Feathers Inspirational Quotes

Hope is the thing with feathers That perches in the soul And sings the tune without the words And never stops at all.

Sticking feathers up your butt does not make you a chicken!

He had never known such gallantry as the gallantry of Scarlett O'Hara going forth to conquer the world in her mother's velvet curtains and the tail feathers of a rooster.

If you don't feel as close to God today as you did yesterday, who moved?

Lean forward into your life...catch the best bits and the finest wind. Just tip your feathers in flight a wee bit and see how dramatically that small lean can change your life.

Knowing the precies answers is not as crucial as the certainty that the answers do, in fact, exist.

How can I lose faith in the justice of life, when the dreams of those who sleep upon feathers are not more beautiful than the dreams of those who sleep upon the earth?

Success seems to be largely a matter of hanging on after others have let go.

You are what you allow the Lord to make you.

Feather to fire,fire to blood Blood to bone,bone to marrow Marrow to ashes,ashes to snow

Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild.

Jim [Henson] had written letters to his five children to be opened only after his death. Brian read from his. Jim wrote, 'Be good to each other. Love and forgive everybody.' I remembered Jim telling me that he never wasted energy on hating anybody; he had too much thinking to do.

Seek out the company of those who will never ask you to jump," the earth advised. Bertie remembered the rush of feathers as she soared above the audience. "I can catch myself." "Of those whose love will never fill your lungs with water-" the earth argued. "But it did not kill me." "there should be more to love," said the earth, "than 'it did not kill me.' More than 'I survived it.

Not cry. Fly. “I can’t fly,” Bran said. “I can’t, I can’t…” How do you know? Have you ever tried? The voice was high and thin. Bran looked around to see where it was coming from. A crow was spiraling down with him, just out of touch, following him as he fell. “Help me,” he said. I’m trying, the crow replied… The crow took to the air and flapped around Bran’s hand. “You have wings,” Bran pointed out. Maybe you do too. Bran felt along his shoulders, groping for feathers. There are different kinds of wings, the crow said… Bran was falling faster than ever. The grey mists howled around him as he plunged toward the earth below. “What are you doing to me?” he asked the crow, tearful. Teaching you how to fly. “I can’t fly!” You’re flying right now. “I’m falling!” Every flight begins with a fall, the crow said. Look down.

On their sofas of spice and feathers, the concubines also slept fretfully. In those days the Earth was still flat, and people dreamed often of falling over edges.

I tell my girls when you have done everything humanly possible, when you have fought with everything in you for something you truly believe in and it is still out of reach, it's time to become a feather. Let the wind guide you for awhile....

Light as feathers, as fleeting as Zephyr, one moment they breathed pink, the next they faded. Cherry blossoms were as much an inspiration for beautiful verse as they were a reminder of life's fickleness, she thought.

How Easily a person could convince themselves they were doing the right thing, no matter the damage they did to the person they supposedly cared about, if it was out of love.

Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.

Red Rover, Red Rover, send Ardor right over," Eliza said. They laughed. The asteroid was a little bigger now, brighter, and still they went on laughing. Laughing in the face of what they couldn't predict or change or control. Would it be fire and brimstone? Would it be Armageddon? Or would it be a second chance? Eliza held tight to her friends, laughing, and a pair of hands land soft as feathers on her shoulders, like the hands of a ghost, laughing and laughing as Ardor swept along its fated course, laughing and through that laughter, praying. Praying for forgiveness. Praying for grace. Praying for mercy. 0

So I build my own nest and feather it with thoughts of you.

And soon afterwards this manuscript will appear, my final book... There will be outrage and disgust and people will turn on me at the last, they will hate me, my reputation will for ever be destroyed, my punishment earned, self-inflicted like this gunshot wound, and the world will finally know that I was the greatest feather man of them all.

Listen! What is life? It is a feather, it is the seed of the grass, blown hither and thither, sometimes multiplying itself and dying in the act, sometimes carried away into the heavens. But if that seed be good and heavy it may perchance travel a little way on the road it wills. It is well to try and journey one's road and to fight with the air. Man must die. At the worst he can but die a little sooner.

Success is largely a matter of hanging on after others have let go.

