Admissions Quotes

We've searched our database for all the quotes and captions related to Admissions. Here they are! All 100 of them:

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Prayer is not asking. It is a longing of the soul. It is daily admission of one's weakness. It is better in prayer to have a heart without words than words without a heart.
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Mahatma Gandhi
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Welcome to the wonderful world of jealousy, he thought. For the price of admission, you get a splitting headache, a nearly irresistable urge to commit murder, and an inferiority complex. Yippee.
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J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
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I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you." "My sweet nemesis, how glad I am that you returned.
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Holly Black (The Queen of Nothing (The Folk of the Air, #3))
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By Gryffindor, the bravest were Prized far beyond the rest; For Ravenclaw, the cleverest Would always be the best; For Hufflepuff, hard workers were Most worthy of admission; And power-hungry Slytherin Loved those of great ambition.
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J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
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I don't know how you feel, but I'm pretty sick of church people. You know what they ought to do with churches? Tax them. If holy people are so interested in politics, government, and public policy, let them pay the price of admission like everybody else. The Catholic Church alone could wipe out the national debt if all you did was tax their real estate.
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George Carlin
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I have fallen for someone who's so emotionally shut down, I will only get hurt- deep down I know this- someone who by his own admission is completely fucked up.
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E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
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Good manners are an admission that everybody is so tender that they have to be handled with gloves. Now, human respectβ€”you don't call a man a coward or a liar lightly, but if you spend your life sparing people's feelings and feeding their vanity, you get so you can't distinguish what should be respected in them.
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F. Scott Fitzgerald (Tender Is the Night)
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When I die I hope to go to heaven--whatever that is--and I want to be able to afford the price of admission.
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Ayn Rand (Atlas Shrugged)
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Jessica. For god's sake," he said. "Allow me to do at least one common courtesy for you. In spite ow what 'women's lib' teaches you, chivalry does not imply that women are powerless. On the contrary, chivalry is an admission of women's superiority. An acknowledgment of your power over us. This is the only form of servitude a Vladescu ever practices, and I perform it gladly for you. You, in turn, are obligated to accept graciously.
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Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
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Admission of ignorance is often the first step in our education.
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Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
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Though silence is not necessarily an admission, it is not a denial, either.
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Marcus Tullius Cicero
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Why is this so hard?” I whispered. His pulse leaped crazily at my admission. β€œEverything worth fighting for is hard.
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Rachel Vincent (Shift (Shifters, #5))
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Whoa," Brit breathed, handing my drink back to me. "That was..." "Really hot," Jacob finished. "I thought you two were going to rip off each other's clothes and start making babies right here on the dirty, beer covered floor. Like I was going to have to start charging admission for what was about to go down.
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J. Lynn (Wait for You (Wait for You, #1))
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Admissions make feelings intensify simply because they are given space to breathe. Admissions lead to love, and admitting love is like tying yourself to a train track.
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Christina Lauren (Love and Other Words)
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Ambrose, your presence is the horseshit frosting on the horseshit cake that is the admissions interview process.
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Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
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One of the hardest things in this world is to admit you are wrong. And nothing is more helpful in resolving a situation than its frank admission.
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Benjamin Disraeli
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Atheism is not a philosophy; it is not even a view of the world; it is simply an admission of the obvious. In fact, 'atheism' is a term that should not even exist. No one needs to identify himself as a 'non-astrologer' or a 'non-alchemist.' We do not have words for people who doubt that Elvis is still alive or that aliens have traversed the galaxy only to molest ranchers and cattle. Atheism is nothing more than the noises reasonable people make in the presence of unjustified religious beliefs.
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Sam Harris (Letter to a Christian Nation)
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Someone once told me that explaining is an admission of failure. I'm sure you remember, I was on the phone with you, sweetheart.
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Richard Siken (Crush)
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You want to know what Classics are?" said a drunk Dean of Admissions to me at a faculty party a couple of years ago. "I'll tell you what Classics are. Wars and homos.
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Donna Tartt (The Secret History)
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Every victory is only the price of admission to a more difficult problem
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Henry Kissinger
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This is the Great Theatre of Life. Admission is free, but the taxation is mortal. You come when you can, and leave when you must. The show is continuous. Goodnight.
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Robertson Davies
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Do you trust me? The question is usually asked before an admission that such trust is misplaced.
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S.J. Watson (Before I Go to Sleep)
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I see you like to study,” I said. β€œWell done.” Percy snorted. β€œI hate to study. I’ve been guaranteed admission with a full scholarship to New Rome University, but they’re still requiring me to pass all my high school courses and score well on the SAT. Can you believe that? Not to mention I have to pass the DSTOMP.” β€œThe what?” Meg asked. β€œAn exam for Roman demigods,” I told her. β€œThe Demigod Standard Test of Mad Powers.” Percy frowned. β€œThat’s what it stands for?” β€œI should know. I wrote the music and poetry analysis sections.” β€œI will never forgive you for that,” Percy said.
