpretation of different systems, incongruous but still measurable, so that every graininess of disorder coincides with the faceting of an order which promptly crumbles.
Italo Calvino (The Complete Cosmicomics)
For the record, there were no framed pictures of me around our house, and the only class portrait Dad had ever ordered was the one from Sparta Elementary in which I'd sat, knees glued together, in front of a background that looked like Yosemite, sporting pink overalls and a lazy eye. "This is classic," Dad said. "That they shamelessly send me an order form so I can pay $69.95 for prints large and small of a photo in which my daughter looks as if she just suffered a great blow to her head - it just shows you, we are simply strapped to a motorized assembly line moving through this country. We're supposed to pay out, shut up or get tossed in the rejects bin.
Marisha Pessl (Special Topics in Calamity Physics)
He has the kind of density that makes me constantly guess to myself how much he’d weigh. Does muscle weigh more than fat? He’s a ton. He’s six-six, and I watched him get this tall, but it’s a surprise every time I see him. It’s the body you see on first responders. Think big-ass firemen kicking in doors, ready to save you. “How do you cope with a skeleton that big?” I ask, and he looks down at himself, mystified. “I mean, how do you coordinate all four limbs and actually ambulate around the place?” My eyes are back on his shoulders, following the round lines down, the flat sections, the dips and shadowed lines, the creases on the cotton. I can see his belt, which doesn’t know how lucky it is to be strapped around that, and a lush half inch of black underwear waistband, and my cheeks are burning and I can hear my heart and— “Eyes up, DB.” He’s busted me. Not that I was very subtle. “Me and my skeleton getaround just fine.
Sally Thorne (99 Percent Mine)
We begin to understand that to co-parent is to one day look up and notice that you are on a roller coaster with another human being. You are in the same car, strapped down side by side and you can never, ever get off. There will never be another moment in your lives when your hearts don't rise and fall together, when your stomach doesn't churn in tandem, when you stop seeing huge hills emerge in the distance and simultaneously grab the sides of the car and hold on tight. No one except for the one strapped down beside you will ever understand the particular thrills and terrors of your ride.
Glennon Doyle Melton (Love Warrior)
Nobody gets high or drunk while they on the clock. And nobody is to be strapped while they’re on the grind, just in case the boys roll up,” Butch said repeating the rules. “And what’s the main rule?” Butch raised his hand and said, “Chief, the crew is to be clean at all times while on the clock.” “Remember those rules and you’ll last long in this business,
Silk White (Tears of a Hustler PT 1)
Listen, baby, life is a series of things we choose and things we carry. The things we choose, well, those are ours. But we don't get a vote on the things we carry. Some are heavier than others, some we can put down eventually, and some are ours to keep. We don't have a choice in the burdens we're given to bear, but we do have a choice in how we hold them. We can strap them to our backs and walk through the world hunched over under the weight like someone who should spend his or her days in a bell tower. Or we can stand tall and straight like one of those African queens carrying a woven basket on her head.
Mia Sheridan (Midnight Lily)
Prison left me with some strange little tics.' She has taken all the door off their hinges in all the apartments she has lived in since. It's not that she has anxiety attacks about small spaces, she says, it's just that she starts to sweat and go cold. 'This apartment is perfect for me,' she says, looking around the open space. 'How about elevators?' I ask, recalling the schlepp up the stairs. 'Exactly,' she replies, 'I don't like them much either.' One day, years later, her husband Charlie was fooling around at home, playing the guitar. Miriam said something provocative and he stood up suddenly, lifting his arm to take off the guitar strap. He was probably just going to say 'That's outrageous', or tickle her or tackle her. But she was gone. She was already down in the courtyard of the building. She does not remember getting down the stairs-it was an automatic flight reaction.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
We begin to understand that to coparent is to one day look up and notice that you are on a roller coaster with another human being. You are in the same car, strapped down side by side and you can never, ever get off. There will never be another moment in your lives when your hearts don't rise and fall together, when your minds don't race and panic together, when your stomachs don't churn in tandem, when you stop seeing huge hills emerge in the distance and simultaneously grab the side of the car and hold on tight. No one except for the one strapped down beside you will ever understand the particular thrills and terrors of your ride.
Glennon Doyle Melton (Love Warrior)
Deigh,' Liam whispers, falling limp against Tairn's back. 'I'll get you to him,' I promise, already fumbling with the strap's buckle. 'Deigh's gone,' I cry to Xaden, my voice a trembling mess. 'Liam is dying.' 'No,' I feel his terror, his sorrow, and his overpowering anger wrap around my mind, mixing with my own until it hurts to breathe. Minutes. We have minutes. 'Just hold on,' I whisper to Liam, fighting not to cry as he looks up at me with those sky-blue eyes, wide with shock and pain. After everything Liam has given up for me, this is the least I can do for him. I can get him to Deigh the same way I know he would carry me to Tairn or Andarna.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I’d come across a strap-on penis. It seemed pretty old and was Band-Aid colored, about three inches long and not much bigger around than a Vienna sausage, which was interesting to me. You’d think that if someone wanted a sex toy she’d go for the gold, sizewise. But this was just the bare minimum, like getting AAA breast implants. Who had this person been hoping to satisfy, her Cabbage Patch doll? I thought about taking the penis home and mailing it to one of my sisters for Christmas but knew that the moment I put it in my knapsack, I’d get hit by a car and killed. That’s just my luck. Medics would come and scrape me off the pavement, then, later, at the hospital, they’d rifle through my pack and record its contents: four garbage bags, some wet wipes, two flashlights, and a strap-on penis.
David Sedaris (Calypso)
Ah, adventure! Ah, romance! Ah, courtly graces and the noble gestures! Don't you wish you knew people like that? Don't you wish we could still walk around in cloaks and boots and breeches, with leather doublets and flowing white dueling shirts and swords strapped around our waists? Of course, if we did, given the way things are today, there'd be people out there lobbying for sword control, and we'd need a National Sword Association and bumper stickers that would read "Swords don't kill people, knights kill people," and there would be a five-day waiting period and background check before you could buy a rapier. We'd have drive-by lungings and people would be afraid of children carrying broadswords to school. "Milady" would be regard as a sexist term and feminists would go absolutely berserk if any woman called a man "Milord." Ralph Nader would probably get quarter horses banned because they are too small and unsafe in a collision and someone would figure out a way to put seat belts and air bags on our saddles. That's why people join the SCA and read fantasy novels, because the real world sucks.
Simon Hawke (The Ambivalent Magician (Reluctant Sorcerer, #3))
You shouldn’t even be here. Why did you come back? Why? To torment me? To break my heart? Because let me tell you…” She snatches up her bag and fights to get the straps over her shoulder. “I can’t be any more tormented. And my heart can’t get any more broken. Both tasks are already complete.