Slant narrowed his eyes. “Do the Clans walk alone into the final battle?” Half Moon flattened her ears. “Never alone!” She lifted her chin. “I will fight alongside Jayfeather.” Broken Shadow unsheathed her claws. “And I will fight alongside my son.” “I will fight beside Jagged Lightning and my kits to defeat this darkness.” Owl Feather’s eyes sparked. Bluestar thrashed her tail. “And I will die a tenth time to defend ThunderClan!” “These cats will never stand alone,” Half Moon declared. “We are with them just as we have always been.

A feather when viewed separately may seem like only a feather, But when seen through the eyes of truth it is a sacred instrument that lifts a bird in flight.

Look upon our beloved Mexico―the ancient singers gave her such lovely names: Navel of the Moon Foundation of Heaven Sea-Ringed World.

When one loves knowingly, when one loves consciously, with full knowledge, with full understanding, the delights of a person in love are nothing in comparison with the delights of love that sprouts only from the spirit.

One indicator of inspiration is awe. We tend to take so much for granted. How can we move past disconnection and desensitization to the incredible wonders of nature and human engineering all around us? Most of what we see in the world holds the potential to inspire astonishment if looked at from a less jaded perspective. Train yourself to see the awe behind the obvious. Look at the world from this vantage point as often as possible. Submerge yourself. The beauty around us enriches our lives in so many ways. It is an end in itself. And it sets an example for our own work. We can aim to develop an eye for harmony and balance, as if our creations have always been here, like mountains or feathers.

I want my life to be a celebration of slowness. Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend. On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space. Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness. Hand on stone -- patience. Hand on water -- music.

The past could never be hidden [we must embrace] it with new hope and new dreams so that both past and present form one unified trunk that continues to shelter our people

After a thousand years pass, it builds its own funeral pyre, lining it with cinnamon, myrrh and cassia. Climbing to a rest on the very top, it examines the world all throughout the night with the ability to see true good and evil. When the sun rises the next morning, with great sorrow for all that it sees, it sings a haunting song. As it sings, the heat of the sun ignites the expensive spices and the Phoenix dies in the flames. But the Phoenix is not remarkable for its feathers or flames. It is most revered for its ability to climb from its own funeral pyre, from the very ashes of its old charred body, as a brand new life ready to live again once more. Life after life, it goes through this cycle. It absorbs human sorrow, only to rise from death to do it all again. It never wearies, it never tires. It never questions its fate. Some say that the Phoenix is real, that it exists somewhere out there in the mountains of Arabia, elusive and mysterious. Others say that the Phoenix is only a wish made by desperate humans to believe in the continuance of life. But I know a secret. We are the Phoenix.

When they had understood the hoopoe's words, A clamour of complaint rose from the birds: 'Although we recognize you as our guide, You must accept - it cannot be denied - We are a wretched, flimsy crew at best, And lack the bare essentials for this quest. Our feathers and our wings, our bodies' strength Are quite unequal to the journey's length; For one of us to reach the Simorgh's throne Would be miraculous, a thing unknown. [...] He seems like Solomon, and we like ants; How can mere ants climb from their darkened pit Up to the Simorgh's realm? And is it fit That beggars try the glory of a king? How ever could they manage such a thing?' The hoopoe answered them: 'How can love thrive in hearts impoverished and half alive? "Beggars," you say - such niggling poverty Will not encourage truth or charity. A man whose eyes love opens risks his soul - His dancing breaks beyond the mind's control. [...] Your heart is not a mirror bright and clear If there the Simorgh's form does not appear; No one can bear His beauty face to face, And for this reason, of His perfect grace, He makes a mirror in our hearts - look there To see Him, search your hearts with anxious care.

Almost any idea is good if a man has ability and is willing to work hard. The best idea is worthless if the creator is a loafer and ineffective.

The most important lesson I've learned is that first you have to dream, and then you have to believe in your dreams. That is the only way for them to come true.

Tie me with love, clip all of my feathers, and take me anywhere.

I gasp my last sigh and realise how right Tree is: all is as it is, as it is meant to be.

High above us, the swallows still sing around the smokestacks.

But you will be back, and you will always be here. Don’t think that in death you go far from the earth; you remain down here with everything—the part of you that loved, which is the most important part. That part of you will patiently be here as the earth changes colour, exhausts itself, breathes in fresh life again, and revives. That part of you will be here all along, through that whole entire time, while the slugs make their sluggish art, beautiful little swirls in the mud, and whatever will populate the sea, and the greatest beasts that will ever be; slippery with green gills and lots of scales, feathers and fur. Even the swimming creatures will have their own ways of moving which will be radically new. And you will be here for that, too! Why am I so stuck in the art of the past? Because you are stuck in this situation, thinking it is the only one. There will be a second draft, and the part of you that loves, which is the best part of you, and the most eternal part, will be in the bears, the lizards, the mammoths, and the birds, there in the second draft of life.