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Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
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I wonder how long it would take him to realize I'm right as sin - it's the rest of the world that's wrong. I'm not even sure how I qualify for admission to Aspen Springs. Does wanting to die equal losing your mind?
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Ellen Hopkins (Impulse (Impulse, #1))
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Confidence is a feeling, which reflects the coherence of the information and the cognitive ease of processing it. It is wise to take admissions of uncertainty seriously, but declarations of high confidence mainly tell you that an individual has constructed a coherent story in his mind, not necessarily that the story is true.
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Daniel Kahneman (Thinking, Fast and Slow)
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FDR UnmaskedΒ is first to present convincing evidence of Roosevelt’s battle with prostate cancer, underpinned by FBI memoranda and reliable firsthand information from multiple physicians - even a shocking admission by Eleanor Roosevelt to actress Veronica Lake that her husband was being treated for the disease.
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Steven Lomazow (FDR Unmasked: 73 Years of Medical Cover-ups That Rewrote History)
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It's not that students don't "get" Kafka's humor but that we've taught them to see humor as something you get -- the same way we've taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke -- that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It's hard to put into words up at the blackboard, believe me. You can tell them that maybe it's good they don't "get" Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding on this door, pounding and pounding, not just wanting admission but needing it, we don't know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens...and it opens outward: we've been inside what we wanted all along. Das ist komisch.
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David Foster Wallace (Consider the Lobster and Other Essays)
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Being a leading power couple means not only submitting to media scrutiny but also commanding coverage. To leave the marriage behind is to step out of the spotlight. It means fading into normalcy, returning to ordinary life, perhaps an impossible admission for women who have built their egos on being one member of a leading couple.
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Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Nine Political Wives)
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To leave the marriage behind is to step out of the spotlight. It means fading into normalcy, returning to ordinary life, perhaps an impossible admission for women who have built their egos on being one member of a powerful team. To divorce might be to admit defeat for women who have come to see themselves as extraordinary and who circulate with other famous and history-making figures.
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Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
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If Disneyland was indeed the Happiest Place on Earth, you'd either keep it a secret or the price of admission would be free and not equivalent to the yearly per capita income of a small sub-Saharan African nation like Detroit.
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Paul Beatty (The Sellout)
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Civilized people must, I believe, satisfy the following criteria: 1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...) 2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...) 3) They respect other people's property, and therefore pay their debts. 4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...) 5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...) 6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...) 7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...) 8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings. [From a letter to Nikolay Chekhov, March 1886]
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Anton Chekhov (A Life in Letters)
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Negro Slavery is an evil of Colossal magnitude and I am utterly averse to the admission of Slavery into the Missouri Territories.
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John Adams (Familiar Letters of John Adams & His Wife Abigail Adams, During the Revolution)
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War is an admission of failure
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K.J. Parker (The Folding Knife)
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Kind, reasonable, thoughtful. It wasn't 'love' or an admission of wild, passionate feelings, but he realized he liked her three words more. 'Love' would have been easy, another easy lie in a long line of lies. 'Love' would be easy to dismiss.
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Amy Tintera (Ruined (Ruined, #1))
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What about me?" I whisper. "Where do I belong?" "With me," my mother and Galen say in unison. They exchange hard glares. Galen locks his jaw. "I'm her mother," she tells Galen, her voice sharp. "Her place is with me." "I want her for my mate," Galen says. The admission warms up the space between us with an impossible heat and I want to melt into him. His words, his declaration, cannot be unspoken. And now he's declared it to everyone who matters. It's out there in the open, hanging in the air. He wants me for his mate. Me. Him. Forever.
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Anna Banks (Of Triton (The Syrena Legacy, #2))
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We live in a world in which people are censured, demoted, imprisoned, beheaded, simply because they have opened their mouths, flapped their lips, and vibrated some air. Yes, those vibrations can make us feel sad or stupid or alienated. Tough shit. That's the price of admission to the marketplace of ideas. Hateful, blasphemous, prejudiced, vulgar, rude, or ignorant remarks are the music of a free society, and the relentless patter of idiots is how we know we're in one. When all the words in our public conversation are fair, good, and true, it's time to make a run for the fence.
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Daniel Todd Gilbert
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But you can't teach writing, people tell me. And I say, 'Who the hell are you, God's dean of admissions?
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Anne Lamott
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Yes, best friend of mine. I am the famous photographer you've admired for years, and the man who's admired you.