Callie Hart (Calico)
I don’t believe in endings, happy or sad, so my relationships with you continue to this day. They are the kind of relationships you have with a pair of skis you know you’ll never have to strap to yourself again. Maybe you never really liked skiing, but enjoyed being a person who could say, “Looks like I’ll be hitting the slopes this weekend!” So you kept on even though it cost too much to get down a hill. Gave you windburn. I see nothing weird about keeping those skis in the basement. They offer a little nostalgia for crappier times. More importantly, they serve as a reminder that I no longer have to ski. Wake
Mary-Louise Parker (Dear Mr. You)
My "do" now consisted of some really nifty spikes on top. I looked like a punker, but it was kind of fun, if you want to know the truth. Next thing I knew I'd be getting my ears pierced and chewing gum in public, social sins my auntie had always warned me about, along with red nail polish and dingy bra straps.
Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
He had no choice in the matter, if he left her hanging by the straps she'd end up being banged against the side of the aircraft. Not good for her, not good for the plane's stability. You always fastened down a cargo, you didn't leave it loose in the back of a plane. That was all he was doing, he told himself putting his arms around her to hold her limp body still, letting her head loll back against his shoulder. Keeping the cargo secure. It was his own damn fault he was getting hard again.
Anne Stuart (Ice Blue (Ice, #3))
The Dora bag has straps, it’s like Backpack but with Dora on it instead of Backpack’s face. It has a handle too, when I try it pulls up, I think I broke it, but then it rolls, it’s a wheelie bag and a backpack at the same time, that’s magic. “You like it?” It’s Deana talking to me. “Would you like to keep your things in it?” “Maybe one that’s not pink,” says Paul to her. “What about this one, Jack, pretty cool or what?” He’s holding up a bag of Spider-Man. I give Dora a big hug. I think she whispers, Hola, Jack. Deana tries to take the Dora bag but I won’t let her. “It’s OK, I just have to pay the lady, you’ll get it back in two seconds…” It’s not two seconds, it’s thirty-seven.
Emma Donoghue (Room)
...Reality is a two-ton weight strapped to your balls. And they just keep getting heavier.
Richard Kadrey (Butcher Bird)
The freefall sex? Grossly oversold. Everything moves in all the wrong ways. Things get away from you. You have to strap everything down to get purchase. It’s more like mutual bondage.
Ian McDonald (New Moon (Luna, #1))
I have to bite my lip not to screen every foul name I know at the fire starter. What are they thinking? A fire lit just at nightfall would have been one thing. Those who battled at the Cornucopia, with their superior strength and surplus of supplies, they couldn't possibly have been near enough to spot the flames then. But now, when they've probably been combining the woods for hours looking for victims. You might as well be waving a flag and shouting, "Come and get me!" And here I am a stone's throw from the biggest idiot in the Games. Strapped in a tree.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?” He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.” “I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.” “What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.” “Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.” Astonishment fills his eyes. “No, I didn’t.” “Yes, you did.” “Is that what he told you?” Logan demands. “Not in so many words.” “I see. Well, what words did he actually use?” I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’” Logan breaks out in a grin. I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!” Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him. “He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.” I’m dumbfounded. Oh my God. Lorris? As in Logan and Morris? They fucking Brangelina’d themselves? “What is happening?” I burst out. “You guys are best friends now?” “He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.” “Yeah, and what’s that?” I mutter. “That you and I are perfect for each other.” No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
Elle Kennedy (The Mistake (Off-Campus, #2))
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
The only consolation we have is that few of those will have active weapons either," Prometheus told them. Palamedes looked over at Scathach. "When you say 'few...,'" she began. "Some will be armed," Prometheus clarified. "Incoming!" Saint-Germain yelled. "Two of them have launched missiles." "Sit down and strap yourselves in," Prometheus commanded. The group scrambled to get into the seats behind him, and he added, "We're too slow to outrun them, and the smaller ones are infinitely more maneuverable." "Is there good news?" Scathach demanded. "I am the finest flier in Danu Talis," The Elder said. Scathach smiled. "If anyone else said that I would think they were boasting. But not you,Uncle." Prometheus glanced quickly at the Warrior. "How many times do I have to tell you-I'm not your uncle." "Not yet,anyway," she muttered under her breath. "Everyone strapped in?" Prometheus asked. Without waiting for an answer, he brought the triangular vimana straight up into the air, then flipped it back, so that the ground was directly overhead and the sky below them, before he leveled it off and the earth and sky resumed their normal positions. "I'm going to throw up," Scatty muttered.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
It was not the same as charging down a machine-gun nest armed only with a Bowie knife, or strapping in to the tail-gunner seat of a four-engined heavy bomber. And no one else would ever know, since one did not get a medal for letting go of a woman’s hand on a gray Saturday morning in the middle of a European war. But to have faith—that a lover would be constant and life clement—this did require courage in a city more disposed to beginnings than safe continuations. As
Chris Cleave (Everyone Brave is Forgiven)
Happy birthday. Your thirteenth is important. Maybe your first really public day. Your thirteenth is the chance for people to recognize that important things are happening to you. Things have been happening to you for the past half year. You have seven hairs in your left armpit now. Twelve in your right. Hard dangerous spirals of brittle black hair. Crunchy, animal hair. There are now more of the hard curled hairs around your privates than you can count without losing track. Other things. Your voice is rich and scratchy and moves between octaves without any warning. Your face has begun to get shiny when you don’t wash it. And two weeks of a deep and frightening ache this past spring left you with something dropped down from inside: your sack is now full and vulnerable, a commodity to be protected. Hefted and strapped in tight supporters that stripe your buttocks red. You have grown into a new fragility. And dreams. For months there have been dreams like nothing before: moist and busy and distant, full of unyielding curves, frantic pistons, warmth and a great falling; and you have awakened through fluttering lids to a rush and a gush and a toe-curling scalp-snapping jolt of feeling from an inside deeper than you knew you had, spasms of a deep sweet hurt, the streetlights through your window blinds crackling into sharp stars against the black bedroom ceiling, and on you a dense white jam that lisps between legs, trickles and sticks, cools on you, hardens and clears until there is nothing but gnarled knots of pale solid animal hair in the morning shower, and in the wet tangle a clean sweet smell you can’t believe comes from anything you made inside you.
