Socks With Motivational Quotes

All night long Alec sat in his chair in his pyjamas and dressing gown, socks on his feet to keep out the cold, a cigarette in his fingers with a long ash hovering over a half-full ashtray. He attempted to go to bed but the incident with Father Joe kept his mind in turmoil. This girl, well, woman now – she would be around thirty – was a mystery during the war. She was kidnapped, it was thought, from her school, the day the Germans entered Paris. Her uncle, Sir Jason Barrett MP, was in England; her step-parents were somewhere else in France, on holiday, and found they could not get back; and Charlotte was being cared for by a Swedish couple, a nanny or housekeeper and her chauffeur husband. Was Charlotte actually Freya? What had this baron fellow to do with Freya, apart from marrying her? Had she been a prostitute? And what was the old cleric babbling on about “finding her and protecting her”? From whom?

My mother's mother came to this country in the usual way--she got on a boat with other immigrants and sailed from Sicily. She wasn't one of them, however: neither tired nor poor or part of any huddled mass. Instead, she traveled alone, with her money in one sock and a knife in the other, coming to the new world with an old world motive--to murder the man that had left her for America.

One sock can't house two feet. If it does, it’s of no use.

Could it be that the potential to make something perfect increases our motivation? And could it be that when we are limited to just fixing something, our motivation is weakened? I suspect that this is the case, which means that maybe we should all start picking projects that are smaller, and more self-contained.

Contract Matrimony (The Sonnet) When I fall, I fall wholly - without a safety net of any kind. Prenups are an insult of love, all in fear of an imaginary night. Contract lovers are worse than contract killers, at least contract killers don't second guess their motive. Either love or don't, there's no second guessing - either marry or don't, there's no contract matrimony. Prenups are for juveniles, Clauses are for cowards. To seek escape in commitment, is an act of con, not love. Escapists have no right to love, Lovers have no need for escape. When you change exes like socks, It's a sickness, not a choice.

People can be like socks. Sometimes they just don’t match each other. So maybe it’s time to clean out your sock drawer.

Communication is the ultimate love potion, making hearts skip a beat and minds swoon with delight. It's like a magnetic force, drawing people in with the irresistible pull of your words. So, go ahead, charm the socks off everyone you meet, and watch how your wit becomes the secret ingredient to a charisma cocktail that's simply irresistible!

Empowered Women 101: Everyone wants to be a princess, but you weren't the first princess in his life. They scrubbed his floors, washed his workout clothes, picked up his dirty socks and dealt with his issues. Always remember that history leaves a pattern of what to expect. A real woman knows that the bible is a motivator, but the real instruction manual is observing the last woman's struggle.

When he entered the anteroom, two women looked up at him. One was Miss Robertson, the governor's secretary; the other he did not recognize till she smiled and said his name in a gentle voice. She was Mrs. Freeman, the wife of the bishop; he saluted her and went to Miss Robertson. 'Will you tell them I'm here?' he said. 'I'm sorry, Mr. Haffner, they don't even want me to take minutes right now.' 'Well, just go tell them I'm out of the running.' There was not so much as a flicker in her eyes. 'They locked the door,' she said, 'and besides, I don't think they'll accept your withdrawal.' 'Won't they though. Just give them my message, Miss Robertson. I'm leaving.' 'Oh, Mr. Haffner, I know they'll want to see you. It's very important.' 'They will, huh. I'll give them half an hour.' He sat down beside her to talk. It was not that he liked Miss Robertson particularly. Her soul had been for a long time smoothed out and hobbled by girdles and high heels as her body; her personality was as blank and brown as her gabardine suit; her mind was exactly good enough to take down 140 any sort of words a minute without error, without boredom, without wincing. But she could talk idly in a bare room like this well enough; he remembered that she liked science-fiction; he drew her out. Besides, she was not Mrs. Freeman. Mrs. Freeman was a good woman; that is, she did good, and did not resent those who did bad but pitied them. For example, now: she was knitting alone while the other two talked, neither trying to join them nor, as John actively knew, making them uncomfortable for not having included her; and she was waiting for the bishop, who for reasons no one understood, hated to drive at night without her. John liked good people—no, he respected them above everyone else, above the powerful or beautiful or rich, whom he knew well, the gifted or learned or even the wise; indeed, he was rather in awe of the good, but their actual sweet presence made him uncomfortable. Mrs. Freeman there: with her hair drawn back straight to a bun, she sat in a steel-tube, leatherette chair, against a beige, fire-resistant, sound-absorbent wall, knitting in that ambient, indirect light socks for the mad; he knew quite well that if he should go over beside her she would talk with him in her gentle voice about whatever he wished to talk about, that she would have firm views which, however, she would never declare harshly against his should they differ, that she would tell him, if he asked about her work with the insane, what she had accomplished and what failed to accomplish, that she would make him acutely uncomfortable. He felt himself deficient not to be living, as people like Mrs. Freeman seemed to live, in an altogether moral world, but more especially he was reluctant to come near such people because he did not want to know more than he could help knowing of their motives; he did not trust motives; he was a lawyer. Therefore, though it was all but rude of him, he sat with Miss Robertson till the door opened.