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Kelly Moran (Exposure)
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Never," Max said, again ignoring me. "Never did I walk into a room and see her dressed to go out and forget how to breathe like I did when I saw you before we went to The Rooster." I felt my eyes grow wide at this admission and I, too, forgot how to breathe.
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Kristen Ashley (The Gamble (Colorado Mountain, #1))
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I'm in love with you, Kylie." He looked almost embarrassed by the admission. He jumped up, took one step away, then swung around and faced her again. "I don't expect you to say it back and I don't think this will change your mind about anything. But you deserved to know. And I needed to tell you because.....I've never felt this way before-for anyone.
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C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
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I'm still the same guy you knew five minutes ago.
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Kelly Moran (Exposure)
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There was no going back. Apologies weren't welds; they were just an admission that something had been broken. Often between two people.
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Hugh Howey (Dust (Silo, #3))
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If you make a mistake, admit it. Any attempt at cover-up will ultimately backfire. At some level the patient will sense you are acting in bad faith, and therapy will suffer. Furthermore, an open admission of error is good model-setting for patients and another sign that they matter to you.
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Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
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Emotional loneliness is so distressing that a child who experiences it will do whatever is necessary to make some kind of connection with the parent. These children may learn to put other people's needs first as the price of admission to a relationship. Instead of expecting others to provide support or show interest in them, they may take on the role of helping others, convincing everyone that they have few emotional needs of their own. Unfortunately, this tends to create even more loneliness, since covering up your deepest needs prevents genuine connection with others.
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Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
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I need a book that says 'Here's how to defeat Spring and restore power to your king, and while you're at it, here's how to prove you matter when no one else thinks you do—” I stop. I'm staring at the bookshelves and not at Theron, and I don't think I'll ever be able to look at him again without shriveling up from embarrassment. I can still hear what I said hanging around me, my weak, weak admission, and I can't bring myself to breathe, let alone face him. Theron doesn't give me a choice. He crawls up onto his knees and moves into my line of sight, his forehead wrinkled and his eyes darting over mine like he's trying to figure me out the same way he figured out that passage. After a moment of silence, he grimaces. β€œYou matter,” is all he says.
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Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
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I'm only a housewife, I'm afraid." How often do we hear this shocking admission. I'm afraid when I hear it I feel very angry indeed. Only a housewife: only a practitioner of one of the two most noble professions (the other one is that of a farmer); only the mistress of a huge battery of high and varied skills and custodian of civilization itself. Only a typist, perhaps! Only a company director, or a nuclear physicist; only a barrister; only the President! When a woman says she is a housewife she should say it with the utmost pride, for there is nothing higher on this planet to which she could aspire.
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John Seymour (Forgotten Household Crafts)
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Aristocracy's only an admission that certain traits which we call fine - courage and honor and beauty and all that sort of thing - can best be developed in a favorable environment, where you don't have the warpings of ignorance and necessity.
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F. Scott Fitzgerald (The Beautiful and Damned)
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I’m not asking you to win. That’s not solely in your control,” Aren said. β€œI’m asking that you fight to win. Anything less is the acceptance of loss and an admission that you deserve it.
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Evan Winter (The Rage of Dragons (The Burning, #1))
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Responsibility is the admission that you have a role in this game called life.
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Asa Don Brown
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There must be an ability to pass long hours in study and research with pleasure even though some of the effort will inevitably lead to dead ends. Such is the price of admission.
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Edward O. Wilson (Letters to a Young Scientist)
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Prayer is the open admission that without Christ we can do nothing. And prayer is the turning away from ourselves to God in the confidence that He will provide the help we need. Prayer humbles us as needy and exalts God as wealthy
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John Piper (Desiring God: Meditations of a Christian Hedonist)
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Each success only buys an admission ticket to a more difficult problem.
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Henry Kissinger
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That there’s no going back after this.” His admission was a warm breath on my skin. β€œYou should’ve never let me take you, Isabella. Because now that I have, I won’t be able to let you go.
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Ana Huang (King of Pride (Kings of Sin, #2))
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Don’t leave me, Em. You’re my salvation.
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Sarah Grimm (Wrecked (Blind Man's Alibi #1))
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I’m surprised Thorne hasn’t asked if he can start leading guided tours down here. I bet you could charge a hefty admission fee.” Cinder snorted. β€œPlease don’t plant that idea in his head.
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Marissa Meyer (Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles, #4.5))
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He had tenderness in his heart β€” β€˜a soft place,’ as Nicholas Higgins called it; but he had some pride in concealing it; he kept it very sacred and safe, and was jealous of every circumstance that tried to gain admission. But if he dreaded exposure of his tenderness, he was equally desirous that all men should recognize his justice; and he felt that he had been unjust, in giving so scornful a hearing to anyone who had waited, with humble patience, for five hours, to speak to him.