David Foster Wallace (Consider the Lobster and Other Essays)
Forget about that and kiss me," I say. I weave my hands in her hair. She wraps her arms around my neck as I trace the valley between her lips with my tongue. Parting her lips, I deepen the kiss. It's like a tango, first moving slow and rhythmic and then, when we're both panting and our tongues collide, the kiss turns into a hot, fast dance I never want to end. Carmen's kisses may have been hot, but Brittany's are more sensual, sexy, and extremely addictive. We're still in the car, but it's cramped and the front seats don't give us enough room. Before I know it, we've moved to the backseat. Still not ideal, but I hardly notice. I'm so getting into her moans and kisses and hands in my hair. And the smell of vanilla cookies. I'm not going to push her too far tonight. But without thinking, my hand slowly moves up her bare thigh. "It feels so good," she says breathlessly. I lean her back while my hands explore on their own. My lips caress the hollow of her neck as I ease down the strap to her dress and bra. In response, she unbuttons my shirt. When it's open, her fingers roam over my chest and shoulders, searing my skin. "You're . . . perfect," she pants. Right now I'm not gonna argue with her. Moving lower, my tongue follows a path down to her silky skin exposed to the night air. She grabs the back of my hair, urging me on. She tastes so damn good. Too good. !Caramelo! I pull away a few inches and capture her gaze with mine, those shining sapphires glowing with desire. Talk about perfect. "I want you, chula," I say, my voice hoarse.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
See that guy over there?" I nod toward a man in jean shorts and a Budweiser T-shirt. "Am I that obvious?" St. Clair squints at him. "Obviously what? Balding? Overweight? Tasteless?" "American." He sighs melodramtically. "Honestly, Anna. You must get over this." "I just don't want to offend anyone. I hear they offend easily." "You're not offending anyone except me right now." "What about her?" I point to a middle-aged woman in khaki shorts and a knit top with stars and stripes on it.She has a camera strapped to her belt and is arguing with a man in a bucket hat. Her husband,I suppose. "Completely offensive." "I mean,am I as obvious as her?" "Considering she's wearing the American flag, I'd venture a no on that one." He bites his thumbnail. "Listen.I think I have a solution to your problem, but you'll have to wait for it. Just promise you'll stop asking me to compare you to fifty-year-old women,and I'll take care of everything." "How? With what? A French passport?" He snorts. "I didn't say I'd make you French." I open my mouth to protest, but he cuts me off. "Deal?" "Deal," I say uncomfortably. I don't care for surprises. "But it better be good." "Oh,it's good." And St. Clair looks so smug that I'm about to call him on it, when I realize I can't see our school anymore. I don't believe it.He's completely distracted me.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Nineteen fourteen was just flags and new-smelling leather on uniforms. It wasn't until a year later that life started to feel different - started to feel as if maybe this wasn't a sideshow after all - when, instead of getting back their precious, strapping husbands and sons, the women began to get telegrams. These bits of paper which could fall from stunned hands and blow about in the knife-sharp wind, which told you that the boy you'd suckled, bathed, scolded and cried over, was - well - wasn't. Partageuse joined the world late and in a painful labor.
M.L. Stedman (The Light Between Oceans)
McCoy, drained and hollow-eyed, couldn't take his eyes off the life vest belonging to the boy who'd slipped away from the group during the night. The empty vest spooked McCoy. All its straps were still tightly tied-it looked like some trick that Houdini might've played. Then McCoy peered into the water and got another shock: the boy was floating below him, spread-eagled, about fifteen feet below the surface. He lay motionless until a current caught him; then it was as if he were flying in the depths. Jesus, McCoy thought, Mother of God. He started saying the rosary over and over. McCoy had never been overly religious; his mom was the spiritual one in the family. But now he began the process of what he'd later call his purification; he'd started asking God to forgive him of his sins. He was resolved to live but he was getting ready to die.
Doug Stanton (In Harm's Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors)
I would, if one-armned and jonesing, doubtless have found a way to cook up a hearty spoon of Mexican tar and slam it with my toes. (I met a double amputee in San Francisco whose girlfriend slapped a bra strap around his throat and geezed him in the neck. Another triumph of the human spirit. But slap me if I get sentimental...)
Jerry Stahl (Permanent Midnight)
Things felt so out of control right now. It was like I had been strapped to a rocket that was hurtling through life. I couldn’t get a grasp on everything that was happening. Maybe it was more like I had been strapped to a missile. I needed to figure out how to diffuse it and fast, or everything was going to blow up. And then that would be the end.
Keary Taylor (Vindicated (Fall of Angels, #3))
Filmmaking isn’t if you can just strap on a camera onto an actor, and steadicam, and point it at their face, and follow them through the movie, that is not what moviemaking is, that is not what it’s about. It’s not just about getting a performance. It’s also about the psychology of the cinematic moment, and the psychology of the presentation of that, of that window.
David Fincher
See, the problem with boobs is if you have big ones, you can never look thin. You get these burns on your shoulders from bra straps, and your back hurts. And unless you’re using them for their intended purpose, they’re always in the way.” “In the way of what? My hands? My face? Don’t you blaspheme in here.” He looked up to the sky. “She didn’t mean it, Lord. Promise.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
There was no good name for this spot. Evie, who had shot like an arrow from school into life, who had never wavered, who had seen clear right from the start where she wanted to get to, had lately found herself more and more in the brambles. Somehow, here she was, no longer certain where she was going. Or even if she wanted to get there. The jobs had been won, the beds made, the dishes washed, the children sprouted. The wheel had stopped, and now what? Where, for instance, was the story of a middle-aged orphan with the gray streak in her hair, the historian who had rustled thirteenth-century women's lives out of fugitive pages, who believed more than most that there was no such thing as the certainty of a plot in the story of a life, in fact who taught this to students year in and year our, and yet who found herself lately longing, above all else for just that? Longing, against reason, for some kind of clear direction, for the promise of a pattern. For this relief--she pulled against the shoulder strap of her satchel--the unbearable relief of an omniscient narrator. Adolescence, she reflected, pushing open the classroom door with a kind of savage glee, had nothing on this.
Sarah Blake (The Guest Book)
One man assigned outside the door where Gravey sleeps or does not sleep nights gets off duty at the crack of dawn having stood parallel to the wall between them for most of seven hours, walks to his car, unlocks the door, enters through the driver’s side seat, slides across the leather into the passenger side, straps on his seatbelt, takes out his service revolver, puts it in his mouth, and shoots his body dead.
Blake Butler (Three Hundred Million)
Dear Young Black Males, Are you growing up without your father? How does that make you feel? Angry, sad, confused, resentful, etc? Do you feel a void in your life? Do you feel like your life would’ve been better if your father had been in your life? If you get a young lady pregnant, do what’s right. Even if you choose NOT to be with her anymore, you have a responsibility to your child. Even if it was a one-night stand and/or booty call, hey, you took that risk. If you don’t want kids, strap up every time. I don’t care if she tells you she’s on the pill. Strap up! If not, don’t get mad or make excuses when she tells you that she’s having your baby. If you refuse to do your part, she may even get you for child support. If you have a job, that means your check will be garnished. So think twice before you take off your clothes. Is it worth it? Think it through.
