Acting Dumb Quotes

Never give all the heart, for love Will hardly seem worth thinking of To passionate women if it seem Certain, and they never dream That it fades out from kiss to kiss; For everything that's lovely is But a brief, dreamy, kind delight. O Never give the heart outright, For they, for all smooth lips can say, Have given their hearts up to the play. And who could play it well enough If deaf and dumb and blind with love? He that made this knows all the cost, For he gave all his heart and lost.

I lay in bed the night before the fishing trip and thought it over, about my being deaf, about the years of not letting on I heard what was said, and I wonder if I can ever act any other way again. But I remembered one thing: it wasn't me that started acting deaf; it was people that first started acting like I was too dumb to hear or see or say anything at all.

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!

Sometimes playing stupid opens your eyes to the truth.

But I remember one thing: it wasn't me that started acting deaf, it was people that first started acting like I was too dumb to hear or see or say anything at all.

It’s all about attitude. You act like you’re the shit and guys are so dumb they’ll totally believe it.

A Psalm of Life Tell me not in mournful numbers, Life is but an empty dream! For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou are, to dust thou returnest, Was not spoken of the soul. Not enjoyment, and not sorrow, Is our destined end or way; But to act, that each tomorrow Find us farther than today. Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave. In the world's broad field of battle, In the bivouac of Life, Be not like dumb, driven cattle! Be a hero in the strife! Trust no Future, howe'er pleasant! Let the dead Past bury its dead! Act, - act in the living Present! Heart within, and God o'erhead! Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sand of time; Footprints, that perhaps another, Sailing o'er life's solenm main, A forlorn and shipwrecked brother, Seeing, shall take heart again. Let us then be up and doing, With a heart for any fate; Still achieving, still pursuing, Learn to labor and to wait.

The trick to being smart is knowing when to play dumb.

Did she say anything before she died?" he asked. "Yes," the surgeon said. "She said, 'Forgive him'" "Forgive him?" my father asked. "I think she was referring to the drunk driver who killed her." Wow. My grandmother's last act on earth was a call for forgiveness, love and tolerance. She wanted us to forgive Gerald, the dumb-ass Spokane Indian alcoholic who ran her over and killed her. I think My Dad wanted to go find Gerald and beat him to death. I think my mother would have helped him. I think I would have helped him, too. But my grandmother wanted us to forgive her murderer. Even dead, she was a better person than us.

I know that you and your girls have been told for years on end that you just don’t pass up any opportunities when a man walks your way—he could be The One. But I’m here to tell you that this philosophy is just plain dumb. Women are smart—you all can tell when your friends are lying, you know when your kids are up to no good, co-workers can’t get anything past you at the job. You’re quick to let each one of them know that you’re not stupid, that you see them coming a mile away, and you’re not going to let them play that game with you. But when it comes to your relationships with the opposite sex, all of that goes out the window; you relinquish your power and lose all control over the situation—cede it to any old man who looks at you twice. Just because he happened to look at you twice.

Regardless, you ask why I did not greet you. Well, let us assume that I had acted as you suggest I should. Upon your approach, you would have had me gush over you?” “Naturally.” “You would have me point out how stunning you appear in that gown?” “I wouldn’t complain.” “Mention how your dazzling eyes glisten in the fireworks like burning embers?” “That would be nice.” “Expound on how your lips are so perfectly red that they could leave any man breathless with wonder, yet drive him compose the most brilliant of poetry each time he recalled the moment?” “I’d be flattered for certain.” “And you claim you want these reactions from me?” “I do.” “Well blast it, woman,” Lightsong said, picking up his cup. “If I’m stunned, dazzled, and breathless, then how the hell am I supposed to greet you? By definition, won’t I be struck dumb?” She laughed. “Well, then, you’ve obviously found your tongue now.” “Surprisingly, it was in my mouth,” he said. “I always forget to check there.

Want to talk third wave feminism, you could cite Ariel Levy and the idea that women have internalized male oppression. Going to spring break at Fort Lauderdale, getting drunk, and flashing your breasts isn't an act of personal empowerment. It's you, so fashioned and programmed by the construct of patriarchal society that you no longer know what's best for yourself. A damsel too dumb to even know she's in distress.

Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.

I have been primarily interested in how and why ordinary people do unusual things, things that seem alien to their natures. Why do good people sometimes act evil? Why do smart people sometimes do dumb or irrational things?

Annabeth and I were relaxing on the Great Lawn in Central Park when she ambushed me with a question. “You forgot, didn’t you?” I went into red-alert mode. It’s easy to panic when you’re a new boyfriend. Sure, I’d fought monsters with Annabeth for years. Together we’d faced the wrath of the gods. We’d battled Titans and calmly faced death a dozen times. But now that we were dating, one frown from her and I freaked. What had I done wrong? I mentally reviewed the picnic list: Comfy blanket? Check. Annabeth’s favorite pizza with extra olives? Check. Chocolate toffee from La Maison du Chocolat? Check. Chilled sparkling water with twist of lemon? Check. Weapons in case of sudden Greek mythological apocalypse? Check. So what had I forgotten? I was tempted (briefly) to bluff my way through. Two things stopped me. First, I didn’t want to lie to Annabeth. Second, she was too smart. She’d see right through me. So I did what I do best. I stared at her blankly and acted dumb.

I felt like I needed something official to show me how all of this should feel, how I should be acting, what I should be saying--even if it was just some dumb movie that wasn't really official at all.

I am willing to sound dumb. I am willing to be wrong. I am willing to be passionate about something that isn’t perceived as cool. I am willing to express a theory. I am willing to admit I’m afraid. I’m willing to contradict something I’ve said before. I’m willing to have a knee-jerk reaction, even a wrong one. I’m willing to apologize. I’m perfectly willing to be perfectly human.

losers so dumb that they mistook wrapping themselves in the chains of addiction as an act of rebellion.

No. She's perfect. She doesn't fuss, doesn't nag, she trusts me absolutely no matter how dumb I act, and she never, ever holds the past against me. Which, come on, it would be really easy for her to do. On top of it, she's mind-blowing in bed and I can't keep my hands off of her. She's too good to be true, so why would she want to spend the rest of her life with me?