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Elizabeth Gaskell (North and South)
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It was a masterly piece of work. But once you began admitting explanations in terms of purposeβ€” well, you didn't know what the result might be. It was the sort of idea that might easily decondition the more unsettled minds among the higher castesβ€”make them lose their faith in happiness as the Sovereign Good and take to believing, instead, that the goal was somewhere beyond, somewhere outside the present human sphere; that the purpose of life was not the maintenance of well-being, but some intensification and refining of consciousness, some enlargement of knowledge. Which was, the Controller reflected, quite possibly true. But not, in the present circumstance, admissible.
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Aldous Huxley (Brave New World)
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Socrates himself said, 'One thing only I know, and this is that I know nothing.' Remember this statement, because it is an admission that is rare, even among philosophers. Moreover, it can be so dangerous to say in public that it can cost you your life. The most subversive people are those who ask questions. Giving answers is not nearly as threatening. Any one question can be more explosive than a thousand answers.
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Jostein Gaarder (Sophie’s World)
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It is in the admission of ignorance and the admission of uncertainty that there is a hope for the continuous motion of human beings in some direction that doesn't get confined, permanently blocked, as it has so many times before in various periods in the history of man.
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Richard P. Feynman (The Meaning of It All: Thoughts of a Citizen-Scientist)
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But even more than her diary, Shimamura was surprised at her statement that she had carefully cataloged every novel and short story she had read since she was fifteen or sixteen. The record already filled ten notebooks. "You write down your criticisms, do you?" "I could never do anything like that. I just write down the author and the characters and how they are related to each other. That is about all." "But what good does it do?" "None at all." "A waste of effort." "A complete waste of effort," she answered brightly, as though the admission meant little to her. She gazed solemnly at Shimamura, however. A complete waste of effort. For some reason Shimamura wanted to stress the point. But, drawn to her at that moment, he felt a quiet like the voice of the rain flow over him. He knew well enough that for her it was in fact no waste of effort, but somehow the final determination that it had the effect of distilling and purifying the woman's existence.
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Yasunari Kawabata (Snow Country)
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A thousand years or more ago, When I was newly sewn, There lived four wizards of renown, Whose name are still well-known: Bold Gryffindor from wild moor, Fair Ravlenclaw from glen, Sweet Hufflepuff from valley broad, Shrewd Slytherin from fen. They share a wish, a hope, a dream, They hatched a daring plan, To educate young sorcerers, Thus Hogwarts school began. Now each of these four founders Formed their own house, for each Did value different virtues, In the ones they had to teach. By Gryffindor, the bravest were Prized far beyond the rest; For Ravenclaw, the cleverest Would always be the best; For Hufflepuff, hardworkers were Most worthy of admission; And power-hungry Slytherin Loved those of great ambition. While still alive they did divide Their favourates from the throng, Yet how to pick the worthy ones When they were dead and gone? 'Twas Gryffindor who found the way, He whipped me off his head The founders put some brains in me So I could choose instead! Now slip me snug around your ears, I've never yet been wrong, I'll have alook inside your mind And tell where you belong!
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J.K. Rowling
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The Warrior Woman Code: A confident woman doesn't beg a man to stay, cry if they don't or need to tear down other women to be loved. She knows her value. When the person she is meant to be with finds her, that person will know it also. He won't be confused by it. He will fight for her because without her he feels incomplete. She will always be foremost in his mind above anyone else. She doesn't have to scheme to keep or entice him. She is okay walking away from him because she doesn't want to be seen as a choice or a woman that has some potential. She demands to be seen as "the one." To settle for anything less than that is an admission of insecurity and lack of self love.
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Shannon L. Alder
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Sometimes it was like Neil was from an alien planet, where people never asked for or shared anything emotional without deeply apologizing first. He assured me that he was simply British. And that we Americans, with all of our loud oversharing and need for random hugs and free admissions to people we've just met of deep, traumatic childhood wounds looks just as alien to them.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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This tiny habitation on wheels, with bit parts of the living room, the washroom, and the fireplace, is a pathetic admission that human life is no more than this: an attempt to feel at home while racing towards oblivion. He
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Yann Martel (The High Mountains of Portugal)
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It's the same as if I just handed you a knife and offered you my balls, for God's sake. And I don't even give a fuck. Because I have no pride when it comes to you. There is nothing I wouldn't do or say to make you understand that I love you. I fucking love you. There, I said it. Do you believe me now?" He sounded so pissed off and angry that the admission had been torn from him that she had to battle the smile forming on her lips.