Stephanie Lahart
You look at the crime and you look at the criminal. If it's a dope dealer who guns down an undercover narcotics officer, then he gets the gas. If it's a drifter who rapes a three-year-old girl, drowns her by holding her little head in a mudhole, then throws her body off a bridge, then you take his life and thank god he's gone. If it's an escaped convict who breaks into a farmhouse late at night and beats and tortures an elderly couple before burning them with their house, then you strap him in a chair, hook up a few wires, pray for his soul, and pull the switch. And if it's two dopeheads who gang-rape a ten-year-old girl and kick her with pointed-toe cowboy boots until her jaws break, then you happily, merrily, thankfully, gleefully lock them in a gas chamber and listen to them squeal. It's very simple. Their crimes were barbaric. Death is too good for them, much too good.
John Grisham (A Time to Kill (Jake Brigance, #1))
You get this drama, babe, you got until the end of Tack’s meeting to burn it out, but mark this, Lanie. After that meeting, I don’t give a fuck if you’re strapped into a rocket to go to the goddamned moon, I’m findin’ you, we’re sortin’ this shit out and we’re movin’ on,” he warned. “I just made a mental note to find a plastic surgeon who does emergency face alterations so you won’t know who to look for,” I shot back. “Jesus, I’m pissed as all fuck and still she’s cute,” he groused like he wasn’t talking to me but actually complaining to the Son of God. “Jesus works on Sunday, Hop. You want a direct line, time to haul your biker ass to church,” I shared. “You want me to let you go so you can burn this out, you better stop bein’ cute, lady. You keep bein’ cute, I’ll kiss you in the goddamn forecourt and I won’t give a fuck who sees.” I snapped my mouth shut. “That’s what I thought,” he
Kristen Ashley (Fire Inside (Chaos, #2))
Emma, I came out here to tell you that you don't have to mate with Grom." I raise a brow. "Uh, I was never going to mate with Grom." "What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-" "I don't have to mate with Grom," I finish for him. "That's what I just said." "I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom." He grins. "Exactly." "But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?" He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do." He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes. "Thank you," I tell him as he walks around to the driver's side. "It's a little late to blush," he says, strapping in. "I don't think I'll ever stop blushing." "I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet." I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me? For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level. But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his. I pull back. "Right. Sorry." He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you." I laugh, even as a charge runs through my veins. "Yeah. No." He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up." "Let me think about it some more," I tell him on the brink of giggling at his expression. "I'll see what I can do to help you make up your mind." We stay parked for another fifteen minutes. But at least we're not broken up anymore.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
My attorney general, Eric Holder, would later point out that as egregious as the behavior of the banks may have been leading up to the crisis, there were few indications that their executives had committed prosecutable offenses under existing statutes—and we were not in the business of charging people with crimes just to garner good headlines. But to a nervous and angry public, such answers—no matter how rational—weren’t very satisfying. Concerned that we were losing the political high ground, Axe and Gibbs urged us to sharpen our condemnations of Wall Street. Tim, on the other hand, warned that such populist gestures would be counterproductive, scaring off the investors we needed to recapitalize the banks. Trying to straddle the line between the public’s desire for Old Testament justice and the financial markets’ need for reassurance, we ended up satisfying no one. “It’s like we’ve got a hostage situation,” Gibbs said to me one morning. “We know the banks have explosives strapped to their chests, but to the public it just looks like we’re letting them get away with a robbery.
Barack Obama (A Promised Land)
Lie down, Beatrice.” I look at the man-sized tray that will slide me into the machine. “No.” She sighs. “If you don’t do it yourself, we have ways of making you.” Peter is standing behind me. Even with an injured arm, he was stronger than me. I imagine his hands on me, wrestling me toward the tray, shoving me against the metal, pulling the straps that dangle from the tray across my body, too tightly. “Let’s make a deal,” I say. “If I cooperate, I get to see the scan.” “You will cooperate whether you want to or not.” I hold up a finger. “That’s not true.
Veronica Roth (Insurgent (Divergent, #2))
What the hell is all this I read in the papers?" "Narrow it down for me," Alan suggested. "I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough." "Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon. "When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?" Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?" "Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well." "Shelby," Alan said, then waited a beat. "Shelby Campbell." Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face. "Campbell!" The word erupted. "A thieving, murdering Campbell!" "Yes,she's fond of MacGregor's as well." "No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you." "You'll have the chance to try this weekend when you meet Shelby." "A Campbell in my house! Hah!" "A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way." "You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?" "I've already asked her.She won't have me...yet," he added. "Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it." Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her." "Ask? Hah! You bring the girl, that daughter of a Campbell, here." Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love." "Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday." As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
The first days of January 1942 brought enormous amounts of snow. The reader already knows what snow meant for the clergy. But this time the torture surpassed the bounds of the endurable. At the same time the thermometer hovered between 5 and 15 degrees below zero. From morning till night we scraped, shoveled, and pushed wheelbarrow after wheelbarrow of snow to the brook. The work detail consisted of more than 1,000 clergymen, forced to keep moving by SS men and Capos who kicked us and beat us with truncheons. We had to make rounds with the wheelbarrows from the assembly square to the brook and back. Not a moment of rest was allowed, and much of the time we were forced to run. At one point I tripped over my barrow and fell, and it took me a while to get up again. An SS man dashed over and ordered me to turn with the full load. He ran beside me, beating me constantly with a leather strap. When I got to the brook I was not allowed to dump out the heavy snow, but had to make a second complete round with it instead. When the guard finally went off and I tried to let go of the wheelbarrow, I found that one of my hands was frozen fast to it. I had to blow on it with warm breath to get it free.
Jean Bernard (Priestblock 25487: a Memoir of Dachau)
The men rode into Beaver Run like two horsemen of the apocalypse, justice on a white horse and war on a red. The few citizens walking through the muddy streets hurried to get out of their path, while those milling on the plank walkways stared as the duo passed. Danger. Long and lean, both sat their saddles with the ease of men accustomed to mastering both the beasts beneath them and the world around them. Their dusters hung to the tops of their boots and were covered in trail dust. Their hats, pulled low, cast shadows over their faces. Rifles were mounted to their horses' saddles and each man had a gun strapped to his thigh.