If there is anything I can do, I'll help. Don't get excited. It's not because of you. For the child. If it wasn't for her and the flare, I'd throw your dumb ass out of this window." "What does the flare as to do with it?" "I don't want it to be attributed to a loss of control on my part. When I thorw you out of the window, I want there to beno doubt the act was deliberate.

I used to act dumb. It was an act. I am 26 years old, and that act is no longer cute. It is not who I am, nor do I want to be that person for the young girls who looked up to me. I know now that I can make a difference, that I have the power to do that. I have been thinking that I want to do different things when I am out of here. I have become much more spiritual. God has given me this new chance.

When I see her,” I said, “it’s like - I don’t know what it’s like. It’s like I never saw anything at all before. It’s like I am filling up, like a wine-glass when it’s filled with wine. I watch the acts before her and they are like nothing - they’re like dust. Then she walks on the stage and - she is so pretty; and her suit is so nice; and her voice is so sweet… She makes me want to smile and weep, at once. She makes me sore, here.” I placed a hand upon my chest, upon the breast-bone. “I never saw a girl like her before. I never knew that there were girls like her…” My voice became a trembling whisper then, and I found that I could say no more. There was another silence. I opened my eyes and looked at Alice - and knew at once that I shouldn’t have spoken; that I should have been as dumb and as cunning with her as with the rest of them. There was a look on her face - it was not ambiguous at all now - a look of mingled shock, and nervousness, and embarrassment or shame. I had said too much. I felt as if my admiration for Kitty Butler had lit a beacon inside me, and opening my unguarded mouth had sent a shaft of light into the darkened room, illuminating all. I had said too much - but it was that, or say nothing.

Such a courageous boy I was. To act brazenly under scrutiny and risk further injury to my wounded heart. Ah, the resilience, the blind, dumb persistence of youth.

I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )

How small and neat and comically serious the other men looked, with their grey-flecked crew cuts and their button-down collars and their brisk little hurrying feet! There were endless desperate swarms of them, hurrying through the station and the streets, and an hour from now they would all be still. The waiting mid-town office buildings would swallow them up and contain them, so that to stand in one tower looking out across the canyon to another would be to inspect a great silent insectarium displaying hundreds of tiny pink men in white shirts, forever shifting papers and frowning into telephones, acting out their passionate little dumb show under the supreme indifference of the rolling spring clouds.

Is it possible that that's all maturity is? Speaking better? Is it possible that everybody in the world, is just a dumb, stupid kid acting like a grown-up because they can sound like one and look like one? It almost seems easy.

That seemed crazy on the face of it, but slowly I began to realize that the bells and the confinement, the crazy sequences, the age-segregation, the lack of privacy, the constant surveillance, and all the rest of the national curriculum of schooling were designed exactly as if someone had set out to prevent children from learning how to think and act, to coax them into addiction and dependent behavior.

There were probably many factors that kept the relationship going and kept your love alive. There were all his promises. "I promise this will never happen again." You believed him the first time. And the second. As the abuse continued, he became increasingly remorseful, his promises more insistent. You continued to believe him; you wanted to believe him. After all, you loved him. Then there were all the apologies. He seemed truly sorry. You forgave him. Now, however, when you think back, you realize the apologies were conditional. They blamed you! "I'm sorry, but if only you hadn't..." They always made his abuse somehow your fault. You may have begun to believe this, and you may even remember apologizing to him. You began to believe that if you were careful about what you said or did, you could prevent the abuse from happening again. As the abuse escalated over time, the blaming became more obvious. "I didn't mean to hurt you, but if you just weren't so [stupid, ugly, careless, dumb, etc.], this would never have happened." Time after time you were made to believe that every act of violence or abuse was your fault. Day after day you were made to feel that you were unworthy of him.

Oh these dumb dumb dumb Okies, they'll never change, how com-pletely and how unbelievably dumb, the moment it comes time to act, this paralysis, scared, hysterical, nothing frightens em more than what they WANT- it's MY FATHER MY FATER MY FATHER all over again!

If you act out of love, whatever you do is both perfect and right. It doesn't matter if you're a deep thinker or a squirrel nut if you act out of love. Crap starts getting seriously screwed if something else gets in the way, something like fear or revenge or even victory or being famous or some other dumb thing. The only thing we need to do is figure out what we really love.

I really do believe the final act in play is a crisis in our financial institutions, which are doing such dumb, dumb things,

I might act stupid, but I wasn’t dumb.

The finest actor is he who play the comedy of life perfectly, as i aspire to do. To walk well, talk well, weep well, laugh well and die well, it is all pure acting, because in every man there is the dumb dreadful immortal spirit who is real- who cannot act, who-is and who steadily maintains an infinite though speechless protest against the body's lies

No way that was a act. She really is that gullible. She really is dumb as a sack of moondust." "Yet very sweet." Eve rolled her eyes toward him. "I think you have to have a penis to get that impression.

You can't live with the idea that someone might leave. So instead of being happy for me, like any normal person, you're pissed off because ooh, oh no, Hassan doesn't like me anymore. You're such a sitzpinkler. You're so goddamned scared of the idea that someone might dump you that your whole fugging life is built around not gettting left behind. Well, it doesn't work, kafir. I just - it's not just dumb, it's ineffective. Because then you're not being a good friend or a good boyfriend or whatever, because you're only thinking they-might-not-like-me-they-might-not-like-me, and guess what? When you act like that, no one likes you. There's your goddamned Theorem.

O woman, father says natural is beautiful so why do you redden your cheeks and blacken your eyes? Why do you remove the hair on your legs and draw them into your brows? Why do you hold your breath lest your stomach show and hold your fart lest they know that you’re a human? O woman, father says natural is beautiful so why do you straighten your hair to curl it next and pretend to orgasm so they think you enjoyed the sex? Why do you dumb yourself down and push your breasts up? Why do you smile when you’re told to and love when you don’t want to? When? When will you stop, woman? Father says natural is beautiful but that is doubtful for what does father know he’s only a fellow.