Cleverness in itself is useless. It’s like a peacock’s feathers – an extravagant display used by those who crave attention. The mind’s worth is revealed when clever solves real problems.

Father Brendan Flynn: "A woman was gossiping with her friend about a man whom they hardly knew - I know none of you have ever done this. That night, she had a dream: a great hand appeared over her and pointed down on her. She was immediately seized with an overwhelming sense of guilt. The next day she went to confession. She got the old parish priest, Father O' Rourke, and she told him the whole thing. 'Is gossiping a sin?' she asked the old man. 'Was that God All Mighty's hand pointing down at me? Should I ask for your absolution? Father, have I done something wrong?' 'Yes,' Father O' Rourke answered her. 'Yes, you ignorant, badly-brought-up female. You have blamed false witness on your neighbor. You played fast and loose with his reputation, and you should be heartily ashamed.' So, the woman said she was sorry, and asked for forgiveness. 'Not so fast,' says O' Rourke. 'I want you to go home, take a pillow upon your roof, cut it open with a knife, and return here to me.' So, the woman went home: took a pillow off her bed, a knife from the drawer, went up the fire escape to her roof, and stabbed the pillow. Then she went back to the old parish priest as instructed. 'Did you gut the pillow with a knife?' he says. 'Yes, Father.' 'And what were the results?' 'Feathers,' she said. 'Feathers?' he repeated. 'Feathers; everywhere, Father.' 'Now I want you to go back and gather up every last feather that flew out onto the wind,' 'Well,' she said, 'it can't be done. I don't know where they went. The wind took them all over.' 'And that,' said Father O' Rourke, 'is gossip!

I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me. Alive in the galaxy. Alive in the stars. Alive in the sky. Alive in the sea. Alive in the palm trees. Alive in feathers. Alive in birds. Alive in the mountains. Alive in the coyotes. Alive in books. Alive in sound. Alive in mom. Alive in dad. Alive in Bobby. Alive in me. Alive in soil. Alive in branches. Alive in fossils. Alive in tongues. Alive in eyes. Alive in cries. Alive in bodies. Alive in past, present and future. Alive forever.

We all leave something behind us. A bird in flight will lose a snow-white feather, and flowers in the hedgerows will drop their petals. And people? We leave memories. Footprints in the dust and fingerprints on everything we've touched, warmth in every hand we've held. We become stories that are spoken of, for always. And in this way, we carry on.

In the state of abandonment the only rule is the duty of the present moment. In this the soul is light as a feather, liquid as water, simple as a child, active as a ball in receiving and following all the inspirations of grace. Such souls have no more consistence and rigidity than molten metal. As this takes any form according to the mould into which it is poured, so these souls are pliant and easily receptive of any form that God chooses to give them. In a word, their disposition resembles the atmosphere, which is affected by every breeze; or water, which flows into any shaped vessel exactly filling every crevice. They are before God like a perfectly woven fabric with a clear surface; and neither think, nor seek to know what God will be pleased to trace thereon, because they have confidence in Him, they abandon themselves to Him, and, entirely absorbed by their duty, they think not of themselves, nor of what may be necessary for them, nor of how to obtain it.

Literary censorship should not be necessary within the parameters of the law because it's simply a reflection of prevailing social prejudices! Writing should challenge and change prevailing ideas - churning the guts and ruffling feathers of friends, family and society. Antagonizing is a product of open writing. Expecting less is resignation and stagnation that slides the art into the status-quo. Writing needs the wider view that shows the causality of our prevailing social prejudice - and shakes at its foundation. Writers spare us no less and please leave your praise and oppugn to Christopher Hitchens.

Strap on those wings and close your eyes and take a step off that ledge with your arms spread and let the faith in yourself be enough to have the wind whip underneath your entire body and lift it back up into the air like a firework or a bird of paradise or a shooting star. It doesn't matter what heights you reach or what storms might set you back or how often you want to yank the feathers from your body and let them burn. You've already done it. Bask in the pride for a moment and soak in the fact that you are amazing.

