Tap Dancer Quotes

I never wanted to be a painter; I wanted to be a tap dancer.

Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.

Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.

In the high school classroom you are a drill sergent, a rabbi, a shoulder to cry on, a disciplinarian, a singer, a low-level scholar, a clerk, a referee, a clown, a counselor, a dress-code enforcer, a conductor, an apologist, a philosopher, a collaborator, a tap dancer, a politician, a therapist, a fool, a traffic cop, a priest, a mother-father-brother-sister-uncle-aunt, a bookeeper, a critic, a psychologist, the last straw.

If movements were a spark every dancer would desire to light up in flames.

Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.

Show me a person who found love in his life and did not celebrate it with a dance.

Dance is the timeless interpretation of life.

If spirit is the seed, dance is the water of its evolution.

Life is an affair of mystery; shared with companions of music, dance and poetry.

If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.

Don't breathe to survive; dance and feel alive.

Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.

Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.

DANCE – Defeat All Negativity (via) Creative Expression.

She who is a dancer can only sway the silk of her hair like the summer breeze.

Dance is the ritual of immortality.

One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.

Dance is that delicacy of life radiating every particle of our existence with happiness.

Burdened no more is soul for whom life flows through dance and not breath.

Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.

When a dancer performs, melody transforms into a carriage, expressions turn into fuel and spirit experiences a journey to a world where passion attains fulfillment.

Make dance the mission every moment seeks to accomplish.

I am a Dancer; rehearsing the steps of our unheard song with utmost perfection. Never will you tap your feet consciously. I am a Singer; singing the tune of the song I always wanted you to hear. Never will the melody bring back our memories to you. I am an Orator; emphasizing and emoting what I feel for you. Never will you hear your name throughout. I am a Writer; penning all the unsaid intentions with sincerity. Never will you see your name at the top. Because at the end of it all I am Actor; Nevertheless you taught me how well to pretend!

In the production of a good play with a good cast and a knowing director a kind of banding-together occurs; there is formed a fraternity whose members share a mutual sense of destiny. In these five blocks, where the rapping of the tap-dancer's feet and the bawling of the phonographs in the record-shop mix with the roar of the Broadway traffic; where the lonely, the perverted, and the lost wander like souls in Dante's hell and the life of the spirit seems impossible, there are still little circles of actors in the dead silence of empty theaters, with a director in their center, and a new creation of life taking place

Spirit is a child, the tune of dancing feet its lullaby.

Burdened no more is soul for whom life flows through dance like breath.

Don't apologise. Your shoes are excellent; you sound like a tap dancer.

He played with relish, sleeves rolled up, smiling at his work, tinkling from the low ranges to the high with the tricky syncopation of a tap dancer going up a Ziegfeld staircase.

The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.

Limit not to only five, when the divine gifts the supreme sixth; the sense of dance

This is called the Great Snow Dance and it is done every year in Narnia on the first moonlit night when there is snow on the ground. Of course it is a kind of game as well as a dance, because every now and then some dancer will be the least little bit wrong and get a snowball in the face, and then everyone laughs. But a good team of dancers, Dwarfs, and musicians will keep it up for hours without a single hit. On fine nights when the cold and the drum-taps, and the hooting of the owls, and the moonlight, have got into their wild, woodland blood and made it even wilder, they will dance till daybreak. I wish you could see it for yourselves.

Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.

I look at people holding hands in the hallways, and I try to think how it all works. At the school dances, I sit in the background, and I tap my toe, and I wonder how many couples will dance to ‘their song.’ In the hallways, I see the girls wearing the guys’ jackets, and I think about the idea of property. And I wonder if anyone is really happy. I hope they are. I really hope they are. Bill looked at me looking at people, and after class, he asked me what I was thinking about, and I told him. He listened, and he nodded and made "affirmation" sounds. When I finished, his face changed into a "serious talk" face. "Do you always think this much, Charlie?" "Is that bad?" I just wanted someone to tell me the truth. "Not necessarily. It's just that sometimes people use thought to not participate in life." "Is that bad?" "Yes." "I think I participate, though. Don't you think I am?" "Well, are you dancing at these dances?" "I'm not a very good dancer.

Peter smiled as Concheetah sashayed across the ballroom floor Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club. Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter. He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.

Play it, Eddie, don't be foolish;' she urges. 'Now's the time, break the spell once and for all, prove to yourself that it can't hurt you. If you don't do it now, you'll never get over the idea. It'll stay with you all your life. Go ahead. I'll dance it just like I am.' 'Okay,' he says. He taps. It's been quite some time, but he can rely on his outfit. Slow and low like thunder far away, coming nearer. Boom-putta-putta-boom! Judy whirls out behind him, lets out the first preliminary screech, Eeyaeeya! She hears a commotion in back of her and stops as suddenly as she began. Eddie Bloch's fallen flat on his face and doesn't move again after that. They all know, somehow. There's an inertness, a finality about it that tells them. The dancers wait a minute, mill about, then melt away in a hush. Judy Jarvis doesn't scream, doesn't cry, just stands there staring, wondering. That last thought - did it come from inside his own mind just now - or outside? Was it two months on its way, from the other side of the grave, looking for him, looking for him, until it found him tonight when he played the Chant once more and laid his mind open to Africa? No policeman, no detective, no doctor, no scientist, will ever be able to tell her. Did it come from inside or from outside? All she says is: 'Stand close to me, boys - real close to me, I'm afraid of the dark.' ("Papa Benjamin" aka "Dark Melody Of Madness")

On the stages at the Cannery and Ghirardelli malls, busking was not only tolerated, it was encouraged; free performances lured shoppers and buskers enjoyed freedom from police interference. Out on the streets, it was a different story. Business owners—worried that performers were literally and figuratively stealing the show—filed complaints with the city. “Whenever somebody who’s paying for a business license and paying taxes on his property sees a crowd of people facing away from him, they immediately assume that business is being lost,” says tap dancer Rosie Radiator. “Now, art being the glue of all of us, it was, of course, the street performers who were drawing the people to the location. They weren’t coming for the trinkets in the shops as much as they were coming for the artisans on the sidewalks and the street performers who gave it ambiance and personality and the fun aspects of a destination.