From our first day alive on this planet, they began teaching society everything it knows and experiences. It was all brainwashing bullshit. Their trio of holy catechisms is: faith is more important than reason; inputs are more important than outcomes; hope is more important than reality. It was designed to choke your independent thinking and acting—to bring out the lowest common denominator in people—so that vast amounts of the general public would literally buy into sponsorship and preservation of their hegemonic nation. Their greatest achievement was the creation of the two-party political system; it gave only the illusion of choice, but never offered any change; it promised freedom, but only delivered more limits. In the end, you got stuck with two leading loser parties and not just one. It completed their trap of underhanded domination, and it worked masterfully. Look anywhere you go. America is a nation of submissive, dumbed-down, codependent, faith-minded zombies obsessed with celebrity gossip, buying unnecessary goods, and socializing without purpose on their electronic gadgets. The crazy thing is that people don't even know it; they still think they're free. Everywhere, people have been made into silent accomplices in the government's twisted control game. In the end, there is no way out for anyone.

Light griefs can speak: deep sorrows are dumb."      —Seneca, Hippolytus, act ii. scene 3.] A

Jealousy makes people act dumb sometimes

He stared at her, struck dumb. It’s an act. It’s always been an act. She was not entirely the haughty, saucy woman she presented herself to be. She just worked very, very hard at pretending that she was. For some reason, this broke his heart.

It may well be that we, spectators, who are not divinely gifted as athletes, are the only ones able truly to see, articulate, and animate the experience of the gift we are denied. And that those who receive and act out the gift of athletic genius must, perforce, be blind and dumb about it -- and not because blindness and dumbness are the price of the gift, but because they are its essence.

The hoodlum-occultist is “sociopathic” enough to, see through the conventional charade, the social mythology of his species. “They’re all sheep,” he thinks. “Marks. Suckers. Waiting to be fleeced.” He has enough contact with some more-or-less genuine occult tradition to know a few of the gimmicks by which “social consciousness,” normally conditioned consciousness, can be suspended. He is thus able to utilize mental brutality in place of the simple physical brutality of the ordinary hooligan. He is quite powerless against those who realize that he is actually a stupid liar. He is stupid because spending your life terrorizing and exploiting your inferiors is a dumb and boring existence for anyone with more than five billion brain cells. Can you imagine Beethoven ignoring the heavenly choirs his right lobe could hear just to pound on the wall and annoy the neighbors? Gödel pushing aside his sublime mathematics to go out and cheat at cards? Van Gogh deserting his easel to scrawl nasty caricatures in the men’s toilet? Mental evil is always the stupidest evil because the mind itself is not a weapon but a potential paradise. Every kind of malice is a stupidity, but occult malice is stupidest of all. To the extent that the mindwarper is not 100 percent charlatan through-and-through (and most of them are), to the extent that he has picked up some real occult lore somewhere, his use of it for malicious purposes is like using Shakespeare’s sonnets for toilet tissue or picking up a Picasso miniature to drive nails. Everybody who has advanced beyond the barbarian stage of evolution can see how pre-human such acts are, except the person doing them. Genuine occult initiation confers “the philosopher’s stone,” “the gold of the wise” and “the elixir of life,” all of which are metaphors for the capacity to greet life with the bravery and love and gusto that it deserves. By throwing this away to indulge in spite, malice and the small pleasure of bullying the credulous, the mindwarper proves himself a fool and a dolt. And the psychic terrorist, besides being a jerk, is always a liar and a fraud. Healing is easier (and more fun) than cursing, to begin with, and cursing usually backfires or misfires. The mindwarper doesn’t want you to know that. He wants you to think he’s omnipotent.

He’s only an idiot if he acts on his dumb impulse; you, on the other hand, are unconditionally an idiot for insulting and alienating someone you were trying to help. Never anchor an attempt to be helpful with hurtful words.

You want people to take it seriously, but most people are still going to act like it's just some dumb thing you're doing and ask you about it in the way people do when they don't think you're ever going to finish what you started.

Children usually have a natural curiosity about the world and everything in it until they get to school and somebody throws them against the locker because they get A's and act intelligent. After that, some kids try to dumb it down and adapt.

And we were taught to play golf. Golf epitomizes the tame world. On a golf course nature is neutered. The grass is clean, a lawn laundry that wipes away the mud, the insect, the bramble, nettle and thistle, an Eezy-wipe lawn where nothing of life, dirty and glorious, remains. Golf turns outdoors into indoors, a prefab mat of stultified grass, processed, pesticided, herbicided, the pseudo-green of formica sterility. Here, the grass is not singing. The wind cannot blow through it. Dumb expression, greenery made stupid, it hums a bland monotone in the key of the mono-minded. No word is emptier than a golf tee. No roots, it has no known etymology, it is verbal nail polish. Worldwide, golf is an arch act of enclosure, a commons fenced and subdued for the wealthy, trampling serf and seedling. The enemy of wildness, it is a demonstration of the absolute dominion of man over wild nature.

I began to realize that the bells and the confinement, the crazy sequences, the age-segregation, the lack of privacy, the constant surveillance, and all the rest of the national curriculum of schooling were designed exactly as if someone had set out to prevent children from learning how to think and act, to coax them into addiction and dependent behavior.

Mistake not stupidity for courage. Do not be fear's slave, but its friend. Look. Think. Then act." '"Don't be a dumb fuck," I murmured.

So I did what I do best. I stared at her blankly and acted dumb.

It takes intelligence to act dumb.

Prayer in Benedictine spirituality is not an interruption of our busy lives nor is it a higher act. Prayer is the filter through which we learn, if we listen hard enough, to see our world aright and anew and without which we live life with souls that are deaf and dumb and blind.

I can't get my head around why I didn't just call your name that day. Why I just came tottering on behind, struggling for breath and dumb as a mute. If I call your name next time, will you please just turn around? You don't need to say 'yes, mum?' or anything like that. Just turn round so I can see you.

The idea that pornography is intrinsically exploitative and sexist is bizarre: pornography is just some fucking, after all. The act of having sex isn’t sexist, so there’s no way pornography can be, in itself, inherently misogynist. So no. Pornography isn’t the problem. Strident feminists are fine with pornography. It’s the porn industry that’s the problem. The whole thing is as offensive, sclerotic, depressing, emotionally bankrupt and desultory as you would expect a widely unregulated industry worth, at an extremely conservative estimate, $30 billion to be. No industry ever made that amount of money without being superlatively crass and dumb.