My problems are light as a feather ‘cause God holds them for me.

In a world so full of pain and horror, it isn't a sin to feel happy. It's those moments that keep us going, that keep us sane, that remind us that there's something to fight for.

Faith is the feather that can let us fly.

What sells a book sells a book, same in traditional or self-publishing. You gotta shake your tail feathers.

The only thing that really matters is to be. Man is; the rest that he has is by addition.

Feather Presents are those things life brings that can't be held in the hand, or tied with bows, but are presents none-the-less

A father is a person who give you feather to further.

Like a feather in the air,Like a leaf in the sea,I surrender to thee,I surrender to thee.-RVM

One does not become strong lifting feathers.

All birds of feather flock together,” said to himself Canada Goose … that carving figure Hun - a swallow in his chat room barn - was fun.

Beauty was a chameleon with peacock feathers.

Hope is the thing with feathers That perches in the soul And sings the tune without the words And never stops at all.

Hope is the thing with feathers that perches in the soul.

A heart without dreams is like a bird without feathers.

Every second of my time, every letter of my word. One reason of my crime, two feathers of my bird.

Hope is the thing with feathers That perches in the soul And sings the tune without the words And never stops at all.

I wanted to thank you,” Grith explained. “You are the first human I have ever truly seen as a dragon-like creature. One that is like us, rather than like prey. It is difficult for me to dislike one that I see only as a food source, and my personal distaste for you has made me realize that you have progressed beyond that.” She pulled her lips back, long white fangs glinting in the moonlight. “I do not kill other dragons, but if for some reason, I was forced to kill you, nothing would remain of your body but ash. Not a single drop of blood or piece of flesh would be left.

No one weeps anymore, or if they do it is over small things, inconsequential moments that catch them unprepared. What is left that is heartbreaking? Not death: death is ordinary. What is heartbreaking is the sight of a single gull lifting effortlessly from a street lamp. Its wings unfurl like silk scarves against the mauve sky, and Marina hears the rustle of its feathers. What is heartbreaking is that there is still beauty in the world.

I am, for certain, a powerful force. I've stood outside on a winter day, for years an unending winter, without batting an eye. While you... even when you go out on a sunny day, you bring a sweater just in case. You can never be on the outskirts, you can never be in the cold, you can never be at the losing end. You need your blankets. You make me think twice about what it means to be a protector; you protected me so well only because I was beside you. It wasn't about me. It was still about you. But I have learned... that even in the winter the summer lasts within me. Flowers grow and sunbeams exit the palms of my hands. And that I can grow feathers and lots of fur.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

But for Maisie the case notes would not be filed away until those whole lives were touched by her investigation had reached a certain peace with her findings, with themselves, and with one another - as far as that might be possible.

You all remember,” said the Controller, in his strong deep voice, “you all remember, I suppose, that beautiful and inspired saying of Our Ford’s: History is bunk. History,” he repeated slowly, “is bunk.” He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk-and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk-and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom-all were gone. Whisk-the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk...

this beautiful bird, a little yellow-breasted finch, landed on my windowsill...she just stopped my time flow...i looked at her, for i could see nothing else mattered in that moment, and she looked directly at me, and then turned her head slightly sideways, and then quickly back...she then sang to me a wonderful melody of tweets and chirps in harmony with the sound of sunshine glowing through her feathers...her wild and innocent essence warmed all my senses, to my core...and all of a sudden with an assured certainty, i knew everything was going to be alright

The Bell Ringing Woman described me about the importance of every place in detail,while giving me her detailed sketches about the inland places,I noticed her headdress,which was made of silk and feathers bedecked in it. There are different colors of feathers there, as I knew,each feather had her color of mind.

She's so pretty, isn't she? Beautiful, really. That prefect skin, those long legs. And that hair! It's so black. Black as a raven's feather, that's what my mother used to say. Do you know, Ellie, what a group of ravens is called? [...] It's called an Unkindness. Isn't that strange? An Unkindness. Well... it's something to think about.

What I'm saying is that you don't have to be like anyone else, whether they are similar or different. You are your own person. The greatest enemy is often your perception of how you should be. But the greatest form of enlightenment is your rock-solid understanding of what you are, not what others have made of the cards they were dealt in life.

Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.