The Democratic Party had done nothing for me except try to turn me into a victim. They thought that the scraps of public assistance that they handed out should earn them unending loyalty within the black ecommunity, and anyone who questioned this would be attacked with seething hatred and threats. For speaking out, I was called racist, a sell-out, a tap-dancer for the white man, and far worse for simply voicing my personal nonpartisan ideas. I questioned the status quo and was raked across the coals for it by Democrats.

Two figures dressed in dark walk an empty street at night. Ice crystals of sleet swirl about them. One is short, his walk a side to side duck-like waddle, the other tall and slim, his walk smooth and gliding, utterly silent. The short one taps a walking stick as he goes; the other holds his arms hidden within his cloak.

fact, if there was a fire in their house, and Mum could only save either a sparkly gold tap-shoe once worn by Flavio Flavioli (the shiny, tanned dancer and heartbreaker from Italy who appeared on every series of the hit TV show) or her only child, Ben thought she would probably go for the shoe.

The other dancers were embarrassed themselves, which meant that they weren't actually embarrassing; they weren't doing much more than tapping their feet, and the only way you could tell they were dancing at all was that they were facing each other but not looking at each other and not talking.

Jenny, what can I do to help?” Westhaven’s expression was merely genial, but in his words, Jenny heard determination and that most dratted of holiday gifts, sibling concern. “Help?” “You’re quiet as a dormouse. Maggie says you’re chewing your nails. Louisa reports that you’re taking odd notions, and Sophie won’t say anything, but she’s clearly worried. Her Grace muttered something about regretting all the time she’s permitted you to spend among the paint fumes.” “What would Her Grace know of paint fumes?” What would the duchess know of anything relating to painting? “She’s our mother. Where knowledge fails, maternal instinct serves. Is Bernward troubling you?” Westhaven was an excellent dancer, and if Jenny did not finish the dance with him, Her Grace would casually suggest that tomorrow be a day to rest from the activity in the studio. The idea made Jenny desperate. “Westhaven, you must not involve yourself in anything to do with Elijah.” “Elijah.” Westhaven’s gaze shifted to a spot over Jenny’s shoulder. “And does he call you Jenny?” He calls me Genevieve, and sometimes he even calls me “woman.” “He calls me talented and brilliant but uneducated and unorthodox too. I’ve enjoyed working with him these past weeks more than anything—” “Excuse me.” Elijah had tapped Westhaven on the shoulder. “May I cut in?” Westhaven’s smile was diabolical. “Of course. Jenny would never decline an opportunity to dance with a family friend.” Family friend? Her blighted, interfering, perishing brother was laying it on quite thick. Elijah bowed. “Lady Genevieve, may I have what remains of this dance?” Two days remained. Two days and three nights. Jenny curtsied and assumed waltz position. As Elijah’s hand settled on her back, his scent wafted to her, enveloping her in his presence. “You’re avoiding me,” he said. “You needn’t. I’ll be leaving soon, and I hope we can at least part friends.” With her siblings, she could dissemble and maintain appearances, but with Elijah… “I am honored you think me a friend, Elijah.” And he danced wonderfully, with the same sense of assurance and mastery that he undertook painting… and lovemaking. “I am your friend too, Genevieve.

My heartbeat’s so loud it’s like a tap dancer in my chest. No, it’s more like Mr. Morse, tapping out the code of love.

O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being becomes dance.

O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being and dance are one.

I'd been drawn to an orange Siamese fighter fish with fins that moved like a graceful flamenco dancer, and I'd wanted one for the big tank in the restaurant until Charles explained that he (or she) would kill all the other fishes we'd picked out---tropical delights in all the colors of the rainbow, some spotted like leopards, all being delivered to the restaurant tomorrow morning. I tap on the glass. "I'm going to name you Frushi. French sushi. Don't worry, nobody is going to eat you. The sea bass, on the other hand, that's another story." Frushi shows off, wiggling his featherlike tail and fins, which look like they're made of inky silk, as he swims through the tiny castle and live plants I'd purchased for his new home.

I only want twelve dancers. Some of you are going to be disappointed. Two lines, please. Give me a double shuffle. Two quick taps left and right. A pirouette, a buck and wing and sixteen front kicks in unison. Turn on the last count and tap back stage, then come up arm in arm kicking left and right. Okay?

The Church would impoverish Herself to the degree that She refused to tap this richness.

We played like a dead French kiss reincarnated as a saxophone with tendencies to hiss galaxophonic secrets through the tombs of trombones reborn as the lower bones of Bojangles, dancing on base drums prancing like songs of the railroad set free, we played like freedom, stirring on those hills reflected in the back heels of a dancer in New Orleans tapping prosperity