Acute Angle Quotes

Limited by the world, which I oppose, jagged by it, I shall be all the more handsome and sparkling as the angles which wound me and give me shape are more acute and the jagging more cruel.

Always avoid the acute angle.

The impact of the acute angle of a triangle on a circle is actually as overwhelming in effect as the finger of God touching the finger of Adam in Michelangelo.

Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.

Why prove to a man he is wrong? Is that going to make him like you? Why not let him save his face? He didn’t ask for your opinion. He didn’t want it. Why argue with him? Always avoid the acute angle.

And so, from the first, we separated our pleasure. She lay on the rug and I lay at right angles to her so that only our lips might meet. Kissing in this way is the strangest of distractions. The greedy body that clamors for satisfaction is forced to content itself with a single sensation and, just as the blind hear more acutely and the deaf can feel the grass grow, so the mouth becomes the focus of love and all things pass through it and are re-defined. It is a sweet and precise torture.

Durham Cathedral, like all great buildings of antiquity, is essentially just a giant pile of rubble held in place by two thin layers of dressed stone. But—and here is the truly remarkable thing—because that gloopy mortar was contained between two impermeable outer layers, air couldn’t get to it, so it took a very long time—forty years to be precise—to dry out. As it dried, the whole structure gently settled, which meant that the cathedral masons had to build doorjambs, lintels, and the like at slightly acute angles so that they would ease over time into the correct alignments. And that’s exactly what happened. After forty years of slow-motion sagging, the building settled into a position of impeccable horizontality, which it has maintained ever since. To me, that is just amazing—the idea that people would have the foresight and dedication to ensure a perfection that they themselves might never live to see.

You must feel not that you want to but that you have to. It's worth emphasizing, too, because there is a relationship, inexact to be sure but a relationship, between this desire or need and the ambition to rely upon internal exile, or dissent; the decision to live at a slight acute angle to society.

The car sped along. She kept her foot permanently on the accelerator, and took every corner at an acute angle. Two motorists we passed looked out of their windows outraged as she swept by, and one pedestrian in a lane waved his stick at her. I felt rather hot for her. She did not seem to notice though. I crouched lower in my seat.

Bunny crawls on hands and feet into the bathroom. Her limbs bend at acute angles as her writhing jaw juts forward […] Bunny crawls closer. Rose can just make out her form in the near-darkness. Bunny’s jaw snaps as if dislocating. Rose’s eyes trace the prominent bumps on Bunny’s back – vertebrae, which look disturbingly close to slicing her anorexic back.

The sensing person has faith in the actual, the intuitive in the possible. As each concentrates accordingly, they seldom look at anything from the same angle. The difference in viewpoint becomes acute, often exasperating, when the person with sensing has authority over the intuitive and the intuitive comes up with a blazing idea. The intuitive tends to present the idea in rough form—suitable for another intuitive—and expects the sensing listener to concentrate on the main point and ignore the sketchy details. The sensing person’s natural reaction is to concentrate on what is missing, decide that the idea cannot work (and of course it cannot in that form), and flatly turn it down. One idea is wasted, one intuitive is frustrated, and one sensing executive has to deal with a resentful subordinate.

But we were guests at a festive occasion, my dear Dale. Why prove to a man he is wrong? Is that going to make him like you? Why not let him save his face? He didn’t ask for your opinion. He didn’t want it. Why argue with him? Always avoid the acute angle.” The man who said that taught me a lesson I’ll never forget. I not only had made the storyteller uncomfortable, but had put my friend in an embarrassing situation. How much better it would have been had I not become argumentative.

A major street intersects, at something other than a ninety-degree angle, a smaller commercial street, defining two (smaller) acute-angle lots and two (larger) obtuse-angle lots. On one side of the major street, the obtuse-angle lot is occupied by a two-storey office building,

I try to tell the teacher, you know. I don't give a fuck about geometry or English. Like I'm probably going to drive a truck or something when I get out of school. Join the army or something simple. I'm sure in the army they're all going to be wondering what an acute angle is. I'm sure I'll make lots of friends driving my truck because I can diagram some lousy goddamn sentence. And then after school I'm free, right? What's that mean? I go down to the bowling alley or the shopping mall with my friends. We scope the grils, smoke a little doobidge, maybe a tab of acid every now and then. But that's not really living, is it? I mean, if that's living, then excuse me right now. I'll go out and put a bullet in the old brainpan. But if that's not all there is, right, well, maybe there's something I could do a little less radical, like, you know. I don't mind life or anything--I'm perfectly willing to give it a try. So what the hell, I figured. I'm sick of school, drugs, this goddamn oppressive house of Ethel's and all. Maybe it's time I experimented a little more with my life, took a few more chances. So that's when I decided to become a warlock. To master the satanic arts of black magic. Devil worshiping, for you laymen. I want to master what they call the black arts.