Green socks might be Reese’s good luck charm, but mine is Margo. Just having her here motivates me to play better. To be better. I want to be the best version of myself for her.

Sometimes rapport just cannot be built. Sometimes you don’t want to. This was the case with the One True Dumpster Fire booking. Let me paint you a picture. The booking was with a man who kept insisting that his past girlfriends all came "within minutes" of starting to have penetrative sex. Well, he didn’t say precisely that, he said "They all came within minutes of me entering them, " which is just something else. Who the fuck says "me entering them "? I hadn’t even inspected his dick yet, and I already knew the booking was going to be a complete fucking travesty. He repeated "come for me" several times during as if I were voice-activated while we were in a position he insisted on using. One which made me hyper-aware that my clitoris was almost jammed into my pubic bone to the point I thought it would invert. None of that is physiologically possible, but you don’t think too rationally when the human version of a wet sock is flopping on top of you making what can only be described as "frantic bird sounds". You start to question your motives in life.

Male Name-Pictures JAMES (Jim)—a Slim Jim JOHN—a toilet (my apologies to anyone named John) ROBERT (Bob)—a buoy bobbing on the water’s surface MICHAEL (Mike)—a microphone WILLIAM (Bill)—a dollar bill DAVID—a statue RICHARD—I’m sure you can think of something for this one CHARLES—a river (I’m from Boston) JOSEPH (Joe)—a cup of coffee THOMAS (Tom)—a drum CHRISTOPHER (Chris)—an “X” (like a crisscross) DANIEL (Dan)—a lion (lion’s den) PAUL—a bouncing ball MARK—a bruise (as in, “That’s gonna leave a mark!”) DONALD—a duck GEORGE—a gorge KENNETH (Ken)—a hen STEVEN (Steve)—a stove EDWARD (Ed)—a bed BRIAN—a brain RONALD (Ron)—a man running ANTHONY (Tony)—a skeleton (Bony Tony) KEVIN—the number seven JASON—a man being chased (chasin’) MATTHEW (Matt)—a welcome mat Female Name-Pictures MARY—the Virgin Mary PATRICIA (Pat)—a baseball bat LINDA—beauty crown (linda means “pretty” in Spanish) BARBARA—barbed-wire fence ELIZABETH—an ax (Lizzie Borden) JENNIFER—a heart (Jennifer Love Hewitt) MARIA—a wedding dress (as in, “I’m gonna marry ya”) SUSAN—a pair of socks (Susan sounds like “shoes and . . .”) MARGARET (Peg)—a pirate’s peg leg DOROTHY (Dot)—Dots candy LISA—the Mona Lisa NANCY—pants KAREN—a carrot BETTY—a poker chip HELEN—a demon SANDRA (Sandy)—the beach DONNA—a duck (as in, Donald) CAROL—bells (“Carol of the Bells”) RUTH—a roof SHARON—a toddler throwing a fit because she doesn’t want to share MICHELLE—a missile LAURA—an “aura” SARAH—cheerleader’s pom-poms (rah-rah!) KIMBERLY—a very burly woman named Kim DEBORAH—a bra A great way to practice this technique is to jump on Facebook and just start browsing profiles. You’ll have an endless supply of names and faces from which to try creating name-pictures and associations.