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Maya Banks (Whispers in the Dark (KGI, #4))
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For centuries the church has stood by while science picked away at religion bit by bit. Debunking miracles. Training the mind to overcome the heart. Condemning religion as the opiate of the masses. They denounce God as a hallucination - a delusional crutch for those too weak to accept that life is meaningless. I could not stand by while science presumed to harness the power of God himself! Proof, you say? Yes, proof of science's ignorance! What is wrong with the admission that something exists beyond our understanding? The day science substantiates God in a lab is the day people stop needing faith!
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Dan Brown (Angels & Demons (Robert Langdon, #1))
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I suck at it? You’re acting like this is some stupid play you’ve put together for the neighbors. This is real life, and I’m doing the best I can.” β€œMy plays were not stupid. We made a lot of money in admission tickets. I thought Annie was excellent.” He snorted. β€œYou can’t even sing and you cast yourself as Annie.” β€œYou’re still pissed because I wouldn’t let you play Daddy Warbucks.” He plowed ten fingers through his hair and made a noise deep in his throat. β€œHow the hell do you get me on these ridiculous subjects?
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Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
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American culture in particular has instilled in us the bizarre notion that to ask for help amounts to an admission of failure. But some of the most powerful, successful, admired people in the world seem, to me, to have something in common: they ask constantly, creatively, compassionately, and gracefully. And to be sure: when you ask, there’s always the possibility of a no on the other side of the request. If we don’t allow for that no, we’re not actually asking, we’re either begging or demanding. But it is the fear of the no that keeps so many of our mouths sewn tightly shut.
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Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
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I don't believe in twisting yourself into knots of excuses and explanations over the food you make. When one's hostess starts in with self-deprecations such as "Oh, I don't know how to cook...," or "Poor little me...," or "This may taste awful...," it is so dreadful to have to reassure her that everything is delicious and fine, whether it is or not. Besides, such admissions only draw attention to one's shortcomings (or self-perceived shortcomings), and make the other person think, "Yes, you're right, this really is an awful meal!" Maybe the cat has fallen into the stew, or the lettuce has frozen, or the cake has collapsed -- eh bien, tant pis! Usually one's cooking is better than one thinks it is. And if the food is truly vile, as my ersatz eggs Florentine surely were, then the cook must simply grit her teeth and bear it with a smile -- and learn from her mistakes.
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Julia Child (My Life in France)
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Here is the last thing, and a shameful admission it is. When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splatter wet fart of foul-smelling mead right in Suttung's face, blinding the giant and throwing him off Odin's trail. No one, then or now, wanted to drink the mead that came out of Odin's ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads the have tasted.
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Neil Gaiman (Norse Mythology)
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For the first time in my life I was admitting defeat.
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Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
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The last thing I ever wanted was to be alive when the three most powerful people on the whole planet would be named Bush, Dick and Colon. Our government's got a war on drugs....But get this: The two most widely abused and addictive and destructive of all substances are both perfectly legal. One, of course, is ethyl alcohol. And President George W. Bush, no less, and by his own admission, was smashed, or tiddley-poo, or four sheets to the wind a good deal of time from when he was sixteen until he was forty. When he was forty-one, he says, Jesus appeared to him and made him knock off the sauce, stop gargling nose paint. Other drunks have seen pink elephants.
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Kurt Vonnegut Jr. (A Man Without a Country)
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The concept of the psychopath is, in fact, an admission of failure to solve the mystery of evilβ€”it is merely a restatement of the mysteryβ€”and only offers an escape valve for the frustration felt by psychiatrists, social workers, and police officers, who daily encounter its force.
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Janet Malcolm (The Journalist and the Murderer)
β€œ
We don't come to the table to fight or to defend. We don't come to prove or to conquer, to draw lines in the sand or to stir up trouble. We come to the table because our hunger brings us there. We come with a need, with fragility, with an admission of our humanity. The table is the great equalizer, the level playing field many of us have been looking everywhere for. The table is the place where the doing stops, the trying stops, the masks are removed, and we allow ourselves to be nourished, like children. We allow someone else to meet our need. In a world that prides people on not having needs, on going longer and faster, on going without, on powering through, the table is a place of safety and rest and humanity, where we are allowed to be as fragile as we feel.
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Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
β€œ
You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise. Or maybe Nash's Influence was still affecting her a little. "No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list." "So, you're not...dangerous?" His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...." "Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt. "Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls." "Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all. The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
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Rachel Vincent (My Soul to Save (Soul Screamers, #2))
β€œ
Most people, if they know they have done wrong, foolishly suppose they can conceal their error by defending it, and finding a justification for it; but in my belief there is only one medicine for an evil deed, and that is for the guilty man to admit his guilt and show that he is sorry for it. Such an admission will make the consequences easier for the victim to bear, and the guilty man himself, by plainly showing his distress at former transgressions, will find good grounds of hope for avoiding similar transgressions in the future.