We can discuss this point from different angles. Experts call one manifestation of such denigration of history historical determinism. In a nutshell we think that we would know when history is made; we believe that people who, say, witnessed the stock market crash of 1929 knew then that they lived an acute historical event and that, should these events repeat themselves, they too would know about such facts. Life for us is made to resemble an adventure movie, as we know ahead of time that something big is about to happen. It is hard to imagine that people who witnessed history did not know at the time how important the moment was. Somehow all respect we may have for history does not translate well into our treatment of the present.

Many birds of prey, like eagles, falcons, and vultures, actually have two acute zones in each eye—one that looks forward, and another that looks out at a 45-degree angle. The side-facing one is sharper, and it’s the one that many raptors use when hunting. When a peregrine falcon dives after a pigeon, it doesn’t plunge straight at its prey. Instead, it flies along a descending spiral. That’s the only way it can keep the pigeon within its murderous side-eye, while also pointing its head down and maintaining a streamlined shape.[*20

golf, oddly, gave Updike a spiritual thrill; from the very beginning, he was acutely sensitive to what he called “the eerie religious latency” of the game; when he wrote about it, he invariably invoked the supernatural. “Intercession” set the pattern, ending with a curse and turning on a seeming miracle. On his second time around, long after his progress across the course has become “a jumbled rout,” Paul yearns for divine intervention: All he wanted was that his drive be perfect; it was very little to ask. If miracles, in this age of faint faith, could enter anywhere, it would be here, where the causal fabric was thinnest, in the quick collisions and abrupt deflections of a game. Paul drove high but crookedly over the treetops. It dismayed him to realize that the angle of a metal surface striking a rubber sphere counted for more with God than the keenest human hope.

she wondered why she found this particular temperature so charming; and decided that it was because, on a day like this, she came nearer than usual to losing her sense of separate identity. Extremes of heat and cold she enjoyed too, but it was with a tense, belligerent enjoyment. When they beat against the irregular frontiers of the skin, with all its weak angles and vulnerable salients, they made her acutely conscious of her own boundaries in space. Here, she would find herself thinking, is where I end and the outside world begins. It was exciting, but divisive: it made for loneliness.

I’m more into the destruct testing of axioms,” he said. “The chap you need is Pthagonal. A very acute man with an angle.

And this is Pearson's formula, in geometric language. The correlation between the two variables is determined by the angle between the two vectors. If you want to get all trigonometric about it, the correlation is the cosine of the angle. It doesn't matter if you remember what cosine means; you just need to know that the cosine of an angle is 1 when the angle is 0 (i.e. when the two vectors are pointing in the same direction) and -1 when the angle is 180 degrees (vectors pointing in opposite directions). Two variables are positively correlated when the corresponding vectors are separated by an acute angle-that is, an angle smaller than 90 degrees- and negatively correlated when the angle between the vectors is larger than 90 degrees, or obtuse. It makes sense: vectors at an acute angle to one another are, in some loose sense, "Pointed in the same direction," while vectors that form an obtuse angle seem to be working at cross purposes.

As I explain at some length in 'The Crystal Sun' this particular angle, which we can call the 'golden angle,' is the precise value of the acute angle of of a right-angled 'golden triangle' that embodies the golden mean proportion .... The Danish art historian Else Kielland established with conclusive and absolutely overwhelming evidence and analysis that this angle was the basis for all Egyptian art and architecture. She did this in her monumental work 'Geometry in Egyptian Art' ..... The King's Chamber inside the Great Pyramid embodies no fewer than eight occurrences of the golden angle, and the coffer in the chamber embodies yet more.