The media and educational system have dumbed the people down to a level hitherto unknown in the civilized world. They are modern-day zombie populations, led around by the nose—mentally so manipulated that they cannot think straight, much less act in their own self-interest, either as individuals or as societies and states. Both in spirit and in reality, they have become the tax-paying cash cows and playthings of an alien oligarchy.

...let it be remembered that most men live in a world of their own, and that in that limited circle alone are they ambitious for distinction and applause. Sir Mulberry's world was peopled with profligates, and he acted accordingly. Thus, cases of injustice, and oppression, and tyranny, and the most extravagant bigotry, are in constant occurrence among us every day. It is the custom to trumpet forth much wonder and astonishment at the chief actors therein setting at defiance so completely the opinion of the world. But there is no greater fallacy; it is precisely because they do consult the opinion of their own little world that such things take place at all, and strike the great world dumb with amazement.

We should admire heroic actions, encourage them and celebrate them; we should aspire towards incorporating them into our lives. But we should leave those people to be people, and to act like people—that’s a great thing they are doing, I really admire it—and spare the person from your dumb expectations and assumptions regarding things you have no data about.

You can kill the spell of identification just as easily as you can create it—if you lose the readers' sympathy for the character. You can lose reader sympathy by having your character commit acts of cruelty to another character with whom the readers identify more strongly or for whom they have strong sympathy. You can lose reader sympathy by having the character make dumb choices—acting at less than maximum capacity. The idiot in the horror story who responds to creepy noises by going into the attic armed only with a candle is an example. You can lose reader sympathy when a character seems too ordinary, is stereotyped, or doesn't struggle hard enough. The reader wants to cheer a fighter, not witness a milquetoast wallowing in, say, selfpity.

To remind myself to never go back to being careful, I made a list of new freedoms. It looked like this: I am willing to sound dumb I am willing to be wrong I am willing to be passionate about something that isn't perceived as cool I am willing to express a theory I am willing to admit I'm afraid I am willing to contradict something I've said before I'm willing to have a knee-jerk reaction, even a wrong one I am willing to apologize I'm perfectly willing to be perfectly human. The whole experience makes me wonder if the time we spend trying to become somebody people will love isn't wasted because the most powerful, most attractive person we can be, is who we already are; an ever-changing being that is becoming, and will never arrive, but has opinions about what is seen along the journey.

Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that

first, he called idiot savant. The type of person who is so smart in his or her field of expertise that their mind is literally elsewhere. In layman’s terms he explained that these people were smart in school and dumb on the bus. The second category was made up of perfectionists, people who were incapable of letting go of one task and moving on to another. These people were always playing catch-up, rarely rose to any real position of power, and needed to be managed properly. The third category, and the one to be most wary of, were the egomaniacs. These were the people who not only felt that their time was more important than anyone else’s, but who needed to prove it by constantly making others wait

In specific moments of ground-level clarity, I recognize the dumbing down of the nation for what it is: an act of charity committed specifically for knotheads like me.

You are not smart enough until you are smart enough to act dumb.

I am willing to sound dumb. I am willing to be wrong. I am willing to be passionate about something that isn’t perceived as cool.

If everyone had their own happiness as a foundational value, and acted on principles that enabled them to be truly happy, what a wonderful world it would be!

For all these reasons (...) working class intellectuals like big words and their sentence formation is excessively ornate. It's what they think of as 'smart'. Pomposity. It's an embarrassing condition of being unsophisticated and not knowing what is truly smart which is simplicity and modernism; certainly it was twenty years ago that I learned to write. But the working class person is above all afraid to seem dumb so in acting 'smart' and footnoting everything they betray the insecurity and weightiness of the unexperienced conclusion, which is an imitation of what writers are like. In general I think writers are not smart. They are something else and each writer can fill in a word here, but smart is not what that word is.

From the first time I set eyes on Marilyn, I thought she was just wonderful. On the silver screen, her lovely skin and platinum hair were luminescent and fantastic. I loved the fantasy of it. In the fifties, when I grew up. Marilyn was an enormous star, but there was such a double standard. The fact that she was such a hot number meant that many middle-class women looked down on her as a slut. And since the publicity machine behind her sold her as a sex idol, she wasn’t valued as a comedic actor or given credit for her talent. I never felt that way about her, obviously. I felt that Marilyn was also playing a character, the proverbial dumb blonde with the little-girl voice and big-girl body, and that there was a lot of smarts behind the act. My character in Blondie was partly a visual homage to Marilyn, and partly a statement about the good old double standard.

It'll always be you and me Krys. No matter what." That's better than I love you, better than I miss you or I'm sorry. Why? Because it says that no matter how dumb and spoiled I act or how misunderstood she is, that we'll be together.

If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?

Information about toxicity in food is widely available, but people don’t want to hear it. Once in a while a story is spectacular enough to break through and attract media attention, but the swell quickly subsides into the general glut of bad news over which we, as citizens, have so little control. Coming at us like this — in waves, massed and unbreachable—knowledge becomes symbolic of our disempowerment—becomes bad knowledge—so we deny it, riding its crest until it subsides from consciousness. . . . In this root sense, ignorance is an act of will, a choice that one makes over and over again, especially when information overwhelms and knowledge has become synonymous with impotence. I would like to think of my “ignorance” less as a personal failing and more as a massive cultural trend, an example of doubling, of psychic numbing, that characterises the end of the millennium. If we can’t act on knowledge, then we can’t survive without ignorance. So we cultivate the ignorance, go to great lengths to celebrate it, even. The faux-dumb aesthetic that dominates TV and Hollywood must be about this. Fed on a media diet of really bad news, we live in a perpetual state of repressed panic. We are paralyzed by bad knowledge, from which the only escape is playing dumb. Ignorance becomes empowering because it enables people to live. Stupidity becomes proactive, a political statement. Our collective norm.

Suppose I should say to a wrestler, 'Show me your muscle'. And he should answer me, 'See my dumb-bells'. Your dumb-bells are your own affair; I want to see the effect of them. "Take the treatise 'On Choice', and see how thoroughly I have perused it. I am not asking about this, O slave, but how you act in choosing and refusing, how you manage your desires and aversions, your intentions and purposes, how you meet events -- whether you are in harmony with nature's laws or opposed to them. If in harmony, give me evidence of that, and I will say you are progressing; if the contrary, you may go your way, and not only comment on your books, but write some like them yourself; and what good will it do you?