Craft the finest arrow Forage jungles for straightest shaft Forge sharpest head of glass Pluck feathers of the wisest crow Without the simplest archer and bow Without a mark that's true Useless Craft the finest vessel Fell the jungle's strongest mast Build the world's mightiest hull A flag the crown of all seas you can sew Without the simplest oarsmen to row Without a port that's true Useless

I want to fly over the mountain's peek as winds Want to bring up the sand of ocean's bottom Want to sprint faster then leopard Want to fly like feather do with the breeze Want to drawn deep into the ocean like sun do Want to conceal behind the clouds like moon do Cold as outer space Warm as earth's womb To be silent as desert's are Want to roar louder then the thunders do innocent as a child i want........me back))))))

Somewhere in this world, the tides are rising high and washing away the negative tides of curses that bind my life. Somewhere the sun is sprinkling some glitter on the ocean’s surface, and in the same place, a bird’s feather is gently floating in the wind. Those thoughts alone give me faith because I know somewhere in the world what I imagine is happening precisely in that order. Therefore, I know that hope and faith do exist, and the impossible is possible.

Lupa is at the riverbank or at the entrance to the cave waiting for us to remember, to reclaim our unique embodiment and path. Here is not the stereotypical perfect Goddess, shiny feathers, golden hair and sexy pout that we often compare ourselves with, but the true perfection of the divine feminine that is that which judge as the 'inperfection' of ourselves. She is the wild, untamed, perhaps lost parts of ourselves that need our love and compassion. She is the ferocity and courage that is required to go to places you fear most" Lupa. She-Wolf of Rome, Mother of Destiny by Rachel S Roberts

The fully qualified Indian marine archaeologists who had dived on the structure in 1993 had not hesitated in their official report to pronounce it to be man-made with 'courses of masonry' plainly visible -- surely a momentous finding 5 kilometers from the shore at a depth of 23 metres? But far from exciting attention, or ruffling any academic feathers, or attracting funds for an extension of the diving survey to the other apparently man-made mounds that had been spotted bear by on the sea-bed -- and very far indeed from inspiring any Tamil expert to re-evaluate the derided possibility of a factual basis to the Kumari Kandam myth -- the NIO's discovery at Poompuhur had simply been ignored by scholarship, not even reacted to or dismissed, but just widely and generally ignored.

Books are admitted to the canon by a compact which confesses their greatness in consideration of abrogating their meaning; so that the reverend rector can agree with the prophet Micah as to his inspired style without being committed to any complicity in Micah's furiously Radical opinions. Why, even I, as I force myself; pen in hand, into recognition and civility, find all the force of my onslaught destroyed by a simple policy of non-resistance. In vain do I redouble the violence of the language in which I proclaim my heterodoxies. I rail at the theistic credulity of Voltaire, the amoristic superstition of Shelley, the revival of tribal soothsaying and idolatrous rites which Huxley called Science and mistook for an advance on the Pentateuch, no less than at the welter of ecclesiastical and professional humbug which saves the face of the stupid system of violence and robbery which we call Law and Industry. Even atheists reproach me with infidelity and anarchists with nihilism because I cannot endure their moral tirades. And yet, instead of exclaiming "Send this inconceivable Satanist to the stake," the respectable newspapers pith me by announcing "another book by this brilliant and thoughtful writer." And the ordinary citizen, knowing that an author who is well spoken of by a respectable newspaper must be all right, reads me, as he reads Micah, with undisturbed edification from his own point of view. It is narrated that in the eighteen-seventies an old lady, a very devout Methodist, moved from Colchester to a house in the neighborhood of the City Road, in London, where, mistaking the Hall of Science for a chapel, she sat at the feet of Charles Bradlaugh for many years, entranced by his eloquence, without questioning his orthodoxy or moulting a feather of her faith. I fear I small be defrauded of my just martyrdom in the same way.

The squaw on the hippo? In his mind's eye, Darbishire pictured the wife of a red indian chief, resplendent in feathered head-dress, riding proudly on the tribal hippopotamus. But how could she be equal to the squaws on the other two sides of the animal? equal in weight? . . . In height? . . . in importance? He stared at the diagram wondering whether it was meant to represent a three sided hippopotamus, but it wasn't easy to imagine what such an animal would look like in real life, Determined to please Mr Wilkins, he tried again. perhaps the theorem meant she was equal in weight. Supposing you had a very fat squaw, weighing, say, fifteen stone; and two thinner squaws weighing, say, eight stone and seven stone respectively . . . What then? the scholar's eyes shone with inspiration. He'd got it! seven and eight made fifteen! So the squaw on one side of the hipppotamus would be equal in weight to the sum of the squaws on the other two sides. That meant that the animal would be properly balanced and wouldn't topple over.