The Decurion was their antithesis. Sharp-featured and starkly handsome, with every angle of him like a honed blade edge. A walking weapon, without adornment or decoration. When he turned to meet my gaze, I became acutely aware of my own appearance. Of the state of my tattered dress, the skirt scratchy and stiff with dirt. My hair hung in filthy ropes, and the dirt was so thick on my skin I was sure I looked like I’d been rolling in a swine wallow.

plunged down onto their respective targets at an acute angle. The timing was such that even these skilled fighters couldn’t evade the strike free of injury. Frost Horn and Tourmaline Shell both crossed their arms in front of their bodies and braced themselves to block. Nonetheless, they were concussed by dive kicks storing up the kinetic energy of a descent from a height of five hundred meters.

There is a point of convergence in your energetic body that stretches beyond the physical body. It is approximately seventeen to nineteen inches from the point between your eyebrows. You must search for the point where the vision meets at an acute angle of eleven degrees. Finding that point of convergence boosts the akasha, or etheric element, within you. The moment the element of akasha is dominant, you will find the clarity of your perception hugely enhanced.

Passyunk Avenue (pronounced pashunk by the locals) cuts a rude swath across an otherwise orderly grid of streets in South Philadelphia. Except for Passyunk (and Moyamensing) Avenue, the neighborhood is composed of a uniform matrix of numbered and named streets—one big street followed by two little streets. Viewed on a map, they form ninety-degree angles and predictable intersections. Passyunk Avenue, or simply Passyunk, is the great disruptor of this comforting geometry. Irregular and meandering, its slashing path intersects with the more obedient byways. Together they form a unique gridwork of inconvenient crossings and odd angles. The cumulative result is one of strangely shaped buildings. Their pointy corners puncture curious cells of dead space—the spaces between. While born of necessity, the resulting architecture created by these acute angles also manages to be strangely beautiful, an exotic visage in a sea of pretty faces. If you’ve ever seen the famous photo of Sophia Loren giving the side-eye to Jayne Mansfield, that’s Passyunk—South Philly’s middle finger to white bread Center City.

Olga did not see this as a theft as much as an equalization of resources: Mrs. Henderson had aggressively accumulated too much of something while her family had acutely too little. At the Henderson wedding, despite all the time and energy spent discussing, procuring, pleating, and angling these napkins, they would go unnoticed. But at Mabel’s, like a black Chanel suit in a sea of knockoff Hervé Léger bandage dresses, they would stop people in their tracks. “¡Qué elegante!” she could hear her Titi Lola saying. She could picture her Tío Richie holding two of them over his chest and saying, “Hey, how many do you think I’d need to make a guayabera?” There would be countless cousins uttering, simply, “Classy,” as they thumbed the fabric between their fingers. This was the least Olga could do, she felt. Why shouldn’t her family get to know the feeling of imported Belgian flax against their laps? Because

She had always told me stories about how poor a country Argentina was, being the reason for her girlfriend, Caterina, to move to Spain, which she said was the 13th richest country on the planet. Perhaps Martina's perception of Spain itself was crooked or surrealistic. She didn't realize that the country might be the 13th richest country in the world, but Spain was seriously broke and the people were desperately impoverished since 2007, the economic crisis had never ended, yet Martina seemed oblivious to all that. In her eyes, Spain was a rich country compared to Argentina. Martina perceived Europe and its various nationalities and countries in a surrealistic way, removed from reality; as if all Europeans were the same and equally trustworthy, just like non-Europeans in Spain, and she could not distinguish between people or groups of people coming from different places, with no reservations. This sounds very liberal, but there was only selfish capitalist interest behind it all and sometimes it showed for a moment or two that money was the main reason for her being in Europe in the first place, under the guise of a cover-up not being so much of a secret from me time to time. As if Spain were a playground for children or criminals, which wasn't too far from reality. But I noticed that she saw different false shadows under the same light casting shade of the same crap; she was confident in her beliefs, but at the same time seemingly questioning herself as to whether she was right or wrong, and if it mattered at all. Nonetheless, she was completely unaware of the dangers and trusted people too easily. She had no fear and appeared like a cool kid from the streets of even more dangerous places. Yet, considering her well-educated nature, and the fact that she could also be quite normal, she saw things differently than a European person, almost like a child from the favelas of Brazil, ready to kill for daily nutrition, making it an interesting paradox to observe her personality and her vibes changing like a kaleidoscope beneath the surface for those looking from the right angle. Martina didn't realize that Italy was Romania vol. 2, or what that meant--how history lives on, how the gypsies who died with the Jews never received a country of their own. I was not acutely aware of the fact that Spain was Romania vol. 3. The prospect of warm weather and easy money had been attracting criminals from all corners of the planet. She seemed to be the typical Libra she actually was, quite consciously quite lost and always trying to find her own balance unsuccessfully as if she was dizzy, never managing to attain the perfect measure, making mistakes and constantly questioning her own results and the actions that led to them. She attempted to conceal her lack of confidence with at times an exaggerated display of confidence. She vacillated between being too shy and too cool, never seeming authentic. I attempted to impart Herder's philosophy to her, explaining how opposing things can settle into harmony, where the truth is likely to be found in moderation and synthesis, hoping she would find it easier to maintain her inner balance amidst all the bad people and bad vibes coming from all directions.