Writing can be thankless. People treat writing like it’s some elegant act but it’s usually lonely and isolating. You will struggle over a piece of writing and then get to set and some dumb actor will say it wrong or immediately want to change it.

In the UK we see the skyscraper-high bills in America as the Ghost of Christmas Future unless we fight to stop the NHS getting privatized. Politicians may act dumb, but they’re not, and we’ll be lured very stealthily into this particular gingerbread house.

But then human beings only understood each other in the first place by pretending. You didn't make predictions about people by modeling the hundred trillion synapses in their brain as separate objects. Ask the best social manipulator on Earth to build you an Artificial Intelligence from scratch, and they'd just give you a dumb look. You predicted people by telling your brain to act like theirs. You put yourself in their place. If you wanted to know what an angry person would do, you activated your own brain's anger circuitry, and whatever that circuitry output, that was your prediction. What did the neural circuitry for anger actually look like inside? Who knew? The best social manipulator on Earth might not know what neurons were, and neither might the best Legilimens.

There are times when certain cards sit unclaimed in the common pile, when certain properties become available that will never be available again. A good businessman feels these moments like a fall in the barometric pressure. A great businessman is dumb enough to act on them even when he cannot afford to.

Now it’s time to make the masts and booms out of toothpicks, then tie very fine wire around the ends of the toothpicks to act as hinges. This is also very easy, unless you have human hands, then it will be unbelievably fucking exasperating because everything you’re working with is fucking miniscule and dumb.

Billy’s whistle isn’t part of the act, which he doesn’t think of as an act but as his dumb self, the one he shows to guys like Nick and Frank and Paulie. It’s like a seatbelt. You don’t use it because you expect to be in a crash, but you never know who you might meet coming over a hill on your side of the road.

Dissonance theory also exploded the self-flattering idea that we humans, being Homo sapiens, process information logically. On the contrary: If the new information is consonant with our beliefs, we think it is well founded and useful: "Just what I always said!" But if the new information is dissonant, then we consider it biased or foolish: "What a dumb argument" So powerful is the need for consonance that when people are forced to look at disconfirming evidence, they will find a way to criticize, distort, or dismiss it so chat they can maintain or even strengthen their existing belief. This mental contortion is called the "confirmation bias

The disciples finally begin to get a grasp that maybe God can become flesh and dwell among us, maybe God can be a man, and then they come back and not only is God a man, but He's acting like an idiot! He's hanging out with a bunch of kids. He's blessing them, you know. And you think, How do you bless children? Well, the best way I know is that you pick them up and you just throw them as high as you can, and you catch them right before they splatter. You get down on all fours and you run around the room and you let them ride you and you buck them off. … You put your mouth against their bellies and you make funny noises. Here's Jesus probably doing all this business. His disciples were humiliated! And they said, “You should not be making such a fool of Yourself!” And Jesus says, “Here, look, look, fellas. I'll call the shots here. I may be dumb, but I am God. And I'll tell you what else, if you wanna come into My kingdom, you'll come in like one of these or you won't come in at all.

I knew exactly when the fever had struck. I had been reading Hamlet in an English class at school. Everyone else stumbled, puzzling over the strange words. Then it had been my turn, and the language had suddenly woken in me, so that my heart and lungs and tongue and throat were on fire. Later, I understood that this was why people spoke of Shakespeare as a god. At the time, I felt like weeping. Somebody had released me from dumbness, from utter isolation. I knew that I could live inside these words, that they would give me a a shape, a shell. I had no idea, then, that I would never play Hamlet…. I’m an actor, and in a good year I earn eleven thousand pounds for dressing up as a carrot.

Do not force yourself to want less to appease other people. Do not dumb down your needs so you won’t want to ask for more. You want what you want. Ask for it. A NO will not kill you. Ask for more, because if the fear of disappointment stops you from going for what you want, then you are choosing failure in advance. It’s a self-fulfilling prophecy. If we don’t think that we should ask for the thing we want, whether it’s a promotion from our boss, or more acts of service from our partner, or more attention from our friends, then we are opting for the NO, instead of trying for a YES. If we get the NO, we are still in the same place we are, losing nothing. But what if we got the YES, which would lead us closer to where we want to be?

She observed the dumb-show by which her neighbour was expressing her passion for music, but she refrained from copying it. This was not to say that, for once that she had consented to spend a few minutes in Mme. de Saint-Euverte's house, the Princesse des Laumes would not have wished (so that the act of politeness to her hostess which she had performed by coming might, so to speak, 'count double') to shew herself as friendly and obliging as possible. But she had a natural horror of what she called 'exaggerating,' and always made a point of letting people see that she 'simply must not' indulge in any display of emotion that was not in keeping with the tone of the circle in which she moved, although such displays never failed to make an impression upon her, by virtue of that spirit of imitation, akin to timidity, which is developed in the most self-confident persons, by contact with an unfamiliar environment, even though it be inferior to their own. She began to ask herself whether these gesticulations might not, perhaps, be a necessary concomitant of the piece of music that was being played, a piece which, it might be, was in a different category from all the music that she had ever heard before; and whether to abstain from them was not a sign of her own inability to understand the music, and of discourtesy towards the lady of the house; with the result that, in order to express by a compromise both of her contradictory inclinations in turn, at one moment she would merely straighten her shoulder-straps or feel in her golden hair for the little balls of coral or of pink enamel, frosted with tiny diamonds, which formed its simple but effective ornament, studying, with a cold interest, her impassioned neighbour, while at another she would beat time for a few bars with her fan, but, so as not to forfeit her independence, she would beat a different time from the pianist's.

The providence that’s in a watchful state Knows almost every grain of Plutus’ gold, Finds bottom in th’ incomprehensive deeps, Keeps place with thought, and almost, like the gods, Does thoughts unveil in their dumb cradles. There is a mystery (with which relation Durst never meddle) in the soul of state, Which hath an operation more divine Than breath or pen can give expressure to.” (Act 3, Sc.