Suzanne Ferrell (The Surrender of Lacy Morgan)
At Universal Studios, Marston had a hand in films like Show Boat, in 1929. He also helped get films past the censors, including All Quiet on the Western Front, in 1930. When Carl Laemmle’s son, Junior Laemmle, took over Universal, he turned it into a specialty shop for horror films: Marston’s theory of emotions lies behind the particular brand of psychological terror in Laemmle’s Frankenstein (1931), Dracula (1931), and The Invisible Man (1933). Before Marston left Hollywood, he also worked for Paramount. For Dr. Jekyll and Mr. Hyde (1931), he tested audience reaction by strapping viewers to blood pressure cuffs while they watched the rushes.30
Jill Lepore (The Secret History of Wonder Woman)
Trout's favorite formula was to describe a perfectly hideous society, not unlike his own, and then, toward the end, to suggest ways in which it could be improved. In 2BRO2B he hypothecated an America in which almost all of the work was done by machines, and the only people who could get work had three or more Ph.D's. There was a serious overpopulation problem, too. All serious diseases had been conquered. So death was voluntary, and the government, to encourage volunteers for death, set up a purple-roofed Ethical Suicide Parlor at every major intersection, right next door to an orange-roofed Howard Johnson's. There were pretty hostesses in the parlor, and Barca-Loungers, and Muzak, and a choice of fourteen painless ways to die. The suicide parlors were busy places, because so many people felt silly and pointless, and because it was supposed to be an unselfish, patriotic thing to do, to die. The suicides also got free last meals next door. And so on. Trout had a wonderful imagination. One of the characters asked a death stewardess if he would go to Heaven, and she told him that of course he would. He asked if he would see God, and she said, "Certainly, honey." And he said, "I sure hope so. I want to ask Him something I never was able to find out down here." "What's that?" she said, strapping him in. "What in hell are people for?
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
The ambulance arrived when the police cars did. They were accompanied by a man in a black suit who had the look of a federal agent. It didn’t surprise Cecily that he went right up to Tate and drew him to one side. While Cecily was being checked over by a paramedic, Gabrini, who’d already been loaded onto a gurney, was being watched by two police officers. Tate came back to Cecily while the federal agent paused by the police officers. “You can take him to the hospital to have his ribs strapped,” the man told the ambulance attendant. “But we’ll have transport for him to New Jersey with two federal marshals.” “Marshals!” Gabrini exclaimed, holding his side, because the outburst had hurt. “Marshals,” the federal agent replied. There was something menacing about the smile that accompanied the words. “It seems that you’re wanted in Jersey for much more serious crimes than breaking an entering and assault with a deadly weapon, Mr. Gabrini.” “Not in Jersey,” Gabrini began. “No, those other charges, they’re in D.C.” “You’ll get to D.C. eventually,” the federal agent murmured, then the dark man smiled. And Gabrini knew at once that he wasn’t connected in any way at all to the government. Gabrini was suddenly yelling his head off, begging for federal protection, but nobody paid him much attention. He was carried off in the ambulance with the sedan following close behind.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I have to admit, for a second it was sort of turning me on, because I kept imagining Georgia in a very positive light. She was donning designer swimwear with fringe or whatever and she was lying on her stomach with the bikini-top straps untied. I was lathering her up with sun block and my hands were getting into all the cracks and crevices. The image got me pretty excited, and before I knew it, I had an erection. At first I thought it would go away, but it kept getting worse, like harder in that painful way. So that’s when I did something a little weird – I started barking at it. Like a Great Dane or a pit bull or whatever. I literally barked at my erection! And it worked, I’m not kidding.
Adam Rapp (Under the Wolf, Under the Dog)
It starts before you can remember: you learn, as surely as you learn to walk and talk, the rules for being a girl... Put a little color on your face. Shave your legs. Don’t wear too much makeup. Don’t wear short skirts. Don’t distract the boys by wearing bodysuits or spaghetti straps or knee socks. Don’t distract the boys by having a body. Don’t distract the boys. Don’t be one of those girls who can’t eat pizza. You’re getting the milk shake too? Whoa. Have you gained weight? Don’t get so skinny your curves disappear. Don’t get so curvy you aren’t skinny. Don’t take up too much space. It’s just about your health. Be funny, but don’t hog the spotlight. Be smart, but you have a lot to learn. Don’t be a doormat, but God, don’t be bossy. Be chill. Be easygoing. Act like one of the guys. Don’t actually act like one of the guys. Be a feminist. Support the sisterhood. Wait, are you, like, gay? Maybe kiss a girl if he’s watching though—that’s hot. Put on a show. Don’t even think about putting on a show, that’s nasty. Don’t be easy. Don’t give it up. Don’t be a prude. Don’t be cold. Don’t put him in the friend zone. Don’t act desperate. Don’t let things go too far. Don’t give him the wrong idea. Don’t blame him for trying. Don’t walk alone at night. But calm down! Don’t worry so much. Smile! Remember, girl: It’s the best time in the history of the world to be you. You can do anything! You can do everything! You can be whatever you want to be! Just as long as you follow the rules.