At the time of the blow, the torso turns to the right and straightens simultaneously. The hand, dealing a blow, bent at the elbow at an acute angle, performs a fast movement from bottom to top at the blow (forearm directed in a straight line to the target). The fist, with fingers pointing towards each other, touches the target with the heads of the metacarpal bones. The right hand protects the chin with the open hand, and the elbow is lowered - the right side of the torso.

Do you remember the first time I met you?, In June in the bleak of winter. I looked at you at an acute angle, your eyes glued at Mark Rothko painting, I told you I am a fun of his painting, I told you how he committed suicide, I told you how he saw the world and you said I am speaking lies, you said I must work more on my dating skills, you said people who love painting are lacking romance, you told me people obsessed in painting are lacking emotions.... I told you I had found you statue glued thus means you slot the same line with me. You live in my light and compliment my deaths.....

She had always told me stories about how poor a country Argentina was, being the reason for her girlfriend, Caterina, to move to Spain, which she said was the 13th richest country on the planet. Perhaps Martina's perception of Spain itself was crooked or surrealistic. She didn't realize that the country might be the 13th richest country in the world, but Spain was seriously broke and the people were desperately impoverished since 2007, the economic crisis had never ended, yet Martina seemed oblivious to all that. In her eyes, Spain was a rich country compared to Argentina. Martina perceived Europe and its various nationalities and countries in a surrealistic way, removed from reality; as if all Europeans were the same and equally trustworthy, just like non-Europeans in Spain, and she could not distinguish between people or groups of people coming from different places, with no reservations. This sounds very liberal, but there was only selfish capitalist interest behind it all and sometimes it showed for a moment or two that money was the main reason for her being in Europe in the first place, under the guise of a cover-up not being so much of a secret from me time to time. As if Spain were a playground for children or criminals, which wasn't too far from reality. But I noticed that she saw different false shadows under the same light casting shade of the same crap; she was confident in her beliefs, but at the same time seemingly questioning herself as to whether she was right or wrong, and if it mattered at all. Nonetheless, she was completely unaware of the dangers and trusted people too easily. She had no fear and appeared like a cool kid from the streets of even more dangerous places. Yet, considering her well-educated nature, and the fact that she could also be quite normal, she saw things differently than a European person, almost like a child from the favelas of Brazil, ready to kill for daily nutrition, making it an interesting paradox to observe her personality and her vibes changing like a kaleidoscope beneath the surface for those looking from the right angle. Martina didn't realize that Italy was Romania vol. 2, or what that meant--how history lives on, how the gypsies who died with the Jews never received a country of their own. I was not acutely aware of the fact that Spain was Romania vol. 3. The prospect of warm weather and easy money had been attracting criminals from all corners of the planet. She seemed to be the typical Libra she actually was, quite consciously quite lost and always trying to find her own balance unsuccessfully as if she was dizzy, never managing to attain the perfect measure, making mistakes and constantly questioning her own results and the actions that led to them. She attempted to conceal her lack of confidence with at times an exaggerated display of confidence. She vacillated between being too shy and too cool, never seeming authentic. I attempted to impart Hegel's philosophy to her, explaining how opposing things can settle into harmony, where the truth is likely to be found in moderation and synthesis, hoping she would find it easier to maintain her inner balance amidst all the bad people and bad vibes coming from all directions.