We wrote this song called 'Flight of Icarus'. It's a Fable... It's about this bloke named Icarus, right, and one day he goes "'Ello, I think I'm gonna fly about!", so he builds some wings out of wax and feathers, right, and he goes flying about like a cunt through the air, right, and he goes up to this ball of fire called 'the sun' that hides obscured by the clouds over the UK, right... So he goes up to the ball of fire and the wings melt, 'cause they're made out of wax, right, so he goes plummetin', plummetin' down to the earth, and he fuckin' dies, right... alright, so we wrote this song called 'Flight of Icarus', right, and it's basically sayin' "Hey man, wake up! Don't go flyin' about near the sun unless you're in an airplane," right, 'cause the wings are metal, right, and they won't melt, right... So, here's a song that's workin' on two different levels at once, right... 'cause the wings of the plane are made out of metal, right... and we play Metal music, right... two dimensional, see? So Maiden's always thinking... Always thinking.

SWEETEST IN THE GALE by Michelle Valois After Emily Dickinson You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me. Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier. Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.

We often talk about being kind, but how do we define "kind" at its very root? Where is the root and what is the root of "kind" and "kindness"? I truly believe that kindness is rooted in the acceptance of the flaws of life, the acceptance of the turns life has taken which we couldn't have planned for and that we didn't hope for. Kindness is rooted in the acceptance of the fact that life is a wild thing that cannot ever be caged. Some people are going to get married and divorced seven times before they find the one they are meant to be with; that's okay. Some people are going to be born with disabilities; that's okay. Some people are born in heaven while others are born in hell; both are okay. Some people are born in hell later ending up in heaven while others are born in heaven later ending up in hell; it's all okay. Life, whether belonging to you or to others, is never going to be a painting fitting into your prepared picture frame. How dare we come into this monstrous, joyous, incredible, terrible world, thinking that we can dictate what's wrong and right, what's better and what's lesser? Come into this world with your wings and your claws and your paws and your laughters! With your feathers and your fur! Because you're going to need all of it! And when you look at other people, sometimes they are going to be donning feathers and other times they are going to be clawing things, jumping in and out, screaming or laughing or crying or being quiet; it's all okay. Because we are ALL living with this monstrous and beautiful creature called Life! So, kindness is the realisation of this, the readiness to see this in others, the willingness to embrace everything that happens-- whether it is happening to yourself or to other people. Kindness is waking up to the true and full nature of life, looking her in the eyes, and being ready to embrace her.

I’d met Madison, as I’ve already mentioned, two months earlier, in Budapest. I’d been at a conference. She’d been there with some girlfriends. We’d got talking in the hotel bar. An anthropologist, she’d said; that’s … exotic. Not at all, I’d replied; I work for an incorporated business, in a basement. Yes, she said, but … But what? I asked. Dances, and masks, and feathers, she eventually responded: that’s the essence of your work, isn’t it? I mean, even if you’re writing a report on workplace etiquette, or how to motivate employees or whatever, you’re seeing it all through a lens of rituals, and rites, and stuff. It must make the everyday all primitive and strange—no? I saw what she was getting at; but she was wrong. For anthropologists, even the exotic’s not exotic, let alone the everyday. In his key volume Tristes Tropiques, Claude Lévi-Strauss, the twentieth century’s most brilliant ethnographer, describes pacing the streets, all draped with new electric cable, of Lahore’s Old Town sometime in the nineteen-fifties, trying to piece together, long after the event, a vanished purity—of local colour, texture, custom, life in general—from nothing but leftovers and debris. He goes on to describe being struck by the same impression when he lived among the Amazonian Nambikwara tribe: the sense of having come “too late”—although he knows, from having read a previous account of life among the Nambikwara, that the anthropologist (that account’s author) who came here fifty years earlier, before the rubber-traders and the telegraph, was struck by that impression also; and knows as well that the anthropologist who, inspired by the account that Lévi-Strauss will himself write of this trip, shall come back in fifty more will be struck by it too, and wish—if only!—that he could have been here fifty years ago (that is, now, or, rather, then) to see what he, Lévi-Strauss, saw, or failed to see. This leads him to identify a “double-bind” to which all anthropologists, and anthropology itself, are, by their very nature, prey: the “purity” they crave is no more than a state in which all frames of comprehension, of interpretation and analysis, are lacking; once these are brought to bear, the mystery that drew the anthropologist towards his subject in the first place vanishes. I explained this to her; and she seemed, despite the fact that she was drunk, to understand what I was saying. Wow, she murmured; that’s kind of fucked. 2.8 When I arrived at Madison’s, we had sex. Afterwards,