Evolutionary biologist John Hartung asks us to consider people who are stuck in a position that they might otherwise perceive as unfair or beneath their station (Hartung, 1987). Consider a man who holds a job that he knows does not take full advantage of his talents or a wife who knows that she is more intelligent than her husband. Acting as though your job or your spouse is beneath you could put your employment or your marriage in jeopardy. Your boss might fire you for insubordination. Your spouse might seek someone with whom he or she feels more comfortable and less threatened. The adaptive solution that Hartung proposes is called deceiving down. Deceiving down is not “playing dumb” or pretending to be less than you are. Instead, it involves an actual reduction in self-confidence to facilitate acting in a submissive, subordinate manner.

Safe! All I wanted to do was keep them safe. How do you protect your brothers at eight-fucking-teen? How do you make enough money, get enough respect to do that? I wasn’t smart, Eve. I’m a big, dumb fucking bastard. I couldn’t even get a job as a bagger at the A&P. I wanted to make their lives worth living. That’s what they’d done for me—made my life worth living. They’re my family. I can’t…I just can’t.” Beckett pounded his chest. “They would’ve been better off without me,” he continued. “Blake would still be homeless, but Cole made his own damn way. But I wanted in. I wanted to belong. I was too fucking selfish to walk away. I should have walked away. But I didn’t and now—” Beckett choked on a deep, angry sob. “Now, they’re paying for it. All my stupid decisions. They’ll die tonight. They’ll both die, and I can’t stop it. I can’t plug it with money. I can’t bring them back from the dead, even if I act tough or kill more people.

Shirogane: "This is a brand-new show called 'Naze? Naze? Neeze!' " I'm Shirogane, the teacher of course.♥" " We're covering Arithmethic!" "Here we have Akira-kun and Kengo-kun, who will tackle the questions with us!" Kengo: "Hello there!" ^_^ Akira: "I'm a high school student, by the way!" "Why do I have to do arithmethic?!" Shirogane: "And here's my assistant, kokuchi!" Kokuchi: "HISS!" Akira: "HEY! I don't get why a kokuchi is here...Besides, does it even remotely understand our language." Shirogane:"Here's the first question" "Akira-kun, what's three times four?" Akira: "Twelve..." Shirogane: "CORRECT!!!" "Wonderful Akira-kun! Fantastic Job!" "You're so smart. Can I call you genius from now on?" Akira: "Only if you want a pencil shoved in your eye!" "Stop making fun of me right now!" Shirogane: "Let's move on to the next question.♥ (Shirogane spinning) Akira: "Why are you so hyper today?" "You're acting like a different person!" Shirogane: "Kengo-kun what is 23 minus 15?" Kengo: "Twe--" Shirogane: "WRONG." " If you can't solve a simple problem like this, you don't even deserve to be considered human. You'd be better off dead. SO JUST DIE." Kengo: "I made a small mistake! No need to walk all over me like that!!" Shirogane: "Let me explain this problem so that stupid Kengo-kun can understand." Kengo: "I...I am not stupid!" Shirogane: "First, you have 23 kokuchi..." "...You take 15 from the 23..." "...AND KILL THEM" (Shirogane killing the Kokuchi) Kengo: "OMG, Akira! Can you stop him?!" Akira: "Well...Why should I? I don't really care...I'm tired." Kengo: "AKIRA!!" (Shirogane covered in Kokuchi blood) Shirogane: Now then! How many kokuchi do we have left now, Kengo-kun." (Kokuchi shivers) Kengo: "SO GROSS! EI--EIGHT! THE ANSWER IS EIGHT!" Shirogane: "Yes you are correct! Well, the dumb boy finally understood the problem, and it's time for us to say goodbye!" "Take care and see you next week!" (Akira sleeping) Kengo: Not likely..." Shirogane: "GOODBYE!

We might call this existential paradox the condition of individuality finitude. Man has a symbolic identity that brings him sharply out of nature. He is a symbolic self, a creature with a name, a life history. He is a creator with a mind that soars out to speculate about atoms and infinity, who can place himself imaginatively at a point in space and contemplate bemusedly his own planet. This immense expansion, this dexterity, this ethereality, this self-consciousness gives to man literally the status of a small god in nature, as the Renaissance thinkers knew. Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways-the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days-that's something else.

QUOTES AND THOUGHTS FROM SEEMA & FRIENDS _________________________________________________ On work and career (some paraphrasing involved): _________________________________________________ “Bosses are always jerks. It’s a job requirement.” ———- “Don’t do dumb shit.” ———- Never ever lose sight of priorities. Food always comes first. ———- An itch started in her chest. Go away, she crossly ordered her conscience. It had a habit of popping its head out at the most inconvenient times. The itch became a tickle rising to her nose. Nope, not her conscience. She was going to sneeze. ———- It’s your God-given right as an employee to whine about bosses. _______________________________________________ On romance and families (some paraphrasing involved): _______________________________________________ “Smell is very important,” Gayathri agreed, tone grave. “One of the first things I notice about a man.” ———- “Men—no matter how awful they look—always believe they deserve the hottest girl on the planet.” “What are the rest of us supposed to do?” asked Seema, glumly. Gayathri shrugged. “Act like we are the hottest girl on the planet. Confidence goes a long way.” ———- Seema had never been able to tell where friendly conversation ended and the banter of romance started. Did the delight in his gaze when it landed on her mean something more than casual amiability? What about his hand cupping her cheek to check for fever? The arm he’d wrapped around her shoulders? Was she gonna have to wait until he initiated a lip lock to be certain? Could she plant one on him? What if he ran, screaming in horror? ———- “You just have to look the other way on some things,” Gayathri advised. “Pretence is the glue which holds families together.” ———-

Dissonance theory exploded the self-flattering idea that we humans, being Homo sapiens, process information logically. On the contrary; if new information is consonant with our beliefs, we think it is well founded and useful—“Just what I always said!” But if the new information is dissonant, then we consider it biased or foolish—“What a dumb argument!” So powerful is the need for consonance that when people are forced to look at disconfirming evidence, they will find a way to criticize, distort, or dismiss it so that they can maintain or even strengthen their existing belief. This mental contortion is called the “confirmation bias.

Animals lack a symbolic identity and the self consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being … the knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one’s dreams and even the most sun-filled days - that’s something else.

Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.