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Arrian (The Campaigns of Alexander)
β€œ
I have been accused of a habit of changing my opinions. I am not myself in any degree ashamed of having changed my opinions. What physicist who was already active in 1900 would dream of boasting that his opinions had not changed during the last half century? In science men change their opinions when new knowledge becomes available; but philosophy in the minds of many is assimilated rather to theology than to science. The kind of philosophy that I value and have endeavoured to pursue is scientific, in the sense that there is some definite knowledge to be obtained and that new discoveries can make the admission of former error inevitable to any candid mind. For what I have said, whether early or late, I do not claim the kind of truth which theologians claim for their creeds. I claim only, at best, that the opinion expressed was a sensible one to hold at the time when it was expressed. I should be much surprised if subsequent research did not show that it needed to be modified. I hope, therefore, that whoever uses this dictionary will not suppose the remarks which it quotes to be intended as pontifical pronouncements, but only as the best I could do at the time towards the promotion of clear and accurate thinking. Clarity, above all, has been my aim.
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Bertrand Russell (Dictionary of Mind, Matter and Morals)
β€œ
Being treated nicely felt wrong somehow, as if we were acting out what a relationship should be rather than being in it. For men who hate women, an admission like this one is proof that see, women want a guy who treats them like shit but that's not true either. What is closer to the truth is that when confronted with the love you deserve, it is easier to mock it than accept it.
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Jessica Valenti (Sex Object: A Memoir)
β€œ
If I want to say no, I will, but for the right reasons. If I want to say yes, I will, but for the right reasons. Leave the consequences. Leave the finale. Leave the grand statements. The simplicity of feeling should not be taxed. I can't work out what this will cost or what either of us owe. The admission charge is never on the door, but you are open and I want to enter. Let me in. You do.
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Jeanette Winterson (The PowerBook)
β€œ
Being an artist doesn't take much. Just everything you got. Which means of course that as the process is giving you life, it is also bringing you closer to death. But it's no big deal. They are one in the same and cannot be avoided or denied. So when I totally embrace this process, this life/death, and abandon myself to it completely, I transcend all this gibberish and hang out with the gods. It seems to me that that is worth the price of admission.
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Hubert Selby Jr.
β€œ
I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you." "My sweet nemesis, how glad I am that you returned." He pulls my body against his, cradling my head against his chest. We are still lying on the floor, although a perfectly good bed is right next to us.
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Holly Black (The Queen of Nothing (The Folk of the Air, #3))
β€œ
Here’s another way. This is most important. Don't allow men to be happy. Happiness is self-contained and self-sufficient. Happy men have no time and no use for you. Happy men are free men. So kill their joy in living. Take away from them what they want. Make them think that the mere thought of a personal desire is evil. Bring them to a state where saying β€˜I want’ is no longer a natural right, but a shameful admission. Altruism is of great help in this. Unhappy men will come to you. They’ll need you. They’ll come for consolation, for support, for escape. Nature allows no vacuum. Empty man’s soul – and the space is yours to fill.
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Ayn Rand (The Fountainhead)
β€œ
And then I miscalculated. Too much anger shared too soon. Too much can you believe these white people. Too much fuck the police. We both graduated from the school of Twice as Good for Half as Much, but I’m sure she still finds this an acceptable price of admission. She still rearranges herself, waiting to be chosen. And she will be. Because it is an artβ€”to be black and dogged and inoffensive. She is all these things and she is embarrassed that I am not.
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Raven Leilani (Luster)
β€œ
He adds this phrase, which for me is unforgettable: Because you will leave and we will stay. Even now I remain fascinated by this sentence. Understand, it isn't the premonition that fascinates me, nor even the fact that it has been realized. It's also not the maturity or poignancy implied. It's not the arrangement of the words, even if I'm aware that I probably wouldn't have been able to come up with those exact ones myself. It's the violence that the words carry within them, their admission of inferiority and, at the same time, of love. He tells me something I did not know: that I will leave.
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Philippe Besson (Lie With Me)
β€œ
It is usually imagined that a thief, a murderer, a spy, a prostitute, acknowledging his profession as evil, is ashamed of it. But the contrary is true. People whom fate and their sin-mistakes have placed in a certain position, however false that position may be, form a view of life in general which makes their position seem good and admissible. In order to keep up their view of life, these people instinctively keep to the circle of those people who share their views of life and their own place in it. This surprises us, where the persons concerned are thieves, bragging about their dexterity, prostitutes vaunting their depravity, or murderers boasting of their cruelty. This surprises us only because the circle, the atmosphere in which these people live, is limited, and we are outside it. But can we not observe the same phenomenon which the rich boast of their wealth, i.e., robbery; the commanders in the army pride themselves on their victories, i.e., murder; and those in high places vaunt their power, i.e., violence? We do not see the perversion in the views of life held by these people, only because the circle formed by them is more extensive, and we ourselves are moving inside of it.
