Palette Knife Quotes

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He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.
Alasdair Gray (Lanark)
Mini seemed to think about it. He pulled out a pocket knife, flipped it open, and handed it to Trinket. “For the packing tape,” he said, rolling his eyes at Trinket’s expression. “Not for stabbing the fish. Jesus.” Trinket knelt by the first box, took the knife, and slit the tape.
Daniel May (A Darker Palette (A Taste of Ink, #5))
Apricot and chocolate muffins Muffins are a great way to introduce new fruits to your child’s diet. Once they have enjoyed apricots in a muffin, you can serve the ‘real thing’, saying it’s what they have for breakfast. Or you can put some fresh versions of the fruit on the same plate. Other fruits to try in muffins include blueberries and raspberries. A word of warning: the muffins don’t taste massively sweet so may seem a bit underwhelming to the adult palette. We tend to have them with a glass of milk-based, homemade fruit smoothie, spreading them with ricotta cheese to make them more substantial. 250g plain wholemeal flour 2 tsp baking powder 30g granulated fruit sugar 1 egg 30ml vegetable oil 150ml whole milk 180g ripe apricots, de-stoned and chopped 20g milk chocolate, cut into chips Put muffin cases into a muffin tray (this makes about 8–10 small muffins). Heat the oven to 180°C/gas 4. Put the flour and baking powder in a bowl and mix well. Next add the sugar and mix again. Make a ‘well’ in the middle of the mixture. Crack the egg into another bowl and add the oil and milk. Whisk well, then pour into the ‘well’ in the mixture in the other bowl. Stir it briskly and, once well mixed, stir in the apricot and the chocolate chips. Spoon equal amounts into the muffin cases and bake. Check after 25 minutes. If ready, a sharp knife will go in and out with no mixture attached. If you need another 5 minutes, return to the oven until done. Cool and serve. Makes 10 mini- or 4 regular-sized muffins. Great because:  The chocolate is only present in a tiny amount but is enough to make the muffins feel a bit special while the apricots provide a little fruit. If you have them with a milk-based smoothie and ricotta it means that you boost the protein content of the meal to make it more filling.
Amanda Ursell (Amanda Ursell’s Baby and Toddler Food Bible)
Like a knife slices flesh, these intricate streams of enlightenment carved through the palette of my mind, destroying while also reconstructing the known and the unknown. Each
M. Amanuensis Sharkchild (The Dark Verse, Vol. 1: From the Passages of Revenants)
I sucked in the pungent air and a palette knife of pain sliced through my skull as though my brain were a glob of acrylic paint.
Kerry Lonsdale (Everything We Left Behind (Everything #2))
Human beings are not alone in this world, but the inelegant silhouette that captures humankind’s two-thumbed approach to solving the inherent challenges in eking out a daily existence is certainly the product of human being’s clumsily wielded palette knife constantly exacting a steep price upon both nature and humanity.
Kilroy J. Oldster (Dead Toad Scrolls)
What's that, mister?" "That's the green for the gentleman's coat. No--don't pinch it, or you'll get it all over you. Yes, you can put the cap on. Yes, that's to keep it from drying up. Yes, put it back in the box.... That's yellow. No, I know there isn't any yellow in the picture, but I want it to mix with the green to make it brighter. You'll see. Don't forget the cap. What? Oh, anywhere in the box. White--yes, it's a big tube, isn't it? You see, you have to put a little white into most of the colours--why? Well, they wouldn't come right without it. You'll see when I do the sky. What's that? You want the dog made white all over? No, I can't make it a picture of Scruggs. Why not? Well, Scruggs isn't the right sort of dog to take out shooting. Well, he's not, that's why. This has got to be a retriever. All right, well, I'll put in a liver-and-white spaniel. Oh, well, it's rather a pretty dog with long ears. Yes, I daresay it is like Colonel Amery's. No, I don't know Colonel Amery. Did you put the cap on that white paint? Dash it! if you go losing things like that I'll send you back to Mother and she'll spank you. What? Well, the gentleman has a green coat because he's a gamekeeper. Possibly Colonel Amery's gamekeeper doesn't, but this one does. No, I don't know why gamekeepers wear green coats--to keep them warm, I expect. No, I haven't got any brown paint same as that tree-trunk. I get that by mixing other colours. No, I've got all the colours I want now. You can put 'em away and shut the box. Yes, I can tell pretty well how much I want before I start. That's called a palette knife. No, it isn't meant to be sharp. It's meant for cleaning your palette and so on. Some people use a knife to paint with. Yes, it's nice and wiggly, but it won't stand too much of that kind of treatment, my lad. Yes, of course you can paint with a knife if you want to. You can paint with your fingers if it comes to that. No, I shouldn't advise you to try. Yes, well, it makes a rougher kind of surface, all blobs and chunks of paint. All right, I'll show you presently. Yes, I'm going to begin with the sky. Why? Well, why do you think? Yes, because it's at the top. Yes, of course that blue's too dark, but I'm going to put some white in it. Yes, and some green. You didn't know there was any green in the sky? Well, there is. And sometimes there's purple and pink too. No, I'm not going to paint a purple and pink sky. The gentleman and the dogs have only just started out. It's morning in this picture. Yes, I know, on the other side they're coming home with a lot of birds and things. I'll put a pink and purple sunset into that if you're good and don't ask too many questions. No, be a good girl and don't joggle my arm. Oh, Lord!
Dorothy L. Sayers (The Five Red Herrings (Lord Peter Wimsey, #7))
After a couple of hours she breathlessly put aside her palette knife and asked, ‘Did you ever experiment with your handwriting?’ I thought about this as Jacinta poured herself a glass of milk from a carton. ‘I suppose so. Once I wasn’t being forced to use joined up writing with a fountain pen any more. Why?’ ‘You sent me a few of my old exercise books from school after you cleared out Mum’s place a few years ago. Do you remember?’ I told her I didn’t. Maybe David had posted them to her. ‘When I was at primary school I wrote using the whole wide line. The capitals touched the top and everything was balloony, you know, round and chipper. But my handwriting in the later exercise books, I think I must have been fourteen or so, was completely truncated like inky footprints made by ants. I could hardly make out what I’d written. I don’t know how the teachers deciphered it. I still don’t quite know what comes naturally when I write. I don’t have a style. It changes. Sometimes it’s all swallowed up and at other times I write using tall, spindly letters. Maybe it’s the pen and paper I’m using. That makes a difference.’ ‘Yeah, it does,’ I agreed. ‘I hate thin-ruled paper.’ She took a gulp from her milk. The light was behind her. I couldn’t see her features. Her hair was pulled back into a low ponytail like the one she wore to school for years. I hated Mum. I hated Pete. I hated Gavin. I hated myself. Jacinta said, ‘When I paint I have a signature. It’s my own and I don’t have to be afraid.’ ‘I’m sorry, Jacinta. I’m so sorry. I didn’t know what to do.’ ‘I don’t blame you. But I thought you’d forgotten. Or forgiven. Or a bit of both.’ ‘A bit of both,’ I admitted. She was quiet, began to clean up. I didn’t help. I just watched. And eventually she turned back to me and said, ‘How’s Zoey?
Sarah Crossan (Hey, Zoey)