Candace Bushnell (Rules for Being a Girl)
Sure enough, a few moments later, an enormous blue-green SeaWing emerged from the water, shaking her wings vigorously. She was powerfully built, as big as Morrowseer, with broad shoulders and gleaming teeth and a healing burn scar on her neck, and she had a trident longer than Deathbringer strapped to her back. Holy mother of lava, Deathbringer thought. I’m supposed to kill THAT? Commander Tempest was followed by two more SeaWings: a big green male dragon with dark green eyes and gold bands around his ankles, and a wiry female with small eyes and dark gray-blue scales. Behind them, keeping their scales in the water as they eyed the troops on the beach, were about twenty other SeaWing soldiers. “Blister!” Commander Tempest shouted, stamping one foot in the sand. “We’re here! Let’s get this over with!” The
Tui T. Sutherland (Assassin (Wings of Fire: Winglets, #2))
For a tick there was only her weight, her warmth, and relief. And then everything came back: the crush of people in the transport vessel, their silence as they stared, Isae and Cisi strapped in near the nav deck. Cisi gave Akos a smile as he caught Cyra around the waist and picked her up. Cyra was tall, and far from dainty, but he could still carry her. For a while, anyway. “Where are your medical supplies?” Akos asked Teka and Jyo, who were coming toward them. “Jyo has medical training; he can take care of her,” Teka said. But Akos didn’t like how Jyo was looking at her, like she was something valuable he could buy or trade. These renegades hadn’t rescued her out of the goodness of their hearts; they wanted something in return, and he wasn’t about to just hand her over. Cyra’s fingers curled around the armor strap on his rib cage, and he shivered a little. “She doesn’t go anywhere without me,” he said. Teka’s eyebrow lifted above the eye patch. Before she could snap at him--which he got the sense she was about to--Cisi unbuckled herself and made her way over. “I can do it. I have the training,” she said. “And Akos will help me.” Teka eyed her for a beat, then gestured to the galley. “By all means, Miss Kereseth.” Akos carried Cyra into the galley. She wasn’t completely out of it--her eyes were still open--but she didn’t seem there, either, and he didn’t like it. “Come on, Noavek, get it together,” he said to her as he turned sideways to get her in the door. It wasn’t quite steady on the vessel; he stumbled. “My Cyra would have made at least two snide remarks by now.” “Hmm.” She smiled a little. “Your Cyra.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Stop!” Leilani’s worried voice cut through the haze in his mind as he pinned Ruari face down on the stone entryway. He could have let the fight drag on, but the panic in her voice did something strange to him. He wanted to get up and soothe all her fears. But since he didn’t trust the male, or any male, around her, he kept a firm hold on Ruari as he stared at Leilani. And it was impossible not to. Her long, dark hair hung in a single braid draped over one shoulder and breast. The females on the mainland dressed differently than the few females who lived in the mountain clans. Her dress-style was no different than the other Luminet mainlanders he’d seen. The bright red shift dress she had on cinched right under her breasts, the V cut dipping low enough that he could see the soft upper swell of her breasts. Her skin tone was a deep bronze and her shoulders, which he’d never thought of as sexy before, were bare except for straps of gauzy material pinned by jewel-studded dragons. He wondered where she’d gotten the pins, if some male had given them to her. The thought made something dark and possessive flare inside him. The possessiveness took him off guard. That was when he realized Cyn and Brandt were both standing there staring at him, clearly wondering if he was going to let Ruari up. Leilani was watching him as well, but her expression was much harder to read. He thought he might have seen a trace of desire in her gaze yesterday when she looked at him but that was before he’d ordered her to give him her files. “I will let you up, but do not move toward her,” he growled at Ruari. When he stood he immediately moved between Leilani and the other male.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him. That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company. He took his time turning and once he did, he started at the shoes. They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin. He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts. He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so fucking much.” Just for instance.
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
tortured, unashamedly reproachful. They seemed to burn right through me. I peered at the picture more closely – at the incongruous item strapped to Gabriel’s torso. A rifle. ‘That’s the gun that killed him?’ Jean-Felix nodded. ‘Yes. It belonged to him, I think.’ ‘And this was painted before his murder?’ ‘A month or so before. It shows you what was on Alicia’s mind, doesn’t it?’ Jean-Felix moved on to the third picture. It was a larger canvas than the others. ‘This one’s the best. Stand back to get a better look.’ I did as he said and took a few paces back. Then I turned and looked. The moment I saw the painting, I let out an involuntary laugh. The subject was Alicia’s aunt, Lydia Rose. And it was obvious why she had been so upset by it. Lydia was nude, reclining on a tiny bed. The bed was buckling under her weight. She was enormously, monstrously fat – an explosion of flesh spilling over the bed and hitting the floor and spreading across the room, rippling and folding like waves of grey custard. ‘Jesus,’ I said. ‘That’s cruel.’ ‘I think it’s quite lovely.’ Jean-Felix looked at me with interest. ‘You know Lydia?’ ‘Yes, I went to visit her.’ ‘I see,’ he said with a smile. ‘You have been doing your homework. I never met Lydia. Alicia hated her, you know.’ ‘Yes,’ I said, staring at the painting. ‘Yes, I can see that.’ Jean-Felix began carefully wrapping up the pictures again. ‘And the Alcestis?’ I said. ‘Can I see it?’ ‘Of course. Follow me.’ Jean-Felix led me along the narrow passage to the end of the gallery. There the Alcestis occupied a wall to itself. It was just as beautiful and mysterious as I remembered it. Alicia naked in the studio, in front of a blank
Alex Michaelides (The Silent Patient)
Dear Young Black Males, If you’re going to be sexual active, please strap up. Wear a condom. STD rates amongst African-American males and females are ridiculously higher than any other ethnic group. Did you know that African-Americans are the most affected by HIV? Yes, it’s true! You’ve got to educate yourself. There’s no reason for you to be uneducated about safe sex. You can Google information from reliable sources, go on YouTube, or visit your doctor to get helpful information. Don’t be afraid to ask questions, be afraid of what STD(s) you can get. And for the record: If you contract HIV, you’ll have to live with it for the rest of your life. Many people think that they’re immune when it comes to catching something, but nobody’s exempt. Believe that! Protect yourself or risk being infected. Just because somebody looks good, doesn’t mean that they’re safe or cool to fool around with. Don’t be fooled!
Stephanie Lahart
Aunt Lotty had gone, and Laura and Mary were tired and cross. They were at the woodpile, gathering a pan of chips to kindle the fire in the morning. They always hated to pick up chips, but every day they had to do it. Tonight they hated it more than ever. Laura grabbed the biggest chip, and Mary said: “I don’t care. Aunt Lotty likes my hair best, anyway. Golden hair is lots prettier than brown.” Laura’s throat swelled tight, and she could not speak. She knew golden hair was prettier than brown. She couldn’t speak, so she reached out quickly and slapped Mary’s face. Then she heard Pa say, “Come here, Laura.” She went slowly, dragging her feet. Pa was sitting just inside the door. He had seen her slap Mary. “You remember,” Pa said, “I told you girls you must never strike each other.” Laura began, “But Mary said--” “That makes no difference,” said Pa. “It is what I say that you must mind.” Then he took down a strap from the wall, and he whipped Laura with the strap. Laura sat on a chair in the corner and sobbed. When she stopped sobbing, she sulked. The only thing in the whole world to be glad about was that Mary had to fill the chip pan all by herself. At last, when it was getting dark, Pa said again, “Come here, Laura.” His voice was kind, and when Laura came he took her on his knee and hugged her close. She sat in the crook of his arm, her head against his shoulder and his long brown whiskers partly covering her eyes, and everything was all right again. She told Pa all about it, and she asked him, “You don’t like golden hair better than brown, do you?” Pa’s blue eyes shone down at her, and he said, “Well, Laura, my hair is brown.” She had not thought of that. Pa’s hair was brown, and his whiskers were brown, and she thought brown was a lovely color. But she was glad that Mary had had to gather all the chips.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
How long does it last?" Said the other customer, a man wearing a tan shirt with little straps that buttoned on top of the shoulders. He looked as if he were comparing all the pros and cons before shelling out $.99. You could see he thought he was pretty shrewd. "It lasts for as long as you live," the manager said slowly. There was a second of silence while we all thought about that. The man in the tan shirt drew his head back, tucking his chin into his neck. His mind was working like a house on fire "What about other people?" He asked. "The wife? The kids?" "They can use your membership as long as you're alive," the manager said, making the distinction clear. "Then what?" The man asked, louder. He was the type who said things like "you get what you pay for" and "there's one born every minute" and was considering every angle. He didn't want to get taken for a ride by his own death. "That's all," the manager said, waving his hands, palms down, like a football referee ruling an extra point no good. "Then they'd have to join for themselves or forfeit the privileges." "Well then, it makes sense," the man said, on top of the situation now, "for the youngest one to join. The one that's likely to live the longest." "I can't argue with that," said the manager. The man chewed his lip while he mentally reviewed his family. Who would go first. Who would survive the longest. He cast his eyes around to all the cassettes as if he'd see one that would answer his question. The woman had not gone away. She had brought along her signed agreement, the one that she paid $25 for. "What is this accident waiver clause?" She asked the manager. "Look," he said, now exhibiting his hands to show they were empty, nothing up his sleeve, "I live in the real world. I'm a small businessman, right? I have to protect my investment, don't I? What would happen if, and I'm not suggesting you'd do this, all right, but some people might, what would happen if you decided to watch one of my movies in the bathtub and a VCR you rented from me fell into the water?" The woman retreated a step. This thought had clearly not occurred to her before.