Just spending time together is not enough, he said. The sorts of activities you engage in are vital. Graham concluded you are driven to grow, to expand, to add to your abilities and knowledge. When you satisfy this motivation for self-expansion by incorporating aspects of your romantic partner or friend into your own skills, philosophies and self, it does more to strengthen your bond than any other act of love. This opens the door to one of the best things about misattribution of emotion. If, like those in the study, you persevere through a challenge - be it remodeling a kitchen yourself or learning how to dance the Dougie - that glowing feeling of becoming wiser, that buoyant sense of self-expansion, will be partially misattributed to the presence of the other person.

If one more person tells me that “all gender is performance,” I think I am going to strangle them. Perhaps most annoying about that sound-bite is the somewhat snooty “I-took-a-gender-studies-class-and-youdidn’t” sort of way in which it is most often recited, a magnificent irony given the way that phrase dumbs down gender. It is a crass oversimplification, as ridiculous as saying all gender is genitals, all gender is chromosomes, or all gender is socialization. In reality, gender is all of these things and more. In fact, if there’s one thing that all of us should be able to agree on, it’s that gender is a confusing and complicated mess. It’s like a junior high school mixer, where our bodies and our internal desires awkwardly dance with one another, and with all the external expectations that other people place on us. Sure, I can perform gender: I can curtsy, or throw like a girl, or bat my eyelashes. But performance doesn’t explain why certain behaviors and ways of being come to me more naturally than others. It offers no insight into the countless restless nights I spent as a pre-teen wrestling with the inexplicable feeling that I should be female. It doesn’t capture the very real physical and emotional changes that I experienced when I hormonally transitioned from testosterone to estrogen. Performance doesn’t even begin to address the fact that, during my transition, I acted the same, wore the same T-shirts, jeans, and sneakers that I always had, yet once other people started reading me as female, they began treating me very differently. When we talk about my gender as though it were a performance, we let the audience—with all their expectations, prejudices, and presumptions—completely off the hook.

Gracie Allen wasn’t as dumb as she seemed on the air. She proved that in 1939, appearing on the intellectual quiz show Information, Please, and holding her own with the experts. It takes a keen intelligence to play a dumb role that long and well, but Gracie had more than that. From the beginning, she had a singular ability to make audiences love her. “The audience found her, I didn’t,” said George Burns in a Playboy interview years after her death. The crowds they played to in the early ’20s, when they were “just a lousy small-time act,” defined what Gracie Allen was and would be for the next 35 years. The audience wouldn’t stand for it if her lines required sarcasm or spite. Burns learned that if he blew a puff of cigar smoke in Gracie’s direction, “the audience would hate me.” As he told the interviewer: “She was too dainty, too ladylike,” for malice or mean humor. “She was a beautiful little girl, like a little doll, a little Irish doll.

Like who?” said Sirius impatiently. “Listen, your dad’s been hurt while on duty for the Order and the circumstances are fishy enough without his children knowing about it seconds after it happened, you could seriously damage the Order’s —” “We don’t care about the dumb Order!” shouted Fred. “It’s our dad dying we’re talking about!” yelled George. “Your father knew what he was getting into, and he won’t thank you for messing things up for the Order!” said Sirius angrily in his turn. “This is how it is — this is why you’re not in the Order — you don’t understand — there are things worth dying for!” “Easy for you to say, stuck here!” bellowed Fred. “I don’t see you risking your neck!” The little color remaining in Sirius’s face drained from it. He looked for a moment as though he would quite like to hit Fred, but when he spoke, it was in a voice of determined calm. “I know it’s hard, but we’ve all got to act as though we don’t know anything yet. We’ve got to stay put, at least until we hear from your mother, all right?

Can I tell the ladies you’ll be visiting?” Dixon looked back at the cart as if it were a dead body. “If you got some rope, I could clear that chimney for you.” “I could get some rope.” “Don’t buy it. Borrow some from Henry the Fisher at the south docks. He ain’t using it today. Tell him it’s for me. He’ll be…” He looked at her and chuckled. “How about I go get it.” “Whatever you think is best.” “Best not to send a woman who looks like you across town to a surly fisherman’s bar.” He stared at her a moment and shook his head. “What?” “You’re a beautiful woman, Gwen.” “Thank you, Dixon.” “What I meant is that no one should ever mistake you for a man.” “I don’t think anyone ever has.” “You keep acting this way and they might. For a second there I did.” “That’s not good news for a woman in my profession.” “How do you think it makes me feel? Just got a new job and discovered I’m blind all in the same day.” “Just so long as you’re not deaf and dumb.” “No promises. You get me as I am.” “I’ll take it.

...we realized with astonishment that whereas our group—or to use Gustav's favorite expression: our detachment—as monsters of forward progress was playing the role of pioneers in a world only hesitatingly liberating itself from the controlling machinery of goodness, "Herman" had all this while been acting as a fanatic obsessed with the centripetal forces of restraint. And whereas our techniques—having realized in the wake of our sorry experiences that we were not questing heroes but merely dumb victims of the thinking mind—were based on paraphiliac fulfillment, unbridled pursuit of pleasure, the ceaseless apocatastasis of an Eden missing from primal imagination, and took refuge in transgression, Herman's deliberately paltry means were called into being by hubris, a hubris that believed in the invincibility of weakness. We realized that even as we (again only Gustav managed to find the right words) brutalized things, violating their frail integrity precisely because of their perfection, "Herman," driven by the pressures of ancient ingrained compulsions, managed to monumentalize destructiveness.

The idea that pornography is intrinsically exploitative and sexist is bizarre: pornography is just “some fucking”, after all. The act of having sex isn’t sexist so there’s no way pornography can be, in itself, inherently misogynist. So no. Pornography isn’t the problem. Strident feminists are fine with pornography. It’s the porn industry that’s the problem. The whole thing is as offensive, sclerotic, depressing, emotionally bankrupt and desultory as you would expect a widely unregulated industry worth, at an extremely conservative estimate, $30 billion to be. No industry ever made that amount of money without being superlatively crass and dumb. But you don’t ban things for being crass and dispiriting. If you did, we would have to ban the Gregg’s Mega Sausage Roll first - and we would have a revolution on our hands. No. What we need to do is effect a 100 per cent increase in the variety of pornography available to us. Let’s face it: the vast majority of porn out there is as identikit and mechanical as fridge-freezers rolling off a production line. And there are several reasons why this is bad for everyone - men and women equally.