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Leo Tolstoy (Resurrection)
β€œ
Divinity for the sake of the simple-minded is beautiful. Those theological assertions you write, say, or live by that you later feel foolish about, it means God still lives in you enough to tell you that they were indeed foolish. By mistakes you know you are alive.
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Criss Jami (SalomΓ©: In Every Inch In Every Mile)
β€œ
And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes, but after a certain point I don’t care what it’s founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reactionβ€”Gatsby, who represented everything for which I have an unaffected scorn.
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F. Scott Fitzgerald (The Great Gatsby)
β€œ
Children understood at a very young age that doing nothing was an expression of power. Doing nothing was a choice swollen with omnipotence. It was, in fact, godly. And this, she now realized, was the reason why the gods did nothing. Proof of their omniscience. After all, to act was to announce awful limitations, for it revealed that chance acted first, the accidents were just that--events beyond the will of the gods--and all they could do in answer was to attempt to remedy the consequences, to alter natural ends. To act, then, was an admission of fallibility.
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Steven Erikson
β€œ
I know. I made it my business to know everything there was to know about you the second I saw you on the parapet.' 'Because that's not creepy.' I let the coffee warm my freezing hands. 'Can't know how to ruin someone without understanding them first,' he says quietly. I lift my gaze to find that his is already on me. 'And is that still your plan?' Mira's words have haunted me for two days. He flinches. 'No.' 'What changed?' Frustration tightens my grip on the mug. 'When exactly did you decide not to ruin me?' 'Maybe it was when I saw Oren holding a knife to your throat,' he says. 'Or maybe it was when I realised the bruises on your neck were fingerprints and wanted to kill them all over again just so I could do it slowly. Maybe it was the first time I recklessly kissed you or when I realised I'm fucked because I can't stop thinking about doing more than just kissing you.' My breath catches at his admission, but he just sighs, lets his head fall back against the wall. 'Does it even matter when, as long as it changed between us?' 'Don't do that,' I whisper, and he lifts his head again to hold my gaze. 'Do what? Tell you I can't get you out of my head? Or speak directly into yours?' 'Either.
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Rebecca Yarros (Fourth Wing (The Empyrean, #1))
β€œ
Dimity said, "I wrote him poetry!" (...) "Dimity," Sophronia said, horrified by such an admission, "you didn't give him the poetry, did you?" "Certainly not." Sidheag tilted back in her chair, grinning. "Well, let's hear it." "Oh, no. I don't think that's a good idea at all." But Dimity was already dipping into her reticule and pulling out a scrap of paper. She gave it to Sidheag, who read it with a perfectly straight face, her tawny eyes dancing, and then passed it Sophronia. "My love is like a red red rose Occasionally he has a red red nose He could keep me warm in the snows I wager he has very nice toes." Sophronia could think of nothing to say except, "Oh, Dimity.
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Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
β€œ
The Black homosexual is hard pressed to gain audience among his heterosexual brothers; even if he is more talented, he is inhibited by his silence or his admissions. This is what the race has depended on in being able to erase homosexuality from our recorded history. The "chosen" history. But the sacred constructions of silence are futile exercises in denial. We will not go away with our issues of sexuality. We are coming home. It is not enough to tell us that one was a brilliant poet, scientist, educator, or rebel. Whom did he love? It makes a difference. I can't become a whole man simply on what is fed to me: watered-down versions of Black life in America. I need the ass-splitting truth to be told, so I will have something pure to emulate, a reason to remain loyal.
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Essex Hemphill (Ceremonies: Prose and Poetry)
β€œ
We’re dancing on air,” I whisper as another wave of heat moves through me. He grins even as he pulls me closer and spins us across the dance floor. β€œNow you know what it feels like.” β€œWhat what feels like?” β€œBeing next to you.” Everything inside me stills at his admission, and I move even closer, wanting, needing, to feel all of him against all of me. Hudson must feel the same way, because his arms tighten around me and he’s lifting me up, up, up, until our faces are on the same level and we’re pressed together from shoulder to hip to thigh. β€œHi,” I whisper as his mouth hovers inches away from my own. β€œHi,” he answers as I instinctively lock my legs around his hips.
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Tracy Wolff (Covet (Crave, #3))
β€œ
Since segregationists had first developed them in the early twentieth century, standardized testsβ€”from the MCAT to the SAT and IQ examsβ€”had failed time and again to predict success in college and professional careers or even to truly measure intelligence. But these standardized tests had succeeded in their original mission: figuring out an β€œobjective” way to rule non-Whites (and women and poor people) intellectually inferior, and to justify discriminating against them in the admissions process. It had become so powerfully β€œobjective” that those non-Whites, women, and poor people would accept their rejection letters and not question the admissions decisions.