Be as light as a feather and when they reach for you — you will blow right by their grip; you will effortlessly flow to safety.

Like a Feather in the Air, like a Leaf in the Sea, I surrender to Thee, I surrender to Thee. #Inspiration #Motivation #RVM #Quotes

It was time to update Jerry, even though I had made no progress on the story. I dialed his number and it didn’t even ring. “This is Jerry.” “I have a problem.” “Well, hello to you, too.” “I’m serious.” “Congratulations. You haven’t been serious about anything in a very long time.” I often had these ridiculous back-and-forths with Jerry in which he would intentionally mock me or try to ruffle my feathers because he thought it inspired my writing. I was also ninety-nine percent sure that Jerry had undiagnosed ADD. Many days we ate lunch in the park together, sometimes Lincoln, sometimes Stanton. We’d eat our deli sandwiches and talk about life stuff. We would be having the most profound conversation about mortality or world hunger and Jerry would suddenly jerk his head around and say, “Oh man, look at that kite, it’s shaped like a giant squid!” I would never even attempt to take him to Millennium Park—forget about it. I know he’d just sit there and stare, mesmerized at those giant sculptures. His brain would go into overload and he would probably chant, “Big metal object, big metal object,” over and over. He did everything fast—he thought, ate, wrote, talked, even walked faster than the average person. His attention span didn’t last longer than a few seconds. His deadlines were sometimes unreasonable, and his brain rarely allowed for small talk in conversations, which made him a straight shooter. “Jerry, stop.

Daniel and the Pelican As I drove home from work one afternoon, the cars ahead of me were swerving to miss something not often seen in the middle of a six-lane highway: a great big pelican. After an eighteen-wheeler nearly ran him over, it was clear the pelican wasn’t planning to move any time soon. And if he didn’t, the remainder of his life could be clocked with an egg timer. I parked my car and slowly approached him. The bird wasn’t the least bit afraid of me, and the drivers who honked their horns and yelled at us as they sped by didn’t impress him either. Stomping my feet, I waved my arms and shouted to get him into the lake next to the road, all the while trying to direct traffic. “C’mon beat it, Big Guy, before you get hurt!” After a brief pause, he cooperatively waddled to the curb and slid down to the water’s edge. Problem solved. Or so I thought. The minute I walked away he was back on the road, resulting in another round of honking, squealing tires and smoking brakes. So I tried again. “Shoo, for crying out loud!” The bird blinked, first one eye then the other, and with a little sigh placated me by returning to the lake. Of course when I started for my car it was instant replay. After two more unsuccessful attempts, I was at my wits’ end. Cell phones were practically non-existent back then, and the nearest pay phone was about a mile away. I wasn’t about to abandon the hapless creature and run for help. He probably wouldn’t be alive when I returned. So there we stood, on the curb, like a couple of folks waiting at a bus stop. While he nonchalantly preened his feathers, I prayed for a miracle. Suddenly a shiny red pickup truck pulled up, and a man hopped out. “Would you like a hand?” I’m seldom at a loss for words, but one look at the very tall newcomer rendered me tongue-tied and unable to do anything but nod. He was the most striking man I’d ever seen--smoky black hair, muscular with tanned skin, and a tender smile flanked by dimples deep enough to drill for oil. His eyes were hypnotic, crystal clear and Caribbean blue. He was almost too beautiful to be real. The embroidered name on his denim work shirt said “Daniel.” “I’m on my way out to the Seabird Sanctuary, and I’d be glad to take him with me. I have a big cage in the back of my truck,” the man offered. Oh my goodness. “Do you volunteer at the Sanctuary?” I croaked, struggling to regain my powers of speech. “Yes, every now and then.” In my wildest dreams, I couldn’t have imagined a more perfect solution to my dilemma. The bird was going to be saved by a knowledgeable expert with movie star looks, who happened to have a pelican-sized cage with him and was on his way to the Seabird Sanctuary.