I’ve put down half a pitcher of water by the time she comes to take my order. She fills another pitcher and sets it in front of me, standing with her pen in her hand, distracted, waiting for me to order. It’s early afternoon and well north of 100 degrees. Perusing the menu, I comment on the heat. “Man, it’s hot out there.” Setting her order pad down on the counter, crossing her arms, tapping the back of her pen against her lower lip, she looks out the window at my bike leaning there. Her eyes drift to mine with that look women can give men. You know the look, the one that says, “I’m wondering if you’re trying to act dumb, or if you really might be that dumb.” Not necessarily mean, just curious. I smile sheepishly beneath the pressure of the question behind her look. Every man reading these words knows exactly what I’m talking about here. You get the look, so you know you’ve said or done something really stupid, but you don’t have a clue what it is you’ve done or said that is so outrageously idiotic. Which just makes it worse. She sees all this wash across my face, and a small smile plays at the corners of her face. Still tapping the pen against her lower lip, she brings her elbows down to rest on the bar, leaning in a little closer to me, as if letting me in on her secret. “Honey, it’s June. It’s the hottest month in the Sonoran Desert.” Pausing, she looks again at my bicycle leaning against her window. “You’re riding a bicycle across the black asphalt in the hottest desert in the hottest month.” She pauses there, looking into my eyes, raising one eyebrow, letting me know a question is coming. “What, exactly, did you expect?” Hmmm. Good point. I might have heard those words whispered to me by the desert itself earlier today. “Right,” I say, closing the menu and handing it to her, keeping my eyes on hers. “I’ll take the burger.” We smile at each other as she takes the menu.

In Ahab and in his beatnik, quasi-criminal prototype, Jackson (in 'Redburn'), Melville gave expression both to the megatechnic 'Khans' of the global Pentagon and to the counter-forces they had brought into being. And the fact that Ahab's torment and hatred had gone so far that he had lost control of himself and, through his own mad reliance upon power, had become dominated completely by the creature that had disabled him, only makes Melville's story a central parable in the interpretation of modern man's destiny. In Ahab's throwing away compass and sextant at the height of the chase, Melville even anticipated the casting out of the orderly instruments of intelligence, so characteristic of the counter-culture and anti-life happenings of today. Similarly, by his maniacal concentration, Ahab rejects the inner change that might have saved the ship and the crew, when he turns a deaf ear to the pleas of love uttered by sober Starbuck in words and by Pip, a fright-shocked child and an African primitive, in dumb gesture. Outwardly mankind is still committed tot he grim chase Melville described, lured by the adventure, the prospect of oil and whalebone, the promptings of pride, an above all by a love-rejecting pursuit of power. But it has also begun consciously to face the prospect of total annihilation, which may be brought about by the captains who now have command of the ship. Against that senseless fate every act of rebellion, every exhibition of group defiance, every assertion of the will-to-live, every display of autonomy and self-direction, at however primitive a level, diminishes the headway of the doom-threatened ship and delays the fatal moment when the White Whale will shatter its planks and drown the crew. All the infantile, criminal, and imbecile manifestations in the arts today, everything that now expresses only murderous hatred and alienation, might still find justification if they performed their only conceivable rational function-that of awakening modern man sufficiently to his actual plight, so that he seizes the wheel and, guided by the stars, heads the ship to a friendlier shore.

Marlboro Man and Tim were standing in the hall, not seven steps from the bathroom door. “There she is,” Tim remarked as I walked up to them and stood. I smiled nervously. Marlboro Man put his hand on my lower back, caressing it gently with his thumb. “You all right?” he asked. A valid question, considering I’d been in the bathroom for over twenty minutes. “Oh yeah…I’m fine,” I answered, looking away. I wanted Tim to disappear. Instead, the three of us made small talk before Marlboro Man asked, “Do you want something to drink?” He started toward the stairs. Gatorade. I wanted Gatorade. Ice-cold, electrolyte-replacing Gatorade. That, and vodka. “I’ll go with you,” I said. Marlboro Man and I grabbed ourselves a drink and wound up in the backyard, sitting on an ornate concrete bench by ourselves. Miraculously, my nervous system had suddenly grown tired of sending signals to my sweat glands, and the dreadful perspiration spell seemed to have reached its end. And the sun had set outside, which helped my appearance a little. I felt like a circus act. I finished my screwdriver in four seconds, and both the vitamin C and the vodka went to work almost instantly. Normally, I’d know better than to replace bodily fluids with alcohol, but this was a special case. At that point, I needed nothing more than to self-medicate. “So, did you get sick or something?” Marlboro Man asked. “You okay?” He touched his hand to my knee. “No,” I answered. “I got…I got hot.” He looked at me. “Hot?” “Yeah. Hot.” I had zero pride left. “So…what were you doing in the bathroom?” he asked. “I had to take off all my clothes and fan myself,” I answered honestly. The vitamin C and vodka had become a truth serum. “Oh, and wipe the sweat off my neck and back.” This was sure to reel him in for life. Marlboro Man looked at me to make sure I wasn’t kidding, then burst into laughter, covering his mouth to keep from spitting out his Scotch. Then, unexpectedly, he leaned over and planted a sweet, reassuring kiss on my cheek. “You’re funny,” he said, as he rubbed his hand on my tragically damp back. And just like that, all the horrors of the evening disappeared entirely from my mind. It didn’t matter how stupid I was--how dumb, or awkward, or sweaty. It became clearer to me than ever, sitting on that ornate concrete bench, that Marlboro Man loved me. Really, really loved me. He loved me with a kind of love different from any I’d felt before, a kind of love I never knew existed. Other boys--at least, the boys I’d always bothered with--would have been embarrassed that I’d disappeared into the bathroom for half the night. Others would have been grossed out by my tale of sweaty woe or made jokes at my expense. Others might have looked at me blankly, unsure of what to say. But not Marlboro Man; none of it fazed him one bit. He simply laughed, kissed me, and went on. And my heart welled up in my soul as I realized that without question, I’d found the one perfect person for me.