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Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
β€œ
I don't know why dogs always go for postmen, I'm sure," continued our guide. "It's a matter of reasoning," said Poirot. "The dog, he argues from reason. He is intelligent; he makes his deductions according to his point of view. There are people who may enter a house and there are people who may not - that a dog soon learns. Eh bien, who is the person who most persistently tries to gain admission, rattling on the door twice or three times a day - and who is never by any chance admitted? The postman. Clearly, then, an undesirable guest from the point of view of the master of the house. He is always sent about his business, but he persistently returns and tries again. Then a dog's duty is clear, to aid in driving this undesirable man away, and to bite him if possible. A most reasonable proceeding.
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Agatha Christie (Dumb Witness (Hercule Poirot, #17))
β€œ
It’s quite a task to combat the absolutists and the relativists at the same time: to maintain that there is no totalitarian solution while also insisting that, yes, we on our side also have unalterable convictions and are willing to fight for them. After various past allegiances, I have come to believe that Karl Marx was rightist of all when he recommended continual doubt and self-criticism. Member in the skeptical faction or tendency is not at all a soft option. The defense of science and reason is the great imperative of our time… To be an unbeliever is not merely to be β€œopen-minded.” It is, rather, a decisive admission of uncertainty that is dialectically connected to the repudiation of the totalitarian principle, in the mind as well as in politics. But that’s my Hitch-22. I have already described some of my rehearsals for this war… and for the remainder of my days I shall be happy enough to see if I can emulate the understatement of Commander Hitchens, and to say that at least I know what I am supposed to be doing.
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Christopher Hitchens (Hitch 22: A Memoir)
β€œ
Now, Woolf calls her fictional bastion of male privilege Oxbridge, so I'll call mine Yarvard. Even though she cannot attend Yarvard because she is a woman, Judith cheerfully applies for admission at, let's call it, Smithcliff, a prestigious women's college. She is denied admission on the grounds that the dorms and classrooms can't accommodate wheelchairs, that her speech pattern would interfere with her elocution lessons, and that her presence would upset the other students. There is also the suggestion that she is not good marriage material for the men at the elite college to which Smithcliff is a bride-supplying "sister school." The letter inquires as to why she hasn't been institutionalized. When she goes to the administration building to protest the decision, she can't get up the flight of marble steps on the Greek Revival building. This edifice was designed to evoke a connection to the Classical world, which practiced infanticide of disabled newborns.
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Rosemarie Garland-Thomson
β€œ
I am now going to make an admission. I confess, I agree, that all these good people who protested, who laughed, who did not perceive what we perceived, were in a quite legitimate position. Their opinion was quite in order. One must not be afraid to say that the kingdom of letters is only a province of the vast empire of entertainment. One picks up a book, one puts it aside; and even when one cannot put it down one very well understands that this interest is related to the facility of pleasure. That is to say that every effort of a creator of beauty or of fantasy should be bent, by the very essence of his work, on contriving for the public pleasure which demands no effort, or almost none. It is through the public that he should deduce what touches, moves, soothes, animates or enchants the public. There are however several publics; amongst whom it is not impossible to find some people who do not conceive of pleasure without pain, who do not like to enjoy themselves without paying, and who are not happy if their happiness is not in some part their own contrivance through which they wish to realize what it costs them.
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Paul ValΓ©ry (Selected Writings)
β€œ
Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.
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Britta Lundin (Ship It)
β€œ
There are two social classes in Pakistan," Professor Superb said to his unsuspecting audience, gripping the podium with both hands as he spoke. "The first group, large and sweaty, contains those referred to as the masses. The second group is much smaller, but its members exercise vastly greater control over their immediate environment and are collectively termed the elite. The distinction between members of these two groups is made on the basis of control of an important resource:air-conditioning. You see, the elite have managed to re-create for themselves the living standards of say, Sweden without leaving the dusty plains of the subcontinent. They're a mixed lot - Punjabi and Pathans, Sindhis and Baluchis, smugglers , mullahs, soldiers, industrialists - united by their residence in an artificially cooled world. They wake up in air-conditioned houses, drive air-conditioned cars to air-conditioned offices, grab lunch in air-conditioned restaurants (rights of admission reserved), and at the end of the day go home to an air-conditioned lounges to relax in front of their wide-screen TVs. And if they should think about the rest of the people, the great uncooled, and become uneasy as they lie under their blankets in the middle of the summer, there is always prayer, five times a day, which they hope will gain them admittance to an air-conditioned heaven, or at the very least, a long, cool drink during a fiery day in hell.
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Mohsin Hamid (Moth Smoke)
β€œ
That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain. It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts? But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.
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Julian Barnes (Flaubert's Parrot)