Michael Dorris (A Yellow Raft in Blue Water)
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder. He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms. He checked her. “This isn’t the time.” She flushed. “General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.” Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said. Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away. Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.” “I know.” He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.” The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military. “I want you to be at the front of the crowd,” Kestrel said. “I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.” Kestrel nodded, though she had no intention of taking his advice. She walked through the throngs of people to meet Irex.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You’re trying to spoil me,” she murmured, keeping her back to him to hide her reaction to the gift. “I’m still seducing you.” He kissed her shoulder, a smile curling his lips as he pressed them to her flesh. “Hmm, so what are you after other than what you’ve had already?” She turned to him, her brow arching as he stared down at her, that sexy little half grin tilting his lips, his gray eyes swirling with whatever emotions he kept within himself. Didn’t he know he already had all of her? “You—” He touched her nose with his index finger “—have no clue. Now, see how fast you can make me drool with one of those dresses. I’m betting I can hold out all of ten seconds.” “Think you can make it ten seconds, do you?” She fingered a bronze “almost there” dress. So soft and buttery she was certain she’d barely feel it against her flesh. It was short, the back low, the straps strappy, the bodice obviously snug, and low as well. Seth looked at the dress and swallowed tightly. “Five seconds?” he said faintly. Her lips twitched. “I’ll get dressed.” She pulled the dress from the rack and bent to pick up the strappy high heels that went with it. “You have matching panties,” he said hoarsely. “They have a bow at the back too.
Lora Leigh (Dawn's Awakening (Breeds, #11; Feline Breeds, #8))
They were all joking about the party at my place when they walked away. As I uncapped my drink, I noticed Michael was hanging back a bit. “Got something on your mind?” I called out, gesturing at him with my chin. He was a good player, he worked hard on the field, and I respected him. I got the feeling, though, that I wasn’t going to like what he wanted to say. I could tell by the hesitation in his face and body language. He probably disagreed with some of the plays I wanted to try tonight and didn’t want to piss me off in fear I would freeze him out on the field. But I wasn’t like that. I left personal shit in the locker room. There was no room for drama in the game. He walked back over in front of me as he adjusted the strap on his shoulder. “I’m not sure I should say anything.” “Just say it, man. It’s cool.” “I saw your girl this morning.” He started, and everything in me went cold. This wasn’t about football. This was personal. “You looking at Rimmel?” I asked, my voice calm and low. His eyes widened a little, but he shook his head. “No, man. I probably wouldn’t have known it was her, but she was wearing your hoodie.” I nodded for him to continue. “She was in the hall, outside her class,” he said, glancing at me. He needed to get to the fucking point already. I was losing patience. “That guy Zach was with her. It looked pretty intense.” I jerked upright. “What?” I growled. What the fuck was Rimmel doing with Zach? Why was he talking to her? “He was grabbing her arm. Jerking her around pretty good.” Red tinged my vision and adrenaline started pumping in my veins. “What did you just say?” Michael nodded grimly. “It’s why I noticed them. He grabbed her and she cried out. She told him to let go, but he just jerked her more. She almost fell.” A noise rumbled out of my chest and anger so swift and hot that it hurt filled me. “Tell me you pulled him off her,” I intoned. “I was going to. I called out to them and started forward, but that’s when he let her go and walked away.” I was going to kill him. Dead. “I asked her if she was okay. I don’t think she knew I’m on the team with you.” “Probably not,” I muttered, still trying to control the anger spiraling out of control inside me. “She said she was.” He continued, but I heard the doubt in his voice. “But?” The word came out harsher than I intended, but he didn’t seem to notice. “But her wrist was pretty red. Looked like it was going to bruise.” Thought ceased in my head. Rationality evaporated. “Thanks for telling me,” I said and rushed away in the opposite direction of my next class.
Cambria Hebert (#Hater (Hashtag, #2))
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
A child kicked me. “What the fuck?” I said, looking down and seeing a young Chinese girl with a vinyl Hello Kitty knapsack. She laughed, and then she kicked me again, harder. I looked at her parents, but they both had dead, distant faces. The resigned expressions of older parents who had accidentally had a child, late in life. No doubt their little girl had kicked them both senseless, and now they were oblivious. But I was not oblivious. And I was not amused. “Stop that,” I said, leaning down and speaking into the top of her head. “Don’t kick.” She kicked again. The little fucker. I bent down. “Do you speak English?” I asked, sweetly. I smiled. “Do you speak English, you little cutie pie?” She nodded, gave a little giggle, and then stepped on my toes, which were exposed through the straps of my sandals. I immediately stopped smiling and narrowed my eyes. I whispered, “You kick me one more time you little cocksucker, and once we get on the boat, I’ll push your mother into the ocean, and she’ll die. And then I’ll hurt your daddy. And then I’ll be your new daddy, and I’ll take you home with me.” She moved quickly to the other side of her parents, where she kept a wary, silent eye on me. “Next time people ask if we’re ever going to have kids, I think I’ll tell them this little story,” Dennis said. “What?” I said, indignant. “She’s a horrible, spoiled little bitch.” “She’s just a little girl,” he said. I laughed. “Little girl, my ass. She’s a little Chinese dragon.” Dennis rolled his eyes, and we finally boarded the glass-bottom boat.