Daniel and the Pelican So there we stood, on the curb, like a couple of folks waiting at a bus stop. While he nonchalantly preened his feathers, I prayed for a miracle. Suddenly a shiny red pickup truck pulled up, and a man hopped out. “Would you like a hand?” I’m seldom at a loss for words, but one look at the very tall newcomer rendered me tongue-tied and unable to do anything but nod. He was the most striking man I’d ever seen--smoky black hair, muscular with tanned skin, and a tender smile flanked by dimples deep enough to drill for oil. His eyes were hypnotic, crystal clear and Caribbean blue. He was almost too beautiful to be real. The embroidered name on his denim work shirt said “Daniel.” “I’m on my way out to the Seabird Sanctuary, and I’d be glad to take him with me. I have a big cage in the back of my truck,” the man offered. Oh my goodness. “Do you volunteer at the Sanctuary?” I croaked, struggling to regain my powers of speech. “Yes, every now and then.” In my wildest dreams, I couldn’t have imagined a more perfect solution to my dilemma. The bird was going to be saved by a knowledgeable expert with movie star looks, who happened to have a pelican-sized cage with him and was on his way to the Seabird Sanctuary. As I watched Daniel prepare for his passenger, I couldn’t shake the feeling that I knew him from somewhere. “Have we ever met before?” I asked. “No I don’t think so,” was his reply, smiling again with warmth that would melt glaciers. I held my breath as the man crept toward the pelican. Their eyes met, and the bird meekly allowed Daniel to drape a towel over his face and place him in the cage. There was no struggle, no flapping wings and not one peep of protest--just calm. “Yes!” I shrieked with excitement when the door was latched. What had seemed a no-win situation was no longer hopeless. The pelican was finally safe. Before they drove away, I thanked my fellow rescuer for his help. “It was my pleasure, Michelle.” And he was gone. Wait a minute. How did he know my name? We didn’t introduce ourselves. I only knew his name because of his shirt. Later when I called the Sanctuary to check on the pelican, I asked if I might speak with Daniel. No one had ever heard of him.

Spain is where Gray’s godmother, Red Wire, and her husband, Red Dancer, had made their home. Their feathers were bright crimson-pink. They were high-energy and great sky-dancers.

You all remember," said the Controller, in his strong deep voice, "you all remember, I suppose, that beautiful and inspired saying of Our Ford's: History is bunk. History," he repeated slowly, "is bunk." He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk-and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk-and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom-all were gone. Whisk-the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk…

In moments of decision, ask yourself: Are you the wind shaping your destiny, or the feather floating along with it?

Life isn't just a gift, it's an abundant series of more gifts (i.e. Feather Presents) than one can count

Looking down from a fork in the tree, a little girl shivers in the bitter autumn wind. She could be inside in the warmth. Inside; amidst all the smelly pots and pans and piles of dirty clothes. The darkened lounge room flickering out a constant reel of cartoons; the light outside strangled as it tries to valiantly penetrate curtains too hard for a child to open. Michelle had gone into her Auntie’s room, as she had done many times before, to say that she will just be outside. ‘Okay my dearie,’ came the exhausted reply. There Patricia lay, her crumpled hair peeping out from the blankets. The stale, sour, smell of too much hibernation trapped in that tiny room. Her frayed sequin shoes left discarded near the door. The feather cap hanging limply from her dresser door, waiting for life to ride underneath it once again and for the wind to make it shimmer with delight. Michelle had walked outside, hoping that this canyon of loneliness would not follow her down the stairs. Out into the sounds of activity, the fresh waft of sea air, and the theatrical display of birdlife. There, Michelle now sits, watching it all as she reunites with the silent strength of her tree.

Like a floating feather in the air, take life very lightly and joyfully adjust to the flow of life.

No man is a failure who is enjoying life.” William Feather

Love is the key to everything, because it is the force that keeps and maintains everything.

Just as good and virtue, sin and evil can only be given in vigil. Who sleeps, sleeps; for the asleep there is no sin, just as there is no good, nor virtue. There is only sleep.

Use your training, Maisie, your heart, your intuition, and your love for your father to forge a new, even stronger, bond.

Feather Presents are those things life brings that can't be held in the hand, or tied with bows, but are presents none-the-less