Augusten Burroughs (Magical Thinking)
She was prepared for him to shut her down, when Behr shrugged a shoulder and said, “Yeah, sounds good. I think it’s a good idea for you to get out of the house. But,” he said, stepping back into the kitchen and leveling her with a hard look, “only if I tag along.” “What? Why?” Cheyenne questioned, not understanding the need for chaperones. “Because it’s safer that way,” he reasoned. “I have a couple things to take care of first, so it will probably be a day or two. I expect you to wait for me, though, Cheyenne,” he said, his brilliant blue eyes holding her in place. “It’s safer that way.” She was preparing to argue when she realized that she wasn’t altogether sure she wanted to venture out on her own yet anyway. It might be a shock to her system after locking herself away for so long. For laughs, she decided to give him a hard time anyway. “But…” she started. He cut her off with an upraised hand. “No buts,” he said sternly. “It’s not safe and you know it, and besides, that’s what you have two strapping young men like us for.” He clapped a grinning Dehstroy on the back. Cheyenne threw her head back and laughed. “You, young? Ha!” “What?” Behr said, acting offended. “I’m young.” “Prove it,” Cheyenne challenged. “Show me your birth certificate.” When he pursed his lips, she laughed some more. “What’s wrong? Didn’t they make birth certificates yet when you were born? No?” She looked between the men, taking in their sheepish expressions. “Well, then. I’ll leave you two to work on clearing that schedule.” Waving, Cheyenne left the kitchen and headed upstairs to her room to lie down.
Brandi Salazar (A Warrior's Betrayal (Brotherhood, #2))
While there was still water in the middle of the pools, animals attempted to reach it through the silt but would get bogged. We spent day after day checking dams, finding about eight to ten animals hopelessly mired in the silt at each and every dam, primarily kangaroos and wallabies. We had to get to the dams early in the morning. Some of the kangaroos had been struggling all night. Steve engineered planks and straps to rescue the animals. The silt would suck us down just as fast, so we had to be careful going out to rescue the roos. Because of the lactic acid buildup in their tissues (a product of their all-night exertions to free themselves), some of the kangaroos were too far gone and couldn’t recover. But we saved quite a few. At one point, Bob came out to lend a hand. I was at the homestead, and the ovulation strip turned bright blue. I hustled over to the creek bed where Steve and his dad were working. I motioned to Steve. “The strip is blue,” I said. He looked around nervously. “I’m out here working with me dad,” he said. “What do you want me to do?” “Just come on,” I whispered impatiently. “But my dad’s right here!” I smiled and took his hand. We headed up the dry creek bed and spent some quality time with the biting ants and the prickles. It was after this trip to our conservation property in the Brigalow Belt that I discovered I was pregnant. I tried to let Steve know by sitting down at the table and tucking into a bowl of ice cream and pickles. “What are you doing?” asked a totally confused Steve. I explained, and we were both totally overjoyed, keeping our fingers crossed for a boy to go along with our darling daughter.
Terri Irwin (Steve & Me)
Are you sure you don't remember? Your mind seems to be working just fine to me." "You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here." "If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack. "Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them. "What, you don't have a question for my question?" I ask after a few seconds. "It just seems silly for you to change your schedule over a disagreement about when the Titanic-" I throw my hands up at him. "Don't you see how weird this is for me?" "I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that." Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper. "It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more." A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops." That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret." This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized." He nods. "I finally figured that out. That you don't actually know about your secret." "You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming... The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history. "That's it?" I say, exasperated. "You're just going to leave it at that?" He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you." He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim." He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I picked her up and carried her down the hall to the bathroom, just a pitiful skeleton with skin stretched over the top and a great red scar across her chest. She sank onto the plastic seat we had got from the hospital and closed her eyes as I washed her, leaning her poor bald head back exhaustedly against the back of the shower cubicle. "I'll just change the sheets," I said, "I won't be a minute - would you rather sit under the water, or shall I turn it off and wrap you up in a towel ?" "Under the water," she whispered. I had to strip the bed entirely, and two of the pillows were saturated. I replaced them with pillows from my bed, and while I was at it my duvet as well. Then I propped the poor woman up against the bathroom sink to dry and dress her, picked her up and carried her back to bed. Never have I been so grateful to be, after all, a strapping wench rather than a delicate wisp of a girl. As I pulled the covers up under her chin she opened her eyes, looked at me sternly and said with nearly her old decision, "This is not the way I wish to be remembered, Josephine." "I know," I whispered, the tears spilling unchecked down my cheeks. Nurses are supposed to be bright and matter-of-fact about these things: my bracing professional manner left a lot to be desired. "I'll get you some dinner." "No," she said. "Just my pills, love." Back in the kitchen I stood for a moment in a trance of indecision, wondering where the hell to start. It didn't really matter - when you're overcome with lethargy you just have to do something. And then the next thing, and then the next, and eventually, although you'd have sworn you were far too tired and depressed to accomplish anything, you're finished. I turned on the tap about the big concrete sink by the back door and began to scrub sheets and blankets.
Danielle Hawkins (Dinner at Rose's)
Cara sits behind me, and Peter and Caleb move toward the back of the plane and sit near each other, next to the window. I didn’t know they were friends. It seems fitting, given how despicable they both are. “How old is this thing?” I ask Zoe, who stands near the front. “Pretty old,” she says. “But we’ve completely redone the important stuff. It’s a nice size for what we need.” “What do you use it for?” “Surveillance missions, mostly. We like to keep an eye on what’s happening in the fringe, in case it threatens what’s happening in here.” Zoe pauses. “The fringe is a large, sort of chaotic place between Chicago and the nearest government-regulated metropolitan area, Milwaukee, which is about a three-hour drive from here.” I would like to ask what exactly is happening in the fringe, but Uriah and Christina sit in the seats next to me, and the moment is lost. Uriah puts an armrest down between us and leans over me to look out the window. “If the Dauntless knew about this, everyone would be getting in line to learn how to drive it,” he says. “Including me.” “No, they would be strapping themselves to the wings.” Christina pokes his arm. “Don’t you know your own faction?” Uriah pokes her cheek in response, then turns back to the window again. “Have either of you seen Tobias lately?” I say. “No, haven’t seen him,” Christina says. “Everything okay?” Before I can answer, an older woman with lines around her mouth stands in the aisle between the rows of seats and claps her hands. “My name is Karen, and I’ll be flying this plane today!” she announces. “It may seem frightening, but remember: The odds of us crashing are actually much lower than the odds of a car crash.” “So are the odds of survival if we do crash,” Uriah mutters, but he’s grinning. His dark eyes are alert, and he looks giddy, like a child. I haven’t seen him this way since Marlene died. He’s handsome again.
Veronica Roth (Allegiant (Divergent, #3))
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
Laird Barron (The Beautiful Thing That Awaits Us All)
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))